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Richard Serra Selected Bibliography

Selected Books and Catalogues: 2018 Foster, Hal and Richard Serra. Conversations About Sculpture. New Haven:

Yale University Press. 2017 Stocchi, Francesco. Richard Serra: Drawings 2015-2017. New York and

Göttingen: Gagosian and Steidl. Fer, Briony. Richard Serra 2016. New York, NY: Gagosian and Rizzoli. 2016 Serra, Richard and Richard Shiff. Richard Serra: Forged Steel. New York and

Göttingen: David Zwirner Books and Steidl. 2015 Hughes, Gordon. Richard Serra: Vertical and Horizontal Reversals. New York

and Göttingen: David Zwirner Books and Steidl. Cox, Neil. Richard Serra 2014. New York: Gagosian and Rizzoli. Serra, Richard. Notebooks Vol. 2. Göttingen, Germany: Steidl Verlag. 2014 Pacquement, Alfred. Richard Serra. Göttingen, Germany: Steidl.. 2013 ----------. Richard Serra: Double Rifts. Beverly Hills, CA: Gagosian Gallery. 2012 ----------. Richard Serra: Drawings, Paris 2011. New York, NY: Gagosian

Gallery. Garrels, Gary, Bernice Rose and Michelle White. Richard Serra Drawing: A

Retrospective. Houston, TX: The Menil Collection. 2011 Serra, Richard. Sketchbooks. Göttingen, Germany: Steidl. Bouvier, Raphaël and Fridrich Teja Bach. Constantin Brancusi and Richard

Serra: a Handbook of Possibilities. Riehen, Switzerland: Foundation Beyeler.

2008 Lawrence, James and Eckhard Schneider. Richard Serra: Drawings: Work Comes Out of Work. Bregenz, Austria: Kunsthaus Bregenz.

Layuno Rosas, M Angeles. Richard Serra. Spain: Editorial Nerea. Nesin, Kate. Richard Serra: Recent Works. London, England: Gagosian Gallery. Von Berswordt-Wallrabe, Silke. Richard Serra: Prints 1972-2007. Düsseldorf,

Germany: Richter Verlag. 2007 Living Looking Making, Giacometti, Fontana, Twombly, Serra. London, England:

Gagosian Gallery. Cooke, Lynne and Kynaston McShin. Richard Serra Sculpture: Forty Years.

New York, NY: The Museum of Modern Art. 2006 ----------.Richard Serra: Rolled and Forged. New York, NY: Gagosian Gallery. 2005 Judd, Donald, Agnes Martin and Ad Reinhardt. Imageless Icons: Abstract

Thoughts. London, England: Gagosian Gallery. ----------. Richard Serra: The Matter of Time. Göttingen, Germany: Stiedl. Temkin, Ann. Contemporary Voices: Works from the UBS Art Collection. New

York, NY:The Museum of Modern Art.

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2004 Cicelyn, Eduardo & Mario Codognato. Richard Serra. Naples: Museo Archaelogico Nazionale.

Serra, Richard and Dirk Reinartz.Te Tuhirangi Contour. Göttingen, Germany: Stiedl.

2002 Fréchuret, Maurice. Les années 70: l’art en cause. Paris, France. Réunion des Musées Nationaux.

Serra, Richard. Line Drawings. New York, NY: Gagosian Gallery. 2001 Foster, Hal. Richard Serra: Torqued Spirals, Toruses and Spheres. New York,

NY: Gagosian Gallery. 2000 ----------. Richard Serra: out-of-round. New York, NY: Gagosian Gallery. 1998 Brown, Julia, Richard Koshalek and Richard Serra. Richard Serra: Sculpture

1985-1998. Los Angeles and Göttingen: Museum of Contemporary Art and Steidl Verlag.

1997 Cooke, Lynne and Karen Kelly. Richard Serra: Torqued Ellipses. New York, NY: Dia Art Foundation.

----------. Richard Serra: Rounds. New York, NY: Gagosian Gallery. Canongia, Ligia, and Glòria Ferreira. Arte Cinema: Filmes

Experimentas/Filmes de Artistas Plàsticos. Rio de Janeiro: Centro Cultural Banco do Brasil.

1996 Rosenthal, Mark Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. New York, NY: Solomon R. Guggenheim Museum.

1995 ----------.Même si c’est la nuit. Bordeaux, France: Musee de l’Art Contemporain.

1994 Brenson. Michael. Richard Serra: Nova Scotia Drawings. New York, NY: Gagosian Gallery.

----------. Richard Serra : Props. Duisburg and Düsseldorf: Wilhelm Lehmbruck Museum and Richter Verlag.

Serra, Richard. Writings, Interviews. Chicago and London: The University of Chicago Press.

1993 ----------. Amerikanische Kunst im 20. Jahrhundert. Berlin: Martin Gropius Bau and London: Royal Academy of the Arts.

Blake, Casey Nelson. The Power of Culture. Chicago: The University of Chicago Press.

Albertazzi, Liliana. Différentes Natures: Visions de l'art contemporain. Paris and Turin: Opere and Lindau.

----------. Master Drawings 1907-1993. New York, NY: Janie C. Lee Gallery. Pacquement, Alfred. Richard Serra. Paris, France: Centre Georges Pompidou. M. Newman, Sacha and Nicholas Fox Weber. Yale Collects Yale. New Haven,

CT: Yale University Art Gallery. Schlieker, Andrea. Richard Serra: Drawings. London and Düsseldorf:

Serpentine Gallery and Richter Verlag. 1992 Driessen, Hendrik. De Opening. Tilburg, Netherlands: De Pont Stichting voor

Hedendaagse Kunst.

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----------. Exposition Sentimentale. Fondation Château de Jau, Musée de Collioure; Bordeaux: capc.

Glucksmann, Christine Buci. Richard Serra : Gravures. Céret, France: Musée d'Art Moderne de Céret.

----------. Richard Serra: Deadweights 1991-1992. New York, NY: Pace Gallery. ----------. Schwerpunkt Skulptur. Krefeld: Krefelder Kunstmuseum. Sylvester, David and Nicholas Serota. Richard Serra: Weight and Measure

1992. London and Düsseldorf: Tate Gallery and Richter Verlag. Vischer, Theodora. Transform: Bild Objekt Skulptur im 20. Basel, Switzerland:

Kunstmuseum. ----------. Tropismes: Collecio d'Art Contemporani Fundacio ‘La Caixa’.

Madrid, Spain: Fundacio La Caixa. Krempel, Ulrich. Richard Serra: Running Arcs (for John Cage). Düsseldorf,

Germany: Richter Verlag. ----------. Richard Serra: The Drowned and the Saved. New York and Pulheim:

Matthew Marks Gallery and Synagogue Stommeln. 1991 ----------. Richard Serra. Madrid, Spain: Museo Nacional Centro de Arte Reina

Sofia. ----------. Afangar. Steidl Verlag and Zurich: Parkett Publishers. ----------. Artist's Sketchbooks. New York, NY: Matthew Marks Gallery. ----------. La Sculpture Contemporaine après 1970. Fréjus, France. Fondation

Daniel Templon. T. Day, Holliday. Power: Its Myths and Mores in American Art 1961-1991.

Indianapolis, IN: Indianapolis Museum of Art. ----------. Richard Serra: Octagon for Saint Eloi. Paris: Déléguéaux Arts

Plastiques au Ministère de la Culture et la Communication. ----------. Richard Serra (Träger des Kaiserringpreises der stadt Goslar 1981).

Goslar: Mönchehausmuseum. ----------. Richard Serra: Drawings and Etchings from Iceland. New York and

Pulheim: Matthew Marks Gallery and Synagogue Stommeln. ----------. Carnegie International 1991. New York, NY: Rizzoli. Buskirk, Martha and Clara Weyergraf-Serra. The Destruction of Tilted Arc:

Documents. Cambridge and London: MIT Press. 1990 Marzona, Egidio, Ulrich Weisner and Gundrun Wessing. Concept Art, Minimal,

Arte Povera, Land Art. Bielefeld and Stuttgart: Kunsthalle Bielefeld and Edition Cantz.

