First Sequence Draft - #NSA (1)

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8/18/2019 First Sequence Draft - #NSA (1) http://slidepdf.com/reader/full/first-sequence-draft-nsa-1 1/24  #NSA  by PARKER ALLEN STANLEY SCENE ONE ~ HOLE’S GLORY OPENING The show begins with the (red) curtains still closed on stage. Muffled dance club music must be playing from behind the curtains as the first audience member walks in.  Ensemble members should be exiting through the curtain as if leaving a club. Like two boys in heels fishnets and skimpy dresses both sharing a cigarette. !r a butch woman wearing a latex "masc # masc$ t%  shirt next to her friend a bio &ueen wearing a matching "masc # mascara$ dress. Maybe even a 'LE'!. *s each character enters they should each attach a  string (total of #) from offstage and connect them along the bottom of the curtain.  Ending with a leather daddy exiting between the curtains wearing designer underwear and harness as the voice over plays. +hile the voice over plays two hands should be  seen (maybe pro,ected) playing master  puppeteer pulling strings and lifting the curtain up by the four of them. The leather daddy should then ad,ust himself and turn around so his butt faces the audience. *s the curtains rising reveals a wall of holes ranging in si-es. Like a graffitied bathroom  stall scrim. * cigarette should be passed through a hole so should things like a bottle of patron te&uila to those ensemble members on stage. * shadowed profiled version of  inocchio with a long nose should be seen in a large hole with the term "/01*$ on it. PINOCCHIO (V.O.) All I ever wanted was !r every!ne t! "nstantly l!ve e$ I %&st d"dn’t want t! be t'e  (&((et b!y w'! never 'ad w'at t'ey needed t! be )(assable$* N!w I’ ne"t'er b!y+ ,"rl+ !r (&((et$

Transcript of First Sequence Draft - #NSA (1)

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  #NSA

 by PARKER ALLEN

STANLEY

SCENE ONE ~ HOLE’S GLORY OPENING

The show begins with the (red) curtains still

closed on stage. Muffled dance club musicmust be playing from behind the curtains as

the first audience member walks in.

 Ensemble members should be exiting

through the curtain as if leaving a club. Liketwo boys in heels fishnets and skimpy

dresses both sharing a cigarette. !r a butch

woman wearing a latex "masc # masc$ t%

 shirt next to her friend a bio &ueenwearing a matching "masc # mascara$

dress. Maybe even a 'LE'!. *s eachcharacter enters they should each attach a

 string (total of #) from offstage and connect

them along the bottom of the curtain.

 Ending with a leather daddy exiting betweenthe curtains wearing designer underwear

and harness as the voice over plays. +hile

the voice over plays two hands should be seen (maybe pro,ected) playing master

 puppeteer pulling strings and lifting thecurtain up by the four of them. The leatherdaddy should then ad,ust himself and turn

around so his butt faces the audience. *s the

curtains rising reveals a wall of holesranging in si-es. Like a graffitied bathroom

 stall scrim. * cigarette should be passed

through a hole so should things like a bottle

of patron te&uila to those ensemble memberson stage. * shadowed profiled version of

 inocchio with a long nose should be seen

in a large hole with the term "/01*$ on it.

PINOCCHIO (V.O.)

All I ever wanted was !r every!ne t! "nstantly l!ve e$ I %&st d"dn’t want t! be t'e

 (&((et b!y w'! never 'ad w'at t'ey needed t! be )(assable$* N!w I’ ne"t'er b!y+ ,"rl+

!r (&((et$

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#NSA First Sequence Draft ~ p. 2 Parker Allen Stanley

The shadow of inocchio should turn and

 poke its nose through the "/01*$ screened

hole. The screen should break to reveal abusted inocchio. *ll ensemble members

 should leave except for the 2addy receiving

 pleasure below him. inocchio3s nose startsto bleed.

PINOCCHIO

I’ an e-"stent"al n",'tare$

 'lood drips on the man below grossing himout forcing him to leave. The dance music

cues up and lights kick in to give the eerie

electro dance club vibe we had imagined the

 partygoers would3ve been in. +ooden nosescan grow out of the holes as the song goes

on. *ctors faces and names can be shown inthe holes as sort of a title se&uence.

“BLACKOUT” (Pinocchio)

PINOCCHIO

IT’S TI.E TO /LACKO0T

I 10ST 2ANT TO ESCAPE

TO GO 3EEP INTO ANOTHER 2ORL3

2HERE 2E CAN 4EEL ALONE

2ITHO0T /EING ALONE

2HERE THERE’S SILENCE IN THE NOISE

2HERE GIRLS AN3 /OYS /ECO.E PLAY TOYS

2HERE I CAN GET LOST IN PAR5A53ISE

OH GO3+ I 2ISH THIS+ 2ASN’T .Y 6ICE

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#NSA First Sequence Draft ~ p. 3 Parker Allen Stanley

/0T IT’S TI.E TO 4EEL 4REE

LET THE 3ARKNESS PLEAS0RE .E

 NO STRINGS ATTACHE3 TO REALITY

CA0SE I’. ALONE+ YO0 AN3 .E

TO /E CO.PLETE

TO /E HAPPY

TO /E OR NOT TO /E

IS THE 70ESTION THAT

I ASK .YSEL4

2HEN I’. ALONE

ALL /Y .YSEL4

IN THE 3ARK 

IN THE 3ARK 

IN THE 3ARK 

IN THE 3ARK 

IN THE 3ARK 

IN THE 3ARK 

IN THE 3ARK 

IN THE 3ARK 

IN THE /LACKO0TTTTTTT

 Lights strobe as we see through the scrim as

to what looks like inocchio levitating in air while attached to chains pulling his limbs in

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#NSA First Sequence Draft ~ p. 4 Parker Allen Stanley

different directions. 4is nose gone. 5ace a

bloody mess.

