Giulianiad Contents

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Giulianiad contents The Giulianiad was published in London most likely in the years 1833-1835. Its editor was not listed in any of the journals but it is fairly well accepted that Ferdinand Pelzer was very involved in the work. There are only two known locations of complete issues of the journal: The British Library and the Appleby Collection at the Guildhall School of Music and Drama. There are a number of individual issues in other collections and libraries. References: Heck, Thomas. Mauro Giuliani: Virtuoso Guitarist and Composer. Columbus: Editions Orphée, 1995. Appendix V, page 270. Clarke, Sarah. The Career of Ferdinand Pelzer (1801-1864) in Britain from c.1829 until 1864 with Particular Reference to his Work with the Spanish Guitar and the Singing Class Movement. The Open University, 2011. Unpublished MA dissertation. Page numbers were printed at the top of the pages and the folio letters were printed at the bottom of the pages. Vol. 1, No. 1 (folios B,C,D) Introduction 1-2 On the capabilities of the guitar 3-5 Stanzas “To My Guitar” By a Lady 6 Giuliani 7-8 On the comparative merits of the piano-forte and guitar, as an accompaniment to the voice 9-11 Review of Music (Horetzky) 11 Musical Intelligence, Chit-Chat, etc. 12 No. 1 March 1 No. 2 Waltz 1 No. 3 Tyrolienne 2 No. 4 Ländler 2 No. 5 Allegretto. Miss Elizabeth Mounsey 3 No. 6 Andantino (listed as by Paganini in Vol. I, No. 4) 3 No. 7 Queen of Prussia’s Favorite Waltz 4 Solo by Giuliani (from his 3rd Concerto) 5 Introduction and Thema by Giuliani 6-7 March. Giuliani 8 Fair Evening Star. Words by E.J.J., Music by Miss Eliz. Mounsey 9-12

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Fughetta Giuiani-IGV Boije 1000

Transcript of Giulianiad Contents

Page 1: Giulianiad Contents

Giulianiad contentsThe Giulianiad was published in London most likely in the years 1833-1835. Its editor was not listed in any of the journals but it is fairly well accepted that Ferdinand Pelzer was very involved in the work. There are only two known locations of complete issues of the journal: The British Library and the Appleby Collection at the Guildhall School of Music and Drama. There are a number of individual issues in other collections and libraries.

References:Heck, Thomas. Mauro Giuliani: Virtuoso Guitarist and Composer. Columbus: Editions Orphée, 1995. Appendix V, page 270.

Clarke, Sarah. The Career of Ferdinand Pelzer (1801-1864) in Britain from c.1829 until 1864 with Particular Reference to his Work with the Spanish Guitar and the Singing Class Movement. The Open University, 2011. Unpublished MA dissertation.

Page numbers were printed at the top of the pages and the folio letters were printed at the bottom of the pages.

Vol. 1, No. 1 (folios B,C,D)Introduction 1-2On the capabilities of the guitar 3-5Stanzas “To My Guitar” By a Lady 6Giuliani 7-8On the comparative merits of the piano-forte and guitar, as an accompaniment to the voice 9-11Review of Music (Horetzky) 11Musical Intelligence, Chit-Chat, etc. 12No. 1 March 1No. 2 Waltz 1No. 3 Tyrolienne 2No. 4 Ländler 2No. 5 Allegretto. Miss Elizabeth Mounsey 3No. 6 Andantino (listed as by Paganini in Vol. I, No. 4) 3No. 7 Queen of Prussia’s Favorite Waltz 4Solo by Giuliani (from his 3rd Concerto) 5Introduction and Thema by Giuliani 6-7March. Giuliani 8Fair Evening Star. Words by E.J.J., Music by Miss Eliz. Mounsey 9-12

 

Vol. 1, No. 2 (folios E,F,G)I do not like the guitar! 13-16Guitar Song. By Mrs. L. Miles 17The Westminster Review and the Guitar 18-20The Farewell Gift 21Review of Music (Neuland, Nuske, Horetzky, Eulenstein, Giuliani, Horetzky, Smith) 22-23Musical Intelligence, Chit-Chat, etc. 24No. 1 Quick March 13No. 2 Aussitot que: La Lumiere 14

