Goetia Girls Com Seere

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SEERIE LUNG-TA: The Seventieth Spirit is Seere, Sear, Seior, Seir, Seidhr or Seerie. She is a MightyPrincess, and powerful, under AMAYAMONA, Shaman Queen of the far East Oriental. She appears in the

form of a beautiful naked teenage Tibetan Girl, riding upon a winged Mare or to manifest as a wingedMare with the head of a Girl whose bare breasts to be seen, with the tail of a Peacock at times, as well asto often appear as a living Rocking Horse or that of a bound Pony-Girl. However, she often manifests as

a Tibetan Cowgirl of a Gunfighter Centauress, or to be riding a winged horse whose abode is that ofScientologist Kabbalah Clan Hollywood, which she will relate she had migrated to after fleeing Tibet

with the Daial Lama during the Chinese invasion of her land; she has an avid liking for SpaghettiWestern's and popcorn.

Some will say, when to Conjure her amidst their Triangle-of-Art Imagination, that she looks like a NativeAmerican babe, but then the Tibetan's do have an ancient ancestral genetic link with their Amerindian

kin.

Her office is to go and come; and to bring abundance of things to pass on a sudden, and to carry oneupon her back, or to carry anything else wherever you would have it go, or where you would have it to

come from, but only when she has been carnally satisfied via those Erotic Lucid Dreams she willinduce as a most salacious Succubus Genie.

She can pass over the whole Earth and to travel the Multiverse throughout Space-Time whether into thefar distant Past or that of the Future as well as anywhere in the Present in the twinkling of a

Chintamanti-Stone Seers Eye; for she is the personification of the Lung-ta (Wind-Horse) Unmarked,Marked State operator. Ones (Chintamanti Stone) Singular Eyed Consciousness at the Quantum level is

pure Information and everything is made of Light and likewise hence too Information, which can beaccessed via Conscious Dreaming; for ones own Brain is as a 'Quantum-Computer'. She will take onethrough the Unmarked State Gateways of the void into other Marked State Universes as a Skywalking

Dakini. She also gives true relation of all sorts of theft, and of hidden Treasure, and of many otherthings. She is of an indifferent good nature. One will find her to be most willing to do anything, which

the Exorcist desires. She governs 26 Legions of salacious Succubae like her self.


CRITICAL PARANOIAC ROCKING HORSE OFGOETIA W-UNDERLAND

The Paranoiac-Critical Method is a Surrealist Technique, which was developed by Salvador Dal in theearly 1930s. Dali employed its Methodology when producing his paintings and other artworks of

Wonderland Genius, especially those, which involved optical illusions and other multiple images whoseinsight of technique Alice did ask a Gnat to reveal,

"All right, said the Gnat, half way up that bush, youll see a 'Rocking-Horse-Fly,' if you look. Its madeentirely of Wood, and gets about by swinging itself from Branch to Branch."

The Surrealists related theories of Psychology to the processes of Subconscious driven Creativity andthe production of Art. In the mid-1930s Andr Breton wrote about a fundamental crisis of the object.

The object began being thought of not as a fixed external object but also as an extension of ourSubjective Self, which asks the question, What does it live on? Alice asked, with great curiosity.

One of the types of 'Food' objects manifested in Surrealism was the Phantom Object such as dancingFlames, Ink Spills, Scribbles and Cracked Pavements for example; according to Mad Hatter Dal, these

objects have a minimum of Linear Mechanical meaning, but when viewed by ones Mind it evokesPhantom Images, which are the result of instantaneous Subconscious Associative acts. The Paranoiac-Critical arose from similar Surrealistic experiments with Psychology and the creation of images such asMax Ernsts Frottage Technique involving rubbing pencil or chalk on paper over a textured surface and

interpreting the Phantom Images visible in the texture on the paper, which be all, Sap and sawdust,


said the Gnat. Go on with the list.

The aspect of Paranoia that Dal was interested in and which helped inspire the Method of Techniquewas the ability of ones brain to perceive 'Associative links of Correspondence' between things, whichrationally are not at all linked. Dal described the Paranoiac-Critical Method as a "spontaneous method

of irrational knowledge based on the critical and systematic objectivity of the associations andinterpretations of delirious phenomena."

Alice looked up at the Rocking-Horse-Fly with great interest, and made up her mind that it must havebeen just repainted, it looked so bright and sticky; and then she went on. "And theres the Dragon-fly."

Employing the Paranoia Critical Method when creating a work of Art uses an 'Active' process of onesMind to Visualise Separate Images such as a Chinese 'Dragon' and a Household 'Fly' in ones work to

thereby incorporate these apparently disassociated objects into the final product of fusion. An exampleof the resulting work is a Double-Image or Multiple-Image in which an Ambiguous Image can beinterpreted in different ways. Andr Breton hailed the method, saying that Dals Paranoiac-Critical

Method was an "instrument of primary importance" and that it "has immediately shown itself capable ofbeing applied equally to Painting, Poetry, the Cinema, the construction of typical Surrealist Objects,Fashion, Sculpture, the History of Art, and even, if necessary, all manner of exegesis." However, thetechnique its self is nothing new, for Shamans have been utilising Split-Screen-Vision perception to

Sorcerer Seer into other realities since the dawning of Humanity, but it does require one to perceive in adifferent way, "Look on the branch above your head, said the Gnat, and there youll find a snap-dragon-

fly. Its body is made of plum-pudding, its wings of holly-leaves, and its head is a raisin burning inbrandy."

