Gabriel García Márquez
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GabrielGarcaMrquez
GabrielGarcaMrquezin2002
Born GabrielJosdelaConcordiaGarcaMrquez6March1927Aracataca,Colombia
Died 17April2014(aged87)MexicoCity,Mexico
Nationality Colombian,Mexican(naturalizedin1982)
Almamater UniversidaddeCartagena
Genre Novels,shortstories
Literarymovement
LatinAmericanBoom,magicrealism
Notableworks
OneHundredYearsofSolitude,TheAutumnofthePatriarch,LoveintheTimeofCholera
Notableawards
NeustadtInternationalPrizeforLiterature1972NobelPrizeinLiterature1982
Spouse MercedesBarchaPardo
Children Rodrigo,Gonzalo
Signature
GabrielGarcaMrquezFromWikipedia,thefreeencyclopedia
GabrielJosdelaConcordiaGarcaMrquez(/rsimrks/[1]AmericanSpanish:[ajelarsi.amarkes] audio6March192717April2014)wasaColombiannovelist,shortstorywriter,screenwriterandjournalist,knownaffectionatelyasGabothroughoutLatinAmerica.Consideredoneofthemostsignificantauthorsofthe20thcentury,hewasawardedthe1972NeustadtInternationalPrizeforLiteratureandthe1982NobelPrizeinLiterature.[2]Hepursuedaselfdirectededucationthatresultedinhisleavinglawschoolforacareerinjournalism.Fromearlyon,heshowednoinhibitionsinhiscriticismofColombianandforeignpolitics.In1958,hemarriedMercedesBarchatheyhadtwosons,RodrigoandGonzalo.[3]
GarcaMrquezstartedasajournalist,andwrotemanyacclaimednonfictionworksandshortstories,butisbestknownforhisnovels,suchasOneHundredYearsofSolitude(1967),TheAutumnofthePatriarch(1975)andLoveintheTimeofCholera(1985).Hisworkshaveachievedsignificantcriticalacclaimandwidespreadcommercialsuccess,mostnotablyforpopularizingaliterarystylelabeledasmagicrealism,whichusesmagicalelementsandeventsinotherwiseordinaryandrealisticsituations.SomeofhisworksaresetinafictionalvillagecalledMacondo(thetownmainlyinspiredbyhisbirthplaceAracataca),andmostofthemexplorethethemeofsolitude.
OnhisdeathinApril2014,JuanManuelSantos,thePresidentofColombia,describedhimas"thegreatestColombianwhoeverlived".[4]
Contents
1Biography1.1Earlylife1.2Journalism
1.2.1TheStoryofaShipwreckedSailor
1.3QAP1.4Marriageandfamily
http://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Macondohttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Colombian_peoplehttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Solitudehttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/File:Es-Gabriel_Garcia_Marquez.ogghttp://en.wikipedia.org/wiki/Juan_Manuel_Santoshttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Magic_realismhttp://en.wikipedia.org/wiki/Aracatacahttp://en.wikipedia.org/wiki/Rodrigo_Garc%C3%ADa_(director)http://en.wikipedia.org/wiki/Universidad_de_Cartagenahttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Neustadt_International_Prize_for_Literaturehttp://en.wikipedia.org/wiki/Nobel_Prize_in_Literaturehttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Rodrigo_Garc%C3%ADa_(director)http://en.wikipedia.org/wiki/Mexico_Cityhttp://en.wikipedia.org/wiki/Colombian_peoplehttp://en.wikipedia.org/wiki/Love_in_the_Time_of_Cholerahttp://en.wikipedia.org/wiki/File:Gabriel_Garcia_Marquez.jpghttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Love_in_the_Time_of_Cholerahttp://en.wikipedia.org/wiki/The_Autumn_of_the_Patriarchhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Latin_American_Boomhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Neustadt_International_Prize_for_Literaturehttp://en.wikipedia.org/wiki/Magic_realismhttp://en.wikipedia.org/wiki/File:Gabriel_Marquez_Signature.pnghttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Aracatacahttp://en.wikipedia.org/wiki/The_Autumn_of_the_Patriarchhttp://en.wikipedia.org/wiki/Help:IPA_for_Spanishhttp://en.wikipedia.org/wiki/Nobel_Prize_in_Literaturehttp://upload.wikimedia.org/wikipedia/commons/d/d7/Es-Gabriel_Garcia_Marquez.ogg
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1.5LeafStorm1.6OneHundredYearsofSolitude1.7Fame1.8AutumnofthePatriarch1.9ChronicleofaDeathForetold1.10LoveintheTimeofCholera1.11NewsofaKidnapping1.12LivingtoTelltheTaleandMemoriesofMyMelancholyWhores1.13Filmandopera1.14Laterlifeanddeath
1.14.1Declininghealth1.14.2Deathandfuneral
2Style2.1Realismandmagicalrealism
3Motifs3.1Solitude3.2Macondo3.3Laviolencia
4Legacy4.1NobelPrize
5Listofworks5.1Novels5.2Novellas5.3Shortstorycollections5.4Nonfiction5.5Films
6Seealso7References
7.1Notes7.2Bibliography7.3Furtherreading
8Externallinks8.1Films
Biography
Earlylife
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GarcaMrquezbillboardinAracataca:"IfeelLatinAmericanfromwhatevercountry,butIhaveneverrenouncedthenostalgiaofmyhomeland:Aracataca,towhichIreturnedonedayanddiscoveredthatbetweenrealityandnostalgiawastherawmaterialformywork".GabrielGarcaMrquez
GabrielGarcaMrquezwasbornon6March1927[5]inAracataca,Colombia,toGabrielEligioGarcaandLuisaSantiagaMrquezIguarn.[6]SoonafterGarcaMrquezwasborn,hisfatherbecameapharmacistandmoved,withhiswife,toBarranquilla,leavingyoungGabitoinAracataca.[7]Hewasraisedbyhismaternalgrandparents,DoaTranquilinaIguarnandColonelNicolsRicardoMrquezMeja.[8]InDecember1936,hisfathertookhimandhisbrothertoSinc,whileinMarch1937,hisgrandfatherdiedthefamilythenmovedfirst(back)toBarranquillaandthenontoSucre,wherehisfatherstartedupapharmacy.[9]
Whenhisparentsfellinlove,theirrelationshipmetwithresistancefromLuisaSantiagaMrquez'sfather,theColonel.GabrielEligioGarcawasnotthemantheColonelhadenvisionedwinningtheheartofhisdaughter:he(GabrielEligio)wasaConservative,andhadthereputationofbeingawomanizer.[10][11]GabrielEligiowooedLuisawithviolinserenades,lovepoems,countlessletters,andeventelephonemessagesafterherfathersentherawaywiththeintentionofseparatingtheyoungcouple.Herparentstriedeverythingtogetridoftheman,buthekeptcomingback,anditwasobvioustheirdaughterwascommittedtohim.[10]Herfamilyfinallycapitulatedandgaveherpermissiontomarryhim[12][13](ThetragicomicstoryoftheircourtshipwouldlaterbeadaptedandrecastasLoveintheTimeofCholera.[11][14])
SinceGarcaMrquez'sparentsweremoreorlessstrangerstohimforthefirstfewyearsofhislife,[15]
hisgrandparentsinfluencedhisearlydevelopmentverystrongly.[16][17]Hisgrandfather,whomhecalled"Papalelo",[16]wasaLiberalveteranoftheThousandDaysWar.[18]TheColonelwasconsideredaherobyColombianLiberalsandwashighlyrespected.[19]HewaswellknownforhisrefusaltoremainsilentaboutthebananamassacresthattookplacetheyearafterGarcaMrquezwasborn.[20]TheColonel,whomGarcaMrquezdescribedashis"umbilicalcordwithhistoryandreality,"[21]wasalsoanexcellentstoryteller.[22]HetaughtGarcaMrquezlessonsfromthedictionary,tookhimtothecircuseachyear,andwasthefirsttointroducehisgrandsontoicea"miracle"foundattheUnitedFruitCompanystore.[23]Hewouldalsooccasionallytellhisyounggrandson"Youcan'timaginehowmuchadeadmanweighs",[24][25]remindinghimthattherewasnogreaterburdenthantohavekilledaman,alessonthatGarcaMrquezwouldlaterintegrateintohisnovels.