 'lackout.

SCENE T2O ~ SNEAKY LITTLE /RO2N NOSER 2ITH A HI33EN AGEN3A

ALLEN

(6n blackout) L"ar$ L"ar$ Pants !n "re8 Str"n, y!& t! a tele('!ne w"re88

GEPPETTO

2'ere’s t'e bl&e a"ry9

 Lights up on stage left. +oody3s

 starts to make its way on to the

 stage. 7eppetto cleaning up shoptaking inventory talking to his fish

(8leo) and cat (5igaro)

Cle!: 'ave y!& seen "t9

He sear;'es !r t'e d!ll$

4",ar!9 Have y!& seen "t9 H w'at ;!&ld’ve 'a((ened t! t'"s d!ll9

+e see *llen as if he is walkingdown the street heading to +oody3s.

Y!& <n!w+ "t &st’ve been t'at l"ttle ;'allen,ed b!y w'! ;ae "n earl"er t'"s !rn"n,8Yea'8 He (r!bably t!!< "t8 Y!& <n!w " 'e were y ;'"ld+ I’d tea;' '" a less!n$ It’s n!t

all r",'t t! steal$ H"s (arents are d!"n, an aw&l %!b$ S!e!ne needs t! s'!w '" s!

d"s;"(l"ne+ a"n’t t'at r",'t 4",ar!9

 *llen knocks on the door to +oody3s.

Hell!8 2'! "s "t8 It’s late8 2'at d! y!& want8

ALLEN

Hell!8 .r8 .y nae "s Allen$ I t'"n< I 'ave s!et'"n, y!& ay want$

GEPPETTO

I’ n!t l!!<"n, t! b&y anyt'"n,$

ALLEN

And I’ n!t as<"n, y!& t!!8

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#NSA First Sequence Draft ~ p. 5 Parker Allen Stanley

GEPPETTO

T'en w'at d! y!& want9

ALLEN

C!&ld y!& (lease %&st !(en t'e d!!r9

GEPPETTO

Alr",'t$ /&t a<e "t =&";<$

ALLEN

H"$ Ge((ett!9 R",'t9

GEPPETTO

yes$

ALLEN

H"$ I’ Allen$ I t'"n< y l"ttle br!t'er t!!< t'"s r! y!&9

GEPPETTO

THE /L0E 4AIRY8

ALLEN

I’ s! s!rry " y!& were l!!<"n, !r "t$

GEPPETTO

I <new t'at l"ttle retard t!!< "t$ S!e!ne !&,'ta tea;' '" a less!n8

ALLEN

Alr",'t$ S"r+ n! need t!! tal< l"<e t'at$ Y!& s'!&ldn’t say t'at w!rd$ .y br!t'er "s verys!rry !r w'at 'e d"d$ He %&st wanted t! (lay w"t'5

GEPPETTO

He’s always ;!"n, "n y st!re$ S;ar"n, away t'e ;!st&ers be;a&se 'e %&st stands and

stares at a t!y$ 0nt"l 'e dr!!ls s!et"es8

ALLEN

Ab!&t t'at+ "t’s be;a&se 'e’s n!t all!wed t! 'ave d!lls at5

GEPPETTO

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#NSA First Sequence Draft ~ p. 6 Parker Allen Stanley

And y!& <n!w: 'e’s always as<"n, e ab!&t t'at be'"nd t'e red ;&rta"n8 He as<s e$

Over and !ver and !ver a,a"n$ )2'at’s be'"nd t'e red ;&rta"n9 2'at’s be'"nd t'e red

;&rta"n9* d!esn’t y!&r br!t'er 'ave any d"s;"(l"ne "n '"s l"e8 It’s n!t (!l"te t! b&, !t'ersw"t' =&est"!ns8

ALLEN

2'at "s be'"nd t'e red ;&rta"n9

GEPPETTO

0,'8 Y!& t!!8 Y!& wanna <n!w w'at’s be'"nd t'e red ;&rta"n9 I’ll s'!w y!&8 S! y!& and

y!&r t'"e ! a br!t'er ;an st!( as<"n, e$

7eppetto pulls a string revealing a

life%si-e puppet in progress beingmade.

ALLEN

2!a'$

GEPPETTO

It’s ,!"n, t! be t'e ,reatest (&((et any!ne 'as ever seen8

ALLEN

It’s bea&t"&l$

GEPPETTO

T'an< y!&$ It’s been a l"et"e "n t'e a<"n,$ It’s ,!"n, t! be t'e !st bea&t"&l (&((et

ever ade$ I I’ ,!"n, t! be a ba;'el!r all y l"e+ I’ at least ,!"n, t! 'ave t'e ;!!lest

t!ys$

ALLEN

T'at’s &nderstandable$ All r",'t+ well I better ,et ,!"n,: "t’s ,ett"n, late$ On;e a,a"n+I’ s!rry !r t'e "n;!nven"en;e t'at !;;&rred t!day$

