Freakout Usa 002 1967 Warren

7/27/2019 Freakout Usa 002 1967 Warren

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Here come The Rascals! n:on drums; Eddie, lead sir_Felix on organ; and Gene, gui-tarist! What do they look for ina girl? How do they see her?What must she be like - in per-sonality, looks and interests? , told by The Rascals them-s are... "THE GIRLS WE'DLOVE TO LOVE'"

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I'd like ; _;mnustered by my sense of humor, by my nice,quiet kind of practical joke (FA!) ...she mustlike craw mixtures of clothingI like beads andsilk shirts, velvet vests and cordurov bell-bottoms.

I want a girl to have fun with lift, too. To be freeenough to laugh at herself and all silly little mis-takes ... to laugh easily ... to play ... to grin atme when I'm taking myself too seriously (which Isometimes do).And I want a girl to love who's -in love with me!What's the matter with that? A girl who wants afamily, who isn't afraid lo link: responsibility forthe building of a solid home life. I want someonewho's natural in every waypersonality, hair,make-up, nothing lake or phony for me!

I want a girl to be oasy-.miug, gentle and softbut to have ideas of her own. . . .She must want to travel as badly as I do, to ex-plore and be willing lo understand my moodsseri-ous, sad, happy, runnywhatever they are. Andshe must, above all. be sparklim/. alive, in love withlifeand me!

That's the girl fiddle F.rigati would love to love!

Even though 1 like to v.ateh people like SophiaLoren and Virna I.isi on movie screensmy girl,the girt I'd love to love, won't be like a movie starthat's for sure!

She'll have to lie real, verv down-to-earth and,above all, intelligent and sensitive.

I love to read and write and lals about what I'veread and writtenmy girl would like that, too.She should also enjoy music cot ai-tually play-ing or singing herselfbut just digging and lis-She should like small parries, like I do and not

be loud or slaps tick in any way.Quiet, sort of refined, at home no matter where |She mustn't go along with fadswho thinks for herself! Someone who e:

she feels and who is always willing bout to help me with a problem I'm worri

I'd love a girl who is open and very, very accept- Iing of all the ways and lives of people .tens and responds truthfully. Never toyou or herself. She must have her ownand spinas ears woo Ian' I be too hard forr

Essentially, the. girl I see myself with should Iknow herselfand not tie anyone but that self!

you all these things. I'm beginning 1-this girl is just the opposite of me. .she'ssing "I'm So Fappy Now" to when we're it(because I always think she might be osomewhere).FREAK OUT, U.S.A.!


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The sudden, and to us, mysterious death of BrianEpstein, has set into motion an entire new spec-Beatles, l-'or a long lime, long as show businessmarks time, the l';il>ulous fmirsome could do nowrong. They were the riches;, most famous, mostpopular attracliiiii in iiisfm-y, just as singulis stars.When they turned their talents to movie-making,the acclaim ami applause was jus: as loial. Startingout by captivating young audiences, they were soonturning on parents and all nf the adult world.

Yes, from the time they burst into prominenceuntil early this year, the lieatles cuuld do no wrong.Prom an artistic siamip-ent. that much is still true.Every record they turn out is even better than theprevious one, and their aici-planre as true creative

;ant to John doing tliinilyway. Going on his ci outside the sphere of

restless, that beininasn"; enough in itself to keep hin of unrest was the first crack in the Beatlet about the same time, John bought a spank-v, shiny Rolls-Royce. He announced his iu-of painting the thing in the wild colors and

John's pants and George's lapel.


