Fulltext Banchiange Thesis

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THE INFLUENCE OF STYLISTIC ATTRIBUTES OF BAN CHIANG ARTS IN DESIGNS

By Wilapa Kasviset

A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree MASTER OF FINE ARTS

Department of Visual Communication Design Graduate School

SILPAKORN UNIVERSITY 2010

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50151319 : : / 6 : . : . . . 133 .

6 OTOP 6

1. 3

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6 6 6 6 2553........................................ 1. ........................... 2. ............................

50151319 : MAJOR : VISUAL COMMUNICATION DESIGNKEY WORD : STYLISTIC ATTRIBUTES / BAN CHIANG ARTS WILAPA KASVISET : THE INFLUENCE OF STYLISTIC ATTRIBUTES OF BAN CHIANG ARTS IN DESIGNS. THESIS ADVISORS : ASSOC.PROF.PREECHA AMONRAT AND ASSOC.PROF. SURAPOL NATAPINTU. 133 pp.

The objective of this research is to study the stylistic attributes of Ban Chiang pottery motif in order to be the guideline for implementing the ancient Thai motif in art designs and creations. The research methodology is based on both literature review and primary research in the areas of Ban Chiang civilization, including the cooperation with the Ban Chiang heritage project / the Ban Chiang pottery OTOP center, located in Ban Chiang subdistrict, Nong Han district, Udon Thani Province. The purpose of the field trips is to investigate the application and development of the Ban Chiang motif within Ban Chiang community at present.

The results of the study are as follows:

1. The unique, stylistic attribute of Ban Chiang arts is the painted pottery written in red delicate and complex curves showing movement. The patterns are divided into three groups: natural pattern, geometric pattern and independent pattern. In the view of abstract and semi-abstract arts, patterns on pottery are not merely decorative for aesthetic value, but some designs also have symbolic meanings which can be interpreted to apprehend the environment and certain beliefs of prehistoric inhabitants at Ban Chiang. The most popular pattern widely known as the symbol of Ban Chiang pottery pattern is the spiral pattern.

2. Ban Chiang pottery patterns have been presented in various ornamental areas and based on the principles of pattern designing. The patterns on pottery are converted to be drawings and the drawings are placed on several objects for decorative purpose. This can also be an archetype of applying ancient patterns for modern adornment.

Department of Visual Communication Design Graduate school, Silpakorn University Academic Year 2010

Student's signature ........................................Thesis Advisors' signature 1. ........................... 2. ...........................

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101112131415161718192021

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.......................... ..................... ................................................ 5,600-3,000 ........ 3,000-2,300 ..... 2,300-1,800 .... ......................................................... .. ............................ ...................... ....................... ........................... .................................................................................................... ................................................................................... ........................................................................ ....................................................................................... .................................................................................. .................................................................................... ...................................................... ................................

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37383839

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31323334353637383940414243444546

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............................................................................ /

................................................ 5,600 - 4,500 ...................

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. . . .............................................. 2 ................................................ 3 ................................................ 4 ................................................ 5 ................................................ 6 ................................................ 7 ................................................ 1 - 4 ........................................ 5 - 6 ........................................

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5,600 (UNESCO)* OTOP

1

* i (:i United Nations Educational, Scientic and Cultural Organization) ii(UNESCO) i 16 i .. 2488i4 i.. 2489i(.. 1946) 2i 20 (: http://th.wikipedia.org)

6

1.

2.

/ OTOP 88 13

1. 2.

3.

4.

5.

6 6

1. ( 2542 : 992)

2.

3. (Ban Chiang) 5,000 (, 2547 : 34)

4. (Ban Chiang Pottery)

2

(, 2552 : 15)

5. i i""i

6. OTOP ONE TAMBON ONE PRODUCT (OTOP) 3 1) (Local Yet Global) 2) (Self-Reliance-Creativity) 3) (Human Resource Development)

3

2

1.

5,600 .. 2510

.. 2516

(UNESCO) 359 .. 2535

4

1

2

5

2.

- 1350 500 2

1,000 - 800

200

3. .. 25006

3 ()

.. 25036 7

.. 2509j

6

.. 2510j 7,000 - 5,000 7,000 - 5,000 2,300 - 1,800

.. 2515j 2

20 .. 2515

189 23 2515 6 .. 2516j 6 .. 2517j .

7

6 .. 2518j 6 .. 2521j 6 .. 2523j . . j .. 2525j 4 1 .. 25306 .. 2526j 6 .. 2530j 21 .. 25306 .. 2535j 2 .. 2515 3956 .. 2546j 6 .. 2549j 6 .. 2552j 18 .. 2552

8

6 .. 2553j 9 .. 2553

j 5,600 - 1,800

1. j 6 5,000

2. 6 2 2

9

6 ( 2550 : 44)

3. j 3.1 j 6 3.2 j 5,000

4. jj .. 2517 - 2518 123 6 112 93 55 39

10

6 162.5 - 172.5 147.5 - 155 6 6 6 31 27 34 30 6

5. ( 2530 : 24)j 6 6

( 2530 : 24)

6

11

6

6. 6 3 ( 2530 : 29)

3 :6 , = Ban Chiang heritage( : , 2550), 36.

