Fine Paintings & Sculpture | Skinner Auction 2609B

American & European Works of Art

Fine Paintings & SculptureSale 2609B September 7, 2012 Boston

SKINNER

specialists in charge

Robin S. R. StarrDepartment Director508.970.3259

Kathy Wong508.970.3297

Elizabeth C. Haff508.970.3258

American & European Works of ArtFine Paintings & Sculpture

American & European Works of Art Department - 508.970.3206

General Inquiries: [email protected]

auction 2609B

preview

Wednesday, September 5, 2012 12 to 5 p.m. Thursday, September 6, 2012 12 to 8 p.m. Friday, September 7, 2012 9 to 10 a.m.

Friday, September 7, 2012 at 4 p.m.Lots 300–757, preceded by Fine Prints & Photography at 12 noon

63 Park PlazaBoston, Massachusetts

absentee bidding

Tel: 617.874.4318Fax: 617.350.5429

Online: www.skinnerinc.com

general inquiries

617.350.5400

cover: 614 (detail); frontispiece: 712 (detail); inside back cover: 613; back cover: 418

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table of contents

1 Auction & Specialist Information

2 Web Site & Online Bidding

4-5 Event Announcements

7 Lots 300–757

312 Glossary of Terms

313 Artist Index

316 Conditions of Sale

317 Absentee Bid Form

318 Company Directors & Specialty Departments

319 Administrative Staff & Client Services

321 Map & Driving Directions

322 Dining

323 Parking & Accommodations

325 Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 316 of this catalogue for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2012

All rights reserved

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4

SKINNER presents a

Fine Art Gallery Walk

Presented by Robin Starr, Director of Skinner’s Paintings & Prints Department

Thursday, September 6, 2012

5:30 p.m. Reception/6:00 p.m. Gallery Walk

63 Park PlazaBoston, MA

R.S.V.P. 617.350.5400Reservations are Limited

Gallery Walk held in conjunction with a preview of Skinner’s September 7th auctions of Fine Paintings & Prints

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Upcoming Auction

Fine Paintings & SculptureFebruary 1st, 2013 Boston, MA

Karel Appel (Dutch, 1291-2006), Presque Une Joie, sold for $118,500

Consignment Deadline: November 16th, 2012

For more information please contact our American & European Paintings department at 508.970.3206 or email [email protected]

www.skinnerinc.com

300

300.Willem Claesz Heda (Dutch, 1594-c. 1680)

Still Life with Tazza, Peeled Lemon, and Roemer, 1630Unsigned.Oil on cradled panel, 15 1/2 x 22 1/2 in. (39.4 x 57.2 cm), framed.Condition: Retouch including to repair two horizontal cracks to the panel, fine craquelure, surface grime.

Literature: Bode, Wilhelm von, Die Sammlung Oscar Huldschinsky (Frankfurt a. Main: Joseph Baer & Co., 1909), cat. no. 12 (illus.).

Provenance: J.M. Heberle, Cologne, Gemälde-Sammlung, May 19, 1890, Lot 45 (illus.); to the collection of Oscar Huldschinsky, Berlin; Paul Cassirer und Hugo Helbing, Berlin, Die Sammlung Oscar Huldschinsky, May 10, 1928, Lot 12; [...]; to the collection of Jack Partridge, Maine, c. 1950s; through to a private Maine collection.

N.B. The still life at hand was reviewed via photographs by Dr. Fred Meijer, Curator, Department of Old Netherlandish Painting, Netherland Institute for Art History (RKD), who has determined the work to be by the hand of Willem Claesz Heda, painted in 1630. Dr. Meijer has provided the provenance up to the 1928 auction record. Haarlem painter Willem Claesz Heda is known for his keenly observed still life compositions rendered in delicate gray and silvery tones and set against grey-green backgrounds. Dr. Meijer noted that the material and handling of the work at hand are fully consistent with what we can expect of a Heda from 1630. The composition is very close to that of a dated still life by Heda from 1630 that was handled by H.M. Cramer in The Hague during the mid-1970s. A comparison of the two works would suggest that the current version may have been cropped by a few centimeters at the top and probably also a little to the left. $30,000-50,000

7online bidding at www.skinnerinc.com

301

301.Attributed to Gerard Joseph Xavery (Flemish, 18th Century)

Elaborate Floral Still LifeSigned or inscribed and dated “G J. Xavery/1754” l.l., identified on a label from American Art Association/Anderson Galleries, Inc., affixed to the stretcher.Oil on canvas, 33 1/4 x 27 5/8 in. (84.5 x 70.0 cm), in a Maurice Grieve frame.Condition: Lined, scattered retouch, craquelure, surface grime.

Provenance: American Art Association, Anderson Galleries, XVI-XIX century oil paintings and a small group of primitives, February 4–5, 1931, Sale code 3887, Lot 70; collection of Victoria (née Frelinghuysen) Bates (1907-2002); by family descent to the present owners.

N.B. The auction label from American Art Association/Anderson Galleries, Inc., and the catalogue entry for Lot 70 for that sale (3887) identify the artist as Jacob Xavery (Dutch, active 1746-1771). $400-600

8 additional information and photos at www.skinnerinc.com

302.Dutch School, 17th Century Style

Landscape with Exotic Birds and Two TerriersSigned or inscribed “B…” l.l., inscribed “809” l.l.Oil on canvas, 37 x 48 in. (94.0 x 121.9 cm), framed.Condition: Mounted to panel, retouch, craquelure, surface grime. $5,000-7,000


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303.Karel Dujardin (Dutch, 1626-1678)

CattleSigned and dated “.K. Du. iardin fe./165…” l.l., identified on a label affixed to the reverse.Oil on panel, 11 3/4 x 13 1/2 in. (30.0 x 34.3 cm), framed.Condition: Scattered paint losses and abrasions, retouch, surface grime, fine scattered craquelure along wood grain. $2,500-3,500


304

304.School of Paulus Potter (Dutch, 1625-1654)

Cattle in a FarmyardUnsigned, attributed to Nicolaes Berchem (Dutch, 1620-1683) on a presentation plaque.Oil on panel, 14 1/2 x 19 3/8 in. (37.0 x 49.3 cm), framed.Condition: Repaired horizontal cracks, panel backed with waxed canvas, retouch, craquelure, surface grime. $2,500-3,000


305.School of Guido Reni (Italian, 1575-1642)

Saint FrancisUnsigned.Oil on canvas, 17 x 14 in. (43.0 x 35.5 cm), unframed.Condition: Lined, retouch.

N.B. The upper portion of the composition is closely related to Reni’s St. Francis in the collection of the Louvre. $1,200-1,800

306.Austrian/German School, 18th Century

St. Christopher Carrying the Christ ChildUnsigned, inscribed “F. Fuhrig” on the mat and on the secondary support.Ink and wash on laid paper, 10 1/2 x 8 in. (27.6 x 20.3 cm), framed.Condition: Small tear to u.r. corner, staining, foxing, affixed at each corner to secondary paper support.

Provenance: From the Estate of Mrs. Charles Sumner Hamlin, Albany, New York. $300-500

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307

307.French or Italian School, 18th Century

Jacob and the AngelUnsigned, identified on a label affixed to frame backing.Conté crayon on paper, sheet size 17 1/4 x 12 5/8 in. (43.5 x 32.3 cm), framed.Condition: Sheet trimmed to image, hinged to backing at two places on left side, and affixed to backing at u.r. corner.

N.B. A label affixed to the frame backing states that the drawing was attributed to Pietro da Cortona, from the collection of Joseph Colbacchini, and was sold at Sotheby’s, London, May 22, 1871 (Lugt 32489). $700-900

308.School of Guido Reni (Italian, 1574/5-1642)

Saint PaulUnsigned.Oil on canvas, 28 1/2 x 24 3/4 in. (72.3 x 62.5 cm), framed.Condition: Canvas trimmed and lined, retouch, surface abrasions and grime. $1,500-2,000


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309

309.Attributed to Simon de Vos (Flemish, 1603-1676)

Portrait of a Young GirlUnsigned, identified on a presentation plaque.Oil on cradled panel, 22 1/2 x 16 3/4 in. (57.2 x 42.5 cm), framed.Condition: Losses, retouch, craquelure with lifting, surface imperfections and grime. $1,000-1,500

310.Continental School, 17th Century

Portrait of a Man in a RuffUnsigned.Oil on oval panel, 19 1/8 x 14 1/2 in. (48.5 x 36.9 cm), framed.Condition: Retouch, abrasions, craquelure, surface grime, gentle bowing to panel. $3,000-5,000


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311.French School, 18th Century

Full-length Portrait of an Aristocratic Woman with a DogUnsigned, with a label from Bedel & Cie, Le Garde Meuble Public, Paris, affixed to the stretcher.Oil on canvas, 53 x 42 3/4 in. (134.5 x 108.5 cm), framed.Condition: Lined, scattered retouch, craquelure, surface abrasions. $3,000-5,000


312

312.Continental School, 17th Century Style

View of Shepherds in a Classical LandscapeUnsigned.Oil on paper, 23 x 32 1/2 in. (58.4 x 82.6 cm), framed.Condition: Retouch, tears, rippling, mounted to canvas, craquelure.

Provenance: The collection of Louis D. “Bud” Root (1922-2009), Southampton, New York. $1,500-2,000

313.James Barenger II (British, 1780-1831)

Greyhounds in the Hunt for a RabbitSigned “J. Barenger” l.l.Oil on canvas, 25 x 29 1/2 in. (63.5 x 74.9 cm), framed.Condition: Lined, retouch, trimmed, abrasions. $2,000-3,000


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314.School of François Boucher (French, 1703-1770)

Head of a Young ManSigned or inscribed indistinctly “…Boucher” l.l., inscribed “Fr. Boucher” on a label affixed to the frame backing.Sanguine on laid paper with partial watermark, 11 5/8 x 9 3/8 in. (29.5 x 23.9 cm), framed.Condition: Small tear to u.r. edge, creasing, soiling. $3,000-5,000

315.School of Pandolfo Reschi (Polish, 1643-1699)

Battle SceneSigned or inscribed “…Perelli inu.” l.l.Oil on canvas, 16 3/4 x 21 in. (42.5 x 53.5 cm), unframed.Condition: Lined, retouch. $1,200-1,800


315

316.Attributed to William Hamilton (British, 1751-1801)

Act 1, Scene III from OthelloUnsigned, identified on a label affixed to the reverse.Oil on panel, 19 x 24 3/8 in. (48.3 x 61.9 cm), framed.Condition: Retouch, minor skinning, bowing to panel.

N.B. This work likely illustrates lines 181 to 189 in Act I, Scene III of Othello where Desdemona defends her new husband against her father: “My noble father,/I do perceive here a divided duty:/To you I am bound for life and education;/My life and education both do learn me/How to respect you; you are the lord of duty;/I am hitherto your daughter: but here’s my husband,/And so much duty as my mother show’d/To you, preferring you before her father,/So much I challenge that I may profess/Due to the Moor, my lord.” $3,000-5,000

317.School of Edme Gois (French, 1765-1836)

Delivering JudgmentAnnotated “N. Poussin” l.r., stamped with collector’s mark of Germain Seligman (L.3863) in two places on the reverse.Ink and wash on paper, 21 1/4 x 32 5/8 in. (54.0 x 83.0 cm), unframed.Condition: Center vertical crease or seam, scattered creases and abrasions, surface losses, soiling, hinged to back mat with cellophane tape along the top edge. $300-500


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318.Spanish Colonial/Cuzco School, 19th Century

Saint Apollonia with Martyr’s Palm Being Crowned with RosesUnsigned, inscribed “S.Polonia V. m.” u.l.Oil on canvas, 63 x 90 in. (160.0 x 90.0 cm), framed.Condition: Lined, retouch, craquelure, surface grime, canvas seamed along left edge. $700-900


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319.Henry Enrico Coleman (Italian, 1846-1911)

Ox Cart Carrying LogsSigned and inscribed “HE Coleman/Roma” l.l.Watercolor on paper, sight size 10 x 20 1/2 in. (25.5 x 52.0 cm), framed.Condition: Mild toning and foxing, not examined out of frame. $2,000-3,000

320.Clement Rollins Grant (American, 1848-1893)

Shepherdess with a Young Girl and LambMonogram signature “CR Grant” l.l.Oil on canvas, 10 1/4 x 16 in. (26.0 x 40.6 cm), framed.Condition: Lined, craquelure, minor surface grime. $2,000-2,500


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321.Publio Tommasi (Italian, 1849-1914)

Poultry FeedingSigned, inscribed, and dated “P. De Tommasi/ Roma 82” l.l.Watercolor and graphite on paper, sight size 19 1/2 x 11 in. (49.5 x 27.9 cm), framed.Condition: Subtle rippling, toning, not examined out of frame. $1,500-2,500

322.Juliette Peyrol Bonheur (French, 1830-1891)

Gathering FagotsSigned “J. Peyrol Bonheur” l.r.Oil on canvas, 16 1/8 x 12 7/8 in. (40.9 x 32.7 cm), framed.Condition: Lined, retouch, fine craquelure. $1,000-1,500

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323.Hubert Salentin (German, 1822-1910)

A Walk Beside the ChapelSigned, inscribed, and dated “H. Salentin.Dusseldorf 1876” l.r.Oil on canvas, 22 x 15 1/2 in. (55.9 x 39.4 cm), in a period frame.Condition: Craquelure, minor canvas deformation l.l., minor surface grime. $2,500-3,500

324.D. Jerome Elwell (American, 1847-1912)

Old Gate Tower, Bruges-BelgiumSigned “D. Jerome Elwell.” l.l., titled, dated, and signed “…8/1877 D. Jerome Elwell.” on the reverse.Oil on canvas, 16 x 13 in. (40.6 x 33.0 cm), within a frame liner.Condition: Craquelure, surface grime. $1,000-1,500


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325.Carl Porttmann (German, 1837-1894)

FoundSigned and dated “Carl Porttmann…/1887” l.r.Oil on canvas, 54 1/2 x 48 1/4 in. (138.0 x 122.0 cm), framed.Condition: Retouch, paint losses, craquelure, surface grime. $1,500-2,000


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326.Gaetano Mormile (Italian, 1839-1890)

Portrait of a Woman Feeding a RoosterSigned and dated “G. Mormile 1873” l.r.Oil on panel, 10 1/4 x 7 1/4 in. (26.0 x 18.4 cm), framed.Condition: Minor abrasions/losses, surface grime. $1,000-1,500

327.James Wyon (British, 1804-1868)

Amusing BabySigned and dated “J. Wyon/1863” l.r., signed and dated “J. W. Wyon/1863” on the reverse, and signed “J.W. Wyon” on a paper label affixed to the reverse.Oil on academy board, 9 x 12 in. (22.7 x 30.3 cm), framed.Condition: Frame abrasions, heavily varnished. $1,000-1,500


328.Robert Gemmell Hutchison (Scottish, 1855-1936)

Amusing the ChildrenSigned “R.G. Hutchison” l.l.Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Retouch, craquelure, surface grime. $7,000-9,000

329.Charles Bertauld (French, 19th Century)

Barn Interior with Sheep and ChickensSigned “Ch. Bertauld” l.r.Oil on canvas, 21 3/4 x 10 in. (55.3 x 25.3 cm), framed.Condition: Craquelure, surface grime. $800-1,200


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330.Percy (Edward Percy) Moran (American, 1862-1935)

Tea TimeSigned “PERCY MORAN…” l.r., identified on a presentation plaque.Oil on canvas, 28 1/4 x 24 in. (71.1 x 61.0 cm), within a frame liner.Condition: Retouch, craquelure, surface grime. $1,500-1,800

331.British School, 18th Century

Portrait of a Woman in BlueUnsigned.Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.Condition: Scattered retouch, craquelure, surface grime. $1,200-1,800


332

332.Honoré Daumier (French, 1808-1879)

Le Bourgeois en Attente, c. 1852Initialed “h.d.” within the cast on the reverse, foundry stamped “CIRE PERDUE C. VALSUANI” on the reverse, numbered “1/30” underneath the base.Bronze with dark brown patina, 6 1/8 x 2 5/8 x 2 1/4 in. (15.6 x 6.7 x 5.7 cm).Condition: Minor dust to the interstices.

Literature: Maurice Gobin, Daumier Sculpteur 1808-1879 (Pierre Callier, 1952), no. 55, pp. 51, 82; Galerie Marcel Lecomte, Daumier Sculpteur, Les Figurines et autres Sculptures (Paris, 1979), no. 57 (another cast illustrated); Jeanne L. Wasserman, Daumier Sculpture, a Critical and Comparative Study (New York Graphic Society, 1969), no. 48, pp. 216-7, plate 48b (another cast illustrated). $8,000-12,000


333

333.Leon Jean Basile Perrault (French, 1832-1908)

Le Petit FrèreSigned and dated “L-Perrault- 89” l.r.Oil on canvas, 24 1/2 x 17 3/4 in. (62.2 x 45.0 cm), framed.Condition: Lined, retouch, craquelure, varnish inconsistencies.

Provenance: A private Florida collection. $35,000-55,000


334.Attributed to Jean Garnier (French, 1853-1910)

Portrait of a Woman in a Straw HatSigned “J. GARNIER.” on the reverse.Bronze with red patina, 7 3/4 x 4 1/2 x 2 1/4 in. (19.7 x 11.4 x 5.7 cm), mounted to a red jasper plinth.Condition: Minor surface grime. $1,500-2,000

335.Jean-Baptiste Carpeaux (French, 1827-1875)

Jeune Femme NueInscribed “Bte Carpeaux,” numbered “9/15,” and stamped “Cire Perdu/C. Valsuani” in the bronze.Bronze with dark brown patina, height 7 3/4 in. (20.0 cm), on a marble plinth.Condition: Dust to the interstices, bronze not secured to the plinth.

Literature: Michel Poletti, Alain Richarme, Jean-Baptiste Carpeaux, Sculpteur (catalogue raisonné de l’oeuvre édité) (Paris: Les Editions de l’Amateur; Angers: Expressions Contemporaines, 2003), p. 182 (AN.EB 8).

N.B. The subject matter and dimensions of Jeune Femme Nue are similar to Maternité (Mère et Enfants), known to have been modeled by Carpeaux in 1870-72. The edition of fifteen bronzes of Jeune Femme Nue were cast in the 1960s by the Valsuani foundry. $2,000-2,500


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336.Walter Granville-Smith (American, 1870-1938)

BonjourSigned and dated “W. Granville-Smith. 1893” l.l., identified on the reverse.Watercolor and gouache on paper, sight size 15 3/4 x 25 1/2 in. (40.0 x 64.8 cm), framed.Condition: Not examined out of frame. $1,000-1,500

337.Jean-Léon Gérôme (French, 1824-1904)

Joueuse de boules, c. 1902Signed “J.L. GEROME” within the cast l.c., foundry stamped “Siot Paris” l.r. and numbered “430B” on the reverse.Gilt bronze, 5 3/4 x 2 1/4 x 1 1/2 in. (13.7 x 5.7 x 3.8 cm), mounted to an onyx plinth.Condition: Very minor wear to patina. $1,500-2,000


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338.Achille Guerra (Italian, 1832-1903)

Salvator Rosa Painting in the Villa Borghese GardensSigned “Guerra” l.l., inscribed, dated, and signed “…Roma 10 Giugno 1886/Da me dipinto/Achille Guerra” on the reverse.Oil on canvas, 17 5/8 x 31 3/4 in. (44.7 x 80.5 cm), framed.Condition: Paint losses primarily to lower edge, two pinhole punctures l.l., small split to canvas c.r., canvas deformation, varnish inconsistencies, surface grime.



339

339.Alexandre-Louis Leloir (French, 1843-1884)

The Game of DominosSigned and dated “Louis Leloir.1872.” l.l., identified on a presentation plaque.Watercolor on paper, 9 7/8 x 14 1/8 in. (25.0 x 36.0 cm), framed.Condition: Staining and mild foxing to l.l. corner, scattered small abrasions, laid down on paperboard support. $2,500-3,000

340.Attributed to Agapit Stevens (Belgian, 1849-1917)

Portrait of a Woman with EmbroiderySigned “A. Stevens” l.r.Oil on panel, 20 x 14 3/4 in. (50.8 x 37.5 cm), framed.Condition: Minor retouch, surface grime. $800-1,200


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341.Edwin Howland Blashfield (American, 1848-1936)

Two Portraits of Gentlemen: A Bullfighter and Tea TimeBoth with monogram signature, inscription, and date “EHBlashfield Paris 76” l.l. and l.r., respectively, both canvas stenciled “VIEILLE/Md. DE COULEURS/RUE LAVAL 35 PARIS” and inscribed “Blashfield 75 Bd de Clichy” on the reverse, Bullfighter also signed, titled, and inscribed “E H Blashfield 849 Bdway” on the strainer.Oils on canvas, 14 x 10 3/4 in. (35.6 x 27.3 cm), framed.Condition: Craquelure, surface grime, Tea with retouch. $1,000-1,500

342.Giuseppe Guidi (Italian, 1884-1931)

A Parlor Amusement/Game of BilboquetSigned and inscribed “Giuseppe Guidi Paris” and also inscribed “Copyrighted 1906” l.r., possibly in a later hand.Watercolor, gouache, and graphite on paper, sight size 18 1/2 x 25 1/4 in. (47.0 x 64.2 cm), framed.Condition: Not examined out of frame. $1,500-2,000


342

343.Armand Francois Joseph Henrion (Belgian, 1875-1958)

Two Portraits of Clowns: Peering through a Monocle and SmokingSigned “ARM. HENRION” l.l. and l.r., respectively, Smoking with a label from Edouard Hautecoeur, Editeur d’Art, Paris, on the reverse.Oil on panel, sizes 7 x 5 1/2 in. (17.8 x 14.0 cm), framed.Condition: Minor surface grime. $1,200-1,800


Portrait of a Clown with a CigarSigned “ARM. HENRION.” l.r., stamped “M. BREFFORT/88 Bd Magenta, 88” and with a label from Edouard Hautecoeur, Editeur d’Art, Paris, on the reverse.Oil on panel, 12 1/2 x 10 1/2 in. (31.8 x 26.7 cm), framed.Condition: Tack holes to corners, hairline crack to u.r. quadrant. $800-1,200


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Three Clown Portraits: Smiling, Surprised, and SmokingSigned “ARM. HENRION” l.l., l.r., and l.l., respectively, each with labels from Edouard Hautecoeur, Editeur d’Art, Paris, on the reverse.Oil on panel, sizes 7 x 5 1/2 in. (17.8 x 14.0 cm), framed.Condition: Minor surface grime. $1,800-2,200


345

346.Max Kaufman (German, b. 1846)

The Happy Barmaid in a Tavern InteriorSigned “Max. Kauffm…” l.r.Oil on canvas, 20 1/4 x 16 in. (51.4 x 40.7 cm), framed.Condition: Surface grime, slight canvas rippling, stable subtle craquelure. $1,200-1,800

347.Rosalie (Rosa) Marie Bonheur (French, 1822-1899)

Two SheepSigned “Rosa Bonheur” l.r.Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), framed.Condition: Lined, minor retouch, craquelure, varnish inconsistencies, minor surface grime. $1,000-1,500

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348.Charles Green (British, 1840-1898)

Nocturne with FishmongersSigned and dated “CGreen 1864” l.l.Gouache on paper, sight size 10 x 8 in. (25.4 x 20.3 cm), framed.Condition: Not examined out of frame. $1,000-1,500


349.Antoine-Émile Plassan (French, 1817-1903)

Kitchen WorkSigned “Plassan” l.l.Oil on panel, 10 9/16 x 8 5/16 in. (26.8 x 21.1 cm), framed.Condition: Retouch, varnish inconsistencies, craquelure, surface grime. $1,000-1,500


Terrier with GamePossible signature “…ard” l.r.Oil on canvas, 21 1/2 x 30 1/2 in. (54.5 x 78.0 cm), framed.Condition: Retouch, craquelure.

Provenance: The collection of Louis D. “Bud” Root (1922-2009), Southampton, New York. $600-800


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351.Daniel Merlin (French, 1861-1933)

Mother Cat with KittensSigned “D. Merlin” l.r.Oil on panel, 13 x 9 1/4 in. (33.0 x 23.5 cm), framed (under glass).Condition: Minor abrasions beneath the liner. $1,000-1,500

352.Henry Edward Spernon Tozer (British, 1864-1940)

A Frugal MealSigned and dated “H.S. Tozer 1914” l.l., titled in pencil on the backing.Watercolor on paper, 9 x 13 in. (23.0 x 33.0 cm), framed.Condition: Small abrasion, laid down on paperboard. $800-1,200


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353.Arnold Marc Gorter (Dutch, 1866-1933)

Landscape at DuskSigned “AMGORTER” l.r., identified on a presentation plaque.Oil on canvas, 11 x 5 3/8 in. (27.9 x 13.7 cm), framed.Condition: Surface grime, craquelure. $1,200-1,500

354.Paul Joseph Constantin Gabriel (Dutch, 1828-1903)

Landscape in HollandSigned “Gabriel f” l.r., identified on a label affixed to the stretcher.Oil on canvas, 11 3/8 x 18 1/4 in. (29.0 x 46.5 cm), framed.Condition: Fine craquelure, canvas deformation, yellowed varnish, surface grime. $600-800


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355.Barbizon School, 19th Century

Peasant Figure on a Wooded PathUnsigned, inscribed “Diaz” in pencil on the stretcher.Oil on canvas, 9 1/2 x 12 5/8 in. (24.0 x 32.0 cm), framed.Condition: Lined, retouch, stable craquelure, minor frame abrasions.

Provenance: Nelson C. Holland and Elizabeth Hudson Holland, New York, to Mary H. Ford, through to the current owner by family descent. $1,500-2,500


356

356.Antoine-Louis Barye (French, 1796-1875)

Panthère saisissant un cerf (terrasse avec profil) [Panther Seizing a Stag (Terrace with Profile)]Signed “BARYE” within the cast l.r.Bronze with green patina, approximately 14 3/16 x 21 1/2 x 9 1/8 in. (36.0 x 54.6 x 23.2 cm).Condition: Wear to antlers, dust to interstices.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A81(2), p. 216. $5,000-7,000


357


Lion au serpent (Salon de 1833) [Lion and Serpent (Salon of 1833)] /1er RéductionSigned “BARYE” within the cast on the reverse, foundry stamped “CIRE PERDUE/LEBLANC - BARBEDIENNE/A PARIS” on the reverse.Bronze with brown patina, approximately 15 1/2 x 20 1/2 x 11 in. (38.8 x 52.1 x 27.9 cm).Condition: Minor dust to interstices and casting sand on the underside.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A52, pp. 175-6. $10,000-15,000


358.Isidore Jules Bonheur (French, 1827-1901)

Walking BearSigned “I. BONHEUR” l.r., foundry stamped “PEYROL” on the reverse.Bronze with light brown patina, 5 1/8 x 8 1/8 x 3 1/8 in. (13.0 x 20.6 x 7.9 cm), mounted to a stone plinth.Condition: Minor dust to the interstices. $2,000-2,500


EagleUnsigned, stamped “REDUCTION MECANIQUE/A. COLLAS BREVETE” and inscribed “F. BARBEDIENNE. FONDEUR.” on the base. Gilt bronze, 8 3/4 x 4 7/8 x 6 3/4 in. (22.2 x 12.4 x 17.1 cm).Condition: Minor surface wear. $1,000-1,500


358

359


Lion au serpent, No. 2 [Lion and Serpent, No. 2]/Probably a Petite RéductionSigned “BARYE” l.c., foundry marked “F. BARBEDIENNE” within the cast l.r.Bronze with light brown patina, 6 1/4 x 8 x 3 5/8 in. (15.9 x 20.3 x 9.2 cm).Condition: Minor dust to the interstices.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A53, p. 177.

