Gabriel García Márquez

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3/3/2015 Gabriel García Márquez Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Gabriel_Garc%C3%ADa_M%C3%A1rquez 1/20 Gabriel García Márquez Gabriel García Márquez in 2002 Born Gabriel José de la Concordia García Márquez 6 March 1927 Aracataca, Colombia Died 17 April 2014 (aged 87) Mexico City, Mexico Nationality Colombian, Mexican (naturalized in 1982) Alma mater Universidad de Cartagena Genre Novels, short stories Literary movement Latin American Boom, magic realism Notable works One Hundred Years of Solitude, The Autumn of the Patriarch, Love in the Time of Cholera Notable awards Neustadt International Prize for Literature 1972 Nobel Prize in Literature 1982 Spouse Mercedes Barcha Pardo Children Rodrigo, Gonzalo Signature Gabriel García Márquez From Wikipedia, the free encyclopedia Gabriel José de la Concordia García Márquez (/ ɡ ɑr ˈ s ә ˈ m ɑr k ɛ s/; [1] American Spanish: [ɡaˈβɾjel ɣar ˈsi.a ˈmarkes] audio ; 6 March 1927 – 17 April 2014) was a Colombian novelist, shortstory writer, screenwriter and journalist, known affectionately as Gabo throughout Latin America. Considered one of the most significant authors of the 20th century, he was awarded the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature. [2] He pursued a selfdirected education that resulted in his leaving law school for a career in journalism. From early on, he showed no inhibitions in his criticism of Colombian and foreign politics. In 1958, he married Mercedes Barcha; they had two sons, Rodrigo and Gonzalo. [3] García Márquez started as a journalist, and wrote many acclaimed nonfiction works and short stories, but is best known for his novels, such as One Hundred Years of Solitude (1967), The Autumn of the Patriarch (1975) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magic realism, which uses magical elements and events in otherwise ordinary and realistic situations. Some of his works are set in a fictional village called Macondo (the town mainly inspired by his birthplace Aracataca), and most of them explore the theme of solitude. On his death in April 2014, Juan Manuel Santos, the President of Colombia, described him as "the greatest Colombian who ever lived". [4] Contents 1 Biography 1.1 Early life 1.2 Journalism 1.2.1 The Story of a Shipwrecked Sailor 1.3 QAP 1.4 Marriage and family

description

Gabriel García Márquez

Transcript of Gabriel García Márquez

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    GabrielGarcaMrquez

    GabrielGarcaMrquezin2002

    Born GabrielJosdelaConcordiaGarcaMrquez6March1927Aracataca,Colombia

    Died 17April2014(aged87)MexicoCity,Mexico

    Nationality Colombian,Mexican(naturalizedin1982)

    Almamater UniversidaddeCartagena

    Genre Novels,shortstories

    Literarymovement

    LatinAmericanBoom,magicrealism

    Notableworks

    OneHundredYearsofSolitude,TheAutumnofthePatriarch,LoveintheTimeofCholera

    Notableawards

    NeustadtInternationalPrizeforLiterature1972NobelPrizeinLiterature1982

    Spouse MercedesBarchaPardo

    Children Rodrigo,Gonzalo

    Signature

    GabrielGarcaMrquezFromWikipedia,thefreeencyclopedia

    GabrielJosdelaConcordiaGarcaMrquez(/rsimrks/[1]AmericanSpanish:[ajelarsi.amarkes] audio6March192717April2014)wasaColombiannovelist,shortstorywriter,screenwriterandjournalist,knownaffectionatelyasGabothroughoutLatinAmerica.Consideredoneofthemostsignificantauthorsofthe20thcentury,hewasawardedthe1972NeustadtInternationalPrizeforLiteratureandthe1982NobelPrizeinLiterature.[2]Hepursuedaselfdirectededucationthatresultedinhisleavinglawschoolforacareerinjournalism.Fromearlyon,heshowednoinhibitionsinhiscriticismofColombianandforeignpolitics.In1958,hemarriedMercedesBarchatheyhadtwosons,RodrigoandGonzalo.[3]

    GarcaMrquezstartedasajournalist,andwrotemanyacclaimednonfictionworksandshortstories,butisbestknownforhisnovels,suchasOneHundredYearsofSolitude(1967),TheAutumnofthePatriarch(1975)andLoveintheTimeofCholera(1985).Hisworkshaveachievedsignificantcriticalacclaimandwidespreadcommercialsuccess,mostnotablyforpopularizingaliterarystylelabeledasmagicrealism,whichusesmagicalelementsandeventsinotherwiseordinaryandrealisticsituations.SomeofhisworksaresetinafictionalvillagecalledMacondo(thetownmainlyinspiredbyhisbirthplaceAracataca),andmostofthemexplorethethemeofsolitude.

    OnhisdeathinApril2014,JuanManuelSantos,thePresidentofColombia,describedhimas"thegreatestColombianwhoeverlived".[4]

    Contents

    1Biography1.1Earlylife1.2Journalism

    1.2.1TheStoryofaShipwreckedSailor

    1.3QAP1.4Marriageandfamily

    http://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Macondohttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_Englishhttp://en.wikipedia.org/wiki/Colombian_peoplehttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Solitudehttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/File:Es-Gabriel_Garcia_Marquez.ogghttp://en.wikipedia.org/wiki/Juan_Manuel_Santoshttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Magic_realismhttp://en.wikipedia.org/wiki/Aracatacahttp://en.wikipedia.org/wiki/Rodrigo_Garc%C3%ADa_(director)http://en.wikipedia.org/wiki/Universidad_de_Cartagenahttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Neustadt_International_Prize_for_Literaturehttp://en.wikipedia.org/wiki/Nobel_Prize_in_Literaturehttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Rodrigo_Garc%C3%ADa_(director)http://en.wikipedia.org/wiki/Mexico_Cityhttp://en.wikipedia.org/wiki/Colombian_peoplehttp://en.wikipedia.org/wiki/Love_in_the_Time_of_Cholerahttp://en.wikipedia.org/wiki/File:Gabriel_Garcia_Marquez.jpghttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Love_in_the_Time_of_Cholerahttp://en.wikipedia.org/wiki/The_Autumn_of_the_Patriarchhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Latin_American_Boomhttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Neustadt_International_Prize_for_Literaturehttp://en.wikipedia.org/wiki/Magic_realismhttp://en.wikipedia.org/wiki/File:Gabriel_Marquez_Signature.pnghttp://en.wikipedia.org/wiki/Help:IPA_for_English#Keyhttp://en.wikipedia.org/wiki/Aracatacahttp://en.wikipedia.org/wiki/The_Autumn_of_the_Patriarchhttp://en.wikipedia.org/wiki/Help:IPA_for_Spanishhttp://en.wikipedia.org/wiki/Nobel_Prize_in_Literaturehttp://upload.wikimedia.org/wikipedia/commons/d/d7/Es-Gabriel_Garcia_Marquez.ogg

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    1.5LeafStorm1.6OneHundredYearsofSolitude1.7Fame1.8AutumnofthePatriarch1.9ChronicleofaDeathForetold1.10LoveintheTimeofCholera1.11NewsofaKidnapping1.12LivingtoTelltheTaleandMemoriesofMyMelancholyWhores1.13Filmandopera1.14Laterlifeanddeath

