For Savannah Grace Smith, a loving daughter and oboist, in ...DD Fl. Ob. Cl. B. Cl. A. Sax. T. Sax....

For Savannah Grace Smith, a loving daughter and oboist, in honor of her premiere band concert with the

Gulf Breeze, Florida Middle School Band

SYMPHONIC STATEMENTROBERT W. SMITH (ASCAP)

Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order. We hope this will not present any difficulty for you in distributing the parts. Thank you for your understanding.

BEGINNING BAND

INSTRUMENTATION

1 Conductor10 C Flute2 Oboe

10 B Clarinet2 B Bass Clarinet6 E Alto Saxophone4 B Tenor Saxophone2 E Baritone Saxophone8 B Trumpet4 Horn in F

6 Trombone/Baritone/Bassoon

2 Baritone Treble Clef (World Part Trombone in B Treble Clef)

4 Tuba3 Mallet Percussion (Bells,

Vibraphone, Chimes)1 Optional Timpani (Tune: G, D)3 Percussion I (Wind Chimes,

Bass Drum, Snare Drum)3 Percussion II (Crash Cymbals,

Suspended Cymbal, Triangle)

WORLD PARTSAvailable for download from

www.alfred.com/worldparts

Horn in ETrombone/Baritone in BBass ClefTuba in E Bass ClefTuba in E Treble ClefTuba in B Bass ClefTuba in B Treble Clef

Previe

w Only

Legal Use R

equires P

urchase

PROGRAM NOTES

Composed for the developing band, SYMPHONIC STATEMENT is a bold, yet elegant musical declaration. Beginning in a mysterious setting that foreshadows the impending melody, the piece moves quickly to a daring proclamation that blends flowing musical lines with brash exclamations. Composed in the fall of 2006, SYMPHONIC STATEMENT is dedicated to the composer’s daughter, Savannah Grace Smith, and the Gulf Breeze (Florida) Middle School Band under the direction of Susan Smithey and Patty Heath.

NOTES TO THE CONDUCTOR

The introduction should be conducted in two, as indicated. However, depending upon the teaching situation, you may wish to conduct in four during the early stages of rehearsal.

Particular attention should be given to dynamic shaping and contrast throughout. The eighth-note figures in the upper woodwinds (ex. 29-30) should be very smooth and flowing, yet shaped as indicated by the dynamic marking.

The keyboard percussion has been scored with an optional divisi to facilitate your teaching objectives as well as create a timbral effect. If you choose to use additional keyboard percussionists, they should play on the divisi parts only.

SYMPHONIC STATEMENT was written to commemorate my daughter’s first band concert in December of 2005. Savannah Grace Smith is an oboist in the Gulf Breeze Middle School Band of Gulf Breeze, FL. I would like to thank Susan Smithey and Patty Heath for their dedication to music and music education. These two gifted teachers have made a difference in the lives of countless students. We are thankful that our daughter can be counted as part of their musical legacy.

I hope that you and the band enjoy SYMPHONIC STATEMENT and find it to be a valued addition to your concert program. Best wishes for a wonderful performance!

Previe

w Only

Legal Use R

equires P

urchase

C Flute

Oboe

B Clarinet

B Bass Clarinet

E Alto Saxophone

B Tenor Saxophone

E Baritone Saxophone

B Trumpet

Horn in F

Trombone/Baritone/Bassoon

Tuba

Mallet Percussion(Bells, Vibraphone,

Chimes)

Optional Timpani

Percussion I(Wind Chimes,

Bass Drum, Snare Drum)

Percussion II(Crash Cymbals,

Suspended Cymbal, Triangle)

Mysterious = 144 (cut-time feel)

Mysterious = 144 (cut-time feel)

Cr. Cyms. ch

B.D.

Vibes (Opt. Bells 2)

W.C.

Tune: G, D

Bells (Opt. lower part throughout)

1 2

Susp. Cym.

div.

3 4 5

24702S

CONDUCTORFor Savannah Grace Smith, a loving daughter and oboist,

In Honor of Her Premiere Band Concert with the Gulf Breeze, Florida, Middle School Band

SYMPHONIC STATEMENTROBERT W. SMITH (ASCAP)

© MMVI BELWIN-MILLS PUBLISHING CORP. (ASCAP), a division of ALFRED PUBLISHING CO., INC.All Rights Reserved including Public Performance

To purchase a full-length recording of this piece, go to alfred.com/downloads

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

6 7 8 9 10 11

Conductor - 2

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

12

13

13

a2

13 14 15 16 17

Conductor - 3

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

18 19 20

21

21

Boldly (in 4)

Boldly (in 4)

21 22

Conductor - 4

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

Cr. Cyms.