N.B. The engaged base is comparable to the grandeur originale version as illustrated in Poletti. $800-1,200


Lion de la colonne de Juillet (projet) [Lion from the July Column (Project)]Inscribed “BAYRE” on the base l.r.Bronze bas-relief with black patina, 9 1/16 x 19 9/16 x 2 1/8 in. (23.1 x 49.6 x 5.5 cm).Condition: Dust and dirt to interstices.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A217, p. 356.

N.B. The dimensions are a slight reduction of the premier edition as noted in Poletti. $3,000-5,000


360

361


Lion qui marche [Walking Lion]Signed “BARYE” l.r.Bronze bas-relief with dark brown patina, 7 5/8 x 15 5/8 x 1 1/4 in. (19.4 x 39.7 x 3.2 cm).Condition: Minor dust to the interstices.

Provenance: Christie’s, New York, 19th Century European Paintings, Drawings, Watercolors and Sculpture including The Collection of Joseph H. Lang, Toronto, May 24, 1989, Lot 223.

Literature: Stuart Pivar, The Barye Bronzes, A Catalogue Raisonné (Suffolk, England: Antique Collectors Club, 1981), no. R8, pp. 46, 244. $2,000-2,500


Tigre dévorant un gavial [Tiger Devouring a Gavial]Inscribed “BARYE/18…” on the center left side of the base.Bronze with brown patina, 4 1/8 x 4 1/8 x 10 3/4 in. (10.5 x 10.5 x 27.5 cm), with an oval wood plinth (detached).Condition: Dust and dirt to interstices.

Literature: Stuart Pivar, The Barye Bronzes, A Catalogue Raisonné (Suffolk, England: Antique Collectors Club, 1981), no. A61, p. 41, (illus. p. 142).

N.B. Barye exhibited Tiger Devouring a Gavial at the Salon of 1831, winning a second prize medal, garnering critical acclaim, and marking a turning point in his career. The Salon submission was a painted plaster work measuring 40 inches long. Barye subsequently edited the work in two more versions, measuring 20 and 11 inches long. Stuart Pivar writes, “Castings of the small size are often seen in remarkable jewel-like quality where the hide of the crocodile seems real and where trouble has been taken to render the tiny teeth individually in razor sharpness.”1

1. Pivar, The Barye Bronzes, pp. 13-14.

$3,000-5,000


363

362

364


Ours debout No. 2 [Standing Bear No. 2]Signed “Barye” within the cast on the base in front of the bear’s left foot. Bronze with brown patina, height 9 5/8 in. (24.5 cm), base approximately 5 1/8 x 3 in. (12.8 x 7.5 cm).Condition: Minor oxidation to the base, dust and dirt to interstices.

Literature: Stuart Pivar, The Barye Bronzes, A Catalogue Raisonné (Suffolk, England: Antique Collectors Club, 1981), no. A9, p. 38; Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A5, p. 125. $6,000-8,000


365


Jaguar tenant un lièvre [Jaguar Devouring a Hare]/Probably a Posthumous CastSigned “A L.BARYE” within the cast on the base l.c., foundry marked “F. BARBEDIENNE. Fondeur. Paris.” within the cast beneath jaguar’s tail, stamped “22205” inside the base. Bronze with green-brown patina, 7 x 7 3/4 x 16 in. (17.8 x 15.5 x 39.5 cm).Condition: Dust and dirt to interstices.

Literature: Stuart Pivar, The Barye Bronzes, A Catalogue Raisonné (Suffolk, England: Antique Collectors Club, 1981), no. A82, p. 41, (illus. p. 154); Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A96, p. 236.

N.B. Pivar notes in his catalogue raisonné that Barye presented this bronze at the Salon of 1850. $3,000-5,000



Tigre qui marche (sur plinthe) [Walking Tiger (On a Plinth)]Signed “BARYE” within the cast l.l., marked “F. BARBEDIENNE. Fondeur.” on the reverse.Bronze with greenish-black patina, 8 3/8 x 16 1/4 x 4 in. (21.3 x 41.3 x 10.2 cm).Condition: Minor surface grime, dust to interstices.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A70, pp. 198-9.

N.B. The present cast appears to be one of several variations referenced in Poletti modeled after a period proof. The base measurements are consistent with the première edition. $3,000-5,000


Lion et Serpent No. 1 [Lion and Serpent No. 1]/2e VersionSigned “BARYE” within the cast on rear, stamped “679” twice and “776” once on the underside.Bronze with green patina, 9 3/4 x 13 3/8 x 6 7/8 in. (23.8 x 34.0 x 17.5 cm).Condition: Dust to interstices, bend to snake’s tongue.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A52, pp. 175-6. $2,500-3,500


367

366


Vautour enveloppé dans ses ailes [Vulture Wrapped in its Wings]Inscribed “A. BAYRE” on the base.Bronze with brown patina, 4 3/4 x 4 (12.0 x 10.5 cm), mounted to a round metal plinth.Condition: Dust to interstices.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. CS264, p. 476. $1,200-1,500

369.No lot.


Hibou [Owl]Inscribed “BARYE” in the bronze at l.l. beside the owl’s right talon.Bronze with brown patina, 5 3/4 x 6 1/4 in. (15.0 x 16.0 cm), mounted to a later bronze socle and round onyx plinth.Condition: Dust and dirt to the interstices.

Literature: Stuart Pivar, The Barye Bronzes, A Catalogue Raisonné (Suffolk, England: Antique Collectors Club, 1981), A180, p. 45, (illus. p. 225); Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A201, p. 342. $1,500-2,000


368

370


Taureau cabré [Rearing Bull]Signed “BARYE” within the cast on the base beneath the bull’s right rear leg.Bronze with greenish-brown patina, 8 5/8 x 10 1/2 x 4 in. (21.9 x 26.7 x 10.2 cm).Condition: Minor dust to interstices.

Literature: Michel Poletti and Alain Richarme, Barye: Catalogue Raisonné des Sculptures (Gallimard, 2000), no. A179, p. 324. $4,000-6,000


371

372

372.Jean Victor Albert Gesne (French, 1834-1903)

Master of the HoundsSigned “Alb. de Gesne” l.r.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Craquelure, surface grime and imperfections, lined, minor skinning. $2,000-3,000

373.Wright Barker (British, 1864-1941)

Fox Hound Wicklow, from the Blankney Hunt of 1933Signed “Wright Barker” l.r., inscribed “BLANKNEY 1933” l.l., titled “Wicklow” l.c.Oil on canvas, 18 x 24 in. (45.7 x 60.9 cm), framed.Condition: Surface grime. $800-1,000


373


Pointer in a LandscapeUnsigned, titled on a label affixed to the reverse.Oil on canvas, 24 x 29 in. (61.0 x 73.9 cm), framed.Condition: Lined, craquelure, surface grime. $1,800-2,200

375.Léon Bureau (French, 1866-1906)

Chien de Chasse/Probably a Posthumous CastInscribed “L. Bureau” in the base.Bronze with brown patina, 13 x 22 x 6 in. (33.0 x 56.0 x 15.2 cm).Condition: Dust and dirt to interstices. $2,000-3,000


375

374

376.Pierre Comba (French, 1859-1934)

Two Military Scenes: Prise de Saorge par le General Massena (Alpes-Maretimes) Avril 1796 pres Nice and In the TrenchesThe first signed “Pierre Comba” l.r. and identified on the reverse.Watercolors with gouache and whiting on paper, sight sizes 20 x 15 in. (50.8 x 38.2 cm), unframed.Condition: Toning, surface grime. $3,000-4,000


376

377

377.John Theodore Eardley Kenney (British, 1911-1972)

Going HomeSigned “JOHN T. KENNEY” l.r., identified on the reverse.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed in a liner.Condition: Surface grime. $2,000-3,000

378.John Theodore Eardley Kenney (British, 1911-1972)

Huntsman and Hounds in a Fall WoodlandSigned “JOHN T KENNEY” l.r.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed in a liner.Condition: Surface grime, pinhole to each corner. $2,000-3,000


378


The Country FairSigned “F. Smythe” l.l.Oil on panel, 13 1/2 x 24 1/2 in. (34.3 x 62.2 cm), framed.Condition: Bowing to panel, craquelure, surface grime.

Provenance: The collection of Louis D. “Bud” Root (1922-2009), Southampton, New York. $800-1,200

380.Isidore Jules Bonheur (French, 1827-1901)

La laitière, alternatively titled Milkmaid and Grazing Cow, 1887Signed “I BONHEUR” l.r., foundry stamped “PEYROL ÉDTEUR” [sic] on the reverse of the base.Bronze with dark brown patina, 12 7/8 x 6 3/4 x 17 in. (32.7 x 17.1 x 43.2 cm).Condition: Loss to the milkmaid’s knitting needle.

Provenance: Collection of Mr. and Mrs. Thomas Leighton McCready, Pelham Manor, New York and West Reading, Connecticut; by family descent to his son Rear Admiral Lauren Strong McCready (1915-2007); by descent to a private New England collection. $7,000-9,000


379

380

381

381.Henry Thomas Alken (British, 1785-1851)

The MeetUnsigned, identified on a presentation plaque, stenciled and inscribed “EN590…Lt 25 23-11-84” on the stretcher.Oil on canvas, 17 3/4 x 25 5/8 in. (45.1 x 65.1 cm), framed.Condition: Lined, retouch, trimmed canvas, abrasions along frame liner, craquelure, minor skinning.

Provenance: Christie, Manson & Woods, Important English Pictures, London, November 23, 1984, Lot 25 (illus.); collection of Louis D. “Bud” Root (1922-2009), Southampton, New York. $4,000-6,000


382.Carl Millner (German, 1825-1894)

High PasturesSigned “Carl Millner” l.l., stamped “Nachlass Carl Millner” on the reverse.Oil on paper laid on canvas, 7 1/2 x 14 1/2 in. (19.0 x 36.5 cm), framed.Condition: Retouch, surface grime.

Provenance: A Massachusetts estate. $1,000-1,500

383.Georg Macco (German, 1863-1933)

Auf dem JungfraujochSigned and dated “Georg Macco. 1932” l.r., identified on a label affixed to the reverse. Oil on canvas, 31 1/4 x 44 3/4 in. (79.4 x 113.7 cm), unframed.Condition: Surface accretions/grime, canvas deformation.

Provenance: A Massachusetts estate. $1,500-2,000


382

383

384

384.Samuel Lancaster Gerry (American, 1813-1891)

Lake View with Snow-capped MountainsSigned “SLGerry-” l.l.Oil on canvas, 20 x 30 in. (50.7 x 76.0 cm), in a period frame.Condition: Minor retouch, craquelure, surface grime. $6,000-8,000


385


An Extensive Wooded Landscape with Haymakers in a Horse-Drawn CartUnsigned, stenciled and inscribed “CP209…Lot 103 5-3-82” on the reverse.Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.Condition: Lined, retouch, craquelure.

Provenance: Christie, Manson & Woods, London, Fine English Pictures of the 17th-20th Centuries, March 5, 1982, Lot 103; collection of Louis D. “Bud” Root (1922-2009), Southampton, New York. $1,500-2,500

386.James William Cole (British, ac. 1849-1889)

The Riding LessonSigned and dated “J W Cole/18…” l.l., titled, inscribed, and dated “…1858…” on the reverse.Oil on paper laid on paperboard, 19 x 23 3/8 in. (48.2 x 59.3 cm), framed.Condition: Retouch, evidence of old creasing, scattered craquelure, surface grime.

Provenance: Christie’s New York, Rockefeller Center, June 16, 2009, Lot 130. $2,000-3,000


386

387

387.William Havell (British, 1782-1857)

Landscape with WoodcuttersSigned and dated “W. Havell/1829” l.r.Oil on canvas, 16 1/8 x 20 in. (41.0 x 51.0 cm), framed.Condition: Lined, scattered retouch, craquelure, surface grime. $2,000-3,000


388

388.Anglo/American School, 19th Century

Panoramic View with a Woman Herding GeeseSigned and dated “J. Minor Sept. 1877” l.r.Oil on canvas, 28 1/4 x 36 1/4 in. (71.8 x 92.1 cm), framed.Condition: Lined, minor retouch, craquelure. $1,500-2,000

389.Alexis Auguste Delahogue (French, 1867-1953)

Farm Scene with ChickensSigned and dated “A Delahogue 1904” l.l.Oil on canvas, 13 x 21 3/4 in. (33.0 x 55.0 cm), framed.Condition: Mild surface grime. $1,500-2,500


389

390

390.Frederic Charles Vipond Ede (American, 1865-1943)

Figure with Geese and Cows Along a RiverbankSigned “Frederic - Ede -” l.r.Oil on canvas, 21 3/8 x 29 1/8 in. (54.3 x 74.0 cm), framed.Condition: Patch reinforcement, small repaired tear to u.l. quadrant, stable craquelure, canvas deformation to u.l. corner, surface grime. $1,500-2,000


Shepherdesses on a Country PathSigned and dated “Leclerc 70” l.r.Oil on canvas, 17 1/2 x 23 3/4 in. (44.5 x 60.5 cm), framed.Condition: Lined, retouch, craquelure, surface grime. $2,000-3,000


391

392

392.James Holland (British, 1799-1870)

The Dogana, VeniceSigned, dated, and inscribed “Dogana da Mare o di Transito/Jas Holland. 1853” on the reverse.Oil on board, 12 5/8 x 13 in. (32.5 x 33.0 cm), framed in a round format.Condition: Old retouch, surface grime. $800-1,200


393

393.School of Michele Marieschi (Italian, 1696-1743)

The Molo, Venice, from the Bacino di San MarcoUnsigned.Oil on canvas, 24 x 37 1/2 in. (61.0 x 95.3 cm), framed.Condition: Lined, abrasions, craquelure, retouch, losses, surface grime. $3,000-5,000


394

394.Émile-Victor-Augustin Delobre (French, 1873-1956)

Grand Canal a VeniseUnsigned, titled in pencil and identified on a label affixed to the reverse.Oil on panel, 10 1/2 x 14 in. (26.7 x 35.6 cm), framed.Condition: Good.

N.B. A copy of an exhibition pamphlet from World Wide Art Gallery, New York, and a presentation plaque accompany the lot. $1,000-1,500

395.Barbizon School, 19th Century

Gondola at NightUnsigned.Oil on cradled panel, 10 13/16 x 15 13/16 in. (27.5 x 40.2 cm), framed.Condition: Minor surface grime. $3,000-5,000


395

396.Félix François Georges Philibert Ziem (French, 1821-1911)

Gondolas on a Lagoon in AutumnSigned “Ziem” l.l.Oil on canvas, 17 3/4 x 25 3/4 in. (45.0 x 65.5 cm), framed.Condition: Lined, retouch, craquelure.

Provenance: Through the collection of Collier Whittemore Baird (1888-1977), New Jersey and New York; present owner by family descent.

N.B. The present painting has been reviewed via photographs by Mathias Ary Jan, who confirmed its authenticity. $10,000-15,000

397.Man Ray (American, 1890-1976)

BonfireIncised “Man Ray” l.r., inscribed “Man Ray 1911” in pencil on the back of the frame.Oil on artist board, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Minor surface grime.

Provenance: Gift from the artist to his sister, Dorothy Ray Goodbread, Rydal, Pennsylvania; by family descent to her daughter, Florence (née Goodbread) Trichon Blumenthal (1921-1997), Elkins Park, Pennsylvania; by family descent to the present owner.

N.B. This work will be included in the Catalogue of the Paintings of Man Ray in preparation by Andrew Strauss and Timothy Baum. $3,000-5,000


397

396

398.Anna Mary Richards Brewster (American, 1870-1952)

Five Algerian and Tunisian Oil SketchesUnsigned, identified and dated “…1925-26” on a presentation plaque and similarly inscribed on the frame backing paper.Oil on canvas/board, sight sizes to 6 1/4 x 7 1/4 in. (15.9 x 18.4 cm), in a common frame (under glass).Condition: Not examined out of frame.

Provenance: Through the family of William Trost Richards (the artist’s father). $1,000-1,500


A Corner of the Palazzo DucaleSigned “W J Petrovits” l.r.Watercolor on paper, 19 1/2 x 11 3/4 in. (49.6 x 29.8 cm), framed.Condition: Toning, sheet laid down on cardboard support. $1,000-1,500


399

398

400.Fabio Fabbi (Italian, 1861-1946)

At the Textile MarketSigned “F. Fabbi” l.r.Oil on canvas, 27 7/8 x 19 5/8 in. (70.8 x 49.7 cm), framed.Condition: Lined, minor retouch. $7,000-9,000

401.Italian School, 19th Century

Two Portraits of Rustic Italian WomenOne inscribed and dated “Mola di Gaeta 63” l.l., the other inscribed “…ori…” l.r.Watercolor and graphite on paper, sheet sizes 11 3/8 x 9 in. (28.9 x 22.9 cm), framed.Condition: Toning, tape hinged to window mat. $1,200-1,800

401

400


402

402.Continental School, 17th/18th Century

Dutch Galleon Coming AshoreUnsigned.Oil on canvas, 25 x 43 3/4 in. (63.5 x 111.1 cm), framed.Condition: Lined, retouch, canvas deformations, skinning, minor punctures, craquelure, minor losses/abrasions.



403

403.School of George Webster (British, 1797-1864)

The Vessel Northampton and Small Sailing Craft Off the CoastSigned indistinctly “W…” l.l., inscribed and dated “SARAH 1804” on the stern of a dinghy l.l.Oil on canvas, 25 x 29 7/8 in. (63.5 x 76.0 cm), framed.Condition: Lined, scattered retouch, areas of skinning. $5,000-7,000


404

404.Attributed to Claude-Joseph Vernet (French, 1714-1789)

Harbor ViewUnsigned.Oil on canvas, 21 x 31 1/8 in. (53.5 x 79.2 cm), framed.Condition: Lined, scattered retouch, craquelure, surface grime. $15,000-25,000


405

405.Manner of Claude-Joseph Vernet (French, 1714-1789)

Two Harbor Views: Day and TwilightUnsigned, both marked “8/Ancienne Maison/Vallé/Bellavoine Successeur/…/Paris” and with canvas stencils to the reverse.Oil on canvas, 12 3/4 x 18 in. (32.4 x 45.8 cm), framed.Condition: Punctures/tears, paint losses, patch reinforcements, retouch, craquelure, surface grime. $2,000-3,000


406

406.James Webb (British, 1825-1895)

Portmadoc, North WalesSigned and dated “James Webb/77” l.r., monogrammed, inscribed, signed, and dated “Painted for J. ToothEsq./1877/from a sketch taken Summer of 1876” on the reverse.Oil on canvas, 20 1/8 x 32 1/8 in. (51.0 x 81.5 cm), framed.Condition: Scattered abrasions, craquelure, surface grime. $3,000-5,000


408

407

407.Michael Zeno Diemer (German, 1867-1939)

Square-rigged Ship Under Sail, Coastal Craft and Cliffs BeyondSigned “M. Zeno Diemer” l.r.Oil on canvas, 23 5/8 x 31 1/2 in. (60.0 x 80.0 cm), framed.Condition: Retouch, craquelure. $2,000-3,000

408.Walter Franklin Lansil (American, 1846-1925)

Coasting Schooners Off ShoreSigned and dated “Walter F. Lansil 1892” l.l., identified on a label from Vose Galleries, Boston, on the frame backing.Watercolor and graphite on paper, sight size 10 x 13 1/2 in. (25.4 x 34.3 cm), framed.Condition: Not examined out of frame. $1,000-1,500


409.William Stanley Haseltine (American, 1835-1900)

Bright Sun over a Rocky CoastInitialed “WSH” l.r.Oil on paper mounted to cardstock, 6 x 10 1/4 in. (15.2 x 26.0 cm), in a period-style frame.Condition: Frame abrasions, surface grime. $600-800

410.American School, 19th Century

The Barque Half Moon in Hudson BayUnsigned.Oil on canvas, 15 x 22 3/4 in. (38.0 x 58.0 cm), framed.Condition: Lined, retouch, craquelure. $3,000-5,000


410

409


Shore at SunsetInitialed “E.A.P.S.” l.r., inscribed “…Pictures/…DUPONT…/Bet. GEARY &…” on a canvas stencil on the reverse. Oil on canvas, 18 x 30 1/8 in. (45.7 x 76.5 cm), framed.Condition: Craquelure, minor retouch, minor surface grime, minor skinning. $15,000-20,000


411

412.Albert Van Beest (American, 1820-1860)

Two Studies of War of 1812 Naval EngagementsSigned “AVan Beest” in pencil l.l. and l.r., respectively, identified on information affixed to the backing. Ink wash and graphite on paper, sight sizes to 7 x 9 1/2 in. (17.8 x 24.1 cm), both framed.Condition: Toning, restored tears and paper losses, not examined out of frames.

Provenance: A prominent Cincinnati, Ohio, collector.

N.B. Biographical literature and a copy of the conservation report from the Intermuseum Laboratory, Oberlin, Ohio, April 29, 1998, accompany the lot. $1,200-1,800

413.William Bradford (American, 1823-1892)

Hauling Boats AshoreUnsigned, inscribed “Sketch by Wm. Bradford” in pencil on the reverse.Graphite on paper, sheet size 6 1/4 x 11 3/8 in. (15.9 x 28.9 cm), framed.Condition: Tape hinged to backing mat, restored tears to right margin, toning, trimmed top edge.

Provenance: A prominent Cincinnati, Ohio, collector. $1,500-2,000


413

412

414

414.Charles Henry Gifford (American, 1839-1904)

New Bedford Harbor at SunsetSigned and dated “C.H. Gifford 1896.” l.l., identified on labels from the Old Dartmouth Historical Society Whaling Museum, New Bedford, Massachusetts, and The Katonah Gallery, Katonah, New York, on the frame backing paper.Watercolor on paper, sheet size approximately 17 1/4 x 27 1/7 in. (43.8 x 69.2 cm), framed.Condition: Sheet laid down on paperboard support, support mounted to window mat with linen tape at the corners.

Provevance: A private Massachusetts collection.

Exhibitions: An American Luminist, Charles Henry Gifford, November 7, 1986–January 11, 1987, Old Dartmouth Historical Society Whaling Museum, New Bedford, Massachusetts, and January 25–March 8, 1987, The Katonah Gallery, Katonah, New York, guest curator, John I.H. Baur, cat. #22; New Bedford Watercolors, 1787-1987, May 5–October 2, 1988, Old Dartmouth Historical Society Whaling Museum, New Bedford, Massachusetts. $15,000-20,000


415

415.Thomas Birch (American, 1779-1851)

U.S.S. Pennsylvania, 1848Titled, signed or inscribed, and dated “…by T. Birch 1848” on a handwritten label affixed to the stretcher.Oil and graphite on canvas, 22 x 33 1/4 in. (55.9 x 84.5 cm), framed.Condition: Lined, craquelure, scattered retouch.

Provenance: A prominent Cincinnati, Ohio, collector. $20,000-30,000


416

416.William Bradford (American, 1823-1892)

Queen of the SeasUnsigned, identified on a presentation plaque.Oil on canvas, 33 x 52 in. (83.8 x 132.1 cm), framed.Condition: Lined, retouch, craquelure, surface grime.


N.B. Queen of the Seas was built in East Boston by Paul Curtis and was owned by Glidden & Williams of Boston. Captained by Elias D. Knight, for her maiden voyage she joined the “Deep Sea Derby” in the fall of 1852, a race of the finest clipper ships of the day from Boston and New York around Cape Horn to San Francisco. Queen of the Seas set sail from Boston on November 3, 1852, and arrived in San Francisco March 11, 1853.

Assorted ephemera concerning William Bradford paintings, the vessel Queen of the Seas, and an invoice (dated 1969) for conservation of the painting at hand, accompany the lot. $120,000-180,000



Decatur’s Sloop ‘Intrepid’ at Tripoli, 1803Signed “T. Birch” within the composition c.l., inscribed “#8 D7773” on the stretcher, identified on a presentation plaque and label from the Cincinnati Art Museum affixed to the backing. Oil on canvas, 19 1/2 x 25 in. (49.5 x 63.5 cm), framed.Condition: Lined, retouch, craquelure, minor surface grime.


Exhibitions: Cincinnati Collects Paintings, Cincinnati Art Museum, March 31 to May 15, 1983, no. 9.

N.B. A loose label from Closson Galleries, Cincinnati, Ohio, and ephemera relating to comparable Thomas Birch paintings accompany the lot. $50,000-70,000


417


The U.S. Frigate United States versus Macedonia in the War of 1812Unsigned, inscribed “#5 D7713…” in crayon on the stretcher, identified on a presentation plaque and on a typed label affixed to the backing, also with a label from Closson Galleries, Cincinnati, Ohio, affixed to the backing.Oil on canvas, 24 1/2 x 32 in. (62.2 x 81.3 cm), framed.Condition: Lined, craquelure, varnish inconsistencies.

Provenance: Purportedly Hugo Wunderlich; purportedly Robert C. Eldred Co., Inc., August 25, 1954; a prominent Cincinnati, Ohio, collector.

N.B. Ephemera related to comparable Thomas Birch paintings accompanies the lot. $150,000-200,000


418

419

419.William Van De Velde Bonfield (American, 1834-1885)

Sandy Beach, Cohasset, MassachusettsSigned “V. de V. Bonfield” l.r., titled and signed “…V.de V. Bonfield Pinxt-” on the reverse. Oil on canvas, 15 1/2 x 27 in. (39.4 x 68.6 cm), framed.Condition: Very minor retouch, craquelure, minor surface grime, subtle varnish inconsistencies. $4,000-6,000

420.Arthur Quartley (American, 1839-1886)

Rocks Near Gloucester, Mass.Signed indistinctly l.r., titled and signed “…A. Quartley” in pencil on the stretcher.Oil on canvas, 12 x 26 in. (30.5 x 66.0 cm), framed.Condition: Abrasion to l.r. quadrant, rippling, craquelure, surface grime. $800-1,200


420

421.John Joseph Enneking (American, 1841-1916)

Coastal View with Figures LeftSigned and dated “Enneking 73” l.r., identified on a catalogue raisonné label from Pierce Galleries, Massachusetts, affixed to the stretcher. Oil on canvas, 15 7/8 x 20 in. (40.3 x 50.8 cm), framed.Condition: Lined, minor retouch. $5,000-7,000


421

422

422.Edward Moran (American, 1829-1901)

Waves on a Rocky ShoreSigned “Edward Moran” l.l.Oil on canvas, 26 x 44 1/8 in. (66.0 x 112.0 cm), framed.Condition: Punctures, scattered retouch, paint losses, craquelure, surface grime.