    1.14.1Declininghealth1.14.2Deathandfuneral

    2Style2.1Realismandmagicalrealism

    3Motifs3.1Solitude3.2Macondo3.3Laviolencia

    4Legacy4.1NobelPrize

    5Listofworks5.1Novels5.2Novellas5.3Shortstorycollections5.4Nonfiction5.5Films

    6Seealso7References

    7.1Notes7.2Bibliography7.3Furtherreading

    8Externallinks8.1Films

    Biography

    Earlylife

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    GarcaMrquezbillboardinAracataca:"IfeelLatinAmericanfromwhatevercountry,butIhaveneverrenouncedthenostalgiaofmyhomeland:Aracataca,towhichIreturnedonedayanddiscoveredthatbetweenrealityandnostalgiawastherawmaterialformywork".GabrielGarcaMrquez

    GabrielGarcaMrquezwasbornon6March1927[5]inAracataca,Colombia,toGabrielEligioGarcaandLuisaSantiagaMrquezIguarn.[6]SoonafterGarcaMrquezwasborn,hisfatherbecameapharmacistandmoved,withhiswife,toBarranquilla,leavingyoungGabitoinAracataca.[7]Hewasraisedbyhismaternalgrandparents,DoaTranquilinaIguarnandColonelNicolsRicardoMrquezMeja.[8]InDecember1936,hisfathertookhimandhisbrothertoSinc,whileinMarch1937,hisgrandfatherdiedthefamilythenmovedfirst(back)toBarranquillaandthenontoSucre,wherehisfatherstartedupapharmacy.[9]

    Whenhisparentsfellinlove,theirrelationshipmetwithresistancefromLuisaSantiagaMrquez'sfather,theColonel.GabrielEligioGarcawasnotthemantheColonelhadenvisionedwinningtheheartofhisdaughter:he(GabrielEligio)wasaConservative,andhadthereputationofbeingawomanizer.[10][11]GabrielEligiowooedLuisawithviolinserenades,lovepoems,countlessletters,andeventelephonemessagesafterherfathersentherawaywiththeintentionofseparatingtheyoungcouple.Herparentstriedeverythingtogetridoftheman,buthekeptcomingback,anditwasobvioustheirdaughterwascommittedtohim.[10]Herfamilyfinallycapitulatedandgaveherpermissiontomarryhim[12][13](ThetragicomicstoryoftheircourtshipwouldlaterbeadaptedandrecastasLoveintheTimeofCholera.[11][14])

    SinceGarcaMrquez'sparentsweremoreorlessstrangerstohimforthefirstfewyearsofhislife,[15]

    hisgrandparentsinfluencedhisearlydevelopmentverystrongly.[16][17]Hisgrandfather,whomhecalled"Papalelo",[16]wasaLiberalveteranoftheThousandDaysWar.[18]TheColonelwasconsideredaherobyColombianLiberalsandwashighlyrespected.[19]HewaswellknownforhisrefusaltoremainsilentaboutthebananamassacresthattookplacetheyearafterGarcaMrquezwasborn.[20]TheColonel,whomGarcaMrquezdescribedashis"umbilicalcordwithhistoryandreality,"[21]wasalsoanexcellentstoryteller.[22]HetaughtGarcaMrquezlessonsfromthedictionary,tookhimtothecircuseachyear,andwasthefirsttointroducehisgrandsontoicea"miracle"foundattheUnitedFruitCompanystore.[23]Hewouldalsooccasionallytellhisyounggrandson"Youcan'timaginehowmuchadeadmanweighs",[24][25]remindinghimthattherewasnogreaterburdenthantohavekilledaman,alessonthatGarcaMrquezwouldlaterintegrateintohisnovels.

    GarcaMrquez'spoliticalandideologicalviewswereshapedbyhisgrandfather'sstories.[24]Inaninterview,GarcaMrqueztoldhisfriendPlinioApuleyoMendoza,"mygrandfathertheColonelwasaLiberal.Mypoliticalideasprobablycamefromhimtobeginwithbecause,insteadoftellingmefairytaleswhenIwasyoung,hewouldregalemewithhorrifyingaccountsofthelastcivilwarthatfreethinkersandanticlericswagedagainsttheConservativegovernment."[26][27]Thisinfluencedhispoliticalviewsandhisliterarytechniquesothat"inthesamewaythathiswritingcareerinitiallytookshapeinconsciousoppositiontotheColombianliterarystatusquo,GarcaMrquez'ssocialistandantiimperialistviewsareinprincipledoppositiontotheglobalstatusquodominatedbytheUnitedStates."[28]

    GarcaMrquez'sgrandmother,DoaTranquilinaIguarnCotes,playedanequallyinfluentialroleinhis

    http://en.wikipedia.org/wiki/Sinc%C3%A9http://en.wikipedia.org/wiki/File:Aracataca1.jpghttp://en.wikipedia.org/wiki/Sucre,_Sucre_Departmenthttp://en.wikipedia.org/wiki/Banana_massacrehttp://en.wikipedia.org/wiki/Colombian_Liberal_Partyhttp://en.wikipedia.org/wiki/Aracatacahttp://en.wikipedia.org/wiki/Barranquillahttp://en.wikipedia.org/wiki/United_Fruit_Companyhttp://en.wikipedia.org/wiki/Aracatacahttp://en.wikipedia.org/wiki/Love_in_the_Time_of_Cholerahttp://en.wikipedia.org/wiki/Thousand_Days_Warhttp://en.wikipedia.org/wiki/Colombian_Conservative_Party

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    upbringing.Hewasinspiredbythewayshe"treatedtheextraordinaryassomethingperfectlynatural."[29]Thehousewasfilledwithstoriesofghostsandpremonitions,omensandportents,[30]allofwhichwerestudiouslyignoredbyherhusband.[16]AccordingtoGarcaMrquezshewas"thesourceofthemagical,superstitiousandsupernaturalviewofreality".[21]Heenjoyedhisgrandmother'suniquewayoftellingstories.Nomatterhowfantasticorimprobableherstatements,shealwaysdeliveredthemasiftheyweretheirrefutabletruth.Itwasadeadpanstylethat,somethirtyyearslater,heavilyinfluencedhergrandson'smostpopularnovel,OneHundredYearsofSolitude.[31]

    Journalism

    GarcaMrquezbeganhiscareerasajournalistwhilestudyinglawattheNationalUniversityofColombia.In1948and1949hewroteforElUniversalinCartagena.Later,from1950until1952,hewrotea"whimsical"columnunderthenameof"Septimus"forthelocalpaperElHeraldoinBarranquilla.[32]GarcaMrqueznotedofhistimeatElHeraldo,"I'dwriteapieceandthey'dpaymethreepesosforit,andmaybeaneditorialforanotherthree."[33]DuringthistimehebecameanactivememberoftheinformalgroupofwritersandjournalistsknownastheBarranquillaGroup,anassociationthatprovidedgreatmotivationandinspirationforhisliterarycareer.HeworkedwithinspirationalfiguressuchasRamonVinyes,whomGarcaMrquezdepictedasanOldCatalanwhoownsabookstoreinOneHundredYearsofSolitude.[34]Atthistime,GarcaMrquezwasalsointroducedtotheworksofwriterssuchasVirginiaWoolfandWilliamFaulkner.Faulkner'snarrativetechniques,historicalthemesanduseofrurallocationsinfluencedmanyLatinAmericanauthors.[35]TheenvironmentofBarranquillagaveGarcaMrquezaworldclassliteraryeducationandprovidedhimwithauniqueperspectiveonCaribbeanculture.From1954to1955,GarcaMrquezspenttimeinBogotandregularlywroteforBogot'sElEspectador.Hewasaregularfilmcriticwhichdrovehisinterestinfilm.

