Focus notes
17
Focus Notes – Yerma Stage Lighting Design- # Type of Light Colo ur # Chann el # Colour name What the colour does/mea ns Why I am using it Focusing 1 Source 4 JNR Zoom 009 1 Pale Amber Gold Late evening/ Early Morning Sunlight Create a patchy warm sunlight effect that that is abstract but still highlights the audience. The beam of this light will light area 1 with no spill into area 2 (create shadows). Use shutters to encompass the stage shape. 2 Source 4 JNR Zoom 009 2 Pale Amber Gold Late evening/ Early Morning Sunlight Create a patchy warm sunlight effect that that is abstract but still highlights the audience. The beam of this light will light area 2 only from the left hand side. Use shutters to encompass the stage shape. 3 Source 4 JNR 009 3 Pale Amber Gold Late Create a patchy warm The beam of
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Transcript of Focus notes
Focus Notes – Yerma Stage Lighting Design-
# Type of Light Colour #
Channel #
Colour name What the colour does/means
Why I am using it Focusing
1 Source 4 JNR Zoom 009 1 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
The beam of this light will light area 1 with no spill into area 2 (create shadows). Use shutters to encompass the stage shape.
2 Source 4 JNR Zoom 009 2 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
The beam of this light will light area 2 only from the left hand side. Use shutters to encompass the stage shape.
3 Source 4 JNR Zoom 009 3 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
The beam of this light will light the right half of area 2 only. Use shutters to encompass the stage shape.
4 Source 4 JNR Zoom 009 4 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
The beam of this light will light will overlap light 1 slightly and will only light area 1. Use shutters to
Focus Notes – Yerma Stage Lighting Design-
encompass the stage shape.
5 Source 4 JNR Zoom 009 5 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
This beam will light the bottom half of area 2 only. Use shutters to encompass the stage shape.
6 Source 4 JNR Zoom 009 6 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
This beam will overlap the previous beam but will spill into the top of area 5 only. Use shutters to encompass the stage shape.
7 Source 4 JNR Zoom 009 7 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
This beam will light the top of area 5 only and will spill into the right of area 4 only. Use shutters to encompass the stage shape.
8 Source 4 JNR Zoom 009 8 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
This beam will light the top of area 6 only but with a slight spill in to area 5. Use shutters to
Focus Notes – Yerma Stage Lighting Design-
encompass the stage shape.
9 Source 4 JNR Zoom 009 9 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
This beam will light the top of area 6 only with slight spill into the bottom of area 3. Use shutters to encompass the stage shape.
10 Source 4 JNR Zoom 009 10 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
This beam will light area 4 as much as possible with no spill into any other area. Use shutters to encompass the stage shape.
11 Source 4 JNR Zoom 009 11 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience.
This beam will light the bottom of area 5 as much as possible with no spill into other areas. Use shutters to encompass the stage shape.
12 Source 4 JNR Zoom 009 12 Pale Amber Gold Late evening/ Early Morning Sunlight
Create a patchy warm sunlight effect that that is abstract but still highlights the audience. I have also changed the angle of the light so it can capture the bed slightly.
This beam will light as much of the right hand bottom corner as possible. It
Focus Notes – Yerma Stage Lighting Design-
will be angled upwards so it hits the bed very slightly so it can be doubled as a very delicate spot light on the bed. Use shutters to encompass the stage shape.
13 Source 4 JNR Zoom 075 13 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the top of area 2 only. Use shutters to encompass the stage shape.
14 Source 4 JNR Zoom 075 14 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the top of area 3 only. Use shutters to encompass the stage shape.
15 Source 4 JNR Zoom 075 15 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the top half of area 3 and the top of area 6 only. Use shutters to encompass the stage shape.
16 Source 4 JNR Zoom 075 16 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the bottom
Focus Notes – Yerma Stage Lighting Design-
half of area 1 and the top half of area 4 only. Use shutters to encompass the stage shape.
17 Source 4 JNR Zoom 075 17 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the bottom half of area 3 with spill into the top of area 6. Use shutters to encompass the stage shape.
18 Source 4 JNR Zoom 075 18 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the top half of area 6 as much as possibly only. Use shutters to encompass the stage shape.
19 Source 4 JNR Zoom 075 19 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the bottom half of area 4 as much as possible with no spill. Use shutters to encompass the stage shape.
20 Source 4 JNR Zoom 075 20 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the top half of area 5 as
Focus Notes – Yerma Stage Lighting Design-
much as possible with no spill into other areas. Use shutters to encompass the stage shape.
21 Source 4 JNR Zoom 075 21 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the right hand side of area 5 and the left hand side of area 6 with some spill into area 2 and 3. Use shutters to encompass the stage shape.