Elger, Dietmar. Neonstücke. Hannover, Germany: Sprengel Museum. Germer, Stefan. Richard Serra. Zürich, Switzerland: Kunsthaus. Janssen, Hans. Richard Serra: Drawings, 1969-90. Bern, Switzerland: Benteli. Lelong, Danie. Richard Serra: Écrits et entretiens 1970-89. Paris: Galerie

Lelong. Szeeman, Harald. Richard Serra: Interviews, Schriften, 1970-89. Bern: Benteli

Verlag.

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Armstrong, Richard, John G Hanhardt, Richard Marshall and Robert Pincus-Witten.The New Sculpture 1965-1975: Between Geometry and Gesture. New York, NY: The Whitney Museum of American Art.

----------. Pharmakon '90: Makuhair Messe: Contemporary Art Exhibition. Tokyo, Japan: Akira Ikeda Corp.

1989 Szeemann, Harald. Einleuchten: Will, Vorstel und Simul in HH. Hamburg, Germany: Christians.

Buchloch, B.H.D. Unerwunschte Monumente. Munich: Verlag Silke Schreiber. G Hanhardt, John, Marvin Heiferman and Lisa Phillips. Image World: Art and

Media Culture. New York, NY: The Whitney Museum of American Art. Marshall, Richard. Immaterial Objects: Works from the Permanent Collection of

the Whitney Museum of American Art, New York. New York, NY: The Whitney Museum of American Art.

----------. Minimalism. Liverpool, England. The Tate Gallery Liverpool. ----------. Richard Serra Sculpture 1987-1989. New York, NY: The Pace

Gallery. ----------. Richard Serra: Maillart Extended. Bern, Switzerland: Benteli Verlag. ----------. Sculpture Chicago ‘89. Chicago, IL: Sculpture Chicago. 1988 ----------. 1988 Australian Biennale, From the Southern Cross, A View of

World Art c. 1940-88. Sydney, Australia: ABC Enterprises for the Australian Broadcasting Corporation and the Australian Bicentennial Authority.

Bois, Yve Alain, Guse, Ernst-Gerhard and Richard Serra. Richard Serra. New York, NY: Rizzoli.

Hoppe-Sailer, Richard. Richard Serra: Prints - a catalogue raisonné 1972-1988. Bochum, Germany : Galerie M Bochum.

----------. La Couleur Seule. Lyon, France : Musée d'Art Contemporain. ----------. Position Heutiger Kunst. Berlin, Germany: Staatliche Museen

Preussischer Kulturbessitz. ----------. Richard Serra: 10 Sculptures for the Van Abbe. Eindhoven,

Netherlands: Stedeljik Van Abbemuseum. Serra, Richard. Richard Serra at Gemini 1983-1987. Los Angeles, CA: Gemini

G.E.L. ----------. Richard Serra: Recent Sculpture in Europe 1986-1988. Bochum,

Germany: Galerie M Bochum. Burskirk, Martha and Clara Weyergraf-Serra. Richard Serra's Tilted Arc.

Eindhoven, Netherlands: Stedeljik Van Abbesmuseum. Szeemann, Harald. Zeitlos, Hamburger Bahnhof in Berlin. Berlin and Munich:

Werkstatt Berlin and Prestel-Verlag. 1987 ----------. Barcelona Spaces and Sculpture (1982-1986). Barcelona, Spain:

Fundación Joan Miró. Gachnang, Johannes, Fuchs, Rudi and Francesco Poli. Standing Sculpture.

Turin, Italy: Castello di Rivoli.

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M Joachimides, Christos. Der unverbrauchte Blick : Kunst unserer Zeit in Berliner Sicht : eine Ausstellung aus Privatsammlungen in Berlin .Berlin, Germany: Edition Hentrich.

Goedl, Monika. Documenta 8. Kassel, Germany: Weber & Weidemeyer. Blistène, Bernard. L'Epoque, La Mode, La Morale, La Passion: Aspects de L'art

Aujourd'hui, 1977-1987. Paris, France: Centre Georges Pompidou. ----------. Leo Castelli y sus Artistas: XXX Anos de Promocion del Arte

Contemporaneo. Mexico City, Mexico: Centro Cultural Arte Contemporaneo.

Glass, Phillip, Munkacsi, Kurt and Richard Serra. Pink Noise: Three Conversations Concerning a Collaborative Acoustic Installation. Columbus, OH: Ohio State University Gallery of Fine Art.

Jordan, Sherrill. Public Art, Public Controversy: The Tilted Arc on Trial. New York, NY: American Council for the Arts.

----------. Richard Serra: Sculpture 1985-1987. New York, NY: Leo Castelli and Pace Gallery.

Bussmann, Klaus. Skulptur Projekte in Münster, 1987. Cologne, Germany: DuMont.

1986 ----------. Ägyptische und moderne Skulptur. Leverkusen: Städtisches Museum Leverkusen.

----------. Art in the Environment. Boca Raton, FL: Boca Raton Museum of Art. ----------. De Sculptura. Wien, Austria: Wien Festwochen. Armstrong, Richard and Richard Marshall. Entre Geometria y el Gesto:

Escultura Norteamericana, 1965-1975. Madrid, Spain: Ministerio de Cultura.

----------. Fundacio Joan Miro. Barcelona; Fundacio Miro. Linker, Kate and Howard Singerman. Individuals: A Selected History of

Contemporary Art. New York and Los Angeles: The Museum of Contemporary Art and Abbeville Press.

Ben-Haim, Zigi. Monumental Drawings: Works by 22 Contemporary Americans. New York, NY: The Brooklyn Museum.

----------. Natural Form and Forces: Abstract Images in American Sculpture. Cambridge, MA: MIT Haden Gallery.

----------. Public and Private: American Prints Today. New York, NY: The Brooklyn Museum.

----------. Qu'est-ce que la sculpture Moderne? Paris, France: Centre Georges Pompidou.

----------. Referencias; Un Encuentro Artistico en el Tiempo. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofía.

----------. Richard Serra. Tokyo, Japan: Akira Ikeda Gallery. ----------. Sculpture for Public Places. New York: Marisa del Re, Inc. Szeemann, Harald. Skulptur Sein. Düsseldorf, Germany: Städtische

Kunsthalle. Stockebrand, Marianne. Richard Serra. Goslar: Mönchehausmuseum.

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1985 ----------. Richard Serra: Recent Sculpture in Europe 1977-1985. Bochum, Germany: M Bochum.

----------. “Black”: Jasper Johns, Frank Stella, Richard Serra. Tokyo, Japan: Akira Ikeda Gallery.

----------. 1985 Carnegie International. Pittsburgh, PA: Carnegie Museum of Art.

----------. Chicago Sculpture International, Mile 4. Chicago, IL: Chicago Sculpture International.

Waldman, Diane. Transformations in Sculpture: Four Decades of American and European Art. New York, NY: Solomon R. Guggenheim Museum.

1984 ----------. American Art Since 1970. New York: The Whitney Museum of American Art.

Fine, Ruth E. Gemini GEL: Art and Collaboration. Washington D.C.: National Gallery of Art; New York: Abbeville Press.

Skulptur im 20. Jahrhundert. Basel: Steiner und Companie. Wiesbadener Skulpturentage. Wiesbaden: Landeschafupstadt Weisbaden. 1984 ----------. Process und Konstruction 1985 in Munchen. Lotz: Archives of

Contemporary Art. 1983 ----------. '60-80: Attitudes/Concepts/Images. Amsterdam: Stedeljik. ----------. ARS 83. Helsinki: The Art Museum of Atheneum. ----------. Arte Povera, Antiform, Sculptures 1966-69. Bordeaux: Centre d'Arts

Plastiques Contemporains de Bordeaux. Bois, Yve-Alain and Rosalind E. Krauss. Richard Serra. Paris: Musée National

d'Art Moderne, Centre Georges Pompidou. ----------. Connections: Bridges/Ladders/Ramps/Tunnels. Philadelphia:

Institute of Contemporary Art, University of Pennsylvania. ----------. Correspondencias: 5 Architectos, 5 Escultores. Madrid: Palacio de

las Alhajas. ----------. Kunst und Video; Bettina Gruber & Maria Vedder. Cologne: DuMont

Buchverlag. Monumental Drawings by Sculptors. Greenvale: Hillwood Art Gallery, Long

Island University. ----------. Sculpture: The Tradition in Steel. Roslyn Harbor: The Nassau

County Museum of Art. Kuwayama, Maki. Richard Serra: New Sculpture. Tokyo, Japan: Akira Ikeda

Gallery. 1982 ----------. Documenta 7. Kassel: D+V Paul Dierichs GmbH and Company. ----------. Kunst wird Material. Berlin: Nationalgalerie Berlin Staatliche

Museen Preussicher Kulturbesitz. Prints by Contemporary Sculptors. New Haven: Yale University Art Gallery. 1981 ----------. 1981 Biennial Exhibition. New York: The Whitney Museum of

American Art. The 37th Biennial Exhibition of Contemporary American Painting.