GarcaMrquez'spoliticalandideologicalviewswereshapedbyhisgrandfather'sstories.[24]Inaninterview,GarcaMrqueztoldhisfriendPlinioApuleyoMendoza,"mygrandfathertheColonelwasaLiberal.Mypoliticalideasprobablycamefromhimtobeginwithbecause,insteadoftellingmefairytaleswhenIwasyoung,hewouldregalemewithhorrifyingaccountsofthelastcivilwarthatfreethinkersandanticlericswagedagainsttheConservativegovernment."[26][27]Thisinfluencedhispoliticalviewsandhisliterarytechniquesothat"inthesamewaythathiswritingcareerinitiallytookshapeinconsciousoppositiontotheColombianliterarystatusquo,GarcaMrquez'ssocialistandantiimperialistviewsareinprincipledoppositiontotheglobalstatusquodominatedbytheUnitedStates."[28]
GarcaMrquez'sgrandmother,DoaTranquilinaIguarnCotes,playedanequallyinfluentialroleinhis
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upbringing.Hewasinspiredbythewayshe"treatedtheextraordinaryassomethingperfectlynatural."[29]Thehousewasfilledwithstoriesofghostsandpremonitions,omensandportents,[30]allofwhichwerestudiouslyignoredbyherhusband.[16]AccordingtoGarcaMrquezshewas"thesourceofthemagical,superstitiousandsupernaturalviewofreality".[21]Heenjoyedhisgrandmother'suniquewayoftellingstories.Nomatterhowfantasticorimprobableherstatements,shealwaysdeliveredthemasiftheyweretheirrefutabletruth.Itwasadeadpanstylethat,somethirtyyearslater,heavilyinfluencedhergrandson'smostpopularnovel,OneHundredYearsofSolitude.[31]
Journalism
GarcaMrquezbeganhiscareerasajournalistwhilestudyinglawattheNationalUniversityofColombia.In1948and1949hewroteforElUniversalinCartagena.Later,from1950until1952,hewrotea"whimsical"columnunderthenameof"Septimus"forthelocalpaperElHeraldoinBarranquilla.[32]GarcaMrqueznotedofhistimeatElHeraldo,"I'dwriteapieceandthey'dpaymethreepesosforit,andmaybeaneditorialforanotherthree."[33]DuringthistimehebecameanactivememberoftheinformalgroupofwritersandjournalistsknownastheBarranquillaGroup,anassociationthatprovidedgreatmotivationandinspirationforhisliterarycareer.HeworkedwithinspirationalfiguressuchasRamonVinyes,whomGarcaMrquezdepictedasanOldCatalanwhoownsabookstoreinOneHundredYearsofSolitude.[34]Atthistime,GarcaMrquezwasalsointroducedtotheworksofwriterssuchasVirginiaWoolfandWilliamFaulkner.Faulkner'snarrativetechniques,historicalthemesanduseofrurallocationsinfluencedmanyLatinAmericanauthors.[35]TheenvironmentofBarranquillagaveGarcaMrquezaworldclassliteraryeducationandprovidedhimwithauniqueperspectiveonCaribbeanculture.From1954to1955,GarcaMrquezspenttimeinBogotandregularlywroteforBogot'sElEspectador.Hewasaregularfilmcriticwhichdrovehisinterestinfilm.
InDecember1957GarcaMrquezacceptedapositioninCaracasinthenewspaperElMomento.HearrivedtotheVenezuelancapitalon23December1957,andbeganworkingrightawayatElMomento.GarcaMrquezalsoassistedinthe1958Venezuelancoupd'tat,leadingtotheexileofthepresidentMarcosPrezJimnez.Followingthisevent,GarcaMrquezwroteanarticle,"Theparticipationoftheclergyinthestruggle",describingtheChurchofVenezuelaoppositionagainstJimnez'sregime.InMarch1958hemadeatriptoColombia,wherehemarriedMercedesBarchaandtogethertheycamebacktoCaracas.InMay1958,disagreeingwiththeownerofMomento,heresignedandbecameshortlyafterwardseditorofthenewspaperVenezuelaGrfica.
TheStoryofaShipwreckedSailor
Endingincontroversy,hislastdomesticallywritteneditorialforElEspectadorwasaseriesoffourteennewsarticles[34][36]inwhichherevealedthehiddenstoryofhowaColombianNavyvessel'sshipwreck"occurredbecausetheboatcontainedabadlystowedcargoofcontrabandgoodsthatbrokelooseonthedeck."[37]GarcaMrquezcompiledthisstorythroughinterviewswithayoungsailorwhosurvivedtheshipwreck.[36]Thepublicationofthearticlesresultedinpubliccontroversy,astheydiscreditedtheofficialaccountoftheevents,whichhadblamedastormfortheshipwreck,andglorifiedthesurvivingsailor.
InresponsetothiscontroversyElEspectadorsentGarcaMrquezawaytoEuropetobeaforeigncorrespondent.[38]HewroteabouthisexperiencesforElIndependiente,anewspaperwhichhadbrieflyreplacedElEspectadorduringthemilitarygovernmentofGeneralGustavoRojasPinilla[39]andwas
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latershutdownbyColombianauthorities.[35]GarcaMrquez'sbackgroundinjournalismprovidedafoundationalbaseforhiswritingcareer.LiterarycriticBellVilladanoted,"Owingtohishandsonexperiencesinjournalism,GarcaMrquezis,ofallthegreatlivingauthors,theonewhoisclosesttoeverydayreality."[40]
QAP
GarcaMrquezwasoneoftheoriginalfoundersofQAP,anewscastthatairedbetween1992and1997.[41]Hewasattractedtotheprojectbythepromiseofeditorialandjournalisticindependence.