Critical Paranoia is a Method of establishing a Creative state of Self-Induced Psychosis, which nearsthe state of Trance. Consider the process akin to forcing a Waking Dream, a Conscious Transformation

led by Paranoid scrutiny of what presents itself in the surroundings. The simplest version, hardlycritical, hardly paranoid, begins with the Childs game of Alice staring into banks of clouds, looking for

the Chariot Riders, the Giants populating floating islands and other phantasms of humidity whose


Associative reasoning needs to be fed, And what does it live on?

"Frumenty and mince pie, the Gnat replied; and it makes its nest in a Christmas box."

When to open the box of ones Imagination to set it free of initial Larvae one can thence utiliseelementary exercises such as practicing prolonged staring at ink blots and scribble drawings, which

will generate an array of optical illusions that sell themselves in one of many a new-age, self-helpmanual designed to prove that you are on your way to a happier existence as a Caterpillar, "And thentheres the Butterfly, Alice went on, after she had taken a good look at the insect with its head on fire,and had thought to herself, I wonder if thats the reason insects are so fond of flying into candles

because they want to turn into Snap-dragon-flies!"

Snap-Dragon-Flies flying around ones Mad Hatter Head all aflame while walking those cracks in thesidewalk, which look like an outline of the West coast of Mexico; in fact those cracks in the sidewalk areindeed the West coast of Mexico, can one not see it buddy; no doubt about it, that's for sure; and thoseAnts are all tourists in the middle; they are eating up the Yucutan. An Alice of hitched up skirt little Girl

has just become one with her hop-scotch Rocking-Horse galloping into Panama leaving red menstrualsmudges all along the Pacific to ensnare with her coquette skipping rope. Ones advancement of MadHatter practice will invariably find the intricacies of Television Static a delight to behold. The onset ofmigraine headaches a resounding flourish to perceive such things, "Crawling at your feet, said the

Gnat (Alice drew her feet back in some alarm), you may observe a Bread-and-Butterfly. Its wings are thinslices of Bread-and-butter, its body is a crust, and its head is a lump of sugar."

There are no Preconceptions, no Paranoia to influence what one Perceives. The careful acquisition ofCritical Paranoia requires continued practice until it becomes a part of ones Subconscious way of

thinking, but one may ask, "And what does it live on?"

"Weak tea with cream in it," and when to have indulged ones fill, find a Bathroom with Tile Floors andsubdued fluorescent lighting; Bathroom Tiles one half inch by one half inch are far preferable. Those

Tiles with the speckles are the type to spy out with ones Split-Screen Vision. Find an empty stall and sit


on the Toilet. Sit so one is comfortable to shit out Atom Bombs over the Pacific. Stare at the floor infront of one, through the bottom edge of the closed stall door. Stare until columns of Tiles oscillate

rapidly back and forth, chaotically at first, but more rhythmically in passing. Move ones eyes towardsones feet to perceive rows of Tiles moving against the columns of now Warped 'Chessboard;' Observethe speckled patterns for insights as to the flux of images now ready to be accepted upon ones winged

'Third-Eye' of a 'Through the Looking Glass' internal retina finding Visions.

A new difficulty came into Alices head. "Supposing it couldnt find any?" she suggested.

"Paranoia makes use of the external world to impose the obsessive notion with the disturbingparticularity of making valid the reality of this notion for others . . . The reality of the external world

serves as an illustration and a proof, and is put in the service of the reality of our Mind" (Dali).

"It is a question of speculating ardently on that property of uninterrupted transformation of any object onwhich the Paranoiac activity seizes; in other words, the ultra-confusional activity which takes its source

in the obsessive idea . . . This uninterrupted transformation permits the Paranoiac to regard the veryimages of the external world as unstable and transitory, if not as suspect, and it is, disturbingly, in his

power to impose the reality of his impression on others . . . (Breton).

But if one does not exercise ones innate ability of Critical Paranoia Perception, which one as a Child tohave naturally known, that Shamans have utilised for Aeons, "Then it would die, of course."

"But that must happen very often," Alice remarked thoughtfully.

"It always happens," said the Gnat.

(Quotes: Lewis Carroll's, Alice's Adventures 'Through The Looking Glass', Chapter III)

ASSUMING THE ALTERNATE PERSONA OF A SURREALIST COWBOY


When a Male practitioner Evokes Seerie he can assume the Alternate Persona of a Spaghetti WesternGunfighter of similarity to Clint Eastwood's character in the film, 'For A Few Dollar's More,' to thence

ride Seerie as his bound Pony-Girl of a Succubus. She will empower ones Alternate Persona via vividLucid Dreams to thereby carry ones Seer's vision into other realities. What one to thereby experiencewithin of Microcosmic Dreams made Lucid of Awareness one can thence communicate through ones

Macrocosmic Surrealist Artistry.

Goetia Girls Com Seere

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