FORREST MYERS Present Lives and works in Brooklyn, NY and Damascus, PA

2002 Lecture: Designers in Their Environment. Pratt Institute, Brooklyn, NY

1999 Woodward Lecture Series. Center for Creative Studies, Detroit, MI

1998 Lecture: Parallel Lines: The Distinctions Between Art and Furniture. Rhode Island School of Design, Providence, RI

1994 Teaching position: Parsons School of Design, New York, NY, Art Furniture and Design

1990 Storm King Art Center, Mountainville, NY

1987 Teaching position: Visiting critic. Yale School of Architecture, New Haven, CT

1986 Lecture: Ettore Sottsass and the Memphis Movement. Furniture of the 20th Century, New York, NY

1984 Teaching position: Visiting critic. Yale School of Architecture, New Haven, CT

1982 Lecture: Envirometal. New York Atelier of Design, NY

1980 Lecture: Artist Series. Albany Institute of History & Art, NY

1979 Lecture series. Montclair State College, NJ

1978 Lecture: Advanced Sculpture. Kent State University, OH

Teaching position: Undergraduate Sculpture. Kent State University, OH

1974 Teaching position: Advanced Sculpture. The School of Visual Arts, New York, NY

1973 Lecture: Spirituality and Modern Sculpture. Baltimore School of Art, MD

1971 Lecture: Experiments in Art and Technology. I.B.M. Corporation, Armonk, NY

1968 Lecture: The Techniques & Fabrication of Contemporary Sculpture. The San Francisco Art Institute, CA Teaching position: Beginning Sculpture. San Francisco Art Institute, San

Francisco, CA 1965 Lecture: The Definition of Modern Sculpture. The Artist Club, New York, NY 1958-60 San Francisco Art Institute, CA 1941 Born in Long Beach, CA

Solo Exhibitions and Projects 2011 Luminus Flux, Regina Rex Gallery, Brooklyn, NY 2009 Innagural Opening of Forrest and Debra Arch Myers’ private garden, Wild Turkey

Sculpture Park, Damascus, PA 2008 Not Furniture. Hedge Gallery, San Francisco, CA 2007 Forrest Myers. Friedman Benda, New York, NY 2006 Right Brain / Left Brain – Selections from 1960 to 2006. Yellow Bird Gallery,

Newburgh, NY 1997 Forrest Myers: Recent Sculpture. Art & Industrie, New York, NY 1996 Forrest Myers. Art & Industrie, New York, NY 1991 Forrest Myers. Art & Industrie, New York, NY 1990 Forrest Myers. Art & Industrie, New York, NY 1988 Forrest Myers: Solo Exhibition. Art & Industrie, New York, NY 1987 Forrest Myers: Solo Exhibition. Art & Industrie, New York, NY 1983 Furniture of the Twentieth Century. New York, NY 1982 Forrest Myers. Art & Industrie, New York, NY 1980 Ehrlich Gallery, New York, NY 1979 Search Light Sculpture. Dallas Symphony Orchestra, TX 1976 Design and installation works. Lower Manhattan Ocean Club, New York, NY 1975 Unocycle, one wheel motorcycle made for the film Gizmo, Parrot Production Tanglewood Music Festival, Lenox, MA Artpark, Lewinston, NY 1974 Forrest Myers. Sculpture Now, Inc., New York, NY 1973 The Wall, Art in Public Places. Permanent Installation on Broadway and

Houston, New York, NY 1971 Forrest Myers. Paula Cooper Gallery, New York, NY 1967 Search Light Sculptures. Thompkins Square Park, New York, NY

Forrest Myers – Tony Magar. Dwan Gallery, Los Angeles, CA Designs the Long View Country Club, New York, NY 1966 Forrest Myers. Dwan Gallery, Los Angeles, CA

Tamara Melcher Paintings and Forrest Myers Sculpture. Park Place, New York,

NY 1965 Park Place Gallery, New York, NY Robert Graham Gallery, New York, NY Group Exhibitions 2013 Forrest Myers: Domesticated Monumentalism, Lynden Sculpture Garden,

Milwaukee, WI Free Enterprise: The Art of Citizen Space Exploration, Sweeney Art Gallery, University of California, Riverside; Lancaster Museum of Art and History, Lancaster, CA

2011-2013 Picasso to Koons: The Artist as Jeweler, Museum of Art and Design, New York,

NY; Benaki Museum, Athens, Greece; Bass Museum of Art, Miami, FL 2012 Invitational Exhibition, American Academy of Arts and Letters, New York, NY 2011 Museum Show Part 1, Arnolfini, Bristol, UK

January White Sale, Loretta Howard Gallery, New York, NY 2010 New Image, Post Minimalism, and the Legacy of Pop, Virginia Museum of Fine

