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GöranLindahl,“AnInterpretationofBernini,”inThomasHall,BörjeMagnusson,CarlNylander,eds.,DoctoPeregrino:RomanStudiesinHonourofTorgilMagnuson,Stockholm,1992,pp.152-80StefaniaMacioce,“AspettisimbolicidelgiardinodelnoviziatodiS.AndreaalQuirinaleinRoma,”inMemorfuidierumantiquorum.StudiinmemoriadiLuigiDeBiasio,ed.PierCesareIoliZorattiniandAttilioMauroCaprioni,withAndreinaStefanutti,Udine,1995,pp.381-95JohannesTerhalle,“PentágonoyóvalotransversalinSant’AndreaalQuirinale,”3ZURevistad’arquitectura(Barcelona),May1994,pp.24-96(withGermanversion)JohannesTerhalle,“QuantitätalsQualität.DerMarmorinS.AndreaalQuirinale,”Daidalos,61,1996,pp.44-49JohannesTerhalle,ProlegomenazuS.AndreaalQuirinaleinRom.ZurVorgeschichtevonBerninisAndreaskirche:1565-1658,diss.,Tübingen,1997ManuelaMorresi,“AssimilazioneeinterpretazionebaroccadelPantheon:lachiesaeilpronaodiS.AndreaalQuirinale,”RivistastoricadelLazio,IV,1996,pp.99-123Pieter-MatthijsGijsbers,“ResurgitPamphilijinTemploPamphilianaDomus:CamilloPamphilj’sPatronageoftheChurchofSant’AndreaalQuirinale,”MededelingenvanhetNederlandsInstituutteRome,55,1996,pp.293-335GeraldineDunphyWind,“Sant’AndreaalQuirinaleandtheSundial,”inSource:NotesintheHistoryofArt,33.2,Winter2013,pp.19-26MarioBevilacqua,AdrianaCapriotti,Sant’AndreaalQuirinale.Ilrestaurodelladecorazionedellacupola,Rome,2016MarioBevilacquaandAdrianaCapriotti,eds.,Sant’AndreaalQuirinale:Ilrestaurodelladecorazionedellacupolaenuovistudiberniniani,Rome,2016TodMarder,“AHistoryoftheHistoryofSant’AndreaalQuirinale,”inMarioBevilacquaandAdrianaCapriotti,eds.,Sant’AndreaalQuirinale:Ilrestaurodelladecorazionedellacupolaenuovistudiberniniani,Rome,2016,pp.35-41

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AugustoRocaDeAmicis,“Servirsi‘delmaleadattatoalbisognoperfarcosebelle’:lasagrestiaberniniana,”inMarioBevilacquaandAdrianaCapriotti,eds.,Sant’AndreaalQuirinale:Ilrestaurodelladecorazionedellacupolaenuovistudiberniniani,Rome,2016,pp.111-21ElephantandObeliskWilliamS.Heckscher,“Bernini’sElephantandObelisk,”ArtBulletin,XXIX,1947,pp.155-182ErikIversen,ObelisksinExile,vol.1:TheObelisksofRome,Copenhagen,****,pp.MaurizioCalvesi,“Inmargineaun’iconografiadelBernini:l’elefante‘obeliscoforo’daFrancescoaPompeoColonna,”Storiadell’Arte,66,1989,pp.101-18PiazzaS.PietroandScalaRegiaPossiblythebestwaytobeginthestudyofthepiazzaisthroughtheexcellentchaptersinthesurveybooksbyWittkower(Pelican),Magnuson,Krautheimer,andespeciallyMarder.HeinrichBrauerandRudolfWittkower,DieZeichnungendesGianlorenzoBernini(RömischeForschungenderBibliothecaHertziana,9),Berlin,1931,pp.64-102ChristofThoenes,“StudienzurGeschichtedesPetersplatz,”ZeitshcriftfürKunstgeschichte,XXVI,1963,pp.97-145ChristofThoenes,“Atrium,Campus,Piazza.ZurGeschichtedesrömischenPetersplatz,”inPlatzundeTerritorium.UrbaneStrukturgestaltetpolitischeRäume,ed.AlessandroNovaandCorneliaJöchner,BerlinandMunich,2010,pp.65-88RudolfWittkower,ArtandArchitectureinItaly1600-1750,Harmondsworth,1973,pp.189-196