Marriageandfamily
GarcaMrquezmetMercedesBarchawhileshewasatschooltheydecidedtowaitforhertofinishbeforegettingmarried.WhenhewassenttoEuropeasaforeigncorrespondent,MercedeswaitedforhimtoreturntoBarranquilla.Finallytheymarriedin1958.[42][43]Thefollowingyear,theirfirstson,RodrigoGarca,nowatelevisionandfilmdirector,wasborn.[43]In1961,thefamilytraveledbyGreyhoundbusthroughoutthesouthernUnitedStatesandeventuallysettledinMexicoCity.[44]GarcaMrquezhadalwayswantedtoseetheSouthernUnitedStatesbecauseitinspiredthewritingsofWilliamFaulkner.[45]Threeyearslaterthecouple'ssecondson,Gonzalo,wasborninMexico.[46]
GonzaloiscurrentlyagraphicdesignerinMexicoCity.[45]
LeafStorm
LeafStorm(LaHojarasca)isGarcaMrquez'sfirstnovellaandtooksevenyearstofindapublisher,finallybeingpublishedin1955.[47]GarcaMrqueznotesthat"ofallthathehadwritten(asof1973),LeafStormwashisfavoritebecausehefeltthatitwasthemostsincereandspontaneous."[48]Alltheeventsofthenovellatakeplaceinoneroom,duringahalfhourperiodonWednesday12September1928.Itisthestoryofanoldcolonel(similartoGarcaMrquez'sowngrandfather)whotriestogiveaproperChristianburialtoanunpopularFrenchdoctor.Thecolonelissupportedonlybyhisdaughterandgrandson.Thenovellaexploresthechild'sfirstexperiencewithdeathbyfollowinghisstreamofconsciousness.ThebookalsorevealstheperspectiveofIsabel,theColonel'sdaughter,whichprovidesafemininepointofview.[34]
OneHundredYearsofSolitude
SinceGarcaMrquezwaseighteen,hehadwantedtowriteanovelbasedonhisgrandparents'housewherehegrewup.However,hestruggledwithfindinganappropriatetoneandputofftheideauntilonedaytheanswerhithimwhiledrivinghisfamilytoAcapulco.Heturnedthecararoundandthefamilyreturnedhomesohecouldbeginwriting.Hesoldhiscarsohisfamilywouldhavemoneytoliveonwhilehewrote,butwritingthenoveltookfarlongerthanheexpected,andhewroteeverydayforeighteenmonths.Hiswifehadtoaskforfoodoncreditfromtheirbutcherandtheirbakeraswellasninemonthsofrentoncreditfromtheirlandlord.[49]Fortunately,whenthebookwasfinallypublishedin1967itbecamehismostcommerciallysuccessfulnovel,OneHundredYearsofSolitude,whichsoldmorethan30millioncopies.[50](Cienaosdesoledad)(1967EnglishtranslationbyGregoryRabassa1970).ThestorychroniclesseveralgenerationsoftheBuendafamilyfromthetimetheyfoundedthefictionalSouthAmericanvillageofMacondo,throughtheirtrialsandtribulations,instancesofincest,birthsanddeaths.ThehistoryofMacondoisoftengeneralizedbycriticstorepresentruraltownsthroughoutLatinAmericaoratleastnearGarcaMrquez'snativeAracataca.[51][52]
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GarcaMrquezsigningacopyofOneHundredYearsofSolitudeinHavana,Cuba
ThisnovelwaswidelypopularandledtoGarcaMrquez'sNobelPrizeaswellastheRmuloGallegosPrizein1972.WilliamKennedyhascalledit"thefirstpieceofliteraturesincetheBookofGenesisthatshouldberequiredreadingfortheentirehumanrace,"[53]andhundredsofarticlesandbooksofliterarycritiquehavebeenpublishedinresponsetoit.Despitethemanyaccoladesthebookreceived,GarcaMrqueztendedtodownplayitssuccess.Heonceremarked:"Mostcriticsdon'trealizethatanovellikeOneHundredYearsofSolitudeisabitofajoke,fullofsignalstoclosefriendsandso,withsomepreordainedrighttopontificatetheytakeontheresponsibilityofdecodingthebookandriskmakingterriblefoolsofthemselves."[52]
Fame
AfterwritingOneHundredYearsofSolitudeGarcaMrquezreturnedtoEurope,thistimebringingalonghisfamily,toliveinBarcelona,Spain,forsevenyears.[46]TheinternationalrecognitionGarcaMrquezearnedwiththepublicationofthenovelledtohisabilitytoactasafacilitatorinseveralnegotiationsbetweentheColombiangovernmentandtheguerrillas,includingtheformer19thofAprilMovement(M19),andthecurrentFARCandELNorganizations.[54][55]Thepopularityofhiswritingalsoledtofriendshipswithpowerfulleaders,includingonewithformerCubanpresidentFidelCastro,whichhasbeenanalyzedinGaboandFidel:PortraitofaFriendship.[56]ItwasduringthistimethathewaspunchedinthefacebyMarioVargasLlosainwhatbecameoneofthelargestfeudsinmodernliterature.InaninterviewwithClaudiaDreifusin1982GarcaMrqueznoteshisrelationshipwithCastroismostlybasedonliterature:Oursisanintellectualfriendship.ItmaynotbewidelyknownthatFidelisaveryculturedman.Whenweretogether,wetalkagreatdealaboutliterature.[57]ThisrelationshipwascriticizedbyCubanexilewriterReinaldoArenas,inhis1992memoirAntesdequeAnochezca(BeforeNightFalls).[58]
DuetohisnewfoundfameandhisoutspokenviewsonU.S.imperialismGarciaMrquezwaslabeledasasubversiveandformanyyearswasdeniedvisasbyU.S.immigrationauthorities.[59]AfterBillClintonwaselectedU.S.president,heliftedthetravelbanandcitedOneHundredYearsofSolitudeashisfavoritenovel.[60]
AutumnofthePatriarch
GarcaMrquezwasinspiredtowriteadictatornovelwhenhewitnessedtheflightofVenezuelandictatorMarcosPrezJimnez.Heshares,"itwasthefirsttimewehadseenadictatorfallinLatinAmerica."[61]GarcaMrquezbeganwritingAutumnofthePatriarch(Elotoodelpatriarca)in1968andsaiditwasfinishedin1971however,hecontinuedtoembellishthedictatornoveluntil1975whenitwaspublishedinSpain.[62]AccordingtoGarcaMrquez,thenovelisa"poemonthesolitudeofpower"asitfollowsthelifeofaneternaldictatorknownastheGeneral.ThenovelisdevelopedthroughaseriesofanecdotesrelatedtothelifeoftheGeneral,whichdonotappearinchronologicalorder.[63]Althoughtheexactlocationofthestoryisnotpinpointedinthenovel,theimaginarycountryissituatedsomewhereintheCaribbean.[64]
GarcaMrquezgavehisownexplanationoftheplot:
http://en.wikipedia.org/wiki/Book_of_Genesishttp://en.wikipedia.org/wiki/19th_of_April_Movementhttp://en.wikipedia.org/wiki/Fidel_Castrohttp://en.wikipedia.org/wiki/Havanahttp://en.wikipedia.org/wiki/Government_of_Colombiahttp://en.wikipedia.org/wiki/American_imperialismhttp://en.wikipedia.org/wiki/File:Gabogarciamarquez1.pnghttp://en.wikipedia.org/wiki/William_J._Kennedyhttp://en.wikipedia.org/wiki/Dictator_novelhttp://en.wikipedia.org/wiki/Bill_Clintonhttp://en.wikipedia.org/wiki/R%C3%B3mulo_Gallegos_Prizehttp://en.wikipedia.org/wiki/Dictator_novelhttp://en.wikipedia.org/wiki/Mario_Vargas_Llosahttp://en.wikipedia.org/wiki/Cuban_exilehttp://en.wikipedia.org/wiki/Before_Night_Fallshttp://en.wikipedia.org/wiki/Barcelonahttp://en.wikipedia.org/wiki/Claudia_Dreifushttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Marcos_P%C3%A9rez_Jim%C3%A9nezhttp://en.wikipedia.org/wiki/Facilitatorhttp://en.wikipedia.org/wiki/FARChttp://en.wikipedia.org/wiki/Reinaldo_Arenashttp://en.wikipedia.org/wiki/National_Liberation_Army_(Colombia)
