Gardner’s Art Through the Ages,
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1 Chapter 24 Of Popes, Peasants, Monarchs, and Merchants Baroque Art Gardner’s Art Through the Ages,
description
Gardner’s Art Through the Ages,. Chapter 24 Of Popes, Peasants, Monarchs, and Merchants Baroque Art. Figure 24-2 CARLO MADERNO, facade of Saint Peter’s, Vatican City, Rome, Italy, 1606–1612. - PowerPoint PPT Presentation
Transcript of Gardner’s Art Through the Ages,
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Chapter 24Of Popes, Peasants, Monarchs,
and Merchants
Baroque Art
Gardner’s Art Through the Ages,
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Figure 24-2 CARLO MADERNO, facade of Saint Peter’s, Vatican City, Rome, Italy, 1606–1612.
3Figure 24-4 Aerial view of Saint Peter’s, Vatican City, Rome, Italy, 1506–1666.
Figure 24-3 CARLO MADERNO, plan of Saint Peter’s, Vatican City, Rome, Italy, with adjoining piazza designed by GIANLORENZO BERNINI.
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Figure 24-5 GIANLORENZO BERNINI, baldacchino, Saint Peter’s, Vatican City, Rome, Italy, 1624–1633. Gilded bronze, approx. 100’ high.
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Figure 24-7 GIANLORENZO BERNINI, David, 1623. Marble, approx. 5’ 7” high. Galleria Borghese, Rome.
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Figure 24-9 GIANLORENZO BERNINI, Ecstasy of Saint Teresa, Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy, 1645–1652. Marble, height of group 11’ 6”.
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Figure 24-10 FRANCESCO BORROMINI, facade of San Carlo alle Quattro Fontane, Rome, Italy, 1665–1676.
Figure 24-11 FRANCESCO BORROMINI, plan of San Carlo alle Quattro Fontane, Rome, Italy, 1638–1641.
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Figure 24-19 CARAVAGGIO, Calling of Saint Matthew, Contarelli Chapel, San Luigi dei Francesi, Rome, Italy, ca. 1597–1601. Oil on canvas, 11’ 1” x 11’ 5”.
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Figure 24-20 CARAVAGGIO, Entombment, from the chapel of Pietro Vittrice, Santa Maria in Vallicella, Rome, Italy, ca. 1603. Oil on canvas, 9’ 10 1/8” x 6’ 7 15/16”. Musei Vaticani, Pinacoteca, Rome.
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Figure 24-21 ARTEMISIA GENTILESCHI, Judith Slaying Holofernes, ca. 1614–1620. Oil on canvas, 6’ 6 1/3” x 5’ 4”. Galleria degli Uffizi, Florence.
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Figure 24-23 ANNIBALE CARRACCI, Loves of the Gods, ceiling frescoes in the gallery, Palazzo Farnese, Rome, Italy, 1597–1601.
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Figure 24-25 PIETRO DA CORTONA, Triumph of the Barberini, ceiling fresco in the Gran Salone, Palazzo Barberini, Rome, 1633–1639.
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Figure 24-30 DIEGO VELÁZQUEZ, Water Carrier of Seville, ca. 1619. Oil on canvas, 3’5 1/2” x 2’7 1/2”. Wellington Museum, London.
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Figure 24-31 DIEGO VELÁZQUEZ, Surrender of Breda, 1634–1635. Oil on canvas, 10’ 1” x 12’ 1/2”. Museo del Prado, Madrid.
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Figure 24-33 DIEGO VELÁZQUEZ, Las Meninas (The Maids of Honor), 1656. Oil on canvas, approx. 10’ 5” x 9’. Museo del Prado, Madrid.
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Figure 24-34 PETER PAUL RUBENS, Elevation of the Cross, Antwerp Cathedral, Antwerp, Belgium, 1610. Oil on panel, 15’ 1 7/8” x 11’ 1 1/2” (center panel), 15' 1 7/8" x 4' 11" (each wing).