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RudolfWittkower,“TheThirdArtofBernini’sPiazzaS.Pietro,”inStudiesintheItalianBaroque,London,1975,pp.53-60.RudolfWittkower,“ACounter-ProjecttoBernini’sPiazzaS.Pietro,”inStudiesintheItalianBaroque,London,1975,pp.61-82PeterRietbergen,Pausen,Prelaten,Bureaucraten:AspectenvandegeschiedenisvanhetPausschapendePauselijkeStaatinde17eEeuw,Nijmegen,1983.SomeofthebookisinEnglish,includingCh.VII:“AVisionComeTrue.PopeAlexanderVII,GianlorenzoBerniniandtheColonnadesofSt.Peter’s,1655-1667,”pp.295-358.SeealsotheEnglisharticleofthesametitleintheMededelingenvanhetNederlandsInstituutteRome,XLIV,N.S.,9-10,1983,pp.111-64.PeterRietbergen,“AVisionComeTrue.PopeAlexanderVII,GianlorenzoBerniniandtheColonnadesofSt.Peter’s,1655-1667,”MededelingenvanhetNederlandsInstituutteRome,XLIV,N.S.,9-10,1983,pp.111-64.GiovanniMorello,“IrapportitraAlessandroVIIeGianLorenzoBernininegliautografidelPapa(condisegniinediti),inE.Cropper,G.Perini,F.Solinas,eds.,DocumentaryCultureFlorenceandRomefromGrand-DukeFerdinandItoPopeAlexanderVII(1990),Baltimore,1992,pp.81-125T.KaoriKitao,CircleandOvalintheSquareofSt.Peter’s,NewYork,1974.A.Haus,“DerPetersplatzinRomundseinStatuenschmuck,”Ph.D.diss.,Albert-LudwigsUniversität,1970MassimoBirindelli,Lamachinaheroica.IldisegnodiGianlorenzoBerniniperpiazzaSanPietro,Rome,1980,republishedasPiazzaSanPietro,Bari,1981YvesBruand,“PlaceduCapitoleetPlaceSaint-PierreaRome:LaQuestiondeleurfiliation,”GazettedesBeaux-Arts,XCI,May-June1978,pp.173-184Hanno-WalterKruft,“TheOriginoftheOvalinBernini’sPiazzaS.Pietro,”BurlingtonMagazine,CXXI,1979,pp.796-800

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DanieladelPesco,ColonnatodiSanPietro“DeiPorticiantichielalorodiversità”Conun’ipotesidicronologia,Rome,1988DanielaDelPesco,“LucaHolstenioeilcolonnatodiS.Pietro,”IlBaroccoRomanoel’Europa,MarcelloFagioloandMariaLuisaMadonna,eds.,Rome,1992,pp.152-85GerhardGoebel,“BerninisPetersplatzunddieEllipse,”Architectura,20,1990,pp.133-41TodMarder,Bernini’sScalaRegiaattheVaticanPalace,Cambridge,1997DavidNapier,“Bernini’sAnthropology.A‘key’tothePiazzaSanPietro,”Res,16,1988,pp.17-31(Divinewomb,keyinkeyhole,etc.)DanielaDelPesco,“LucaHolstenioeilcolonnatodiS.Pietro,”inMarcelloFagioloandMariaLuisaMadonna,eds.,Ilbaroccoromanoel’Europa,Rome,1992,pp.153-85AugustoRocaDeAmicis,“LeprimeideediBerniniperPiazzaS.Pietro:lostatodeglistudiequalcheprecisazione,”Palladio,23,1999,pp.43-50CristinaAcidiniLuchinat,“DalBrunelleschialBernini,attraversoMichelangelo:il‘canneto,’”inCristinaAcidiniLuchinatandothers,eds.,Scrittiperl’IstitutoGermanicodiStoriadell’ArtediFirenze,Florence,1997,pp.301-306AugustoRocaDeAmicis,“LeprimeideediBerniniperPiazzaS.Pietro:lostatodeglistudiequalcheprecisazione,”Palladio,23,January-June1999,pp.43-50MårtenSnickare,“HowtoDoThingswiththePiazzaSanPietro:PerformativityandBaroqueArchitecture,”inPeterGillgrenandMårtenSnickare,eds.,PerformativityandPerformanceinBaroqueRome,FarnhamUKandBurlingtonVT,2012,pp.65-83MariaGraziaD’AmelioandTodMarder,“Bernini,AlessandroVIIepiazzaSanPietroaRoma:comeequandoèstatochiusoilcantiere?,”inClaudiaLehmannandKarenLloyd,eds.,ATransitoryStar:TheLateBerniniandhisReception,BerlinandBoston,2015,pp.136-59