GEPPETTO

3!n’t be$ Y!&r retard br!t'er %&st d!esn’t <n!w w'at’s r",'t and w'at’s wr!n, be;a&se'e’s been "ll ade$ Y!& s'!&ld <ee( a better wat;' !n '"$

ALLEN

I t'"n< y!&’re be"n, a b"t ;r&el s"r$

GEPPETTO

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#NSA First Sequence Draft ~ p. 7 Parker Allen Stanley

Cr&el9 Y!& t'"n< I’ be"n, ;r&el9

ALLEN

Yes$

GEPPETTO

I’ n!t be"n, ;r&el$ I’ be"n, real"st";$ Get !&t ! t'e w!rld y!&’re l"v"n, "n be;a&se "t’sa l"e$ 2el;!e t! t'e real w!rld: "t’s a ;r&el (la;e$

ALLEN

2ell y ballet tea;'er always says5

GEPPETTO

/allet9 Y!& ta<e ballet9 Ha8 2'at 'ave y!&r (arents d!ne t! y!&89

ALLEN

St";<s and st!ne+ ay brea< y b!nes b&t y (arents are5

GEPPETTO

Let e st!( y!& r",'t t'ere$ Y!&r (arents are terr"ble at t'e"r %!b$ And by t'e l!!<s !y!&r ar: t'ey ;ant even (r!te;t y!&$ &nless t'ey’re t'e !nes d!"n, t'"s t!! y!&$

7etppetto grabs allen. 9eleaving abruise on allen3s upper arm.

ALLEN

Ow8 St!(8 Let ,! ! e8 T'at '&rts8

GEPPETTO

T'ey aren’t d!"n, s=&at$ T'at w!&ld be l"<e e "s&s"n, y ar"!nettes8 Can’t &se a

ar"!nette " "t d!n’t ,!t all "ts str"n,s$

7eppetto cuts one of the strings on

the blue fairy. Everything seems to shake as smoke and fog emerges. *

blue spotlight takes over as the

marionette turns into an actual blue fairy godmother.

GEPPETTO

2'at’s 'a((en"n,898 K"d+ ,et !&t8

SCENE THREE ~ 2ISH ONE > T2O

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#NSA First Sequence Draft ~ p. 8 Parker Allen Stanley

BLUE FAIRY

2'y+ Hell! t'ere8 I’ /l&eLady$ It’s n";e t! eet y!&8 Are y!& t'e !ne w'! ;&t ystr"n,9

ALLEN

He d"d "t8

BLUE FAIRY

Awww t'an< y!& !ld ell!w$ Y!&’ve be,&n t'e (r!;ess t! set e ree8 And be;a&se ! "t

I’ ,!"n, t! ,rant y!& !ne w"s'$ 2'at t! y!& l!n, !r9

GEPPETTO

O' /l&eLady+ I want y !wn lady8 .y !wn lady t! l!ve8

BLUE FAIRY

Y!&r w"s' "s y ;!and b&t <n!w t'at s'e w"ll ;!e w'en y!& need l!ve t'e !st "n

y!&r l"e$ Always be ready$ Always be !(en$

GEPPETTO

2a"t8 I ,!t an!t'er w"s'$ ?8uts second string @ I want a ;'"ld8 One ! y !wn8 A s!n t!'el( w"t' t'e s'!(8

ALLEN

I want a w"s'8

GEPPETTO

Get y!&r !wn /l&eLady8

BLUE FAIRY

O' b!ys$ /!ys$ /e n";e$ Alr",'t$ I ,rant a se;!nd w"s'$ /&t ater t'"s I &st rest$Pre(ar"n, !r reed! ta<es t"e$ And t'e less str"n,s t'e s'a<"er y (!wers ,et$

“GRANTED” (Blue Fairy)

BLUE FAIRY

YO0’RE  N3 2ISH 2ILL /E GRANTE3

/0T 3ON’T TAKE IT 4OR GRANTE3

/ECA0SE HONEY YO0 SHO0L3 /E CARE40L

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#NSA First Sequence Draft ~ p. 9 Parker Allen Stanley

2HAT YO0 2ISH 4OR 

YO0 AL2AYS SAI3+ YO0 2ANTE3 A SON+

2HO 2O0L3 LO6E YO0 0NTIL THE NIGHT IS 3ONE

/0T I4 HE’S ATTACHE3 TO STRINGS AN3 .A3E O4 2OO3+

HE 2O0L3N’T R0N A2AY I4 HE CO0L3

 NO2 I KNO2 2HAT TO 3O+

YO0R BST 2ISH 2ILL SHO2 THE TR0TH

I4 4A.ILY CO0L3 E6ER 4ALL

4ALL IN LO6E 2ITH YO0

GOO3/YE$

0NTIL NET TI.E8

1moke bursts. *s magic seems to flood the stage. The blue fairy

disappears.

SCENE 4O0R ~ PINOCCHIO CO.ES TO LI4E

GEPPETTO

It’s al"ve8

ALLEN

2'at "s9 I ;an’t see w"t' all t'"s s!<e8

GEPPETTO

P"n!;;'"!8 .y b!y8

ALLEN

I ;an’t5

The smoke clears and *llen makeseye contact with inocchio.