Arts, Richmond, VA Max’s Kansas City, Stephen Kasher Gallery, New York, NY Artists at Max’s Kansas City, 1965-1974, Hetero-holics and some women too,

Loretta Howard Gallery, New York, NY It’s a Wonderful 10th, Sideshow Gallery, Williamsburg, Brooklyn. The Moon Museum, Special showing for the History Detectives, Tampa Museum

of Fine Art, Tampa, FL 2009 Sculptors Draw, Lesley Heller Gallery, New York, NY 1969, P.S. 1 Contemporary Art Center, Long Island City, NY All Suffering SOON TO END, Callicoon Fine Arts, Callicoon, NY 2008 Zerocarat, Artists’ Jewelry at afsoun, Friedman Benda Gallery, New York, NY

Reimagining Space: The Park Place Gallery Group in 1960’s New York. Blanton Museum of Art, University of Texas, Austin, TX

Fifty Works for Fifty States, The Dorothy and Herbert Vogel Collection, The National Gallery of Art, Washington DC Design contre design: Deux Siècles de Créations. Galeries nationals du Grand Palais, Paris, France

Formless Furniture. MAK, Vienna Design Miami/New York Galleries, March 2008 2007 Miami Basel, Friedman Benda Gallery, Miami, FL

Structure et Surface, Magen H Gallery XX Century Design, Harris Lieberman, NYC

2006 The War is Over. Sideshow Gallery, Brooklyn, NY

Miami Basel, Friedman Benda Gallery, Miami, FL Art Miami 2006, Yellow Bird Gallery, Miami, FL 2005 Modernism: a Century of Style and Design. Seventh Regiment Armory, New York, NY

Miami Basel 2005 – Design Center, Barry Friedman Ltd, and Magen H Galleries, Miami, FL

2004 Max’s Kansas City. Nikolaj Copenhagen Contemporary Art Center, Denmark Peace. Sideshow Gallery, Brooklyn, NY Teknologi for Livet – Om Experiments in Art and Technology. Norrkopings Konstmuseum, Kristinaplatsen, Sweden 21st Annual Exhibition & Auction for Women’s Cancer. Sideshow Gallery, Brooklyn, NY Pax Americana. The Lake Huntington Center for the Arts, NY 2003 Merry Peace. Sideshow Gallery, Brooklyn, NY 2002 Ultra Delux. Sideshow Gallery, Brooklyn, NY Function & Fantasy: The Design Show. Rockland Center for the Arts, Nyack, NY 2001 Designers at Work – A Visual Journal. Pratt University, New York, NY Aluminum by Design. The Montreal Museum of Fine Arts, Canada 1999 Dysfunctional Sculpture. Center for Creative Studies Galleries, Detroit, MI Sticker Shock. Institute of Contemporary Art, Philadelphia, PA Primarily Structural – Minimalist and Post-Minimalist Works on Paper. PS1 Contemporary Art Center, Long Island City, NY 1998 Dick Bellamy Memorial Exhibition. PS1 Contemporary Art Center, Long Island City, NY Regatta ’98. Sideshow Gallery Inc., Inaugural Exhibition, Brooklyn, NY 20th Anniversary Exhibition. Art & Industrie, New York, NY Sculptors Draw. Rosenberg & Kaufman, New York, NY 1997 Form Function or Metaphor. Paint Creek Center for Arts, Rochester, MI 1996 Between Form and Image: Art of the 1970’s and 1980’s. Ackland Art Museum, The University of North Carolina at Chapel Hill, NC 1995 Adding It Up: Print Acquisitions 1970-1995. Museum of Modern Art, New York, NY Return from Vacation. Art et Industrie, New York, NY USA – Valle d’Aosta: Models for Large Scale Sculpture Regione Autonoma. Valle d’Aosta, Italy Annual Sculpture Show. Lookout Sculpture Park, Damascus, PA Susquehanna Studio’s 20th Annual Exhibition. The Art Exchange, Uniondale, PA

