First Sequence Draft - #NSA (1)
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Transcript of First Sequence Draft - #NSA (1)
8/18/2019 First Sequence Draft - #NSA (1)
http://slidepdf.com/reader/full/first-sequence-draft-nsa-1 1/24
#NSA
by PARKER ALLEN
STANLEY
SCENE ONE ~ HOLE’S GLORY OPENING
The show begins with the (red) curtains still
closed on stage. Muffled dance club musicmust be playing from behind the curtains as
the first audience member walks in.
Ensemble members should be exiting
through the curtain as if leaving a club. Liketwo boys in heels fishnets and skimpy
dresses both sharing a cigarette. !r a butch
woman wearing a latex "masc # masc$ t%
shirt next to her friend a bio &ueenwearing a matching "masc # mascara$
dress. Maybe even a 'LE'!. *s eachcharacter enters they should each attach a
string (total of #) from offstage and connect
them along the bottom of the curtain.
Ending with a leather daddy exiting betweenthe curtains wearing designer underwear
and harness as the voice over plays. +hile
the voice over plays two hands should be seen (maybe pro,ected) playing master
puppeteer pulling strings and lifting thecurtain up by the four of them. The leatherdaddy should then ad,ust himself and turn
around so his butt faces the audience. *s the
curtains rising reveals a wall of holesranging in si-es. Like a graffitied bathroom
stall scrim. * cigarette should be passed
through a hole so should things like a bottle
of patron te&uila to those ensemble memberson stage. * shadowed profiled version of
inocchio with a long nose should be seen
in a large hole with the term "/01*$ on it.
PINOCCHIO (V.O.)
All I ever wanted was !r every!ne t! "nstantly l!ve e$ I %&st d"dn’t want t! be t'e
(&((et b!y w'! never 'ad w'at t'ey needed t! be )(assable$* N!w I’ ne"t'er b!y+ ,"rl+
!r (&((et$
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#NSA First Sequence Draft ~ p. 2 Parker Allen Stanley
The shadow of inocchio should turn and
poke its nose through the "/01*$ screened
hole. The screen should break to reveal abusted inocchio. *ll ensemble members
should leave except for the 2addy receiving
pleasure below him. inocchio3s nose startsto bleed.
PINOCCHIO
I’ an e-"stent"al n",'tare$
'lood drips on the man below grossing himout forcing him to leave. The dance music
cues up and lights kick in to give the eerie
electro dance club vibe we had imagined the
partygoers would3ve been in. +ooden nosescan grow out of the holes as the song goes
on. *ctors faces and names can be shown inthe holes as sort of a title se&uence.
“BLACKOUT” (Pinocchio)
PINOCCHIO
IT’S TI.E TO /LACKO0T
I 10ST 2ANT TO ESCAPE
TO GO 3EEP INTO ANOTHER 2ORL3
2HERE 2E CAN 4EEL ALONE
2ITHO0T /EING ALONE
2HERE THERE’S SILENCE IN THE NOISE
2HERE GIRLS AN3 /OYS /ECO.E PLAY TOYS
2HERE I CAN GET LOST IN PAR5A53ISE
OH GO3+ I 2ISH THIS+ 2ASN’T .Y 6ICE
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#NSA First Sequence Draft ~ p. 3 Parker Allen Stanley
/0T IT’S TI.E TO 4EEL 4REE
LET THE 3ARKNESS PLEAS0RE .E
NO STRINGS ATTACHE3 TO REALITY
CA0SE I’. ALONE+ YO0 AN3 .E
TO /E CO.PLETE
TO /E HAPPY
TO /E OR NOT TO /E
IS THE 70ESTION THAT
I ASK .YSEL4
2HEN I’. ALONE
ALL /Y .YSEL4
IN THE 3ARK
IN THE 3ARK
IN THE 3ARK
IN THE 3ARK
IN THE 3ARK
IN THE 3ARK
IN THE 3ARK
IN THE 3ARK
IN THE /LACKO0TTTTTTT
Lights strobe as we see through the scrim as
to what looks like inocchio levitating in air while attached to chains pulling his limbs in
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#NSA First Sequence Draft ~ p. 4 Parker Allen Stanley
different directions. 4is nose gone. 5ace a
bloody mess.
'lackout.
SCENE T2O ~ SNEAKY LITTLE /RO2N NOSER 2ITH A HI33EN AGEN3A
ALLEN
(6n blackout) L"ar$ L"ar$ Pants !n "re8 Str"n, y!& t! a tele('!ne w"re88
GEPPETTO
2'ere’s t'e bl&e a"ry9
Lights up on stage left. +oody3s
starts to make its way on to the
stage. 7eppetto cleaning up shoptaking inventory talking to his fish
(8leo) and cat (5igaro)
Cle!: 'ave y!& seen "t9
He sear;'es !r t'e d!ll$
4",ar!9 Have y!& seen "t9 H w'at ;!&ld’ve 'a((ened t! t'"s d!ll9
+e see *llen as if he is walkingdown the street heading to +oody3s.