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#NSA First Sequence Draft ~ p. 10 Parker Allen Stanley

“INFINITE” (Allen)

ALLEN

2E SPEN3 O0R 2HOLE LI6ES

/EING CRITICIDE3

AS 2E 2ATCH THE

TI.E GO /Y

/0T RIGHT NO2

I A. HERE+ HERE 2ITH YO0

AN3 THERE’S ONLY ONE THING

THAT I 2ANT TO 3O

I 2ANT TO 3ANCE 2ITH YO0

AN3 2ATCH YO0R STRINGS IN THE 2IN3

I 2ANT TO 3ANCE 2ITH YO0

CA0SE RIGHT NO2 2E ARE IN4INITE

I’LL LOOK ACROSS THE ROO.

0NTIL .Y EYES 4IN3 YO0

THEN I S.ILE 2HEN THEY

4INALLY 3O

CA0SE RIGHT NO2 ITS 10ST YO0

YO0 AN3 .E

2ITH O0R EYES LOCKE3

I’6E NE6ER /EEN SO HAPPY

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#NSA First Sequence Draft ~ p. 11 Parker Allen Stanley

I 2ANT TO 3ANCE 2ITH YO0

AN3 2ATCH YO0R STRINGS IN THE 2IN3

I 2ANT TO 3ANCE 2ITH YO0

CA0SE RIGHT NO2 2E ARE IN4INITE

ALLEN

H"$ :Are y!& !n CRCKT9

 6mages are pro,ected of the app.

1pelling out to the audience what itlooks like. 4ow it works:

ALLEN

CRCKT9 C5R5C5K5T$ t'e '!ttest new =&eer dat"n, a((+ w'ere all y!& 'ave t! d! "s send

s!e!ne a ;'"r(+ t! "nd y!&rsel a %""ny8

GEPPETTO

O' n! n! n!8 I d!n’t want y s!n "nv!lved w"t' t'at nasty ,ay b&lls'"t$

ALLEN

It’s n!t all nasty$ I was %&st as<"n, "5

GEPPETTO

Y!& need t! ,et !&t8 /e!re I ;all t'e ;!(s !r w'at y!& st!le earl"er t!day8

ALLEN

/&t I was %&st5

GEPPETTO

O0T NO28

ALLEN

4OLLO2 .E ON CRCKT8888

7eppetto kicks *llen out.

SCENE 4I6E ~ /OY

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#NSA First Sequence Draft ~ p. 12 Parker Allen Stanley

GEPPETTO

.y b!y8

PINOCCHIO

/!y9

GEPPETTO

Yes$ /!y$ T'at’s w'at y!& are$ 2ell+ te;'n";ally y!&’re a (&((et$ /&t I ;an a<e y!& a

an8

PINOCCHIO

.an9

GEPPETTO

Yes+ an8 L"<e e8 T!&,'8 Str!n,8 &nl"<e t'at l"ttle a"ry+ n!t t'e bea&t"&l bl&e !ne w'! br!&,'t y!& t! l"e+ b&t t'e lab!yant tween w"t' t'e retarded l"ttle br!t'er w'! l"<es t!

steal$ Y!&’re ,!"n, t! be t'e best (&((et any!ne’s ever seen8 Y!&’re ,!"n, t! be arele;t"!n ! e8 Pe!(le ",'t %&st t'"n< y!&’re a real b!y8 A"n’t t'at r",'t: P"n!;;'"!$

PINOCCHIO

P"n!;;'"!9

GEPPETTO

Yes+ P"n!;;'"!8 T'at’s y!&$

PINOCCHIO

I$ a$ P"n!;;'"!$

 'lackout 

SCENE SI ~ .AKING THE .ASC

GEPPETTO

 N!w s!n+ reeber+ a w!an w"ll be ;!"n, by any !ent t! all "n l!ve w"t' e$ S!we ;an’t ess t'"s w"s' &($ I’ve been wa"t"n, y w'!le l"e !r a w"e and I ;an’t wa"t

any l!n,er$

PINOCCHIO

2'y 'as "t ta<en y!& s! l!n,+ at'er9

GEPPETTO

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#NSA First Sequence Draft ~ p. 13 Parker Allen Stanley

/e;a&se P"n!;;'"!+ I &se t! be very ee"nate as a y!&n, ad&lt s! "t was very d"";&lt t!

,et a real ,"rlr"end$ T'en I went t'r& t'"s ('rase w'ere I t'!&,'t t'at aybe I was:

anyway$ I ;'an,ed ysel b&t I d"dn’t l"<e ysel &nt"l n!w$ N!w t'at I 'ave y!&+s!et'"n, t! be (r!&d !+ a w!r< ! y !wn$

PINOCCHIO

Is t'at w'y y!&’re a<"n, all t'ese ;'an,es t! e9 S! y!& ;an be (r!&d ! e9 S! I

d!n’t l!!< t!! ee"nate$ A I n!t as;&l"ne en!&,'+ yet9

GEPPETTO

2ell+ "t’s n!t t'at y!&’re n!t as;&l"ne: "t’s %&st t'at we’re en'an;"n, y!&r as<$

GEPPETTO

MASCULINITY SONG

GEPPETTO

2ell I ,!tta ,et s!e s'&t eye$ I’ll see y!& "n t'e !rn"n, P"n!;;'"!$ I’ll "n"s' y!& t'en$

T'at’s t'e best t"e t! w!r< w"t' w!!d anyway+ "n t'e !rn"n,$ G!!d n",'t8

PINOCCHIO

G!!dn",'t at'er8 :!'+ wa"t8 /e!re y!& ,! t! bed8 2'at’s y!&r (assw!rd s! I ;and!wnl!ad a new ,ae t! (lay all n",'t$

GEPPETTO

Ha'a I always !r,et t'at (&((ets d!n’t slee($ .y (assw!rd "s + FF+ $ G!t "t9

PINOCCHIO

T'an<s8 N",'t8

7eppetto leaves.

