Ghazni exhibition in Kabul - 4 posters in English and Farsi
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Transcript of Ghazni exhibition in Kabul - 4 posters in English and Farsi
Sultan Abdul Razaq Mausoleum
Built in the 16th
century, and a beautiful example of Timurid architecture in Ghazni, the Sultan
Abdul Razaq Mausoleum was restored by Italian architects of IsMEO (since 1995: IsIAO) and
opened in 1966 as the Museum of Islamic Art in Ghazni.
Stressing the interest of the peculiar influence of Sassanid Iran and Central Asia on Ghaznavid art,
Nancy Hatch Dupree wrote: “It is highly recommended to all visitors in Ghazni”. Due to conflicts
and security reasons it has long since been closed.
UNESCO and the Ministry of Information and Culture are working toward reopening it for the 2013
Ghazni event.
Picture: Detail from a photography shot by J. Powell, ca. 1960 (via ArchNet)
��ن ���ا��زاق� �����
� ����ن � �ا�زاق ����� ا� از ��� �� در �ن ���� ����&د� ا���ر %د$�� ا�#�16"��ر� ��!�� ���ر� در �� . (�� � ا$( ��
+�ط +� �*�د� ��� +� ��4ان ��ز$5 ه4 ه�� ا�&�� 1966، +�ز ��ز� %د$�� �� در ��ل )IsIAO: 1995از ��ل (�IsMEO"��ران ا$-��� ا7--�ح %د$���� .
� ه: دو8� +� ا��ر� +� �&!����!$�4����$�ن، �� ��!�� ���� +� ه4� ���: �� �4�� و �?�ذ ���= دور�ء ا$ان دور� ��!�� ������ و ;�دد"A�� ��B� ،�44C�� +�زد$� ���+�4 +� دF4G H$I و �� ا�4�، ا$( ��ز$5 از ��ت ه�� دور +� ". د$�ن ا$( ��ز$5 +� ��م �!��� �� از �
ف +!-� +�د� ا�#K )$ا .
� ا$( ��ز$5 و ;��د%� ;ن +ا� رو$�اد ��ل $��!�C وL�M%ا� +�ز+ F4ه��ر را در 8�N 2013 وزارت اK&��ت و 7!+ ��*-���"7 ،���� 7-� ا��%.
* * * * *
Palace of Sultan Massud III
Professor Giuseppe Tucci, founder of IsMEO (after 1995: IsIAO) started working at Ghazni in 1956.
Many other Italian archaeologists from IsIAO have been working at the Palace of Sultan Massud III
(b. Ghazni, 1061-1114) for a long time since. Some of the artefacts on show here – for instance,
both lone-standing marble panels – come from this large complex completed in 1112, that was
hosting the Ghaznavid court.
��ن ����د ��م� ���
4���OAار + ،�P� �8ز�G ر�!�8و7IsMEO) 1995از ��ل :IsIAO( د را در ��ل�Q د1956، ��روع �� ��� "�اد +!��ر� از . در�
����ن ���Sد ��م IsIAO+��-�ن ����4ن �+�ط +� T� از ;ن ز��ن � ��4ن در )b.Ghazni,1061-1114( �� �ر ���د� ا��� ����،
� ازU"+�V4$ا�-� ��� در اO% N$��� �+ ر�W; —ا�V� �� �� در ��ل — ���4� ه دو ��"� �T� )��H ���، 1112 از ه��C د�&��
د$�� ا�#% XM� .#د$�� ا�A�� ا�-?�د� �� ه��4Yن +� ��4ان د$�ان ��ا�# ��!�� ����$�ن �T� )$ازا .
* * * * *
Tepe Sardar
Also known as Tepe-yi Nagara, this lone-standing hill rises east of the Ghazni river, in a similar
position to that of the old city. It hosts a Buddhist complex of stupas, chapels and monastery cells,
with a rich decoration. Though Buddhism had spread in the Ghazni area from the times of Ashoka,
this particular complex – whose main stupa is the largest one in Afghanistan – was probably built
in the 3rd
century A.D., and thrived for nearly six centuries, until after the arrival of the Arabs.