Provenance: Collection of Victoria (née Frelinghuysen) Bates (1907-2002); by family descent to the present owners. $3,000-5,000

423.George Howell Gay (American, 1858-1931)

Cape ElizabethSigned “Geo. Howell Gay.” l.r., titled on the reverse.Watercolor on paper, 14 x 31 3/4 in. (35.5 x 80.7 cm), framed.Condition: Small stain u.l. corner, very mild acid burn, subtle toning, glue residue to corners on the reverse. $1,500-2,000


423

424

424.Franklin Dullin Briscoe (American, 1844-1903)

End of the DaySigned “F.D. Briscoe” l.r.Oil on canvas, 23 7/8 x 35 7/8 in. (60.7 x 91.0 cm), framed.Condition: Lined, retouch, stable craquelure in areas of thicker impasto.

Provenance: Barridoff Galleries, Portland, Maine, July 1981, Lot 42. $7,000-9,000


425

425.Winckworth Allan Gay (American, 1821-1910)

A View off the Massachusetts South Shore, Probably Winthrop or HinghamSigned and dated “…Gay 1857” l.l., identified on a presentation plaque.Oil on canvas, 8 x 12 in. (20.3 x 30.5 cm), framed.Condition: Loss along right edge, abrasions beneath frame liner, craquelure, surface grime. $1,000-1,500

426.Attributed to Charles Henry Gifford (American, 1839-1904)

View of a Hulk at SundownUnsigned.Oil on canvas, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Scattered retouch, surface grime. $1,000-1,500


426

427

427.American School, 19th/20th Century

A Looker OnUnsigned, inscribed “H” and titled within a pencil inscription on the reverse.Oil on panel, 7 3/16 x 10 in. (18.3 x 25.5 cm), framed.Condition: Hairline crack to panel at u.l. edge, small abrasion to l.l. corner, minor surface grime. $2,500-3,500


428

428.Thomas Sully (American, 1783-1872)

Portrait of General George Cadwalader (1806-1879), c. 1850Initialed “TS” l.r., identified on a typed label and with a frame manufacturer’s label from J. Middleton Jr., Philadelphia, affixed to the reverse.Oil on panel, 21 x 18 in. (53.3 x 45.7 cm), in a period frame.Condition: Retouch, restored left and right edges of panel, very fine craquelure.

Provenance: George H. Story (1835-1922), New York City; Hirschl & Adler Galleries, New York, c. 1959; a prominent Cincinnati, Ohio, collector.

Literature: Edward Biddle and Mantle Fielding, The Life and Works of Thomas Sully 1783-1872 (Wickersham Press, 1921), p. 114, no. 269; Paul A. Chew, ed., Two Hundred and Fifty Years of Art in Pennsylvania (Westmoreland County Museum of Art, 1959), no. 123 (illus. pl. 28).

N.B. General George Cadwalader was a fifth-generation descendant of John Cadwalader (1677-1734) who first came to America from Wales in 1697 to practice the Quaker religion freely. Though George Cadwalader was also an attorney and real estate investor, he devoted most of his life to military duty. Over his three-decade career, he fought in the Mexican-American War (1846-1847) and served as a major general of the First Division of Pennsylvania troops in the Civil War (1861-1865).1

1. The Historical Society of Pennsylvania, Collection 1454, Cadwalader Family Papers, 1623-1962, The Historical Society of Pennsylvania, 2007, p. 5.

$5,000-7,000


429

429.Gilbert Stuart (American, 1755-1828)

Captain John MacBride (c. 1735-1800), c. 1785Inscribed “Stewart Pinxt 1785” in ink in a period hand on the stretcher, with a label from Julius H. Weitzner, New York and London, affixed to the stretcher.Oil on canvas, 30 x 24 3/4 in. (76.2 x 62.9 cm), framed.Condition: Lined, retouch, craquelure, skinning, varnish inconsistencies.


N.B. The present work closely relates to a 1788 portrait of Captain MacBride formerly owned by Paul Mellon now in the Yale Center for British Art collection. $15,000-25,000


430

430.William Worcester Churchill (American, 1858-1926)

Young Woman Reading a LetterSigned “…W. Churchill…” l.l., inscribed “Return to:/W.W. Churchill/23 Irving St./Boston” on the reverse.Oil on canvas, 54 5/8 x 25 in. (140.0 x 63.5 cm), framed.Condition: Retouch, craquelure, surface grime.

N.B. Born in Jamaica Plain, Massachusetts, William Worcester Churchill studied at the Boston Museum School in 1877 and later in Paris with Léon Bonnat. He established a studio in Boston on Irving Street. His canvases depicting lovely young women in elegant interiors were very much in keeping with Boston School colleagues such as Edmund Tarbell and William McGregor Paxton. $18,000-22,000


431.William Couper (American, 1853-1942)

Tennyson’s Princess, 1882Incised signature “Wm. Couper” on the base reverse.Carved Carrara marble, approximately 29 x 20 x 12 in. (73.7 x 50.8 x 30.5 cm), mounted to a carved marble socle and set upon a carved wood and velvet-upholstered column.Condition: Minor loss to base, minor surface imperfections.

Provenance: Through a private Boston collection.

N.B. The sculpture depicts Princess Ida, the central character of Alfred, Lord Tennyson’s 1847 poem, “The Princess: A Medley.” Ida believes that women are superior to men, and chooses to establish a women’s college over accepting a prince’s hand in marriage. Ida’s headstrong independence is no match for fate, however, and through a comedy of errors, Ida marries the prince that she was betrothed to at birth. While the poem’s ending was conventional for its time, it was still among the first to engage with the debate over equal rights for women in Britain, as championed by Mary Wollstonecraft in the late 18th century. Another example of this sculpture is in the permanent collection of the Smithsonian American Art Museum. $15,000-25,000


431

432

433

432.Carnig Eksergian (Turkish/American, 1855-1931)

Standing Nude with a Blue BirdSigned “C. Eksergian” c.r., with a partial paper label inscribed “Mr. C. Eksergian” affixed to the tacking edge on the reverse.Oil on canvas, 41 x 27 in. (104.0 x 68.5 cm), framed.Condition: Retouch, craquelure, minor paint losses, surface accretions and grime. $800-1,200

433.John Dickinson (British, 19th/20th Century)

Portrait of a Woman in ProfileMonogrammed and dated “JD 1876.” l.l., inscribed “Dickinson/66 Sydney Street/London.S.W/1876” on the reverse. Oil on canvas, 22 3/4 x 17 1/2 in. (63.5 x 44.5 cm), framed.Condition: Craquelure, minor retouch, losses/abrasions along frame liner, minor surface grime.

Provenance: The collection of Louis D. “Bud” Root (1922-2009), Southampton, New York.

Literature: Algernon Graves, The Royal Academy of Arts: A Complete Dictionary of Contributors and their Work from its Foundation in 1769 to 1904, Volume II (Burt Franklin, 1972), p. 321. $1,000-1,500


434

434.Karl Witkowski (American, 1860-1910)

The Temptation of AdamSigned and dated “KWitkowski/1905” l.l., titled within the composition u.r., identified on a presentation plaque.Oil on canvas, 24 x 30 1/8 in. (61.0 x 76.5 cm), framed.Condition: Scattered retouch, surface grime.

Provenance: Descended in the John J. Pigot family to the present owner.

N.B. The lot is accompanied by an unframed chromolithograph reproduction of the painting (18 x 24 in.), marked “Copyrighted 1905 by Pigot Picture Co., Brooklyn, N.Y.” within the print at the lower right corner of the wooden chest. $6,000-8,000


435

435.Thomas Nast (American, 1840-1902)

Head of ChristSigned and dated “ThNast/1900” l.r., numbered “10.20…” in red on the stretcher, with a label from Abbey Art Galleries, Pittsburgh, affixed to the stretcher and a partial label from “Dicksee & Co.” affixed to the frame.Oil on canvas, 29 1/2 x 24 in. (75.0 x 61.0 cm), framed.Condition: Small paint loss l.c., craquelure.

Provenance: Acquired from the artist in November, 1900, by W.P. Toler, New York City; returned to the artist for touch-up; upon Nast’s death in 1902 the painting was retained by his widow, Sarah; rights transferred by Toler to Harmon De Pau, Nutting, New Jersey, in 1904; sold to J.P. Morgan in 1908; donated to the Metropolitan Museum of Art in 1910, where it was given the object number 10.208; returned by The Metropolitan Museum to the Morgan family in 1928, then donated to the Cooper Union Museum that same year; sold at auction in 1946 to Meredith Galleries, New York City, with a group of other items from the Cooper Union Museum; sold by Meredith Galleries, then whereabouts unknown; purchased in 1961 in Detroit by the current owner. $10,000-15,000


436.Attributed to Benjamin West (American, 1738-1820)

Study for ‘Una and the Lion’Unsigned, identified on a label from Davis Galleries, New York City, affixed to the frame backing.Pencil and chalk on paper, 6 x 7 in. (15.0 x 18.0 cm), framed.Condition: Creases, gently light-struck, sheet trimmed and hinged to window mat with cellophane tape. $1,000-1,500

437.Emil (Soren Emil) Carlsen (American, 1848-1932)

Three Works: Studies for O Ye of Little FaithUnsigned, two identified on labels from Fudali Galleries, Lakeville, Connecticut.Two oil on artist board, one oil on canvasboard, sight sizes to 12 1/2 x 8 3/4 in. (31.8 x 22.2 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from Dines Carlsen, the artist’s son.

N.B. Ephemera related to O Ye of Little Faith, including a Corcoran Gallery of Art exhibition catalogue and two photographs, accompanies the lot. $1,500-2,000


437

436

438

438.William Mason Brown (American, 1828-1898)

Fruit Still Life En Plein AirSigned and dated “WMBrown./1875.” l.r.Oil on canvas, 18 x 24 in. (46.0 x 61.5 cm), framed.Condition: Lined, retouch, craquelure, surface grime.

Provenance: Acquired by a Brooklyn collector in the 1870s, then by descent to the current owner. $40,000-60,000


439

439.Robert Spear Dunning (American, 1829-1905)

Tabletop Still Life with FruitSigned and dated “R.S. Dunning 91” l.l., signed and dated “Robert.S.Dunning.pinxit./1891.” on the reverse.Oil on canvas, 13 1/8 x 17 1/8 in. (33.4 x 43.5 cm), framed.Condition: Old retouch in l.r. quadrant, varnish inconsistencies.

Provenance: From the artist to Israel Brayton of Fall River, Massachusetts, then by descent within the family.

N.B. According to Brayton family history, Israel Brayton served as Robert Spear Dunning’s attorney. $30,000-50,000


440

440.Bryant Chapin (American, 1859-1927)

Still Life with Apples, Pears, Peaches, Plum, Orange, and GrapesSigned and dated “BRYANT CHAPIN 1924.” l.l., with a label from Questroyal Fine Art, LLC, affixed to the backing. Oil on canvas, 14 1/4 x 19 1/4 in. (36.2 x 48.9 cm), framed.Condition: Minor retouch, fine craquelure. $6,000-8,000


441

441.Robert Spear Dunning (American, 1829-1905)

Tabletop Still Life with FruitSigned and dated “R. S. Dunning 18…” l.r., and “R.S. Dunning/1873” on the reverse.Oil on canvas, 8 1/4 x 12 in. (21.0 x 30.5 cm), framed.Condition: Minor paint losses, surface grime.

Provenance: Purchased from a New York interior designer, then by family descent. $8,000-12,000


442

442.Louis Henry Charles Moeller (American, 1855-1930)

In the ParlorSigned “Louis Moeller N.A.” l.r., identified on a presentation plaque.Oil on canvas, 18 x 24 in. (45.9 x 61.0 cm), framed.Condition: Scattered retouch, fine, stable craquelure.

Provenance: A private Massachusetts collection. $10,000-15,000


443.Frank Albert Philips (American, 1835-1903)

Seated Young Boy at PlaySigned and dated “F.A. Philips/1881” l.r., inscribed “Painted by F.A. Philips…” on a paper affixed to the reverse.Oil on academy board, 7 5/8 x 10 3/8 in. (19.5 x 26.5 cm), framed.Condition: Fine, stable craquelure, mild surface grime. $1,000-1,500

444.Clara E. Burrage (American, 19th/20th Century)

White ChrysanthemumsSigned “Clara Burrage” l.l., identified on an exhibition label from The Boston Art Club affixed to the stretcher.Oil on canvas, 18 x 24 in. (45.6 x 61.0 cm), in a J. Eastman Chase frame.Condition: Craquelure, surface grime.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire.

Exhibitions: Boston Art Club, January 19–February 16, 1889, no. 134. $800-1,200


444

443

445

445.John Clinton Spencer (American, 1861-1919)

Still Life with Apples, Grapes, and PearsSigned and dated “J.C. Spencer 1899” l.l. and on the reverse.Oil on canvas, 14 x 26 in. (35.6 x 66.1 cm), framed.Condition: Retouch, subtle varnish inconsistencies, surface grime.

Provenance: Skinner, American and European Paintings & Prints, March 9, 2001, Lot 262. $2,000-3,000

446.Edward Chalmers Leavitt (American, 1842-1904)

Tabletop Still Life with FruitSigned and dated “-E C Leavitt. 1877-” l.l.Oil on canvas, 12 x 20 in. (30.8 x 51.0 cm), framed.Condition: Scattered retouch, fine, stable craquelure. $1,500-2,000


446

447

447.Frederick Stone Batcheller (American, 1837-1889)

Still Life with Fruit in a Footed Glass BowlSigned “Batcheller” l.l.Oil on canvas, 12 x 18 in. (30.5 x 45.8 cm), framed.Condition: Varnish inconsistencies. $5,000-7,000


448

448.Thomas Bigelow Craig (American, 1849-1924)

Midsummer DaysSigned “THOS B. CRAIG” l.r., titled and signed “…THOS. B. CRAIG A.N.A.” on the reverse. Oil on canvas, 10 1/4 x 14 1/4 in. (26.0 x 36.2 cm), framed.Condition: Minor surface grime. $1,000-1,500


449

449.Scott (Nicholas Winfield) Leighton (American, 1849-1898)

Pastoral Landscape with Grazing CowsSigned “Scott Leighton” l.l.Oil on canvas, 31 x 48 in. (78.7 x 121.9 cm), framed.Condition: Craquelure, surface grime. $3,000-5,000


450

451

450.William Louis Sonntag Sr. (American, 1822-1900)

Ossipee Valley, N.H.Signed “Sonntag” l.l., titled in ink on the reverse.Oil on canvas, 6 3/4 x 10 3/4 in. (17.2 x 27.3 cm), framed.Condition: Retouch, mild surface grime. $2,000-3,000


Lake View with MountainsUnsigned.Oil on paperboard, 3 1/8 x 6 3/4 in. (8.0 x 17.0 cm), framed.Condition: Mounted to paperboard support, frame abrasions, surface grime. $600-800


452

452.William Louis Sonntag Sr. (American, 1822-1900)

Mascot Lake, New Hampshire, alternatively titled Landscape with FishermanSigned “W.L. Sonntag N.A.” l.r., identified on labels including one from Adelson Galleries, Inc., Boston, affixed to the frame.Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.Condition: Lined, retouch, craquelure, minor surface grime, subtle varnish inconsistencies. $8,000-12,000


453

453.Thomas Hill (American, 1829-1908)

The End of a Day’s JourneySigned and dated “T. Hill 1851” l.l.Oil on canvas, 25 1/4 x 30 1/4 in. (64.1 x 76.8 cm), framed.Condition: Lined, retouch, craquelure, varnish inconsistencies. $2,500-3,500

454.Harrison Bird Brown (American, 1831-1915)

The Old MillMonogrammed and dated “HBB75” l.l.Oil on canvas, 13 x 23 in. (33.0 x 58.7 cm), framed.Condition: Small canvas loss at l.r. corner, minimal tacking edges. $1,500-2,000


454

455.William Hart (American, 1823-1894)

Horse and Rider Crossing a Woodland StreamSigned and dated “W. Hart 1850” l.c.Oil on canvas, 19 5/8 x 24 1/8 in. (49.8 x 61.4 cm), framed.Condition: Canvas trimmed and laid on paperboard, puncture to u.r. edge, scattered abrasions, craquelure, wear to edges of canvas, surface grime. $2,500-3,500


River Landscape with Duck HunterUnsigned.Oil on canvas, 40 1/2 x 56 3/8 in. (102.5 x 143.3 cm), framed.Condition: Lined, retouch. $4,000-6,000


456

455

457.John White Allen Scott (American, 1815-1907)

HayingSigned and dated “J.W.A. Scott/1853” l.r., identified on a presentation plaque.Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.Condition: Lined, scattered retouch, craquelure. $2,000-3,000

458.Wesley Elbridge Webber (American, 1841-1914)

View in Arlington, MassSigned “W. WEBBER” l.l., inscribed and titled “…By W Webber” in pencil on the reverse.Oil on artist board, 10 1/8 x 8 1/8 in. (25.7 x 20.6 cm), framed.Condition: Minor surface grime, minor abrasions beneath frame liner. $800-1,200


458

457

459

459.James Augustus Suydam (American, 1819-1865)

Landscape with Cattle WateringSigned or inscribed “Mr. … Suydam 92 B…” in pencil on a fragment of the original stretcher bar affixed to the reverse.Oil on canvas, 22 x 36 in. (55.9 x 91.4 cm), framed.Condition: Lined, craquelure.

Provenance: Doyle New York, European and American Paintings, May 24, 2000, Lot 26.

Literature: Katherine Manthorne, Luminist Horizons: The Art and Collection of James A. Suydam (National Academy Museum and School of Fine Arts, 2006), p. 158 (as ND.12). $12,000-18,000


460.Hendrik-Dirk Kruseman Van Elten (American, 1829-1904)

Schroon Lake, Adirondacks, Warren, Essex County, New YorkSigned “Kruseman Van Elten” l.l., inscribed “Schroon Lake” in pencil on the reverse, titled on the paper backing.Oil on artist board, 7 x 10 5/8 in. (17.8 x 27.0 cm), framed (under glass).Condition: Minor losses to edges. $1,000-1,500

461.Attributed to John Henry Hill (American, 1839-1922)

Lake View with Sailboat on a Summer DayUnsigned.Oil on canvas, 22 1/4 x 27 1/4 in. (56.5 x 69.4 cm), framed.Condition: Scattered paint losses, craquelure, surface grime.

Provenance: Collection of Samuel Stickney Hall (1864-1931), Montclair, New Jersey, then by family descent. N.B. Samuel Stickney Hall, a successful figure in the world of finance in New York City, was an advisor to the Hill family and received works of art as gifts or perhaps as barter for services. The painting at hand was likely received from John Henry Hill and passed down through subsequent generations of the Hall family. $600-800


461

460

462

462.Edmund Darch Lewis (American, 1835-1910)

View with Cows Watering at a LakeSigned and dated “Edmund D. Lewis 188…” l.l.Oil on canvas, 20 x 36 in. (50.8 x 91.4 cm), framed.Condition: Surface grime. $2,000-3,000


463.Robert Swain Gifford (American, 1840-1905)

The Old Juniper Tree At Manchester, Cape Ann, Mass.Monogrammed and dated “66” l.r., titled and identified on the reverse.Oil on canvas, 10 3/8 x 8 1/4 in. (25.7 x 21.0 cm), framed.Condition: Surface grime, varnish inconsistencies, subtle craquelure. $1,500-2,000

464.Henry Pember Smith (American, 1854-1907)

Morning at LakesideSigned “HENRY P. SMITH” l.l., identified on a presentation plaque.Oil on canvas, 18 x 28 in. (45.8 x 71.0 cm), framed.Condition: Craquelure, surface grime. $1,500-2,500


464

463

465.Stephen Parrish (American, 1846-1938)

New England Summer Landscape with Distant SteepleSigned and dated “Stephen Parrish/1922” l.l., inscribed “MP Jr. No. 521” on the stretcher.Oil on canvas, 20 x 28 in. (50.8 x 71.2 cm), framed.Condition: Lined, retouch.

Literature: A Catalogue of Paintings, most of them by Stephen Parrish (1846-1938), as compiled by Maxfield Parrish, Jr., item 521, p. 9, (ill p. 10), a privately published inventory (September, 1976) in the collection of Dartmouth College, Rauner Special Collections Library.

N.B. The landscape at hand is a late work by Stephen Parrish. It is described by his grandson, Maxfield Parrish, Jr., in the inventory referenced above as, “One of his best but needs repair…Possibly Beaver Brook Road and brook north of Plainfield, north on Rte. 12 A.”

By the 1920s, Stephen Parrish had stopped sending paintings to exhibitions. He sold works from home, sometimes right off the easel, but would not release them to the new owners until the paint was dry. Maxfield Parrish, Jr., went on to write that he knew of no Stephen Parrish paintings dated after 1923. The frame on the work appears to be original; it matches the one in the photograph in the inventory and bears a pencil inscription “Ann Dunn” as noted in the inventory description.

We would like to thank Sarah Hartwell, Rauner Special Collections Library, Dartmouth College, for her assistance with the Parrish family archives. $10,000-15,000


465


Sheep Pasture at TwilightSigned and dated “Enneking 80” l.r., inscribed “Mr. Richard Kennedy/ P.N. Wadleigh/19 Highland…” on the reverse.Oil on board, 8 1/4 x 12 in. (20.9 x 30.6 cm), in a period frame (under glass).Condition: Minor retouch, minor abrasions/losses along the frame liner, craquelure.

N.B. We wish to thank Patricia Jobe Pierce for her kind assistance with cataloging the lot; the work will be included in her forthcoming catalogue raisonné of works by John J. Enneking. $3,500-5,500

467.A. Emil Prinz (American, b. 1856)

Cows Gathered by a Watering HoleSigned “A. Emil Prinz” l.l.Oil on canvas, 28 1/4 x 41 1/8 in. (71.5 x 104.5 cm), framed.Condition: Scattered abrasions, craquelure, canvas rippling to upper corners, surface grime. $700-900


467

466

469

468

468.Jonas Joseph LaValley (American, 1858-1930)

Summer Meadow VistaSigned “J.J. LaValley” l.r.Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), framed.Condition: Patch reinforcements, retouch, craquelure, canvas deformation l.r. $800-1,200

469.Hermann Ottomar Herzog (American, 1832-1932)

Meadow with Cows and a MilkmaidSigned “H. Herzog” l.l.Oil on canvas, 17 x 24 in. (43.2 x 60.8 cm), framed.Condition: Patch reinforcement, retouch, abrasion with paint loss l.r., surface grime. $2,500-3,000


470.Frank Henry Shapleigh (American, 1842-1906)

City Gate St. AugustineSigned and dated “F. H. Shapleigh 1886.” l.l., titled and signed “…by/F.H. Shapleigh” on the reverse.Oil on canvas stretched with Boston tabs, 16 x 10 in. (40.5 x 25.3 cm), framed.Condition: Thin paint areas, scattered areas of craquelure, subtle stretcher bar marks. $3,000-5,000


470

471

471.William Aiken Walker (American, 1838-1921)

Figures by a Sharecropper’s CabinSigned “WAWalker.” l.l.Oil on artist board, 6 1/4 x 12 1/4 in. (15.9 x 31.1 cm), framed.Condition: Taped to window mat, minor abrasions to u.l. quadrant, minor surface grime.

Provenance: Through a Copenhagen, New York, estate. $10,000-15,000


472.William Keith (American, 1838-1911)

Farmstead in a Grove of OaksSigned, dated, and inscribed “W. Keith/91/S.F.” l.r.Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.Condition: Craquelure, mild canvas deformation, varnish inconsistencies, surface grime. $3,000-5,000

473.Alexander Wüst (American, 1837-1876)

Evening LandscapeSigned and dated “Alex. Wüst 68” l.r.Oil on canvas, 14 x 27 1/2 in. (35.5 x 70.0 cm), framed.Condition: Lined, retouch, stable craquelure. $1,500-2,500


473

472

474


Storm in the AdirondacksSigned and dated “Enneking 71” l.r., identified on a presentation plaque and catalogue raisonné labels from Pierce Galleries, Massachusetts, affixed to the reverse.Oil on canvas, 30 x 48 1/2 in. (76.2 x 123.2 cm), framed.Condition: Patch reinforcement c.r., losses, fine craquelure, surface grime.

N.B. The work is no. 1-D-100 in the Pierce Catalogue Raisonné of Works by John J. Enneking.

Although John Joseph Enneking was born in Ohio, he is most associated with New York and New England, where he painted evocative landscapes which combined elements of many different styles, including the Barbizon School, the Hudson River School, Impressionism, and Tonalism. After serving in the army during the Civil War, Enneking came to Boston and began his studies in art before moving abroad in 1874. In France he worked with Barbizon and Impressionist masters, including Claude Monet. He returned to Boston in 1876, where he enjoyed a successful career and was best known for his plein-air woodland views. $8,000-12,000


475

475.Marmaduke Matthews (Canadian, 1837-1913)

View of a Figure Seated Beside a RiverSigned and dated “M. Matthews 1893.” l.r., inscribed “White Mountains” in a later hand on the backing.Watercolor and graphite on paper, sight size 29 1/2 x 20 1/2 in. (74.9 x 52.1 cm), framed (under glass).Condition: Not examined out of frame. $1,000-1,500


476

476.Edmund Darch Lewis (American, 1835-1910)

Landscape with Fisherman by a Lake and FallsSigned and dated “Edmund D. Lewis 1894” l.r.Oil on canvas, 30 x 20 in. (76.2 x 50.8 cm), framed.Condition: Lined, minor retouch, craquelure, surface grime. $2,000-3,000


477

477.Scott (Nicholas Winfield) Leighton (American, 1849-1898)

HayingSigned “Scott Leighton” l.l., titled on a handwritten label affixed to the stretcher.Oil on canvas, 18 x 24 in. (45.5 x 60.5 cm), framed in a liner.Condition: Scattered minor abrasions, varnish inconsistencies, surface grime, staining to the reverse.

Provenance: Private collection, Beverly, Massachusetts. $2,000-3,000

478.Edward B. Gay (American, 1837-1928)

FieldsSigned “Edward Gay” l.l., identified on a partial label affixed to the strainer.Oil on canvas, 13 1/2 x 18 1/2 in. (34.3 x 47.0 cm), in a period frame.Condition: Lined, craquelure, retouch.

Provenance: Sotheby’s Arcade, New York, American Paintings, Drawings and Sculpture, December 17, 1990, Sale 1343, Lot 84. $1,000-1,500


478

479

479.Joseph H. Greenwood (American, 1857-1927)

Early Autumn LandscapeSigned “JHGreenwood” l.l.Oil on canvas, 18 x 28 in. (45.8 x 71.1 cm), framed.Condition: Retouch to u.r. quadrant, patch reinforcement to the reverse. $1,500-2,000


480


Morning MistSigned and dated “JH Greenwood ‘21” l.l., identified on a handwritten label affixed to the stretcher.Oil on canvas, 26 x 32 in. (66.0 x 81.5 cm), framed.Condition: Mild surface grime. $3,500-5,500


481

481.Bruce Crane (American, 1857-1937)

Autumn SceneSigned “BRUCE CRANE” l.l., identified on a presentation plaque and label on the reverse. Oil on canvas, 14 1/8 x 20 in. (35.9 x 50.8 cm), framed.Condition: Minor retouch, craquelure, minor losses beneath right frame liner. $2,500-3,500


482

482.William De La Montagne Cary (American, 1840-1922)

Scene with a Native American Warrior on HorsebackSigned “…M. Cary” l.l.Oil on panel, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Subtle varnish inconsistencies, minor skinning, craquelure.