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MyintentionwasalwaystomakeasynthesisofalltheLatinAmericandictators,butespeciallythosefromtheCaribbean.Nevertheless,thepersonalityofJuanVicenteGomez[ofVenezuela]wassostrong,inadditiontothefactthatheexercisedaspecialfascinationoverme,thatundoubtedlythePatriarchhasmuchmoreofhimthananyoneelse.[64]
AfterAutumnofthePatriarchwaspublishedGarcaMrquezandhisfamilymovedfromBarcelonatoMexicoCity[46]andGarcaMrquezpledgednottopublishagainuntiltheChileanDictatorAugustoPinochetwasdeposed.However,heultimatelypublishedChronicleofaDeathForetoldwhilePinochetwasstillinpowerashe"couldnotremainsilentinthefaceofinjusticeandrepression."[65]
ChronicleofaDeathForetold
ChronicleofaDeathForetold(Crnicadeunamuerteanunciada)recreatesamurderthattookplaceinSucre,Colombiain1951.ThecharacternamedSantiagoNasarisbasedonagoodfriendfromGarcaMrquez'schildhood,CayetanoGentileChimento.[66]Pelayoclassifiesthisnovelasacombinationofjournalism,realismanddetectivestory.[67]
TheplotofthenovelrevolvesaroundSantiagoNasar'smurder.Thenarratoractsasadetective,uncoveringtheeventsofthemurdersecondbysecond.[68]LiterarycriticRubenPelayonotesthatthestory"unfoldsinaninvertedfashion.Insteadofmovingforward...theplotmovesbackwards."[69]Inthefirstchapter,thenarratortellsthereaderexactlywhokilledSantiagoNasarandtherestofthebookislefttounfoldwhy.
ChronicleofaDeathForetoldwaspublishedin1981,theyearbeforeGarcaMrquezwasawardedthe1982NobelPrizeinLiterature.[66]ThenovelwasalsoadaptedintoafilmbyItaliandirectorFrancescoRosiin1987.[68]
LoveintheTimeofCholera
LoveintheTimeofCholera(Elamorenlostiemposdelclera)wasfirstpublishedin1985.Itisconsideredanontraditionallovestoryas"loversfindloveintheir'goldenyears'intheirseventies,whendeathisallaroundthem".[70]
LoveintheTimeofCholeraisbasedonthestoriesoftwocouples.TheyoungloveofFerminaDazaandFlorentinoArizaisbasedontheloveaffairofGarcaMrquez'sparents.[71]However,asGarcaMrquezexplainsinaninterview:Theonlydifferenceis[myparents]married.Andassoonastheyweremarried,theywerenolongerinterestingasliteraryfigures."[71]TheloveofoldpeopleisbasedonanewspaperstoryaboutthedeathoftwoAmericans,whowerealmost80yearsold,whometeveryyearinAcapulco.Theywereoutinaboatonedayandweremurderedbytheboatmanwithhisoars.GarcaMrqueznotes,"Throughtheirdeath,thestoryoftheirsecretromancebecameknown.Iwasfascinatedbythem.Theywereeachmarriedtootherpeople."[72]
NewsofaKidnapping
NewsofaKidnapping(Noticiadeunsecuestro)wasfirstpublishedin1996.ItisanonfictionbookthatexaminesaseriesofrelatedkidnappingsandNarcoterroristactionscommittedintheearly1990sinColombiabytheMedellnCartel,adrugcartelfoundedandoperatedbyPabloEscobar.Thetext
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GarcaMrquezwiththeColombianCultureMinisterPaulaMoreno(left)attheGuadalajaraInternationalFilmFestival,inGuadalajara,Mexico,inMarch2009
recountsthekidnapping,imprisonment,andeventualreleaseofprominentfiguresinColombia,includingpoliticiansandmembersofthepress.TheoriginalideaofthebookwasproposedtoGarcaMrquezbytheformerministerforeducationMarujaPachnCastroandColombiandiplomatLuisAlbertoVillamizarCrdenas,bothofwhomwereamongthemanyvictimsofaPabloEscobar'sattempttopressurethegovernmenttostophisextraditionbycommittingaseriesofkidnappings,murdersandterroristactions.[73]
LivingtoTelltheTaleandMemoriesofMyMelancholyWhores
In2002,GarcaMrquezpublishedthememoirVivirparacontarla,thefirstofaprojectedthreevolumeautobiography.EdithGrossman'sEnglishtranslation,LivingtoTelltheTale,waspublishedinNovember2003.[74]October2004broughtthepublicationofanovel,MemoriesofMyMelancholyWhores(Memoriademisputastristes),alovestorythatfollowstheromanceofa90yearoldmanandapubescentconcubine.MemoriesofMyMelancholyWhorescausedcontroversyinIran,whereitwasbannedafteraninitial5,000copieswereprintedandsold.[75][76]
Filmandopera
CriticsoftendescribethelanguagethatGarcaMrquez'simaginationproducesasvisualorgraphic,[77]andhehimselfexplainseachofhisstoriesisinspiredby"avisualimage,"[78]soitcomesasnosurprisethathehadalongandinvolvedhistorywithfilm.Hewasafilmcritic,hefoundedandservedasexecutivedirectoroftheFilmInstituteinHavana,[77]wastheheadoftheLatinAmericanFilmFoundation,andwroteseveralscreenplays.[35]ForhisfirstscriptheworkedwithCarlosFuentesonJuanRulfo'sElgallodeoro.[77]HisotherscreenplaysincludethefilmsTiempodemorir(1966),(1985)andUnseormuyviejoconunasalasenormes(1988),aswellasthetelevisionseriesAmoresdifciles(1991).[77][79]
GarcaMrquezalsooriginallywrotehisErndiraasathirdscreenplay.However,thisversionwaslostandreplacedbythenovella.Nonetheless,heworkedonrewritingthescriptincollaborationwithRuyGuerraandthefilmwasreleasedinMexicoin1983.[80]
Severalofhisstorieshaveinspiredotherwritersanddirectors.In1987,theItaliandirectorFrancescoRosidirectedthemovieCronacadiunamorteannunciatabasedonChronicleofaDeathForetold.[81]SeveralfilmadaptationshavebeenmadeinMexico,includingMiguelLittin'sLaViudadeMontiel(1979),JaimeHumbertoHermosillo'sMariademicorazn(1979),[82]andArturoRipstein'sElcoronelnotienequienleescriba(1998).[83]
BritishdirectorMikeNewell(FourWeddingsandaFuneral)filmedLoveintheTimeofCholerainCartagena,Colombia,withthescreenplaywrittenbyRonaldHarwood(ThePianist).ThefilmwasreleasedintheU.S.on16November2007.[84]
HisnovelOfLoveandOtherDemonswasadaptedanddirectedbyaCostaRicanfilmmaker,HildaHidalgo,whoisagraduateoftheFilmInstituteatHavanawhereGarcaMrquezwouldfrequentlyimpartscreenplayworkshops.Hidalgo'sfilmwasreleasedinApril2010.Thesamenovelwasadapted
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byHungariancomposerPterEtvstoformtheoperaLoveandOtherDemons,premieredin2008atGlyndebourneFestival.