Y!& <n!w+ "t &st’ve been t'at l"ttle ;'allen,ed b!y w'! ;ae "n earl"er t'"s !rn"n,8Yea'8 He (r!bably t!!< "t8 Y!& <n!w " 'e were y ;'"ld+ I’d tea;' '" a less!n$ It’s n!t
all r",'t t! steal$ H"s (arents are d!"n, an aw&l %!b$ S!e!ne needs t! s'!w '" s!
d"s;"(l"ne+ a"n’t t'at r",'t 4",ar!9
*llen knocks on the door to +oody3s.
Hell!8 2'! "s "t8 It’s late8 2'at d! y!& want8
ALLEN
Hell!8 .r8 .y nae "s Allen$ I t'"n< I 'ave s!et'"n, y!& ay want$
GEPPETTO
I’ n!t l!!<"n, t! b&y anyt'"n,$
ALLEN
And I’ n!t as<"n, y!& t!!8
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#NSA First Sequence Draft ~ p. 5 Parker Allen Stanley
GEPPETTO
T'en w'at d! y!& want9
ALLEN
C!&ld y!& (lease %&st !(en t'e d!!r9
GEPPETTO
Alr",'t$ /&t a<e "t =&";<$
ALLEN
H"$ Ge((ett!9 R",'t9
GEPPETTO
yes$
ALLEN
H"$ I’ Allen$ I t'"n< y l"ttle br!t'er t!!< t'"s r! y!&9
GEPPETTO
THE /L0E 4AIRY8
ALLEN
I’ s! s!rry " y!& were l!!<"n, !r "t$
GEPPETTO
I <new t'at l"ttle retard t!!< "t$ S!e!ne !&,'ta tea;' '" a less!n8
ALLEN
Alr",'t$ S"r+ n! need t!! tal< l"<e t'at$ Y!& s'!&ldn’t say t'at w!rd$ .y br!t'er "s verys!rry !r w'at 'e d"d$ He %&st wanted t! (lay w"t'5
GEPPETTO
He’s always ;!"n, "n y st!re$ S;ar"n, away t'e ;!st&ers be;a&se 'e %&st stands and
stares at a t!y$ 0nt"l 'e dr!!ls s!et"es8
ALLEN
Ab!&t t'at+ "t’s be;a&se 'e’s n!t all!wed t! 'ave d!lls at5
GEPPETTO
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#NSA First Sequence Draft ~ p. 6 Parker Allen Stanley
And y!& <n!w: 'e’s always as<"n, e ab!&t t'at be'"nd t'e red ;&rta"n8 He as<s e$
Over and !ver and !ver a,a"n$ )2'at’s be'"nd t'e red ;&rta"n9 2'at’s be'"nd t'e red
;&rta"n9* d!esn’t y!&r br!t'er 'ave any d"s;"(l"ne "n '"s l"e8 It’s n!t (!l"te t! b&, !t'ersw"t' =&est"!ns8
ALLEN
2'at "s be'"nd t'e red ;&rta"n9
GEPPETTO
0,'8 Y!& t!!8 Y!& wanna <n!w w'at’s be'"nd t'e red ;&rta"n9 I’ll s'!w y!&8 S! y!& and
y!&r t'"e ! a br!t'er ;an st!( as<"n, e$
7eppetto pulls a string revealing a
life%si-e puppet in progress beingmade.
ALLEN
2!a'$
GEPPETTO
It’s ,!"n, t! be t'e ,reatest (&((et any!ne 'as ever seen8
ALLEN
It’s bea&t"&l$
GEPPETTO
T'an< y!&$ It’s been a l"et"e "n t'e a<"n,$ It’s ,!"n, t! be t'e !st bea&t"&l (&((et
ever ade$ I I’ ,!"n, t! be a ba;'el!r all y l"e+ I’ at least ,!"n, t! 'ave t'e ;!!lest
t!ys$
ALLEN
T'at’s &nderstandable$ All r",'t+ well I better ,et ,!"n,: "t’s ,ett"n, late$ On;e a,a"n+I’ s!rry !r t'e "n;!nven"en;e t'at !;;&rred t!day$
GEPPETTO
3!n’t be$ Y!&r retard br!t'er %&st d!esn’t <n!w w'at’s r",'t and w'at’s wr!n, be;a&se'e’s been "ll ade$ Y!& s'!&ld <ee( a better wat;' !n '"$
ALLEN
I t'"n< y!&’re be"n, a b"t ;r&el s"r$
GEPPETTO
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#NSA First Sequence Draft ~ p. 7 Parker Allen Stanley
Cr&el9 Y!& t'"n< I’ be"n, ;r&el9
ALLEN
Yes$
GEPPETTO
I’ n!t be"n, ;r&el$ I’ be"n, real"st";$ Get !&t ! t'e w!rld y!&’re l"v"n, "n be;a&se "t’sa l"e$ 2el;!e t! t'e real w!rld: "t’s a ;r&el (la;e$
ALLEN
2ell y ballet tea;'er always says5
GEPPETTO
/allet9 Y!& ta<e ballet9 Ha8 2'at 'ave y!&r (arents d!ne t! y!&89
ALLEN
St";<s and st!ne+ ay brea< y b!nes b&t y (arents are5
GEPPETTO
Let e st!( y!& r",'t t'ere$ Y!&r (arents are terr"ble at t'e"r %!b$ And by t'e l!!<s !y!&r ar: t'ey ;ant even (r!te;t y!&$ &nless t'ey’re t'e !nes d!"n, t'"s t!! y!&$
7etppetto grabs allen. 9eleaving abruise on allen3s upper arm.