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CathedraPetriandGloriaRobertoBattaglia,LacattedraBerninianadiSanPietro,Rome,1943SebastianSchütze,“‘WerkealsKalküleihresWirkungsanspruchs.’DieCathedraPetriundihrBedeutungswandelimkonfessionellenZeitalter,”inGeorgSatzingerandSebastianSchütze,eds.,SanktPeterinRom1506-2006.BeiträgederinternationalenTagungvom22.-25.Februar2006inBonn,Munich,2008,pp.405-25FrédéricCousinié,GLORIAE.Figurabilitédudivin,esthétiquedelalumièreetdématérialisationdel’œuvred’artàl’âgeBaroque,Rennes,2018PonteS.AngeloandClementIXH.G.Evers,DieEngelsbrückeinRomvonGiov.LorenzoBernini,Berlin,1948MarkWeil,TheHistoryandDecorationofthePonteS.Angelo,UniversityParkandLondon,1974CesareD’Onofrio,GianLorenzoBerniniegliangelidiponteS.Angelo.Storiadiunponte,Rome,1981MarcelloFagioloandSebastianoRoberto,“Un’operaberninianaperClementeIX:lacappelladiS.DomeniconelconventodiS.SabinaaRoma,”Palladio,3,1990,pp.63-90SebastianoRoberto,GianlorenzoBerninieClementeIXRospigliosi:ArteearchitetturaaRomaeinToscananelSeicento,Rome,2004GalleriaColonnaChristinaStrunck,“Berninizitiertsichselbst?DieKunstmöbelderGalleriaColonnainRom,”RömischeHistorischeMitteilungen,47,2005,pp.227-78ChristinaStrunck,BerninisunbekanntesMeisterwerk.DieGalleriaColonnainRomunddie

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KunstpatronagedesrömischenUradels,Munich,2007BerniniinParisLéonMirot,“LeBerninenFrance,”MémoiresdelaSociétédel’hisotiredeParisetdel’Ile-de-France,XXXI,1904,pp.161-288.RudolfWittkower,Bernini’sBustofLouisXIV,London,1951AllanBraham,“Bernini’sDesignfortheBourbonChapel,”BurlingtonMagazine,102,1960,pp.443-47RobertBerger,“AntoineLePautreandtheMotifoftheDrum-without-Dome,”JSAH,XXV,1966,pp.165-180.RudolfWittkower,“TheVicissitudesofaDynasticMonument:Bernini’sEquestrianStatueofLouisXIV,”EssaysinHonorofErwinPanofsky,NewYork,1961,pp.497-531;reprintedinStudiesintheItalianBaroque,London,1975,pp.83-102.A.BrahamandP.Smith,FrançoisMansart,London,1973.LeonorePühringer-Zwanowetz,“EinEntwurfBerninisfürVersailles,”WienerJahrbuchfürKunstgeschichte,29,1976,pp.101-119CecilGould,BerniniinFrance:AnEpisodeinSeventeenth-CenturyHistory,London,1981.IrvingLavin,“LeBerninietsonimageduRoi-Soleil,”inIlserenditenItalie”EtudesoffertsàAndréChastel,RomeandParis,1987,pp.441-478.Expandedversionas“Bernini’sImageoftheSunKing,”inPast-Present.EssaysonHistoricisminArtfromDonatellotoPicasso,BerkeleyandLosAngeles,1993,pp.139-200HenryMillon,“Bernini-Guarini:Paris-Turin:Louvre-Carignano,”inIlserenditenItalie.”EtudesoffertsàAndréChastel,RomeandParis,1987,pp.479-500MadeleineLaurain-Portemer,“FortunaesfortunadiBernininellaFranciadiMazzarino,”in