    InDecember1957GarcaMrquezacceptedapositioninCaracasinthenewspaperElMomento.HearrivedtotheVenezuelancapitalon23December1957,andbeganworkingrightawayatElMomento.GarcaMrquezalsoassistedinthe1958Venezuelancoupd'tat,leadingtotheexileofthepresidentMarcosPrezJimnez.Followingthisevent,GarcaMrquezwroteanarticle,"Theparticipationoftheclergyinthestruggle",describingtheChurchofVenezuelaoppositionagainstJimnez'sregime.InMarch1958hemadeatriptoColombia,wherehemarriedMercedesBarchaandtogethertheycamebacktoCaracas.InMay1958,disagreeingwiththeownerofMomento,heresignedandbecameshortlyafterwardseditorofthenewspaperVenezuelaGrfica.

    TheStoryofaShipwreckedSailor

    Endingincontroversy,hislastdomesticallywritteneditorialforElEspectadorwasaseriesoffourteennewsarticles[34][36]inwhichherevealedthehiddenstoryofhowaColombianNavyvessel'sshipwreck"occurredbecausetheboatcontainedabadlystowedcargoofcontrabandgoodsthatbrokelooseonthedeck."[37]GarcaMrquezcompiledthisstorythroughinterviewswithayoungsailorwhosurvivedtheshipwreck.[36]Thepublicationofthearticlesresultedinpubliccontroversy,astheydiscreditedtheofficialaccountoftheevents,whichhadblamedastormfortheshipwreck,andglorifiedthesurvivingsailor.

    InresponsetothiscontroversyElEspectadorsentGarcaMrquezawaytoEuropetobeaforeigncorrespondent.[38]HewroteabouthisexperiencesforElIndependiente,anewspaperwhichhadbrieflyreplacedElEspectadorduringthemilitarygovernmentofGeneralGustavoRojasPinilla[39]andwas

    http://en.wikipedia.org/wiki/El_Universal_(Cartagena)http://en.wikipedia.org/wiki/William_Faulknerhttp://en.wikipedia.org/wiki/Virginia_Woolfhttp://en.wikipedia.org/wiki/Barranquillahttp://en.wikipedia.org/wiki/Barranquilla_Grouphttp://en.wikipedia.org/wiki/Gustavo_Rojas_Pinillahttp://en.wikipedia.org/wiki/Marcos_P%C3%A9rez_Jim%C3%A9nezhttp://en.wikipedia.org/wiki/El_Heraldo_(Barranquilla)http://en.wikipedia.org/wiki/Marcos_P%C3%A9rez_Jim%C3%A9nezhttp://en.wikipedia.org/wiki/1958_Venezuelan_coup_d%27%C3%A9tathttp://en.wikipedia.org/wiki/National_University_of_Colombiahttp://en.wikipedia.org/wiki/Bogot%C3%A1http://en.wikipedia.org/wiki/Caracashttp://en.wikipedia.org/wiki/El_Espectadorhttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Cartagena,_Colombia

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    latershutdownbyColombianauthorities.[35]GarcaMrquez'sbackgroundinjournalismprovidedafoundationalbaseforhiswritingcareer.LiterarycriticBellVilladanoted,"Owingtohishandsonexperiencesinjournalism,GarcaMrquezis,ofallthegreatlivingauthors,theonewhoisclosesttoeverydayreality."[40]

    QAP

    GarcaMrquezwasoneoftheoriginalfoundersofQAP,anewscastthatairedbetween1992and1997.[41]Hewasattractedtotheprojectbythepromiseofeditorialandjournalisticindependence.

    Marriageandfamily

    GarcaMrquezmetMercedesBarchawhileshewasatschooltheydecidedtowaitforhertofinishbeforegettingmarried.WhenhewassenttoEuropeasaforeigncorrespondent,MercedeswaitedforhimtoreturntoBarranquilla.Finallytheymarriedin1958.[42][43]Thefollowingyear,theirfirstson,RodrigoGarca,nowatelevisionandfilmdirector,wasborn.[43]In1961,thefamilytraveledbyGreyhoundbusthroughoutthesouthernUnitedStatesandeventuallysettledinMexicoCity.[44]GarcaMrquezhadalwayswantedtoseetheSouthernUnitedStatesbecauseitinspiredthewritingsofWilliamFaulkner.[45]Threeyearslaterthecouple'ssecondson,Gonzalo,wasborninMexico.[46]

    GonzaloiscurrentlyagraphicdesignerinMexicoCity.[45]

    LeafStorm

    LeafStorm(LaHojarasca)isGarcaMrquez'sfirstnovellaandtooksevenyearstofindapublisher,finallybeingpublishedin1955.[47]GarcaMrqueznotesthat"ofallthathehadwritten(asof1973),LeafStormwashisfavoritebecausehefeltthatitwasthemostsincereandspontaneous."[48]Alltheeventsofthenovellatakeplaceinoneroom,duringahalfhourperiodonWednesday12September1928.Itisthestoryofanoldcolonel(similartoGarcaMrquez'sowngrandfather)whotriestogiveaproperChristianburialtoanunpopularFrenchdoctor.Thecolonelissupportedonlybyhisdaughterandgrandson.Thenovellaexploresthechild'sfirstexperiencewithdeathbyfollowinghisstreamofconsciousness.ThebookalsorevealstheperspectiveofIsabel,theColonel'sdaughter,whichprovidesafemininepointofview.[34]

    OneHundredYearsofSolitude

    SinceGarcaMrquezwaseighteen,hehadwantedtowriteanovelbasedonhisgrandparents'housewherehegrewup.However,hestruggledwithfindinganappropriatetoneandputofftheideauntilonedaytheanswerhithimwhiledrivinghisfamilytoAcapulco.Heturnedthecararoundandthefamilyreturnedhomesohecouldbeginwriting.Hesoldhiscarsohisfamilywouldhavemoneytoliveonwhilehewrote,butwritingthenoveltookfarlongerthanheexpected,andhewroteeverydayforeighteenmonths.Hiswifehadtoaskforfoodoncreditfromtheirbutcherandtheirbakeraswellasninemonthsofrentoncreditfromtheirlandlord.[49]Fortunately,whenthebookwasfinallypublishedin1967itbecamehismostcommerciallysuccessfulnovel,OneHundredYearsofSolitude,whichsoldmorethan30millioncopies.[50](Cienaosdesoledad)(1967EnglishtranslationbyGregoryRabassa1970).ThestorychroniclesseveralgenerationsoftheBuendafamilyfromthetimetheyfoundedthefictionalSouthAmericanvillageofMacondo,throughtheirtrialsandtribulations,instancesofincest,birthsanddeaths.ThehistoryofMacondoisoftengeneralizedbycriticstorepresentruraltownsthroughoutLatinAmericaoratleastnearGarcaMrquez'snativeAracataca.[51][52]

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    GarcaMrquezsigningacopyofOneHundredYearsofSolitudeinHavana,Cuba

    ThisnovelwaswidelypopularandledtoGarcaMrquez'sNobelPrizeaswellastheRmuloGallegosPrizein1972.WilliamKennedyhascalledit"thefirstpieceofliteraturesincetheBookofGenesisthatshouldberequiredreadingfortheentirehumanrace,"[53]andhundredsofarticlesandbooksofliterarycritiquehavebeenpublishedinresponsetoit.Despitethemanyaccoladesthebookreceived,GarcaMrqueztendedtodownplayitssuccess.Heonceremarked:"Mostcriticsdon'trealizethatanovellikeOneHundredYearsofSolitudeisabitofajoke,fullofsignalstoclosefriendsandso,withsomepreordainedrighttopontificatetheytakeontheresponsibilityofdecodingthebookandriskmakingterriblefoolsofthemselves."[52]