The complex also hosted a Hindu Shaivite shrine, where the statue of Durga Mahishasuramardini
was found during excavations led by Italian IsMEO archaeologists. IsMEO (now: IsIAO) has been
active in this area for over fifty years since Giuseppe Tucci, its founder, and one of the founders of
Buddhist Studies in Italy, started working here in 1956. The restored head of Durga is now visible
at the National Museum of Afghanistan in Kabul.
A gigantic reclining Buddha statue – measuring over 15 m – that was in chapel 63 of the complex
has been unfortunately almost completely destroyed in recent times.
��� ��دار
�$�د �� ��� ا�#�� . از ا$( �Z ه��4Yن +� ��م �A� �Zر ����ا و 4*� +��� ����� ا�#، در �ق در$�� �V� Wرت $] ا�B �+ �� �Z )$ا���+ �� ���� 5$�� �# دارد �� ��Vور +� �S�ود� �*"��� .�Z )$ا �+ ،�����Q د وQ ه���A د� � ،�Lه�� +�دا � 4% ����V� H���
��� �� ���4ت �4L� .\]M� ����V� )$د$�� ا�#، ا� از ز��ن ;���� و$^ %��� در �Lدا�+ �P� ;ن +�ر%-$( از —ا%�Bا � 4% �� ��� �� اIً��-a در �ن ��م ا���ر %د$�� —��ع �Qد درا7_��!-�ن ��7# و M�8 �ن در �!� N� اب، +� ��تو � � H از �?�ذ ا�
ار دا�-� ا�#� .
+�ط +� � ���$�ن a?�ر� ه�� +��-�����4Mن ا$-��G در �� ��� �� ���م ��Lه4�و ���ا � � �+�ن $] �"�، IsMEOا$( �����V ه��4Yن �
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C� از —$] ��Q ��!Vا+��� ��ل 8-M��# دا�#، �-��?��� در ���*�� ��63 در � �د ��A ���ر� — �-�K �+15ل +"��� ����V� )$ا
+� �Kر ��� از +�( ر7-� ا�#�Qا .
* * * * *
Artefacts are not for touching! Or are they?
We have here symbolically set up a place for resting, ideally located anywhere between Ghazni
and the Ghaznevid winter capital, Lashkari Bazar (Bost).
As a general and wide-shared museum policy we are of course very strict in avoiding any contact
with our artefacts, but in this case we made an exception: feel free to have a seat here on the
carpet, and take this ancient Ghaznevid bowl into your hands. It is on plates like this one that
people would have their food served – meat with vegetables, maybe.
Feel its weight, its texture, admire its fine decoration and soft colour… Handle it with care, though:
it is a valuable and fragile artefact.
� �� ؟ � ا '&� �" ��ان د�� زد! ��ات ��ر #" !�� � د�� زد
% e� ن در�C� )$در ا #aا� را +ا� ا�-��C� [��� � و �8$-[# ز�!-��� �� +� �Kر ����� )�+ �L�G رت ا$�� ;ل�B �+ �� ،5$7-� ا� +�زار ��!�� ����$�ن، CM�)+ُ#!(،��� �� .
[$ �+ ��� ��AM$��� در �4�5، و�C� ��ز$5 ه�، �� در ز���4 د�# ��دن +� ;+�ات �ر$[� +� G�$# ر7-�ر ��� و 7ا%�� HB�4ان $] ا� �+ ��4� ��Qرد �+ �$�4g-ن را در د�# : ���!�# ا��$���+�ط +� ��!�� �� �+� �Bرت ;زادا�� ��-�ا��� +� رو� 7ش �M!-� و �Gم ��$�
�$�A+ .�رد��]� رو� +��Mب ه�� �Hg ا$(، �Oا �+ �-�O% دم در�—�� . ��$� %��# ه�ا� +� �
��L��� )�!S را N$� �( و ر�F ز$L��-�ا��� وزن و +�#7 ;�ا را ha ���د�، � . �ا$( : ه�A4م د�# زدن د�# و �ا�i ��� را �Qاه���5و�$X و +� ارزش ا�#j � �ر$[Wا [$ .