GRADE LEVEL—MEDIUM EASY Alfred’s Growing Band Series ...€¦ · Alfred’s Growing Band Series...

This movement, from Symphony No. 7, is one of Beethoven’s most famous works. Care was taken to adhere to the composer’s intent with few expectations (the ﬁrst is found in the opening statement, where the orchestration was raised an octave for purposes of range). The dynamics are extremely important. In measure 27 , the alto clarinet, tenor sax, baritone sax and baritone horn can stagger their breathing to create the long line intended. If the third trumpet part at measure 57 is too high for some players, it may be tacet at the conductor’s discretion. At measure 79, there should be only one player in the high register. It, along with the ﬂutes, will provide the de- sired effect. Starting at measure 75, the bass drum (which isn’t in Beethoven’s original score) should blend in with the timpani. Alfred’s Growing Band Series GRADE LEVEL—MEDIUM EASY INSTRUMENTATION 1 — Conductor Score 10— Flute 2 — Oboe 2 — Bassoon 4 — 1st B b Clarinet 4 — 2nd B b Clarinet 4 — 3rd B b Clarinet 1 — E b Alto Clarinet 2 — B b Bass Clarinet 2 — 1st E b Alto Saxophone 2 — 2nd E b Alto Saxophone 2 — B b Tenor Saxophone 1 — E b Baritone Saxophone 3 — 1st B b Trumpet 3 — 2nd B b Trumpet 3 — 3rd B b Trumpet 2 — 1st F Horn 2 — 2nd F Horn 2 — 3rd F Horn 2 — 1st Trombone 2 — 2nd Trombone 2 — 3rd Trombone 2 — Baritone T.C. 2 — Baritone B.C. 4 — Tuba 1 — Percussion (Bass Drum) 1 — Timpani Symphony No. 7 (Second Movement) Ludwig van Beethoven Arr. by John Cacavas Preview Only Legal Use Requires Purchase

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Transcript of GRADE LEVEL—MEDIUM EASY Alfred’s Growing Band Series ...€¦ · Alfred’s Growing Band Series...

This movement, from Symphony No. 7, is one of Beethoven’s most famous works. Care was taken to adhere to the composer’s intent with few expectations (the first is found in the opening statement, where the orchestration was raised an octave for purposes of range).The dynamics are extremely important. In measure 27 , the alto clarinet, tenor sax, baritone sax and baritone horn can stagger their breathing to create the long line intended. If the third trumpet part at measure 57 is too high for some players, it may be tacet at the conductor’s discretion. At measure 79, there should be only one player in the high register. It, along with the flutes, will provide the de-sired effect. Starting at measure 75, the bass drum (which isn’t in Beethoven’s original score) should blend in with the timpani.

Alfred’s Growing Band Series

GRADE LEVEL—MEDIUM EASY

INSTRUMENTATION

1 — Conductor Score10— Flute2 — Oboe2 — Bassoon4 — 1st Bb Clarinet4 — 2nd Bb Clarinet4 — 3rd Bb Clarinet1 — Eb Alto Clarinet2 — Bb Bass Clarinet2 — 1st Eb Alto Saxophone2 — 2nd Eb Alto Saxophone2 — Bb Tenor Saxophone1 — Eb Baritone Saxophone3 — 1st Bb Trumpet

3 — 2nd Bb Trumpet3 — 3rd Bb Trumpet2 — 1st F Horn2 — 2nd F Horn2 — 3rd F Horn2 — 1st Trombone2 — 2nd Trombone2 — 3rd Trombone2 — Baritone T.C.2 — Baritone B.C.4 — Tuba1 — Percussion (Bass Drum)1 — Timpani

Symphony No. 7(Second Movement)

Ludwig van Beethoven

Arr. by John Cacavas

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