    Fame

    AfterwritingOneHundredYearsofSolitudeGarcaMrquezreturnedtoEurope,thistimebringingalonghisfamily,toliveinBarcelona,Spain,forsevenyears.[46]TheinternationalrecognitionGarcaMrquezearnedwiththepublicationofthenovelledtohisabilitytoactasafacilitatorinseveralnegotiationsbetweentheColombiangovernmentandtheguerrillas,includingtheformer19thofAprilMovement(M19),andthecurrentFARCandELNorganizations.[54][55]Thepopularityofhiswritingalsoledtofriendshipswithpowerfulleaders,includingonewithformerCubanpresidentFidelCastro,whichhasbeenanalyzedinGaboandFidel:PortraitofaFriendship.[56]ItwasduringthistimethathewaspunchedinthefacebyMarioVargasLlosainwhatbecameoneofthelargestfeudsinmodernliterature.InaninterviewwithClaudiaDreifusin1982GarcaMrqueznoteshisrelationshipwithCastroismostlybasedonliterature:Oursisanintellectualfriendship.ItmaynotbewidelyknownthatFidelisaveryculturedman.Whenweretogether,wetalkagreatdealaboutliterature.[57]ThisrelationshipwascriticizedbyCubanexilewriterReinaldoArenas,inhis1992memoirAntesdequeAnochezca(BeforeNightFalls).[58]

    DuetohisnewfoundfameandhisoutspokenviewsonU.S.imperialismGarciaMrquezwaslabeledasasubversiveandformanyyearswasdeniedvisasbyU.S.immigrationauthorities.[59]AfterBillClintonwaselectedU.S.president,heliftedthetravelbanandcitedOneHundredYearsofSolitudeashisfavoritenovel.[60]

    AutumnofthePatriarch

    GarcaMrquezwasinspiredtowriteadictatornovelwhenhewitnessedtheflightofVenezuelandictatorMarcosPrezJimnez.Heshares,"itwasthefirsttimewehadseenadictatorfallinLatinAmerica."[61]GarcaMrquezbeganwritingAutumnofthePatriarch(Elotoodelpatriarca)in1968andsaiditwasfinishedin1971however,hecontinuedtoembellishthedictatornoveluntil1975whenitwaspublishedinSpain.[62]AccordingtoGarcaMrquez,thenovelisa"poemonthesolitudeofpower"asitfollowsthelifeofaneternaldictatorknownastheGeneral.ThenovelisdevelopedthroughaseriesofanecdotesrelatedtothelifeoftheGeneral,whichdonotappearinchronologicalorder.[63]Althoughtheexactlocationofthestoryisnotpinpointedinthenovel,theimaginarycountryissituatedsomewhereintheCaribbean.[64]

    GarcaMrquezgavehisownexplanationoftheplot:

    http://en.wikipedia.org/wiki/Book_of_Genesishttp://en.wikipedia.org/wiki/19th_of_April_Movementhttp://en.wikipedia.org/wiki/Fidel_Castrohttp://en.wikipedia.org/wiki/Havanahttp://en.wikipedia.org/wiki/Government_of_Colombiahttp://en.wikipedia.org/wiki/American_imperialismhttp://en.wikipedia.org/wiki/File:Gabogarciamarquez1.pnghttp://en.wikipedia.org/wiki/William_J._Kennedyhttp://en.wikipedia.org/wiki/Dictator_novelhttp://en.wikipedia.org/wiki/Bill_Clintonhttp://en.wikipedia.org/wiki/R%C3%B3mulo_Gallegos_Prizehttp://en.wikipedia.org/wiki/Dictator_novelhttp://en.wikipedia.org/wiki/Mario_Vargas_Llosahttp://en.wikipedia.org/wiki/Cuban_exilehttp://en.wikipedia.org/wiki/Before_Night_Fallshttp://en.wikipedia.org/wiki/Barcelonahttp://en.wikipedia.org/wiki/Claudia_Dreifushttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Marcos_P%C3%A9rez_Jim%C3%A9nezhttp://en.wikipedia.org/wiki/Facilitatorhttp://en.wikipedia.org/wiki/FARChttp://en.wikipedia.org/wiki/Reinaldo_Arenashttp://en.wikipedia.org/wiki/National_Liberation_Army_(Colombia)

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    MyintentionwasalwaystomakeasynthesisofalltheLatinAmericandictators,butespeciallythosefromtheCaribbean.Nevertheless,thepersonalityofJuanVicenteGomez[ofVenezuela]wassostrong,inadditiontothefactthatheexercisedaspecialfascinationoverme,thatundoubtedlythePatriarchhasmuchmoreofhimthananyoneelse.[64]

    AfterAutumnofthePatriarchwaspublishedGarcaMrquezandhisfamilymovedfromBarcelonatoMexicoCity[46]andGarcaMrquezpledgednottopublishagainuntiltheChileanDictatorAugustoPinochetwasdeposed.However,heultimatelypublishedChronicleofaDeathForetoldwhilePinochetwasstillinpowerashe"couldnotremainsilentinthefaceofinjusticeandrepression."[65]

    ChronicleofaDeathForetold

    ChronicleofaDeathForetold(Crnicadeunamuerteanunciada)recreatesamurderthattookplaceinSucre,Colombiain1951.ThecharacternamedSantiagoNasarisbasedonagoodfriendfromGarcaMrquez'schildhood,CayetanoGentileChimento.[66]Pelayoclassifiesthisnovelasacombinationofjournalism,realismanddetectivestory.[67]

    TheplotofthenovelrevolvesaroundSantiagoNasar'smurder.Thenarratoractsasadetective,uncoveringtheeventsofthemurdersecondbysecond.[68]LiterarycriticRubenPelayonotesthatthestory"unfoldsinaninvertedfashion.Insteadofmovingforward...theplotmovesbackwards."[69]Inthefirstchapter,thenarratortellsthereaderexactlywhokilledSantiagoNasarandtherestofthebookislefttounfoldwhy.

    ChronicleofaDeathForetoldwaspublishedin1981,theyearbeforeGarcaMrquezwasawardedthe1982NobelPrizeinLiterature.[66]ThenovelwasalsoadaptedintoafilmbyItaliandirectorFrancescoRosiin1987.[68]

    LoveintheTimeofCholera

    LoveintheTimeofCholera(Elamorenlostiemposdelclera)wasfirstpublishedin1985.Itisconsideredanontraditionallovestoryas"loversfindloveintheir'goldenyears'intheirseventies,whendeathisallaroundthem".[70]

    LoveintheTimeofCholeraisbasedonthestoriesoftwocouples.TheyoungloveofFerminaDazaandFlorentinoArizaisbasedontheloveaffairofGarcaMrquez'sparents.[71]However,asGarcaMrquezexplainsinaninterview:Theonlydifferenceis[myparents]married.Andassoonastheyweremarried,theywerenolongerinterestingasliteraryfigures."[71]TheloveofoldpeopleisbasedonanewspaperstoryaboutthedeathoftwoAmericans,whowerealmost80yearsold,whometeveryyearinAcapulco.Theywereoutinaboatonedayandweremurderedbytheboatmanwithhisoars.GarcaMrqueznotes,"Throughtheirdeath,thestoryoftheirsecretromancebecameknown.Iwasfascinatedbythem.Theywereeachmarriedtootherpeople."[72]

