Fonts media coursework

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Transcript of Fonts media coursework

Page 1: Fonts media coursework
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Jane Austen

This font has a classical feel about it, and it

connotes an image of perfect romance, as

found in Pride and Prejudice and Sense and

Sensibility.

The romanticism aspect would suit the

overall storyline, but the old-fashioned

connotation is has would contradict the

female character’s personality.

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Clementine sketch

This particular font has a feminine feel, seen

in the flowing nature , and that would suit

our female character well.

However, the downside to choosing this font

is that it doesn’t have any explicit romantic

connotations.

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L.T chickenhawk This font is a mixture of the feminine nature of the

protagonist, but also displays the playful, romantic side of the character.

The little love hearts, which are used as full stops:

. and on the following letters:

O,i,q,p,d,b,q,jprovide the perfect combination of romance

and comedy needed for our opening sequence.

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Commercial Script

The above font, Commercial Script, is a

neat, and stylish calligraphy font.

It has the same connotations as the Jane

Austen font, as it promotes the romantic

ideals more so than the reality of modern-

day life.

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SC tinas baby shower

This font is a contemporary, fun and unusual

font, and would be a different take on our

female protagonist.

The downside to using this font is that it

doesn’t use capital letters, which could

become an issue further on in the

production stage.

This means it could be harder to

differentiate between the capital letters in

the credits.

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Miama This font has clear feminine

connotations, but the only trouble once

again would be trying to incorporate a

more romantic feel into the credits.

This would not be one of the top picks

because it doesn’t blend the two ideas

together.

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IN THE END, WE HAVE DECIDED TO USE….

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L.T CHICKEN HAWK