S.D.

Chimes

23 24 25 26

Conductor - 5

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

27 28

29

29

29 30

Conductor - 6

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

div.

div.

31 32 33 34

Conductor - 7

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

35 36 37 38

Conductor - 8

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

W.C.

Bells (Upper part Opt. if only one player)

Vibes

div.

39 40

Trgl.

S.D.

41 42

Conductor - 9

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

43

43

Flowing

Flowing

2nd time only

div.

a2

43 44

2nd time only

Both times

-

div.

2nd time only

2nd time only

2nd time only

2nd time only

2nd time only

2nd time only

-

Both times

-

Both times

45 46

Conductor - 10

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

a2

47 48

div.

49 50

Conductor - 11

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

-

51 52

Bassoon only

Both times

Both times

Both times

Both times

a2

53

2nd time only

2nd time only

54 55

Conductor - 12

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

All

Both times

Both times

Both times

56

Both times

Both times

Both times

57 58

Both times

59 60

Conductor - 13

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

61

61

Building intensity

Building intensity

61 62

div.

63 64

Conductor - 14

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

65 66 67 68

69

69

Majestic

Majestic

69

Conductor - 15

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

70

a2

71 72

Solo

a2

73

Conductor - 16

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

74 75 76

Change: G to A

Chimes

77

div.

78

Conductor - 17

24702S

Previe

w Only

Legal Use R

equires P

urchase

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. I

Perc. II

79

div.

80 81 82

ch

ch

83

Conductor - 18

24702S

Previe

w Only

Legal Use R

equires P

urchase

For Savannah Grace Smith, a loving daughter and oboist, in ...DD Fl. Ob. Cl. B. Cl. A. Sax. T. Sax....

Documents

Transcript of For Savannah Grace Smith, a loving daughter and oboist, in ...DD Fl. Ob. Cl. B. Cl. A. Sax. T. Sax....

I. PARADE OF THE GLADIATORS · bb bb # # b bb bb bb bb Fl. Ob. 1 2 B. Cl. A. Sax. T. Sax. B. Sax. 1 2 Hn. Tbn. Bar./ Euph. Bsn. Tuba Timp. (Opt. T.T.) Bells Perc. 1 Perc. 2 Cls. Tpts.,,,,

CARMEN Entr'actemusic.geocities.jp/rusticana06/carmenentractewe.pdf · Fl.1,2 Ob. Eng. Hn. Bsn. Eb Cl. Cl.1 Cl.2 Cl.3 Alto Cl. B. Cl. A. Sax.1,2 T. Sax. B. Sax. Tpt.1

Long Tones Warm-upstwarriorband.weebly.com/.../long_tones_warmup.pdf · Fl. Ob. Cl. B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Bsn. Tpt. Hn. Tbn. Tba. Perc. Perc. Perc. Glock. Xyl. Exercise

W.W.Octet Giovanna d' Arcomusic.geocities.jp/rusticana06/giovannaww8.pdfFl. Ob. 1 Cl. 2 Cl. 3 Cl. Alto Sax. Bsn. B. Cl. VUOTA 50 p p p p Fl. Ob. 1 Cl. 2 Cl. 3 Cl. Alto Sax. Bsn. B.

2 Fl, Ob (sub S Sax/Cl), 2 Cl, 2 Hn (sub A Sax/Cl), 3 Tpt ......(Soprano Sax) (Clarinet) Clarinet 1 & 2 Horn 1 & 2 (Alto Sax) (Clarinet) Trumpet 1 Trumpet 2 & 3 (Alto Sax) Trombone

From the hit movie «GHOSTBUSTERS» Who you gonna call? · 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 Fl. 1 Fl. 2 Ob. Bsn. Cl. 1 Cl. 2 Cl. 3 B. Cl. A. Sax. 1 A. Sax. 2 T. Sax. Bar. Sax.