Provenance: From the artist to the original owner, Florida; by family descent to the present owner. $3,000-5,000


483

483.Antonion Zeno Shindler (American, 1813-1899)

Native Americans in a River Landscape, Sunset, c. 1880Monogrammed “ZS” l.l.Gouache on paper, image size 11 3/4 x 15 5/8 in. (30.0 x 40.0 cm), framed.Condition: Sheet is painted from the image to the edges forming a decorative mat, toning to the reverse. $7,000-9,000


484

485

484.James David Smillie (American, 1833-1909)

Half Dome, Yosemite, 1871Monogrammed, inscribed, and dated “JDS Half Dome/Yo Semite July ‘71.” l.l.Gouache and watercolor on paper, sight size 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm), framed.Condition: Tiny stain or imperfection in u.r. quadrant, sheet laid down on cardboard, affixed to window mat with linen tape at the edges. $5,000-7,000

485.Harold Broadfield Warren (American, 1859 -1934)

Mountain LakeSigned and dated “H.B. Warren/1909” l.r.Watercolor on paper, 15 5/16 x 19 7/8 in. (38.9 x 50.3 cm), framed.Condition: Mild toning, remnant of gummed label holding a small extra piece of watercolor paper affixed to l.r. edge on the reverse.

N.B. Sold for the benefit of the Framingham History Center, Framingham, Massachusetts. $300-500


486

486.William Gollings (American, 1878-1932)

Night EncampmentSigned, ciphered, and dated “Gollings…1921” l.l., inscribed “…Mrs. R.E. Crane…” in pencil, and with a label from Freeman’s Paint, Wall Paper and Art Store, Sheridan, Wyoming, on the stretchers.Oil on canvas, 10 x 7 in. (25.4 x 17.8 cm), in an Arts & Crafts frame.Condition: Minor surface grime.

Provenance: Descended within the family of Dr. Richard E. Crane, Sheridan, Wyoming. $15,000-25,000


487.Eric L. (Frederic) Pape (American, 1870-1938)

Not Without a Certain Picturesqueness As It Crossed the Stream/An Illustration for The Fair GodSigned and dated “Eric Pape/97” l.r., estate stamped on the backing paper.Oil en grisaille on unstretched canvas, 24 1/4 x 15 5/8 in. (61.5 x 39.5 cm), framed.Condition: Natural pigment fluorescence, subtle rippling.

Provenance: Through the estate of the artist.

N.B. This painting was reproduced via photogravure in The Fair God, A Tale of the Conquest of Mexico by Lew Wallace, illustrated by Eric Pape, published in two volumes by Houghton Mifflin and Company in 1899. The lot is accompanied by color copies of the cover of the book (Vol. I), the title page, the illustration and text on page 8, and a partial list of illustrations (p. xv). $1,000-1,500


Still Life with Native American ObjectsEstate stamped “Eric Pape” l.r., also stamped “ESTATE OF/Eric Pape//1870-1938” on a label affixed to the backing.Watercolor and graphite on paper, sight size 9 3/4 x 12 3/4 in. (24.8 x 32.4 cm), framed.Condition: Subtle toning, not examined out of frame. $1,500-2,500

487

488


489


Craftsmen Entertained and Frightened Each Other with Stories, 1898Signed and dated “Eric Pape 98” l.r., identified on a presentation plaque and a label affixed to the backing, stamped “THE ESTATE OF/Eric Pape/1870-1938” on the backing.Oil and crayon on paper, sight size 18 1/4 x 28 in. (46.4 x 71.1 cm), framed.Condition: Not examined out of frame.

Literature: Lew Wallace, The Fair God: A Tale of the Conquest of Mexico (Houghton Mifflin, 1898), pp. 319-20 (illus.).

N.B. The present work depicts the following scene in The Fair God: “In the tianguez, merchants bargaining paused to interchange opinions about them; craftsmen in the shops entertained and frightened each other with stories of their marvelous strength and ferocity; porters, bending under burdens, speculated on their character and mission; and never a waterman passed an acquaintance on the lake, without lingering awhile to ask or give the latest news from the Holy City, which, with the best grace it could, still entertained its scourgers.” $1,000-1,500


490


Looked Gloomily Into the Water, 1898Signed and dated “Eric Pape 98” l.r., stamped “THE ESTATE OF/Eric Pape/1870-1938” and identified on a label affixed to the reverse. Watercolor and graphite on paper, sheet size 16 x 26 1/2 in. (40.6 x 67.3 cm), framed.Condition: Not examined out of frame.


N.B. The present work depicts the following scene in The Fair God: “‘What Luck, Pepite?’ ‘Bad, very bad.’ The questioner was the wife of the man questioned, who had just returned from the market. Throwing aside his empty baskets, he sat down in the shade of a bridge spanning one of the canals, and, locking his hands across his bare knees, looked gloomily into the water. His canoe, with others, was close at hand. The wife, without seeming to notice his dejection, busied herself setting out their dinner, which was humble as themselves, being of boiled maize, tuna figs, and tecuitlatl, or cheese of the lake.” $1,000-1,500


491


Itzlil’ Staggered, 1898Signed and dated “Eric Pape 98” in pencil l.r., estate stamped “Eric Pape” and identified on a label affixed to the backing. Watercolor on paper, sight size 18 3/4 x 12 3/4 in. (47.6 x 32.4 cm), framed.Condition: Not examined out of frame.


N.B. The present work depicts the following scene in The Fair God: “For the ‘tzin!’ shouted the hunter, striking back before the other half recovered. The shield was dashed aside; a groan acknowledged a wound in the breast, and Iztil’ staggered; another blow stretched him on the pavement. A stream of blood, black in the night, stole slowly over the flags. The fight was over.” $1,500-2,500


492

492.Aiden Lassell Ripley (American, 1896-1969)

Grouse and Winter FoodSigned and dated “A. Lassell Ripley © 1948” l.l., identified on a label from The Sporting Gallery and Bookshop, Inc., New York, on the frame backing paper.Watercolor on paper, sheet size 22 1/4 x 30 5/8 in. (56.0 x 78.0 cm), framed.Condition: Lightly glued to window mat across the top edge, tack holes to the edges, paper tape and cellophane tape remnants to the perimeter of the reverse. $7,000-9,000


493


Three Grouse and HemlocksSigned “A. Lassell Ripley ©” l.l., identified on a label from The Sporting Gallery and Bookshop, Inc., New York, on the frame backing paper.Watercolor on paper, sheet size 27 x 22 3/8 in. (68.5 x 57.0 cm), framed.Condition: Subtle rippling, faint suggestion of pencil grid to l.r. quadrant, tack holes to corners and bottom edge, affixed to window mat with brown paper tape along each side. $8,000-12,000


494

494.Henry Sandham (Canadian, 1842-1912)

Fisherman’s RespiteSigned “Hy Sandham” l.r.Watercolor on paper, 28 1/2 x 20 3/8 in. (72.5 x 51.7 cm), framed.Condition: Gentle toning, scattered fox marks, sheet mounted to heavy paperboard support.

N.B. Sold for the benefit of the Framingham History Center, Framingham, Massachusetts. $800-1,200


495


Setting DecoysSigned “A. Lassell Ripley-” l.r.Watercolor and graphite on paper, sight size 9 1/2 x 13 1/2 in. (24.2 x 34.3 cm), framed.Condition: Not examined out of frame. $4,000-6,000


496.Paul Starrett Sample (American, 1896-1974)

Fording the SelaSigned “Paul Sample” l.r., titled on the reverse, and with a label from The Milch Galleries, New York, affixed to the reverse.Watercolor on paper, 11 1/4 x 19 in. (28.5 x 48.0 cm), unmatted, unframed.Condition: Foxing, subtle glue stains to top and upper edges, masking tape remnants to the edges of the reverse. $2,200-2,800


Madison River Valley - West ChannelSigned “Paul Sample” l.r., titled on the back of the mat.Watercolor on paper, 7 1/8 x 10 3/16 in. (18.0 x 25.9 cm), unframed.Condition: Affixed to back mat with cellophane tape. $1,800-2,200


496

497

498.Anne Wilson Goldthwaite (American, 1869-1944)

Alabama CottageSigned “GOLDTHWAITE” l.l., identified on a partial label from Downtown Gallery, New York, affixed to the frame, inscribed “ALABAMA” and “ANNE GOLDTHWAITE/112 E 10 STREET/NYC” in pencil on the stretchers.Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), in an artisanal silver leaf frame.Condition: Surface grime. $2,000-3,000


Ranch Land in Late AutumnSigned “Paul Sample” twice, l.r. and l.l., titled on the reverse.Watercolor on paper, 11 1/2 x 16 3/4 in. (29.2 x 42.7 cm), unframed.Condition: Tack holes/perforations and small paper losses around all four sides, two graphite crop marks to l.l. corner. $2,500-3,000


499

498

500.Michael Gibbons (American, b. 1943)

Dry Wash Near the Santa Cruz RiverSigned “Michael Gibbons” l.r., signed, titled, dated, and inscribed “11-27-98 AZ 85” on the reverse.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed in a liner.Condition: Mild surface grime. $1,200-1,800

501.Norman Henry Yeckley (American, 1914-1994)

Desert LandscapeSigned “Norman Yeckley” l.r.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Small abrasion with minor paint loss l.c., scattered dots of retouch. $1,000-1,500


500

501

502

502.A.D. Greer (American, 1904-1998)

Landscape with Texas BluebonnetsSigned “-A.D. Greer-” l.r.Oil on canvas, 22 1/4 x 30 in. (56.5 x 76.2 cm), framed.Condition: Surface grime/accretions. $4,000-6,000


503

503.Otis Pierce Cook, Jr. (American, 1900-1980)

Red Barn in AutumnSigned “Otis Cook” l.r.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Good. $1,000-1,500

504.Otis Pierce Cook, Jr. (American, 1900-1980)

Early Fall in New EnglandSigned “Otis Cook” l.l.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Surface deformation, minor abrasion u.r. $1,000-1,500


504

505

505.William Lester Stevens (American, 1888-1969)

Road to the Farm in AutumnSigned “W. LESTER STEVENS.” in pencil l.r.Oil on canvasboard, 20 x 23 3/4 in. (50.9 x 60.5 cm), in a period frame.Condition: Minor surface grime.

Provenance: A private Massachusetts collection; Skinner, American & European Paintings & Prints, September 25, 1999, Lot 333. $3,500-5,500


506.Frederick James Boston (American, 1855-1932)

Woods and Pond in AutumnSigned “F.J. Boston” l.r.Oil on canvas, 16 x 20 in. (40.5 x 50.8 cm), framed.Condition: Mild surface grime. $1,500-2,000

507.Jonas Joseph LaValley (American, 1858-1930)

Path through the Woods in AutumnSigned “J.J. LaValley” l.r.Oil on canvas, 28 x 22 in. (71.1 x 55.9 cm), framed.Condition: Retouch, patch reinforcements, losses to l.l. quadrant, craquelure, minor surface grime. $1,000-1,500


507

506


Autumn - Edge of Woods/RoadSigned and dated “Enneking 98” l.r., identified with Pierce catalogue raisonné number IV-G-130 on a label from Pierce Galleries, North Abington, Massachusetts, affixed to the reverse.Oil on canvas, 18 x 24 in. (45.7 x 60.9 cm), in a Ben Badura frame (monogrammed and inscribed “BB New Hope, PA. J54”).Condition: Scattered craquelure, pigment fluorescence.



508

509.Benjamin (Ben) Foster (American, 1852-1926)

Summer LandscapeSigned “Ben Foster” l.l.Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), in a period frame.Condition: Canvas rippling, repaired tear l.c. quadrant, mild surface grime. $1,500-2,500


Spring MeadowSigned “JH Greenwood” l.l.Oil on artist board, 12 x 16 in. (30.5 x 40.6 cm), in an Arts & Crafts frame.Condition: Minor surface grime. $1,800-2,200


510

509

511

511.Dennis Sheehan (American, b. 1950)

Sunset Water MeadowSigned “sheehan” l.l.Oil on canvas, 16 x 29 in. (40.5 x 73.5 cm), framed.Condition: Good. $2,500-3,500


512.Howard Everett Smith (American, 1885-1970)

Valley Landscape, Early AutumnSigned “-Howard E. Smith-” l.l.Oil on canvas, 30 x 36 in. (76.3 x 91.3 cm), in a period frame.Condition: Scattered craquelure.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire, from Howard E. Smith, purchased from a descendant of the artist. $1,500-2,500

513.Paul E. Saling (American, 1876-1936)

The Bewitching HourSigned “Paul Saling” l.l., titled, signed, dated, and inscribed “…Paul Saling 1927./Atheneum Exhibit 1928” on the reverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), in an Arts & Crafts-style frame.Condition: Mild surface grime.

Provenance: Through the family of the artist. $1,000-1,500


513

512


Farm Near WorcesterSigned and dated “JH Greenwood 95” l.l., identified on a presentation plaque.Oil on canvas, 16 1/4 x 22 1/4 in. (41.3 x 56.5 cm), framed.Condition: Lined, retouch, partially reinforced signature and date, craquelure. $2,000-3,000


Connecticut Country in AutumnUnsigned.Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), in an Arts & Crafts-style frame.Condition: Minor surface grime.

Provenance: Through the family of the artist. $400-600


515

514

516.Peter Brook (British, 1927-2009)

FarmSigned “Peter Brook” l.r., titled l.l.Oil on canvas, 20 x 24 in. (50.8 x 60.7 cm), framed.Condition: Mild surface grime. $2,000-3,000

517.Adolf Sehring (American, b. 1930)

View of a New England BarnSigned “A. Sehring” l.r., stamped and inscribed “REG. NO. 1044/ALL RIGHTS RESERVED BY ARTIST” on the reverse. Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Good. $3,000-4,000


517

516

518.Robert Remsen Vickrey (American, 1926-2011)

Old Harbor Life Saving StationSigned “Robert Vickrey” l.l., titled and inscribed on the back of the frame.Tempera on Masonite, 20 x 30 in. (50.7 x 76.0 cm), framed.Condition: Good.

N.B. The Old Harbor Life Saving station was built on Nauset Beach in 1897 to house the “surfmen” of the U.S. Lifesaving Service who assisted ships wrecked on Cape Cod’s outer beaches. It served in this capacity until it was decommissioned in 1944. When the building itself faced destruction by storm tides, it was relocated in 1977, ingeniously floated by barge to Provincetown. The building stands today in Province Lands (Race Point Beach), where it serves as an education center. $4,000-6,000


518

519

519.Aldro Thompson Hibbard (American, 1886-1972)

Hilside [sic]Signed “A.T. Hibbard” l.r., titled and numbered “#102…” on the reverse.Oil on canvas mounted to board, 18 x 24 in. (45.7 x 60.8 cm), framed.Condition: Minor wear to edges. $5,000-7,000


520


Little Ammonoosuc RiverSigned “A.T. Hibbard” l.r., titled and stamped “3-X14…REPRODUCTION RIGHTS RESERVED” on the reverse.Oil on canvas, 24 x 32 1/4 in. (61.0 x 81.9 cm), framed.Condition: Craquelure, minor surface grime. $7,000-9,000


521.Emile Albert Gruppé (American, 1896-1978)

Snowy Wood InteriorSigned “Emile A. Gruppé” l.r., titled in pencil on the stretcher.Oil on canvas, 25 x 30 in. (63.5 x 76.5 cm), framed.Condition: Mild surface grime.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire, found in a house in Stoneham, Massachusetts. $4,000-6,000

522.Emile Albert Gruppé (American, 1896-1978)

The Old Beech TreeSigned “Emile A Gruppé” l.r., titled and inscribed “…by/Emile A. Gruppé” on the reverse.Oil on canvas board, 20 x 16 in. (50.8 x 40.5 cm), framed.Condition: Good. $2,000-2,500


522

521

523


Birch TreesSigned “A.T. Hibbard” l.l., identified on the artist’s label affixed to the stretcher.Oil on canvas, 24 x 30 in. (61.0 x 76.7 cm), framed.Condition: Mild surface grime.

Exhibitions: Aldro T. Hibbard, N.A., Retrospective Exhibition of Paintings–1963, Concord Art Association, Concord, Massachusetts, September 15 to October 13, 1963, no. 28.

N.B. A photocopy of the checklist from the 1963 retrospective at the Concord Art Association accompanies the lot. $7,000-9,000


524.Frederick Mortimer Lamb (American, 1861-1936)

Tracks in the SnowSigned “-F.M. Lamb” l.l.Oil on panel, 30 x 20 in. (76.2 x 50.8 cm), framed.Condition: Minor surface grime. $1,500-2,500

525.Laszlo Neogrady (Hungarian, 1896-1962)

Mountain in WinterSigned “Neogrady Laszlo” l.l., with a label from The Cooling Galleries, London, affixed to the reverse.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Craquelure, minor surface grime. $1,000-1,500


524

525

526


Sunset, WinterSigned “A.T. Hibbard-” l.l.Oil on artist board, 7 x 9 in. (17.8 x 22.9 cm), framed.Condition: Subtle varnish inconsistencies.

Provenance: A private Massachusetts collection; Skinner, American & European Paintings & Prints, May 16, 2003, Lot 262. $4,000-6,000


527

527.Andrew Newell Wyeth (American, 1917-2009)

House in WinterSigned “Andrew Wyeth” in pencil l.r.Watercolor and graphite on paper, sheet size 13 x 16 1/2 in. (33.0 x 41.9 cm), bound on the title page of Richard Meryman’s Andrew Wyeth, published in 1969 by Gambit Incorporated, Boston.Condition: Good.

Provenance: A Massachusetts institution.

N.B. The present work is painted in a special edition oblong folio of 300, signed by the artist and numbered 133 on the colophon, housed in a clamshell box. $12,000-18,000


528.Arthur Clifton Goodwin (American, 1864-1929)

The Neponset River in WinterSigned “A.C. Goodwin” l.l.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), in a period frame.Condition: Lined, scattered retouch.

Provenance: A private Newburyport, Massachusetts, collection; Skinner, American & European Paintings & Prints, May 8, 1998, Lot 135. $8,000-12,000


528

529.Frank Shirley Panabaker (Canadian, 1904-1992)

Bahamian Cottage in SpringSigned “Frank S. Panabaker” l.r.Oil on canvas laid down to paperboard, 8 x 10 in. (20.3 x 25.4 cm), in a period frame.Condition: Mild surface grime.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire. $400-600


The Little Red HouseSigned “A. Lassell Ripley” l.l., titled and signed in pencil on the frame backing.Watercolor and graphite on paper, sheet size 14 1/16 x 20 in. (35.7 x 50.8 cm), framed.Condition: Small abrasion l.l., tack holes to u.r. and u.l. corners, tape-hinged to window mat, tape residue verso. $1,000-1,500


530

529

531

531.Anthony Thieme (American, 1888-1954)

Pension Beau Lejour La ColleSigned “AThieme” l.r., titled in pencil on the reverse.Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), in a signed Paul Carter Goodnow frame.Condition: Minor surface grime.

Provenance: A private New York collection; Skinner, American & European Paintings & Prints, November 10, 2000, Lot 164. $5,000-7,000


532.George Wainwright Harvey (American, 1855-1930)

Autumn Afternoon, Ipswich RiverSigned “George W. Harvey” l.l., titled, signed, and dated “…Annisquam, Mass/1904” in pencil on the reverse.Oil on paperboard, 18 x 22 in. (45.6 x 55.9 cm), framed.Condition: Scattered abrasions, surface grime, reverse with remnants of labels from Charles E. Cobb Gallery, Boston.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire. $800-1,200

533.Attributed to Harrison Cady (American, 1877-1970)

Tree-lined Path Along the CoastUnsigned, inscribed “Property of Harrison Cady” on the reverse.Oil on canvas mounted to board, 10 x 12 in. (25.5 x 30.3 cm), framed.Condition: Surface grime, pencil sketch of fishing boats and outline of wharf building on the reverse.

Provenance: From a Cape Ann estate through to the current owner. $800-1,200


533

532

534

534.Arthur Clifton Goodwin (American, 1864-1929)

The FenwaySigned “A.C. Goodwin” l.l., identified on a presentation plaque.Oil on canvas, 19 x 24 in. (48.4 x 61.0 cm), framed.Condition: Lined, stable craquelure.

Provenance: Ex-collections Shawmut Bank, Fleet Bank, and Bank of America, Boston, Massachusetts. $6,000-8,000


535.Charles Herbert Woodbury (American, 1864-1940)

Cliffs, Late AfternoonSigned “Chas H Woodbury” l.r., titled and inscribed “…198” on the reverse, identified on a label from Vose Galleries of Boston affixed to the backing. Oil on artist board, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm), framed.Condition: Very minor retouch. $2,500-3,500


535

536

536.Horace Brown (American, 1876-1949)

Sunlight over Vermont HillsSigned “Horace Brown” l.l., stamped “…Horace/Brown” within a circle on the reverse, inscribed “Presented to/Margaret Clement Rhodes/by/Horace Brown/1913” on a label affixed to the back of the frame.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), in a signed Laurent frame.Condition: Craquelure.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire.

N.B. Modernist sculptor and frame maker Robert Laurent (American, 1890-1970) came to New York City in 1901 from France with his family under the aegis of Hamilton Easter Field, who took interest in the young man’s artistic education. Laurent subsequently studied in Rome and in Paris, where he was exposed to avant-garde art. Returning to New York in 1910, Laurent began carving frames for his artist friends, including John LaFarge, Leon Kroll, Robert Henri, and Childe Hassam, and for wealthy collectors like Dr. Albert Barnes, who commissioned a large number of frames. (Sources: Smithsonian American Art Museum Web site, Ask Art biography, and Peter Hastings Falk, editor, Who Was Who in American Art).

Margaret Goodwin Clement Rhodes (1881-1975), to whom the work is dedicated, is buried in Rutland, Vermont. $800-1,200


537.Fanny Mahon King (American, 1865-1952)

November/Possibly a South Carolina LandscapeSigned and dated “Fanny Mahon King 1921” l.r., identified on a Carolina Art Association label on the reverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Slight canvas rippling, alligatoring, surface grime.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire. $800-1,200


Early Fall in the MountainsSigned “Travis Bishop” l.l.Oil on paperboard, 6 x 7 3/4 in. (15.3 x 19.7 cm), framed.Condition: Mild surface grime. $600-800


538

537

539.Lillian Burk Meeser (American, 1864-1942)

Cape Ann CottageSigned “Meeser” l.r.Oil on paperboard, 10 x 10 in. (25.4 x 25.4 cm), framed.Condition: Slight bowing to support. $1,000-1,500

540.Manner of George Loftus Noyes (American, 1864-1954)

By the RiverUnsigned.Oil on canvas, 27 x 18 in. (68.6 x 45.7 cm), unframed.Condition: Losses, puncture to l.r. quadrant, abrasions, canvas deformations, stretcher bar lines. $800-1,200


540

539

541


Summer Garden with FiguresUnsigned.Oil on canvasboard, 11 x 13 7/8 in. (27.9 x 35.3 cm), framed.Condition: Tack hole at center top edge, surface grime. $1,000-1,500

542.Otakar Nejedlý (Czechoslovakian, 1883-1957)

Orchard in BloomSigned “Ot. Nejedlý” l.r.Oil on canvas, 40 x 49 1/2 in. (101.6 x 125.7 cm), framed.Condition: Two punctures to l.r. and l.l. quadrants, abrasions, losses, surface grime.

Provenance: Gift from the artist; by family descent to a private New England collection. $1,000-1,500


542

543.Charles Warren Eaton (American, 1857-1937)

Lake ComoSigned “Chas Warren Eaton.” l.r., titled on the reverse.Oil on canvasboard, 8 1/4 x 10 in. (21.0 x 25.4 cm), framed.Condition: Minor surface grime. $2,000-3,000

544.Allen Tucker (American, 1866-1939)

Landscape with House and Tree, Possibly MaineSigned and dated “Allen Tucker 1936” l.r.Watercolor and pencil on paper, sheet size 14 x 20 in. (35.6 x 50.8 cm), framed.Condition: Tear along top edge, not examined out of frame.

Provenance: Sotheby’s, New York, American Paintings, Drawings and Sculpture Including Property from the Collection of 7-Eleven, Inc., September 13, 2006, Sale N08224, Lot 33. $1,500-2,000


544

543

545.Paul Strisik (American, 1918-1998)

View of Bearskin Neck, RockportSigned “Strisik” l.l., stamped “PAUL STRISIK/10 MAIN STREET/ROCKPORT, MASS.” on the stretcher and reverse, inscribed “Strisik” and “Bruce Peck” on the stretcher. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Good. $3,000-5,000

546.Gordon Hope Grant (American, 1875-1962)

Wash DaySigned “Gordon Grant” l.l.Watercolor and graphite on paper, sight size 14 1/4 x 21 1/4 in. (36.2 x 54.0 cm), framed (under glass).Condition: Not examined out of frame. $1,000-1,500


545

546

547


Going for a Walk/A View of Main Street, Rockport, MassachusettsUnsigned, identified on a presentation plaque and on a label from Vose Galleries of Boston affixed to the reverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Lined, minor retouch, craquelure.

N.B. A copy of a guarantee letter from Vose Galleries of Boston, identifying the work as inventory no. 33177, accompanies the lot. $5,000-7,000


548.Vladimir Pavlosky (American, 1884-1944)

The Day’s CatchSigned “Vladimir Pavlosky” l.l., inscribed “Bud Stone…Boston Mass.” in pencil on the stretcher. Oil on canvas, 30 1/4 x 38 in. (76.8 x 96.5 cm), in an Arts & Crafts frame.Condition: Craquelure, minor surface grime. $1,200-1,800

549.Peggy Shields (American, 20th Century)

October SeaSigned with a cipher l.l., inscribed “By P. Shields…” and dated within the same cipher on the reverse, with an exhibition label from The Brick Store Museum, Kennebunk, Maine, affixed to the reverse.Oil on canvasboard, 19 3/4 x 23 7/8 in. (50.3 x 60.5 cm), framed.Condition: Surface grime.

Exhibitions: Eleventh Annual Members’ Exhibition, 1951, The Brick Store Museum, Kennebunk, Maine.