PINOCCHIO

All r",'t let’s d! t'"s: ;$r$ ;$ <$t$

SCENE SE6EN ~ C$R$C$K$T$

;ideo montage<pro,ection plays of guys introducing themselves. Each

(guy /) could either be different guys

or the same ,ust changing.

CRCKT

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#NSA First Sequence Draft ~ p. 14 Parker Allen Stanley

2el;!e t! CRCKT$ 2'ere y!& ;an "nd t'e %!'n !r %""ny ! y!&r dreas+ t'ere’re

!nly ;'"r(s away$ N!w sear;'"n, !r ,&ys "n y!&r area$

Guy #

Y!&’re new !n 'ere8 S! w'at y!& l!!<"n, !r9 Y!& 'ave any antas"es9 2'at t&rns y!&

!n9 I l"<e t! drea t'at a ,&y dresses as a va("re !r s&(er'er! ta<es e away$

Guy #

C!e sn&,,le w"t' e$ Y!&’re n!t ar r! e$

Guy #

3"d (!l"t";s !r a l!n, t"e$ Ran ;a(a",ns$ N!w d! ;!r(!rate strate,y at a "r "n 3C$

H"llary !r e$ 0 '!rny9

Guy #

H!w are y!&9 '!rny9

Guy #

/tt '!st"n,$ Te;'n";ally H!st"n, w"t' y r"end nearby$ C!e ta<e t&rns &;<"n, e$

Guy #

/!red$ H!rny$ Ever es;!rt9 Interested9

Guy #

I 'ave been r&nn"n a t!n "t a<es e really 'ard l!l: &9 I 'ave a real n";e d";< se-y$ Il!ve s'!w"n, !$ Y!& "nt! (lay"n, ar!&nd9 I’ a vers '&n, t!($ Play sae always$ I want

t! s'!w ! > &;<$ 2ant t! wat;' e %er< y b", ;!;<9 I’ ,ett"n, all w!r<ed &( !r

y!&: ;l";< t'"s l"n< " y!& wanna see$ Lee <n!w w'en y!& are "n s! I ;an s'!w y!&t'"s bea&t"&l ;!;<$

Guy #

C!lle,e <"d ~C& "n e$ I’ ;&te$ Y!& al!ne 'ere9

Guy #

H!rny l!l /tt n!w

Guy #

L!!<"n, t! ,et s&;<ed 'ere

 sends picture with pants unpurposely

un-ipped 

PINOCCHIO

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#NSA First Sequence Draft ~ p. 15 Parker Allen Stanley

Y!& <n!w y!&’re (ants are &n"((ed:$

Guy #

O.G I 10ST REALIDE3 THAT

Guy #

1&st 'an,"n, !&t$ '!rny$ T!tal t!( 'ere

Guy #

/tw w'at are y!& l!!<"n, !r !n t'"s ;ray s"te9 G!!d <"sser9 I %&st really "nt! a<"n,!&t9

Guy #

Head ,"ver ~I w!&ld l"<e y!& s&;< y!&r d";<$ I’ ree t!day$ Let e <n!w aybe I ;an

st!( by$

Guy #

2'at are y!& "nt!9 I’ "nt! .as; ,&ys$ .as;&l"ne en$

PINOCCHIO

I’ n!t really s&re w'at I’ "nt! %&st be;a&se I 'aven’t 'ad &;' e-(er"en;e$ b&t I ;an

tell y!& t'at I a very as;$ !r at least+ I’ be;!"n, "t$ H!(e&lly s!eday s!!n I’ll

 %&st as real as t'ese 'eadless t!rs!s$ T! be '!nest+ t'e !nly reas!n I d!wnl!aded t'"s a((was t! "nd y r"end: allen8 HI8 It’s e P"n!;;'"!8 4r! w!!dy’s t!(s'!(8

SCENE EIGHT ~ S0P Lights up on *llen in his room.

ALLEN

S&($ Ha'a w'at are y!& "nt!9

PINOCCHIO

2'at a I "nt!9 Id<$ I’ n!t really "nt! t'"s w'!le s;ene$ It %&st sees d"rty+ "lt'y+ %&st a

 b&n;' ! "lt'y ;!;<s&;<ers8 3!n’t ya t'"n<9 Pl tell e y!&’re n!t l"<e t'at Allen$

ALLEN

S!rry$ I eant+ w'at are y!& &( t!!9 /&t LOL t'at’s a b"t &;' d!n’t YO0 t'"n<9 It’s n!t

all bad$

PINOCCHIO

H!w ;an y!& say t'at9 S!e ,&y %&st sent e BJ d";< (";s "n a r!w9 H!w "s t'at !<ay9

ALLEN

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#NSA First Sequence Draft ~ p. 16 Parker Allen Stanley

L!l & I’ n!t say"n, t'at "t’s !<ay$ /&t I’ try"n, t! say t'at n!t every ,&y !n 'ere

"s l"<e t'at$ S! d!n’t %&d,e every!ne !n 'er be;a&se ! !ne ans "nd"v"d&al be'av"!r$

PINOCCHIO

It %&st sees a b"t stran,e t! e t'at t'ese en are deand"n, a;e (";s+ yet t'e"r (r!"le