Laterlifeanddeath
Declininghealth
In1999,GarcaMrquezwasdiagnosedwithlymphaticcancer.[60]ChemotherapyprovidedbyahospitalinLosAngelesprovedtobesuccessful,andtheillnesswentintoremission.[60][85]ThiseventpromptedGarcaMrqueztobeginwritinghismemoirs:"Ireducedrelationswithmyfriendstoaminimum,disconnectedthetelephone,canceledthetripsandallsortsofcurrentandfutureplans",hetoldElTiempo,theColombiannewspaper,"...andlockedmyselfintowriteeverydaywithoutinterruption."[85]In2002,threeyearslater,hepublishedLivingtoTelltheTale(VivirparaContarla),thefirstvolumeinaprojectedtrilogyofmemoirs.[85]
In2000,hisimpendingdeathwasincorrectlyreportedbyPeruviandailynewspaperLaRepblica.Thenextdayothernewspapersrepublishedhisallegedfarewellpoem,"LaMarioneta,"butshortlyafterwardsGarcaMrquezdeniedbeingtheauthorofthepoem,whichwasdeterminedtobetheworkofaMexicanventriloquist.[86][87][88]
Hestatedthat2005"wasthefirst[year]inmylifeinwhichIhaven'twrittenevenaline.Withmyexperience,Icouldwriteanewnovelwithoutanyproblems,butpeoplewouldrealisemyheartwasn'tinit."[89]
InMay2008,itwasannouncedthatGarcaMrquezwasfinishinganew"noveloflove"thathadyettobegivenatitle,tobepublishedbytheendoftheyear.[90]However,inApril2009hisagent,CarmenBalcells,toldtheChileannewspaperLaTercerathatGarcaMrquezwasunlikelytowriteagain.[89]ThiswasdisputedbyRandomHouseMondadorieditorCristobalPera,whostatedthatGarcaMrquezwascompletinganewnovelcalledWe'llMeetinAugust(Enagostonosvemos).[91]
InDecember2008,GarcaMrqueztoldfansattheGuadalajarabookfairthatwritinghadwornhimout.[89]In2009,respondingtoclaimsbybothhisliteraryagentandhisbiographerthathiswritingcareerwasover,hetoldColombiannewspaperElTiempo:"Notonlyisitnottrue,buttheonlythingIdoiswrite".[89][92]
In2012,hisbrotherJaimeannouncedthatGarcaMrquezwassufferingfromdementia.[93]
InApril2014,GarcaMrquezwashospitalizedinMexico.Hehadinfectionsinhislungsandhisurinarytract,andwassufferingfromdehydration.Hewasrespondingwelltoantibiotics.MexicanpresidentEnriquePeaNietowroteonTwitter,"Iwishhimaspeedyrecovery".ColombianpresidentJuanManuelSantossaidhiscountrywasthinkingoftheauthorandsaidinatweet"AllofColombiawishesaspeedyrecoverytothegreatestofalltime:GabrielGarcaMrquez".[94]
Deathandfuneral
GarcaMrquezdiedofpneumoniaattheageof87on17April2014inMexicoCity.[95][96]HisdeathwasconfirmedbyhisrelativeFernandaFamiliaronTwitter,[97]andbyhisformereditorCristbalPera.[98]
http://en.wikipedia.org/wiki/Enrique_Pe%C3%B1a_Nietohttp://en.wikipedia.org/wiki/La_Tercerahttp://en.wikipedia.org/wiki/Glyndebourne_Festivalhttp://en.wikipedia.org/wiki/Juan_Manuel_Santoshttp://en.wikipedia.org/wiki/Chemotherapyhttp://en.wikipedia.org/wiki/El_Tiempo_(Colombia)http://en.wikipedia.org/wiki/La_Rep%C3%BAblicahttp://en.wikipedia.org/wiki/Pneumoniahttp://en.wikipedia.org/wiki/Carmen_Balcellshttp://en.wikipedia.org/wiki/P%C3%A9ter_E%C3%B6tv%C3%B6shttp://en.wikipedia.org/wiki/Dehydrationhttp://en.wikipedia.org/wiki/Love_and_Other_Demonshttp://en.wikipedia.org/wiki/Lymphatic_cancerhttp://en.wikipedia.org/wiki/Living_to_Tell_the_Talehttp://en.wikipedia.org/wiki/Lung_infectionhttp://en.wikipedia.org/wiki/Dementiahttp://en.wikipedia.org/wiki/Antibioticshttp://en.wikipedia.org/w/index.php?title=We%27ll_Meet_in_August&action=edit&redlink=1http://en.wikipedia.org/wiki/Urinary_system
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"Gabo"wearinga"sombrerovueltiao"hat,typicaloftheColombianCaribbeanregion.MostofthestoriesbyGarcaMrquezrevolvearoundtheidiosyncrasyofthisregion.