N.B. The Brick Store Museum records indicate that the member “P Shields” who exhibited in the 1951 show was Peggy Shields. $800-1,200


549

548

550

550.Harry Aiken Vincent (American, 1864-1931)

View of Shipbuilders and a Commercial Sail Loft, Probably Rockport, MassachusettsSigned “H·A·VINCENT.” l.l., signed and inscribed “H·A· VINCENT./ROCKPORT/MASS” on the reverse.Oil on Victor Claessens Belgian linen, 40 x 50 in. (101.6 x 127.0 cm), in a period frame.Condition: Craquelure, minor surface dust. $30,000-40,000


551

551.Christopher Blossom (American, b. 1956)

Boston T WharfSigned and dated “Christopher Blossom-/© 1985” l.r., inscribed and dated “© Christopher Blossom/1985…” on the stretcher, identified on a label from Grand Central Art Galleries, Inc., New York, affixed to the back of the frame.Oil on canvas, 22 x 38 in. (55.7 x 96.4 cm), framed.Condition: Good. $5,000-7,000


552.Antonio Cirino (American, 1889-1983)

Day’s Catch at the DocksSigned “A. CIRINO” l.l., identified on a label from Vose Galleries of Boston affixed to the backing.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Craquelure, minor surface grime. $8,000-12,000


552

553

553.Joseph Margulies (American, 1896-1984)

The Cars in the YardEstate stamped and numbered “C696” on the reverse.Oil on canvas, 19 3/8 x 23 7/8 in. (49.3 x 60.7 cm), framed.Condition: Good. $800-1,200


Country House in AutumnUnsigned, stamped “Anthony Thieme/Boston, Mass.” on the reverse.Oil on canvasboard, 12 x 16 in. (30.3 x 40.6 cm), framed.Condition: Natural pigment fluorescence to sky with area of possible retouch to center, scattered paint losses, fine craquelure, surface grime. $3,000-5,000


554

555.Walter Farndon (American, 1876-1964)

A Gloucester StreetSigned “WALTER FARNDON” l.l., with a label from Questroyal Fine Art, LLC, New York, affixed to the reverse.Oil on artist board, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Very minor retouch and surface grime. $5,000-7,000


555

556.Joseph Eliot Enneking (American, 1881-1942)

In the Morning LightSigned “J. Eliot Enneking” l.r., titled and inscribed on the reverse, identified on an exhibition label from the Rockport Art Association affixed to the reverse.Oil on canvasboard, 12 x 16 in. (30.2 x 40.5 cm), framed.Condition: Mild surface grime.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire, purchased from Nancy Boyd at the Southport Westport Antiques Show.

Exhibitions: The Old Tavern Exhibition, Rockport Art Association. $800-1,200

557.Edgar Whitfield Jenney (American, 1869-1939)

Houses in ProvincetownSigned “E.W. JENNEY” l.l.Watercolor and graphite on paper, sight size 12 3/4 x 12 1/2 in. (32.4 x 31.8 cm), framed.Condition: Not examined out of frame. $800-1,200


557

556

558.Sandor Bernath (American, 1892-1984)

Two Watercolors: Provincetown Rooftops and Highland Light, TruroProvincetown signed, inscribed, and dated “Sandor Bernath - Provincetown-35.” l.l., Truro signed “Sandor Bernath” l.l. Watercolor on paper, sizes to 16 7/8 x 17 5/8 in. (42.9 x 44.8 cm), framed.Condition: Both with subtle mat burn, Truro with scattered foxing, paper tape to edges of reverse, Provincetown not examined out of frame. $800-1,200

559.George Wainright Harvey (American, 1855-1930)

Autumn Afternoon, Annisquam ChurchSigned “George W. Harvey” l.l., titled “…founded July 1628” and inscribed “300 years old” in pencil on the stretcher.Oil on canvas, 20 x 24 in. (50.7 x 61.0 cm), framed.Condition: Puncture l.c. with paint loss, craquelure.

Provenance: Collection of Cheryl and Paul Scott, New Hampshire, from George W. Harvey, Annisquam Sanders & Mock Auctions, Tamworth, New Hampshire.

N.B. While the artist’s inscription gives the date as 1628, the Annisquam Village Church Web site provides the date of their founding as 1728. (http://annisquamvillagechurch.org/About.htm) $1,500-2,500


559

558

560

560.Luigi Paolillo (Italian, 1864-1934)

Galleon at SeaSigned “L. Paolillo-” l.r.Oil on canvas, 28 1/8 x 36 in. (71.5 x 91.4 cm), framed.Condition: Patch reinforcements, retouch, craquelure, mild surface grime. $2,000-3,000

561.Edmund Franklin Ward (American, 1892-1991)

Fishermen Walking HomeStamped “The estate of/EDMUND F. WARD” on the stretcher.Oil on canvas, 28 x 40 in. (71.0 x 101.5 cm), unframed.Condition: Retouch, old paint losses, scattered abrasions. $1,200-1,800


561


Surf on a Rocky ShoreSigned “A. T. Hibbard” l.r.Oil on canvas, 22 x 32 in. (56.2 x 81.2 cm), framed.Condition: Mild surface grime.

Provenance: Purchased directly from the artist, then by family descent. $5,000-7,000


562

563

564

563.Henry Hobart Nichols (American, 1869-1962)

Vessels in MoonlightSigned “Hobart Nichols” l.l., with a label from Doll & Richards, Inc., Boston, Massachusetts, on the frame backing paper.Oil on board, 17 3/4 x 21 3/4 in. (45.2 x 55.2 cm), framed.Condition: Minor bowing and wear to edges of panel, surface grime. $800-1,200


Connecticut Harbor, Possibly at the Mouth of the Thames RiverSigned “Paul Saling” l.l.Oil on artist board, 14 x 14 in. (35.6 x 35.6 cm), in an Arts & Crafts-style frame.Condition: Minor surface grime.



565

565.Hayley Lever (American, 1875-1958)

St. Ives, CornwallSigned and dated “Hayley Lever RWA.1902” l.r., identified on a presentation plaque, titled and inscribed in a later hand and with a stamp from Clayton-Liberatore Art Gallery, Bridgehampton, New York, on the stretcher.Oil on canvas, 9 7/8 x 11 7/8 in. (25.0 x 30.0 cm), framed.Condition: Canvas trimmed and lined, subtle rippling, mild surface grime. $1,200-1,800


566

566.Edward J. Lingwood (British, fl. 1884-1904)

Country Landscape with Figures Working by a StreamSigned “Edward J. Lingwood” l.r.Oil on canvas, 48 x 72 in. (121.9 x 182.9 cm), framed.Condition: Retouch, patch reinforcement, craquelure, surface grime. $1,500-2,500


567

567.Demeter Koko (Austrian, 1891-1929)

Horse-drawn Wagons and FiguresInscribed, dated, and signed “…1925-27/…Demeter Koko…” on the reverse.Oil on board, 19 1/2 x 27 1/2 in. (49.6 x 70.1 cm), framed.Condition: Scattered retouch, craquelure, gentle bowing to support. $4,000-6,000


568

569

568.Reynolds Beal (American, 1866-1951)

Cargo Boats, Funghal, MadeiraSigned “REYNOLDS BEAL” l.r., titled and inscribed “…FROM SKETCH MADE WHILE CRUISING ABORD [sic] TRAINING SHIP-SQUARERIGGER-ST. MARYS” on the reverse.Oil on fiberboard, 23 7/8 x 30 in. (60.6 x 76.2 cm), unframed.Condition: Mounted to stretcher bars, very minor wear to edges. $3,000-5,000

569.Roberto Domingo y Fallola (Spanish, 1883-1956)

HorseshoeingSigned “ROBERTO DOMINGO” l.r.Gouache on paper/board, 10 1/2 x 14 3/4 in. (26.7 x 37.5 cm), framed.Condition: Laid down to Masonite pegboard, minor losses, craquelure, minor surface grime. $1,000-1,500


570.Donald (Edwin Dawes) Teague (American, 1897-1991)

Three Works: Clouds over la mancha, A Spanish Corridor, and Old Houses Near DinanEach signed “Donald Teague N.A.” l.l. or l.r.Watercolor and gouache on paper, sight sizes to 6 x 8 3/4 in. (15.2 x 22.3 cm), framed.Condition: Not examined out of frames. $3,000-5,000

571.Louis Aston Knight (American, 1873-1948)

Two LandscapesBoth signed and dated “Aston Knight/Nov. 14th 1922” l.r., one panel inscribed “left of balcony” in pencil on the reverse.Oil on wood door panels, image size 62 1/2 x 31 in. (158.8 x 78.7 cm), unframed.Condition: Minor abrasions, surface grime.

Provenance: From the artist to his niece, Victoria (née Frelinghuysen) Bates (1907-2002); by family descent to the present owners. $5,000-7,000


571

570

572.Margaret Jordan Patterson (American, 1867-1950)

Along the RiverSigned “MARGARET PATTERSON” l.r., with a label from Jordan Marsh Company, Boston, affixed to the backing.Gouache and crayon on paper, sight size 18 x 14 3/4 in. (45.7 x 37.5 cm), in a period frame.Condition: Fine craquelure, not examined out of frame. $4,000-6,000


572

573

573.Jane Peterson (American, 1876-1965)

Rainy Day, VeniceSigned “Jane Peterson” l.r., numbered and titled “23…” in ink on the reverse, identified on a gummed label affixed to the frame backing.Gouache on gray paper, 18 x 24 in. (45.7 x 60.9 cm), framed.Condition: Minor tears to edges, tack holes to corners, subtle rippling, fine craquelure.

N.B. The label on the frame backing gives the title as Glimpse of the Grand Canal, 1919, and states that the work was awarded an Honorable Mention at a National Association of Women Painters and Sculptors exhibition. $12,000-18,000


574

574.Jane Peterson (American, 1876-1965)

Early Morning, VeniceSigned “JANE PETERSON” l.l., titled in the artist’s hand on the reverse.Oil on artist board, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Minor surface grime.

Provenance: Acquired from the artist by John Randall, New York; by family descent to the present owner. $4,000-6,000

575.Émile-Victor-Augustin Delobre (French, 1873-1956)

View of a North African Arab MarketUnsigned, identified on a presentation plaque and labels affixed to the reverse.Oil and graphite on artist board, 12 3/4 x 15 7/8 in. (32.4 x 40.3 cm), framed.Condition: Minor surface grime.

N.B. A copy of an exhibition pamphlet from World Wide Art Gallery, New York, accompanies the lot. $1,000-1,500


575

576

576.Louis Aston Knight (American, 1873-1948)

VeniceSigned and inscribed “Aston Knight Paris” l.l., titled and inscribed “…To Victoria Bates/c/o J.S. Frelinghuysen/111 William St. NY” on a label affixed to the strainer, inscribed “…Twilight on the Grand Canal” in pencil on the strainer, and with a Paris export stamp affixed to the reverse.Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), framed.Condition: Craquelure, surface grime.

Provenance: From the artist to his niece, Victoria (née Frelinghuysen) Bates (1907-2002); by family descent to the present owners. $4,000-6,000



Hillside View of Cassis, FranceInitialed “…H.” l.r., inscribed “Cassis” in pencil on the reverse.Watercolor and ink on spiral-bound paper, sheet size 10 1/8 x 13 1/8 in. (25.7 x 33.3 cm), framed.Condition: Mounted to a backing sheet, spiral-bound edge partially trimmed. $1,000-1,500

578.Allen Tucker (American, 1866-1939)

Mountain View Across a LakeSigned and dated “Allen Tucker 1935” l.l.Watercolor and pencil on paper, sheet size 14 x 20 in. (35.6 x 50.8 cm), framed.Condition: Surface imperfections, not examined out of frame.

Provenance: Sotheby’s, New York, American Paintings, Drawings and Sculpture Including Property from the Collection of 7-Eleven, Inc., September 13, 2006, Sale N08224, Lot 33. $1,500-2,000


578

577

579

579.Arthur Bowen Davies (American, 1863-1928)

Splendor in…The Chateau Country of France/Study for Church VillageSigned “A.B. DAVIES-” l.r., titled and inscribed “…980 BRANDT” in pencil and chalk on the stretcher bars, identified on a presentation plaque and a label from Mortimer Brandt Gallery, New York, affixed to the backing. Oil on canvas, 21 1/8 x 26 1/8 in. (53.7 x 66.4 cm), framed.Condition: Minor surface grime.

N.B. The present work relates to Church Village, illustrated in Arthur B. Davies: Essays on His Art with Illustrations, edited by Martin S. Ackerman and Diane L. Ackerman (Arco Publishing Company, Inc., New York, 1974), p. 97. $6,000-8,000


580

580.William Russell Flint (Scottish, 1880-1969)

View of Eigg, c. 1920Signed “W. Russell Flint” l.l.Watercolor on paper, 22 x 30 5/8 in. (56.0 x 78.0 cm), framed.Condition: Gentle toning, mild acid burn to edges.

Provenance: From the estate of Heathcote Muirson Woolsey (1884-1957) through to current owner by family descent. $8,000-12,000


581.Moura Chabor (Franco/American, 1905-1995)

Hide and SeekSigned “MOURA CHABOR” l.l.Oil on canvas, 15 3/4 x 42 in. (40.0 x 106.7 cm), unframed.Condition: Minor puncture l.l., minor surface abrasions. $1,500-2,000

582.Chinese/American School, 20th Century

CityscapeSigned and dated “Qing Yi/Spring 1954” in Chinese l.r., titled and inscribed “…Kwok…Chin Lee” on the stretchers and reverse.Oil on canvas, 36 x 18 in. (91.4 x 45.7 cm), framed.Condition: Surface grime. $800-1,200


582

581

583.Jacques Bouyssou (French, 1926-1997)

Paris le bar bleuSigned “Jacques Bouyssou” l.r., titled and inscribed “…N.Y. 5827…” on the reverse. Oil on canvas, 38 3/4 x 23 3/4 in. (98.4 x 60.3 cm), framed.Condition: Minor surface grime. $1,500-2,000

584.Keith Shaw Williams (American, 1906-1951)

Corona del MarUnsigned, stamped “From the Estate of Keith Shaw Williams and Ruth Moore Williams” on the reverse, on the back of the mat, and on the frame backing, titled and dated “…’40” in pencil on the reverse.Watercolor on paper, 11 x 15 7/8 in. (27.8 x 40.2 cm), framed.Condition: Tack holes to corners, staining to reverse, affixed to window mat with tape at corners. $800-1,200


584

583

585.François Gall (French, 1912-1987)

Two Beach Scenes in NormandySigned “F. Gall” l.r. and l.l., respectively, one inscribed “TREPORT” l.r.Oil on canvas, sizes to 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), framed.Condition: Slight canvas rippling, minor surface grime. $3,000-5,000

586.Danish School, 20th Century

Two Figures on a Beach in Kastrüp, DenmarkInscribed, dated, and initialed “Kastrüp Sept 21/N.C…” l.l., inscribed “16 Fra [From] Kastrüp” on the stretcher, and “…37…” in pencil on the reverse.Oil on canvas, 10 x 16 in. (25.4 x 40.6 cm), framed.Condition: Minor retouch, minor surface grime. $1,200-1,800


586

585

587.Max Francis Klepper (American, 1861-1907)

Day at the RacesSigned “Max Klepper” l.l.Mixed media (gouache, watercolor, and graphite) on illustration board, 20 x 33 in. (50.8 x 83.8 cm), framed.Condition: Toning. $2,000-3,000

588.George Overbury (Pop) Hart (American, 1868-1933)

Central Park - Waiting for the ConcertSigned and dated “Hart 26” l.r., titled in pencil l.r.Mixed media on paper, sight size 13 3/4 x 19 in. (35.0 x 48.5 cm), framed.Condition: Not examined out of frame. $600-800


588

587

589

589.Attributed to Howard Pyle (American, 1853-1911)

Two Landscape Views, Possibly Central ParkStamped “PYLE” within a circle on the front of the frames.Oil on panel, 14 5/8 x 10 in. (37.0 x 25.6 cm), framed (under glass).Condition: Scattered small paint losses and frame abrasions. $5,000-7,000



Three Figures by a LakeUnsigned, inscribed “Trichon” in pencil on the reverse.Oil on artist board, 7 x 9 in. (17.8 x 22.9 cm), framed.Condition: Surface grime.


N.B. This work will be included in the Catalogue of the Paintings of Man Ray in preparation by Andrew Strauss and Timothy Baum. $4,000-6,000

591.Attributed to Edwin Lord Weeks (American, 1849-1903)

City View with Olive GrovePossible signature l.l.Pastel on paperboard, 8 1/8 x 10 in. (20.5 x 25.5 cm), framed.Condition: Small tear to u.l. corner, tack holes to corners.

Provenance: From the estate of Doris Burdict, through to The Vault Art Trust, Boston, to the current owner. $1,000-1,500


591

590

592

592.Marvin Cone (American, 1891-1964)

In a Paris ParkSigned “MARVIN CONE” l.r., titled in pencil on the reverse.Oil and graphite on canvasboard, 9 5/8 x 11 7/8 in. (24.4 x 30.2 cm), framed.Condition: Minor surface grime.

Provenance: Acquired from the artist by his Coe College pupil, Elaine T. Duckwell, Cedar Rapids, Iowa, c. early 1960s; by family descent to the present owners.

N.B. We wish to thank Joseph Czestochowski for his kind assistance cataloging the lot; this painting will be included as no. 1959.019 in the forthcoming catalogue raisonné of the artist’s work being compiled by Joseph Czestochowski and published by International Arts. $8,000-12,000


593.Hazel Finck (American, 1894-1977)

“Pick ‘em Up and Feel Their Heft,” 1941Signed “H. Finck” l.r., titled on the stretcher, also titled and dated “…1941…” on a handwritten label affixed to the stretcher.Tempera and oil on canvas, 20 x 24 in. (50.5 x 61.3 cm), framed.Condition: Scattered paint losses, varnish inconsistencies, surface grime. $1,500-2,500


Friendly Tavern, Woodstock, 1940Signed “H. Finck” l.r., identified on the artist’s label affixed to the stretcher.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Craquelure, surface grime.

Exhibitions: Carnegie Institute, Museum of Art, Pittsburgh, 1941; 9th Annual Exhibition, Irvington Art and Museum Association, Irvington, New Jersey, 1939; 50th Annual Exhibition, National Association of Women Artists, New York, 1942, no. 81. $4,000-6,000


594

593


Circus Backyard, 1941Signed “H. Finck” l.r., identified on the artist’s label affixed to the stretcher.Oil on canvas, 25 1/4 x 30 1/4 in. (64.1 x 76.8 cm), framed.Condition: Minor canvas deformations, minor surface grime.

Exhibitions: Montclair Art Museum, Montclair, New Jersey, 1942. $3,000-5,000


U.S.O., 1943Signed “finck” l.r., identified on the artist’s label affixed to the stretcher.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Minor surface grime, minor abrasions.

Exhibitions: 11th Annual Exhibition, Irvington Art and Museum Association, Irvington, New Jersey, 1944. $1,500-2,500


596

595

597


Perhaps It’s Fun to be Homeless, 1946Signed “finck” l.r., identified on the artist’s label affixed to the stretcher.Oil and tempera on canvas, 36 x 28 1/4 in. (91.4 x 71.8 cm), framed.Condition: Minor retouch, craquelure, minor surface grime, minor abrasions along frame liner.

Exhibitions: Audubon Artists, Inc., New York, Annual Exhibition, 1946; Pennsylvania Academy of Fine Arts, Philadelphia, 1947. $4,000-6,000



Picnic, 1939Signed “H. Finck” l.r., titled and identified on the artist’s label affixed to the stretcher.Oil on canvas, 30 1/8 x 25 1/8 in. (76.5 x 63.8 cm), framed.Condition: Craquelure, surface grime, canvas deformations l.r., subtle varnish inconsistencies. $2,000-3,000


598


Street Scene with a Horse-drawn CabSigned indistinctly, possibly “Lee,” l.l.Oil on canvas, 24 x 30 in. (61.2 x 76.1 cm), framed.Condition: Craquelure, surface grime. $800-1,200

600.Maurice Paris (French, 1903-1969)

Fauvist River ViewSigned “…Paris.” l.l.Oil on artist board, 21 1/2 x 27 1/2 in. (54.7 x 69.8 cm), framed.Condition: Surface grime. $800-1,200


600

599

601

601.Isaac Pailes (French, 1895-1978)

View of the Eiffel Tower, ParisSigned “I. Pailes” l.r.Oil on canvas, 20 x 25 3/4 in. (50.8 x 65.4 cm), framed.Condition: Mounted to Masonite, surface grime, craquelure. $3,000-3,500


602.Simkha Simkhovitch (Russian/American, 1893-1949)

Figures on a BeachSigned “S. Simkhovitch” l.r.Oil on canvas, 34 1/8 x 29 5/16 in. (86.7 x 74.5 cm), unframed.Condition: Rippling, surface grime. $2,500-3,000

603.Jean Liberte (American, 1896-1965)

Strip TeaseSigned “LIBERTE” l.r.Mixed media on illustration board, 13 1/2 x 17 1/4 in. (34.3 x 43.8 cm), framed.Condition: Not examined out of frame. $800-1,200


603

602

604.William Gropper (American, 1897-1977)

BurlesqueSigned “Gropper” l.l., with an effaced inscription “MASQUERADERS” on the reverse, identified on a label from ACA Galleries, New York, affixed to the reverse.Oil on canvas, 60 x 36 in. (152.4 x 91.4 cm), framed.Condition: Minor surface grime. $6,000-8,000


604

605 606

605.Chester Beach (American, 1881-1956)

Sleeping SilenusSigned, inscribed, and dated “C Beach/PARIS 07” in the cast on the base.Bronze with brown patina, 7 x 4 3/4 x 7 1/2 in. (18.0 x 12.0 x 19.0 cm).Condition: Dust and dirt to interstices. $2,000-2,500


Standing Nude Portrait of Alice M. Pape, the Artist’s WifeSigned “Eric Pape” l.r.Charcoal on laid paper, sight size 24 1/4 x 9 in. (61.6 x 22.9 cm), framed.Condition: Minor foxing, not examined out of frame. $800-1,200


607

607.Robert William Vonnoh (American, 1858-1933)

Girl from the NorthSigned “Vonnoh” u.l., titled and inscribed “Vonnoh” on the stretcher.Oil on canvas, 13 7/8 x 11 1/8 in. (35.2 x 28.3 cm), framed.Condition: Mild surface grime.

Exhibitions: Memorial Art Gallery, Rochester, New York, An Exhibition of paintings and sculpture by Robert Vonnoh and Bessie Potter Vonnoh and of paintings by Ernest Lawson and W. Murray Smith of London, England, January 6–30, 1916, cat. no. 26 (of 51). $10,000-15,000


608

608.School of Mabel May Woodward (American, 1877-1945)

Woman in White in a GardenUnsigned.Oil on canvas mounted to paperboard, 22 13/16 x 15 9/16 in. (58.0 x 40.4 cm), framed.Condition: Scattered abrasions, fine craquelure, surface grime. $1,000-1,500


609.Robert Lewis Reid (American, 1862-1929)

Summer Reverie/Young Woman at Ease on a RiverbankSigned “Robert Reid” l.r.Oil on panel, 15 7/8 x 11 7/8 in. (40.2 x 30.2 cm), in a Newcomb-Macklin Company frame.Condition: Good, panel with surface losses to the reverse. $10,000-15,000


609

610

610.Renée Baronin von Vranyczany (German, 19th/20th Century)

Dancing BacchanteSigned “R.VRANYCZANY.” within the cast on the base.Bronze with brown patina, 13 3/4 x 6 3/4 x 4 1/2 in. (35.0 x 16.5 x 11.4 cm), mounted to a polished stone plinth.Condition: Scattered small accretions, gentle wear to patina, dust and dirt to the interstices. $1,500-2,500

611.Jean Jacques Henner (French, 1829-1905)

Etude de Liseuse, 1900Estate stamped “J.J. HENNER” l.l., identified on a label from Schweitzer Gallery, New York, affixed to the backing. Oil on artist board, 7 x 8 3/4 in. (17.8 x 22.2 cm), framed.Condition: Subtle bowing, minor surface grime.

Provenance: Estate of the artist (identified as no. “1196 Etude de Liseuse, 20 x 17, 1900” on the artist’s studio inventory list); by descent to nephew and heir Jules Henner c. 1905; […]; Schweitzer Gallery, New York; private Massachusetts collection.

N.B. We wish to thank Isabelle de Lannoy for her kind assistance with cataloging the lot; the work will be included in Volume 3 of her Catalogue Raisonné Henner.

Henner created two versions of Liseuse; the present work is a study for the 1886 version (see Catalogue Raisonné Henner, C. 840, Vol. 2, p. 69), which is now lost. The 1886 version was itself a variant of an 1883 version that is in the Musee d’Orsay permanent collection (see Catalogue Raisonné Henner, C. 740, Vol. 2, p. 36). De Lannoy also notes that the octagonal label on the reverse is consistent with Jules Henner’s inventory of his uncle’s studio contents, and below it is a half envelope (probably by Frederique Dujardin, his sister-in-law) from Bernwiller (Alsace region) to Jules Henner who lived in Paris at 41 rue La Bruyere. $800-1,200


611

612

612.Harriet Whitney Frishmuth (American, 1880-1980)

Play Days, 1925Signed, dated, and foundry stamped “HARRIET W. FRISHMUTH © 1925 GORHAM CO FOUNDERS QFED” within the cast on the rear of the base.Bronze with brown patina, 22 3/8 x 7 x 8 1/8 in. (56.8 x 17.8 x 20.6 cm), mounted to a later bronze plinth.Condition: Minor oxidation.

Literature: Janis Conner, Leah Rosenblatt Lehmbeck, Thayer Tolles, and Frank L. Hohmann III, Captured Motion, The Sculpture of Harriet Whitney Frishmuth, A Catalogue of Works (New York: Hohmann Holding LLC, 2006), pp. 174-5, 249.

N.B. The present work was cast in an overall edition of 99, 92 of which were cast by the Gorham Foundry. $12,000-18,000


613

613.Paul Howard Manship (American, 1885-1966)

Marietta, alternately titled Young MinervaSigned “Paul Manship” and foundry marked “Roman Bronze Works N.Y.” on the base.Bronze with black brown patina, height 13 1/4 in. (33.7 cm), with an integral base.Condition: Gentle wear to patina, dust and dirt to interstices.

Literature: Edwin Murtha, Paul Manship (New York: The MacMillan Company, 1957), no. 17, p. 149; Fine Arts Journal, vol. 33, no. 4, October 1915, p. 431 (illus.); John Manship, Paul Manship, (Abbeville Press Publishers, New York, 1989), p. 45 (different cast illus.).

N.B. The sculpture is dated to 1911 in the “Catalogue of the Sculpture of Paul Manship,” in Edwin Murtha’s book referenced above. It was an edition of six. While officially titled Young Minerva, the sculpture became known as Marietta after the model who posed for it. In 1911, Manship was immersed in three years of study at the American Academy in Rome, having been awarded the American Prix de Rome in 1909. He returned to New York in the fall of 1912. In February of 1913, the American Academy in Rome presented an exhibition of works by Manship and two other Fellows at The Architectural League in New York, where Manship showed ten pieces done in Rome, including Young Minerva, to critical acclaim.1

1. Manship, John, Paul Manship (Abbeville Press Publishers, New York, 1989), pp. 45-46.

$30,000-50,000


614

614.Frederick Carl Frieseke (American, 1874-1939)

Nude (Giverny), c. 1906Signed “F.C. Frieseke-” l.l.Oil on canvas, 24 x 19 3/4 in. (61.0 x 50.0 cm), framed.Condition: Good.

Provenance: Everett St. John Chaffee and Caroline Peck Chaffee, Providence and Matunuck, Rhode Island, then by descent to the present owners.