12

1

Late Period 2,300-1,800

2

Middle Period 3,000-2,300

(carinated pot)

Early Period 5,600-3,000

3 1)

2)

3)

1 5,600 - 4,500 () 2 4,500 - 4,000 3 4,000 - 3,500 (Beaker) 4 3,500 - 3,000

13

7. j

6 . . (Joyce C. White) ( 2550 : 36)

5,600 - 3,000

( 2550 : 38) (

2550 : 38)

14

4 :6 , = Ban Chiang heritage( : , 2534), 67-69, 74, 85, 88.

15

3,000 - 2,300 6 (Carinated Pot) 6

5 : , = Ban Chiang heritage ( : , 2534), 120.

2,300-1,800

16

6 : , = Ban Chiang heritage ( : , 2534), 122, 128, 142, 166.

17

j 1. ( 2530 : 58)j j 6 2. ( 2530 : 35)6 2 j 1 (coil-and-slab technique) 6 6

18

7 : 6 , ( : , 2523), 245.

6 2 (lump-and-slab technique)j 6 3. ( 2530 : 57)j 6 6 (Open air rings) ( 2530 : 36) 6

19

6 4 6 600 - 800 45 1 1.30 6 4. j

j j 4,000 6 10 - 15

20

6 20 6 j 2,500 - 2,300 6

j 6 6 6

21

8 6 :6 Johann Storable, Ban Chiang (Druck : Lind & Ahlfeldt OHG, c1984), 47.

22

6 6

6 Pottery ( 2547 : 27)

( 2547 : 72 - 73)j 6 (Small Jar) 6 (Plate) 6 (Bowl) 6 (Plate and Bowl with Pedestal) 6 (Pot) 6 (Pot with Pedestal) 6 (Chamber Pot) 6 (Chamber Pot with Pedestal)

23

6 (Vase) j (Jar) 6 (Large Bowl)

6 6 (Rim) 6 (Neck) 6 (Shoulder) 6 (Body) 2 (Upper Body) (Lower Body) (Carination) 6 (Carination) 6 (Bottom) 6 (Pedestal) 6

24

9 : 6 , ( : , 2523), 239 - 240.

25

( 2523 : 114 - 116, 122)6 (Impressed of Stamped Pattern) 6 6 6 2 6 (Incised Pattern or Engraving) 6 (Excised Pattern) - (U) j (Applied decoration / Appliqu) j

26

j (Painting) 6 6 (Hematite) ( 2522 : 11 - 12)6j

j (2515 : 26 - 28)

(Cucuteni) 3539 80 .. 3148 60 ..

jj (2516 : 89 - 109) j

27

6 2

1. 5 1.1 1.2 1.3 ()1.4 1.5

10 :6 , ( : , 2515), 16 - 17.

28

11 :6 , ( : , 2515), 18.

2. 5 2.1 2.2 2.3 2.4 2.5

29

12 :6 , ( : , 2515), 14 - 15.

6

1. 1.1

30

1.2

3 , 3 ( 3 ), ,

1.3

2. 2 2.1

13 : , [Ban Chieng] ( : , 2516), 139.

31

14 : , [Ban Chieng] ( : , 2516), 140.

15 : , [Ban Chieng] ( : , 2516), 140.

2.2

32

16 : , [Ban Chieng] ( : , 2516), 134.

17 : , [Ban Chieng] ( : , 2516), 140.

33

18 :6 , [Ban Chieng] ( : , 2516), 132 - 133, 135.

34

19 :6 , [Ban Chieng] ( : , 2516), 138.

j (2522 : 10 - 15, 24)

1. 1.1

(Outline) Neomatomorphous Type

35

20 : , ( : , 2515), 20.

1.2

21 :6 , ( , 2522), 2.

36

1.3 x-ray style

22 :6 , ( , 2522), 3.

1.4

23 :6 , ( , 2522), 4.

37

2. 2.1 (Water Buffalo)

24 :6 , = Ban Chiang heritage( : , 2534), 147.

2.2

25 : , ( : , 2515), 13.

38

2.3

26 :6 , ( , 2522), 7.

2.4

27 :6 , ( , 2522), 8.

39

2.5 2.6 2.7

28 /

3. 6

2 6

40

6 6

j (2534 : 67 - 95) .. 2534 3 6

41

6 5,600 - 3,000 2,600 3 6 5,600 - 4,500 1,100

29 5,600 - 4,500 : 6 , , . 34, 5 (2534) : 70 - 71.

