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Transcript of GCCA_2009_05-12_program
The CUNY Graduate Center
Composers' Alliance
Sequence #2Dan Blake, saxophone
Dan Blake
TodesfugeDennis Tobenski, tenor
Mia Elezovic, piano
Casey Hale
Sonata in DI. Distant Fanfares
II. Dance
III. Barcarole (Im Spreewald)
IV. March
David Salvage, piano
David Salvage
Number 17Dan Blake, saxophone
David Salvage, pianoCasey Hale, laptop
Paul Vidal
The Ph.D./D.M.A. Programs in Music
Tuesday, May 12th, 2009, 7:30 p.m.
Baisley Powell Elebash Recital Hall
Please switch off your cell phones and refrain from taking flash pictures.
Program Notes
Sequence #2
This is part of a larger work in progress for solo saxophone, which charts a path
through an uncharted area of the instrument. Tonight's performance focuses on
multiple tones, or multiphonics, which offer a rich array of harmonic, melodic, and
textural possibilities. – Daniel Blake
Paul Celan's Todesfuge (Death Fugue) is one of the best-known poems on the
holocaust. It was written shortly after Celan himself was freed from internment in
a Romanian forced labor camp in 1944, though its imagery is drawn from accounts
of the death camps in Poland. the translation provided below is somewhat my own,
though largely indebted to the efforts of Michael Hamburger, Karl S. Weimar and
John Felstiner. – Casey Hale
Sonata in D
Movements one and two of the Sonata in D were written in 2003 and 2004;
movements three and four were written this year. After writing a number of pieces
in what I regard to be a cerebral, “high” style, returning to the Sonata after five
years offered me a chance to relax and write music that is thoroughly accessible
and traditional.
The third movement bears some elaboration. The music narrates in sound a canoe
trip my girlfriend and I took in Germany in August of 2007. About two-thirds of the
way through, we heard a sound that seemed to be a cross between a train whistle
and some cowbells. After a few peals, it stopped, and we rowed our way through
the quiet waters back to the livery.
The Sonata’s duration is around 23 minutes. – David Salvage
Number 17 takes as its starting point a realization of a keyboard harmony exercise
from Paul Vidal's "Basses et Chantes Données," as passed down by his student
Nadia Boulanger and her student Narcis Bonet. – Casey hale
Composer Bios
Dan Blake has been featured as a composer and saxophonist throughout Europe,
South America, and the United States. He has appeared on recording and in
performance with Kenny Werner, Herbie Hancock, Danilo Perez, and many others.
His compositions have been performed by Duo Diorama, redfish bluefish ensemble,
and The Cygnus Ensemble, among others. For his work as a composer, Dan Blake
was awarded the John Lennon Songwriting Contest’s Grand Prize, ASCAP’s Young
Jazz Composer’s award, and City University’s 2008 Morton Feldman Composition
Award. Since February 2007, Dan Blake co-founded and co-curates the “Defacto
Series,” a concert series dedicated to experimental multi-media and improvised music
in Brooklyn.
He is Currently pursuing a Ph.D. in composition at the City University of New York
Graduate Center, where he also serves as adjunct lecturer in music history. He
currently studies composition with Robert Dick. Past teachers include Steve Lacy,
John McDonald, Tania León, and Jason Eckardt.
Casey Hale is a composer and guitarist. Called by the Cleveland Plain Dealer "a
skilled craftsman with a keen ear for colorful and yearning sonic possibilities," he
has worked primarily in the context of orchestral and chamber music, and has
written for the Cleveland Orchestra Youth Orchestra, the Orchestra of St. Luke's
Chamber Ensemble, the Woodstock Chamber Orchestra, the American Symphony
Orchestra, the Da Capo Chamber Players, and the Cygnus Ensemble, among others.
As an instrumentalist, he has performed repertoire from the 15th century to the
present in a broad range of styles, playing guitar and lute as a soloist and with
ensembles both small and large. His composition teachers have included Joan
Tower, Margaret Brouwer, Tania León, David Del Tredici, Zhou Long and Lee Hyla,
and he has studied guitar with Luis Garcia-Renart, Gregory Dinger and David
Leisner. He received his BA from Bard College and his MM from the Cleveland
Institute of Music; he currently lives in New York City, where he is pursuing his PhD
at the CUNY Graduate Center and teaching at Brooklyn College. For more
information, please visit www.caseyhale.com.