Washington: The Corcoran Gallery of Art.

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----------. Chamberlain, Harris, Matta-Clark, Oppenheim, Serra, Smithson, Weiner. New York: Holly Solomon Gallery.

----------. Collaboration: Artists and Architects. New York: The Whitney Museum of American Art.

----------. Kounnellis, Merz, Nauman, Serra. Krefeld: Museum Haus Lange. ----------. Schwartz. Düsseldorf: Städtischen Kunsthalle Düsseldorf. ----------. Westkunst. Cologne: DuMont Buchverlag. 1980 Güse, Ernst Gerhard. Reliefs: Formprobleme Zwischen Malerei und Skulptur in

20. Jahrhundert. Münster: Westfälisches Landesmuseum für Kunst und Kulturgeschichte; Berne: Benteli Verlag.

Mel Bochner/Richard Serra. Cambridge: Hayden Gallery, Massachusetts Institute of Technology.

Pier + Ocean, Construction in the Art of the Seventies. London: Hayward Gallery.

Serra, Richard and Clara Weyergraf. Richard Serra: Interviews, Etc. 1970-1980. Yonkers: The Hudson River Museum.

“Terminal” von Richard Serra. Eine Dokumentation in Kapiteln. Bochum: galerie m.

----------. Skulptur im 20. Jahrhundert, Abbildungsteil der Auftragswerke. Basel: Wenkenpark Riehen.

1978 ----------. 73rd American Exhibition. Chicago: The Art Institute of Chicago. ----------. Gerry Schum. Amsterdam: Stedeljik Museum. ----------. Made by Sculptors/door beeldhouwers gemmaky. Amsterdam:

Stedeljik Museum. ----------. Richard Serra: Arbeiten 66-77, Works 66-77. Tübingen: Kunsthalle

Tübingen. Structures for Behavior. Toronto: Art Gallery of Ontario. Weyergraf, Clara. Richard Serra: Arbeiten 66-77, Works 66-77. Tübingen:

Kunsthalle Tübingen. ----------. Z.B. Skulptur. Frankfurt: Städelisches Kunstinstitut. 1977 Borden, Lizzie. Richard Serra: Tekeningen/Drawings 1971-1977. Amsterdam:

Stedeljik Museum. ----------. Documenta 77 Skulptur Ausstellung in Munster. Munster:

Landschaftsverband Westfalen-Lippe und Stadt Münster. ----------. Freunde der Deutschen Kinemathek. Berlin: Freunde der Deutschen

Kinemathek. ----------. Passages in Modern Sculpture. New York: The Viking Press. 1976 ----------. 200 Years of American Sculpture. New York: The Whitney Museum

of American Art. ----------. Private Notations: Artist's Sketchbooks II. Philadelphia: Philadelphia

College of Art. Rose, Bernice Zeichnung Heute - Drawing Now. Zürich: Kunsthaus Zürich. ----------. Seventy-Second American Exhibition. Chicago: The Art Institute of

Chicago.

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Structures for Behavior: New Sculpture by Robert Morris, David Rabinowitch, Richard Serra and George Trakas. Toronto: Art Gallery of Ontario.

1975 ----------. XIII Bienal de Sao Paulo. San Paulo: Fundacao Bienal de Sao Paulo. ----------. The Condition of Sculpture. London: The Arts Council of Great

Britain. ----------. USA: Zeichnungen 3. Leverkusen: Städtisches Museum Leverkusen. ----------. Video Art. Philadelphia: Institute of Contemporary Art, University of

Pennsylvania. 1974 ----------. Castelli-Sonnabend Videotapes and Films. New York: Castelli-

Sonnabend Tapes and Films, Inc. Krauss, Rosalind. Line as Language: Six Artists Draw. Princeton: The Art

Museum, Princeton University. 1973 ----------. 3D into 2D, Drawings for Sculpture. New York: The New York

Cultural Center. ----------. American Drawings 1963-1973. New York: The Whitney Museum of

American Art. ----------. Contemporanea. Rome: Incontri Internazionali d'Arte. 1972 ----------. Documenta 5. Kassel: D + V Paul Dierichs GmbH and Company, KG. ----------. Diagrams and Drawings. Otterlo: Rijksmuseum Kröller Müller. Muller, Gregoire, and Gianfranco Gorgoni. The New Avant-Garde: Issues for

the Art of the Seventies. New York, Washington, and London: Preager Publishers.

1971 ----------. Modern Painting, Drawing & Sculpture Collected by Emily and Joseph Pulitzer, Jr., vol. 3. Cambridge: Fogg Art Museum, Harvard University.

1970 Richard Serra. Pasadena: Pasadena Art Museum. ----------. Tokyo Biennale 1970: Between Man and Matter. Tokyo: The

Mainichi Newspapers. Scott, Gail R. Art & Technology: A Report on the Art and Technology of the

Los Angeles County Museum of Art 1967-1971. Los Angeles: Los Angeles County Museum of Art, New York: The Viking Press.

1969 ----------. Lead. New York: Hirschl & Adler Modern. Monte, James and Marcia Tucker. Anti-Illusion; Procedures/Materials. New

York: The Whitney Museum of American Art. ----------. Soft Art. Trenton: New Jersey State Museum and Cultural Center. Szeeman, Harold. When Attitude Becomes Form. Bern: Kunsthalle. Selected Articles, Essays and Reveiws: 2018 Serra, Richard. “Kynaston McShine.” Artforum, May (Vol. 51, No. 9), p. 51. Revely-Calder, Cal. “On reading the Rifts of Richard Serra.” Apollo, Apr 11. 2017 Walsh, Meeka and Robert Enright. “The Weight of History.” Border Crossings,

Dec.

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Milani, Eleonora. “Richard Serra Museum Boijmans Rotterdam.” Flash Art, Sep 21.

Benschop, Jurriaan. “Richard Serra – Museum Boijmans van Beuningen.” Artforum, Summer.

Stapley-Brown, Victoria. “Richard Serra shows his hand.” The Art Newspaper, May 20.

2016 McCaughey, Patrick. “Industrial Sublime.” Times Literary Supplement, July 15, p. 20.

Durray, Dan. “Monster sculptures: Serra, Kapoor and Webster in New York.” The Art Newspaper, June 2.

Molina, Angela. “Acero Macizo.” El Pais Semanal, May 21. Peasley, Aaron. “Heavy metal: Richard Serra's weighty installations at

Gagosian gallery, New York.” Wallpaper, May 27. Micchelli, Thomas. “Lessons in Gigantism: Richard Serra Makes It Work.”

Hyperallergic, May 14. Johnson, Ken. “Richard Serra’s Steel Behemoths Get Into Your Head.” The

New York Times, May 12. -------------. “Richard Serra, Grace Under Pressure.” The Brooklyn Rail, June 3. Archer, Bert. “Towering sculpture draws visitors into Qatar desert.” Toronto

Star, Jan 18. 2015 Bodick, Noelle. “Shows That Matter: Richard Serra’s ‘Ramble Drawings’.”

Blouin Artinfo, Sep 28. Lahoude, Christian. “Everyone Should See Richard Serra’s Giant ‘Torqued

Ellipses’.” Observer. Sep 13. ----------. “American Artist Richard Serra is Receiving France's Highest Honor

During New York Ceremony.” Associated Press, June 1. Atwood, Roger.” Richard Serra.” ARTnews, Vol. 114, No. 5, May, p. 126. Burns, Charlotte. “Richard Serra due to receive the French government’s

highest honour.” The Art Newspaper, May 29 . Pabst, Jacob. “You Must See This Amazing Richard Serra Sculpture in Qatar's

Sand Dunes.” artnet News, Mar. 18. Testado, Justine. “Richard Serra engages with the Qatari desert landscape in

his new sculptural piece.” Archinect. Apr 30. 2014 Adam, Georgina. “Qatar celebrates Richard Serra.” Financial Times, Apr. 4. Alix, Francesca Nicoli.” La scultura nuova di Richard Serra.” Art Tribune, Feb.