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patterns of a psychedelic l,us. Other ll,!,t < l[- : 'I! til Shis lime. Jci-.i's

The smm,!. nuil ninth more startlinir revolution havior a01 the wild new Mealies mis Paul's licing found facade halone admitting I,, ],:i,v ;, I'uiiiiil him on a Lon- This iilon street, that he had been usir drugs and mis drowi

of "Set. Pepper's Lonely Hearts ClubBand." Once again, the buys had created a master-piece and they seemed to lie back in (he old groeyeajiain, where everything they did or touched becamegolden. Then, the tragedy struck. Brian Epstein

a)- stein's death, Ihe effect nerformer, and his fating. The boys thought tse of the Beatles led them from the cellar: was found was a highest peaks of internat

is the third great tt


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Paul nods as world-wide telecast begins. See sieatles lorta! t iarl's guiding hand will affect

the future careers of the ISeatles is hard to say. Theycertainly don'l need tln> day-to-day counseling of theinexperienced entertainer; [heir finances have longbeen put in order, and are ]iuliced by a small armyof accountants anil lawyer.-. Mecause they are alreadyestablished legends [I is doubtful that their career.-will take any backward steps due to the loss of theirmanager. It may sound told, but the Beatles "illstill be the Keailes. v.dtln.iu lirimi Upstein. They willseem a little older suddenly, a little more studied intheir attitudes, a lilt rnoie reck I CHS (especially Paul,the unattached) in their lives and frantic pursuits

The popularity and prestigewhich , :S

long as they contini- ,,-obablv he fore,=ikeep geltinc; better and better. I eunnotseeing for at least a hundred years, an 1"Golden Hits of the Beatles." No, they will

to produce fresh, original material that anmystifies with its power.Bid something is gone, some magic isand it will never he the same. These mere tlyears.


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John, first of the group to strike out on his own, has his Rolls-Royce painted psychedelic.


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to t nw3the

Blades of Grass, four boys from Maplewood,ew Jersey, are just out of high school, aisizzlin' record on their hands. "Happy" c

bilee labelthe Blades of Grass are realThe boys have jn-t finished dales with the Young I

Rascals, the Dave Clark Five and Neil Diamond,fand are currenl.lv doing a series of record hops

sponsored by WMCA, one of New York's biggestrock stations. They have appearances coming up on

Franklin TV show and rcccirc! hops in Phila-delphia

s haver 1966,

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class almnl his interest in the guitar, and hwas available to teach newcomer .trammers. Bruce 'called Marc and liefer lung- he had learned the ropes j(maybe we should say, "strings") so well that he |joined the Fnrnacemen.They took their bond's name from a loci

theque set in the basement of a knit shop nbuilding wiih ii huge furnace. The music wasso was the rooral Kids from the South Orange-Ma- Iplewood area swarmed in to hear the new hand. The )city fathers stopped in, toobut to close up the club as a (ire liana rd. So (hat end- \ed The Furnace.But it didn't stop the boys. Fran],- c;

his bass and organ: they changed trBlades of Crass, began writing their

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intraOkaymeet the F.kuies of Grass!MARC BLACK writes the songs for the gro'irranci's the vocal parts ;m


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Five strong, and they're all still single; gols, gel busy!

r close friends umiilli! i.hcmselveshave ;i -ftinif.l tty devolion to what tko

grew up togethei- in Santa Crua,ilifornia. Thev mice wont ur-rlev the name of THETIKIS and in l%r, wciv signer; with a San Fran-

cisco record comnanv nilk'i! Autumn Records. WhenWarner Brother* bought AM.umn Records, the boyswent with the deal. Now with ;i new label, they felt

the need for a change of name mi if. expand thegroup, John Petersen formerly with the rieau Brum-mols joined the Harper* I;i:'arre :l 1 1 it the winnerscircle was now complete. They were the first tomake the "soft sound" hugely popular. Never be-fore had n group iiruki^tidul i" such irreal effect.Thev are uuassumioir >>ii::d-blowers. You see, whileno one was looking, they were practicine- ien hoursa day and trying for something that wu.-n't instant

it oblivFREAK OUT, U.S.A.!


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And what they mean is a very beautiful new image of the thing tailed 1* uty itself. A new projection of the ~'.u..ng, A certain male mystery that has _ ...the park, on the streets, in the studios. Everywhere the NGC .