    NewsofaKidnapping

    NewsofaKidnapping(Noticiadeunsecuestro)wasfirstpublishedin1996.ItisanonfictionbookthatexaminesaseriesofrelatedkidnappingsandNarcoterroristactionscommittedintheearly1990sinColombiabytheMedellnCartel,adrugcartelfoundedandoperatedbyPabloEscobar.Thetext

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    GarcaMrquezwiththeColombianCultureMinisterPaulaMoreno(left)attheGuadalajaraInternationalFilmFestival,inGuadalajara,Mexico,inMarch2009

    recountsthekidnapping,imprisonment,andeventualreleaseofprominentfiguresinColombia,includingpoliticiansandmembersofthepress.TheoriginalideaofthebookwasproposedtoGarcaMrquezbytheformerministerforeducationMarujaPachnCastroandColombiandiplomatLuisAlbertoVillamizarCrdenas,bothofwhomwereamongthemanyvictimsofaPabloEscobar'sattempttopressurethegovernmenttostophisextraditionbycommittingaseriesofkidnappings,murdersandterroristactions.[73]

    LivingtoTelltheTaleandMemoriesofMyMelancholyWhores

    In2002,GarcaMrquezpublishedthememoirVivirparacontarla,thefirstofaprojectedthreevolumeautobiography.EdithGrossman'sEnglishtranslation,LivingtoTelltheTale,waspublishedinNovember2003.[74]October2004broughtthepublicationofanovel,MemoriesofMyMelancholyWhores(Memoriademisputastristes),alovestorythatfollowstheromanceofa90yearoldmanandapubescentconcubine.MemoriesofMyMelancholyWhorescausedcontroversyinIran,whereitwasbannedafteraninitial5,000copieswereprintedandsold.[75][76]

    Filmandopera

    CriticsoftendescribethelanguagethatGarcaMrquez'simaginationproducesasvisualorgraphic,[77]andhehimselfexplainseachofhisstoriesisinspiredby"avisualimage,"[78]soitcomesasnosurprisethathehadalongandinvolvedhistorywithfilm.Hewasafilmcritic,hefoundedandservedasexecutivedirectoroftheFilmInstituteinHavana,[77]wastheheadoftheLatinAmericanFilmFoundation,andwroteseveralscreenplays.[35]ForhisfirstscriptheworkedwithCarlosFuentesonJuanRulfo'sElgallodeoro.[77]HisotherscreenplaysincludethefilmsTiempodemorir(1966),(1985)andUnseormuyviejoconunasalasenormes(1988),aswellasthetelevisionseriesAmoresdifciles(1991).[77][79]

    GarcaMrquezalsooriginallywrotehisErndiraasathirdscreenplay.However,thisversionwaslostandreplacedbythenovella.Nonetheless,heworkedonrewritingthescriptincollaborationwithRuyGuerraandthefilmwasreleasedinMexicoin1983.[80]

    Severalofhisstorieshaveinspiredotherwritersanddirectors.In1987,theItaliandirectorFrancescoRosidirectedthemovieCronacadiunamorteannunciatabasedonChronicleofaDeathForetold.[81]SeveralfilmadaptationshavebeenmadeinMexico,includingMiguelLittin'sLaViudadeMontiel(1979),JaimeHumbertoHermosillo'sMariademicorazn(1979),[82]andArturoRipstein'sElcoronelnotienequienleescriba(1998).[83]

    BritishdirectorMikeNewell(FourWeddingsandaFuneral)filmedLoveintheTimeofCholerainCartagena,Colombia,withthescreenplaywrittenbyRonaldHarwood(ThePianist).ThefilmwasreleasedintheU.S.on16November2007.[84]

    HisnovelOfLoveandOtherDemonswasadaptedanddirectedbyaCostaRicanfilmmaker,HildaHidalgo,whoisagraduateoftheFilmInstituteatHavanawhereGarcaMrquezwouldfrequentlyimpartscreenplayworkshops.Hidalgo'sfilmwasreleasedinApril2010.Thesamenovelwasadapted

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    byHungariancomposerPterEtvstoformtheoperaLoveandOtherDemons,premieredin2008atGlyndebourneFestival.

    Laterlifeanddeath

    Declininghealth

    In1999,GarcaMrquezwasdiagnosedwithlymphaticcancer.[60]ChemotherapyprovidedbyahospitalinLosAngelesprovedtobesuccessful,andtheillnesswentintoremission.[60][85]ThiseventpromptedGarcaMrqueztobeginwritinghismemoirs:"Ireducedrelationswithmyfriendstoaminimum,disconnectedthetelephone,canceledthetripsandallsortsofcurrentandfutureplans",hetoldElTiempo,theColombiannewspaper,"...andlockedmyselfintowriteeverydaywithoutinterruption."[85]In2002,threeyearslater,hepublishedLivingtoTelltheTale(VivirparaContarla),thefirstvolumeinaprojectedtrilogyofmemoirs.[85]

    In2000,hisimpendingdeathwasincorrectlyreportedbyPeruviandailynewspaperLaRepblica.Thenextdayothernewspapersrepublishedhisallegedfarewellpoem,"LaMarioneta,"butshortlyafterwardsGarcaMrquezdeniedbeingtheauthorofthepoem,whichwasdeterminedtobetheworkofaMexicanventriloquist.[86][87][88]

    Hestatedthat2005"wasthefirst[year]inmylifeinwhichIhaven'twrittenevenaline.Withmyexperience,Icouldwriteanewnovelwithoutanyproblems,butpeoplewouldrealisemyheartwasn'tinit."[89]

    InMay2008,itwasannouncedthatGarcaMrquezwasfinishinganew"noveloflove"thathadyettobegivenatitle,tobepublishedbytheendoftheyear.[90]However,inApril2009hisagent,CarmenBalcells,toldtheChileannewspaperLaTercerathatGarcaMrquezwasunlikelytowriteagain.[89]ThiswasdisputedbyRandomHouseMondadorieditorCristobalPera,whostatedthatGarcaMrquezwascompletinganewnovelcalledWe'llMeetinAugust(Enagostonosvemos).[91]

    InDecember2008,GarcaMrqueztoldfansattheGuadalajarabookfairthatwritinghadwornhimout.[89]In2009,respondingtoclaimsbybothhisliteraryagentandhisbiographerthathiswritingcareerwasover,hetoldColombiannewspaperElTiempo:"Notonlyisitnottrue,buttheonlythingIdoiswrite".[89][92]

    In2012,hisbrotherJaimeannouncedthatGarcaMrquezwassufferingfromdementia.[93]

    InApril2014,GarcaMrquezwashospitalizedinMexico.Hehadinfectionsinhislungsandhisurinarytract,andwassufferingfromdehydration.Hewasrespondingwelltoantibiotics.MexicanpresidentEnriquePeaNietowroteonTwitter,"Iwishhimaspeedyrecovery".ColombianpresidentJuanManuelSantossaidhiscountrywasthinkingoftheauthorandsaidinatweet"AllofColombiawishesaspeedyrecoverytothegreatestofalltime:GabrielGarcaMrquez".[94]

    Deathandfuneral

    GarcaMrquezdiedofpneumoniaattheageof87on17April2014inMexicoCity.[95][96]HisdeathwasconfirmedbyhisrelativeFernandaFamiliaronTwitter,[97]andbyhisformereditorCristbalPera.[98]

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    "Gabo"wearinga"sombrerovueltiao"hat,typicaloftheColombianCaribbeanregion.MostofthestoriesbyGarcaMrquezrevolvearoundtheidiosyncrasyofthisregion.