David Salvage is the composer of over thirty works for a wide variety of ensembles.
His compositions have received prizes from ASCAP, the Society for New Music, the
National Foundation for Advancement of Arts, and the Music Teachers National
Association. His compositions have been played by the Cygnus Ensemble (NYC), the
Newark-Granville Symphony Orchestra (OH), the Lost Dog Ensemble (NYC), the
Harvard Bach Society Orchestra, and the Arcturus Chamber Ensemble (Boston),
baritone Thomas Meglioranza, among other musicians and groups. He is a Senior
Editor of one of the Internet’s most-trafficked new-music websites,
Sequenza21.com. He holds degrees from Harvard, Manhattan School of Music,
and the City University of New York and is a two-time alumnus of the Conservatoire
Americain in Fontainebleau, France. He has been in residency at the Atlantic Center
for the Arts and taught composition at Brooklyn College. Currently at work on a
piece for clarinet and orchestra for the principal clarinetist of the Columbus
Symphony Orchestra, he will be an Assistant Professor of Fine Arts at Hampden-
Sydney College in Virginia beginning this fall.
Performer Bios
Born on April 18, 1982, Dennis Tobenski grew up in Kankakee, IL. In 2004, he
graduated from Illinois State University, where he studied Vocal Performance and
Music Theory. After finishing his Bachelor's degree, Dennis studied privately in
New York with composer Daron Hagen. He will complete his graduate studies in
composition at the City College of New York this May, where he is a student of
David Del Tredici.
With composer Jeff Algera, Dennis founded the Tobenski-Algera Concert Series,
which is devoted to the presentation of new works by young and emerging
composers. In 2007, he sang the premiere of the piano-vocal version of David Del
Tredici's song cycle Gay Life with tenor Rob Frankenberry and Del Tredici at the
piano. Dennis will also sing the role of Stanley in the premiere of Roger Zahab's
opera Hegemony later this year.
Dennis has received fellowships from the Virginia Center for the Creative Arts, the
Prairie Center of the Arts, the Ucross Foundation, and the Staunton Music
Festival.
Current and recent commissions include: echoes (2008) for soprano and piano on
poetry by Mark Statman, commissioned by the Staunton Music Festival in Staunton,
VA; at least a moment (2008-09) for soprano and harp, on poetry by Kenneth Koch,
commissioned by harpist Megan Sesma and soprano Patricia Schuman; a new work
for piccolo trumpet and string quartet, commissioned by David Glukh; a duo for
violin and piano, commissioned by Roger Zahab; and two new works for choir,
commissioned by Dr. Karyl Carlson and the Illinois State University Concert Choir.
Dennis currently resides in New York City.
Todesfuge by Paul Celan
Schwarze Milch der Frühe wir trinken sie abendswir trinken sie mittags und morgens wir trinken sie nachtswir trinken und trinkenwir schaufeln ein Grab in den Lüften da liegt man nicht engEin Mann wohnt im Haus der spielt mit den Schlangen der
schreibtder schreibt wenn es dunkelt nach Deutschland dein goldenes
Haar Margareteer schreibt es und tritt vor das Haus und es blitzen die Sterne
er pfeift seine Rüden herbeier pfeift seine Juden hervor läßt schaufeln ein Grab in der
Erdeer befiehlt uns spielt auf nun zum Tanz
Schwarze Milch der Frühe wir trinken dich nachtswir trinken dich morgens und mittags wir trinken dich abendswir trinken und trinkenEin Mann wohnt im Haus der spielt mit den Schlangen der
schreibtder schreibt wenn es dunkelt nach Deutschland dein goldenes
Haar MargareteDein aschenes Haar Sulamith wir schaufeln ein Grab in den
Lüften da liegt man nicht eng
Er ruft stecht tiefer ins Erdreich ihr einen ihr andern singet und spielt
er greift nach dem Eisen im Gurt er schwingts seine Augen sind blau
stecht tiefer die Spaten ihr einen ihr andern spielt weiter zum Tanz auf
Schwarze Milch der Frühe wir trinken dich nachtswir trinken dich mittags und morgens wir trinken dich abendswir trinken und trinkenein Mann wohnt im Haus dein goldenes Haar Margaretedein aschenes Haar Sulamith er spielt mit den SchlangenEr ruft spielt süßer den Tod der Tod ist ein Meister aus