1994 Grounds for Sculpture. Johnson Atelier, Mercerville, NJ Annual Sculpture Show. Lookout Sculpture Park, Damascus, PA Art at Work. Los Angeles Design Center, CA Susquehanna Studio’s 19th Annual Exhibition. The Art Exchange, Uniondale, PA Stoned Moon. Mary Ryan Gallery, New York, NY 1993 Grounds for Sculpture. Johnson Atelier, Mercerville, NJ Design Perspective. Chateau du Fresne, Decorative Art Museum, Montreal, Canada Models for Large Scale Sculpture. Lookout Sculpture Park, Damascus, PA 1992 Chair as Art. Gallery of Functional Art, Santa Monica, CA Then and Now. Philippe Staib Gallery, NY Bench Marks. Katonah Museum of Art, Katonah, NY On and Off Your Rocker. Bernice Steinbaum Gallery, New York, NY Vered Gallery. Easthampton, NY 1991 On Scale. Bennet-Siegel Gallery, NY International Furniture Design for the ‘90’s Full Scale Gallery, New York, NY 91 Objects by 91 Designers. Gallery 91, New York, NY Masks, Benefit for Victim Services. Dyansen Gallery, New York, NY The Chair: From Artifact to Object. Weatherspoon Art Gallery, The University of North Carolina at Greensboro, NC 1990 The Technological Muse. Katonah Museum of Art, Katonah, NY 1980-1990, Art & Industrie. New York, NY Aquarian Artists. University of Rhode Island Fine Arts Center, Kingston, RI Functional Art NY. Brutus Gallery, Osaka; IMZ Building, Fukuoka, Japan Real – Placebo. Bennet-Siegel Gallery, New York, NY 1989 Art & Industrie, New York, NY 1987 Sculpture: Before and After. Mission Gallery, New York, NY 10th Anniversary Exhibition. Art & Industrie, New York, NY 1986 The Chair. Traveling Exhibition: San Francisco Airport Museum, CA Halley’s Comet Show, Light Gallery, New York, NY Ritual Objects, Art & Industrie, New York, NY Unlimited Possibilities of Structures, Gallery 91, New York, NY Modern Chair, North Carolina State University, NC Functional Objects, Art & Industrie, New York, NY The Chair. Traveling Exhibition: San Francisco Airport Museum, CA 1985 New Works ’86. Art & Industrie, New York, NY Bars. Art & Industrie, New York, NY New Art. Diverse Works, Houston, TX New Furniture. Novo Gallery, New York, NY The Chair. Traveling Exhibition: San Angelo Museum, TX

Material Pleasures – Furniture for a Post-Modern Age. The Queens Museum, NY

Made in the USA. Gallery 91, New York, NY Time Will Tell. The Squib Gallery, Princeton, NJ The Maximal Implications of the Minimal Line. Bard College, Annandale-

on-Hudson, NY 1984 Functional Objects. Art & Industrie, New York, NY Art Furniture. American New Wave, Gallery 91, New York, NY Grace Design, Houston, TX Forms that Function. The Katonah Gallery, Katonah, NY Jon Leon Gallery, NY 1983 10th Anniversary Functional Art Show. Foster / White Gallery, Seattle, WA Terminal New York, Brooklyn, NY Hokin-Kaufman Gallery, Chicago, IL 1981 Radical Objects. Art & Industrie, New York, NY 1980 Ehrlich Gallery, NY 1979 Sculpture in the Constructivist Tradition. Patricia Hamilton Gallery, New York,

NY Search Light Performance. Dallas Symphony Orchestra, TX 1978 Indoor, Outdoor. PS 1, Long Island City, NY 1977 Patricia Hamilton Gallery, New York, NY 1976 Sculpture ’76. Bicentennial Outdoor Sculpture Exhibit, Greenwich, CT 1975 Search Light Performance. Artpark, Lewinston, NY 1973 Biennial of Contemporary American Painting & Sculpture. Whitney

Museum of American Art, New York, NY 1972 Outdoor Sculptors Indoors. Storm King Art Center, Mountainville, NY Biennial of Contemporary American Painting and Sculpture Show,

Whitney Museum of American Art, New York, NY 1971 Art for Your Collection. Museum of Art, Rhode Island School of Design,

Providence, RI Paula Cooper Gallery, New York, NY Windham College, Putney, VT International Outdoor Sculpture Exhibit, Middleheim Museum, Antwerp,

Belgium Highlights of the Season, Larry Aldrich Museum, Ridgefield, CT 1970 Paula Cooper Gallery, New York, NY Sculpture Annual. Whitney Museum of American Art, New York, NY

1969 The Moon Museum – First Art on the Moon. Apollo 12 Mission Experiments in Art & Technology (E.A.T.). Pepsi Cola Pavilion, Osaka, Japan

Paula Cooper Gallery, New York, NY 1968 Cool Art 1967. The Aldrich Museum of Contemporary Art, Ridgefield, CT American Embassy, Mexico City, courtesy of the Museum of Modern Art,

NY Model Exhibition. John Gibson Gallery, New York, NY Search Light Pieces. Union Square, New York, NY Park Place Group Show. MIT, Boston, MA 1967 Annual Exhibition 1966 Contemporary Sculpture and Prints. Whitney

Museum of American Art, New York, NY Sculpture of the ‘60s. Philadelphia Museum of Art, PA Art for the City. Institute of Contemporary Art, University of Pennsylvania,

Philadelphia, PA Park Place Group Show. Denver, CO

American Sculpture of the Sixties. Los Angeles County Museum of Art, CA

Aerial Light Sculpture in Tompkins Square Park. New York, NY Current Visual Dimensions. Park Place, The Gallery of Art Research, New