    TheColombianpresidentJuanManuelSantosmentioned:"OneHundredYearsofSolitudeandsadnessforthedeathofthegreatestColombianofalltime".[97]TheformerColombianpresidentlvaroUribeVlezsaid:"MasterGarcaMrquez,thanksforever,millionsofpeopleintheplanetfellinlovewithournationfascinatedwithyourlines".[99]Atthetimeofhisdeath,hehadawifeandtwosons.[98]

    GarciaMarquezwascrematedataprivatefamilyceremonyinMexicoCity.On22April,thepresidentsofColombiaandMexicoattendedaformalceremonyinMexicoCity,whereGarciaMarquezhadlivedformorethanthreedecades.AfuneralcortegetooktheurncontaininghisashesfromhishousetothePalaceofFineArts,wherethememorialceremonywasheld.Earlier,residentsinhishometownofAracatacainColombia'sCaribbeanregionheldasymbolicfuneral.[100]

    Style

    WhiletherearecertainaspectsreaderscanalmostalwaysexpectinGarcaMrquez'swriting,likeinstancesofhumour,hedidnotsticktoanyclearandpredeterminedstyletemplate.InaninterviewwithMarliseSimons,GarcaMrqueznoted:

    IneverybookItrytomakeadifferentpath[...].Onedoesn'tchoosethestyle.Youcaninvestigateandtrytodiscoverwhatthebeststylewouldbeforatheme.Butthestyleisdeterminedbythesubject,bythemoodofthetimes.Ifyoutrytousesomethingthatisnotsuitable,itjustwon'twork.ThenthecriticsbuildtheoriesaroundthatandtheyseethingsIhadn'tseen.Ionlyrespondtoourwayoflife,thelifeoftheCaribbean.[101]

    GarcaMrquezwasalsonotedforleavingoutseeminglyimportantdetailsandeventssothereaderisforcedintoamoreparticipatoryroleinthestorydevelopment.Forexample,inNoOneWritestotheColonel,themaincharactersarenotgivennames.ThispracticeisinfluencedbyGreektragedies,suchasAntigoneandOedipusRex,inwhichimportanteventsoccuroffstageandarelefttotheaudience'simagination.[102]

    Realismandmagicalrealism

    RealityisanimportantthemeinallofGarcaMrquez'sworks.Hesaidofhisearlyworks(withtheexceptionofLeafStorm),"NobodyWritestotheColonel,InEvilHour,andBigMama'sFuneralallreflecttherealityoflifeinColombiaandthisthemedeterminestherationalstructureofthebooks.Idon'tregrethavingwrittenthem,buttheybelongtoakindofpremeditatedliteraturethatofferstoostaticandexclusiveavisionofreality."[103]

    Inhisotherworksheexperimentedmorewithlesstraditionalapproachestoreality,sothat"themostfrightful,themostunusualthingsaretoldwiththedeadpanexpression".[104]AcommonlycitedexampleisthephysicalandspiritualascendingintoheavenofacharacterwhilesheishangingthelaundryouttodryinOneHundredYearsofSolitude.Thestyleoftheseworksfitsinthe"marvellousrealm"describedbytheCubanwriterAlejoCarpentierandwaslabeledasmagicalrealism.[105]LiterarycriticMichaelBellproposesanalternativeunderstandingforGarcaMrquez'sstyle,asthecategorymagicrealismiscriticizedforbeingdichotimizingandexoticizing,"whatisreallyatstakeisapsychologicalsuppleness

    http://en.wikipedia.org/wiki/File:Gabriel_Garcia_Marquez_1984.jpghttp://en.wikipedia.org/wiki/One_Hundred_Years_of_Solitudehttp://en.wikipedia.org/wiki/Antigone_(Sophocles)http://en.wikipedia.org/wiki/Juan_Manuel_Santoshttp://en.wikipedia.org/wiki/Caribbean_Region_of_Colombiahttp://en.wikipedia.org/wiki/No_One_Writes_to_the_Colonelhttp://en.wikipedia.org/wiki/Sombrero_vueltiaohttp://en.wikipedia.org/wiki/%C3%81lvaro_Uribe_V%C3%A9lezhttp://en.wikipedia.org/wiki/Alejo_Carpentierhttp://en.wikipedia.org/wiki/Magical_realismhttp://en.wikipedia.org/wiki/Oedipus_Rex

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    whichisabletoinhabitunsentimentallythedaytimeworldwhileremainingopentothepromptingsofthosedomainswhichmodernculturehas,byitsowninnerlogic,necessarilymarginalisedorrepressed."[106]GarcaMrquezandhisfriendPlinioApuleyoMendozadiscusshisworkinasimilarway,

    "Thewayyoutreatrealityinyourbooks...hasbeencalledmagicalrealism.IhavethefeelingyourEuropeanreadersareusuallyawareofthemagicofyourstoriesbutfailtoseetherealitybehindit....""Thisissurelybecausetheirrationalismpreventsthemseeingthatrealityisn'tlimitedtothepriceoftomatoesandeggs."[107]

    Motifs

    Solitude

    ThethemeofsolituderunsthroughmuchofGarcaMrquez'sworks.AsPelayonotes,"LoveintheTimeofCholera,likeallofGabrielGarcaMrquez'swork,exploresthesolitudeoftheindividualandofhumankind...portrayedthroughthesolitudeofloveandofbeinginlove".[108]

    InresponsetoPlinioApuleyoMendoza'squestion,"Ifsolitudeisthethemeofallyourbooks,whereshouldwelookfortherootsofthisoverridingemotion?Inyourchildhoodperhaps?"GarcaMrquezreplied,"Ithinkit'saproblemeverybodyhas.Everyonehashisownwayandmeansofexpressingit.Thefeelingpervadestheworkofsomanywriters,althoughsomeofthemmayexpressitunconsciously."[109]

    InhisNobelPrizeacceptancespeech,"SolitudeofLatinAmerica"(http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/marquezlecture.html),herelatesthisthemeofsolitudetotheLatinAmericanexperience,"Theinterpretationofourrealitythroughpatternsnotourown,servesonlytomakeusevermoreunknown,everlessfree,evermoresolitary."[110]

    Macondo

    AnotherimportantthemeinmanyofGarcaMrquez'sworkisthesettingofthevillagehecallsMacondo.HeuseshishometownofAracataca,Colombiaasacultural,historicalandgeographicalreferencetocreatethisimaginarytown,buttherepresentationofthevillageisnotlimitedtothisspecificarea.GarcaMrquezshares,"Macondoisnotsomuchaplaceasastateofmind,whichallowsyoutoseewhatyouwant,andhowyouwanttoseeit."[111]EvenwhenhisstoriesdonottakeplaceinMacondo,thereisoftenstillaconsistentlackofspecificitytothelocation.Sowhiletheyareoftensetwith"aCaribbeancoastlineandanAndeanhinterland...[thesettingsare]otherwiseunspecified,inaccordancewithGarcaMrquez'sevidentattempttocaptureamoregeneralregionalmythratherthangiveaspecificpoliticalanalysis."[112]Thisfictionaltownhasbecomewellknownintheliteraryworld.AsStavansnotesofMacondo,"itsgeographyandinhabitantsconstantlyinvokedbyteachers,politicians,andtourdepictsistagents..."makesit"...hardtobelieveitisasheerfabrication."[113]InLeafStormGarcaMrquezdepictstherealitiesoftheBananaBoominMacondo,whichincludeaperiodofgreatwealthduringthepresenceoftheUScompaniesandaperiodofdepressionuponthedepartureoftheAmericanbananacompanies.[114]Aswell,OneHundredYearsofSolitudetakesplaceinMacondoandtellsthecompletehistoryofthefictionaltownfromitsfoundingtoitsdoom.[115]