ALLEN
Ow8 St!(8 Let ,! ! e8 T'at '&rts8
GEPPETTO
T'ey aren’t d!"n, s=&at$ T'at w!&ld be l"<e e "s&s"n, y ar"!nettes8 Can’t &se a
ar"!nette " "t d!n’t ,!t all "ts str"n,s$
7eppetto cuts one of the strings on
the blue fairy. Everything seems to shake as smoke and fog emerges. *
blue spotlight takes over as the
marionette turns into an actual blue fairy godmother.
GEPPETTO
2'at’s 'a((en"n,898 K"d+ ,et !&t8
SCENE THREE ~ 2ISH ONE > T2O
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#NSA First Sequence Draft ~ p. 8 Parker Allen Stanley
BLUE FAIRY
2'y+ Hell! t'ere8 I’ /l&eLady$ It’s n";e t! eet y!&8 Are y!& t'e !ne w'! ;&t ystr"n,9
ALLEN
He d"d "t8
BLUE FAIRY
Awww t'an< y!& !ld ell!w$ Y!&’ve be,&n t'e (r!;ess t! set e ree8 And be;a&se ! "t
I’ ,!"n, t! ,rant y!& !ne w"s'$ 2'at t! y!& l!n, !r9
GEPPETTO
O' /l&eLady+ I want y !wn lady8 .y !wn lady t! l!ve8
BLUE FAIRY
Y!&r w"s' "s y ;!and b&t <n!w t'at s'e w"ll ;!e w'en y!& need l!ve t'e !st "n
y!&r l"e$ Always be ready$ Always be !(en$
GEPPETTO
2a"t8 I ,!t an!t'er w"s'$ ?8uts second string @ I want a ;'"ld8 One ! y !wn8 A s!n t!'el( w"t' t'e s'!(8
ALLEN
I want a w"s'8
GEPPETTO
Get y!&r !wn /l&eLady8
BLUE FAIRY
O' b!ys$ /!ys$ /e n";e$ Alr",'t$ I ,rant a se;!nd w"s'$ /&t ater t'"s I &st rest$Pre(ar"n, !r reed! ta<es t"e$ And t'e less str"n,s t'e s'a<"er y (!wers ,et$
“GRANTED” (Blue Fairy)
BLUE FAIRY
YO0’RE N3 2ISH 2ILL /E GRANTE3
/0T 3ON’T TAKE IT 4OR GRANTE3
/ECA0SE HONEY YO0 SHO0L3 /E CARE40L
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#NSA First Sequence Draft ~ p. 9 Parker Allen Stanley
2HAT YO0 2ISH 4OR
YO0 AL2AYS SAI3+ YO0 2ANTE3 A SON+
2HO 2O0L3 LO6E YO0 0NTIL THE NIGHT IS 3ONE
/0T I4 HE’S ATTACHE3 TO STRINGS AN3 .A3E O4 2OO3+
HE 2O0L3N’T R0N A2AY I4 HE CO0L3
NO2 I KNO2 2HAT TO 3O+
YO0R BST 2ISH 2ILL SHO2 THE TR0TH
I4 4A.ILY CO0L3 E6ER 4ALL
4ALL IN LO6E 2ITH YO0
GOO3/YE$
0NTIL NET TI.E8
1moke bursts. *s magic seems to flood the stage. The blue fairy
disappears.
SCENE 4O0R ~ PINOCCHIO CO.ES TO LI4E
GEPPETTO
It’s al"ve8
ALLEN
2'at "s9 I ;an’t see w"t' all t'"s s!<e8
GEPPETTO
P"n!;;'"!8 .y b!y8
ALLEN
I ;an’t5
The smoke clears and *llen makeseye contact with inocchio.
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#NSA First Sequence Draft ~ p. 10 Parker Allen Stanley
“INFINITE” (Allen)
ALLEN
2E SPEN3 O0R 2HOLE LI6ES
/EING CRITICIDE3
AS 2E 2ATCH THE
TI.E GO /Y
/0T RIGHT NO2
I A. HERE+ HERE 2ITH YO0
AN3 THERE’S ONLY ONE THING
THAT I 2ANT TO 3O
I 2ANT TO 3ANCE 2ITH YO0
AN3 2ATCH YO0R STRINGS IN THE 2IN3
I 2ANT TO 3ANCE 2ITH YO0
CA0SE RIGHT NO2 2E ARE IN4INITE
I’LL LOOK ACROSS THE ROO.
0NTIL .Y EYES 4IN3 YO0
THEN I S.ILE 2HEN THEY
4INALLY 3O
CA0SE RIGHT NO2 ITS 10ST YO0
YO0 AN3 .E
2ITH O0R EYES LOCKE3
I’6E NE6ER /EEN SO HAPPY
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#NSA First Sequence Draft ~ p. 11 Parker Allen Stanley
I 2ANT TO 3ANCE 2ITH YO0
AN3 2ATCH YO0R STRINGS IN THE 2IN3
I 2ANT TO 3ANCE 2ITH YO0
CA0SE RIGHT NO2 2E ARE IN4INITE
ALLEN
H"$ :Are y!& !n CRCKT9
6mages are pro,ected of the app.