Deutschlander ruft streicht dunkler die Geigen dann steigt ihr als Rauch in
die Luftdann habt ihr ein Grab in den Wolken da liegt man nicht eng
Schwarze Milch der Frühe wir trinken dich nachtswir trinken dich mittags der Tod ist ein Meister aus
Deutschlandwir trinken dich abends und morgens wir trinken und trinkender Tod ist ein Meister aus Deutschland sein Auge ist blauer trifft dich mit bleierner Kugel er trifft dich genauein Mann wohnt im Haus dein goldenes Haar Margareteer hetzt seine Rüden auf uns er schenkt uns ein Grab in der
Lufter spielt mit den Schlangen und träumet der Tod ist ein
Meister aus Deutschland
dein goldenes Haar Margaretedein aschenes Haar Sulamith
Black milk of daybreak we drink it at sundownwe drink it at midday and morning we drink it at nightwe drink and we drinkwe dig a grave in the air there one lies unconfinedA man lives in the house he plays with his serpents he writeshe writes at dusk to Germany your golden hair Margaretehe writes it and steps outside and the stars are sparkling he
whistles his hounds beside himhe whistles his Jews before him has them dig a grave in the
earthhe commands us to strike up for the dance
Black milk of daybreak we drink you at nightwe drink you at morning and midday we drink you at sundownwe drink and we drinkA man lives in the house he plays with his serpents he writeshe writes at dusk to Germany your golden hair MargareteYour ashen hair Sulamith we dig a grave in the air there one lies
unconfined
He shouts stab deeper in the earth you here you others sing and play
He grabs at the iron in his belt he waves it his eyes are blueStab the spades deeper you here you others play on for the dance
Black milk of daybreak we drink you at nightwe drink you at midday and morning we drink you at sundownwe drink and we drinka man lives in the house your golden hair Margareteyour ashen hair Sulamith he plays with his serpentsHe shouts play death more sweetly death is a master from
Germanyhe shouts stroke your strings more darkly then you rise like
smoke in the airthen you have a grave in the clouds there one lies unconfined
Black milk of daybreak we drink you at nightwe drink you at midday death is a master from Germanywe drink you at sundown and morning we drink and we drinkdeath is a master from Germany his eye is bluehe hits you with leaden bullets he hits you truea man lives in the house your golden hair Margaretehe sets his hounds on us he gives us a grave in the airhe plays with his serpents and dreams death is a master from
Germany
your golden hair Margareteyour ashen hair Sulamith
UPCOMING EVENTSSpring 2009
February 9 Bonnie McAlvin, flute11 Dongmyung Ahn, chamber
music17 Concert in Honor of Terry
Winter Owens
19 Music in Midtown [1:00pm]: Chamber Music on Fifth
19 William Hakim, viola23 Yavet Boyadjiev, violin25 Naomi Perley, piano
March 3 Raymond Erickson, chamber
music 5 Music in Midtown [1:00pm]:
Imani Winds 5 Julia Biber, cello 9 Marta Bedowska, cello11 Composers’ Alliance17 City of the World: Sundar
Shor19 Music in Midtown [1:00pm]:
American Spirituals with Roy Jennings25 John Wriggle: Blue Rhythm
Fantasy
April
2 Music in Midtown [1:00pm]: Mari Kimura, violin
6 Heesun Shin, violin20 City of the World: Korean Traditional Music & Change22 Aleksandra Sarest, piano27 Judy Woo, piano27 Sun Young Park, piano [Proshansky Auditorium]28 Mirna Lekic, piano30 Music in Midtown [1:00pm]:
Orion String Quartet
May 4 Cygnus Ensemble 6 Contemporary Music
Ensemble [8:00pm]12 Composers’ Alliance14 Music in Midtown [1:00pm]:
Manhattan String Quartet14 City of the World: Mariachi
Real & The Mariachi Academy of New York
18 Emiko Sato, chamber music [Segal Theater]
Concert Office212-817-8607
Baisley Powell Elebash Recital Hall ! ! [email protected]
All concerts and events are FREE and begin at 7:30pm, unless otherwise indicated above.
For more information contact the Concert Office or visit our website at:http://web.gc.cuny.edu/Music/events/concerts.html