 (";s are 'eadless t!rs!s$ And '!w t'ey want real en b&t t'ey aren’t brave en!&,' t!s'!w t'e"r a;es9 It’s l"<e all t'ey want t! d! "s &;< and ,et &;<ed+ re;e"v"n, !nly t'e

 (er<s b&t t'ey d!n’t want t'e ;!nse=&en;es ! '!!se-&al"ty$ Id<$ 1&st t'e t'"n,s I t'"n<ab!&t all by ysel late a n",'ts w'en I ;ant slee($

ALLEN

Y!& 'ave t! &nderstand t'at every!ne "s at a d"erent (la;e "n t'e"r l"e$ Yea' s!e ,&ys

are %&st l!!<"n, !r se- !n 'ere b&t t'en w'at are y!& d!"n, !n 'ere9 Are y!& %&st l!!<"n,

!r se-9

PINOCCHIO

 N!$

ALLEN

See8 And ne"t'er a I8 S! st!( see"n, y!&r "nse;&r"t"es "n t'!se w'! y!& see t!

s!e'!w be %eal!&s !$ Y!&’re n!t ,!"n, t! st!( t'e$ I anyt'"n, t'!se are t'e ,&ys y!&

'ave t! en;!&ra,e t'e !st+ t! l!ve t'eselves and n!t 'ave t'e ear ! "dent"y"n, w"t't'!se !n t'e a(($ T'"s a(( "s !nly w'at y!& a<e ! "t$ Y!& wanna "nd se-+ "nd se-$ Y!&

wanna tal< t! e+ tal< t! e$ Is everyt'"n, !<ay w"t' y!&9

PINOCCHIO

Yes$ ?n!se ,r!ws@ NO8 :n!$ I’ %&st really str&,,l"n, w"t' w'at I want$ I’ve tal<ed t!en !n 'ere w'! 'ave w"ves !r ,"rlr"ends+ b&t t'ey st"ll wanna be w"t' a an$ And

well: I wanna be a real b!y$ And " be"n, a real b!y eans I 'ave t! 'ave a ,"rlr"end+

t'en I’ll ,et !ne8 /&t I wanna be w"t' y!& t!!8

ALLEN

Y!& ;an st"ll be a real b!y w"t'!&t 'av"n, a ,"rlr"end and "nstead 'av"n, a b!yr"end$Y!& <n!w t'at r",'t9

PINOCCHIO

I ,&ess$

ALLEN

Y!& %&st ;an’t be as'aed ! y!&rsel$ /e (r!&d$ Y!& 'av"n, a 'eadless t!rs! (";t&re

 be;a&se y!& d!n’t want (e!(le t! re;!,n"e y!& !n t'e a(( %&st eans t'at y!&’reebarrassed by t'e s"t&at"!n;!&n"ty$ It d!esn’t 'el( =&eer ;&lt&re t! ,! !n t'ese a((s

and '"de$ It’ll ;'an,e t'e w!rld " y!& %&st s'!w y!&rsel and say: t'ere’s n!t'"n,

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#NSA First Sequence Draft ~ p. 17 Parker Allen Stanley

wr!n, w"t' t'"s$ alt'!&,'+ t'"s ('!t! ! y!& "s s! ,!!d8 I d"dn’t <n!w y!& 'ad s&;' a

n";e b!dy8

PINOCCHIO

Awww T'an<s8 I ,et w'ere y!&’re ;!"n, r!$ I %&st t'"n< t'"n,s need "(r!veent$

Can I see y!&rs9

ALLEN

.y w'at9

PINOCCHIO

Y!&r b!dy8 I ean: y!&’ve seen "ne8

ALLEN

I d!n’t really send ('!t!s !n 'ere$ /&t I ,&ess "t’s !nly a"r$

PINOCCHIO

 N";e8 Y!&’re s! ;&te$ Ha'a "t s&;<s '!w &;' I l"<e y!&$

ALLEN

Awwww st!($ I <n!w$ I w"s' we ;!&ld see ea;' !t'er+ a,a"n$ /&t I d!n’t want t! deal

w"t' y!&r dad$

PINOCCHIO

2ell w'ere are y!&9 He’s (assed !&t+ " y!& wanna try and snea< "n 'a'a

ALLEN

S!e ! &s 'ave t! a;t&ally slee( P"n!;;'"!$ It’s s! late$

PINOCCHIO

T!!rr!w n",'9 I’ll te-t y!& !n;e Ge((ett! ,!es t! slee(9

ALLEN

Ha'a alr",'t$ T!!rr!w n",'t$ N!w I ,!t t! ,! t! slee(+ "t’s al!st "n t'e !rn"n,$

 N",'t$

PINOCCHIO

 N",'t:

 2uring the song it is suppose to be

like a day going by 7eppetto comesout does his things in a fast motion

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#NSA First Sequence Draft ~ p. 18 Parker Allen Stanley

 pace. ntil the end when its night

again and 7eppetto goes back too

bed.