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Figure 24-38 ANTHONY VAN DYCK, Charles I Dismounted, ca. 1635. Oil on canvas, approx 9’ x 7’. Louvre, Paris.
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Figure 24-41 FRANS HALS, Archers of Saint Hadrian, ca. 1633. Oil on canvas, approx. 6’ 9” x 11’. Frans Halsmuseum, Haarlem.
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Figure 24-43 REMBRANDT VAN RIJN, Anatomy Lesson of Dr. Tulp, 1632. Oil on canvas, 5’ 3 3/4” x 7’ 1 1/4”. Mauritshuis, The Hague.
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Figure 24-44 REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), 1642. Oil on canvas (cropped from original size), 11’ 11” x 14’ 4”. Rijksmuseum, Amsterdam.
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Figure 24-46 REMBRANDT VAN RIJN, Self-Portrait, ca. 1659–1660. Oil on canvas, approx. 3’ 8 3/4” x 3’ 1”. The Iveagh Bequest, Kenwood House, London.
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Figure 24-47 REMBRANDT VAN RIJN, Christ with the Sick around Him, Receiving the Children (Hundred Guilder Print), ca. 1649. Etching, approx. 11” x 1’ 3 1/4”. Pierpont Morgan Library, New York.
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Figure 24-48 JUDITH LEYSTER, Self-Portrait, ca. 1630. Oil on canvas, 2’ 5 3/8” x 2’ 1 5/8”. National Gallery of Art, Washington (gift of Mr. and Mrs. Robert Woods Bliss).
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Figure 24-50 JACOB VAN RUISDAEL, View of Haarlem from the Dunes at Overveen, ca. 1670. Oil on canvas, approx. 1’ 10” x 2’ 1”. Mauritshuis, The Hague.
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Figure 24-51 JAN VERMEER, The Letter, 1666. Oil on canvas, 1’ 5 1/4” x 1’ 3 1/4”. Rijksmuseum, Amsterdam.
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Figure 24-60 NICOLAS POUSSIN, Et in Arcadia Ego, ca. 1655. Oil on canvas, approx. 2’ 10” x 4’. Louvre, Paris.
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Figure 24-66 HYACINTHE RIGAUD, Louis XIV, 1701. Oil on canvas, approx. 9’ 2” x 6’ 3”. Louvre, Paris.
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Figure 24-70 JULES HARDOUIN-MANSART and CHARLES LE BRUN, Galerie des Glaces (Hall of Mirrors), palace of Versailles, Versailles, France, ca. 1680.
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Figure 24-71 JULES HARDOUIN-MANSART, Royal Chapel, with ceiling decorations by Antoine Coypel, palace of Versailles, Versailles, France, 1698–1710.
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Figure 24-73 INIGO JONES, Banqueting House at Whitehall, London, England, 1619–1622.
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Figure 24-74 SIR CHRISTOPHER WREN, new Saint Paul’s Cathedral, London, England, 1675–1710.
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Figure 24-75 JOHN VANBRUGH, Blenheim Palace, Oxfordshire, England, 1705-1722.
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Figure 24-76 BALTHASAR NEUMANN, interior of the pilgrimage chapel of Vierzehnheiligen, near Staffelstein, Germany, 1743–1772.
Figure 24-77 Plan of Vierzehnheiligen, near Staffelstein, Germany.
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Figure 24-79 GIAMBATTISTA TIEPOLO, The Apotheosis of the Pisani Family, ceiling fresco in the Villa Pisani, stra, Italy, 1761-1762.
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Figure 24-84 ANTOINE WATTEAU, Return from Cythera, 1717-1719. Oil on canvas, approx. 4’3” x 6’4”. Louvre, Paris.
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Figure 24-86 JEAN HONORE FRAGONARD, The Swing, 1766. Oil on canvas, approx. 2’11” x2’8”. The Wallace Collection, London.