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MarcelloFagiolo,ed.,GianLorenzoBerninieleartivisive,Rome,1987,pp.113-138DanielaDelPesco,IlLouvrediBernininellaFranciadiLuigiXIV,Naples,1984SandrinaBanderaBistoletti,“Letturaditestiberniniani:qualchescopertaenuoveosservazionidalJournaldiChantelouedaidocumentidellaBibliothèqueNationalediParigi,”Paragone(Arte),no.429,1985,pp.43-76SandrinaBandera,“BerninieChantelou:affinitàelettiveantelitteram,”Paragone(Arte),L,589-91,Marzo-Maggio1999,pp.57-81GeorgeBauer,“BerniniinParis,”inAnArchitecturalProgressintheRenaissanceandBaroque...EssaysPresentedtoHellmutHager(PapersinArtHistoryfromThePennsylvaniaStateUniversity,8),ed.H.MillonandS.Munshower,UniversityPark,1992,pp.308-19DanielaDelPesco,“PaulFréartdeChantelou’sJournaldeVoyageduCavalierBerninenFrance:DiaryofaVisitorDocumentofaBattleoverArtintheCourtofLouisXIV?,”3ZU.Revistad’arquitectura(Barcelona),3,May1994,pp.107-114SomoneHoog,LeBerninLouisXIV.UneStatue“déplacee”,Paris,1989DietrichErben,“DiePyramideLudwigsXIV.inRom.EinSchanddenkmalimDienstdiplomatischerVorherrschaft,”RömischesJahrbuchderBibliothecaHertziana,31,1996,pp.427-58MichaelHall,“GianlorenzoBernini’sThirdDesignfortheEastFaçadeoftheLouvreof1665,drawnbyMattiadeRossi,”TheBurlingtonMagazine,149,2007,pp.478-82SabineFrommel,“‘Peresprimerelabellezzabisognavainventareparolenuove’:ladescrizionedioperearchitettonichenelJournaldiChantelou,”Confronto,10-11,December2007-June2008,pp.45-62Confronto,10-11,December2007-June2008.ConferenceonBerniniinParis

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SabineFrommelandFlaminiaBardati,eds.,LaréceptiondemodèlescinquecenteschidanslathéorieetlesartsfrançaisduXVIIesiècle,Geneva,2010MichelHochmann,“L’IdéedeperfectiondelapeinturedeFréartdeChambrayetleDialogodellapitturadeLudovicoDolce,inSabineFrommelandFlaminiaBardati,eds.,LaréceptiondemodèlescinquecenteschidanslathéorieetlesartsfrançaisduXVIIesiècle,Geneva,2010,pp.41-50DanieladelPesco,“PauldeChanteloueilCinquecentoitaliano:unprogetto‘ideale’distoriadell’artefrancese,”inSabineFrommelandFlaminiaBardati,eds.,LaréceptiondemodèlescinquecenteschidanslathéorieetlesartsfrançaisduXVIIesiècle,Geneva,2010,pp.21-40SaraGalletti,“PittiaParigi?MetamorfosidiunmodelloarchitettonicoalseguitodiMariade’Medici,”inSabineFrommelandFlaminiaBardati,eds.,LaréceptiondemodèlescinquecenteschidanslathéorieetlesartsfrançaisduXVIIesiècle,Geneva,2010,pp.174-98SabineFrommel,“QuatreItaliensfaceauLouvre:compétition,cantagion,corrélation,”inSabineFrommelandFlaminiaBardati,eds.,LaréceptiondemodèlescinquecenteschidanslathéorieetlesartsfrançaisduXVIIesiècle,Geneva,2010,pp.213-36SabineFrommel,“IlterzoprogettodiGianLorenzoBerniniperilLouvre:riferimentiitalianiescambiinFrancia,”ininLaFestadelleArti.ScrittiinonorediMarcelloFagiolopercinquant’annidistudi,ed.VincenzoCazzato,SebastianoRoberto,MarioBevilacqua,2vols.,Rome,2014,1,pp.376-81KarenLloyd,“AlltheKing’sHorses:Bernini’sEquestrianStatuesbetweenParisandRome,”inClaudiaLehmannandKarenLloyd,eds.,ATransitoryStar:TheLateBerniniandhisReception,BerlinandBoston,2015,pp.117-33SpanishStepsEberhardHempel,“DieSpanischeTreppe,”FestschriftHeinrichWölfflin,Munich,1924,pp.274-90PioPecchiai,LascalinatadiPiazzadiSpagnaeVillaMedici,Rome,1941