1pelling out to the audience what itlooks like. 4ow it works:
ALLEN
CRCKT9 C5R5C5K5T$ t'e '!ttest new =&eer dat"n, a((+ w'ere all y!& 'ave t! d! "s send
s!e!ne a ;'"r(+ t! "nd y!&rsel a %""ny8
GEPPETTO
O' n! n! n!8 I d!n’t want y s!n "nv!lved w"t' t'at nasty ,ay b&lls'"t$
ALLEN
It’s n!t all nasty$ I was %&st as<"n, "5
GEPPETTO
Y!& need t! ,et !&t8 /e!re I ;all t'e ;!(s !r w'at y!& st!le earl"er t!day8
ALLEN
/&t I was %&st5
GEPPETTO
O0T NO28
ALLEN
4OLLO2 .E ON CRCKT8888
7eppetto kicks *llen out.
SCENE 4I6E ~ /OY
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#NSA First Sequence Draft ~ p. 12 Parker Allen Stanley
GEPPETTO
.y b!y8
PINOCCHIO
/!y9
GEPPETTO
Yes$ /!y$ T'at’s w'at y!& are$ 2ell+ te;'n";ally y!&’re a (&((et$ /&t I ;an a<e y!& a
an8
PINOCCHIO
.an9
GEPPETTO
Yes+ an8 L"<e e8 T!&,'8 Str!n,8 &nl"<e t'at l"ttle a"ry+ n!t t'e bea&t"&l bl&e !ne w'! br!&,'t y!& t! l"e+ b&t t'e lab!yant tween w"t' t'e retarded l"ttle br!t'er w'! l"<es t!
steal$ Y!&’re ,!"n, t! be t'e best (&((et any!ne’s ever seen8 Y!&’re ,!"n, t! be arele;t"!n ! e8 Pe!(le ",'t %&st t'"n< y!&’re a real b!y8 A"n’t t'at r",'t: P"n!;;'"!$
PINOCCHIO
P"n!;;'"!9
GEPPETTO
Yes+ P"n!;;'"!8 T'at’s y!&$
PINOCCHIO
I$ a$ P"n!;;'"!$
'lackout
SCENE SI ~ .AKING THE .ASC
GEPPETTO
N!w s!n+ reeber+ a w!an w"ll be ;!"n, by any !ent t! all "n l!ve w"t' e$ S!we ;an’t ess t'"s w"s' &($ I’ve been wa"t"n, y w'!le l"e !r a w"e and I ;an’t wa"t
any l!n,er$
PINOCCHIO
2'y 'as "t ta<en y!& s! l!n,+ at'er9
GEPPETTO
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#NSA First Sequence Draft ~ p. 13 Parker Allen Stanley
/e;a&se P"n!;;'"!+ I &se t! be very ee"nate as a y!&n, ad< s! "t was very d"";< t!
,et a real ,"rlr"end$ T'en I went t'r& t'"s ('rase w'ere I t'!&,'t t'at aybe I was:
anyway$ I ;'an,ed ysel b&t I d"dn’t l"<e ysel &nt"l n!w$ N!w t'at I 'ave y!&+s!et'"n, t! be (r!&d !+ a w!r< ! y !wn$
PINOCCHIO
Is t'at w'y y!&’re a<"n, all t'ese ;'an,es t! e9 S! y!& ;an be (r!&d ! e9 S! I
d!n’t l!!< t!! ee"nate$ A I n!t as;&l"ne en!&,'+ yet9
GEPPETTO
2ell+ "t’s n!t t'at y!&’re n!t as;&l"ne: "t’s %&st t'at we’re en'an;"n, y!&r as<$
GEPPETTO
MASCULINITY SONG
GEPPETTO
2ell I ,!tta ,et s!e s'&t eye$ I’ll see y!& "n t'e !rn"n, P"n!;;'"!$ I’ll "n"s' y!& t'en$
T'at’s t'e best t"e t! w!r< w"t' w!!d anyway+ "n t'e !rn"n,$ G!!d n",'t8
PINOCCHIO
G!!dn",'t at'er8 :!'+ wa"t8 /e!re y!& ,! t! bed8 2'at’s y!&r (assw!rd s! I ;and!wnl!ad a new ,ae t! (lay all n",'t$
GEPPETTO
Ha'a I always !r,et t'at (&((ets d!n’t slee($ .y (assw!rd "s + FF+ $ G!t "t9
PINOCCHIO
T'an<s8 N",'t8
7eppetto leaves.
PINOCCHIO
All r",'t let’s d! t'"s: ;$r$ ;$ <$t$
SCENE SE6EN ~ C$R$C$K$T$
;ideo montage<pro,ection plays of guys introducing themselves. Each
(guy /) could either be different guys
or the same ,ust changing.