42

6 66 2 5,000 - 4,000 1,000

30 : , , . 34, 5 (2534) : 72.

43

6 3 4,000 - 3,000 1,000

31 6: , , . 34, 5 (2534) : 74.

6 3,000 - 2,300 700

44

6

32 : , , . 34, 5 (2534) : 76.66 2,300 - 1,800 500 6

45

33 : , , . 34, 5 (2534) : 78.

34 : , , . 34, 5 (2534) : 78.

46

35 : , , . 34, 5 (2534) : 79.66 6

47

6

36 : , , . 34, 5 (2534) : 79.6j j

48

j

- -

-

6 5 4 6 j

37 : , , . 34, 5 (2534) : 84.

6

49

38 : , , . 34, 5 (2534) : 84.

6

39 : , , . 34, 5 (2534) : 84.

6

50

6

40 : , , . 34, 5 (2534) : 84.

1. S

41 - 42 S : , , . 34, 5 (2534) : 84.

51

6

43 : , , . 34, 5 (2534) : 84.

6

44 - 45 : , , . 34, 5 (2534) : 85.

6 6

52

6 17 40-50 7 7 6 16 5 5 4 4 6 16 6 2 6 6 3 6 4 4 6 4 6

53

46 1 . . .: , , . 34, 5 (2534) : 86.

54

6 26 5 5 (S)

47 2: , , . 34, 5 (2534) : 88.

6 36 1 1 3 2 1 1 6 16 2 12 6 26 2 6 3 6 4

55

48 3: , , . 34, 5 (2534) : 89.

6 46 3 1 2 3 6 16 28 6 26 4 6 36 12 6 2 5 3

49 4: , , . 34, 5 (2534) : 90.

56

6 5 6 1 3 6 1 6 3 2 2 6 26 4 6 36

50 5: , , . 34, 5 (2534) : 90.66 6j 1 4

51 6: , , . 34, 5 (2534) : 90.6

57

6 7j 1 66

52 7: , , . 34, 5 (2534) : 91.

6 2 6 16 4 1 2 3 4 4 1 1 2 3 2 3 4 3 4 6 26 4 3 1 2 3 4 3 2 3 4 46 36 S 4 6 46 4 3

58

53 1 - 4: , , . 34, 5 (2534) : 92.66

59

6 5j - 6 66 - 5

54 5 - 6: , , . 34, 5 (2534) : 94.

60

6 6 S

j (2545)

55 : , ( , 2545), 73, 56.

6 (2547 : 74 - 90)

61

4

1. (Geometric Shape Designs)

(Geometric Line) (Natural Shape)

62

56 :j , : ( , 2547), 77 - 83.

63

2. (Free - Hand Formal Balance Designs) (Calligraphic Line) (Vertical Axis) (Horizontal Axis)

57 :j , : ( , 2547), 84 - 87.

64

3. (Free - Hand Informal Balance Designs)

(Calligraphic Line) (Vertical Axis) (Horizontal Axis)

58 :j , : ( , 2547), 88.

65

4. (Sub - Decorate Designs)

2 (Extend Line and Designs) (Hatch Line) (Solid Painted)

59 :j , : ( , 2547), 89.jj

66

6 6 2

j j

6 6

6 6 ( 2550 : 10 - 11)

67

* ( 2551 : 76 - 94)6 . . .. . j j 5 3 - 8 2 5 ( 9) 6 2 6 6 Studio Research j .. 2546

68

* .. 2545 - 6 .. 2546 99

() () .. .

. . ()

i

..

i . () 2549 ( 49 15 24 2549)

69

6 2 6

60

: , : : , 76 - 94. ( : , 2551), 85.

6

70

6

( 2549 : 5)

( 2545 : 2)

(Point)

(Line)

( 2549 : 64 -65)

71

(Straight Lines)

61

(Horizontal Lines)

62

(Diagonal Lines)

63

72

(Cross Lines) 2

64

(Curved Lines) - -

65

(Spiral Lines)

66

73

(Zigzag Lines) - -

67

(Shape) 2 ( 2545 : 68)

(Realistic of Shape) (Geometric of Shape) (Free of Shape) (Form) 3

2 ( 2545 : 41)

( 2545 : 48) 1.

2. 2 3

3.

74

( 2545 : 53 - 72)j (Motif) 1 6 1. (Translation in steps) (Repetition)6 2. (Reection about a line)

68 : , ( : , 2545), 54.

75

6 3. (Rotation about a point) 2 - 8

69 : , ( : , 2545), 54.

6 4. (Reflection and rotation) 2 36

70 : , ( : , 2545), 55.