24. Brändlin, Anne-Sophie. “Richard Serra: Man of steel.” Deutsche Welle, Nov. 2. Byrnes, Sholto. “Duel with the desert.” The Independent, Apr. 10. Campbell-Dollaghan, Kelsey. “These Mysterious Desert Monoliths Are Actually

Richard Serra Sculptures.” Gizmodo, Apr. 8. Durrant, Nancy. “Richard Serra at Gagosian Gallery, WC1.”The Times, Oct 23. “Dutch museum reveals hidden aspects of Richard Serra masterpiece.” La

Prensa, Oct. 22.

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Forrest, Nicholas. “Q&A: Richard Serra on His Monumental Qatari Desert Sculpture.” Blouin Artinfo, Apr. 11.

Foster, Hal. “Serra in the Desert.” Artforum, Sep. Freeman, Nate. “Richard Serra to Receive Lifetime Achievement Award from

Americans for the Arts.” New York Observer, Oct. 3. Gonon, Eric and Dion Tan. “Video: 'Richard Serra Week' in Qatar Features

Desert Sculpture.” Blouin Artinfo, Apr. 12. Gopnik, Blake. ”Iron Man XVII.” The Daily Beast, Jan. 24. Green, Tyler. “St. Louis devotes exhibition to Serra's 'Twain'.” Blouin Artinfo,

Apr. 22. Hodara, Susan. “At Aldrich Contemporary Art Museum, Conversation Between

Works and Over Decades.” The New York Times, Dec. 19. Jones, Jonathan. “Emin returns, Polke pops and Serra steels the show – the

week in art.” The Guardian, Oct. 3. Le Brun, Lily. “Richard Serra At The Gagosian Gallery.” Blueprint, Nov. 24. Levin, Kim. Richard Serra. ARTnews, Feb. Niarchos, Nicolas. “Richard Serra in the Qatari Desert.” The New Yorker, Apr.

21. Pogrebin, Robin. “Arts, Briefly: Richard Serra Wins Architecture Prize.” The

New York Times, Apr. 25. Roddy, Michael. “Serra Sculptures both huge and dense go on view in London.”

Reuters, Oct. 10. Searle, Adrian. “Heavyweight majesty in steelworker Richard Serra's return to

London.” The Guardian, Oct. 10. Testado, Justine. “Richard Serra is the first artist to recieve the President's

Medal from the Architectural League of New York.” Arechinect, Apr. 23. Wullschlager, Jackie. “Steel made light and lyrical. “ Financial Times. Oct. 2014.

p10. 2013 Adams, James. “Richard Serra's Installation Shift Set to Becoem a Site of

Cultural Heritage Value.” The Globe and Mail, Feb. 26. 2012 Chayka, Kyle. “Richard Serra Drawings Have Room to Breathe at the De Menil

Collection.” Artinfo, March 20. Gibson, Eric. “Richard Serra's illusions. On "Richard Serra Drawing: A

Retrospective" at the Metropolitan Museum of Art, New York.” The New Criterion, Volume 30 May 2012, p. 67.

Donoghue, Katy. “Richard Serra's 7.” Whitewall, Summer. ----------. “Richard Serra.” Artforum, Sept. Woodward, Richard B. “A Show That Draws You In.” The Wall Street Journal,

May 8. Serra, Richard, and Emmanuelle Lequeux [interview]. “Richard Serra: ‘Il y a

aujourd’hui dans l’art beaucoup d’insoutenable légèreté.’” Le Monde, January 5, 2012, p. 25.

2011 Baker, RC. “Best in Show - Richard Serra Drawing at the Met Museum.” The Village Voice, May 11.

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Esman, Abigail R. “America's Master Creates His Masterpiece - Richard Serra's 7.” Forbes Magazine, Dec. 21.

Fowler, Geoffrey. “Sculptor Revisits His Early Haunts.” The Wall Street Journal, Oct. 20.

Hartvig, Nicholai. “Qatar Looks to Balance Its Arts Scene.” New York Times, Jan. 6.

----------. Museum and Gallery Listings, Richard Serra Junction Cycle, The New York Times, Nov. 10.

Panetta, Jane. “Richard Serra - Metropolitan Museum of Art.” Art in America, June-July.

Rosenberg, Karen. “Richard Serra - Junction, Cycle.” The New York Times, Nov. 25.

Schjeldahl, Peter, Critic's Notebook - Drawing Room, The New Yorker, May 16, 2011

Smith, Roberta. “Sketches from the Man of Steel.” The New York Times, April 14.

2010 Bordignon, Elena, Greenpoint Rounds. “The Intimate Space of Richard Serra.” Vogue Italia, April.

Linthicum, Kate. “Political Posters Make Bold Statements.” LATimes.com, April. 2009 Cotter, Holland. “ Golden Oldies All Over Chelsea.” The New York Times, Dec 4. ----------."Review: Richard Serra: Drawing". Art Review, Jan./Feb. ----------.” Review Richard Serra at Gagosian.” The New Yorker, Nov. 23. Rose, Matthew. "Richard Serra im parts Grace and Power on His Grand Steel

Lanscapes" Art & Antiques, Jan. 2008 Bois, Yve-Alain. “Ellipse en torsion: Convulsions spatiales.” In Richard Serra:

Monumenta 2008/Grand Palais, pp. 37-38. Boulogne: Beaux Arts Éditions.

Bourne-Farrell, Cécile. “Richard Serra's Paris Promenade.” Sculpture 27, no. 9 Nov, pp. 51-53.

Brown, Mark. “Heavy Metal: Richard Serra exhibition for London.” The Guardian, Aug. 8.

Buck, Louisa. “ Interview with Richard Serra.” The Art Newspaper, Nov. Catsoulis, Jannette. “Watching as Richard Serra Thinks Big and Does Big.”

www.newyorktimes.com, Aug. 20. Crow, Kelly. “Richard Serra’s Stonehenge Period.” The Wall Street Journal, Oct

25, p. D6. Erlanger, Steve. “Serra’s Monumental Vision, Vertical Edition.” The New York

Times, May 7. Foster, Hal. “At the Grand Palais.” London Review of Books 30, no. 10, May 22,

p. 15. Gayford, Martin. “Taylor Wood’s Mimed Music, Serra’s Metal Maze: London

Galleries.” www.bloomberg.com, Oct. 31.

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Hindry, Ann. “Quarante ans d’expectative: Serra, maître du suspense depuis 1968.” In Richard Serra: Monumenta 2008/Grand Palais, pp. 12-19. Boulogne: Beaux Arts Éditions.

Knight, Christopher, “From Heavy Metal, Light and Fanciful.” The Los Angeles Times, Feb. 16.

O'Hagan, Sean. "Richard Serra: The Interview." The Observer, Oct 5. Searle, Adrian. “Metal Works.” Frieze Magazine, no. 119, Nov-Dec, p. 134-43. Sullivan, Marin. “Richard Serra’s ‘Te tuhirangi contour’: Time in the Space

Between.” Sculpture 27, no. 9, Nov, pp. 48-50. ----------. “Plates of steel.” Economist.com, Nov. 8. ----------. “Richard Serra Drawings: Work Comes Out of Work at Kunsthaus

Bregenz in Austria.” Artdaily.org, Aug. 2007 Adam, Georgina. “The Power 100.”Art Review, Nov., pp. 97-168, 117. ----------. Greenhouse, the indefensible lightness of the steel.” La Stampa, Aug.

7. Baker, Kenneth. “Serra’s Critical Masses.” San Francisco Chronical, June 24. Baker, Kenneth. “Serra at MoMA.” Art+Auction, June, p. 51. Belcove, Julie L. “SERRA.” W, May, pp. 170-179. Camhi, Leslie. “The Incredible Hulk.” Village Voice, June 13. Chaturvedi, Bharati. “Serra’s abstract labyrinths.” www.business-

standard.com, Aug. 4. Erlanger, Steven. “Serra’s Monumental Vision, Vertical Edition.” The New York

Times.com, May 7. Esplund, Lance. “Goliath in the Garden.” New York Sun, May 31, pp. 17, 26. Failing, Patricia. “Greener Acres.” ARTnews, Jan, p. 26. Gopnik, Blake. “The Seach for Serra Firma.” Washington Post, Jul 22, p. N1. Hathaway, Matthew. “Serra Sculpture Mauled by Many, here to stay.” St. Louis

Post Dispatch, June 18. Hawthorne, Christopher. “That Lived-In Look.” Los Angeles Times, Aug 1, pp.

