FOUR_PAINTING_STYLES.ppt

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    FOUR PAINTING STYLESIN ART

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    Four Painting Styles in Art

    REALISMEXPRESSIONISM

    ABSTRACTSURREALISM

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    Idealism - 1400s-1700s

    Sandro Bottic !!i

    T" Birt" o# $ n%s

    c& 14'4-'(

    I))orta!On!* +ods and +odd ss s , rd ict d n%d & Artists , rins ir d .* t" ir t" )/ d ictint" ir stori s o# )*t"o!o * as a ,a*

    to a* tri.%t to t" ir !astini))orta!it*&

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    Idealism - 1400s-1700s !a,! ss

    Ra##a !!o San2io a3a RAP AEL

    R !i io%s icons , rd ict d as "o!* and#!a,! ss& E5 n t"o% " t" *)a* "a5 . n oor/ t" irro. s "a5 no t ar/ no "airo%t o# !ac / or s3in ,it" a,rin3! or #acia!i) r# ction&

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    Idealism - 1400s-1700s

    B a%t* andP r# ction

    *acint" Ri a%d

    6Lo%is XI$ o# ranc in "isCoronation Ro. s

    1701-08

    Ro*a!t* and "i " soci t* , rd ict d as stron ! ad rs or o#"a5in r at o, r& So) ar )adto !oo3 5 r* ta!! ,it" #!o,in ro. s o#t" )ost 9:%isit #a.ric& E5 r*t"ins )s to #!o, or os r# ct!* as i#t"is is "o, t" * ar on a nor)a!

    .asis&

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    T E ;A

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    REALISM-1(00s- ar!* 1=00s

    T" odor + rica%!t

    Insan

    Morta!it*

    R a!ists . an to d ict6t" ,a* t"in s ar or t"tr%t"& r in t" insan,o)an/ s%## rin and)adn ss a)o%nts tonat%r / #or nat%r in t"

    nd is #or)! ss andd str%cti5 ?! ads tod at"&

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    REALISM-1(00s- ar!* 1=00s

    I) r# ction

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    REALISM-1(00s- ar!* 1=00s

    ;ai!* Li#

    an rancoisMi!! t

    T" +! an rs

    1' 7

    R a!ists a!sod ict t"

    5 r*da* !i# o#5 r*da* o ! &

    No !on r arartists aintinon!* t" ric" or)*t"o!o ica!s%. cts/ t" * )a*a!so . r cordint" dai!* str% ! s/"ards"i s o# "ard

    ,or3in o ! &

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    NISM

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    NISM"My whole life has been spent walking bythe side of a bottomless chasm, jumpingfrom stone to stone. Sometimes I try toleave my narrow path and join the swirling

    mainstream of life, but I always find myselfdrawn inexorably back towards thechasm s edge, and there I shall walk untilthe day I finally fall into the abyss. !or aslong as I can remember I have sufferedfrom a deep feeling of anxiety which I havetried to express in my art. ithout anxietyand illness I should have been like a shipwithout a rudder.# $%dvard Munch

    S*).o!ic

    Ed5ard M%nc"

    T" Scr a)1'=>

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    Paint r!*

    $inc nt $an+o "

    A Starr*/ Starr*Ni "t

    1''=

    $an +o " d ictst" ni "t s3* as6,"ir!in and

    9 !odin stars ina aint r!* #as"ion," r " a5i!*s n .r%s"stro3 s)ar3 t")o5 ) nt o# t"s3* and t" to,n. !o,&

    NISM

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    Co!or

    $i.rant co!ors noton!* do)inat t"E9 r ssionist st*!.%t a!so cr at s t")ood #or t"5i , r&

    NISM

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    Abstract1900-19 0!s

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    abstract

    Marc !! ;%c"a)

    N%d ; sc ndin aStaircas

    1=1>-1=80 ranc

    T"is aintin ortra*s contin%o%s)o5 ) nt t"ro% " a c"ain o#o5 r!a in c%.istic #i %r s&

    A.straction o## rs t" 5i , r ad !in at d i)a s"o,in on!* t")ost i) ortant as ct o# it D!in s/s"a s/ co!or/ )o5 ) nt/ tc& not in

    #%!! d tai!&

    !at and Si) !