York, NY Sculpture in Environment, New York, NY 1966 Primary Structures: Younger American and British Sculptors. The Jewish

Museum, New York, NY Park Place, Lannan Foundation, Palm Beach, FL Forrest Myers – Tony Magar. Dwan Gallery, Los Angeles, CA Park Place opens its new show Sunday. February 27 from five to seven: di Suvero, Fleming, Forakis, Grosvenor, Magar, Melcher, Myers, Novros, Ruda, Valledor, 542 West Broadway, Park Place, New York, NY Drawing Exhibition. New York University, NY 1965 4 D. John Daniels Gallery, February-March, New York, NY Sculpture from all Directions. World House Galleries, New York, NY Plastics. John Daniels Gallery, New York, NY Robert Graham Gallery. New York, NY 1964 Welfare Island Art Festival, NY 1962-67 Park Place Gallery, New York, NY 1959 San Francisco Art Institute, CA Awards 2012 American Academy of Arts and Letters, Jimmy Ernst Award 2000 Pollock-Krasner Foundation 1998 Adolph & Esther Gottlieb Foundation

1980 National Endowment for the Arts, NEA 1977 Creative Artists Program Service, CAPS 1973 John Simon Guggenheim Memorial Fellowship Museum and Public Collections Ackland Art Museum, University of North Carolina, Chapel Hill, NC Art Institute of Chicago, IL Bergen Community College, NJ Bosworth Exhibition Pavilion, Sao Paulo, Brazil Chateau du Fresne, Decorative Arts Museum, Montreal, Canada Dallas Museum of Art, Dallas, TX Governor Nelson A. Rockefeller Empire State Plaza Art Collection, Albany, NY Hirshhorn Museum and Sculpture Garden, Washington D.C. Lipschultz Foundation, Chicago, IL Minneapolis Museum of Art, Minneapolis, MN Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY Museum of Modern Art, San Francisco, CA Museum Tower Roof Garden, Museum of Modern Art, NY Miami-Dade County Art in Public Places, Miami, FL OMI Sculpture Park, omi, NY San Francisco Museum of Modern Art, San Francisco, CA Storm King Art Center, Mountainville, NY Virginia Museum of Arts, Richmond, VA Walker Art Center, Minneapolis, MN Literature Anderson, Wayne. American Sculpture in Process: 1930/1970. New York: Graphic Society, 1975. Battock, Gregory. Minimal Art a Critical Anthology. New York: EP Dutton, 1968. Bloemink, Barbara and Joseph Cunningham. Design <> Art. Functional Objects from Donald Judd to Rachel Whiteread. New York: Merrell Publishers, 2004. Carrol, Jim. Forced Entries: The Downtown Diaries, 1971-1973. New York: Penguin Books, 1987. Cohen, Gayle and Michelle. The Art Commission and the Municipal Art Society, Guide of Manhattan’s Outdoor Sculpture. New York: Prentice Hall Press, 1988. Davis, Paul. Art & the Future. New York: Preager Publishers, 1974. Domargue, Denise. Artists Design Furniture. New York: Abrams Press, 1984.

Easton, Elizabeth. Ed. The Empire State Collection: Art for the Public, New York: Harry N. Abrams, Inc, 1987. p. 121. Gaillemin, Jean Louis. Design Contre Design: Deux Siècles de Créations. Paris: Le Grand Palais,

2007. p. 181. Holt, Nancy. Ed. The Writings of Robert Smithson. Essays with Illustrations. New York: New York

University Press, 1979. Humblet, Claudine. La Nouvelle Abstraction Americaine 1950-1970. Milan: Skira Press, 2003. p. 1815-1839. Janjigian, Robert. A Neglected History: 20th Century American Craft. New York: American Craft

Museum, 1990. p. 54. _______. Remaining Space: The Park Place Gallery Group in the 1960’s New York. The Blanton

Museum, Austin, TX. February 2009, pg 62-63. _______. Max’s Kansas City: Art, Glamour, Rock and Roll. Abrams Image, September 2010.