CRCKT
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#NSA First Sequence Draft ~ p. 14 Parker Allen Stanley
2el;!e t! CRCKT$ 2'ere y!& ;an "nd t'e %!'n !r %""ny ! y!&r dreas+ t'ere’re
!nly ;'"r(s away$ N!w sear;'"n, !r ,&ys "n y!&r area$
Guy #
Y!&’re new !n 'ere8 S! w'at y!& l!!<"n, !r9 Y!& 'ave any antas"es9 2'at t&rns y!&
!n9 I l"<e t! drea t'at a ,&y dresses as a va("re !r s&(er'er! ta<es e away$
Guy #
C!e sn&,,le w"t' e$ Y!&’re n!t ar r! e$
Guy #
3"d (!l"t";s !r a l!n, t"e$ Ran ;a(a",ns$ N!w d! ;!r(!rate strate,y at a "r "n 3C$
H"llary !r e$ 0 '!rny9
Guy #
H!w are y!&9 '!rny9
Guy #
/tt '!st"n,$ Te;'n";ally H!st"n, w"t' y r"end nearby$ C!e ta<e t&rns &;<"n, e$
Guy #
/!red$ H!rny$ Ever es;!rt9 Interested9
Guy #
I 'ave been r&nn"n a t!n "t a<es e really 'ard l!l: &9 I 'ave a real n";e d";< se-y$ Il!ve s'!w"n, !$ Y!& "nt! (lay"n, ar!&nd9 I’ a vers '&n, t!($ Play sae always$ I want
t! s'!w ! > &;<$ 2ant t! wat;' e %er< y b", ;!;<9 I’ ,ett"n, all w!r<ed &( !r
y!&: ;l";< t'"s l"n< " y!& wanna see$ Lee <n!w w'en y!& are "n s! I ;an s'!w y!&t'"s bea&t"&l ;!;<$
Guy #
C!lle,e <"d ~C& "n e$ I’ ;&te$ Y!& al!ne 'ere9
Guy #
H!rny l!l /tt n!w
Guy #
L!!<"n, t! ,et s&;<ed 'ere
sends picture with pants unpurposely
un-ipped
PINOCCHIO
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#NSA First Sequence Draft ~ p. 15 Parker Allen Stanley
Y!& <n!w y!&’re (ants are &n"((ed:$
Guy #
O.G I 10ST REALIDE3 THAT
Guy #
1&st 'an,"n, !&t$ '!rny$ T!tal t!( 'ere
Guy #
/tw w'at are y!& l!!<"n, !r !n t'"s ;ray s"te9 G!!d <"sser9 I %&st really "nt! a<"n,!&t9
Guy #
Head ,"ver ~I w!&ld l"<e y!& s&;< y!&r d";<$ I’ ree t!day$ Let e <n!w aybe I ;an
st!( by$
Guy #
2'at are y!& "nt!9 I’ "nt! .as; ,&ys$ .as;&l"ne en$
PINOCCHIO
I’ n!t really s&re w'at I’ "nt! %&st be;a&se I 'aven’t 'ad &;' e-(er"en;e$ b&t I ;an
tell y!& t'at I a very as;$ !r at least+ I’ be;!"n, "t$ H!(e&lly s!eday s!!n I’ll
%&st as real as t'ese 'eadless t!rs!s$ T! be '!nest+ t'e !nly reas!n I d!wnl!aded t'"s a((was t! "nd y r"end: allen8 HI8 It’s e P"n!;;'"!8 4r! w!!dy’s t!(s'!(8
SCENE EIGHT ~ S0P Lights up on *llen in his room.
ALLEN
S&($ Ha'a w'at are y!& "nt!9
PINOCCHIO
2'at a I "nt!9 Id<$ I’ n!t really "nt! t'"s w'!le s;ene$ It %&st sees d"rty+ "lt'y+ %&st a
b&n;' ! "lt'y ;!;<s&;<ers8 3!n’t ya t'"n<9 Pl tell e y!&’re n!t l"<e t'at Allen$
ALLEN
S!rry$ I eant+ w'at are y!& &( t!!9 /&t LOL t'at’s a b"t &;' d!n’t YO0 t'"n<9 It’s n!t
all bad$
PINOCCHIO
H!w ;an y!& say t'at9 S!e ,&y %&st sent e BJ d";< (";s "n a r!w9 H!w "s t'at !<ay9
ALLEN
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#NSA First Sequence Draft ~ p. 16 Parker Allen Stanley
L!l & I’ n!t say"n, t'at "t’s !<ay$ /&t I’ try"n, t! say t'at n!t every ,&y !n 'ere
"s l"<e t'at$ S! d!n’t %&d,e every!ne !n 'er be;a&se ! !ne ans "nd"v"d&al be'av"!r$
PINOCCHIO
It %&st sees a b"t stran,e t! e t'at t'ese en are deand"n, a;e (";s+ yet t'e"r (r!"le
(";s are 'eadless t!rs!s$ And '!w t'ey want real en b&t t'ey aren’t brave en!&,' t!s'!w t'e"r a;es9 It’s l"<e all t'ey want t! d! "s &;< and ,et &;<ed+ re;e"v"n, !nly t'e
(er<s b&t t'ey d!n’t want t'e ;!nse=&en;es ! '!!se-&al"ty$ Id<$ 1&st t'e t'"n,s I t'"n<ab!&t all by ysel late a n",'ts w'en I ;ant slee($
ALLEN
Y!& 'ave t! &nderstand t'at every!ne "s at a d"erent (la;e "n t'e"r l"e$ Yea' s!e ,&ys
are %&st l!!<"n, !r se- !n 'ere b&t t'en w'at are y!& d!"n, !n 'ere9 Are y!& %&st l!!<"n,
!r se-9
PINOCCHIO
N!$
ALLEN
See8 And ne"t'er a I8 S! st!( see"n, y!&r "nse;&r"t"es "n t'!se w'! y!& see t!