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WolfgangLotz,“DieSpanischeTreppe:ArchitekturalsMittelderDiplomatie,”RömischesJahrbuchfürKunstgeschichte,XII,1969,pp.39-94.RudolfWittkower,“TheVicissitudesofaDynasticMonument:Bernini’sEquestrianStatueofLouisXIV,”inStudiesintheItalianBaroque,London,1975,pp.83-102M.Laurain-Portemer,“Mazarin,Benedettietl’escalierdelaTrinitédesMonts,”(1968)inherEtudesMazarines,Paris,1981,I,pp.311-35.Seealso“Nouvellesobservations...,”pp.535-44.CesareD’Onofrio,LescalinatediRome,Rome,1973TodMarder,“TheDecisiontoBuildtheSpanishSteps:FromProjecttoMonument,”PapersinArtHistoryfromthePennsylvaniaStateUniversity,eds.H.HagerandS.Munshower,I,1984,pp.83-99.IrvingLavin,“LeBerninietsonimageduRoi-Soleil,”inIlserenditenItalie”EtudesoffertsàAndréChastel,RomeandParis,1987,pp.441-478.Miscellaneous,MinorWorksKlausGüthlein,“DieFassadederBarnabiterkircheSanPaoloinBologna,einBeitragzurTätigkeitderArchitektenGirolamoundCarloRainaldifürdieFamilieSpada,”RömischesJahrbuchfürKunstgeschichte,17,1978,pp.125-55GeorgeBauer,“FromArchitecturetoScenography:theFull-scaleModelintheBaroqueTradition,”ActsoftheInternationalCongressoftheHistoryofArt,Bologna,1979,pp.141-49GeorgeBauer,“Berniniei‘modelliingrande,’”GianLorenzoBerniniarchitettoel’architetturaeuropeadelSei-Settecento,ed.GianfrancoSpagnesiandMarcelloFagiolo,2vols.,Florence,1983,I,pp.279-90StevenOstrow,“GianlorenzoBernini,GirolamoLucenti,andtheStatueofPhilipIVinS.MariaMaggiore:PatronageandPoliticsinSeicentoRome,”ArtBulletin,73,1991,pp.89-

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118HelgaTratz,“WerkstattundArbeitsweiseBerninis,”RömischesJahrbuchfürKunstgeschichte,23/24,1988,pp.395-483AvigdorPosèq,“ANoteonBernini’sMedusaHead,”inKonsthistorisktidskrift,62,1993,1,pp.16-21AvigdorPosèq,“OnPhysiognomicCommunicationinBernini,”ArtibusetHistoriae,27,2006,pp.168-70IrvingLavin,“Bernini’sBustoftheMedusa:anAwfulPun,”inDoceredelectaremovere.Affetti,devozioneeretoricanellinguaggioartisticodelprimobaroccoromano(1996),Rome,1998,pp.155-74KasparZollikofer,“‘Bisognadissegnar’all’occhio...’BerninisProjektfürdieChorseitevonSantaMariaMaggioreinRom,”inChristineGöttleretal.,eds.,Dilettoemaraviglia.AusdruckundWirkunginderKunstvonderRenaissancebiszumBarock,n.p.,1998,pp.207-36AlessandraAnselmi,“IprogettidiBerninieRainaldiperl’absidediSantaMariaMaggiore,”Bollettinod’Arte,117,July-September2001,pp.27-78KlausGüthlein,“GianLorenzoBerninisBronzenesEingangsgitterderChigi-KapelledesSieneserDoms,”“Opereegiorni.”StudiperMaxSeidel,Venezia,2001,pp.655-66TomasoMontanari,“Un‘Tritone’d’argentodiGianLorenzoBernini,”Prospettiva,113-114,January-April2004,pp.175-82ThomasFrangenberg,“GiovanniLottionaLostWorkbyBernini,BurlingtonMagazine,144,2002,pp.434-37EphemeralArchitectureMarcelloFagiolodell’ArcoandS.Carandini,L’effimerobarocco:StrutturedellafestanellaRomadel‘600,2vols,Rome,1977-78.