Pg.17-19 _______. Design Miami/Basel – Global Forum for Design, June 14-19, 2010. p. 72-73. _______. High Touch: The New Materialism in Design. New York: E.P. Dutton, 1990. p. 3, 24, 27, 41, 84. _______. Forrest Myers, Art & Industrie. Exhibition catalogue. New York, 1990. _______. “Covering All the Angles.” in Architectural Lighting, December, 1990. p. 25. Jones, Alla. Introduction, Forrest Myers, exhibition catalogue. Art & Industrie, New York, 1988. Kaufmann, Rick. Forrest Myers, Art & Industrie. Exhibition catalogue. New York, 1997. Lawrence, Sidney. Music in Stones: Great Sculpture Gardens of the World. New York: Scala

Books, 1984. McKenzie, Frank. New Used & Improved: Art for the ‘80’s. New York: Abbeville, 1989. Naeve, Milos M. Identifying American Furniture, A Pictorial Guide to Styles & Terms, Colonial to Contemporary. Tennessee: American Association for State & Local History, 1989. Newman, Amy. Challenging Art: Artforum 1962-1974. New York: Soho Press, 2003. p.444. Noever, Peter. Formless Furniture. Vienna: MAK, 2008. Rose, Barbara. American Art Since 1900. New York: Praeger Publishers, 1975. Steinbaum, Bernice. The Rocker – an American Tradition, New York: Rizzoli Press, 1992. p. 121-123.

Storm King Art Center. A Landscape for Modern Sculpture. New York: Abbeville Press Publishers,1985.

Sukenick, Ronald. Down & In, Life in the Underground. New York: Beech Tree Books, 1987. Stern, H. Peter and David Collens. Sculpture at Storm King. New York: Abbeville Press, 1981. Tuchman, Maurice. “Artists at Max’s Kansas City, 1965-1974, Hetero-holics and some women

too,” 2010. Pg. 4, 6. Vogel, Carol. “Against Gravitopism: Art and the Joys of Levitation.” In Zero Gravity: A Cultural

User’s Guide. London: The Arts Catalyst, 2005. p. 18-25. Press 2013 Tewksbury, Drew. “UC Riverside exhibit explores the art of citizen space travel”, KPCC-FM. March 11, 2013 2012 Conner, Jill. “An Interview with Forrest Myers.” Whitehot Magazine, March 2012. 2010 Kennedy, Randy. “Revisiting Max’s Sanctuary for the Hip.” The New York Times: Arts and

Leisure, September 5, 2010. pg. 1, 19. Vergano, Dan. “The Apollo 12 Art Caper? The Moon Museum May Harbor a Tiny Museum.” USA

Today: Science. June 7, 2010. Front cover, pg. 5D. 2009 Colpitt, Frances. “Affiliations. Space Explorers.” Art in America, February, 2009. ______. “Callicoon Exhibit Bouyed by Dance Troupe.” Times Herald Record, June 26, 2009. Pg.

7B. 2008 Conley, Kevin. “High Wire Act.” Men’s Vogue, October, 2008. ______. “Re-Imagined.” Time, December, 2008. Panisch, Joelle. “The Pioneers of Soho.” SOHO Journal, Spring 2008. Pg. 14-15. 2007 Humblet, Claudine. “Forrest Myers.” The New American Abstraction 1950-1970, Volume 3. Milan: Skira Press, 2007. p. 1814-39. Finkelstein, Alex. “A Chat with Sculptor Forrest Myers.” The New York Sun ARTS. November 15,

2007. Pg. 23.

Wadler, Joyce. “Away from Soho, A Place to Uncoil.” The New York Times, House and Home. November 15, 2007. Pg. F1, F8.

Kuo, Michelle. “The Art of Production.” Artforum, October, 2007. p. 310. Ramirez, Anthony. “Art Returning to SoHo, with Room for Commerce.” The New York Times,

April 25, 2007. Bragg, Chris. “High, Bright, ‘The Wall’ will return to SoHo Wall.” The Villager, vol. 76, no. 47, April

18-24, 2007. Gura, Judith. “Pedal to the Metal.” Art + Auction, April 2007, pg. 140. Taylor, Kate. “At Long Last ‘The Wall’ May be Restored in SoHo.” The New York Sun, April 19,

2007. Gura, Judith. “Pedal to Metal.” Art + Auction Special Issue: Paris by Design, April, 2007. p.140. Kirwin, Liza. “Art and Space: Park Place and the Beginning of the Paula Cooper Gallery.”

Archives of American Art Journal, Smithsonian Institution, January 2, 2007. 2006 Leffingwell, Edward. “Light Industry.” Art in America, December, 2006. p. 128-133. Johnson, Ken. “A Show Where Art, Design, and Collectibles Blur.” The New York Times,

November 11, 2006. p. E33. Guilbert, Juliette. “Artful Design at Miami’s Design 05.” Modernism, Spring, 2006. p. 120. _______. “Design Miami Basel.” Florida Design, vol. 16, no. 3, 2006. p. 324. 2005 Johnson, Ken. “Mark Ruffalo Recommends.” in BestLife, September, 2005. p.76. MacPherson, D. Clark. “Conflict of Disinterest.” SoHo Journal, Summer, vol. 7, no, 2, 2005. p. 10-

13. Yau, Jahn. “In Conversation – Mark di Suervo.” The Brooklyn Rail, July-August, 2005. p. 10. Treffinger, Stephen. “On Beyond Eames: Dark Wood, Leather and Pink Velvet.” The New York

Times, June 2, 2005. p. F3. _______. “Currents.” The New York Times, Design Section, June 2, 2005. Kadison, Dan. “Sculptor: My ‘Wall’ Must Stay.” New York Post, March 17, 2005. p. 28. _______. “‘Wall’ Brawl Heats Up.” New York Post, March 15, p. 42. Kaysen, Ronda. “SoHo ‘Wall’ Dispute Returns to the Courts.” Downtown Express, Feb. 25 – Mar.