E1, E14. Kennedy, Randy. “Sculpture (and Nerves) of Steel.” The New York Times, May

20, pp. AR1, 28. Kennedy, Randy. “Series of Seductive Curves from Art's Man of Steel.” The

New York Times, June 10. Lacayo, Richard. “Richard Serra’s Big Show.” Time Magazine, May 24. Lawrence, James. “Richard Serra.” Burlington Magazine, Aug 1, pp. 72-73. Lewallen, Constance. “Man of Steel.” UC Berkley California Centennial, April, p.

36. MacAdam, Barbara A. Preview: Richard Serra at the Museum of Modern Art.

ARTNews, Summer, p. 188. Minthorn, David. “Serra unveils models of massive sculptures to be shown at

MoMA.” Washingtonpost.com, March 6. Nesin, Kate. Preview: Richard Serra at MOMA. Art Forum, May, pp. 146-147. Neil, Jonathan T.D. “Heavy Metal.” Art Review, June, pp. 92-96.

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Patel, Vibhuti. “The Space in Between.” Newsweek, June 25. Ponnekanti, Rosemary. “Elemental Elegance.” The News Tribune (Tacoma,

WS), Jan. 14, p. E01. ----------. Preview: Richard Serra at the Museum of Modern Art. The

International Herald Tribune, May 30. Ratcliff, Carter. “The Fictive Spaces of Richard Serra.” Art in America, Dec., pp.

116-123. Rosenberg, Karen. “Richard’s Arc.” New York Magazine, May 28. Saltz, Jerry. “Buona Serra.” New York Magazine, June 18. Schjeldahl, Peter. “Industrial Strength.” The New Yorker, June 11 & 18, pp. 146-

147. Scott, Andrea K. “Richard Serra, Sculpture, Forty Years.” Time Out New York,

June 7-13. Sozanski, Edward. “Big Steel, The evocative Sculpture of Richard Serra.”

Philadelphia Inquirer, June 17. Updike, John. ”Serra’s Triumph.” The New York Review of Books, July 19. Vogel, Carol. “A Serra Sculpture To Anchor a Museum.” The New York Times,

May 25, B24. Vogel, Carol. “The Week Ahead, Richard Serra.” The New York Times, June 3. 2006 Boucher, Brian. “Two Serras for California.” Art in America, Sept., p. 39. Bui, Phong. “In Conversation: Richard Serra with Phong Bui,” The Brooklyn

Rail, June, pp. 22-24. Charlesworth, J.J. “Power 100.” Art Review, Nov., p. 121. Heartney, Eleanor. Review: Richard Serra at Gagosian Gallery W24 Street. Art

in America, Sept., p. 158. Kammen, Michael. “The Dimensions and Dilemmas of Public Sculptures.” In

Visual Shock: A History of Art Controversies in American Culture, pp. 238–45. New York: Alfred Knopf.

Pincus, Robert L. “Heavy Metal.” The San Diego Union-Tribune, Dec. 10, p. F8. Pincus, Robert. “Serra tuned into the rhythm of MCASD’s space for ‘depot’.”

The San Diego Union-Tribune, June 18, p. f-1. Regan, Kate. Preview: Richard Serra at Nicholas Metivier. ArtNews, June, p.

154. Ribas, João. “Walking Through A Sculptural Maze.” The New York Sun, May 8,

p. 16. Richard, Frances. Review: Richard Serra at Gagosian Gallery W24 Street.

ArtForum, Oct., p. 261. Robinson, Walter. “Weekend Update.” Artnet.com, May 16. Rose, Matthew. “Spatial Skills: Richard Serra Imparts Grace and Power on His

Grand Steel Landscapes.” Art & Antiques, Jan, pp. 90–96. Rosenfeld, Jeannie. “Artist dossier.” Art+Auction, Oct., pp. 159-160. Schmerler, Sarah. Review: Richard Serra at Gagosian Gallery. ARTnews, Sept., Serra, Richard. "A Modern Life: Vote of Confidence" [tribute read at William S.

Rubin memorial]. Artforum 44, no. 9 (May), p. 255.p. 140.

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Smith, Roberta. Review: Richard Serra Rolled & Forged at Gagosian Gallery. The New York Times, May 26, p. B25.

Tremlett, Giles. “Missing: Museum Discovers Loss of 38-Tonne Sculpture.” The Guardian, Jan. 19, p.18.

Varnedoe, Kirk. “Abstract Art Now.” In Pictures of Nothing: Abstract Art Since Pollock, pp. 239–73. Princeton: Princeton University Press.

2005 Ayers, Robert. Review: Richard Serra at Gemini G.E.L. and Danese. ARTnews, April, p. 125.

Baker, Kenneth. “Sculptor Richard Serra weighs in on his huge Mission Bay installation.” San Francisco Chronicle, March 25, p. E1.

Baker, Kenneth. “Walking and Looking.” Parkett, no. 74, pp. 2–13. Barreneche, Raul. “The Titans.” Interior Design, Aug. 1, p. 138. Bonetti, David. “About the artists.” St. Louis-Post Dispatch, Feb. 13, p. F01. Bonetti, David. “Modernist sculpture’s bookends.” St. Louis Post-Dispatch, Feb.

13, p. F01. ----------. “Bumper bender: Bilbao museum’s giant sculptures.” The

Guardian(London), May 19, p. 18. ----------. “Development meets immovable art in King City.” The Toronto Star,

Feb. 5, p. H2. Camhi, Leslie. “People are Talking Abuot: Serra at Bilbao.” Vogue, July. Ebony, David. “Infinite Passages: Serra in Bilbao.” Art in America, Nov, pp.

138–141. Faure, Fabien. “’In It, On It’: Richard Serra et la chair du monde.” In Histoire et

esthétique de contact dans l'art contemporain, pp. 190-209. Edited by Sylvie Coëllier. Aix-en-Provence: Université de Provence.

Fischer, Theodora. “Richard Serra’s List of Words.” Parkett, no. 74, pp. 2–3. Foster, Hal. “On ‘The Matter of Time.” ArtForum, Sept., pp. 270-75. Foster, Hal. “Richard Serra in Bilbao.” Parkett, no. 74, pp. 4–17. Gayford, Martin. “Big in Bilbao.” Modern Painters, July/Aug., pp. 64-69. Glover, Miachel. “Steeling a march.” The Times (London), June 22, p. 16. ----------. “Gluckman Mayner Architects.” ArtReview, July, p. 75. Haithman, Diane. “Donors help fund artwork.” The Los Angeles Times, Jan. 26,

p. E8. Hubbard, Sue. “A rare sense of the sublime.” The Independent (London), June

15. Hughes, Robert. “Man of steel: Richard Serra’s new installation at the Bilbao

Guggenheim is courageous, sublime – and even puts Frank Gehry’s architecture in the shade.” The Guardian (London), June 22, p. 12.

Kimmelman, Michael. “Abstract Art’s New World, Forged For All.” The New York Times, June 7, p. B1, B6.

Kutner, Janet. “DMA gift a work of heart $400 million in bequests sets record.” The Dallas Morning News, Feb. 16, p. 1A.

Kutner, Janet. “The Donors.” The Dallas Morning News, Feb. 16, p. 16A.

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Letona, Alberto. “Bilbao Guggenheim museum hosts major exhibition by sculptor Richard Serra.” The Associated Press, June 22.

Lieberman, Paul. “Guggenheim goes gaga for Serra.” Los Angeles Times, April 13, p. E3.