s!e'!w be %eal!&s !$ Y!&’re n!t ,!"n, t! st!( t'e$ I anyt'"n, t'!se are t'e ,&ys y!&
'ave t! en;!&ra,e t'e !st+ t! l!ve t'eselves and n!t 'ave t'e ear ! "dent"y"n, w"t't'!se !n t'e a(($ T'"s a(( "s !nly w'at y!& a<e ! "t$ Y!& wanna "nd se-+ "nd se-$ Y!&
wanna tal< t! e+ tal< t! e$ Is everyt'"n, !<ay w"t' y!&9
PINOCCHIO
Yes$ ?n!se ,r!ws@ NO8 :n!$ I’ %&st really str&,,l"n, w"t' w'at I want$ I’ve tal<ed t!en !n 'ere w'! 'ave w"ves !r ,"rlr"ends+ b&t t'ey st"ll wanna be w"t' a an$ And
well: I wanna be a real b!y$ And " be"n, a real b!y eans I 'ave t! 'ave a ,"rlr"end+
t'en I’ll ,et !ne8 /&t I wanna be w"t' y!& t!!8
ALLEN
Y!& ;an st"ll be a real b!y w"t'!&t 'av"n, a ,"rlr"end and "nstead 'av"n, a b!yr"end$Y!& <n!w t'at r",'t9
PINOCCHIO
I ,&ess$
ALLEN
Y!& %&st ;an’t be as'aed ! y!&rsel$ /e (r!&d$ Y!& 'av"n, a 'eadless t!rs! (";t&re
be;a&se y!& d!n’t want (e!(le t! re;!,n"e y!& !n t'e a(( %&st eans t'at y!&’reebarrassed by t'e s"t&at"!n;!&n"ty$ It d!esn’t 'el( =&eer ;<&re t! ,! !n t'ese a((s
and '"de$ It’ll ;'an,e t'e w!rld " y!& %&st s'!w y!&rsel and say: t'ere’s n!t'"n,
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#NSA First Sequence Draft ~ p. 17 Parker Allen Stanley
wr!n, w"t' t'"s$ alt'!&,'+ t'"s ('!t! ! y!& "s s! ,!!d8 I d"dn’t <n!w y!& 'ad s&;' a
n";e b!dy8
PINOCCHIO
Awww T'an<s8 I ,et w'ere y!&’re ;!"n, r!$ I %&st t'"n< t'"n,s need "(r!veent$
Can I see y!&rs9
ALLEN
.y w'at9
PINOCCHIO
Y!&r b!dy8 I ean: y!&’ve seen "ne8
ALLEN
I d!n’t really send ('!t!s !n 'ere$ /&t I ,&ess "t’s !nly a"r$
PINOCCHIO
N";e8 Y!&’re s! ;&te$ Ha'a "t s&;<s '!w &;' I l"<e y!&$
ALLEN
Awwww st!($ I <n!w$ I w"s' we ;!&ld see ea;' !t'er+ a,a"n$ /&t I d!n’t want t! deal
w"t' y!&r dad$
PINOCCHIO
2ell w'ere are y!&9 He’s (assed !&t+ " y!& wanna try and snea< "n 'a'a
ALLEN
S!e ! &s 'ave t! a;t&ally slee( P"n!;;'"!$ It’s s! late$
PINOCCHIO
T!!rr!w n",'9 I’ll te-t y!& !n;e Ge((ett! ,!es t! slee(9
ALLEN
Ha'a alr",'t$ T!!rr!w n",'t$ N!w I ,!t t! ,! t! slee(+ "t’s al!st "n t'e !rn"n,$
N",'t$
PINOCCHIO
N",'t:
2uring the song it is suppose to be
like a day going by 7eppetto comesout does his things in a fast motion
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#NSA First Sequence Draft ~ p. 18 Parker Allen Stanley
pace. ntil the end when its night
again and 7eppetto goes back too
bed.
“COME OVER TONIGHT” (Pinocchio)
PINOCCHIO
2HY CAN’T YO0 CO.E O6ER
CA0SE I’. 4EELING ALONE
I 10ST 2ANT YO0 O6ER
NO ONE NEE3S TO KNO2
OH THE THINGS 2E CAN 3O
THINGS .A3E 4OR T2O
IT’LL /E
10ST .E AN3 YO0
I 2ANT TO 4EEL YO0R TO0CH
I 2ANT TO SEE YO0R SKIN
I 2ANT TO HEAR YO0R /REATH AGAIN
SO /A/Y CO.E O6ER
SO /A/Y CO.E O6ER
I 2ANT TO 4EEL YO0R TO0CH
I 2ANT TO SEE YO0R SKIN
I 2ANT TO HEAR YO0R /REATH AGAIN
SO /A/Y CO.E O6ER
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#NSA First Sequence Draft ~ p. 19 Parker Allen Stanley
CO.E O6ER: TONIGHT
SCENE NINE ~ #NSA
PINOCCHIO
HEY8 Allen8 Ge((ett! %&st (assed !&t " y!& wanna ;!e !ver989 1&st ;!e "n t'r!&,'
t'e s"de d!,,y d!!r t'e ;at &ses$ I’ (retty s&re y!&’ll be able t! "t$
+e see *llen leave his room and stage as if traveling.