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    Inhisautobiography,GarcaMrquezexplainshisfascinationwiththewordandconceptMacondo.HedescribesatriphemadewithhismotherbacktoAracatacaasayoungman:

    Thetrainstoppedatastationthathadnotown,andashortwhilelateritpassedtheonlybananaplantationalongtheroutethathaditsnamewrittenoverthegate:Macondo.ThiswordhadattractedmyattentioneversincethefirsttripsIhadmadewithmygrandfather,butIdiscoveredonlyasanadultthatIlikeditspoeticresonance.Ineverheardanyonesayitanddidnotevenaskmyselfwhatitmeant...IhappenedtoreadinanencyclopediathatitisatropicaltreeresemblingtheCeiba.[116]

    Laviolencia

    InseveralofGarcaMrquez'sworks,includingNoOneWritestotheColonel,InEvilHour,andLeafStorm,hereferencedLaViolencia(theviolence),"abrutalcivilwarbetweenconservativesandliberalsthatlastedintothe1960s,causingthedeathsofseveralhundredthousandColombians".[36][117]Throughoutallofhisnovelstherearesubtlereferencestolaviolencia.Forexample,charactersliveundervariousunjustsituationslikecurfew,presscensorship,andundergroundnewspapers.[118]InEvilHour,whilenotoneofGarcaMrquez'smostfamousnovels,isnotableforitsportrayaloflaviolenciawithits"fragmentedportrayalofsocialdisintegrationprovokedbylaviolencia".[119]AlthoughGarcaMrquezdidportraythecorruptnatureandtheinjusticesoftimeslikelaviolencia,herefusedtousehisworkasaplatformforpoliticalpropaganda."Forhim,thedutyoftherevolutionarywriteristowritewell,andtheidealnovelisonethatmovesitsreaderbyitspoliticalandsocialcontent,and,atthesametime,byitspowertopenetraterealityandexposeitsotherside.[118]

    Legacy

    Whetherinfictionornonfiction,intheepicnovelortheconcentratedstory,MrquezisnowrecognizedinthewordsofCarlosFuentesas"themostpopularandperhapsthebestwriterinSpanishsinceCervantes".Heisoneofthoseveryrareartistswhosucceedinchroniclingnotonlyanation'slife,cultureandhistory,butalsothoseofanentirecontinent,andamasterstorytellerwho,asTheNewYorkReviewofBooksoncesaid,"forcesuponusateverypagethewonderandextravaganceoflife."[120]

    GarcaMrquez'sworkisanimportantpartoftheLatinAmericanBoomofliterature.[121]HisworkhaschallengedcriticsofColombianliteraturetostepoutoftheconservativecriticismthathadbeendominantbeforethesuccessofOneHundredYearsofSolitude.InareviewofliterarycriticismRobertSimsnotes,

    GarcaMrquezcontinuestocastalengthyshadowinColombia,LatinAmerica,andtheUnitedStates.Criticalworksonthe1982Nobellaureatehavereachedindustrialproportionandshownosignsofabating.Moreover,GarcaMrquezhasgalvanizedColombianliteratureinanunprecedentedwaybygivingatremendousimpetustoColombianliterature.Indeed,hehasbecomeatouchstoneforliteratureandcriticismthroughouttheAmericasashisworkhascreatedacertainattractionrepulsionamongcriticsandwriterswhilereaderscontinuetodevournewpublications.NoonecandenythatGarcaMrquezhashelpedrejuvenate,reformulate,andrecontextualizeliteratureandcriticisminColombiaandtherestofLatinAmerica.[122]

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    NobelPrize

    GarcaMrquezreceivedtheNobelPrizeinLiteratureon8December1982"forhisnovelsandshortstories,inwhichthefantasticandtherealisticarecombinedinarichlycomposedworldofimagination,reflectingacontinent'slifeandconflicts".Hisacceptancespeechwasentitled"TheSolitudeofLatinAmerica".[123]GarcaMrquezwasthefirstColombianandfourthLatinAmericantowinaNobelPrizeforLiterature.[124]AfterbecomingaNobellaureate,GarcaMrquezstatedtoacorrespondent:"Ihavetheimpressionthatingivingmetheprize,theyhavetakenintoaccounttheliteratureofthesubcontinentandhaveawardedmeasawayofawardingallofthisliterature".[65]

    Listofworks

    Novels

    InEvilHour(1962)OneHundredYearsofSolitude(1967)TheAutumnofthePatriarch(1975)LoveintheTimeofCholera(1985)TheGeneralinHisLabyrinth(1989)OfLoveandOtherDemons(1994)

    Novellas

    LeafStorm(1955)NoOneWritestotheColonel(1961)ChronicleofaDeathForetold(1981)MemoriesofMyMelancholyWhores(2004)

    Shortstorycollections

    EyesofaBlueDog(1947)BigMama'sFuneral(1962)OneofTheseDays(1962)TheIncredibleandSadTaleofInnocentErendiraandHerHeartlessGrandmother(1978)CollectedStories(1984)StrangePilgrims(1993)

    Nonfiction

    TheStoryofaShipwreckedSailor(1970)TheSolitudeofLatinAmerica(1982)TheFragranceofGuava(1982,withPlinioApuleyoMendoza)

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    ClandestineinChile(1986)NewsofaKidnapping(1996)ACountryforChildren(1998)LivingtoTelltheTale(2002)

    Films

    TheBlueLobster(1954)[125]

    Seealso

    McOndoTheHandsomestDrownedManintheWorldVallenato

    References

    Notes

    1. ^"GarcaMrquez"(http://dictionary.reference.com/browse/garcia+marquez).RandomHouseWebster'sUnabridgedDictionary.

    2. ^"TheNobelPrizeinLiterature1982"(http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/).Retrieved18April2014.

    3. ^AuthorGabrielGarciaMarquezdies(http://www.bbc.co.uk/news/worldlatinamerica27073911),BBCNews,17April2014.