N.B. Born in Michigan in 1874, American Impressionist Frederic Carl Frieseke was a key figure of “The Giverny Group,” a cadre of American artists working in France in the early 20th century. Frieseke began his studies at the Art Institute of Chicago and the Art Students League in New York. In 1897 the young artist was drawn to Paris to study at the Académie Julian and then briefly with James A.M. Whistler at the Académie Carmen. France became his permanent home. Frieseke set up his studio first in Paris and then in 1906, also in Giverny, where he would spend summers until 1920. Art historians have noted that Frieseke effectively synthesized Impressionist style and subject matter with the flattened space and decorative patterning of Post Impressionists, such as Vuillard and Bonnard. Frieseke realized success early painting the female figure and nudes. The painting at hand was done c. 1906 in Frieseke’s first years at Giverny. Influenced by Impressionism and the palettes of Renoir and Monet, Frieseke set his subject outdoors and filled his canvas with sun dappled blues and greens and rosy flesh tones. It is not clear exactly how and when the painting found its way to Rhode Island, but the connection to Matunuck is significant. Everett St. John Chaffee and Caroline Peck Chaffee summered at Matunuck and lived next door to Anna Richards Brewster. Caroline herself was an artist, and the community became a summer artists’ colony, modeled on Giverny, largely at the hand of neighbor and former Givernois, Philip Leslie Hale. It is not known if the Chaffees acquired the work directly from Frieseke or through the connections of one of their artist circle at Matunuck. The painting at hand will be included in The Frederick Carl Frieseke Catalogue Raisonné, being prepared by Nicholas Kilmer with the support of the Hollis Taggart Galleries. The painting will be dated “by 1908.” $60,000-80,000


615

616

615.William Cushing Loring (American, 1879-1959)

Portrait of Charlotte Waldron Hause, Age 15, 1919Identified, dated, and signed or inscribed “…by Wm. C. Loring/Providence R.I.” in crayon on the reverse. Oil on canvas, 32 x 25 in. (81.3 x 63.5 cm), unframed.Condition: Tear with resulting paint losses to l.r. quadrant, surface grime, craquelure. $1,500-2,000

616.William Beckwith McInnes (Australian, 1889-1939)

Hubert Ridder de Stuers, Age 43Signed and dated “…INNES MCMXXIII” l.l., inscribed “HUBERT RIDDER DE STUERS AETAT SUAE XLIII” u.c.Oil on canvas, 32 3/4 x 24 7/8 in. (83.2 x 63.1 cm), unframed.Condition: Tear u.c., puncture u.l., abrasions, surface grime. $1,000-1,500


617

617.William McGregor Paxton (American, 1869-1941)

Studio Interior, c. 1900Unsigned, identified on a presentation plaque.Oil on Wadsworth Brothers & Howland paper/board, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Minor retouch, craquelure, alligatoring, minor surface grime. $7,000-9,000


618.Laura Coombs Hills (American, 1859-1952)

Van FleetsSigned “Laura Hills” u.l., identified on a label from The Guild of Boston Artists, and with a label from Haley & Steele Art Dealers, Boston, affixed to the backing. Pastel on paper, sight size 19 1/2 x 15 1/2 in. (49.5 x 39.4 cm), in the artist’s original black frame.Condition: Not examined out of frame. $4,000-6,000

619.Alice Mary (Beach) Winter (American, 1877-1970)

Summer BouquetSigned “ALICE BEACH WINTER” l.r., inscribed “…A.B.Winter” in pencil on the stretcher. Oil on canvas, 30 x 26 in. (76.2 x 66.1 cm), framed.Condition: Craquelure, minor surface grime. $1,200-1,800


619

618


Roses and LarkspurSigned “Laura Hills” u.l., identified on a label from Doll & Richards, Inc., Boston, affixed to the backing.Pastel on paper, sight size 19 1/2 x 14 1/2 in. (49.5 x 36.8 cm), in the artist’s original black frame.Condition: Not examined out of frame. $6,000-8,000


620

621.Emil (Soren Emil) Carlsen (American, 1848-1932)

Study of Lilacs in BloomUnsigned.Oil on canvasboard, sight size 12 1/2 x 8 3/4 in. (31.8 x 22.2 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from Dines Carlsen, the artist’s son. $1,000-1,500


621

622


Water LiliesSigned “Laura Hills” u.l., with a label from Haley & Steele Art Dealers, Boston, affixed to the backing. Pastel on paper/board, sight size 14 x 17 in. (35.6 x 43.2 cm), in a period frame.Condition: Not examined out of frame. $4,000-6,000


623

623.Arthur Szyk (American, 1894-1951)

U.S. Rubber Co. War Production/A Political Cartoon of the Axis AllianceSigned and dated “ARTHUR SZYK N.Y. ‘42” u.l., inscribed “…Beauty…” on the reverse.Mixed media (ink, gouache, graphite, and paper) on illustration board, sheet size 9 3/4 x 12 5/16 in. (24.8 x 31.3 cm), unframed.Condition: Craquelure, rubber cement residue and masking tape with tissue to the reverse. $3,000-5,000


624.James Montgomery Flagg (American, 1877-1960)

G.K. Chesterton, A CaricatureSigned and titled “JAMES MONTGOMERY FLAGG…” l.l., identified on a label from Gerald Peters Gallery, New York, affixed to the backing.Charcoal on paper/board, sight size 22 1/2 x 14 3/4 in. (57.2 x 37.5 cm), framed.Condition: Tack hole l.r., not examined out of frame.

Provenance: Berry-Hill Galleries, Inc., 1972; Estate of Charles Rand Penney (1923-2010), Lockport, New York.

Literature: Drawings: From the Collection of Charles Rand Penney (University of Rochester, 1981), p. 19.

Exhibitions: Drawings: From the Collection of Charles Rand Penney, New York: Memorial Art Gallery, Rochester, 1981, no. 35; The Modern Figure, Gerald Peters Gallery, New York City, April 19 to June 1, 2001. $400-600

625.John Lavalle (American, 1896-1971)

Two Biplane Dogfight ScenesBoth signed and dated “JOHN LAVALLE 1930” l.l.Watercolor and graphite on paper, sight sizes to 13 1/4 x 19 1/2 in. (33.7 x 49.5 cm), both framed.Condition: Not examined out of frames. $2,000-3,000


625

624


Standing on that miserable eminence/An Illustration for The Scarlet LetterSigned and dated “Eric Pape/1900” l.r., estate stamped on the frame backing paper.Watercolor on paper, sight size 34 x 23 3/4 in. (86.2 x 60.0 cm), framed.Condition: Scattered abrasions, small crease to u.r. corner, not examined out of frame.

N.B. The painting at hand was reproduced as an illustration for The Scarlet Letter, published in 1900 by Houghton, Mifflin and Company as part of a multi-volume set of The Writings of Nathaniel Hawthorne. The illustration appears facing page 80 (Vol. 6). The lot is accompanied by a photocopy of the book’s title page and of the illustration. $2,200-2,800

627.Walt Elias Disney (American, 1901-1966)

Mickey Mouse and Ben Franklin, with Walt Disney LetterSigned “Walt Disney” l.c., dedicated “Thanks and Appreciation to Dr. H.H. Kynett!” u.c.Ink and watercolor on paper/board, sight size 10 x 8 3/8 in. (25.4 x 21.3 cm), framed.Condition: Toning, not examined out of frame. Provenance: A private Massachusetts collection.

N.B. The lot is accompanied by a typewritten letter from Walt Disney, dated January 23, 1934, and signed by Disney in ink, thanking Dr. Kynett, as President of the Poor Richard Club in Philadelphia, for awarding Disney the Poor Richard Achievement Medal. The letter and postmarked envelope are mounted against corrugated cardboard covered with a plastic sheet. $4,000-6,000


627

626

628.Dean Cornwell (American, 1892-1960)

Independence Day ParadeSigned “DEAN CORNWELL” l.r.Watercolor on paper, sheet size 10 1/2 x 11 9/16 in. (26.7 x 29.4 cm), framed.Condition: Laid down to mat board. $1,000-1,500

629.Attributed to Joseph Christian Leyendecker (American, 1874-1951)

Portrait Studies of a Spanish DancerUnsigned.Oil and graphite on canvas, 18 x 12 in. (45.7 x 30.5 cm), framed.Condition: Minor surface grime.

N.B. This work may have been a preliminary study for an Arrow Dress Collars & Shirts advertisement depicting a Spanish dancer. $700-900


629

628

630.Jules Guerin (American, 1866-1946)

The Fagot GathererSigned “Jules Guerin-” l.l.Watercolor with gouache on paper/board, sight size 23 x 17 1/8 in. (58.5 x 44.0 cm), framed.Condition: Not examined out of frame. $1,000-1,500

631.Robert Henri (American, 1865-1929)

Figure of a WomanSigned “Robert Henri” in pencil l.r., stamped “Hirschl & Adler Galleries” on the reverse.Ink with graphite on paper, 7 3/16 x 5 11/16 in. (18.2 x 14.4 cm), framed.Condition: Toning, hinge remnants to upper corners of reverse.

Provenance: Doyle, New York, December 2, 1998, Lot 195. $600-800


631

630

632

632.Camille Pissarro (French, 1830-1903)

Figure StudyInitialed “C.P.” l.r.Charcoal on paper, sheet size 8 3/8 x 9 7/8 in. (21.3 x 25.1 cm), framed.Condition: Toning, tape and tape residue to margins, cloth tape residue verso, crop marks to margins.

Provenance: Hyde Park Country Auctions, Salt Point, New York, November 26, 2011, Lot 138; Hyde Park Country Auctions, Salt Point, New York, March 31, 2012, Lot 351; private New York collection.

N.B. We wish to thank Dr. Joachim Pissarro for his kind assistance with cataloging the lot; the work will be included in his forthcoming Catalogue Raisonné of Drawings by Camille Pissarro. $5,000-7,000


633.Emil Ganso (American, 1895-1941)

Sunbathers, c. 1936Unsigned, inscribed “Sunbath smaller version” on the stretcher.Oil on canvas, 18 1/8 x 30 1/8 in. (46.0 x 76.5 cm), framed.Condition: Minor surface grime, subtle rippling.

Provenance: Weyhe Gallery, New York; Estate of Charles Rand Penney (1923-2010), Lockport, New York.

Exhibitions: 14th Exhibition of Contemporary American Oil Painting, Cleveland Museum of Art, June 8 to July 8, 1934; Emil Ganso: 1895-1941, March 15 to April 16, 1976, William Benton Museum of Art at the University of Connecticut, Storrs, no. 7.

N.B. The present work relates to two print versions of the same title, an etching with aquatint and a wood engraving. $1,500-2,500

634.George Wesley Bellows (American, 1882-1925)

Portrait of Charles Rosen, 1923Unsigned, identified on labels including one from Gerald Peters Gallery, New York, on the backing.Charcoal on paper, 12 1/2 x 10 1/16 in. (31.8 x 25.6 cm), framed.Condition: Not examined out of frame.

Provenance: James Goodman Gallery, Buffalo, New York, 1964; Estate of Charles Rand Penney (1923-2010), Lockport, New York.

Literature: Drawings: From the Collection of Charles Rand Penney (University of Rochester, 1981), p. 5; Twentieth Century Art: The Charles Rand Penney Collection (University of Rochester, 1983), p. 55.

Exhibitions: Drawings: From the Collection of Charles Rand Penney, New York: Memorial Art Gallery, Rochester, 1981, no. 7; Twentieth Century Art: The Charles Rand Penney Collection [Multi-year traveling exhibit], 1983-1988. $800-1,200


634

633

635.George Benjamin Luks (American, 1867-1933)

Portrait of a Clown Without Face PaintSigned “George Luks” l.l., inscribed “AG #1 (4939)” on the frame and “H.L.H…” on a label affixed to the stretcher.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Minor surface grime. $5,000-7,000


Portrait of the Artist’s Daughter Sonia with CatSigned “S. Simkhovitch.” l.r.Gouache and graphite on paper, sight size 21 3/4 x 19 1/4 in. (55.2 x 48.9 cm), framed.Condition: Tack holes to corners, not examined out of frame. $1,000-1,500


636

635

637.Carl Sprinchorn (American, 1887-1971)

Bather in a Blue SwimsuitSigned “Carl Sprinchorn” in pencil l.l.Mixed media on paper, sight size 18 1/8 x 14 1/8 in. (46.0 x 36.0 cm), framed.Condition: Rippling, subtle handling creases and staining, tack hole u.c., not examined out of frame. $800-1,200


HippoSigned “George Luks” in lithographic crayon l.r.Lithographic crayon on paper, sheet size 10 x 7 7/8 in. (25.4 x 20.0 cm), unframed.Condition: Mat burn.

Provenance: Through Capricorn Galleries, Bethesda, Maryland, c. early 1960s. $1,000-1,500


637

638

639

639.Bob Gesinus Visser (Dutch, 1898-1978)

Vendedores de Plantas/Flower Market LimaSigned “Gesinus” l.l., identified on a Kleemann Galleries, New York, label on the reverse.Oil on panel, 23 1/4 x 27 1/2 in. (59.0 x 69.8 cm), framed.Condition: Scattered paint loss, minor abrasions. $800-1,200



The LetterSigned and dated “S. Simkhovitch/46” l.l., inscribed and titled in ink on the stretcher and on a label affixed to the stretcher, and titled and inscribed on an exhibition label from The Federation of Modern Painters and Sculptors, New York, affixed to the frame.Oil on canvas, 29 x 22 in. (73.3 x 56.0 cm), framed.Condition: Surface grime. $2,000-3,000

641.Thomas Adrian Fransioli (American, 1906-1997)

House in DisrepairInitialed “T.F.” l.r., identified on the reverse.Oil on Masonite, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Surface grime.

Provenance: Bakker Auctions, Cambridge, Massachusetts, June 25, 1991, Lot 173; Eldred’s, Americana & Paintings, April 9, 2009, Lot 1035. $1,000-1,500

640

641



Street, Port Jefferson, 1939Signed “H. Finck” l.r., identified on the artist’s label affixed to the stretcher.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Craquelure, surface grime, abrasion l.l.

Exhibitions: Irvington Art and Museum Association, Irvington, New Jersey, 1939. $1,000-1,500


LandladySigned “George Luks” l.l., identified on a label from M. Knoedler & Co., Inc., New York, and Joan Peterson Gallery, Boston, and with a temporary loan label from the Fogg Art Museum, Cambridge, Massachusetts, affixed to the reverse. Watercolor and graphite on illustration board, 16 3/8 x 9 in. (41.6 x 22.9 cm), framed.Condition: Mat burn, toning, cloth tape hinged to backing mat.

Exhibitions: George Luks Exhibition [Oils and Watercolors from the Mr. and Mrs. Quincy Adams Shaw (née Margarett Sargent) McKean Collection], June 15 to July 16, 1966, Joan Peterson Gallery, Boston, Massachusetts. $2,000-4,000


643

642

644


Girl with a BouquetSigned and inscribed “F. Gall Paris” l.r.Oil on canvas, 10 1/2 x 8 1/2 in. (26.6 x 21.6 cm), framed.Condition: Mild surface grime, scattered craquelure.

Provenance: Sotheby’s Arcade, New York, Impressionist, Modern and Contemporary Paintings, Drawings and Sculpture, February 16, 1999, Sale 1642, Lot 107. $1,000-1,500


Girl in Blue Seated on the GrassSigned “F. Gall” l.l.Oil on Masonite, 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), framed.Condition: Mild surface grime.

Provenance: Sotheby’s Arcade, New York, Impressionist, Modern and Contemporary Paintings, Drawings and Sculpture, February 16, 1999, Sale 1642, Lot 105. $1,000-1,500


645

646

646.Le Pho (Vietnamese, 1907-2001)

Still Life with Poppies, Peonies, and DelphiniumsSigned “…Le Pho” in Vietnamese and English l.l., with a label from Wally Findlay Galleries affixed to the backing.Oil on canvas, 51 1/2 x 31 1/4 in. (130.8 x 79.4 cm), framed.Condition: Fine craquelure.

Provenance: Wally Findlay Galleries, Palm Beach and Chicago; through the estate of the Late Herbert and Jean Schulman, Nashville, Tennessee. $20,000-25,000


647.Antonio Sereix Codina (Spanish, b. 1931)

Interior/Mother and Daughter at a TableSigned “Sereix” l.l., inscribed “INTERIOR/A Sereix/80” on the reverse.Oil on canvas, 21 1/4 x 25 1/2 in. (54.0 x 64.8 cm), framed.Condition: Mild surface grime. $2,500-3,500


647

648.Gertrud Staats (German, 1859-1938)

Still Life of Summer Flowers in a Blue and White PitcherSigned “G. Staats.” l.r.Oil on canvas, 22 3/4 x 18 3/4 in. (57.8 x 47.6 cm), framed.Condition: Mild surface grime. $1,200-1,800

649.Charles Vezin (American, 1858-1942)

Studio CornerSigned “C. Vezin” l.r., identified on a label from the Lyme Art Association, Lyme, Connecticut, on the reverse.Oil on Masonite, 15 x 11 1/2 in. (38.1 x 29.2 cm), framed.Condition: Craquelure, surface grime. $800-1,200


649

648

650


The White Cape, 1937Signed and dated “Carl Sprinchorn-1937-” in pen l.l., stamped “FROM THE ESTATE OF/CARL SPRINCHORN/(1887-1971)” and identified on a label from Tom Veilleux Gallery, Farmington, Maine, on the backing.Watercolor and graphite on paper, 16 1/2 x 8 in. (41.9 x 20.3 cm), framed.Condition: Not examined out of frame. $800-1,200

651.Glenn B. Chamberlain (American, 1914-2001)

Standing CoupleSigned “W. CHAMBERLAIN” on the base l.l.Carved wood, height 18 7/8 in. (48.0 cm), on a rectangular integral base mounted to a wooden plinth.Condition: Areas of wear, dust and dirt to interstices.

N.B. Fresh out of high school, Glenn Chamberlain attended the first session of the Stone City Art Colony and School in Iowa where he pursued painting and sculpture with Grant Wood and Adrian Dornbush as his mentors. He participated in the WPAP, and his painting Country Road was selected by Eleanor Roosevelt in 1934 to be displayed at the White House. In 1935 he accepted a scholarship to the Minneapolis School of Art, which he followed with study at the Art Students League in New York, and, after WWII, with a year spent in France studying with the sculptor Ossip Zadkine (French/Russian, 1890-1967). Interim teaching positions at Hunter College, Bard College, and Cranbrook Academy led to his appointment to the faculty at Colorado University in 1957, where he taught until his retirement in 1982. $300-500


651

652.Edward J. Burra (British, 1905-1976)

Costume Designs for Don Juan/A Double-sided CompositionBoth stamped “E.J. Burra” l.r., and identified on a label from The Lefevre Gallery, London, affixed to the reverse.Watercolor, gouache, and graphite on paper, sight size 25 x 11 in. (63.5 x 27.9 cm), framed.Condition: Surface grime, scattered ink, and slight toning to margins.

Provenance: Bonhams, London, 20th Century British Art, Sale 10243, Lot 31, June 24, 2003. $1,200-1,800


652

653.Robert Douglas Hunter (American, b. 1928)

Orange and Blue ComplementsSigned and dated “Robert Douglas Hunter ‘73” l.l., identified on a label from The Guild of Boston Artists affixed to the back of the frame.Oil on canvas, 15 1/8 x 26 in. (38.3 x 66.0 cm), framed.Condition: Good. $1,500-2,000

654.John Whorf (American, 1903-1959)

Abandoned Farm, no. 2Signed “John Whorf” l.r., titled in pencil on the reverse and on the frame backing.Watercolor on paper, 15 1/4 x 22 1/2 in. (38.5 x 57.0 cm), framed.Condition: Tack holes to corners, subtle rippling, hinged to window mat with masking tape along top edge. $1,500-2,000


654

653

http://www.skinnerinc.com

655.Robert Douglas Hunter (American, b. 1928)

Brass and Lemons, c. 1967Signed “ROBERT DOUGLAS HUNTER” l.r., signed, inscribed, and dated “…Hunter/APRIL-1967” on the stretcher, and identified on a label from The Guild of Boston Artists on the reverse. Oil on canvas, 12 1/4 x 18 1/4 in. (31.1 x 46.4 cm), framed.Condition: Good. $800-1,200

656.Tom Nicholas (American, b. 1934)

Silver and BrassSigned “TOM NICHOLAS NA” l.r., identified on a label affixed to the frame reverse.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Good. $3,000-3,500


656

655



Reclining Nude Portrait of Alice M. Pape, the Artist’s WifeUnsigned, inscribed “A.M.” l.l., estate stamped “ESTATE OF ERIC PAPE/1870-1938” on the backing.Oil on canvas, sight size 14 1/4 x 17 1/4 in. (36.2 x 43.8 cm), framed.Condition: Retouch, trimmed canvas, laid down to artist board, mounting bubbles to l.l. quadrant, surface grime. $1,500-2,500

658.Everett Shinn (American, 1876-1953)

La NympheSigned and dated “E SHINN 1908” l.r., identified on the window mat.Red chalk on paper, sight size 12 1/2 x 16 1/2 in. (31.8 x 41.9 cm), within a hand-decorated mat, framed.Condition: Laid down between window and backing mat, acid burn to backing mat. $2,500-3,500


658

657


659.Andrei Hudiakoff (Russian/American, 1896-1985)

Still Life with FishSigned and dated “A. Hudiakoff 1928” l.l.Oil on canvas, 20 1/8 x 24 in. (51.1 x 61.0 cm), framed.Condition: Lined, losses, retouch, craquelure. $1,500-2,000


659


660.Auguste Rodin (French, 1840-1917)

Psyché. Femme agenouillée, portant la main sur sa joue, c. 1900Signed “A Rodin” l.r., inscribed “No. VIII J.J.CC...8956” in pencil on the reverse, identified on a label from Curt Valentin Gallery affixed to the backing.Graphite and watercolor on vélin paper, sheet size 11 7/8 x 9 3/4 in. (30.2 x 24.8 cm), framed.Condition: Restored tear c.r., mat burn, toning, foxing.

Provenance: Curt Valentin Gallery, New York (no. 18385); by descent within a New England family.

Literature: Georges Grappe, Les Élégies amoureuses d’Ovide (Philippe Gonin, 1935), pl. 28, (reproduced as a wood engraving). N.B. According to Christina Buley-Uribe, the present work was one of approximately thirty Rodin drawings of Psyché that were models for wood engravings rendered c. 1902 by Jules-Léon Perrichon. She surmises that Rodin may have added watercolor to the work after it was reproduced as an engraving. Even though Rodin was a great reader and admirer of Ovid, Les Élégies amoureuses d’Ovide was not published until after Rodin’s lifetime. We wish to thank Madame Buley-Uribe for her kind assistance with cataloging the lot; the work will be included in her forthcoming Catalogue raisonné des Dessins et Peintures d’Auguste Rodin under the number 120801. A photo-certificate from Madame Buley-Uribe accompanies the lot. $7,000-9,000

661.Manolo (Manuel) Hugue (Cuban, 1872-1945)

Crouching Woman (Back View)Unsigned, identified on a label from Galerie Chalette, New York, affixed to the backing. Ink and gouache on paper, sight size 7 3/4 x 7 3/4 in. (19.7 x 19.7 cm), framed.Condition: Minor toning, handling creases, not examined out of frame.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $600-800


660

661


662.Henri Matisse (French, 1869-1954)

Tête de FemmeInitialed “HM.” l.r., with an impression of a female portrait on the reverse.Conté crayon on spiral-bound paper, sheet size 10 7/16 x 8 1/4 in. (26.5 x 21.0 cm), framed.Condition: Left spiral-bound edge.

Provenance: By descent within a New England family.

Literature: Jean Cassou, Henri Matisse, Carnet de Dessins (Paris: Huguette Berès, Berggruen & Cie, 1955), Vol. II (illus.).

N.B. We wish to thank Wanda de Guébriant for kindly confirming the authenticity of the work; a photo-certificate from Madame de Guébriant accompanies the lot. $40,000-60,000


662


663.David Davidovich Burliuk (Ukrainian/American, 1882-1967)

Woman with Horse, c. 1950Signed “BuRLiuK.” l.l., with a label from Terry Dintenfass Inc., New York, affixed to the reverse. Watercolor and graphite on paper, sight size 10 1/2 x 14 1/4 in. (26.7 x 36.2 cm), framed.Condition: Not examined out of frame.

Provenance: Private collection; Dorothy and Murray Handwerker Collection, Palm Beach Gardens, Florida; by descent to the present owner. $2,000-3,000

664.David Davidovich Burliuk (Ukrainian/American, 1882-1967)

Farmer with Cow and HorseSigned “BURliUK” l.l.Oil on canvas, 13 x 18 1/8 in. (33.0 x 46.0 cm), framed.Condition: Minor surface grime.

Provenance: Sotheby’s Arcade, American Furniture, Decorations and Paintings; Oriental Rugs and Carpets; Collectibles and Musical Instruments, June 26, 1984, Lot 1174. $4,000-6,000


664

663


665.Marc Chagall (French/Russian, 1887-1985)

Rendez-vous ou Sabbat, 1910Inscribed, signed, and dated “…Chagall/1910/Russie” in pen l.r., inscribed “Le rendez-vous” in Cyrillic in pencil l.c.Sepia and China ink on paper, sheet size 5 1/2 x 5 11/16 in. (14.0 x 14.4 cm), unframed.Condition: Tacked at u.l. and u.r. corners to backing tissue.

Provenance: A private New England collection.

N.B. The work has been registered with the Comité Chagall as no. 2012087D; a photo-certificate from the Comité Chagall accompanies the lot. $25,000-35,000


665


666.Lynn Russell Chadwick (British, 1914-2003)

Sitting Woman IIIStamped number and date “C30 6/9 1986” on the reverse.Bronze with black patina, 6 x 3 3/4 x 4 7/8 in. (15.0 x 9.5 x 12.4 cm), mounted to a white marble plinth.Condition: Minor dust to interstices.

Literature: Dennis Farr and Eva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue (Lund Humphries, 2006), cat. no. C30. $1,500-2,000

667.Pavel Tchelitchew (Russian/American, 1898-1957)

The KissSigned and dated “P. Tchelitchew 1941” l.l.Black India ink on paper, sheet size 11 x 8 1/2 in. (27.9 x 21.6 cm), framed.Condition: Toning, cloth tape hinge residue to the reverse, mat burn.

Provenance: Durlacher Brothers, New York; private New Hampshire collection.

Literature: Lincoln Kirstein, ed., Pavel Tchelitchew Drawings (H. Bittner and Company, 1947), pp. 20, 39 (illus.).

N.B. We wish to thank Erik La Prade for his kind assistance with cataloging the lot.

The Kiss was “drawn, September 1941, at Derby Hill, Vermont, immediately preceding the series of metamorphic landscapes (nos. 40 and 41). Tchelitchew drew these studies after having heard poems of Baudelaire read aloud. They were not intended either as illustration, or as preparation for a picture, and are quite disassociated from drawings in the series that came before and after.”1

1. Kirstein, 20.

$2,000-3,000


666

667


668.Milton Clark Avery (American, 1885-1965)

Nude with Raised FootSigned and dated “Milton Avery 1956” in pen l.r., identified on a label from Grace Borgenicht Gallery, New York, affixed to the backing. Ink and crayon on paper, sheet size 17 x 14 in. (43.2 x 35.6 cm), framed.Condition: Subtle mat burn.