3, 2005. p. 16.

_______. “’Wall’ Brawl in SoHo Pits Advertising Against Art.” The Villager, Feb. 23 – Mar. 1, vol.

74, no. 42, 2005. p.1, 4. Vogel, Carol. “Something that Does Love a Wall.” The New York Times, January 28, 2005. 2004 Cash, Stephanie. “Perils of Public Art: Art vs. Religion and Commerce.” Art in America,

November, 2004. p. 45. _______. “Artwork on Landmark Building Stays.” Cityland, Center for New York City Law, 2004.

p. 13. Fries, Colin. “Will it Go Round in Circles: A Colorful Mosaic of Art Thrown into Space.” Quest –

The Magazine of National Aeronautics and Space Administration NASA, The Moon Museum, November 3, 2004. p. 12-21.

Nikolaj Copenhagen Contemporary Art Center. “We Owned the Zeitgeist for a Couple of

Minutes.” Politiken, Kultur, October 15, 2004. p.3. Zittel Andrea. “Shabby Clique.” Artforum, Summer, 2004. p. 211. 2003 Gandee, Charles. “Heavy Metal.” The New York Times, Home Design, Spring, Part 2, 2003. p. 46. _______. “Sculpture News.” The Newsletter of the Storm King Art Center, Spring, vol. 13, no. 1. Sweeny, Sean. “Mysterious Laser Beam Was Art, Not Attack.” The New York Times, The City,

March 25, 2003. 2002 Boettger, Susra. Earthworks – Art and Landscape of the Sixties. California: University of

California Press, 2002. _______. The Govenor Nelson A. Rockefeller Empire State Plaza Art Collection. New York:

Rizzoli, 2002. p. 134-35. Hernandez, Daisy. “Side Show Gallery: Forrest Myers & Michael Talley.” The New Yorker

Magazine, November 2002, p. 24. _______. “Wall Sculpture vs. Walls of Ads.” The New York Times, Metro Section, October 3,

2002. p. B1. Longhi, Tomassio. “Ultra Delux – Forrest Myers & Michael Talley at Side Show Gallery.” The

Brooklyn Rail, Autumn, 2002. p. 22. 2001

Hoge, Warren. “Wood and Wire Recast in Gold.” The New York Times, House & Home, November 29, p. F1, F4.

Boodro, Michael. “Making the Cut.” Garden Design Magazine, October/November, 2001. p. 68-77. Wallace, David. “Second to None.” Colorado Homes, September, 2001. p.74-81. 2000 Lee, Denny. “Manhattan: Soho’s ‘Wall’ Saved.” The New York Times, The Metro Section, October

18, 2000. p. 6. Jensen, Jennifer. “Landmarks to Rule on Soho Art-versus-Ad battle.” The Villager, September 20,

2000. p. 28. Grant, Daniel. “Saving Public Sculpture.” American Artist, August, 2000, p. 18-22. Dunlap, David W. “‘Wall Dispute in SoHo Lands in Court.” The New York Times, The Metro

Section, March 15, 2000. p.1B, 4B. Lee, Denny. “Landmarking of a Wall Sculpture Hits Bricks-and-Mortar Opposition.” The New York

Times, The City, Section 14, May 21, 2000. 1999 Slaughter, Jane. “Woodward Lecture Series Presents Sculptor Forrest Myers.” The Centerline,

Fall, vol. 4, issue 1,1999. p. 10. Ciezadlo, Annia. “A Compromise Plan That’s No Work of Art.” The New York Observer, July 12,

1999. p. 26. Moynihan, Colin. “Using Dummies to Speak Against Advertising.” The New York Times, March

28, 1999. Uchtrup, Michael von. “Conjuring New Muses.” Art Papers, January/February, 1999. p. 3. 1998 Sewall-Ruskin, Yvonne. “Max’s Kansas City.” New York, November, 1998. p. 44. _______. “Battle Over Wall Sculpture.” SoHo Alliance, Summer/Fall, 1998. p.1. Slesin, Suzanne. “Artistry in Residence.” House & Garden, August, 1998. p. 90. Sewall-Ruskin, Yvonne. “Art & Technology.” IEEE Spectrum, Pepsi Cola Pavillion Expo ’70,

July, 1998. p. 28-29. Cash, Stephanie. “Forrest Myers at Art & Industrie.” Art in America, April, 1998. p. 121. Sellers, Terryl. “Sideshow is Launched…” Waterfront Week, vol. 8, April 23, 1998. p. 5.