“COME OVER TONIGHT” (Pinocchio)

PINOCCHIO

2HY CAN’T YO0 CO.E O6ER 

CA0SE I’. 4EELING ALONE

I 10ST 2ANT YO0 O6ER 

 NO ONE NEE3S TO KNO2

OH THE THINGS 2E CAN 3O

THINGS .A3E 4OR T2O

IT’LL /E

10ST .E AN3 YO0

I 2ANT TO 4EEL YO0R TO0CH

I 2ANT TO SEE YO0R SKIN

I 2ANT TO HEAR YO0R /REATH AGAIN

SO /A/Y CO.E O6ER 

SO /A/Y CO.E O6ER 

I 2ANT TO 4EEL YO0R TO0CH

I 2ANT TO SEE YO0R SKIN

I 2ANT TO HEAR YO0R /REATH AGAIN

SO /A/Y CO.E O6ER 

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#NSA First Sequence Draft ~ p. 19 Parker Allen Stanley

CO.E O6ER: TONIGHT

SCENE NINE ~ #NSA

PINOCCHIO

HEY8 Allen8 Ge((ett! %&st (assed !&t " y!& wanna ;!e !ver989 1&st ;!e "n t'r!&,'

t'e s"de d!,,y d!!r t'e ;at &ses$ I’ (retty s&re y!&’ll be able t! "t$

+e see *llen leave his room and stage as if traveling.

ALLEN

L!l !<$ I’ !n y way$

GEPPETTO

P"n!;;'"!9 2'at are y!& d!"n, by t'e ;at d!!r9

PINOCCHIO

3ad98 w'at are y!& d!"n, &(9

GEPPETTO

I wanted t! ,et a dr"n< ! water$ 3"d t'e ;at ,et !&t9

PINOCCHIO

 N!$ I %&st t'!&,'t: "t d!esn’t atter 'a'a alr",'t well: y!& better ,et t'at water$ Ha'a

GEPPETTO

2'y are y!& a;t"n, we"rd9

PINOCCHIO

I’ n!t8 Y!&’re %&st t"red8

GEPPETTO

I ,&ess: w'at t"e "s "t9 2'ere’s y ('!ne9

PINOCCHIO

O'$ It’s &''':

GEPPETTO

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#NSA First Sequence Draft ~ p. 20 Parker Allen Stanley

L!!<"n, !r #nsa9 2'at’s t'"s !n y ('!ne8989

PINOCCHIO

I d!n’t <n!w9

GEPPETTO

4&;<"n, P"n!;;'"! t'"s "s t'at ;r";<et a(( t'at =&eer t!ld y!& ab!&t$ 2'at "s t'"s s'"t98

 More video pro,ection.

GUY #

Interested "n &n9 L"<e be"n, r"ed9 2'at ab!&t st!(("n, by and y!& s&;<"n, e !9

GUY #

H!rny at '!e$ Ia- and ;l"a-

GUY #

Hey 'ell! se-y d! y!& want e s&;< and swall!w all &r d";< and ,et t'e "l< l!ad "n y

!&t' and we ;an a<e a ,!!d F t!! " & want$ I dr"v"n, ar!&nd and ;an ,! ba;<

t'ere$ L!!<"n, !r nsa9

GEPPETTO

2'at t'e &;< d!es t'at ean9

PINOCCHIO

I d!n’t <n!w$ ? 0ose grows) N! Str"n,s Atta;'ed$

GEPPETTO

2'at9

PINOCCHIO

 NSA$ It eans n! str"n,s atta;'ed$

GEPPETTO

T'"s "s d"s,&st"n,8 T'"s "s e-a;tly w'at I was tell"n, y!& ab!&t$ T'ese "lt'y ;!;<s&;<ersare n!t'"n, b&t d"sease s(read"n, a,s w'! w"ll b&rn$ Is t'"s w'at y!& want9 T! NSA9

2ell I’ n!t ,!"n, t! let t'at 'a((en8 N!t !n y wat;'8

PINOCCHIO

Please$ St!($ T'at b&rns$ It’s t!! t",'t$

GEPPETTO

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#NSA First Sequence Draft ~ p. 21 Parker Allen Stanley

2ell I ,!tta a<e s&re y!&’re n!t ,!"n, anyw'ere$ Y!&’re y b",,est attra;t"!n and

!neya<er n!w$ I’ n!t ,!"n, t! let y!& dea;e t'e ;!(any by be;!"n, a Tr"-"e$ S!

&nt"l I 'ave t'e t"e t! "- y!& t!!rr!w+ I’ll %&st 'ave t! t",'ten y!&r str"n,s s! t'ere’sn!t ;'an;e ! y!& ,ett"n, N5S5A t!n",'t$ And I’ delet"n, t'"s d"s,&st"n, a(($ Y!& really

d"sa((!"nted e t!n",'t P"n!;;'"!$ I t'!&,'t I 'ad ta&,'t y!& better t'an t'at$ /e a an$

 N!w+ ,!!dn",'t$

MASCULINITY SONG REPRISE

ALLEN

P"n!;;'"!9

PINOCCHIO

Allen8 S''8 .y dad8

ALLEN

2'at t'e &;< 'a((ened 'ere9

PINOCCHIO

.y dad "s (&n"s'"n, e !r be"n, !n CRCKT$ 4!r be"n, =&eer$ I d"dn’t even d!

anyt'"n,8 He %&st saw a n!t"";at"!n !n '"s ('!ne$

ALLEN

O'y,!d$ P"n!;;'"!$ I’ s! s!rry$ 2'at s'!&ld we d!9 S'!&ld I leave9

PINOCCHIO

 N!8 I d!n’t want t! be al!ne$

ALLEN

O<ay+ well '!w ;an I 'el( y!&9

PINOCCHIO

1&st l!!sen y wr"sts (lease8 0,' w'! a I <"dd"n,$ I deserve t'"s$

ALLEN

3!n’t say t'at$ Y!& deserve 'a(("ness$ N!w let e 'el( y!&$

PINOCCHIO

T'an< y!&$ !r everyt'"n,$ 4!r 'el("n,$ 4!r ;!"n,$ 4!r be"n, n!ral$

ALLEN

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#NSA First Sequence Draft ~ p. 22 Parker Allen Stanley