MacMillan, Kyle. “Richard Serra.” The Denver Post, Jan. 21, p. FF-04. Muchnic, Suzanne. “Serra to create a piece for OCPAC.” Los Angeles Times,

Oct. 27, p.E15. Pincus, Robert L. “Museum Receives Major Donations.” The San Diego Union-

Tribute, Jan. 26. Purcell, Julius. “Several hundred tons of exquisite poise.” Financial Times

(London), June 13, p. 15. ----------. “Massive sculpture opening at Guggenheim Bilbao.” CNN.com, June

8. ----------. Review: Richard Serra at the Guggenheim Museum Bilbao. The Art

Newspaper, June, p. 21. Robertson, Heather. “Richard Serra: ‘Shift.’” Border Crossings, no. 93, pp. 50–

55. Robinson, Gaile. “Culture pearls.” Fort Worth Star Telegram, April 3, p. 6D. ----------. “Serra sculpture at Mission Bay.” San Francisco Chronicle, March 23,

p. B2. Sheets, Hilarie M. “Grand Tours.” Art + Auction, April, pp. 88, 90. Sheets, Hilarie M. “I Get This Sort of Rush.” ArtNews, Jan., pp. 86-90. Sausset, Damien. “Richard Serra, de Paris à Bilbao.” Connaissance des Arts,

no. 630, pp. 56–63. Serra, Richard. “Notes on The Matter of Time.” In Richard Serra: The Matter of

Time, p. 141. Bilbao: Museo Guggenheim Bilbao, and Göttingen: Steidl Verlag.

Smee, Sebastian. “Spain’s steel giants.” The Australian, July 2, p. 18. Stewart, Thomas. “In a world of her own.” ArtReview, Sept./Oct., pp. 104-109. Sudjic, Deyan. “There’s steel in his soul.” The Observer, June 19.

Temin, Christine. “’Fish,’ ‘Snake’ battle it out in Bilbao.” Chicago Tribune, Oct. 23, p.12.

Thornton, Sarah. “Power 100.” ArtReview, Nov./Dec., p. 82. Vogel, Carol. “The Museum at the End of the Line.” The New York Times, Aug.

7. Wullschlager, Jackie. “Iconoclasts in a contemporary cathedral.” Finacial

Times, Feb. 16. Voelz-Chandler, Mary. “Etchings Push Boundaries.” Rocky Mountain News

(Denver, CO), Jan. 28. 2004 Baker, Kenneth. “UCSF taps Serra for sculpture.” The San Francisco Chronicle,

April 28, p. E1. Cembalest, Robin. “She Doesn’t Take No For An Answer.” ARTnews, Nov., p.

130. ----------. “Electoral Collage (A Portfolio).” Artforum, Sept., pp. 226-241.

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Godfrey, Mark. “Dimensions variable.” Frieze, Summer, pp. 116-121. Hay, David. “The Artists’ Architect, Building for Art’s Sake.” The New York

Times, Nov. 14, section 2, p. 36. Higgins, Charlotte. “King’s Cross a Go-Go as top US art dealer unveils new

gallery.” TheGuardian, May 10. Leffingwell, Edward. Review: Richard Serra at Gagosian Gallery. Art in

America, April pp. 131-2. MacAdams, Barbara A. Review: Richard Serra at the Gagosian Gallery.

ARTnews, Jan., p.133. Muchnic, Suzanne. “Big sculpture is on its way to UCLA.” The Los Angeles

Times, July 15, p. E10. Murphy, Robert. “Luxury Meets Modern Art.” Women’s Wear Daily, Sept. 2, p.

16. ----------. “Power 100.” ArtReview, Nov., p. 71. Robinson, Walter. Artnet News: “Richard Serra, Provokateur.” artnet.com,

Sept. 7. Vogel, Carol. “Inside Art: A West Coast Pledge.” The New York Times, July 16,

p. B25. 2003 Blum, Andrew. “A Serra Scultpure Emerges From Its Tomb.” The New York

Times, Nov. 23, p. AR45. Danto, Arthur C. “Milestone 1989: The Removal of Tilted Arc.” Artforum, Apr,

p. 106. Kimmelman, Michael. “The Dia Generation.” The New York Times Magazine,

April 6, cover, pp. 30-37, 58, 61, 72, 76-77. Pollack, Barbara. “Working on Commission.” Art + Auction, Oct., p. 108-115. Princenthal, Nancy. “Dia: Beacon The Imperturbables.” Art in America, July,

pp. 62-73. Robinson, Walter. Weekend Update: Richard Serra at Gagosian Gallery.

artnet.com, Oct. 16. Saltz, Jerry. “Apotheosis Now.” Village Voice, July 11. “Serra at Yale.” Yale University Art Gallery Bulletin, pp. 26-39. Serra, Richard, et al. "Figures of Difference." In Art in Theory 1900-2000: An

Anthology of Changing Ideas, pp. 1,057-116. Eds. Charles Harrison and Paul Wood. Malden, Massachusetts: Blackwell Publications.

Spike, John T. “Calling It Like He Sees It: Wordplay Is Serious Stuff for Richard Serra.” Art & Antiques, May, p. 96.

Tuchman, Phyllis. Connoisseur’s World: “Man of Steel.” Town & Country, Aug., p. 62.

2002 Bussmann, Klaus. “Johann Conrad Schlaun: Ein Dialog mit der Moderne.” In Westfalen und Italien: Festschrift fur Karl Noehles, pp. 235-44. Petersberg: Imhof

Carrier, David. Review: Richard Serra at Gagosian. tema celeste, Jan./Feb., p.78.

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Collischan, Judy. Review: Richard Serra, Props 1969-1987. NY Arts, May, p. 98.

Israel, Nico. Review: Richard Serra at Gagosian Gallery. Artforum, April, p. 135.

Peyser, Jonathan. “Declaring, Defining, and Dividing Space: Conversation with Richard Serra.” Sculpture, Oct, pp. 28-35.

Princenthal, Nancy. Review: Richard Serra at Gagosian. Art in America, April, p. 144.

Storr, Robert. “Richard Serra, Art.” New York Magazine, Dec. 23-30. Tomkins, Calvin. “Man of Steel.” The New Yorker, Aug. 5, p. 52. Waters, John. “Art Profile: Richard Serra.” Vogue Hommes International,

Spring-Summer, pp. 116-24. Wei, Lilly. Review: Richard Serra at Gagosian. ARTnews, Feb., p. 125. 2001 Kimmelman, Michael. “A Spiraling Trip Through Space Without Seatbelts.”

The New York Times, Nov. 23, p.E32. Plagens, Peter. ”Sculpture for the Soul.” newsweek.com, Nov. 9. Young, Stokes. ”Art lives in New York City.” msnbc.com, Nov. 27. Schwendener, Martha. Review: Richard Serra at Gagosian Gallery.

artforum.com, Nov. 2000 Cotter, Holland. “Surging Into Chelsea.” The New York Times, Jan. 21. D’Souza, Aruna and Tom McDonough. “Sculpture in the Space of

Architecture.” Art in America, Feb. Davis, R. Eric. “Extended Vision: Richard Serra Talks About Drawing.” Art on

Paper, May-June, pp. 60-65. Germer, Stefan. “Richard Serra: The Drowned and the Saved.” In Art

Projects/Synagogue Stommeln/Kunstprojekte, pp. 59–64. Halle, Howard. “High and Mighty.” Time Out New York, Jan. 13-20. Irving, Mark. “Weighting in Venice.” ArtReview, Sept. Morgan, Robert C. “Serra’s Switch & Drawings.” NY Arts, Jan. Peers, Alexandra. “Art's Somber New Landscape.” The Wall Street Journal,

Sept. 21. Picardie, Justine. “Gondolas and Gucci.” British Vogue, Sept., pp. 364-373. Schjeldahl, Peter. “Serra Smiles.” The New Yorker, Feb. 7. Siegel, Katy. “Human, All Too Human.” Artforum, Sept., pp. 166-167. Summers, Pat. “Richard Serra: Hedgehog of Modern Sculpture.” U.S. 1, Nov

8,pp. 32–35. Teicholz, Nina. “Restoration Hardball.” Art & Auction, Nov. Vetrocq, Marcia E. “Biennale Babylon.” Art in America, Sept., pp. 105-114. Volk, Gregory. “Report from Reykjavik: Art on Ice.” Art in America, Sep, pp. 41–

45. 1999 Castro, Jan Garden. “Richard Serra: Man of Steel.” Sculpture , Jan–Feb, pp. 16-

23, cover. Cohen, Mark Daniel. “Richard Serra’s Star Turn.” Review Magazine, Dec 1, pp.

26–30.

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Denk, Andreas. “Bramme auf Halde: Eine Arbeit Richard Serras für das Ruhrgebiet.” Kunstforum International, no. 145 (May-June), pp. 442-43.