22 Source 4 JNR Zoom 075 22 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the right hand side of area 4 and the left hand side of area 5 with no spill into other areas. Use shutters to encompass the stage shape.
23 Source 4 JNR Zoom 075 23 Evening Blue Romantic Moonlight
To create a patchy moonlit effect that is dreamy and romantic.
This beam will light the right hand side of area 5 and the left hand side of
Focus Notes – Yerma Stage Lighting Design-
area 6 it can overlap light 22 if possible. Use shutters to encompass the stage shape.
24 30 X Bulbs 0/W 24/54 Bulbs Frosted Light Bulb 100w
I am using these lights to create a dramatic abstract feature but also to add meaning for the audience. As Yerma hopes and dreams for a child her hatred towards her husband becomes more and more intense. In the end scene I want these lights to come into the centre and drop down. I would like to use a frosted white bulb for these light that will be encased in a blown glass tube.
I would light the lights to be hung in a somewhat evenly spaced manor that is still in reference to my shape I have drawn on the lighting plan and in the key. A more detailed image of this can also be found with the lighting plan.
55 Parcan 017 55 Skin Tone Mood Lighting
To create a dramatic and dense pigment to the skin.
This light should be rigged on a boon at average height head level. (Around 5 foot or 1.52 meters.)
56 Parcan 017 56 Skin Tone Mood Lighting
To create a dramatic and dense pigment to the skin.
This light should be rigged on a boon at average height head level. (Around 5
Focus Notes – Yerma Stage Lighting Design-
foot or 1.52 meters.)
57 Parcan 017 57 Skin Tone Mood Lighting
To create a dramatic and dense pigment to the skin.
This light should be rigged on a boon at average height head level. (Around 5 foot or 1.52 meters.)
58 Parcan 017 58 Skin Tone Mood Lighting
To create a dramatic and dense pigment to the skin.
This light should be rigged on a boon at average height head level. (Around 5 foot or 1.52 meters.)
59 Parcan Lee U.V
59 Pure White U.V Light 50% Transmission
I have added this light to add a bright white highlight to the end scene as it has spiritual and religious themes. Yerma is committing a sin.
This light should be rigged as close as possible on the boon to the top light.
60 Parcan Lee U.V
60 Pure White U.V Light 50% Transmission
I have added this light to add a bright white highlight to the end scene as it has spiritual and religious themes. Yerma is committing a sin.
This light should be rigged as close as possible on the boon to the top light.
61 Parcan Lee U.V
61 Pure White U.V Light 50% Transmission
I have added this light to add a bright white highlight to the end scene as it has spiritual and religious themes. Yerma is committing a sin.
This light should be rigged as close as possible on the boon to the top light.
62 Parcan Lee U.V
62 Pure White U.V Light 50%
I have added this light to add a bright white highlight to the end scene as it
This light should be rigged as
Focus Notes – Yerma Stage Lighting Design-
Transmission
has spiritual and religious themes. Yerma is committing a sin.
close as possible on the boon to the top light.
63 Parcan 109 63 Light Salmon Interesting Backlight
I have added in this colour because I am not using back light however I would still like some depth to the scenes. This light is to be used at moments of intensity in the script. I have picked this shade because it is an unusual ‘back light’.
This light should be rigged as close as possible on the boon to the middle light.
64 Parcan 109 64 Light Salmon Interesting Backlight
I have added in this colour because I am not using back light however I would still like some depth to the scenes. This light is to be used at moments of intensity in the script. I have picked this shade because it is an unusual ‘back light’.
This light should be rigged as close as possible on the boon to the middle light.
65 Parcan 109 65 Light Salmon Interesting Backlight
I have added in this colour because I am not using back light however I would still like some depth to the scenes. This light is to be used at moments of intensity in the script. I have picked this shade because it is an unusual ‘back light’.
This light should be rigged as close as possible on the boon to the middle light.
66 Parcan 109 66 Light Salmon Interesting Backlight
I have added in this colour because I am not using back light however I would still like some depth to the scenes. This light is to be used at moments of intensity in the script. I have picked this shade because it is an unusual ‘back light’.
This light should be rigged as close as possible on the boon to the middle light.
Focus Notes – Yerma Stage Lighting Design-
67 Fresnel o/w 67 o/w Warm off white light
This light is used to create a shaft of light that will shine from behind any actor who enters through that specific door. I have added this light in response to the dancers and singers that are in the play so they have a more poignant entrance.
This light will be rigged as far right as possible on the designated bar. The light will spill only through the door/walkway in areas three and six but no more than half way in each area. Use barn doors on the right and left to narrow beam to the width of the door.
68 Profile 079 68 Just Blue River Effect To create a river pattern on the floor that is clear for the audience to understand its intentions but still abstract in some form.
This light will also have an Effects Wheel.