It’s n! (r!ble$ I %&st d!n’t want t! a<e t'"n,s w!rse !r y!&$ alt'!&,'+ I <"nda l"<e t'"s

"a,e ! y!& be"n, all t"ed &($

PINOCCHIO

Allen$ T'"s "s n!t t'e t"e$

ALLEN

2'at9 It %&st ,"ves e every ab"l"ty t! <"ss y!&$ and y!& ;an’t st!( e$

PINOCCHIO

Please+ n!$ N!t l"<e t'"s$ I eel ;!(letely eas;&lated and '&"l"ated$ I %&st want t! be

ree t! r!a and tal< t! w'!ever I ;'!!se$

ALLEN

2ell r",'t n!w all y!& ,!t "s e+ s! tal< 'a'a

PINOCCHIO

d! y!& ever w"s' y!&’d l"<e w!en9

ALLEN

2'at are y!& tal<"n, ab!&t8 I l!ve w!en8 T'ey’re y av!r"te8 I’ %&st n!t se-&ally

attra;ted t! t'e$

PINOCCHIO

2ell$ T'at’s w'at I ean$ /e;a&se I w"s' t'at$ 4!r t'e b!t' ! &s$ 2!&ldn’t t'at a<e !&r l"ves a l!t eas"er8

ALLEN

.aybe: b&t n!t ne;essar"ly$ L!!< at y!&r at'er !r e-a(le: 'e l"<es w!en+ r",'t9

2ell d!es '"s l"e l!!< easy9 3!es 'e l!!< 'a((y9 N!$ He’s a b"tter an,ry ",n!rant w'"te

an w'! "s s! l!nely 'e d!esn’t <n!w w'at t! d! w"t' '"sel$ Every!ne 'as t'e"r !wnstr&,,le$ And !&rs "sn’t !&r se-&al"ty$ O&rs "s t'e way s!e (er;e"ve !&r se-&al"ty$

PINOCCHIO

I ,&ess:

ALLEN

Y!& ,&ess9 It’s be;a&se ! t'e way s!e ;'!!se t! (er;e"ve &s t'at we are !r;ed t!

;!&n";ate t'r!&,' a((s t! "nd l"<e5"nded "nd"v"d&als$ /&t every!ne !n t'!se a((sare ,!"n, t'r!&,' (r!bles and str&,,les t'at we d!n’t <n!w ab!&t$ /&t y!& ;an’t

;!(are every!ne t! ea;' !t'er$ /e;a&se every!ne "s s! s(e;"ally d"erent$ In y

!("n"!n t'!se w'! d!n’t want t! a;e t'e"r (r!bles %&st l!!< !r se-+ and t'!se are ,ays

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#NSA First Sequence Draft ~ p. 23 Parker Allen Stanley

y!&r at'er sl&rs ab!&t$ T'en t'ere are t'!se+ l"<e e+ w'! d!n’t really see se- as t'e

a"n (r"!r"ty b&t rat'er "nt"a;y and v&lnerab"l"ty$

PINOCCHIO

I %&st need t! l!!sen &($ I l"<e l"sten"n, t! y!&$ Y!& "ns("re e$

ALLEN

And y!& "ns("re e$

PINOCCHIO

3! y!& t'"n< I ;!&ld st"ll ,et t'at <"ss9

ALLEN

Alr",'t$ /&t I ,!tta ,! ater t'at$ Ha'a I’ n!t t'e <"nd w'! ,!es ar !n t'e "rst date

'a'a ,!!dn",'t P"n!;;'"!$

“I HOPE YOU KNOW” (Pinocchio & Allen)

OHHHHH

I HOPE YO0 KNO2

THAT YO0’LL /E

THINKING O4 .E TONIGHT

PINOCCHIO

OHHHHH

I HOPE YO0 KNO2

THAT YO0’LL /E

3REA.ING O4 .E TONIGHT

ALLEN

2HILE YO0’RE ALONE IN YO0R /E3

THINKING A/O0T THE LAST 2OR3S I SAI3

CAN’T GET THE. O0T O4 YO0R HEA3

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#NSA First Sequence Draft ~ p. 24 Parker Allen Stanley

PINOCCHIO

AN3 2HEN IT CO.ES TO YO0R 3REA.

THERE’S ONLY ONE THINGS YO0 2ILL SEE

AN3 IT’S .E

BOTH

I CAN 4EEL YO0 IN .Y /E3

I CAN HEAR YO0 IN .Y HEA3

A 2HISPERING O4 S2EET KISSES

AN3 TELLING .E ALL YO0R 2ISHES

3ONT 2ANT TO SAY GOO3NIGHT

10ST 2ANT TO HOL3 YO0 TIGHT

C033LE 0P RIGHT NET TO .E

CO.E 40L4ILL .Y 4ANTASIES

 More video pro,ection.

GUY #

H!nry and l!!<"n, !r t!n",'t$

GUY #

Are y!& str&,,l"n, w"t' y!&r we",'t l!ss9

GUY #

Hey an y!& l!!<"n,9 H&,e 'and et"s' 'ere:

B!"$u%.