ALLEN
L!l !<$ I’ !n y way$
GEPPETTO
P"n!;;'"!9 2'at are y!& d!"n, by t'e ;at d!!r9
PINOCCHIO
3ad98 w'at are y!& d!"n, &(9
GEPPETTO
I wanted t! ,et a dr"n< ! water$ 3"d t'e ;at ,et !&t9
PINOCCHIO
N!$ I %&st t'!&,'t: "t d!esn’t atter 'a'a alr",'t well: y!& better ,et t'at water$ Ha'a
GEPPETTO
2'y are y!& a;t"n, we"rd9
PINOCCHIO
I’ n!t8 Y!&’re %&st t"red8
GEPPETTO
I ,&ess: w'at t"e "s "t9 2'ere’s y ('!ne9
PINOCCHIO
O'$ It’s &''':
GEPPETTO
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#NSA First Sequence Draft ~ p. 20 Parker Allen Stanley
L!!<"n, !r #nsa9 2'at’s t'"s !n y ('!ne8989
PINOCCHIO
I d!n’t <n!w9
GEPPETTO
4&;<"n, P"n!;;'"! t'"s "s t'at ;r";<et a(( t'at =&eer t!ld y!& ab!&t$ 2'at "s t'"s s'"t98
More video pro,ection.
GUY #
Interested "n &n9 L"<e be"n, r"ed9 2'at ab!&t st!(("n, by and y!& s&;<"n, e !9
GUY #
H!rny at '!e$ Ia- and ;l"a-
GUY #
Hey 'ell! se-y d! y!& want e s&;< and swall!w all &r d";< and ,et t'e "l< l!ad "n y
!&t' and we ;an a<e a ,!!d F t!! " & want$ I dr"v"n, ar!&nd and ;an ,! ba;<
t'ere$ L!!<"n, !r nsa9
GEPPETTO
2'at t'e &;< d!es t'at ean9
PINOCCHIO
I d!n’t <n!w$ ? 0ose grows) N! Str"n,s Atta;'ed$
GEPPETTO
2'at9
PINOCCHIO
NSA$ It eans n! str"n,s atta;'ed$
GEPPETTO
T'"s "s d"s,&st"n,8 T'"s "s e-a;tly w'at I was tell"n, y!& ab!&t$ T'ese "lt'y ;!;<s&;<ersare n!t'"n, b&t d"sease s(read"n, a,s w'! w"ll b&rn$ Is t'"s w'at y!& want9 T! NSA9
2ell I’ n!t ,!"n, t! let t'at 'a((en8 N!t !n y wat;'8
PINOCCHIO
Please$ St!($ T'at b&rns$ It’s t!! t",'t$
GEPPETTO
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#NSA First Sequence Draft ~ p. 21 Parker Allen Stanley
2ell I ,!tta a<e s&re y!&’re n!t ,!"n, anyw'ere$ Y!&’re y b",,est attra;t"!n and
!neya<er n!w$ I’ n!t ,!"n, t! let y!& dea;e t'e ;!(any by be;!"n, a Tr"-"e$ S!
&nt"l I 'ave t'e t"e t! "- y!& t!!rr!w+ I’ll %&st 'ave t! t",'ten y!&r str"n,s s! t'ere’sn!t ;'an;e ! y!& ,ett"n, N5S5A t!n",'t$ And I’ delet"n, t'"s d"s,&st"n, a(($ Y!& really
d"sa((!"nted e t!n",'t P"n!;;'"!$ I t'!&,'t I 'ad ta&,'t y!& better t'an t'at$ /e a an$
N!w+ ,!!dn",'t$
MASCULINITY SONG REPRISE
ALLEN
P"n!;;'"!9
PINOCCHIO
Allen8 S''8 .y dad8
ALLEN
2'at t'e &;< 'a((ened 'ere9
PINOCCHIO
.y dad "s (&n"s'"n, e !r be"n, !n CRCKT$ 4!r be"n, =&eer$ I d"dn’t even d!