Sewall-Ruskin, Yvonne. “The Great Wall of Soho.” Municipal Art Society Newsletter, March/April, 1998. p. 2.

_______. “Blaue Stunde.” Architektur & Wohnen, December/January, 1998. p. 65-66. Cash, Stephanie. “Imperiled Art Work.” Art in America, January, 1998. p. 27. Sewall-Ruskin, Yvonne. High on Rebellion: Inside the Underground at Max’s Kansas City.

Thunder’s Mouth Press, 1998. p. 76-79. 1997 Farmer, Ann. “Soho’s Disturbing Signs.” The Village Voice, December 23, 1997. p. 26. Vogel, Carol. “When a Wall is Not Just a Wall.” The New York Times, Inside Art, December 5,

1997 p. E30. Azon, Gary. “Soho’s Great Wall Under Attack.” NIGHT, no. 37, December, 1997. Chambers, Karen S. “Forrest Myers Recent Sculpture.” Review, November 1, 1997. Anderson, Lincoln. “Houston Street Landmark Sculpture Threatened.” The Villager, vol. 67, no.

22, October 22. Chambers, Karen S. “Forrest Myers: Recent Sculpture at Art & Industrie.” Gallery Guide

International, October, 1997. p. 12-13. Sargent, Greg. “In Soho, Art Fights Commerce in a Battle Over the Wall.” The New York

Observer, November 17, 1997. Allon, Janet. “Up against the Wall: Life and Art Threaten a Sculptured Façade.” The New York

Times, City Section, April 13, 1997. _______. “Landmarks Leads Effort to Save Artwork on a SoHo Building.” Downtown Express, vol.

9, Issue 23, April 1, 1997. Rothfield, Michal. “World Famous Street Sculpture Under Attack.” Manhattan Spirit, March 28,

1997. 1996 Borum, Jennifer. “Forrest Myers - Art & Industrie.” Artforum, Summer, 1996. p. 110. Heartney, Eleanor. “Forrest Myer at Art & Industries.” Art in America, June, 1996. p. 98. Glueck, Grace. “Take a Seat in Soho.” New York Observer, Feb. 12, p. 21. Servetar, Stuart. “ART.” New York Press, vol. 9, no. 8, February, 1996. McKinley, Jesse. “The City: Wall as Sculpture.” The New York Times, January 7,1996. Sand, Katrine. “Metropolitan Life: When Bowie Met Iggy at Max’s Velvet Underground.”

Independent on Sunday, January 14, 1996. p. 4-5.

1995 Beardsley, John and David Finn. A landscape for Modern Sculpture: Storm King Art Center, New

York: Abeville Press, 1995. p. 79, 101-102. Rozhon, Tracie. “Habitats.” The New York Times, January 22, 1995. p. 8. 1994 Altshuler, Bruce. The Avant-Garde in Exhibition – New Art in the 20th Century, New York:

Abrahms, Inc., 1994. p. 233. 1993 Altshuler, Bruce. “Hugh’s Truck.” The New Yorker, November 13, 1993. p. 46-7. Raynor, Vivien. “Changes at a Sculpture Park.” The New York Times, August 22, 1993. p. 15. Louie, Elaine. “…the Line Between Form & Function.” The New York Times, February 11, p. C5. 1992 Cotter, Holland. “Art in Review.” The New York Times, August 21, 1993. 1991 Cotter, Holland. “Die Kunst Der Verkunstung.” Raum und Wohnen, May-June, p. 98-105. Kluver, Billy. “Interview with Forrest Myers.” Sculpture Magazine, May-June, 1991. p. 33. _______. “Storm King Art Center.” Sculpture News, vol. 1, no. 1, Spring, 1991. p. 87. Kluver, Billy. “Katonah Museum of Art.” The Technological Muse, Novemebr 1990–February

1991. Plates 101 – 102. p. 87. 1990 Janjigian, Robert. “Max’s Kansas City.” Night, November 19, 1990. p. 4. _______. Hi Fashion (Japan). no. 198, October, 1990. p. 126. _______. Ambiente. August, 1990. p. 10. _______. Forbes, July, 1990. p. 100. _______. Brutus (Japan), February, 1990. 1989 Naeve, Milos M. “Furniture Designed by Artists.” Bomb Magazine, Fall, 1989. _______. HG. October, 1989. _______. “New Wave Furniture.” New York Style & Design Magazine, October, 1989. _______. “Now Art That You Can Sit On.” The New York Times, Business Section, July 30, 1989. McKenzie, Frank. “Unusual Comforts.” Metropolis, May, 1989.