TheColombianpresidentJuanManuelSantosmentioned:"OneHundredYearsofSolitudeandsadnessforthedeathofthegreatestColombianofalltime".[97]TheformerColombianpresidentlvaroUribeVlezsaid:"MasterGarcaMrquez,thanksforever,millionsofpeopleintheplanetfellinlovewithournationfascinatedwithyourlines".[99]Atthetimeofhisdeath,hehadawifeandtwosons.[98]
GarciaMarquezwascrematedataprivatefamilyceremonyinMexicoCity.On22April,thepresidentsofColombiaandMexicoattendedaformalceremonyinMexicoCity,whereGarciaMarquezhadlivedformorethanthreedecades.AfuneralcortegetooktheurncontaininghisashesfromhishousetothePalaceofFineArts,wherethememorialceremonywasheld.Earlier,residentsinhishometownofAracatacainColombia'sCaribbeanregionheldasymbolicfuneral.[100]
Style
WhiletherearecertainaspectsreaderscanalmostalwaysexpectinGarcaMrquez'swriting,likeinstancesofhumour,hedidnotsticktoanyclearandpredeterminedstyletemplate.InaninterviewwithMarliseSimons,GarcaMrqueznoted:
IneverybookItrytomakeadifferentpath[...].Onedoesn'tchoosethestyle.Youcaninvestigateandtrytodiscoverwhatthebeststylewouldbeforatheme.Butthestyleisdeterminedbythesubject,bythemoodofthetimes.Ifyoutrytousesomethingthatisnotsuitable,itjustwon'twork.ThenthecriticsbuildtheoriesaroundthatandtheyseethingsIhadn'tseen.Ionlyrespondtoourwayoflife,thelifeoftheCaribbean.[101]
GarcaMrquezwasalsonotedforleavingoutseeminglyimportantdetailsandeventssothereaderisforcedintoamoreparticipatoryroleinthestorydevelopment.Forexample,inNoOneWritestotheColonel,themaincharactersarenotgivennames.ThispracticeisinfluencedbyGreektragedies,suchasAntigoneandOedipusRex,inwhichimportanteventsoccuroffstageandarelefttotheaudience'simagination.[102]
Realismandmagicalrealism
RealityisanimportantthemeinallofGarcaMrquez'sworks.Hesaidofhisearlyworks(withtheexceptionofLeafStorm),"NobodyWritestotheColonel,InEvilHour,andBigMama'sFuneralallreflecttherealityoflifeinColombiaandthisthemedeterminestherationalstructureofthebooks.Idon'tregrethavingwrittenthem,buttheybelongtoakindofpremeditatedliteraturethatofferstoostaticandexclusiveavisionofreality."[103]
Inhisotherworksheexperimentedmorewithlesstraditionalapproachestoreality,sothat"themostfrightful,themostunusualthingsaretoldwiththedeadpanexpression".[104]AcommonlycitedexampleisthephysicalandspiritualascendingintoheavenofacharacterwhilesheishangingthelaundryouttodryinOneHundredYearsofSolitude.Thestyleoftheseworksfitsinthe"marvellousrealm"describedbytheCubanwriterAlejoCarpentierandwaslabeledasmagicalrealism.[105]LiterarycriticMichaelBellproposesanalternativeunderstandingforGarcaMrquez'sstyle,asthecategorymagicrealismiscriticizedforbeingdichotimizingandexoticizing,"whatisreallyatstakeisapsychologicalsuppleness
http://en.wikipedia.org/wiki/File:Gabriel_Garcia_Marquez_1984.jpghttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Antigone_(Sophocles)http://en.wikipedia.org/wiki/Juan_Manuel_Santoshttp://en.wikipedia.org/wiki/Caribbean_Region_of_Colombiahttp://en.wikipedia.org/wiki/No_One_Writes_to_the_Colonelhttp://en.wikipedia.org/wiki/Sombrero_vueltiaohttp://en.wikipedia.org/wiki/%C3%81lvaro_Uribe_V%C3%A9lezhttp://en.wikipedia.org/wiki/Alejo_Carpentierhttp://en.wikipedia.org/wiki/Magical_realismhttp://en.wikipedia.org/wiki/Oedipus_Rex
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whichisabletoinhabitunsentimentallythedaytimeworldwhileremainingopentothepromptingsofthosedomainswhichmodernculturehas,byitsowninnerlogic,necessarilymarginalisedorrepressed."[106]GarcaMrquezandhisfriendPlinioApuleyoMendozadiscusshisworkinasimilarway,
"Thewayyoutreatrealityinyourbooks...hasbeencalledmagicalrealism.IhavethefeelingyourEuropeanreadersareusuallyawareofthemagicofyourstoriesbutfailtoseetherealitybehindit....""Thisissurelybecausetheirrationalismpreventsthemseeingthatrealityisn'tlimitedtothepriceoftomatoesandeggs."[107]
Motifs
Solitude
ThethemeofsolituderunsthroughmuchofGarcaMrquez'sworks.AsPelayonotes,"LoveintheTimeofCholera,likeallofGabrielGarcaMrquez'swork,exploresthesolitudeoftheindividualandofhumankind...portrayedthroughthesolitudeofloveandofbeinginlove".[108]
InresponsetoPlinioApuleyoMendoza'squestion,"Ifsolitudeisthethemeofallyourbooks,whereshouldwelookfortherootsofthisoverridingemotion?Inyourchildhoodperhaps?"GarcaMrquezreplied,"Ithinkit'saproblemeverybodyhas.Everyonehashisownwayandmeansofexpressingit.Thefeelingpervadestheworkofsomanywriters,althoughsomeofthemmayexpressitunconsciously."[109]
InhisNobelPrizeacceptancespeech,"SolitudeofLatinAmerica"(http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/marquezlecture.html),herelatesthisthemeofsolitudetotheLatinAmericanexperience,"Theinterpretationofourrealitythroughpatternsnotourown,servesonlytomakeusevermoreunknown,everlessfree,evermoresolitary."[110]
Macondo
AnotherimportantthemeinmanyofGarcaMrquez'sworkisthesettingofthevillagehecallsMacondo.HeuseshishometownofAracataca,Colombiaasacultural,historicalandgeographicalreferencetocreatethisimaginarytown,buttherepresentationofthevillageisnotlimitedtothisspecificarea.GarcaMrquezshares,"Macondoisnotsomuchaplaceasastateofmind,whichallowsyoutoseewhatyouwant,andhowyouwanttoseeit."[111]EvenwhenhisstoriesdonottakeplaceinMacondo,thereisoftenstillaconsistentlackofspecificitytothelocation.Sowhiletheyareoftensetwith"aCaribbeancoastlineandanAndeanhinterland...[thesettingsare]otherwiseunspecified,inaccordancewithGarcaMrquez'sevidentattempttocaptureamoregeneralregionalmythratherthangiveaspecificpoliticalanalysis."[112]Thisfictionaltownhasbecomewellknownintheliteraryworld.AsStavansnotesofMacondo,"itsgeographyandinhabitantsconstantlyinvokedbyteachers,politicians,andtourdepictsistagents..."makesit"...hardtobelieveitisasheerfabrication."[113]InLeafStormGarcaMrquezdepictstherealitiesoftheBananaBoominMacondo,whichincludeaperiodofgreatwealthduringthepresenceoftheUScompaniesandaperiodofdepressionuponthedepartureoftheAmericanbananacompanies.[114]Aswell,OneHundredYearsofSolitudetakesplaceinMacondoandtellsthecompletehistoryofthefictionaltownfromitsfoundingtoitsdoom.[115]