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No. 3 Air Montagnard 14No. 4 Danse Favorite du Ballet D’arsene 14No. 5 Waltz. Giuliani 15No. 6 My Lodging is on the Cold Ground 15No. 7 J. Rousseau (listed as Rousseau’s Dream in Vol. I, No. 4) 16No. 8 (listed as The Captive Knight to His Guitar in Vol. I, No. 4) 16Andante Maestoso. F. Sor 17Andante Pastorale. F. Sor 18-19(vocal work) 20-21Why my heart. Words by W. Ball, Music by C.M. Von Weber 22-23Waltz (Sor) 24

 

Vol. 1, No. 3 (folios H,I,K)Horace’s Cithara or Guitar 25-26Sor 27-28Sing To Thy Sweet Guitar. W. Hall 29The Fancy Ball. A Fragment. By Mrs. L. Miles 30-31Interesting Musical Facts (From Gardiner’s Music of Nature.) 32Review of Music (Horetzky, Sagrini/Osborne, Giuliani, Nuske) 33-34Foreign Musical News. Constantinople. Paris. 34-35Musical Intelligence, Chit-Chat, etc. 36No. 1 Theme. J. Kreutzer 25-26No. 2 Galopade 26No. 3 27No. 4 27No. 5 28No. 6 Berton 28Fröhlich und wohlgemuth 29Theme. M. Giuliani 30-31Thema. F. Sor 31The Captive, to his Guitar. Words by W. Ball 32-33La smorfia sella. F. Bianchi 34-35Der Frühlings Abend 36

 

Vol. 1, No. 4 (folios L,M)Observations on the music of the first number of the Giulianiad. The music of the second number. The music of the third number. Observations on the music of the present number (four).

37

On public performances on the guitar 38-40Review of Music (Neuland, Neuland) 41The Minstrels Lay 41Musical Intelligence, Chit-Chat, etc. 42No. 1 Andantino. F. Sor (from Op. 35) 37No. 2 Larghetto (from Sor’s Op. 35) 37No. 3 Swiss waltz 38No. 4 Galopade 38No. 5 German Air 38

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No. 6 Waltz. M. Giuliani 39No. 7 Monferrino (Giuliani) 39God Save the King. By J. Kreutzer 40I Hail Thee in Thy Beauty. The Words by W. Ball 41Tempo di Minuetto. Composed for and presented to the Editor of this Work by J. W. Millais. 42The Alpin Sanger (The Original Air) 42The Favorite Allemande from the Pantomime “The Magic Scissars” 43Waltz 43Le Souvenir du Pays. Tyrolienne. Musique d’Amédée de Beauplan 44-45Le petit Tambour 46-47“My Heard is with Thee!” The Music by C.M. Weber. The words by W. Ball. 48

 

Vol. 1, No. 5 (folios E, E2)To the Editor of the Giulianiad 43The ΚΙΘΑΡΑ of the Ancients – The Modern Guitar 43Guitar professors, and guitar makers and sellers. 44-45Public Concerts 46-50“She is Lovely as the Morning” El inocente pastor. Composed by Don F. del Busto. The words by W. Ball

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Grand Variations On the French Air Partant pour la syrie Composed by Mauro Giuliani. Op. 104

50-55

Thema by Mozart. Arranged for the Guitar with Variations by J. A. Nuske 56-57Gebet Während der Schlacht. Prayer During the Battle. Translated from the German of Theodore Koerner by W. Ball

58-59

“Homeward I Hasten” (German Air) The Words by W. Ball 60

 

Vol. 1, No. 6 (folios F, F2)Instructions to My Daughter for playing on the Enharmonic Guitar, by a Member of the University of Cambridge. Goulding and D’Almaine

51-53

Review of Music (Pelzer, Neuland, Neuland, Neuland, Huerta, Pratten, Kuczynski, Giuliani) 53-55Foreign guitar makers and English music sellers 56-57Musical Intelligence, Chit-Chat, etc. 58Opinions of the Press on “The Giulianiad” 59(ad) Giuliani’s Third Concerto 60Fantasia by M. Giuliani. Opera 62 61-67Divertimento. Composed by J.A. Nuske 68Thema di Mozart 68-69“Gone Down is the Sun” Canzonet by Donald Walker 70-71The Spring Song of the Poles. In 1831. The Words by W. Ball 72The Wish. The Words by W. Ball. Composed by W. Neuland 73The Old Warrior to His Son. The Words by W. Ball 74-75The Hermit’s Even Song. The Words by W. Ball 76

