The use of a red font helps the name of the band to stand out from the rest of the monochrome image; this is the only burst of colour on the page.

The contrast between the models used and the background help them to stand out; a silhouette is nearly created by this effect; identity may be a theme in their music as it is suggested here.

The name of the album is upside-down, which mirrors the position of the male model used.

The red font is used again, which is a clear continuation from the front cover.

The two models used mirror the positions of the two on the front cover; this shows a clear connection between the front and back cover and suggests that the music has a constant theme.

The tracklist, barcode and copyright information is all featured on this panel of the digipakas it would detract from the ideas shown on the front panel – the panel most looked at by customers.

The black bar suggests a stain on society and the effect this has on people’s identity. Additionally, the line could infer the rigid view’s society has and, when placed beside the image of the hands, shows the unity and support between those who are successful and those who aren’t.

This image is a picture of the members of the band, which therefore personalises the panel and the digipak as a whole.Additionally, the eye-contact shown helps make the panel more intimate and direct.

The theme of a monochrome image is continued, which means that the digipak is effective as a collective.

The consistency with the red font is evident here. The upside-down text is repeated here, also.

The contrast between background is continued.

The simplicity shown in the earlier images is evident in the CD.