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wr

They symbolize the firm but fragile e:

sex appeal than all the back tots stretehi:L.A. to Culver City.There are six of them and they lake thffrom the nstrnnnmicul designation >[" a sta

owning a collective wardroL ....Salvation Army, they neverthele:

tr glow that makes femalesto run barefoot with them, i

j^g holder th

I! l/lilll(>SL- ill' tin; gl'OLLp.

is the end. In the eve (pealing as any Adonis

ies of Hollywood,they stroll buret

are the imagesculine. aa ap-i the glamour

FREAK OUT, U.S.A


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Poised ond posing, they somehow relax.


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scuffling: First class all


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Schuyler, Br M, end Ld y; "But w LOVE you.'1

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Bruce (at right), Dennis, and friends at swimming pool in Seattle.Harden sooke first. "One of the reasons EMS exists "Love is real, if it's iriven freely, witlmiil expect.is that all nf in waul In remind 'nn|i!e aliiiu'. n beau- ins something in retiini, "aiiiled 1'riM' Jlilner,tiful tiling they've been overlooking LOVE As m-jtanist and sinner-songwriter. "When we say.entertainers, ivc can iTi't to more [jeiaile. In tell them "WE LOVE VOL'." w mean, simply, 'we love you.'"WE LOVE YOU." All we ask, is that they try tounderstand what it means: and that we touldn't Rrme's motto is "LOVE IS ALL," "Catch thesiiv it if we didn't honestly feel it." day. Enjoy. P.p. whatever and whence you can with-

(1 sat back, relaxed and listened to EVERYMOTHERS' SON talk about LOVE.) osophy. For him. "Happiness is Love."


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M is for the many things you

Schuyler l.arsen. bassist. "Loves everybody."(From that beautiful smile of bis yuu know hegreatest fear is Ireinc jsliiiif without .lomeone tolove.""Love sets you free, l-'ri'i'tidni is important to eacham you fully enjoy what

Lite nas to otter; that is why I want to be n pilot.When I'm flying I'm FREE. I would feel even freer.if I could be "Tinkerbell" and !ly without wings."

Schuyler's philosophy? "Take it jih it comes, ae-f emergency.

what they one of us. Without it how


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try to make the best of it."understand why people don't k," said Christopher Augustine

Hill IllillJ! l:ls(! Loving. "Love.ihle,' descril

Ajk) sortn-tliiii" I dnn'r

(lie sensitivity fc^llS hastiling (like a stuffed to;cute, but empty and lifeless. Lary'Rruip's. Kchiiyli-i-'? inn! ( 'lirixtiJi-ht-i'V depth i"tion, their sincerity, and open-heai"LOVING.

Deiini;


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're in the bead bag,best ones are the seed beadsfrom Haiti. Very longstrands, zillions of colore, dol-lar a string, sold everywhere. . . Next time someone men-tions Twiggy, ask gently,"Twiggv who?" You mayeven get an answer . . . Cherlost the baby, Sonny saysthey'll try again soon . . .BIBB big name in under-ground music: Billy James,producer. He helped open theDoors, spread the PeanutButter Conspiracy . . . Latest,greatest way to hear whatyou want to hear; a tape-cartridge deck made by Borg-Warner (big co., nice people)that fits under the dash inyour everlovin's chariot. Yonjust push a tape into the deckand it plays its little heartout, in 8-track stereo yet. Nowinding, no re-win ding, nonothing, just play. It's a

groove. All the big LP's areavailable or being made so;some of the groups you candig right now with theirlatest; Animals (MGM) everything they've done ; Roll-ing Stones (Ampex/London)-everything; Blues Project(Ampex/Verve) "Projec-tions" ; Royal Guardsmen(ITCC/Laurie)"Snoopy";everything by the YoungRascals (ITCC/Atlantic)