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    abstract

    Pa.!o Picasso

    T"r M%sicians

    1=81/ S ain

    C%.is)/ a t* o# non-r r s ntationa! artDor a.stract is ss ntia!!* t" #ra ) ntino# t"r -di) nsiona! #or)s into #!at ar aso# att rn and co!or/ o5 r!a in andint rt,inin so t"at s"a s and arts o# t""%)an anato)* ar s n #ro) t" #rontand .ac3 at t" sa) ti) &

    Non-r r s ntationa!

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    abstract

    Pi t Mondrian

    Co) osition ,it" LarB!% P!an / R d/ B!ac3/

    F !!o,/ and +ra*

    1=81

    Sci nti#ic

    Mondrian/ a ;%tc" artist/ ,ant dt" in#init / and s"a is #init & Astrai "t !in is in#init !* 9t nda.! /and t" o n- nd d s ac . t, nt,o ara!! ! strai "t !in s is in#init !*

    9t nda.! &

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    Surrealism-beyond real

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    Surrealism

    Sa!5ador ;a!iSt%d* #or 1

    Trans#or)ationand A).i %it*

    T" id a o# trans#or)in #ro) on#or) to anot" r is a co))onc"aract ristic o# S%rr a!is)&

    Anot" r s%rr a! d 5ic isa).i %it*G %nc! ar/ %nd t r)in d&

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    SurrealismL 5itation

    L 5itation/ ora aranc o##!oatin / cr at s a#antas*/ dr a)!i3 /and s%rr a!!andsca &

    &ene Magritte

    'olconde, 1= >

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    Surrealism

    &ene Magritte

    (ime (ransfixed, 1=>'

    %9ta osition

    %9ta osition is t" %ttin to t" ro# t,o #or)s t"at do not nor)a!!* oto t" r s%c" as Ma ritt s!oco)oti5 co)in o%t o# ac"i)n *& 6I d cid d to aint t" i)a o#a !oco)oti5 & & & In ord r #or its )*st r* to. 5o3 d/ anot" r immediately #a)i!iari)a ,it"o%t )*st r* H t" i)a o# adinin roo) #ir !ac H ,as oin d& 6-Ma ritt

    http://www.perch.com/images/time-transfixed.jpg
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    OT ER STFLES IN ART?

    CLASSICISMROMANTICISMNEOCLASSICISMBARO UEP OTOREALISM

    ABSTRACT EXPRESSIONISM ART NOU$EAUIMPRESSIONISM

    AU$ISMCUBISMCLOISSONISMNEOIMPRESSIONISMOP ARTPRIMIITI$EPOINTILLISM

    ;A;AISMCONSTRUCTI$ISM;ECONSTRUCTI$ISMORIENTALISM

    POSTMO;ERNISMMO;ERNISMNAJ$E ARTROMANTIC REALISMSOCIAL REALISM

    UTURISMSUPREMATISM

    POP ARTI;OLATRFPRE-CLASSICALBARBARIANMA; UBANIRA PUTMU+ ALTAN OREBEN+AL+RA ITTI

    AR; E;+EMANNERISMMINIMALISM

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    OUR STFLESO PAINTIN+ ACTI$ITF

    1& C OOSE ASPECIAL OBJECT K PAINT IT INT E C ARACTERISTICS O T ESE 6S()*%S &

    IN S UARE ONE

    #&%+*ISM

    IN S UARE TWO

    #%- &%SSI/0ISM

    IN S UARE THREE

    #+1S(&+2(

    IN S UARE FOUR

    #S3&&%+*ISM

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    OUR STFLESO PAINTIN+ ACTI$ITF

    OR EXAMPLE?