anyt'"n,8 He %&st saw a n!t"";at"!n !n '"s ('!ne$
ALLEN
O'y,!d$ P"n!;;'"!$ I’ s! s!rry$ 2'at s'!&ld we d!9 S'!&ld I leave9
PINOCCHIO
N!8 I d!n’t want t! be al!ne$
ALLEN
O<ay+ well '!w ;an I 'el( y!&9
PINOCCHIO
1&st l!!sen y wr"sts (lease8 0,' w'! a I <"dd"n,$ I deserve t'"s$
ALLEN
3!n’t say t'at$ Y!& deserve 'a(("ness$ N!w let e 'el( y!&$
PINOCCHIO
T'an< y!&$ !r everyt'"n,$ 4!r 'el("n,$ 4!r ;!"n,$ 4!r be"n, n!ral$
ALLEN
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#NSA First Sequence Draft ~ p. 22 Parker Allen Stanley
It’s n! (r!ble$ I %&st d!n’t want t! a<e t'"n,s w!rse !r y!&$ alt'!&,'+ I <"nda l"<e t'"s
"a,e ! y!& be"n, all t"ed &($
PINOCCHIO
Allen$ T'"s "s n!t t'e t"e$
ALLEN
2'at9 It %&st ,"ves e every ab"l"ty t! <"ss y!&$ and y!& ;an’t st!( e$
PINOCCHIO
Please+ n!$ N!t l"<e t'"s$ I eel ;!(letely eas;&lated and '&"l"ated$ I %&st want t! be
ree t! r!a and tal< t! w'!ever I ;'!!se$
ALLEN
2ell r",'t n!w all y!& ,!t "s e+ s! tal< 'a'a
PINOCCHIO
d! y!& ever w"s' y!&’d l"<e w!en9
ALLEN
2'at are y!& tal<"n, ab!&t8 I l!ve w!en8 T'ey’re y av!r"te8 I’ %&st n!t se-&ally
attra;ted t! t'e$
PINOCCHIO
2ell$ T'at’s w'at I ean$ /e;a&se I w"s' t'at$ 4!r t'e b!t' ! &s$ 2!&ldn’t t'at a<e !&r l"ves a l!t eas"er8
ALLEN
.aybe: b&t n!t ne;essar"ly$ L!!< at y!&r at'er !r e-a(le: 'e l"<es w!en+ r",'t9
2ell d!es '"s l"e l!!< easy9 3!es 'e l!!< 'a((y9 N!$ He’s a b"tter an,ry ",n!rant w'"te
an w'! "s s! l!nely 'e d!esn’t <n!w w'at t! d! w"t' '"sel$ Every!ne 'as t'e"r !wnstr&,,le$ And !&rs "sn’t !&r se-&al"ty$ O&rs "s t'e way s!e (er;e"ve !&r se-&al"ty$
PINOCCHIO
I ,&ess:
ALLEN
Y!& ,&ess9 It’s be;a&se ! t'e way s!e ;'!!se t! (er;e"ve &s t'at we are !r;ed t!
;!&n";ate t'r!&,' a((s t! "nd l"<e5"nded "nd"v"d&als$ /&t every!ne !n t'!se a((sare ,!"n, t'r!&,' (r!bles and str&,,les t'at we d!n’t <n!w ab!&t$ /&t y!& ;an’t
;!(are every!ne t! ea;' !t'er$ /e;a&se every!ne "s s! s(e;"ally d"erent$ In y
!("n"!n t'!se w'! d!n’t want t! a;e t'e"r (r!bles %&st l!!< !r se-+ and t'!se are ,ays
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#NSA First Sequence Draft ~ p. 23 Parker Allen Stanley
y!&r at'er sl&rs ab!&t$ T'en t'ere are t'!se+ l"<e e+ w'! d!n’t really see se- as t'e
a"n (r"!r"ty b&t rat'er "nt"a;y and v&lnerab"l"ty$
PINOCCHIO
I %&st need t! l!!sen &($ I l"<e l"sten"n, t! y!&$ Y!& "ns("re e$
ALLEN
And y!& "ns("re e$
PINOCCHIO
3! y!& t'"n< I ;!&ld st"ll ,et t'at <"ss9
ALLEN
Alr",'t$ /&t I ,!tta ,! ater t'at$ Ha'a I’ n!t t'e <"nd w'! ,!es ar !n t'e "rst date
'a'a ,!!dn",'t P"n!;;'"!$
“I HOPE YOU KNOW” (Pinocchio & Allen)
OHHHHH
I HOPE YO0 KNO2
THAT YO0’LL /E
THINKING O4 .E TONIGHT
PINOCCHIO
OHHHHH
I HOPE YO0 KNO2
THAT YO0’LL /E
3REA.ING O4 .E TONIGHT
ALLEN
2HILE YO0’RE ALONE IN YO0R /E3
THINKING A/O0T THE LAST 2OR3S I SAI3
CAN’T GET THE. O0T O4 YO0R HEA3
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#NSA First Sequence Draft ~ p. 24 Parker Allen Stanley
PINOCCHIO
AN3 2HEN IT CO.ES TO YO0R 3REA.
THERE’S ONLY ONE THINGS YO0 2ILL SEE
AN3 IT’S .E
BOTH
I CAN 4EEL YO0 IN .Y /E3
I CAN HEAR YO0 IN .Y HEA3
A 2HISPERING O4 S2EET KISSES
AN3 TELLING .E ALL YO0R 2ISHES
3ONT 2ANT TO SAY GOO3NIGHT
10ST 2ANT TO HOL3 YO0 TIGHT
C033LE 0P RIGHT NET TO .E
CO.E 40L4ILL .Y 4ANTASIES
More video pro,ection.
GUY #
H!nry and l!!<"n, !r t!n",'t$
GUY #
Are y!& str&,,l"n, w"t' y!&r we",'t l!ss9
GUY #
Hey an y!& l!!<"n,9 H&,e 'and et"s' 'ere:
B!"$u%.