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Inhisautobiography,GarcaMrquezexplainshisfascinationwiththewordandconceptMacondo.HedescribesatriphemadewithhismotherbacktoAracatacaasayoungman:
Thetrainstoppedatastationthathadnotown,andashortwhilelateritpassedtheonlybananaplantationalongtheroutethathaditsnamewrittenoverthegate:Macondo.ThiswordhadattractedmyattentioneversincethefirsttripsIhadmadewithmygrandfather,butIdiscoveredonlyasanadultthatIlikeditspoeticresonance.Ineverheardanyonesayitanddidnotevenaskmyselfwhatitmeant...IhappenedtoreadinanencyclopediathatitisatropicaltreeresemblingtheCeiba.[116]
Laviolencia
InseveralofGarcaMrquez'sworks,includingNoOneWritestotheColonel,InEvilHour,andLeafStorm,hereferencedLaViolencia(theviolence),"abrutalcivilwarbetweenconservativesandliberalsthatlastedintothe1960s,causingthedeathsofseveralhundredthousandColombians".[36][117]Throughoutallofhisnovelstherearesubtlereferencestolaviolencia.Forexample,charactersliveundervariousunjustsituationslikecurfew,presscensorship,andundergroundnewspapers.[118]InEvilHour,whilenotoneofGarcaMrquez'smostfamousnovels,isnotableforitsportrayaloflaviolenciawithits"fragmentedportrayalofsocialdisintegrationprovokedbylaviolencia".[119]AlthoughGarcaMrquezdidportraythecorruptnatureandtheinjusticesoftimeslikelaviolencia,herefusedtousehisworkasaplatformforpoliticalpropaganda."Forhim,thedutyoftherevolutionarywriteristowritewell,andtheidealnovelisonethatmovesitsreaderbyitspoliticalandsocialcontent,and,atthesametime,byitspowertopenetraterealityandexposeitsotherside.[118]
Legacy
Whetherinfictionornonfiction,intheepicnovelortheconcentratedstory,MrquezisnowrecognizedinthewordsofCarlosFuentesas"themostpopularandperhapsthebestwriterinSpanishsinceCervantes".Heisoneofthoseveryrareartistswhosucceedinchroniclingnotonlyanation'slife,cultureandhistory,butalsothoseofanentirecontinent,andamasterstorytellerwho,asTheNewYorkReviewofBooksoncesaid,"forcesuponusateverypagethewonderandextravaganceoflife."[120]
GarcaMrquez'sworkisanimportantpartoftheLatinAmericanBoomofliterature.[121]HisworkhaschallengedcriticsofColombianliteraturetostepoutoftheconservativecriticismthathadbeendominantbeforethesuccessofOneHundredYearsofSolitude.InareviewofliterarycriticismRobertSimsnotes,
GarcaMrquezcontinuestocastalengthyshadowinColombia,LatinAmerica,andtheUnitedStates.Criticalworksonthe1982Nobellaureatehavereachedindustrialproportionandshownosignsofabating.Moreover,GarcaMrquezhasgalvanizedColombianliteratureinanunprecedentedwaybygivingatremendousimpetustoColombianliterature.Indeed,hehasbecomeatouchstoneforliteratureandcriticismthroughouttheAmericasashisworkhascreatedacertainattractionrepulsionamongcriticsandwriterswhilereaderscontinuetodevournewpublications.NoonecandenythatGarcaMrquezhashelpedrejuvenate,reformulate,andrecontextualizeliteratureandcriticisminColombiaandtherestofLatinAmerica.[122]
http://en.wikipedia.org/wiki/Carlos_Fuenteshttp://en.wikipedia.org/wiki/Latin_American_Boomhttp://en.wikipedia.org/wiki/La_Violenciahttp://en.wikipedia.org/wiki/Cervanteshttp://en.wikipedia.org/wiki/Ceibahttp://en.wikipedia.org/wiki/The_New_York_Review_of_Books
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NobelPrize
GarcaMrquezreceivedtheNobelPrizeinLiteratureon8December1982"forhisnovelsandshortstories,inwhichthefantasticandtherealisticarecombinedinarichlycomposedworldofimagination,reflectingacontinent'slifeandconflicts".Hisacceptancespeechwasentitled"TheSolitudeofLatinAmerica".[123]GarcaMrquezwasthefirstColombianandfourthLatinAmericantowinaNobelPrizeforLiterature.[124]AfterbecomingaNobellaureate,GarcaMrquezstatedtoacorrespondent:"Ihavetheimpressionthatingivingmetheprize,theyhavetakenintoaccounttheliteratureofthesubcontinentandhaveawardedmeasawayofawardingallofthisliterature".[65]
Listofworks
Novels
InEvilHour(1962)OneHundredYearsofSolitude(1967)TheAutumnofthePatriarch(1975)LoveintheTimeofCholera(1985)TheGeneralinHisLabyrinth(1989)OfLoveandOtherDemons(1994)
Novellas
LeafStorm(1955)NoOneWritestotheColonel(1961)ChronicleofaDeathForetold(1981)MemoriesofMyMelancholyWhores(2004)
Shortstorycollections
EyesofaBlueDog(1947)BigMama'sFuneral(1962)OneofTheseDays(1962)TheIncredibleandSadTaleofInnocentErendiraandHerHeartlessGrandmother(1978)CollectedStories(1984)StrangePilgrims(1993)
Nonfiction
TheStoryofaShipwreckedSailor(1970)TheSolitudeofLatinAmerica(1982)TheFragranceofGuava(1982,withPlinioApuleyoMendoza)
http://en.wikipedia.org/wiki/The_Solitude_of_Latin_Americahttp://en.wikipedia.org/wiki/Strange_Pilgrimshttp://en.wikipedia.org/wiki/In_Evil_Hourhttp://en.wikipedia.org/wiki/Chronicle_of_a_Death_Foretoldhttp://en.wikipedia.org/wiki/The_Story_of_a_Shipwrecked_Sailorhttp://en.wikipedia.org/wiki/Memories_of_My_Melancholy_Whoreshttp://en.wikipedia.org/wiki/Leaf_Stormhttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Big_Mama%27s_Funeralhttp://en.wikipedia.org/w/index.php?title=Collected_Stories_(Gabriel_Garc%C3%ADa_M%C3%A1rquez_book)&action=edit&redlink=1http://en.wikipedia.org/wiki/The_Solitude_of_Latin_Americahttp://en.wikipedia.org/wiki/Nobel_Prize_in_Literaturehttp://en.wikipedia.org/w/index.php?title=The_Fragrance_of_Guava&action=edit&redlink=1http://en.wikipedia.org/wiki/One_of_These_Dayshttp://en.wikipedia.org/wiki/Love_in_the_Time_of_Cholerahttp://en.wikipedia.org/wiki/Of_Love_and_Other_Demonshttp://en.wikipedia.org/wiki/No_One_Writes_to_the_Colonelhttp://en.wikipedia.org/wiki/The_Autumn_of_the_Patriarchhttp://en.wikipedia.org/wiki/The_Incredible_and_Sad_Tale_of_Innocent_Erendira_and_Her_Heartless_Grandmotherhttp://en.wikipedia.org/wiki/The_General_in_His_Labyrinth
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ClandestineinChile(1986)NewsofaKidnapping(1996)ACountryforChildren(1998)LivingtoTelltheTale(2002)
Films
TheBlueLobster(1954)[125]
Seealso
McOndoTheHandsomestDrownedManintheWorldVallenato
References
Notes
1. ^"GarcaMrquez"(http://dictionary.reference.com/browse/garcia+marquez).RandomHouseWebster'sUnabridgedDictionary.