 

Vol. 2, No. 7My Home in the Forest. The Words by W. Ball. German Air. 77

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La Sentinelle With Variations. Op. 91. Composed by M. Giuliani 78-83Der Todtengräber. “Strew, with me, those tribute roses”. The English Words by W. Ball. German Air.

84-85

“If you’re cashless, now-a-days.” “Sans argent, comptant.” Tyrolienne. The English Words by W. Ball. Music by Weber.

86-87

“Sie ging zum. Sontag’s Tanze.” The Linden Tree. The English Words by W. Ball. German Air.

88-89

May Morn. The Words by W. Ball. The Melody by Mozart. 90-91“Time is Speeding.” Canzonent. The English Words by W. Ball. Music by I.C.T. Muneke 92Minuetto. Composed by W. Matiegka. 93

 

Vol. 2, No. 8Galopade 95Con quell’ occhietto. Blangini. 96-97Sereny. Spanish Song 98-99Spanish Waltz 99Hope told a flatt’ring tale 100-

101Al tempo felice 101Du! Du! 102-

103Andante con var. par F. Calegari 104-

107“Let my lot rest unknown” The song of Kosciusko. The Words by W. Ball. Arranged by Mrs. Davies.

108-109

The Swiss Boy 110Non più mesta 110

 

Vol. 2, No. 9Memory. The Words by W. Ball 111“Dost thou remember him?” Duett. From a German Opera, on the Subject of Kosciusko. Arranged by Mrs. Davies.

112-114

“Al tempo felice.” Italian Air. 115“Midnight is here!” Notturno. For Two Voices. The Words by W. Ball 116-

117The Song of Joseph. Music by Mehul. The Words by W. Ball 118-

119German Air with Variations by F. Pelzer 120-

126

 

Vol. 2, No. 10The absent one. W. Ball 127Faintly when dies the vesper sound. W. Ball 128-

129The Water Party. Die Schiffahrt. Hurka. 130-

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131Les Adieux à la Suisse. Composée par Bruguière. 132-

133Thema. Secondo. F. Horetzky 134Thema. Primo. F. Horetzky 135Rondino. M. Giuliani. 136-

137Larghetto Amoroso. F. Carulli. 138-

139The Castle. The Music by Pacini. The Words by W. Ball. 140-

141Theme. F. Carulli. 142

 

Vol. 2, No. 11“Sweet, Good-night!” Serenade. The Words by Wm. Ball 143“Oh! Cease, love, to grieve thee.” Arietta. The Words by William Ball 144-

145The Minstrel’s Home. Song. Styrian Air. The Words by William Ball 146-

147Extract from Lagnani [Legnani]. Op. 64. 148-

150German Air 151“Ye Happy ones!” A Song. By a Lady. 152-

153“Minnesold.” (German) 154Exercises, or Solfeggi for The Voice and Guitar. 155-

158

 

Vol. 2, No. 12“Softly fall the dew’s of night” Wiener. The Words by Miss M.L. Baillie 159Extract from Horetzki’s Op. 16 160-

163“The Soldier’s Flask.” “Die Flasche.” German. The Words by W. Ball. 164-

165Yes, these are the meadows. Composed by John Parry. 166-

167The Deceived. German. The Words by W. Ball 168-

169“Angel of Peace.” Hungarian Air. The Words by W. Ball. 170O Listen, Listen, Lovers! 171-

173Veneziana Air 174

 

Vol. 3, No. 13“Why should I seek another land” The Words by W. Ball 175

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The Favorite Reichstadt Waltz 176Marcia 177Galoppade 178German Air 179“Oh! Lady, ask me not, I pray.” Signr. Lanza. 180-

183Le Retour de Pierre 184-

185“My Sister Jane!” J. Valentine 186-

187The Ruined Home. The Words by W. Ball 188-

189Rondo. By Giuliani 190-

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