Fun-^120We^120are^120young((Autosaved-304853952745487395))

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Transcript of Fun-^120We^120are^120young((Autosaved-304853952745487395))

  • 7/23/2019 Fun-^120We^120are^120young((Autosaved-304853952745487395))

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    Fun- We are youngAlternative/indie genre music video analysis.

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    This music video prelatively typical lifvenue, however, itsmotion editing andcontrasts the genrefor indie pop videothere is a stage pestereotypical and the lead singer in cguitarist to the sideThis is signify the gcharacteristics of pstyle videos, whichconventional and pget to see the andThe atmosphere on stage is portrayed through the chiaroscu

    with spotlights and a dark ackground. We can see a hint of pwide long shot, which implies passion for the music. The longan estalishing view and displays their formal dress of lack

    ties. The lead singer is wearing a tu!edo, and holds the mic sfurther signify he is serious aout his music.

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    Aove is a mid shot of the guitar player eing spayed with water during hisThe guitarist is o"-centre to give an interesting composition to the shot. Thwith the oversi#ed glasses, represents him as a $uirky person, which is a cseen in indie videos. The shot is %lmed in slow motion so we can see the pukeyoard player in the ackground. The guitarist takes the foreground of thecause he could e considered a more important/popular memer of &Funsmoke machine which is used for theoretical purposes and to give the imp

    wacky atmosphere with the conventions of a performance style ased mus

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    This shot elow is a long shot which is a convention of the pernarrative ecause it clearly shows the setting which is a venuthe and.

    The natural low key lighting signi%esit is night time in the shot, withdark shadows of the peoplehaving a disagreement. Thesign aove tem is presented

    in an old fashioned movietheatre style, and promotesthe and song title. Theuse of vintage elements ispopular within indie musicvideos.

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    Amplifying the discwide shot of the pean emlem of the urn righter than does this as we seeperforming on staglights hit the disco,

    the camera, highligin the shot. The diswhich implies that The people in the sempowered to emrepresenting the aand con%dent, whipositive connotatio

    success. The o"-cethe camera and frathe night is going tunstale, which givskewed perspectivalso allows us to fodisco all, allowingconnection etwee

    match of the sun adisco all.

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    The shot on the right is illustrativeof the lyrics ecause it is aliteral display of a girl standingfrom across the room fromthe perspective of the viewer.This signi%es a point of view

    type shot, which shows a directrelationship etween the lyricsand the visuals.(+y lover shes waiting for meust across the ar)

    A model is seen in the centre of the shotwith close framing, stood ehind someones shoulder which is seenforeground. We can see a pull focus in the shot ecause she is madattention y standing alone in the middle of the frame in focus. Thenear her is seen in a dark top and red skirt talking to someone o" cathe man in the foreground is seen running way from our view in a sinformally, with the sleeves rolled up. This signi%es that the e!tras wconnote a usy atmosphere ut wear darker colours so they don't

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    These are multiple mid close-ups of the lead singperforms y lip signing the song. The footage is

    slow motion for the song to e in time with his mThis has een done to give the video a more prolook. The conventions of having lots of close-upsvideo allows us to recognise the and from the eAlso I have noticed that each close up is similar tother ecause he is alwa s %lmed in the same

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    These are visual motifs aas I looked at Funs previomusic video releases. I fofor &arry on' was similarare young'' oth shots ha

    the and together using shot of the stage setting.lighting are similar e"ectlighting and $uite low keyof the and is also very s

    Therefore, audiences and

    fans of Fun will nowrecognised their video andgain a wider audience dueto the fact people wouldnotice the motifs in their

    music videos.

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    An over the shoulder shot on the right demonstrates how the emotion of looking is convention. The video has no narrative, yet we are shown this personal te!ting conetween two unknown people. The messages can e reaps as, &When0' and the repduring %lming reads, &12W' ust efore the woman throws the phone. This suggestsa planned event which leads the videos into total chaos, as from this moment onwaegins and the people at the party run riot in the venue.

    The notion of looking is not strong in this video,ecause of the amount of still shots and lack ofcamera movement, so we act as onlookersof the events taking place, and our attentionis drawn oth to the arty getting out ofhand and the ands performance.

    The shot elow is a close up with shallow focus

    as the ack of the womens head is invisile,ut not focused so it gives the allusion we arereading her te!ts from over her shoulder, tomake the audience feel as if they areparticipating in some type of way.

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    This music video features many still shots with wide framing, so there are few references to thlooking'. This video does highlight the screens within screens as the camera used a pull focus time of the video's release, this was a new windows phone model. And the home screen is shoup of the phone as it was thrown through the air. This means the artist has used synergy with product of the new windows phone as oth mutually promote one another. The pull focus is onallow the audience to recognise the rand and how modern technology was used in the video.reference for the future, as an audience will recognise how old the model of phone is in relatiois.I have also noticed that there is a lot of low-key lighting surrounding the phone, perhaps to ma

    stand out more as it soars towards the camera with slow motion editing. The slow motion editipredisposition as to how this is a turning point in the videos plot, as this happens efore the ac