2. ^"TheNobelPrizeinLiterature1982"(http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/).Retrieved18April2014.
3. ^AuthorGabrielGarciaMarquezdies(http://www.bbc.co.uk/news/worldlatinamerica27073911),BBCNews,17April2014.
4. ^http://www.theguardian.com/books/2014/apr/19/gabrielgarciamarquezcolombia5. ^"OnSunday6March1927,at9am,inthemidstofanunseasonalrainstorm,ababyboy,GabrielJos
GarcaMrquez,wasborn."(Martin2008,p.27)6. ^Martin2008,p.277. ^Martin2008,p.308. ^GarcaMrquez2003,p.119. ^Martin2008,pp.5866
10. ^abSaldvar1997,p.82
11. ^abGarcaMrquez2003,p.4512. ^ApuleyoMendoza&GarcaMrquez1983,pp.111213. ^Saldvar1997,p.8514. ^Saldvar1997,p.8315. ^Saldvar1997,p.87
16. ^abcSaldvar1997,p.10217. ^ApuleyoMendoza&GarcaMrquez1983,p.9618. ^Saldvar1997,p.3519. ^Saldvar1997,p.10320. ^Saldvar1997,p.105
21. ^abSimons1982
http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/http://en.wikipedia.org/wiki/Vallenatohttp://www.theguardian.com/books/2014/apr/19/gabrielgarciamarquez-colombiahttp://en.wikipedia.org/w/index.php?title=La_langosta_azul&action=edit&redlink=1http://en.wikipedia.org/wiki/BBC_Newshttp://dictionary.reference.com/browse/garcia+marquezhttp://en.wikipedia.org/wiki/McOndohttp://en.wikipedia.org/w/index.php?title=A_Country_for_Children&action=edit&redlink=1http://en.wikipedia.org/wiki/Random_House_Webster%27s_Unabridged_Dictionaryhttp://en.wikipedia.org/wiki/The_Handsomest_Drowned_Man_in_the_Worldhttp://www.bbc.co.uk/news/world-latin-america-27073911http://en.wikipedia.org/wiki/Clandestine_in_Chile:_The_Adventures_of_Miguel_Littinhttp://en.wikipedia.org/wiki/Living_to_Tell_the_Talehttp://en.wikipedia.org/wiki/News_of_a_Kidnapping
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21. ^abSimons198222. ^Saldvar1997,p.10623. ^Saldvar1997,p.104
24. ^abSaldvar1997,p.10725. ^ApuleyoMendoza&GarcaMrquez1983,p.1326. ^ApuleyoMendoza&GarcaMrquez1982,p.9627. ^Saldvar1997,p.9828. ^BellVillada1990,p.6329. ^ApuleyoMendoza&GarcaMrquez1983,p.1230. ^Saldvar1997,p.9631. ^Saldvar1997,pp.979832. ^Bell1993,p.633. ^BellVillada2006,p.84
34. ^abcPelayo2001,p.5
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(http://www.payvand.com/news/07/nov/1244.html).Payvands'IranNews.Retrieved29March2008.76. ^Ron,Jesus(4December2007)."MayheminParis,authorbannedfromIran,Chavezatoddsw/Colombia
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85. ^abcForero200286. ^GarcaMrquez:"Loquemepuedemataresquealguiencreaqueescribunacosatancursi."
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88. ^GarcaMrquezFarewellLetter(http://www.museumofhoaxes.com/marquez.html)(inSpanish),MuseumofHoaxes,retrieved26March2008
89. ^abcdHamilos,Paul(2April2009)."GabrielGarcaMrquez,literarygiant,laysdownhispen"(http://www.guardian.co.uk/books/2009/apr/02/columbiagabrielgarciamarquezbooks).TheGuardian.Retrieved2April2009.
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92. ^Flood,Alison(6April2009)."GabrielGarcaMrquez:I'mstillwriting"(http://www.guardian.co.uk/books/2009/apr/06/gabrielgarciamarquezstillwriting?INTCMP=ILCNETTXT3487).TheGuardian.Retrieved6April2009.
93. ^Alexander,Harriet(7June2012)."GabrielGarciaMarquezsufferingfromdementia"(http://www.telegraph.co.uk/culture/culturenews/9383928/GabrielGarciaMarquezsufferingfromdementia.html).TheTelegraph.
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95. ^Torres,Paloma(17April2014)."GabrielGarcaMrquezDies:FamedColombianAuthorAndNobelLaureateDeadAt87FromPneumonia"(http://www.latintimes.com/gabrielgarciamarquezdiesfamedcolombianauthorandnobellaureatedead87pneumonia166280).LatinTimes.Retrieved17April2014.
96. ^Castillo,E.EduardoBajak,Frank(17April2014)."GarciaMarquez,NobelLaureate,Diesat87"(http://hosted.ap.org/dynamic/stories/L/LT_OBIT_GARCIA_MARQUEZ?SITE=AP&SECTION=HOME&TEMPLATE=DEFAULT&CTIME=20140417173800).AssociatedPress.Retrieved17April2014.
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99. ^"EladisaGabrielGarcaMrquezenTwitter"[ThegoodbyetoGarcaMrquezonTwitter](http://www.lanacion.com.ar/1683084eladiosagabrielgarciamarquezentwitter)(inSpanish).LaNacin.17April2014.Retrieved17April2014.
100. ^WillGrant."BBCNewsMexicoandColombiaholdGabrielGarciaMarquezmemorials"(http://www.bbc.co.uk/news/worldlatinamerica27103052).Bbc.co.uk.Retrieved20140424.
101. ^Simons,Marlise(21February1988)."GabrielMrquezonLove,PlaguesandPolitics"(http://query.nytimes.com/gst/fullpage.html?res=940DEFD61E30F932A15751C0A96E948260).TheNewYorkTimes.Retrieved30July2008.
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Furtherreading
Martin,Gerald(2008),GabrielGarcaMrquez.ALife,London:Bloomsbury,ISBN9780747594765.
Externallinks
GabrielGarcaMrquez(http://www.imdb.com/name/nm0305781/)attheInternetMovieDatabaseWorksbyGabrielGarcaMrquezatOpenLibraryWorksaboutGabrielGarcaMrquez(http://worldcat.org/identities/lccnn7963441)inlibraries(WorldCatcatalog)GabrielGarcaMrquez(http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/)atNobelprize.orgGabrielGarcaMrquez(http://www.antesydespues.com.ar/en/gabrielgarciamarquez/)BeforeandAfterGarcaMrquez,Gabriel."ColombianwriterGabrielGarcaMrquezreadingthefirstchapterofOneHundredYearsofSolitude"(http://sedici.unlp.edu.ar/handle/10915/32972)(inSpanish).
Films
Documentary52':GabrielGarcaMrquez(http://www.documen.tv/asset/Gabriel_Gracia_Marquez_Film.html)
Retrievedfrom"http://en.wikipedia.org/w/index.php?title=Gabriel_Garca_Mrquez&oldid=649474935"
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