Francis, Mark. “Richard Serra: Places Engender Thoughts.” Modern Painters, Summer, pp. 87–89.

Giovannini, Joseph. “Bending Geometry: Two of a Kind.” The New York Times, Aug. 29, pp. 1, 27.

Jodidio, Philip. "Serra à Bilbao." Connaissance des Arts, no. 564 September, pp. 110-17.

Jones, Nancy. “Richard Serra: Guggenheim Museum Bilbao.” ARTnews , Oct, p. 200.

Kimmelman, Michael. “A Spectacular Meeting Of Sculpture and Space.” The New York Times, Aug. 29, pp.1, 27.

Monk, Philip. “Structures for Behavior.” Art News, pp. 21-27. Morgan, Robert C. “Bilbao, Eduardo Chillida & Richard Serra.” Sculpture

Magazine, Dec. Seidner, David. ”Richard Serra.” Artists at Work: Inside the Studios of Today's

Most Celebrated Artists. New York: Rizzoli, pp. 112-23. Sylvester, David. “Serra in Bilbao.” Modern Painters, Autumn. 1998 Andrews, Edmund L. “Serra Quits Berlin’s Holocaust Memorial Project.” The

New York Times, Jun 4, pp. E1, E8. Bois, Yve-Alain. ”Richard Serra: Dia Center for the Arts.” Artforum 36, no. 5,

Jan, pp. 96–97. Eisenman, Peter. ”The Time of Serra’s Space: Torquing Vision.” Architecture

New York, Fall, pp. 59-61. Elser, Oliver. “Endrunde: Denkmal für die ermordeten Juden Europas.” Texte

zur Kunst 8, no. 29 (March), pp. 124-30. Hewitt, Ed. “Richard Serra’s Torqued Ellipses.” The Surfer’s Journal

(Summer), pp. 123–24. Hughes, Robert. “Steel Drivin’ Man.” Time, Oct 19, pp. 111-112. Hutt, Dana. “Richard Serra.” The Contemporary, Autumn. Jolis, Alan. “Nerves of Steel.” ARTnews, May, pp. 138-42. Muchnic, Suzanne. “Man of Steel.” Los Angeles Times, Sept. 6. Pagel, David. “Richard Serra at Museum of Contemporary Art.” Art Issues,

Nov./Dec. Serra, Richard. "Mahnmal für die ermordeten Juden in Europa." Weltkunst 68,

no. 13 (Nov 1), supplement, pp. 38-41. Wakefield, Neville. ”Richard Serra’s Torqued Ellipses.” Parkett, no. 52, May, pp.

20–23. 1997 Baker, George. Review: Richard Serra at Gagosian Gallery. Artforum, April. Baker, Kenneth. “An Aspect of Vulcanism.” ARTnews, June. Diehl, Carol. Review: Richard Serra at Dia Center for the Arts. ARTnews, Dec. Katz, Vincent. “Richard Serra: Beyond the Walls.” Flash Art, Nov./Dec. ----------. Preview: Richard Serra: Torqued Ellipses at Dia Center for the Arts.

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1996 Pascheit, Olaf. “Richard Serra: Arbeiter in Blei.” Jahrbuch der Hamburger Kunsthalle 2, pp. 61–81.

Gauthier, Michel. “L’acte ou le signe: Sur la sculpture de Richard Serra.” Cahiers du Musée National d'Art Moderne, no. 55 (Spring), pp. 93–105.

Horowitz, Gregg M. “Public Art/Public Space: The Spectacle of the Tilted Arc Controversy.” Journal of Aesthetic and Art Criticism 54, no. 1 (Winter), pp. 8-14.

Kelly, Michael. ”Public Art Controversy: The Serra and Lin Cases.” Journal of Aesthetics and Art Criticism 54, no. 1 (Winter), pp. 15–22.

1995 Adams, Brooks. “Richard Serra: The Art World's Man of Steel.” Elle Décor, June/July, pp. 48-58.

Jacobi, Fritz. “Nur Einfachheit ist überzeugend: Zur Skulptur auf der Terrasse der Neuen Nationalgalerie.” Museums Journal, Jan, pp. 40–43.

Schwabsky, Barry. “Works of Art Remain Afloat on a Sea of Words.” Sculpture 14, no. 3, May–June, pp. 36–37.

Schwerfel, Heinz Peter. “Richard Serra l'intransigeant.” Beaux Arts Magazine, Dec, pp. 44–49.

1994 Weber, Victor. “Richard Serra: Schusselerbnis in der Weft.” Basler Zeitung, Jan. 19, p 23.

----------. “More Nous for Less Cash” [including a proposal by David Sylvester]. Modern Painters 7, no. 3, Autumn, p.13.

Serra, Richard. "Donald Judd" [eulogy]. Parkett, nos. 40-41 (1994), pp. 176-79. Included also in "Some Aspects of Color in General and Red and Black in Particular." Artforum 32, no. 10 (Summer), pp. 70, 113-14.

1993 ----------. “Happy Birthday Jorge Orteiz.” El Diario Vasco, Supplemento Especial, Oct. 21.

Sylvester, David, Nicholas Serota, Richard Serra, Lynne Cooke, and Armin Zweite. "Richard Serra." The Burlington Magazine 135, no. 1079 Feb, pp. 160-61.

1992 ----------. “Serra Interview, Richard Serra talks to Patricia Bickers.” Art Monthly, vol. 161, Nov.

Sylvester, David. “Solid and Fleeting: David Sylvester Discusses Richard Serra's Sculpture at the Tate.” London Review of Books 14, no. 24, Dec 17, pp. 14-15.

Serra, Richard, et al. “Skulptur und öffentlicher Raum: Podiumsgespräch vom 12. Mai 1988” [round-table discussion]. In Gisela Febel and Gerhard Schröder, eds. La Piazza, Kunst und öffentlicher Raum. Geschichte, Realitäten, Visionen. pp. 110-25. Stuttgart: G. Hatje.

1991 Cutajar, Mario. “An Acquiescent Dignity: The New Sculpture 1965-75: Between Geometry and Gesture at MOCA’s Temporary Contemporary.” Artweek, April 11, pp. 14-15.

Greenstein, M.A. “A Conversation with Sculptor Richard Serra.” Artweek, April 11, p. 20.

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Newman, Sasha M. “Richard Serra: Stacks, 1990.” Yale University Art Gallery Bulletin, pp. 86–88.

Princenthal, Nancy. “The 'Afangar Icelandic Series': Serra's Recent Etchings.” The Print Collector's Newsletter, vol. XXXII, no. 5, Nov-Dec, pp. 158-160.

Serra, Richard. "Art and Censorship." Critical Inquiry 17, no. 3 (Spring), pp. 574-81.

----------. "Panoramic View: A Project for Artforum by Richard Serra." Artforum 30, no. 2 (October).

1990 Anfam, David. “Richard Serra and Kenneth Noland.” The Burlington Magazine 132, no. 1042, Jan, pp. 66-67.

Hindry Royer, Ann. “Qui Serra verra.” Beaux Arts Magazine, no. 83, Oct, pp. 72–79.

Jodidio, Philip. “Serra le révolté.” Connaissance des Arts, no. 455, Jan, pp. 34-37.

Jolles, Claudia. Richard Serra: The Hours of the Day.” Kunst-Bulletin, May, pp. 28-34.

Meyer, Franz. “Richard Serra's 'The Hours of the Day’ im Kunsthaus Zurich.” Werk Bauen + Wohnen, no. 9, Sept.

Serra, Richard. “The Yale Lecture, Jan 1990.” Kunst & Museum Journaal, vol. 1, number 6.

Szeemann, Harald. “Grosser Ausstellungssaal – Richard Serra: The Hours of the Day.”

van Winkel, C.H. “Serra's in Nederland Een inventarisatie.” Kunst & Museum Journaal, (Amsterdam) no. 2.

1989 Beller, Thomas. “Richard Serra.” Splash, April. ----------. “Censorship in America.” Des Moines Sunday Register, Oct 29. ----------. “The Messy Saga of Tilted Arc is Far from Over.” The New York

Times, April 28, p. 5. Serra, Richard. “’Tilted Arc’ Destroyed.” Art in America, May. 1988 Weskott, Hanne. “Richard Serra: The Content Is Really in the Work Itself.”

