From Carl Carpenter, A New Model of Consciousnes , Sci & Con Rev .2006.

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@, B.J. Baars, 2008 1 Global Workpace Theory: A quick tutorial intro. Bernard J. Baars The Neurosciences Institute San Diego, Calif. See: www.nsi.edu/users/baars www.bernardbaars.pbwiki.com for downloadable articles, demos and discussion. (Please feel free to contact the author.)

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Global Workpace Theory: A quick tutorial intro. Bernard J. Baars The Neurosciences Institute San Diego, Calif. See: www.nsi.edu/users/baars www.bernardbaars.pbwiki.com for downloadable articles, demos and discussion. (Please feel free to contact the author.). - PowerPoint PPT Presentation

Transcript of From Carl Carpenter, A New Model of Consciousnes , Sci & Con Rev .2006.

Page 1: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 1

Global Workpace Theory:

A quick tutorial intro.

Bernard J. BaarsThe Neurosciences Institute

San Diego, Calif.

See: www.nsi.edu/users/baars

www.bernardbaars.pbwiki.com

for downloadable articles, demos and discussion.

(Please feel free to contact the author.)

Page 2: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 2From Carl Carpenter, A New Model of Consciousnes, Sci & Con Rev.2006.

In the Theater of Consciousness - a useful theoretical metaphor

--- only the bright spot on stage is conscious (because consciousness is very limited in capacity)

--- sensory inputs compete for access to the conscious bright spot; so do output plans;

--- the "theater stage" corresponds to Working Memory;

--- all other parts are unconscious, including longterm memory, the automatic processes of language, and events going on backstage. (The capacity of unconsciousness is

enormous.)

-- the theater metaphor has been

turned into several testable models.

Page 3: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 3

Backstage is unconscious

The audience is unconscious

Selective attention controls the spotlight that selects what will be in the bright spot on stage

Page 4: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 4

Here is a brain version of global workspace theory:

Prediction: Conscious input activates more widely than similar unconscious input. • Notice that there

are two sensory inputs (the red and green arrows), and that the winning input evokes widespread "forward" activity in the brain.

From Baars & Gage (eds) Cognition, Brain & Consciousness.

Page 5: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 5

Page 6: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 6

Dehaene et al (2001) experimental design.

Page 7: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 7From Dehaene et al, 2001

Experimental results:

Page 8: From Carl Carpenter,  A New Model of Consciousnes ,  Sci & Con Rev .2006.

@, B.J. Baars, 2008 8

Additional Sources:

PubMed, under "global workspace theory."

The Association for the Scientific Study of Consciousness. (www.assc.caltech.edu)

Downloads available at: www.nsi.edu/users/baarswww.bernardbaars.pbwiki.com

Brain studies by Stanislas Dehaene and colleagues: http://www.unicog.org/main/pages.php?page=Consciousness

Computational simulations by Stan Franklin and colleagues: http://ccrg.cs.memphis.edu/tutorial/index.html