Provenance: Estate of the artist; Grace Borgenicht Gallery, New York; purchased from the former by the present owners, December 6, 1977.

Exhibitions: The Nude: Avery and the European Masters, Grace Borgenicht Gallery, February 5 to March 3, 1977.

N.B. A copy of the original invoice and photo-certificate issued by Grace Borgenicht Gallery and Sally M. Avery accompany the lot. $12,000-18,000


668



RooftopsSigned indistinctly l.r., with a canvas stencil from F. Dupre, Paris.Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.Condition: Minor surface grime. $1,000-1,500

670.Frank Humphrey Sinkler Jennings (British, 1907-1950)

The Butterfly & The TowerSigned or inscribed, dated, and titled “H. Jennings 1949…” on the reverse.Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.Condition: Repaired tear in u.r. quadrant, mild surface grime. $1,000-1,500


670

669



Leda and the SwanSigned indistinctly and numbered “…III” within the cast.Bronze with dark brown patina, 6 x 4 x 2 1/2 in. (15.2 x 10.2 x 6.4 cm).Condition: Minor surface grime.

Provenance: By descent within a New England family. $1,000-1,500


671


672.Hannes Beckmann (German/American, 1909-1976)

Dominant Yellow, 1964Initialed and dated “h.b.64” l.l., signed, titled, and dated “…1964/Hannes Beckmann” on the reverse, identified on a partial label from Kanegis Gallery, Boston, Massachusetts, affixed to the stretcher.Oil on canvas, 50 x 50 in. (127.0 x 127.0 cm), framed.Condition: Depression to canvas in u.l. quadrant, scattered abrasions with paint loss, including one to l.l. quadrant and one l.c., varnish inconsistencies. $5,000-7,000


Four Units, 1968Initialed and dated “h.b.68.” l.l., signed, titled, dated, and inscribed “…/1968/Hannes Beckmann” on the reverse, identified on a label from Kanegis Gallery, Boston, Massachusetts, on the back of the frame.Acrylic on board, 45 x 30 3/4 in. (114.1 x 78.2 cm), framed.Condition: Scattered minor scuffs and abrasions. $4,000-6,000


672

673


674.Victor Vasarely (Hungarian/French, 1906-1997)

CompositionSigned “Vasarely-” in pen l.r., with a label from Gallery Jupiter, Inc., Little Silver, New Jersey, affixed to the backing.Colored die-cut paper, sheet size sheet size 8 11/16 x 5 15/16 in. (22.1 x 15.1 cm), framed.Condition: Minor surface grime.

N.B. We wish to thank Pierre Vasarely for his kind assistance with cataloging the lot; the work will be presented in the catalogue raisonné of the artist prepared by the Fondation Vasarely in Aix-en-Provence. $2,500-3,500


Yin and Yang (Red), 1966Initialed and dated “h.b.66” l.l., signed, titled, and dated “Hannes Beckmann…” and identified on a label from Kanegis Gallery, Boston, Massachusetts, on the reverse.Oil on board, 31 x 31 in. (78.7 x 78.7 cm), framed.Condition: Varnish inconsistencies. $4,000-6,000


675

674


676.Michiel Theobald Gloeckner (American, 1915-1989)

Untitled (Geometric Abstract)Monogrammed “MG” l.r., inscribed “Michael [sic] Gloeckner” on the tacking edge.Oil on canvas, 36 1/2 x 42 3/8 in. (92.7 x 107.8 cm), framed.Condition: Good. $2,500-3,500

677.Victor Vasarely (Hungarian/French, 1906-1997)

Ezus, 1965Signed “vasarely-” l.c., titled, dated, inscribed, and signed “…1965…Vasarely” in pen in the artist’s hand on the reverse, identified on a label from Kanegis Gallery, Boston, affixed to the frame.Tempera on panel, 9 x 8 1/2 in. (22.9 x 21.6 cm), framed (under glass).Condition: Not examined out of frame.

Provenance: Collection of Sidney Kanegis, Boston, Massachusetts; private Massachusetts collection.

N.B. We wish to thank Pierre Vasarely for his kind assistance; the work will be presented in the catalogue raisonné of the artist prepared by the Fondation Vasarely in Aix-en-Provence. A photo-certificate issued by Pierre Vasarely accompanies the lot. $12,000-18,000


676

677


678.Dusan Dzamonja (Yugoslavian, 1928-2009)

Multimodel X, 1974Signed and stamped “DZAMONJA/ADM246” on the third plate and “ALESSIDAPRES” beneath the base.Stainless steel (rotating plates), 4 1/4 x 6 x 6 in. (10.8 x 15.2 x 15.2 cm), mounted to a stone plinth.Condition: Minor surface dust/grime. $2,000-3,000


678


679.Michiel Theobald Gloeckner (American, 1915-1989)

The Rising MoonMonogrammed “MG” l.r., signed, inscribed, titled, and dated “…1968 (2)” on the stretcher.Oil on canvas, 42 x 36 1/8 in. (106.7 x 91.5 cm), framed.Condition: Mild surface grime. $2,200-2,800

680.Peter Busa (American, 1914-1985)

Transfigured Night, 1946Signed and dated “Busa ‘46” l.r., identified on a backing board fragment and with a label from Acme Fine Art and Design, Boston, inserted into the backing.Mixed media (watercolor, gouache, and graphite) on paper, 10 3/4 x 13 3/8 in. (27.3 x 34.0 cm), framed.Condition: Not examined out of frame.

Provenance: Estate of the artist to son Christopher Busa, to Dr. Elton R. Yasuna, Harwich Port, Massachusetts, June 6, 1992; private Massachusetts collection.

N.B. A copy of an invoice from Christopher Busa to Dr. Yasuna accompanies the lot. $4,000-6,000


680

679


681.Rolph Scarlett (American, 1889-1984)

Untitled, c. 1948Signed “ROLPH SCARLETT” in pen l.l.Gouache on paper, sheet size 8 1/4 x 9 in. (21.0 x 22.9 cm), framed.Condition: Very minor surface abrasions l.l., not examined out of frame.

Provenance: Through the artist’s studio. $1,000-1,500


Untitled, c. 1945Signed “ROLPH SCARLETT.” in pen l.c.Gouache on paper, sheet size 11 7/8 x 8 3/4 in. (30.2 x 22.2 cm), framed.Condition: Minor abrasion c.r. and tear l.r.



682

681


683.John G.F. Von Wicht (American, 1888-1970)

Abstract CompositionSigned “V. Wicht” l.r.Mixed media (oil, ink, and chine collé) on canvas, 17 x 22 in. (43.2 x 55.9 cm), framed.Condition: Surface grime. $1,000-1,500

684.Giò Pomodoro (Italian, 1930-2002)

Congiunzione [Conjunction], 1956Signed, titled, and dated “Gio Pomodoro…1956” in ink on the paper backing, identified on a label from World House Galleries, New York, affixed to the backing. Bronze bas-relief with green patina, 16 1/8 x 7 1/2 in. (41.0 x 19.1 cm), mounted to a burlap-covered Masonite panel.Condition: Dismounted from Masonite with one replaced screw, dust/grime to interstices, minor oxidation. $2,500-3,500


683

684


685.Jimmy Ernst (American, 1920-1984)

Tactic II, 1955Signed and dated “Jimmy Ernst 55” l.r., identified on labels from Grace Borgenicht Gallery, New York, and The Charles R. Penney Collection, Olcott, New York, affixed to the backing. Ink, ink wash, and graphite with cut-outs on paper/board, 30 x 40 in. (76.2 x 101.6 cm), framed.Condition: Minor toning.

Provenance: Grace Borgenicht Gallery, New York; James Goodman Gallery, New York, March 1970; Estate of Charles Rand Penney (1923-2010), Lockport, New York. $4,000-6,000


685


686.Bunny Harvey (American, b. 1946)

Magic Interior, 1975Signed, inscribed, and dated “Harvey Rome ‘74” on the reverse, identified on a label from Terry Dintenfass, New York, on the stretcher.Oil on canvas, 68 1/2 x 78 1/2 in. (174.0 x 199.4 cm), unframed.Condition: Minor surface dust. $2,000-3,000


686



Untitled, 1947Signed and dated “SCARLETT ‘47” in pen l.r.Gouache on paper, sheet size 11 7/8 x 9 in. (30.2 x 22.9 cm), framed.Condition: Not examined out of frame.



Untitled, c. 1940Signed “ROLPH SCARLETT.” in pen l.l.Gouache on paper, sheet size 11 1/4 x 12 in. (28.6 x 30.5 cm), framed.Condition: Not examined out of frame.



688

687



Purple MountainsUnsigned, stamped “FROM THE ESTATE OF/CARL SPRINCHORN/(1887-1971)” and identified on labels from Tom Veilleux Gallery, Farmington, Maine, and Alexandre Gallery, New York, on the backing.Pastel on paper, 17 x 27 in. (43.2 x 68.6 cm), framed.Condition: Not examined out of frame. $1,000-1,500

689A.William Meyerowitz (American, 1887-1981)

HorsesSigned “WM MEYEROWITZ” l.r.Oil on canvasboard, 17 1/2 x 10 in. (44.4 x 25.4 cm), framed.Condition: Minor surface grime. $2,000-3,000


689

689A


690.Arthur Dove (American, 1880-1946)

Oil Boat, 1932Signed “Dove” l.r., identified on a label from Alfred Stieglitz, New York City, and Terry Dintenfass, Inc., New York City, affixed to the backing.Watercolor and crayon on paper, sheet size 5 x 7 in. (12.7 x 17.8 cm), framed.Condition: Tape hinged to backing mat, minor toning, not examined out of frame.

Provenance: An American Place, New York; Terry Dintenfass Gallery, New York; private collection. $7,000-9,000

691.No lot.


690


692.William Zorach (American, 1887-1966)

Head of a GirlIncised signature “Zorach” at the base of girl’s hair.Bronze, 5 1/2 x 5 x 5 in. (14 x 12.7 x 12.7 cm), mounted to a black marble plinth.Condition: Minor wear to patina.

N.B. We wish to thank Jonathan Zorach, grandson of the artist, for his kind assistance with cataloging the lot. $2,500-3,500


HeadStamped “MODERN ART FDRY. N.Y.” on the underside.Bronze with light brown patina, 5 1/2 x 4 x 3 1/2 in. (14.0 x 10.2 x 8.9 cm), mounted to a marble plinth.Condition: Minor surface grime. $300-500


693

692


694.Harold Tovish (American, 1921-2008 )

Passage, 1964-65Unsigned, edition of two.Bronze, 40 x 35 x 16 in. (101.6 x 88.9 x 40.5 cm), with a wood pedestal.Condition: Wear to patina, surface grime.

Provenance: Purchased from Terry Dintenfass Gallery, New York, c. late 1960s; Dorothy and Murray Handwerker Collection, Palm Beach Gardens, Florida; by descent to the present owner.

Exhibitions: Harold Tovish, The Guggenheim Museum, New York, May–June 1968.

N.B. This sculpture is one of an edition of two, the second belonging to the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. The Hirshhorn sculpture was included in Harold Tovish: A Retrospective Exhibition, 1948-1988, at The Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, October 21, 1988-January 8, 1989, as catalogue number 31 (illus. p. 36). The sculpture at hand was exhibited in the Tovish retrospective at The Guggenheim Museum in 1968. $4,000-6,000

695.No lot.


694


696.Jean De Botton (French, 1895-1978)

Musicians Clowns at the CampSigned “Jean de Botton” l.r., inscribed, signed, and titled “No. 521 JEAN DE BOTTON…” on the reverse.Oil on artist board, 12 x 16 1/2 in. (30.5 x 41.9 cm), framed.Condition: Minor losses to u.r. and l.r. quadrants, craquelure, surface grime.

Provenance: The collection of Louis D. “Bud” Root (1922-2009), Southampton, New York. $700-900

697.David Aronson (American, b. 1923)

Horse and RiderNumbered, signed, and foundry stamped “5/15 Aronson JM [Joel Meisner]” on the base.Bronze with dark brown patina, 15 1/4 x 13 1/2 x 6 1/2 in. (38.7 x 34.3 x 16.5 cm).Condition: Minor dust to the interstices. $1,200-1,800


697

696


698.Gerard Hordyk (Dutch, 1899-1958)

Grazing HorsesSigned “Hordyk” l.r.Gouache and graphite on paper, sheet size 15 1/2 x 22 3/4 in. (39.4 x 57.8 cm), framed.Condition: Hinged with brown gummed tape to window mat, rippling. $800-1,200


Portrait of a Young BoySigned “Aronson” u.l.Oil on Masonite, 8 x 11 in. (20.3 x 27.9 cm), framed.Condition: Minor surface grime. $600-800


699

698


700.Gerard Sekoto (South African, 1913-1993)

Figures Walking in a TownshipSigned and dated “G SEKOTO 74” l.r.Oil on paper, 8 1/2 x 12 3/8 in. (21.6 x 31.4 cm), framed.Condition: Mounted to Masonite.

Provenance: Acquired in Cape Town, South Africa, prior to the mid-1980s.

N.B. We wish to thank Barbara Lindop, Executive Trustee of the Gerard Sekoto Foundation, for her kind assistance with cataloging the lot. $10,000-15,000


700


701.Jean Lurçat (French, 1892-1966)

Les Robes RougesSigned “LURÇAT” on the mat l.r., also inscribed, signed, and titled “No. 73…Lurçat…” in pencil on the reverse, and identified on a label from Kunstzaal d’Audretsch, The Hague, Netherlands, on the reverse.Gouache on paper, sheet size 7 1/4 x 8 7/8 in. (18.4 x 22.5 cm), framed.Condition: Hinged with brown gummed tape to window mat, acid burn verso.

Provenance: Christie’s East, 19th and 20th Century Paintings, Drawings and Sculpture, June 2, 1983, Lot 156. $1,500-2,500


Mandolin PlayerNumbered and signed “110/150 Aronson” l.l., inscribed “4061-10/AR/JC” within the cast on the reverse.Bronze bas-relief with brown patina, 9 x 6 in. (22.9 x 15.2 cm).Condition: Minor surface grime. $1,000-1,500


702

701


703.William Meyerowitz (American, 1887-1981)

New England RooftopsSigned “Wm. Meyerowitz” l.r.Oil on canvas mounted to fiberboard, 17 x 21 in. (43.2 x 53.3 cm), framed.Condition: Scattered losses, tack holes to the margins, surface grime. $2,500-3,500


Three Figures in a Cubist Beach SceneUnsigned.Oil on canvasboard, 12 x 16 in. (30.5 x 40.7 cm), framed.Condition: Minor surface grime. $2,500-3,500


704

703



UntitledSigned “Busa” l.c.Oil on canvas, 36 x 18 1/2 in. (91.4 x 47.0 cm), framed.Condition: Canvas deformations, minor lifting, craquelure, alligatoring, surface grime. $1,000-1,500

706.Rik Poot (Belgian, 1924-2006)

Walking FigureSigned and dated “Poot ‘66” on the reverse.Bronze with light brown patina, 15 1/2 x 6 1/2 x 5 3/4 in. (39.4 x 16.5 x 14.6 cm).Condition: Dust and grime to interstices. $2,000-3,000


706705


707.Red Grooms (American, b. 1937)

Death of MaratSigned and dated “Red Grooms 1980” l.r.Watercolor on paper, sheet size 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Tape hinged to backing mat.

Provenance: Purchased from Henry M. Spitzer, Woodbridge, New Jersey, May 6, 1981.

Exhibitions: Red Grooms: Recent Works, Marlborough Gallery, New York, April 3 to May 5, 1981, no. 42. $1,500-2,000

708.LeRoy Neiman (American, b. 1921)

Jockey IISigned and dated “Leroy Neiman/’69” l.r., titled and with a stamp from Hammer Galleries, New York, on the reverse.Oil on panel, 9 3/8 x 4 3/4 in. (23.8 x 12.1 cm), framed.Condition: Minor paint losses to edges. $2,000-2,500


708

707


709.Nicola Simbari (Italian, b. 1927)

Two Interiors, 1970Signed and dated “SIMBARI 70” l.r.Oil on canvas, 47 1/2 x 71 in. (120.7 x 180.3 cm), framed.Condition: Minor surface grime.

Provenance: Acquired from Wally Findlay Galleries, Paris, 1971; Christie’s Interiors, New York, March 1, 2011, Sale 2418, Lot 103. $3,000-3,500

710.Aaron Fink (American, b. 1955)

Untitled [Green Apple]Signed and dated “Aaron Fink 1990” and identified on a label from David Beitzel Gallery, New York, on the reverse.Oil on canvas, 60 x 48 in. (152.4 x 121.9 cm), unframed.Condition: Mild surface grime. $1,500-2,000


710

709


711.Harry Bertoia (American, 1915-1978)

SprayUnsigned.Welded steel, height 23 in. (55.9 cm), welded within a circular steel base.Condition: Minor oxidation.

Provenance: Purchased from Samuel Stein Fine Arts Ltd., May 23, 1985, invoice No. 4974; estate of an arts benefactor, New York.

N.B. A copy of the invoice accompanies the lot. $4,000-6,000


711


712.Walasse Ting (Chinese/American, 1929-2010)

Milky Way, 1966Titled, signed, and dated “…Ting 66” on the reverse.Acrylic on canvas, 63 1/2 x 72 1/2 in. (161.3 x 184.2 cm), framed.Condition: Very minor surface dust.

Provenance: Purchased from the artist.

N.B. Walasse Ting was committed to Abstract Expressionism well beyond its heyday, and created a uniquely lighthearted version of it. His use of DayGlo colors and luscious subjects were joyful and life-affirming, and presented a more innocent picture of the world than his close friends Karel Appel and Pierre Alechinsky. Ting’s world was one of life’s simple pleasures and natural wonders—a summer rainstorm, a field of flowers, or constellations in the sky—such as in the present work. $30,000-40,000


712


713.Adolf Arthur Dehn (American, 1895-1968)

Parade of the BullSigned “Adolf Dehn” l.l., identified on a label from the Pennsylvania Academy of the Fine Arts 156th Annual Exhibition affixed to the reverse.Casein and graphite on paper, 14 x 21 in. (35.6 x 53.3 cm), unframed.Condition: Taped to backing mat.

Provenance: Through Milch Galleries, New York.

$1,000-1,500

714.Moshe Rosenthalis (Israeli, 1922-2008)

Abstract LandscapeSigned “M. Rosenthalis” l.l.Oil on paper/board, 6 3/4 x 9 3/4 in. (17.1 x 24.8 cm), framed.Condition: Mounted to mat board. $700-900


713

714


715.Bimal Das Gupta (Indian, 1917-1995)

LotusSigned and dated “B. DAS GUPTA 80” on the reverse.Oil on canvas, 32 x 32 in. (81.3 x 81.3 cm), framed.Condition: Minor surface grime. $800-1,200


715


716.Diego Rivera (Mexican, 1886-1957)

Portrait of a Seated Young GirlSigned “Diego Rivera” l.r.Ink and ink wash on Japanese paper, sheet size 15 1/4 x 10 3/4 in. (38.8 x 27.3 cm), framed (under glass).Condition: Glued to backing mat at corners, minor foxing.

Provenance: Given as a wedding gift in 1948 to Dr. Charles George Adsit, Jr. and Mary Priscilla (née Amberson) Adsit, New York; by family descent to the present owner. $15,000-25,000

717.Francisco Zúñiga (Mexican, 1912-1998)

Mother and ChildSigned and dated “Zga 1968” l.l.Watercolor, conté crayon, and colored pencil on paper, sight size 25 1/4 x 19 in. (64.1 x 48.3 cm), framed.Condition: Subtle rippling, masking taped to window mat, tack holes to corners.

Provenance: A private Massachusetts collection by family descent.

N.B. We wish to thank Ariel Zúñiga of the Fundación Zúñiga Laborde A.C. for her kind assistance with cataloging the lot. The work will be included in Francisco Zúñiga: Catálogo Razonado, Volume V, to be published in 2013. $4,000-6,000


716

717


718.Martín Ramírez (Mexican/American, 1895-1963)

Untitled [Deer], c. 1960-63Unsigned, identified on labels from Ricco/Maresca, New York, and Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, on the backing.Gouache, colored pencil, and graphite on pieced paper, sheet size 35 7/8 x 24 in. (91.5 x 61.0 cm), framed.Condition: Not examined out of frame.

Provenance: From the artist to Dr. Tarmo Pasto, California; Maureen Hammond, California; estate of the artist; Ricco/Maresca, New York; private Massachusetts collection.

Literature: Lynne Cooke, et al., Martín Ramírez. Reframing Confinement (Museo Nacional Centro de Arte Reina Sofia, 2010), pp. 131 (illus.), 182 .

Exhibitions: Martín Ramírez. Reframing Confinement, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, March 31 to July 12, 2010. $120,000-140,000


718


719.Jesus Mariano Leuus (Mexican, b. 1948)

Three WomenSigned, inscribed, and dated “Jesus Leuus/MEXICO 61” u.r.Oil on Masonite, 17 3/4 x 11 3/4 in. (45.1 x 29.8 cm), framed.Condition: Minor surface grime.



719


720.Jesus Mariano Leuus (Mexican, b. 1948)

FamilySigned, inscribed, and dated “Jesus Mariano Leuus/MEXICO. 61” l.r.Oil on Masonite, 19 5/8 x 13 3/4 in. (49.8 x 34.9 cm), framed.Condition: Surface grime.



720


721.Jasmin Joseph (Haitian, b. 1923)

Village on the Dragon’s WingsIncised signature and date “J. Joseph 1964” l.r.Oil on Masonite, 15 3/4 x 35 3/4 in. (40.0 x 91.0 cm), framed.Condition: Paint loss l.c., mild surface grime. $800-1,200

722.Jacques Enguerrand Gourgue (Haitian, 1930-1996)

Man and Donkey in a Mountain LandscapeIncised signature “JE.Gourgue” l.l.Oil on Masonite, 30 x 20 in. (76.5 x 50.8 cm), framed.Condition: Abrasion and paint loss to l.l. quadrant.

N.B. A note with a photograph affixed to the reverse states that this painting was a gift from Dr. Roger Rigaud, a minister of the Interior under President Dumarsais Estimé, to D. Robert Cervera (date unknown). $1,000-1,500


722

721


723.Orville Bulman (American, 1904-1978)

Voyage d’AgreementSigned “Bulman” l.l., titled on an embossed plastic label affixed to the frame liner recto, also signed, dated, and titled “ORVILLE BULMAN 1974…” on the reverse.Oil and graphite on Masonite, 10 x 8 in. (25.4 x 20.3 cm), framed.Condition: Minor surface grime. $6,000-8,000


723


724.John Henry Wilde (American, 1919-2006)

The Picnic, 1962Initialed and dated “J1962” u.r., signed, dated, and titled “John Wilde/1962/…” on the reverse, with an embossed label inscribed “T. THOMAS” affixed to the reverse.Oil on panel, 8 x 10 in. (20.3 x 25.4 cm), unframed.Condition: Minor surface grime, fine craquelure. $1,200-1,800

725.Doris Porter Caesar (American, 1892-1971)

Studies for SculptureSigned “Caesar” l.r., identified on a label from E. Weyhe, Inc., New York, affixed to the backing. Graphite and watercolor on paper, sight size 15 3/4 x 22 in. (40.0 x 55.9 cm), framed.Condition: Subtle rippling, not examined out of frame.

Provenance: E. Weyhe, Inc., New York; Estate of Charles Rand Penney (1923-2010), Lockport, New York. $800-1,200


725

724



Untitled [Angel and Butterfly], 1940Initialed and dated “MR-40” l.l., identified on a label from Zabriskie Gallery, New York, affixed to the backing.Ink (black and sepia), ink wash, and graphite on paper, sheet size 14 x 10 in. (35.6 x 25.4 cm), framed.Condition: Laid onto backing mat, tack holes to corners. minor mat burn.


Exhibitions: Virginia Zabriskie Gallery, New York. $700-900

727.Leslie Allen Lerner (American, 1949-2005)

My Life in France: The Man with the Wooden Arm, A Criminal Free Among FriendsSigned and dated “LESLIE LERNER 1994” l.l., also signed, inscribed, and titled “LESLIE LERNER 1994 #462 ©…” on the reverse. Acrylic on paper/board, 48 x 48 in. (121.9 x 121.9 cm), unframed.Condition: Mounted to stretchers, minor surface grime. $2,000-3,000


727

726


728.Leonardo M. Nierman (Mexican, b. 1932)

Imaginary LandscapeSigned and dated “nierman 62” l.l.Mixed media on Masonite, 23 1/2 x 31 3/8 in. (59.8 x 79.6 cm), framed.Condition: Mild surface grime.

N.B. Lot is accompanied by a sales receipt from Temple Emanu-El, Marblehead, Massachusetts., which is not dated on the front but is stamped on the reverse “Dec. 20, 1962.” $1,000-1,500

729.Charles Green Shaw (American, 1892-1974)

Away, 1960Signed and dated “Charles Shaw 1960” on the reverse, identified on a label affixed to the reverse. Oil on canvasboard, 9 x 11 1/4 in. (22.9 x 28.6 cm), framed.Condition: Minor retouch, minor surface grime. $600-800


729

728


730.Dimitri Hadzi (American, 1921-2006)

Pillars of Hercules III, 1977Signed and numbered “D. HADZI VI/VII” l.l.Bronze with dark brown patina, 11 1/4 x 7 1/2 x 3 in. (28.6 x 19.1 x 7.6 cm), mounted to a granite plinth.Condition: Good.

Provenance: Gruenebaum Gallery, New York; The Charles Rand Penney Collection, Lockport, New York, 1980; Estate of Charles Rand Penney (1923-2010), Lockport, New York.

N.B. The present work relates to a monumental 1982 bronze of the same title at the Cantor Arts Center, Stanford University, Palo Alto, California. $3,000-5,000


730


731.Gyorgy Kepes (American, 1906-2001)

Golden GlowSigned or inscribed “Kepes” in pencil on the stretcher.Oil on canvas, 40 x 40 in. (101.6 x 101.6 cm), framed.Condition: Good.

Provenance: Purchased from Hyman Swetzoff, The Swetzoff Gallery, Boston, July 2, 1965.

N.B. A copy of the gallery invoice accompanies the lot. $4,000-6,000

732.Josef Drapell (Canadian, b. 1940)

Skink, 1971Unsigned, inscribed and identified on a label from Robert Elkon Gallery, New York, affixed to the reverse.Acrylic on canvas, 85 x 20 1/8 in. (215.9 x 51.1 cm), framed.Condition: Surface grime. $3,000-5,000


731

732


733.Paul Jenkins (American, 1923-2012)

Phenomena with Kamlat, 1961Signed, titled, inscribed, and dated “Paul Jenkins…New York 1961” on the reverse, identified on a label from Martha Jackson Gallery, New York, affixed to the reverse.Watercolor on Arches wove paper, 22 1/2 x 30 1/2 in. (57.2 x 77.5 cm), framed.Condition: Deckled edges, not examined out of frame.