Kunstforum International, no. 93, Feb-Mar, pp. 228-33. Serra, Richard. "Notes on Drawing." First published in Güse, Ernst-Gerhard, ed.

Richard Serra, pp. 66-68. New York: Rizzoli. 1987 Schlagheck, Irma. “Der Stahlarbeiter.” Art: Das Kunstmagazin, Oct, pp. 64-75. 1986 ----------. “Vector of Viewer Response.” Artforum, Sept. Craven, David. “Richard Serra and the Phenomenology of Perception.” Arts

Magazine 60, no. 7, Mar, pp. 49-51. Tuchman, Phyllis. “Man of Steel.” New York Newsday, Mar 2, pp. 4-5. Pacquement, Alfred. “Richard Serra le constructeur.” Art Press, no. 101, Mar

pp. 22-24. Danto, Arthur C. “Richard Serra.” The Nation, Apr 19, pp. 261-65. Kramer, Hilton. “Richard Serra at MOMA.” The New Criterion 4, no. 9, May, pp.

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Decary, M. “Richard Serra, Transitive Sculpture.” Vie des Arts 31, no. 124, Sept, p. 50.

Saunders, Wade. “At Critical Mass.” Art in America 74, no. 10, Oct, pp. 152-53, 155.

1985 Storr, Robert. “Tilted Arc: Enemy of the People.” Art in America, Sept. 1984 Bois, Yve-Alain. “The Meteorite in the Garden.” Art in America, vol. 72, no. 6,

Summer, pp. 108-113. Bois, Yve-Alain. “A Picturesque Stroll Around ‘Clara-Clara.’” October, no. 29,

Summer, pp. 33-62. Linker, Kate. “Richard Serra, Jardin des Tuileries.” Artforum 22, no. 6,

February, pp. 91-92. Senie, Harriet. “The Right Stuff.” ARTnews, vol. 83, no. 3, March, cover and

pp. 50-52. 1983 Eisenman, Peter. “Interview.” Skyline, April, pp. 14-17. ----------. “Interview: Richard Serra and Robert C. Morgan.” Flash Art News,

Flash Art Supplement no. 144, Jan./Feb . Pulitzer, Emily Rauh. “Space, Time and Sculpture.” Bryn Mawr Bulletin, vol.

65, no. 1, Fall, pp. 8-10. Pacquement, Alfred. “Serra: Quad Paris expose un pittoresque sublime.” Les

Années 80, no. 1, Nov. 1982 Serra, Richard. “Notes from Sight Point Road.” Perspecta vol.9, pp. 172-181. 1981 Crimp, Douglas. “Richard Serra: Sculpture Exceeded.” October, no. 18, Fall, pp.

67-78. ----------. “Entretien avec Richard Serra.” Artistes, no. 7, Jan-Feb, pp. 24-29. Glueck, Grace. “Serra's Work Stirs Downtown Protest.” The New York Times,

Sept. 25. ----------. “Portraits.” Artforum , vol. 20, no. 9, May, pp. 58-69. Gehry, Frank O., and Richard Serra. “Connections.” In Diamonstein,

Barbaralee, Jonathan Barnett, Paul Goldberger, et al., eds. Collaboration, Artists & Architects: The Centennial Project of the Architectural League, pp. 56-59. New York: Whitney Library of Design.

1980 Crimp, Douglas. “Richard Serra's Urban Sculpture.” Arts Magazine, vol. 55, no. 3 Nov., pp. 118-123.

----------. “Entries: Oedipus Reconciled.” Arts Magazine, vol. 55, no. 3, Nov., pp. 130-133.

----------. “Rigging.” Cover, vol. 2, no. 1, Jan., p. 41. ----------. ”Richard Serra: Utopian Constructivist.” Arts Magazine, vol. 55 no.

3, Nov., pp. 124-129. Saunders, Wade. “Hot Metal.” Art in America. vol. 68, no. 6, Summer, pp. 86-

95. Kuspit, Donald B. “Richard Serra, Utopian Constructivist.” Arts Magazine 55,

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1979 Cornwell, Regina. “Three by Serra.” Artforum, vol. 18, no. 4, Dec., pp. 28-32. Michelson, Anette and Clara Weyergraf “The Films of Richard Serra: An

Interview.” October, no. 10, Fall, pp. 68-104. 1978 Bach, Friedrich Teja. “Skulptur als Platz.” Das Kunstwerk, vol. 31, no. 1, Feb.,

pp. 3-14. ----------. “Capital Follies.” Artforum, vol. 17, no. 1, Sept., pp. 66-67. Dienst, Rolf-Gunter. “Three by Serra.” Artforum 18, no. 4, Dec, pp. 28-32. Morris, Robert. “The Present Tense of Space.” Art in America Jan/Feb. 1977 Catoir, Barbara. “Richard Serra.” Das Kunstwerk, 30, no. 4, Aug, pp. 83–84. 1976 ----------. “Richard Serra: Sight Point '71-'75/Delineator '74-'76” [radio

interview by Liza Bear]. Art in America, vol. 64, no. 3, May -June, pp. 82-86.

Dippel, Rini. “Richard Serra.” Museumjournaal, series 21, no. 4, Aug., pp. 161-166.

1975 Kuspit, Donald B. “Richard Serra's City Piece.” Arts Magazine, vol. 49, no. 5, Jan., pp. 48-51.

1974 Hahn, Otto. “Richard Serra.” Art Press, vol. 9, Feb., pp. 10-11. ----------. “Text: Television Delivers People.” Art-Rite, no. 7, Autumn, p.5. Thwaites, John Anthony. “Working Out.” Art and Artists, vol. 8, no. 12, March,

pp. 34-37. 1973 Baker, Kenneth. “Shift.” Studio International (London), vol. 186, no. 959 (Oct.

1973), p. 155. Bear, Lisa. “Document: Spin Out '72-73 for Bob Smithson.” Avalanche , no. 8,

Summer/Fall, pp. 14-15. Bear, Lisa. “Prisoner's Dilemma.” Avalanche, no. 9, May-June, pp. 26-28. Serra, Richard, and Rosalind Krauss, ed. “Richard Serra: Shift.” Arts

Magazine, vol. 47, no. 6, April, pp. 49-55. Serra, Richard. “Shift.” Data 3, no. 9 (Autumn), pp. 68-71. ----------. “Sense and Sensibility: Reflection on Post 60’s Sculpture.” Artforum,

vol. 12 no. 3, Nov., pp. 43-53. 1972 Becker, Wolfgang. “Richard Serra.” Das Kunstwerk (Baden-Baden), vol. 25,

no. 2, March, pp. 24-29. Krauss, Rosalind, E. “Richard Serra: Sculpture Redrawn.” Artforum vol. 10,

no. 9, May, pp. 38-43. ----------. “A View of Modernism.” Artforum, vol. 11, no. 1, Sept., pp. 48-51. Ratcliff, Carter. “Adversary Spaces.” Artforum , vol. 11, no. , Oct., pp. 40-44. Snow, Michael. “Passage.” Artforum, Sept., p. 63. Serra, Richard. “Letters.” Artforum 10, no. 7 (March), p. 6. 1971 Amaya, Mario. “Toronto: Serra's Visit and After.” Art in America , vol. 59, no.

3, May/June pp. 122-23. Jackson, Ward and Richard Serra. "Richard Serra." Art Now: New York 3, no.

3 (September), p. 4. Jonas, Joan and Richard Serra. “Paul Revere.” Artforum, vol. 10, no. 1, Sept,

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24-27. ----------. “The Artist and Politics: A Symposium.” Artforum, vol. 9, no. 1, Sept.,

pp. 35-39. ----------. “Statements.” Artforum, vol. 10, no. 1, Sept., p. 64. Leider, Philip. “New York: Richard Serra at Castelli Warehouse.” Artforum, vol.

8, no. 6 Feb., pp. 68-69. Müller, Gregoire. “The Scale of Man.” Arts Magazine , vol. 44, no. 7, May, pp.

42-43. 1969 Kozloff, Max. “9 in a Warehouse: An Attack on the Status of the Object."

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10-18, 72. Pincus-Witten, Robert. “Richard Serra: Slow Information.” Artforum, Sept., pp.

34-39. Rose, Barbara. “Problems of Criticism, VI: The Politics of Art, Part III.”

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