76

6 5. (Reection and translation) 2 1

71 : , . ( : , 2545), 55.66 6. (Rotation and translation) 2 6

72 : , ( : , 2545), 55.

6

77

6 7. (Reection and alternate translation) 6

73 : , ( : , 2545), 56.66 8. (Reection, rotation and translation)

74 : , ( : , 2545), 56.jj (Rhythm) 2 6 6 6

78

6 1. 2

75

6 2.

76

79

77

6 3.

78

6 4.

79

80

6 5. 2

80 : , ( : , 2545), 60.

6 6.

81 : , ( : , 2545), 60.jj

81

j 7. 6

82 : , ( : , 2545), 61.

6 8.

83 : , ( : , 2545), 61.

6

82

6 9.

84

j

85

j j

83

j

86

j j j

84

3

6

j 2 6 1. 6 2.

66

85

6

j 6

86

4

3

6 6

1. 700 - 800 (Bodies)

2. ( 1) ()

87 j

87

88

89 ()

6 2 6 1.

88

90

91

6 2.

92

89

j j 6

93

90

j 6 3 6 5,600 - 3,000 4 - 6 - 6 (Short ring foot) ( 2540: 49) (Beaker) 3 ( 2540: 53) 6

91

6 - ( 2540: 53) 66 3,000 - 2,300 - ( 2540: 53)6 2,300 - 1,800 6

92

1.

Latex

6 94

95 Latex

94

2.

3.

96

97

95

3 1.

1.1 1.2 /

/ 1.3

/ 2. 3.

S

j 1.

98

96

99

6 2. OTOP

100

97

101

102

98

j . . .. . 6 15 3 6 1. 10

1.1 2 1.2 4 1 1

2 1.3 4 / /

6 2. 2 6 3. 3 66 1 6 2 (Motif) 6 3 (Motif) (Pattern) 6 4

66

99

103

100

104 6

101

105 6

102

106

6 6

103

107

104

108

105

109

106

110 :

107

111 : /

108

112 : /

109

113 :

110

114

111

115

112

116 6

113

117 6

114

118 6 6

115

119 6

116

6

6

117

5

6

6 6 6 3 - -

118

j 6 3

6

OTOP

66

119

. . :

, 2533. . 6 (Ban chiang). : , 2520. . .

, 2522. . . : , 2515. . : .

: , 76 - 94. : , 2551.

. . : , 2550. . . : ,

2523. . . . 34, 5 (2534) : 60-95.. . :

(), 2553.________. . =

Masterpieces in the Ban Chieng National Museum, Udon Thani. : , 253-?.

. [Ban Chieng]. : , 2516.

________. . : , 2530. . . : , 2549. . .

, 2545.

. . : , 2547. . . : , 2530.

120

. . : , 2528.

. . . 2, 4(2519) : 72-84.

. . , 2524.

. . : , 2540. . . : ,

2530. ________. = Ban Chiang : a world heritage in thailand. :

, 2550. . = Ban Chiang heritage. :

, 2534.________. = Ban Chiang heritage. :

, 2550. . . 2. : , 2553. .

: . , 2547.

.. : , 2545.

Ahn Sang-Soo. Korean motifs. Seoul, Korea : Ahn Graphics & Book Publisher, 1986.Cole , Drusilla. Patterns : new surface design. London : Laurence King, 2007.Humbert, Claude, chosen and introduced. Ornamental design : a source book with 1000

illustrations. New York : Viking Press, 1970.Kuchler, Susanne. Pacic pattern. London : Thames & Hudson, 2005.Miyazaki, Ami, Moriyam ,Shinpei. Patterns in graphics. Tokyo : PIE Books, 2010.Phillips, Peter. Repeat patterns : a manual for designers, artists and architects. London :

Thames and Hudson, c1993Savoir, Lou Andrea. Pattern design : applications and variations. Singapore : Page One,

2007.Strebel, Johann. Ban Chiang. Druck : Lind & Ahlfeldt OHG, 1984.

121

Thai ceramics through the ages. Bangkok : Fine Arts Department, 1978.Viction:ary. Fashion unfolding : uncover the power of graphics in fashion. Hong Kong :

viction:workshop, 2007.

122

19-20 .. 2553 4-5 .. 2553

1. 76 62. 3. 4. 5. 6. 53 7. 57 8. 34 9. 10. 11. 16 12. 50 13. 60 14. 58 15. 27 16. 24 17. 24

132

-j j j j 5 2523j j j 65 102006 6 6 082 577 0660

jj .. 25366 - 6 .. 25426 jj .. 25466 2 6 6 6 6 .. 25546 6 6 6

j .. 25476 (Void Publication) / 6 6 6 art4d6 .. 25496 6 6 6 Thailand Creative and Design Center: TCDC / j .. 2550-536 (Li-Zenn Publishing) / 6 .. 25546 (Banana Studio) /

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