;

the Critters (RCA) "Young-er Girl" ; the Best of Shindig(RCA), All of the Lovin'Spoonful, too, via Kama Su-tra/MGM. That's just a peek,there's loads, loads more andwe'll keep you up-to-date-as-i t -happens-you '11-get- i t-here-

in you dig the word,the most beautiful one in theEnglish tongue? Accordingto Grade Slick of the Jeffer-son Airplane, it's 'cellardoor.We didn't even know any-

body had them any more . . .Get hip to paste-on skin tattoes and refraction face jew-els. Once you start wearingthem, you'll feel naked with-out 'em. Not recommendedfor school wear, however . . .Engelbert Humperdinek'sreal name is Jerry Dorsey . .An experience to be experi-enced: the Jimi Hendrix Ex-perience . . . Grab the "Hell'sAngels on Wheels" LP if theMick dipped you. It's a badmother or should we say'mama'? . . . Proeol Harumhit, then split. After successof "Whiter Shade", three ofthe original live departed, there-group then left its label.You see, some people justcan't stand to make it. Yagotta lie big to be big, luv , . .Late flash word from the Ras-cals; a world-wide peace tourin 1H68. Beautiful! Even theprez said O.K. ... Til nexttime, be gud, y'hear? end


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.*5


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theboys ore

who make thathappy sound happen!


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tives are Bob Miranda Ralph di Vito and Tom talking here in our dressing room. I :a:': st.;unln-iii'i-ii V en -v're not nial-ie" records. Joins? '-'our hair." To which the others ic r .::-.: 'On. yeah.ui,'-ln' ,-lul) 'ri- or on ni.' load ' we sleep. Well id us tell you something - . " "Hie iI.sclissIoux ,, ..,..,]-.,- ..,'. ,|,, i1;iv ,. fa,- li;,i r ' cnr.v. around, iror pretty hot, nod finally we oceidcii to cut eachBob 'and I 'write sonjis (remember "Girl On A others hair. We -"Swing" by Gerry fi. The Pacemakers'.' That was circlingBob's song] and Tom paints, collects antiques andcuts hair. SI'EAKI.S'fi 0E-' 7IA1K. we arc all incomplete agreement about each others' hair styles.We hate them. One night in our dressing room westarted talking admit how much we disliked eachothers hair. I think ilie conversation lis.L'.'in some-thing like i.liis : "You know, now that we've startec

1 grabbed si other, Indian fighter styli

r finally tame in and broke it up. Shair. He stayed home for a month.We have fun on stage. One of our

spoof on 'lip sync' (.'roups. Von knowthey come on television with two guitJof drums. All of a sudden there's a

ra and a- setwhole violin

< OUT, U.S.


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section behind them. Well, we ton] around withthat. We just have a good time when we performthat's really the only way to do it.An exhausted messenger has just crawled acrossthe floor to slip ihe f.jlLa-.viuu; crumpled note in myhand: "Why do .1.1:1 II: mmgs pick old songs torecord? Huh'? W'hyV" Excuse us a moment. Briefconference. Bzx. Mumble. Whisper. Giggle. How!of laughter. "Did you hear the one about the guywho " AHEM. A HEM. Okay, [lore's why we sing"old" songs. We groove with 'em. Simple as that.Are you ready for Mongolianfudge? We weren't!think are pretty piod. Bui lhi:y don't work for us;they're not our stylo. Ray Charles said he liked one.We cut a couple of our tunes but they didn't soundright to us. So we figured "'Aha! Using the mechani-cal and electrical marve's nf the modern day record-ing studio, we will j.lay Che tape BACKWARDS!"But it sounded the same as when we played it for-wards. So we dr.ij :nxl the idea.I think the strong old tunes like "Mammy" and"I Got Rhythm" are lies! I'm- our style of singing.have a lot of fun doing them and the audience(of which you. treasured leader, are one) likes 'emway. So why disturb a good thing!

dates and o.olle;rc concer's. lie feel we're enter-even mure than sinners. And when you'vea good audience there's nothing like it in theThe whole juinl nicks. That's a good feeling.We don't socialise much ovcent when we're work-or rehearsing Am! since we're working and re-

all the time we don't have lime for sotial-

Wc've had a good time ever since we hit withYou In September" last year. That song got usthe San Renin Song Festival [n Italy, where we"Quando Vcdro" and "September" sung inWe visited Italy. Spain, Portugal and Denmarkalmost didn'l come hark. We got a new aware-from seeing Europe. Von hear it said all thebut it's still true: we've got II. pretty good in

after TWO gold records, whatwe lose . .

.