_______. “Pezzi Liberi Come Free Jazz.” Casa Vogue, January, 1989. 1988 Jones, Alla. The New Yorker, December 12, 1988. _______. Splash, December, 1988. _______. Interior Design, October, 1988. _______. Art Forum, October, 1988. _______. “Hot Seats: An Affair with the Chair.” Self Magazine, July, 1988. _______. “Art & the Designed Object.” Leading Edge Magazine, June, 1988. _______. “Art and the Designed Object.” Leading Edge, June, 1988. _______. “Art Furniture.” Elle Magazine, May, 1988. _______. L’Atelier, April, 1988. 1987 Alexander, Amy. The New York Times. Home Section, November 19, 1987. _______. “Another Crack in the Wall.” Village Voice, October 27, 1987. 1986 Carrol, Jim. Fusion Planning, 1986. _______. International Design, 1986. _______. Metropolis, October, 1986. _______. “The Art & Industry of Metal Furniture.” Metalsmith Magazine, Spring, 1986. _______. “Design USA.” FP Magazine, Japan, March, 1986. _______. “Art et Industrie.” Ambiente, March, 1986. _______. New York Times, Home Section, January 2, 1986 1985 Carrol, Jim. Studio International, vol.198, no.1009, 1985. _______. Interior Design, 1985. _______. “Fascinating Furniture Functional & Fantastic.” Craft International, October—December, 1985. _______. “All American Design.” Newsweek Magazine, November 4, 1985.

_______. “Art Furniture.” American Craft, October – November, 1985. _______. Arts Magazine. Summer, 1985. _______. “New York: Kunst-Mobelhaus Der Neuenwelt.” Architektur and Wohnen, March, 1985. _______. NY Trendline, March, 1985. 1984 Cooke, Ronnie. “8 Designers Made in USA.” Per Lui, September, 1984. _______. “Rejoinery.” Details Magazine, June, 1984. _______. “Form Follows Fantasy.” Metropolis Magazine, January–February, 1984. Slesin, Suzanne. “Different Drummers in Custom Furniture.” New York Times, February, 1984. Brutus. Second Anniversary Issue, 1984. 1982 Plumb, Barbara. “Living: Ideas and Trends.” Vogue, December, 1982. Plumb, Barbara. “Interior Objects at Art et Industrie.” Japan Interior Design, September, 1982. _______. “New York News.” Schoner Wohnen, September, 1982. _______. Domus. August, 1982. Billy Condie. “Hot Properties.” Metropolitan Home, May, 1982. _______. Village Voice, 1982. 1981 Kurtz, Bruce. “Last Call at Max’s.” Artforum, April, 1981. 1980 Towle, Tony. “Forrest Myers at Elrich.” Art in America, September, 1981. 1975 Ratcliff, Carter. “Artpark.” The New Yorker, September, 1975. p. 27. Kingsley, April. Art in America, March–April, 1975. Ratcliff, Carter. Art Spectrum, February, 1975. Schwartz, Barbara. Craft Horizons, February, 1975. Ratcliff, Carter. Kunstforum, December 1974 – January 1975. 1974 Bourdon, David. “Art.” The Village Voice, December 16, 1974. p. 112.

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November, 1967. _______. Time, October, 1967. _______. “Sculpture: It Comes from all Directions.” Los Angeles Herald-Examiner, California Living, April 23, p. 30. 1966 Factor, Donald. “Anthony Magar, Forrest Myers at Dwan.” Artforum, vol.5, no.4, December, 1966. Wilson, William. Art International, vol. 10, December, 1966. p. 51. _______. “Talent in Anonymous Style.” Los Angeles Times, October,1966. p. 18. Robins, Corinne. “Object Structure or Sculpture: Where Are We.” Arts Magazine, September-

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_______. “Our Period Style.” Art and Artists, June, 1966. W.B. “Forrest Myers, Tamara Melcher.” Arts Magazine, June, 1966. Robins, Corinne. “Four Directions at Park Place.” Arts Magazine, June, 1966 Bourdon, David. “Engineer’s Esthetics.” Time, Sculpture, June 3, 1966. p. 64. _______. Art Voices, Summer, 1966. Kramer, Hilton. “Primary Structures – The New Anonymity.” The New York Times, May 1, 1966. McShine, Kynaston. Primary Structures: Younger American and British Sculptors. Exhibition

catalogue. The Jewish Museum, New York, April-June, 1966. Piene, Nan. “New York Gallery Notes.” Art in America, March-April, 1966. Lippard, Lucy. “Recent Sculpture as Escape.” Art International, February, 1966. Bourdon, David. “E=mc2 a go-go.” Artnews, January, 1966. _______. Mizue, no. 738, 1966. Smithson, Robert. “Entropy and the New Monuments.” Artforum, June, 1966. Reprinted in The

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