SCORE O CANADA - Canadian Armed Forces · Picc. Fl. Ob. 1st Cl. 2nd Cl. 3rd Cl. B. Cl. Bsn. 1st Alto Sax. 2nd Alto Sax. Ten. Sax. Bari. Sax. Hn. 1-2 Hn. 3-4 1st Tpt. 2nd Tpt. 3rd

ORPHÉE AUX ENFERS - music.geocities.jpmusic.geocities.jp/rusticana06/orpheewe.pdf · Picc. Fl. Ob. Opt. Cl.or S.Sax. 1 Cl. 2 Cl. 3 Cl. B. Cl. 1 Alto Sax. 2 Alto Sax. Ten. Sax. Bari.

NATALE - smim.it · Cl. Cl. B. Cl. Sax Alto Tpt. Tpt. Tpt. Glock. Xil. Mar. Vib. Cht. Cht. J. Basso Ac. Perc. Dr. Timp. f sleight ride A 16 f sleight ride mf mf sleight ride f sleight

NESSUN DORMA - Studio Music...8 A Solo Cor. Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1 Cl. 2 Cl. 3 Bass Cl. Bsn. Alto Sax. 1 Alto Sax. 2 Ten. Sax. Bari. Sax. Hn. 1 Hn. 2 Hn. 3 Hn. 4 Tpt. 1 Tpt.

€¦ · D M e n-Fl. 1, 2 Ob. Bsn. E Cl. 1st Cl. 2nd Cl. 3rd Cl. Bass Cl. 1st Alto Sax. 2nd Alto Sax. Ten. Sax. Bari. Sax. 1st Tpt. 2nd Tpt. 3rd Tpt. 1st & 3rd Hn. 2nd & 4th ...

A CHRISTMAS MEDLEY - … · 25 B Picc. Fl. 1/2 Ob. Bsn. Cl.1 Cl.2 Cl.3 B. Cl. A. Sax. T. Sax. B. Sax. Hn.1/2 Hn.3/4 Tpt.1 Tpt.2 Tpt.3 Tbn.1/2 Tbn.3 Bar. Tba. Perc. 1 Perc. 2 Perc.

Compass Points West!A Sax Ob Vln Cl Tpt A Sax T Sax Cl A Sax Hn Vla T Sax Bari Bsn Trbn Bari Vc Bsn Trbn Bari Bass B Cl Bari Tuba Timp Bells Chimes S.D. B.D. Tamb S.C. C.C. Gong 3

November Rain Concertband - Full Score · Voice E. Gtr. Pno. Bass Dr. Picc. Fl.1+2 Ob. Eng. Hn. Bsn. Eb Cl. Cl.1 Cl.2 Cl.3 B. Cl. A. Sax.1 A. Sax.2 T. Sax. B. Sax. Hn.1+3 Hn.2+4 Tpt.1

A Page of Patterns · Fl. Ob. Bsn. Cl. B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Tba. Xyl. Xyl. 17 15 16 18 19 & &? & & & & & & &?? & & bœbœbœœœœbœœbœbœœœ ...

U U - johnmcallistermusic.com · Fl. Cl. Cl. B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Tpt. Hn. Tbn. Tbn. Tba. Basses Low Br/WW AltoVoices Sop.Voices Tuning Sequence 60 Basses Low

Ten. Sax. · Alto Sax. Ten. Sax. Bari. Sax. Tpt. Tpt. Tbn. Glock. Xyl. Vib. Mar. Mar. Mar. Mar. Perc. Perc. Perc. Perc. Pno. Bass Voice S. A. 9 °øø°ø° ø°°øø°ø°ø° mf

Belkis, Queen of Shebamusic.geocities.jp/rusticana06/belkiswe.pdfPicc. 1st 2nd Fl. 1st 2nd Ob. 1st 2nd Bsn. Eb Cl. 1st Cl. 2nd Cl. 3rd Cl. B.Cl. Sop. Sax. 1st 2nd Alto Sax. Ten. Sax.

Conductor Score · 25 26 26 a Tempo a Tempo 26 27 28 rit. rit. 29 a Tempo a Tempo 30 31 Picc. Fl. Ob. 1st Cl. 2nd Cl. Bass Cl. Bsn. 1st Alto Sax. 2nd Alto Sax. Ten. Sax. Bari. Sax.

Dos danzas LatinasFl. Ob. Bsn. Eb Cl. Cl. 1 Cl. 2 Cl. 3 B. Cl. A. Sax. 1 A. Sax. 2 T. Sax. Bar. Sax. Tpt. 1 Tpt. 2 Tpt. 3 Hn. 1 Hn. 2 Hn. 3 Tbn. 1 Tbn. 2 Tbn. 3 Euph. Tuba S. Bass