One of the editors of FREAK OUTus a howl of Mongolian Fudge,

their anxious looks ftiie editors', notthey want us to try it, and sineour two gold records for "Septemlxin their hands, we think we'd

the dish.So as we all get down on our knees andarms wide, breaking into a chorus of "Miis the Happenings saying, "Let it happi

^


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Did you ever touch a butterfly?rr^r^TSstmOnly listen and you will feelit on your cheek, soft as water

laughing at you.

You breathe, and there is

Purple is the time for you.


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THEMEsflM)


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ONE DF THE BEST AND STRONGEST OF THE NEWSOUND GROUPS, THE DOORS HAVE A THING THAT'SALL THEIR OWN. TO OPEN UP TO A NEW EXPERIENCE.COME INSIDE? DUTSIDE? AND MEET THEM.

'/ '


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Ray, John, Jim and Robby get ready to lightThe rest of the Doors?Robby Krieger

(real name Robert Alan Krieger) startedplaying the guitar at 17and took flamencolessons, which may account for the wild wayhe grooves with that guitar on stage.

John Densmore b the firm?Doors, a native C'alifomlim, hedrums for 6 years. Before th;pianopiess he had to beat oWould you believe he played syr

en at theie playedmeibinjr!nic (that


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Beneath the lidJohn Densmoremeans loag hair, kidsand not the kind otop of your head !) music in high school?Ray Mairzarok grew up hi Chicago and leftfor L.A. when he was "older." He's 25 nowvery old. Like John. Hay also played thepiano, and like most kid?, he bated it in thebeginning, ar.d then it bucKiue f:m. He turnedto jiiKK,. hlnes and finally, rock.Jim Morrison sings lead, feels that the iiage the Doors suggest is that of an invitation

to the West"A new, wild west , . . strangeand haunting, the path of the sun . . ." Sun-sets, night, tile sea. the meanine 1 of the Pacificas the end of the Zodiac, and the world v/'"a bit of sensuous evil thrown in.Jim was born in Melbourne, Florida, ;

went to school there, right, up until attendingUCLA film school, where he met Ray Man-zarok, and the Doors began. .

It's no secret how many doors have beenopened by the fabulous and unusual sound


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of The Doors, They've been pullingeveryone who hears "People

Strange", "Light My Fire", and the firstDoors album. And now, all Doors fans havesomething else to rave abouta new album,Strange Days. Meanwhile. ''Light My Fire"and the first album have been certified mil-lion-sellers by Hlllboanl Magazine. It's a surebet that "People . . ." and the new albumwill follow closely in their footsteps.. If people air strange, then the Doors arethe strangest of all ! Unlike so many of theircontemporaries from the coast, tile Doorsdon't live in a tribe, or practice extreme to-getherness. They're close professionally, asyou can tell by their performance, but whenthey come into town, each goes his own wayuntil they're on stage, and then they be-come a tight, beautiful group, each one con-tributing his individual part to produce a


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truly remarkable ^.nmd. Tht-h" music is obvi-ously the strongest tit' between them, andwith artists, that's exactly how it should be.If you've been lueky enough to attend a Doorsconcert, or have seen them on TV, maybeyou've noticed that they don't say muchnolong introductions to soup's, not even a per-sonal introduction. They don't extend them-selves to please an audience in the usualsugary, entertainer way. They just want toget up there and do their thingtheir bestand know (hat that will please you.

You'll never see a Door on stage in a con-ventional suit and tie. In fact, clinging blackleather pants-and-jacket have come to be atrademark the very special armor thatcontains Jim Morrison. Why sinister blackleather? Because that's Jim Morrisonmys-terious, unreachable. Something about hislook compels you and forbids you at the sametime. But Jim Morrison will reach youwithhis voice, with his soul, like no other singercan'and you'll never quite pet over the wayhe can turn you on . . . end


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OUT, send in o plain, slu.dy envelope. ' ^m.