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MarcWorsdale,“BerniniStudioDrawingsforaCatafalqueandFireworks,1668,”BurlingtonMagazine,120,1978,pp.462-66KarlNoehles,“EineantikisierendeKolonnadenarchitekturBerninisvon1629füreineKanonisationsfeier,”Boreas.MünsterscheBeiträgezurArchäologie,5,1982,pp.191-200[1625ElizabethofPortugal;1629AndreaCorsini]RenatoDiez,Iltrionfodellaparola.StudiosullerelazionidifestenellaRomabarocca1623-1667,Rome,1986FrancescoDivenuto,“IlPioMontediMisericordiaedunmancatoincaricoaGianLorenzoBernini,”Ricerchesul‘600napoletano,Milan,1989,pp.101-12PeterGillgrenandMårtenSnickare,eds.,PerformativityandPerformanceinBaroqueRome,FarnhamUKandBurlingtonVT,2012MartinOlin,“DiplomaticPerformanceandtheAppliedArtsinSeventeenth-CenturyEurope,”inPeterGillgrenandMårtenSnickare,eds.,PerformativityandPerformanceinBaroqueRome,FarnhamUKandBurlingtonVT,2012,pp.25-45BerniniandtheTheaterGianLorenzoBernini,FontanadiTrevi.Commediainedita,ed.CesareD’Onofrio,Rome,1963(reviewbyI.LavininArtBulletin,XLVI,1964,pp.568-572GianLorenzoBernini,TheImpresario,trans.byDonaldBeecherandMassimoCiavolella,Ottawa,1985JamesSaywell,“TheatricalityintheArchitectureofGianlorenzoBernini,”FifthColumn,5.1,1984,pp.18-21(nothingatall)IrvingLavin,“BerniniandAntiquity–TheBaroqueParadox:APoeticalView,”inAntikenrezeptionimHochbarock,ed.HerbertBeckandSabineSchulze,Berlin,1989,pp.9-36

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FrederickHammond,Music&SpectacleinBaroqueRome.BarberiniPatronageunderUrbanVIII,NewHavenandLondon,1994.CharlesAvery,“‘SculpturegoneWild’:BerniniandtheEnglish,”inChantalGrellandMilovanStanic,LeBerninel’Europe.Dubaroquetriomphantàl’âgeromantique,Paris,2002,pp.159-78GenevieveWarwick,Bernini:ArtasTheater,NewHavenandLondon,2012CaricatureIrvingLavin,“BerniniandtheArtofSocialSatire,”inDrawingsbyGianlorenzoBerninifromtheMuseumderBildendenKünsteLeipzig(ex.cat.),Princeton,1981,pp.25-54JenniferMontagu,TheExpressionofthePassions.TheOriginandInfluenceofCharlesLeBrun’sConferencesurl’expressiongénéraleetparticulière,NewHavenandLondon,1994ReputationLivioPestilli,“OnBernini'sReputedUnpopularityinLateBaroqueRome,”inArtibusetHistoriae,32,no.63,2011,pp.119-142Bernini’sArchitecturalLegacyHellmutHager,“BalthasarNeumann’sSchönbornChapelatWurzburgCathedralanditsBerninesquePrototype,”ArchitecturalHistory,26,1983,pp.73-81HellmutHager,“Bernini,MattiadeRossiandtheChurchofS.BonaventuraaMonterano,”ArchitecturalHistory,21,1978,pp.68-78HellmutHager,“InquiriesintoBernini’sArchitecturalLegacy,”Quadernidell’IstitutodiStoriadell’Architettura,N.S.15-20,1990-92,pp.693-706

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AllanBraham,“TheArchitecturalLegacyofBerniniinRome,”inAnArchitecturalProgressintheRenaissanceandBaroque...EssaysPresentedtoHellmutHager(PapersinArtHistoryfromThePennsylvaniaStateUniversity,8),eds.H.MillonandS.Munshower,UniversityPark,1992,pp.448-67AndreaSpiriti,“LaculturadelBerniniaMilano:SantaMariadellaVittoria(1655-1685),”ArteLombarda,1994,1-2,pp.108-14PamelaHemzik,“TheFortuneofBernini’sColonnadedPiazzaSanPietroandtheCityFrontispieceinUrbanPlanning,”inLightontheEternalCity(PapersinArtHistoryfromThePennsylvaniaStateUniversity,2),eds.H.HagerandS.Munshower,UniversityPark,1987,pp.136-74HellmutLorenz,“Berniniel’architetturabaroccaaustriaca,”GianLorenzoBerniniarchitettoel’architetturaeuropeadelSei-Settecento,Rome,1984,II,pp.641-60OronzoBrunetti,SilivaChiaraCusmano,ValerioTesi,eds.,BerninielaToscanadaMichelangeloalbaroccomediceoealneocinquecentismo,Rome,2002OronzoBrunetti,SilivaChiaraCusmano,ValerioTesi,eds.,BerninielaToscanadaMichelangeloalbaroccomediceoealneocinquecentismo,Rome,2002AnnaMenichella,Matthiade’RossidiscepolopredilettodelBernini,Rome,1985