    4. ^http://www.theguardian.com/books/2014/apr/19/gabrielgarciamarquezcolombia5. ^"OnSunday6March1927,at9am,inthemidstofanunseasonalrainstorm,ababyboy,GabrielJos

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    TheNewYorkTimes,retrieved21March2008.GarcaMrquez,Gabriel(1982),"Nobellecture"(http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/marquezlecture.html),inFrngsmyr,ToreAllen,Sture,NobelLectures,Literature19811990,Singapore:WorldScientificPublishingCo.(published1993)Missing|last2=inEditorslist(help).GarcaMrquez,Gabriel(1968),NoOneWritestotheColonel(1sted.),Harper&Row,ISBN0060114177.GarcaMrquez,Gabriel(2003),Livingtotellthetale,NewYork:AlfredA.Knopf,ISBN1400041341.Gonzales,Nelly(1994),BibliographicGuidetoGabrielGarcaMrquez,19861992,Oxford:GreenwoodPublishingGroup,ISBN0313288321.Hernndez,Consuelo."ElAmorenlostiemposdelcleraesunanovelapopular."DiariolaPrensa:NewYork,4October.1987.Kennedy,William(31October1976),"AStunningPortraitofaMonstrousCaribbeanTyrant"(http://www.nytimes.com/books/97/06/15/reviews/marqueautumn.html),TheNewYorkTimes,retrieved24March2008.Martin,Gerald(2008),GabrielGarcaMrquez:ALife,London:Penguin,ISBN9780143171829.Maurya,Vibha(January1983),"GabrielGarcaMrquez",SocialScientist(SocialScientist)11(1):5358,doi:10.2307/3516870(https://dx.doi.org/10.2307%2F3516870),ISSN09700293(https://www.worldcat.org/issn/09700293),JSTOR3516870(https://www.jstor.org/stable/3516870).McMurray,GeorgeR.(1987),CriticalEssaysonGabrielGarcaMrquez,Boston:G.K.Hall&Co.,ISBN0816188343.delaMora,SergioRipstein,Arturo(Summer1999),"ACareerinPerspective:AnInterviewwithArturoRipstein",FilmQuarterly(UniversityofCaliforniaPress)52(4):211,doi:10.1525/fq.1999.52.4.04a00020(https://dx.doi.org/10.1525%2Ffq.1999.52.4.04a00020),ISSN00151386(https://www.worldcat.org/issn/00151386),JSTOR1213770(https://www.jstor.org/stable/1213770).Mraz,John(August1994),"ReviewofCinemaofSolitude:ACriticalStudyofMexicanFilm,19721983,byCharlesRamirezBerg"(http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=9411104759&site=ehostlive),HistoricalJournalofFilm,RadioandTelevision14(3),ISSN01439685(https://www.worldcat.org/issn/01439685),retrieved27March2008.Oberhelman,HarleyD.(1995),GarcaMrquezandCuba:AStudyofitsPresenceinhisFiction,Journalism,andCinema,Fredericton:YorkPressLtd.,ISBN0919966950.Pelayo,Ruben(2001),GabrielGarcaMrquez:ACriticalCompanion,Westport:GreenwoodPress,ISBN0313312605.Saldvar,Dasso(1997),GarcaMrquez:Elviajealasemilla:labiografa,Madrid:Alfaguara,ISBN8420482501.Simons,Marlise(5December1982),"ATalkWithGabrielGarcaMrquez"(http://www.nytimes.com/books/97/06/15/reviews/marqueztalk.html),TheNewYorkTimes,retrieved24March2008.Sims,Robert(1994),"Review:Dominant,Residual,andEmergent:ReventCriticismonColombianLiteratureandgabrielGarciaMarquez",LatinAmericanResearchReview(LatinAmericanStudiesAssociation)29(2):223234,JSTOR2503601(https://www.jstor.org/stable/2503601).Stavans,Ilan(1993),"GaboinDecline",Transition(IndianaUniversityPress)62(62):5878,doi:10.2307/2935203(https://dx.doi.org/10.2307%2F2935203),ISSN00411191(https://www.worldcat.org/issn/00411191),JSTOR2935203(https://www.jstor.org/stable/2935203).Williams,RaymondL.(1984),GabrielGarcaMrquez,Boston:TwaynePublishers,ISBN0805765972.

    http://en.wikipedia.org/wiki/International_Standard_Serial_Numberhttp://www.jstor.org/stable/2503601http://dx.doi.org/10.1525%2Ffq.1999.52.4.04a00020http://www.nytimes.com/books/97/06/15/reviews/marque-autumn.htmlhttp://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://en.wikipedia.org/wiki/JSTORhttp://en.wikipedia.org/wiki/International_Standard_Serial_Numberhttp://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://www.nytimes.com/books/97/06/15/reviews/marquez-talk.htmlhttp://www.worldcat.org/issn/0970-0293http://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://en.wikipedia.org/wiki/Special:BookSources/0-06-011417-7http://www.worldcat.org/issn/0143-9685http://en.wikipedia.org/wiki/Digital_object_identifierhttp://dx.doi.org/10.2307%2F2935203http://en.wikipedia.org/wiki/Special:BookSources/1-4000-4134-1http://en.wikipedia.org/wiki/JSTORhttp://en.wikipedia.org/wiki/Special:BookSources/0-8057-6597-2http://en.wikipedia.org/wiki/Digital_object_identifierhttp://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://en.wikipedia.org/wiki/Digital_object_identifierhttp://www.jstor.org/stable/3516870http://en.wikipedia.org/wiki/Special:BookSources/0-313-28832-1http://en.wikipedia.org/wiki/Special:BookSources/0-8161-8834-3http://en.wikipedia.org/wiki/International_Standard_Serial_Numberhttp://en.wikipedia.org/wiki/Special:BookSources/84-204-8250-1http://en.wikipedia.org/wiki/Help:CS1_errors#missing_namehttp://www.nobelprize.org/nobel_prizes/literature/laureates/1982/marquez-lecture.htmlhttp://www.jstor.org/stable/2935203http://en.wikipedia.org/wiki/JSTORhttp://dx.doi.org/10.2307%2F3516870http://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://en.wikipedia.org/wiki/No_One_Writes_to_the_Colonelhttp://en.wikipedia.org/wiki/Special:BookSources/0-313-31260-5http://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://en.wikipedia.org/wiki/JSTORhttp://en.wikipedia.org/wiki/International_Standard_Serial_Numberhttp://en.wikipedia.org/wiki/Special:BookSources/978-0143171829http://en.wikipedia.org/wiki/Special:BookSources/0-919966-95-0http://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://www.worldcat.org/issn/0015-1386http://www.worldcat.org/issn/0041-1191http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=9411104759&site=ehost-livehttp://en.wikipedia.org/wiki/Consuelo_Hern%C3%A1ndezhttp://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://en.wikipedia.org/wiki/International_Standard_Book_Numberhttp://www.jstor.org/stable/1213770

  • 3/3/2015 GabrielGarcaMrquezWikipedia,thefreeencyclopedia

    http://en.wikipedia.org/wiki/Gabriel_Garc%C3%ADa_M%C3%A1rquez 20/20

    Furtherreading

    Martin,Gerald(2008),GabrielGarcaMrquez.ALife,London:Bloomsbury,ISBN9780747594765.

    Externallinks

    GabrielGarcaMrquez(http://www.imdb.com/name/nm0305781/)attheInternetMovieDatabaseWorksbyGabrielGarcaMrquezatOpenLibraryWorksaboutGabrielGarcaMrquez(http://worldcat.org/identities/lccnn7963441)inlibraries(WorldCatcatalog)GabrielGarcaMrquez(http://www.nobelprize.org/nobel_prizes/literature/laureates/1982/)atNobelprize.orgGabrielGarcaMrquez(http://www.antesydespues.com.ar/en/gabrielgarciamarquez/)BeforeandAfterGarcaMrquez,Gabriel."ColombianwriterGabrielGarcaMrquezreadingthefirstchapterofOneHundredYearsofSolitude"(http://sedici.unlp.edu.ar/handle/10915/32972)(inSpanish).

    Films

    Documentary52':GabrielGarcaMrquez(http://www.documen.tv/asset/Gabriel_Gracia_Marquez_Film.html)

    Retrievedfrom"http://en.wikipedia.org/w/index.php?title=Gabriel_Garca_Mrquez&oldid=649474935"

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