-r-SfTtSrt: J ! J ! 1 i i i ^1 Wi'i ii 'JmnCOOLEST MAGAZINEj

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ES> t-* 'Britain's newest and most promising group, areup to at any given moment. Whatever they're about,they're writing songs. Naturally, most people thinkof the Bee Gees as recording artists after their sen-sational early success in America with their firsttwo Atco records. "New York Mini up Disaster1341" and "To Love Somebody!"terest and whether theboys are sitting in a roomyand handsomely appointed .suite in New York's St.Hegis Hotel, wailing lor an interview to start, oron the decks of a beautiful yavhl. sailing the sunnywaters of Long Islam; Sound, they are likely to befingering out new melodies on their guitars, whichseem to lie always with them.Can you spot the Bee Gee twins?

"We've written IB new songs in the three dayswe've been in New York," said Barry Gibb, thetallest of the three Australian Gibb brothers whocomprise 60 percent of the live-man group. "I don'tve'll ever record ourselves, maybedonei

Si But. v iting nlumber of things for 01

and vwell."

rice and Robin, is likely to strollle record player and put on aof a song written by the Bee

lin similariiJos in their_ Hsaster", the Bee Gees

disavow the similarity completely, while at the sametime complimenting their 1'emc-u sl.ablemates in themanagement ivxise or" Nems 1-1 literprise. "The Bea-tles are absolutely great." said live Gee Colin Peter-But we honestly feel we have our own way of doingthings and our album proves we have a different

corned sifirst n

They're seeing their Abefore the fans see them!

group image but. the sheer versatility of their firstalbum. "The Bee Gees First", shows the range ofthe soups and musical attitudes. And if you happento sit with them for awhile in their [leviable studio,usually railed a hotel room, you'll hear the guitarsstrummed idly until a melody creeps forth, withwords that tumble out until a telling lyric begins

In fact during their stav in New York, the BeeGee's collective ability to work out new tunes fast,was hardly interrupted even when twin Mauriceaccidentally locked himself in one of the bedroomsadjacent to (he living room of the suite! The lockwouldn't budge and ever, when help arrived in theperson of a hotel serviceman with a saw. a hammerand a torch, lyric ideas were freely passed back andforth between both sides of the stuck door!The Bee Gees, who were originally three back inAustralia where the father of the brothers Gibbenvisioned his small sons as a sort of latter dayversion of the Mibs l-irorhcrs became their presentcomplement of five iust it few months ago in Aprilof 1967. With the addition of Vince Melouney anda former actor. Culm Petersen, the group found itsway to England and the Nems offices.An important part of the Britishscene, they're originally from Aus-tralia.

Hubert Stigwood. their manager, is known as aman who doesn't put bis betting chips idly on theline. In the case of the flee Gee.-, he's going all theway with the bulkl-up. believing frankly that therecan indeed be another flea I.I e-lijo: phenomenon. Hefeels quite firmly that the lice Gees are just thatand he's not leaving their "happening" to chance.Interestingly enough, the respected New YorkTimes agreed, calling Ibert: a talented "second gen-eration" of the rock phenomenon, with somethingMany groups have .suffered from overexposure in

this country, not in mention letting themselves beseen before they're ready with a solid stage act.That's not likely i.o happen with (be Nee Gees. "Infact, we probably won't even be in America againuntil 1968," said Viam-ire Gibb. "Our first tour issimply for getting around. We want to meet the

FREAK OUT, U. S.A.I


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Before you start to read this,PLEASE remember that thehippest word Yet for w"really GOOD and groo'BAD'! That's why '

They promise to come back soon!Pointing to the example of another recent Britishcroup phenomenon, .vhcre a hit record was simply

not enough to holil nn audience that fame to flee ashow, manager SHsrwiinii said the Bee Gees will bekept under wraps as performers until they've got

r bdfs. :that :'an

cket. After leaving New York, the hoysMiami and then to California, wherethrown a lavish party by Sonny and Cherrank Beverly Hills Hotel. Loads of big1 personalities attended, and by no acci-I. lots of disc jockeys w

lads. Ifsu of t ese five

i that itand saw their colorful iinil handsomely fimch, much more about the Bee Gees in


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Freakout Usa 002 1967 Warren

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Transcript of Freakout Usa 002 1967 Warren