Provenance: Estate of Charles Rand Penney (1923-2010), Lockport, New York. $5,000-7,000


733


734.Arnaldo Pomodoro (Italian, b. 1926)

Folded Page/One of Six Bas-Reliefs from Bozzetto II, 1974Signed and numbered “Arnaldo Pomodoro, 10/12” l.r.Silvered brass and steel, 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm), mounted to a wooden plaque on an acrylic stand.Condition: Very fine surface abrasions, minor surface imperfections.

N.B. The present work is of an edition of twelve, each originally comprised of six bas-reliefs affixed to a panel. Bozzetto II is registered with the Archivio Arnaldo Pomodoro, Milan, Italy, as M/74/9. We wish to thank the Arnaldo Pomodoro Studio for their assistance with cataloging the lot. $2,200-2,800

735.Mark Tobey (American, 1890-1976)

Untitled, 1958Signed and dated “Tobey 58” in pencil l.r., inscribed “Harold Diamond” in pen and identified on a label affixed to the paper backing. Watercolor on Valley Onion Skin paper, sheet size 10 7/8 x 8 5/8 in. (27.6 x 21.9 cm), framed.Condition: Taped to backing mat at u.l. and u.r. corners.

Provenance: Purchased from Oscar Krasner Inc., New York, January 26, 1963; estate of an arts benefactor, New York.

N.B. We wish to thank The Mark Tobey Project, LLC, for their assistance with cataloging the lot; the work is registered as no. MT [145-8-18-11]. $2,000-3,000


735

734


736.Eunice Napangardi (Australian Aborigine, c. 1950-2005)

Bush Banana [Yuparli] DreamingSigned “Eunice” on the reverse.Synthetic polymer paint on linen, 48 x 35 3/4 in. (121.9 x 90.8 cm), framed.Condition: Minor surface grime.

Provenance: Purchased by the current owner in Australia c. 2001.

N.B. The Warlpiri Aborigine inhabit the central-western desert area of Australia’s Northern Territory and were traditionally semi-nomadic. As foragers in an arid climate, such food sources as the bush-banana plant held great mythic importance as well as nourishment. Warlpiri paintings frequently incorporate these plants into a unique vision of their physical landscape, which they believe is the result and embodiment of ancestral spirits. $3,000-5,000


736


737.Gregory Amenoff (American, b. 1948)

Study for “Knocking on the Threshold”Signed, inscribed, titled, and dated “…Dec/1982…” on the reverse.Oil on canvas, 31 5/8 x 30 3/16 in. (79.5 x 76.7 cm), framed.Condition: Area of lifting and paint loss l.c., scattered craquelure.

N.B. This study relates to a larger work, measuring 78 x 74 inches, titled Knocking at the Threshold, which was sold at Sotheby’s, New York: Contemporary Art, Part II, Wednesday, May 3, 1989, Lot 370. $3,000-5,000

738.John Way [Wei Letang] (Chinese/American, 1921-2012)

Abstract [Yellow/Green]Signed and dated “John Way ‘76” l.r.Oil on paper, sheet size 19 1/8 x 24 1/8 in. (48.6 x 61.3 cm), unframed.Condition: Oil staining to the reverse.



738

737


739.John Way [Wei Letang] (Chinese/American, 1921-2012)

Abstract [Green]Signed and dated “John Way ‘68” l.r.Oil on paper, sheet size 19 1/8 x 24 1/8 in. (48.6 x 61.3 cm), unframed.Condition: Oil staining to the reverse.



Embullient ChordSigned “Busa” l.r., titled and signed “…Busa” on the reverse, with an exhibition catalogue from Nova Gallery, Boston, affixed to the reverse.Oil on canvasboard, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Minor surface grime.

Exhibitions: Peter Busa: Recent Paintings, February 21 to March 11, 1960, Nova Gallery, Boston, no. 22. $800-1,200


740

739


741.Hugh R. Townley (American, b. 1923)

Barque of Charon, 1958Signed and dated “HUGH TOWNLEY OCT/NOV 1958” on the underside.Carved and painted mahogany and ivory or bone, 15 1/4 x 25 x 6 1/4 in. (38.7 x 63.5 x 15.9 cm).Condition: Minor abrasions to edges, shrinkage cracks.

Literature: Hugh R. Townley: Sculpture in Wood, January 10 to February 7 (The Lyman Allyn Museum, 1960), no. 10.

Exhibitions: Hugh R. Townley: Sculpture in Wood, January 10 to February 7, 1960, The Lyman Allyn Museum, New London, Connecticut. $700-900

742.Gabor F. Peterdi (American, 1915-2001)

Under the ReefSigned “Peterdi” l.l., also titled, signed, and numbered “…Peterdi 16/250” on the reverse.Bronze with natural and black patina, 7 3/4 x 7 3/4 in. (19.7 x 19.7 cm), unframed.Condition: Good. $400-600


742

741


743.Milton Clark Avery (American, 1885-1965)

Misty Morning/A Study of ProvincetownSigned “Milton Avery” l.r., inscribed “sun” and “greyish water” within the composition. Blue ballpoint pen on paper, sheet size 8 3/8 x 11 in. (21.3 x 27.9 cm), framed.Condition: Mild toning.

Provenance: Through a Washington, D.C., gallery to the present private collection, North Haven, Connecticut. $1,000-1,500


743


744.Daniel Brush (American, b. 1947)

Koald 95: YamambaTitled, signed, dated, and inscribed “…Daniel Brush 1982…11” on the reverse.Ink on wove paper, 60 1/2 x 40 1/4 in. (153.7 x 102.2 cm), unframed.Condition: Deckled edges.

Literature: Daniel Brush and Ralph Esmerian, Daniel Brush: Gold Without Boundaries (Harry N. Abrams, 1998), p. 61.

N.B. Brush’s works are largely meditations on the passage of time, influenced by his lifelong study of Japanese Zen Buddhism and Noh theater. The present work is one of 105 Koald paintings created by Brush from 1973 to 1997. His Koald works are comprised of hundreds of meditatively placed lines, created without the aid of sketches and in one time frame. Of his process, Brush notes: “When I paint, I am in shape. I think right. I work. I have in my mind when I am working where I am going. The paint makes itself…”1

1. Brush and Esmerian, 41.

$800-1,200

745.Daniel Brush (American, b. 1947)

Koald 93: ZO Titled, signed, dated, and inscribed “Daniel Brush 1981…76” on the reverse l.c.Ink on wove paper, 60 1/2 x 40 1/4 in. (153.7 x 102.2 cm), unframed.Condition: Deckled edges.

Literature: Daniel Brush and Ralph Esmerian, Daniel Brush: Gold Without Boundaries (Harry N. Abrams, 1998), p. 61. $800-1,200


744 745


746.Mary Hilde Ruth Bauermeister (German/American, b. 1934)

Studio Fetich, 1967Titled, numbered, signed, and dated “…Edition Original 20/75 m. bauermeister 1967” l.c.Mixed media collage (ink, found objects, acrylic), 13 x 5 in. (33.0 x 12.7 cm), framed within a Plexiglas case.Condition: Hinged to silk-covered backing board.

Provenance: Purchased from Harcus/Krakow Gallery, Boston.

N.B. A copy of print documentation from Harcus/Krakow Gallery, Boston, accompanies the lot. $800-1,200


746


747.John Rood (American, 1902-1974)

Kneeling WomanMonogram signature and date on the reverse l.c.Walnut with partial polychrome, height 24 in. (61.0 cm).Condition: Hairline cracks, scattered abrasions, wear to patina, losses to polychrome surfaces.

Provenance: Descended within the family of the present owner.

Literature: Bruno F. Schneider, John Rood’s Sculpture (Minneapolis: University of Minnesota Press, 1958), p. 52 (illus.). $2,500-3,000


747


748.Nicholas Mukomberanwa (Zimbabwean, 1940-2002)

Mother and ChildIncised “N.V.M.” in the stone at the back lower edge.Carved and polished stone, 44 1/2 x 12 x 8 in. (11.8 x 30.5 x 20.3 cm), on a carved wooden plinth.Condition: Scattered minor scratches to surface, dust and dirt to interstices.

Provenance: From the artist to Sembach Gallery, Hout Bay, South Africa, to current owner in 2002. $3,000-5,000


748


749.Sandra Ramos Lorenzo (Cuban, b. 1969)

Alucinaciones [Hallucinations], 2000Signed and dated “Sandra RL 2000” in pencil l.r., titled l.c.Mixed media (silver foil, drafting paper, charcoal, mirror, and ink) on paper, sheet size 36 1/2 x 27 1/2 in. (92.7 x 69.9 cm), framed.Condition: Tear to l.r. corner, not examined out of frame.

Provenance: A private Rhode Island collection. $4,000-6,000

750.Germán Cueto (Mexican, 1893-1975)

Self PortraitDedicated, signed, and dated “…Stanton Forbes…Germán Cueto/Mex. 26 Agosto de 1953” on the reverse.Oil with wooden bead on shaped canvas, 13 5/8 x 6 x 5 3/4 in. (34.6 x 15.3 x 14.6 cm), unframed.Condition: Creases, surface breaks, paint losses, craquelure, surface grime.

N.B. The work is dedicated to W. Stanton Forbes (1912-1989). From 1950 to 1953 Forbes studied History of Art and Applied Arts at Mexico City College under Justino Fernandez, Lola and German Cueto, and Enrique Climent. $800-1,200


750

749


751.Sir Anthony Caro (British, b. 1924)

Paper Sculpture No. 22-Speckle, 1993Signed and dated “A. Caro 93” in chalk l.l., titled “#22” in pen on the underside.Mixed media (handmade paper, Styrofoam, acrylic, and glue) construction, 10 x 14 x 15 1/2 in. (24.5 x 35.5 x 39.5 cm).Condition: Disadhered glue at two points.

Provenance: Through a Stamford, Connecticut, estate.

Literature: Dieter Blume, Anthony Caro: A Catalogue Raisonné (Galerie Wentzel, 1981-2007), pp. 94, 151.

N.B. Caro created two series of paper sculptures at the Tyler Graphic Workshop in New York: Paper Relief Sculptures in 1981 and Hand-Coloured Paper Sculptures in 1993. In both series, he tested the boundaries of two- and three-dimensional arts, interweaving painting, drawing, and sculpture.1 The present work is from the second series, which comprised sheets of white paper folded into freestanding sculptures intended to be viewed in the round.2

A copy of the book Anthony Caro, by Daine Waldman, published 1982, accompanies the lot.

The work is B2327 with the Anthony Caro Archive. We wish to thank them for their kind assistance with cataloging the lot.

1. https://www.tate.org.uk/art/artworks/caro-15-point-t11801/text-summary

2. Ibid.

$1,500-2,000

752.Sandra Ramos Lorenzo (Cuban, b. 1969)

La Carita del Sol [The Face of the Sun], 2000Signed and dated “Sandra RL 2000” in pencil l.r., titled l.c.Mixed media (porcupine quills, charcoal, silver foil, Japanese paper, and mirror) on paper, sheet size 27 1/2 x 37 1/2 in. (69.9 x 95.3 cm), framed.Condition: Minor crease l.r., not examined out of frame.

Provenance: A private Rhode Island collection. $4,000-6,000


752

751


753.Luigi Rocca (Italian, b. 1952)

Diner, 2002Signed “L. ROCCA” l.r., titled, inscribed, and dated “…L Rocca 2002” in pen on the reverse and “WHITE DIAMOND DINER” on the stretcher. Acrylic on canvas, 35 1/2 x 51 in. (90.2 x 129.5 cm), unframed.Condition: Good. $3,000-5,000


753


754.Ed Stitt (American, 20th/21st Century)

114 The FenwaySigned and dated “E. STITT 88” l.r.Oil on linen, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from Gallery NAGA, Boston, Massachusetts; to a private Massachusetts collection. $1,000-1,500


754


755.Ben Benn (American, 1884-1983)

Landscape with HousesSigned and dated “Benn. 54” l.r.Oil on canvasboard, 12 1/4 x 16 in. (31.1 x 40.6 cm), framed.Condition: Minor surface grime. $1,000-1,500

756.Neil Welliver (American, 1929-2005)

Maiden’s Cliff/A Study, c. 1973Unsigned.Gouache and graphite on Crescent illustration board, 20 x 20 in. (50.8 x 50.8 cm), framed. Condition: Taped to backing mat, minor smudges to the margins, tape residue to u.l. margin, pre-press notation in pencil to bottom margin.

Provenance: Through the Harcus Gallery, Boston, c. 1995.

N.B. The present work appears to have been a study for a screenprint of the same title in the series LANDSCAPES/A Portfolio of Six Works, 1973, edition of 144. $5,000-7,000


756

755


757.Alex Katz (American, b. 1927)

The Yellow HouseSigned and dated “Alex Katz 65” l.r.Oil on Masonite, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Minor surface residue l.l.


END OF SALE


757


312

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph Enneking. - In our judgment, the work is by the artist.

Attributed to John Joseph Enneking. - In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking. - In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking. - In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking. - In our judgment, an intended copy of the work of the artist.

American School, 19th Century. - In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms:

Bears Signature. - In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Glossary of Terms

313

Artist Index

Alken, Henry Thomas ....................................................................... 381Amenoff, Gregory ............................................................................. 737American School, 19th Century ............................... 410, 411, 451, 456American School, 19th/20th Century ................................................ 427American School, 20th Century ............................... 538, 541, 599, 693Anglo/American School, 19th Century .............................................. 388Aronson, David ................................................................. 697, 699, 702Austrian/German School, 18th Century ............................................ 306Avery, Milton Clark ................................................................... 668, 743

Barbizon School, 19th Century ................................................ 355, 395Barenger II, James ............................................................................ 313Barker, Wright ................................................................................... 373Barye, Antoine-Louis ................................. 356, 357, 360-368, 370, 371Batcheller, Frederick Stone .............................................................. 447Bauermeister, Mary Hilde Ruth ......................................................... 746Beach, Chester ................................................................................ 605Beal, Reynolds ................................................................................. 568Beckmann, Hannes ......................................................... 672, 673, 675Bellows, George ............................................................................... 634Benn, Ben ........................................................................................ 755Bernath, Sandor ............................................................................... 558Bertauld, Charles .............................................................................. 329Bertoia, Harry ................................................................................... 711Birch, Thomas ................................................................. 415, 417, 418Blashfield, Edwin Howland ................................................................ 341Blossom, Christopher ....................................................................... 551Bonfield, William Van De Velde .......................................................... 419Bonheur, Isidore Jules .............................................................. 358, 380Bonheur, Juliette Peyrol ................................................................... 322Bonheur, Rosalie (Rosa) Marie .......................................................... 347Boston, Frederick James .................................................................. 506Boucher, François (School of) ........................................................... 314Bouyssou, Jacques .......................................................................... 583Bradford, William ...................................................................... 413, 416Brewster, Anna Mary Richards .......................................................... 398Briscoe, Franklin Dullin ..................................................................... 424British School, 18th Century ............................................................. 331British School, 19th Century ............................................. 374, 379, 385Brook, Peter ..................................................................................... 516Brown, Harrison Bird ........................................................................ 454Brown, Horace ................................................................................ 536Brown, William Mason ...................................................................... 438Brush, Daniel ........................................................................... 744, 745Bulman, Orville ................................................................................. 723Bureau, Léon .................................................................................... 375Burliuk, David Davidovich ......................................................... 663, 664Burra, Edward J. ............................................................................. 652Burrage, Clara E. . ............................................................................ 444Busa, Peter ..................................................................... 680, 705, 740

Cady, Harrison (Attributed to) ............................................................ 533Caesar, Doris Porter ......................................................................... 725Carlsen, Emil (Soren Emil) ......................................................... 437, 621Caro, Sir Anthony ............................................................................. 751Carpeaux, Jean-Baptiste .................................................................. 335Cary, William De La Montagne .......................................................... 482Chabor, Moura ................................................................................ 581Chadwick, Lynn Russell .................................................................... 666Chagall, Marc .................................................................................. 665Chamberlain, Glenn B. .................................................................... 651Chapin, Bryant ................................................................................. 440Chinese/American School, 20th Century .......................................... 582Churchill, William Worcester .............................................................. 430Cirino, Antonio .................................................................................. 552Codina, Antonio Sereix ..................................................................... 647Cole, James William ........................................................................ 386Coleman, Henry Enrico .................................................................... 319Comba, Pierre ................................................................................. 376Cone, Marvin .................................................................................... 592Continental School, 17th Century Style ............................................. 312

Continental School, 17th Century .................................................... 310Continental School, 17th/18th Century ............................................ 402Continental School, 19th Century .................................... 350, 391, 399Continental School, 20th Century .................................................... 577Cook, Otis Pierce, Jr. ................................................................ 503, 504Cornwell, Dean ................................................................................. 628Couper, William ................................................................................ 431Craig, Thomas Bigelow .................................................................... 448Crane, Bruce .................................................................................... 481Cueto, Germán ................................................................................ 750Cuzco School, 19th Century ............................................................. 318

Danish School, 20th Century ........................................................... 586Das Gupta, Bimal ............................................................................ 715Daumier, Honoré .............................................................................. 332Davies, Arthur Bowen ....................................................................... 579De Botton, Jean ............................................................................... 696Dehn, Adolf Arthur ............................................................................ 713Delahogue, Alexis Auguste ............................................................... 389Delobre, Émile-Victor-Augustin ................................................. 394, 575Dickinson, John ................................................................................ 433Diemer, Michael Zeno ....................................................................... 407Disney, Walt Elias .............................................................................. 627Domingo y Fallola, Roberto ............................................................... 569Dove, Arthur ..................................................................................... 690Drapell, Josef ................................................................................... 732Dujardin, Karel .................................................................................. 303Dunning, Robert Spear ............................................................ 439, 441Dutch School, 17th Century Style .................................................... 302Dzamonja, Dusan ............................................................................. 678

Eaton, Charles Warren ..................................................................... 543Ede, Frederic Charles Vipond ........................................................... 390Eksergian, Carnig ............................................................................. 432Elwell, D. Jerome .............................................................................. 324Enneking, John Eliot ......................................................................... 556Enneking, John Joseph ........................................... 421, 466, 474, 508Ernst, Jimmy .................................................................................... 685

Fabbi, Fabio ..................................................................................... 400Farndon, Walter ................................................................................ 555Finck, Hazel ....................................................................... 593-598, 642Fink, Aaron ...................................................................................... 710Flagg, James Montgomery ............................................................... 624Flint, William Russell ......................................................................... 580Foster, Benjamin (Ben) ...................................................................... 509Fransioli, Thomas Adrian.................................................................. 641French or Italian School, 18th Century .............................................. 307French School, 18th Century ........................................................... 311French School, 19th Century ........................................................... 359French School, 20th Century ................................................... 669, 671Frieseke, Frederick Carl ................................................................... 614Frishmuth, Harriet Whitney ................................................................ 612

Gabriel, Paul Joseph Constantin ....................................................... 354Gall, François .................................................................... 585, 644, 645Ganso, Emil ..................................................................................... 633Garnier, Jean (Attributed to) ............................................................. 334Gay, Edward B. ................................................................................ 478Gay, George Howell .......................................................................... 423Gay, Winckworth Allan ..................................................................... 425Gerry, Samuel Lancaster ................................................................... 384Gesne, Jean Victor Albert ................................................................. 372Gibbons, Michael ............................................................................. 500Gifford, Charles Henry ...................................................................... 414Gifford, Charles Henry (Attributed to) ................................................ 426Gifford, Robert Swain ...................................................................... 463Gloeckner, Michiel Theobald .................................................... 676, 679Gois, Edme (School of) ..................................................................... 317Goldthwaite, Anne Wilson ................................................................ 498Gollings, William ............................................................................... 486


Goodwin, Arthur Clifton ............................................................ 528, 534Gorter, Arnold Marc ......................................................................... 353Gourgue, Jacques Enguerrand ........................................................ 722Grant, Clement Rollins ...................................................................... 320Grant, Gordon Hope ......................................................................... 546Granville-Smith, Walter ..................................................................... 336Green, Charles ................................................................................. 348Greenwood, Joseph H. ............................................ 479, 480, 510, 514Greer, A.D........................................................................................ 502Grooms, Red ................................................................................... 707Gropper, William .............................................................................. 604Gruppé, Emile Albert ................................................................ 521, 522Guerin, Jules ................................................................................... 630Guerra, Achille .................................................................................. 338Guidi, Giuseppe ................................................................................ 342Gérôme, Jean-Léon ......................................................................... 337

Hadzi, Dimitri .................................................................................... 730Hamilton, William (Attributed to) ........................................................ 316Hart, George Overbury (Pop) ........................................................... 588Hart, William .................................................................................... 455Harvey, Bunny ................................................................................. 686Harvey, George Wainwright ....................................................... 532, 559Haseltine, Walter Stanley .................................................................. 409Havell, William .................................................................................. 387Heda, Willem Claesz ........................................................................ 300Henner, Jean Jacques ...................................................................... 611Henri, Robert ................................................................................... 631Henrion, Armand Francois Joseph ............................................. 343-345Herzog, Hermann Ottomar ............................................................... 469Hibbard, Aldro Thompson ................................ 519, 520, 523, 526, 562Hill, John Henry (Attributed to) ......................................................... 461Hill, Thomas ..................................................................................... 453Hills, Laura Coombs ........................................................ 618, 620, 622Holland, James ................................................................................. 392Hordyk, Gerard ................................................................................. 698Hudiakoff, Andrei .............................................................................. 659Hugue, Manolo (Manuel) ................................................................... 661Hunter, Robert Douglas ............................................................ 653, 655Hutchison, Robert Gemmell .............................................................. 328

Italian School, 19th Century .............................................................. 401

Jenkins, Paul ................................................................................... 733Jenney, Edgar Whitfield .................................................................... 557Jennings, Frank Humphrey Sinkler ................................................... 670Joseph, Jasmin ................................................................................ 721

Katz, Alex ......................................................................................... 757Kaufman, Max .................................................................................. 346Keith, William .................................................................................... 472Kenney, John Theodore Eardley .............................................. 377, 378Kepes, Gyorgy ................................................................................. 731King, Fanny Mahon ........................................................................... 537Klepper, Max Francis ........................................................................ 587Knight, Louis Aston ................................................................. 571, 576Koko, Demeter ................................................................................ 567

Laliberte, Jean .................................................................................. 603Lamb, Frederick Mortimer ................................................................ 524Lansil, Walter Franklin ....................................................................... 408Lavalle, John ................................................................................... 625LaValley, Jonas Joseph ............................................................. 468, 507Le Pho .............................................................................................. 646Leavitt, Edward Chalmers ................................................................ 446Leighton, Scott (Nicholas Winfield) ............................................ 449, 477Leloir, Alexandre-Louis ...................................................................... 339Lerner, Leslie Allen ............................................................................ 727Leuus, Jesus Mariano ............................................................... 719, 720Lever, Hayley ................................................................................... 565Lewis, Edmund Darch ............................................................. 462, 476Leyendecker, Joseph Christian (Attributed to) .................................. 629Lingwood, Edward J. ....................................................................... 566Lorenzo, Sandra Ramos .......................................................... 749, 752Loring, William Cushing .................................................................... 615

Luks, George Benjamin ................................................... 635, 638, 643Lurçat, Jean ..................................................................................... 701

Macco, Georg .................................................................................. 383Man Ray ........................................................................... 397, 590, 726Manship, Paul Howard ..................................................................... 613Margulies, Joseph ............................................................................ 553Marieschi, Michele (School of) ........................................................... 393Matisse, Henri .................................................................................. 662Matthews, Marmaduke .................................................................... 475McInnes, William Beckwith ............................................................... 616Merlin, Daniel .................................................................................... 351Messer, Lillian Burk ........................................................................... 539Meyerowitz, William ............................................................... 689A, 703Millner, Carl ...................................................................................... 382Moeller, Louis Henry Charles ............................................................. 442Moran, Edward ................................................................................ 422Moran, Percy (Edward Percy) ........................................................... 330Mormile, Gaetano ............................................................................ 326Mukomberanwa, Nicholas ................................................................ 748

Napangardi, Eunice .......................................................................... 736Nast, Thomas ................................................................................... 435Neiman, LeRoy ................................................................................ 708Nejedlý, Otakar ................................................................................. 542Neogrady, Laszlo ............................................................................. 525Nichols, Henry Hobart ..................................................................... 563Nichols, Tom ..................................................................................... 656Nierman, Leonardo M. ..................................................................... 728Noyes, George Loftus (Manner of) ................................................... 540

Pailes, Isaac .................................................................................... 601Panabaker, Frank Shirley ................................................................. 529Paolillo, Luigi ..................................................................................... 560Pape, Eric L. (Frederic) ...................................... 487-491, 606, 626, 657Paris, Maurice ................................................................................... 600Parrish, Stephen .............................................................................. 465Patterson, Margaret Jordan .............................................................. 572Pavlosky, Vladimir ............................................................................. 548Paxton, William McGregor ............................................................... 617Perrault, Leon Jean Basile ................................................................ 333Peterdi, Gabor F. .............................................................................. 742Peterson, Jane ......................................................................... 573, 574Philips, Frank Albert ......................................................................... 443Pissarro, Camille ............................................................................... 632Plassan, Antoine-Émile ..................................................................... 349Pomodoro, Arnaldo .......................................................................... 734Pomodoro, Giò ................................................................................ 684Poot, Rik .......................................................................................... 706Porttmann, Carl ................................................................................ 325Potter, Paulus (School of) .................................................................. 304Prinz, A. Emil .................................................................................... 467Pyle, Howard (Attributed to) .............................................................. 589

Quartley, Arthur ................................................................................ 420

Ramírez, Martín ................................................................................ 718Reid, Robert Lewis ........................................................................... 609Reni, Guido (School of) ............................................................. 305, 308Reschi, Pandolfo (School of) ............................................................. 315Ripley, Aiden Lassell ................................................ 492, 493, 495, 530Rivera, Diego ................................................................................... 716Rocca, Luigi ..................................................................................... 753Rodin, Auguste ................................................................................. 660Rood, John ...................................................................................... 747Rosenthalis, Moshe .......................................................................... 714

Salentin, Hubert ............................................................................... 323Saling, Paul E. ................................................................. 513, 515, 564Sample, Paul Starrett ....................................................... 496, 497, 499Sandham, Henry .............................................................................. 494Scarlett, Rolph .......................................................... 681, 682, 687, 688Scott, John White Allen .................................................................... 457Sehring, Adolf ................................................................................... 517Sekoto, Gerard ................................................................................. 700


Shapleigh, Frank Henry .................................................................... 470Shaw, Charles Green ....................................................................... 729Sheehan, Dennis .............................................................................. 511Shields, Peggy .................................................................................. 549Shindler, Antonion Zeno .................................................................... 483Shinn, Everett ................................................................................... 658Simbari, NIcola ................................................................................. 709Simkhovitch, Simkha ............................................... 602, 636, 640, 704Smillie, James David ......................................................................... 484Smith, Henry Pember ...................................................................... 464Smith, Howard Everett ..................................................................... 512Sonntag, William Louis, Sr. ..................................................... 450, 452Spanish Colonial, 19th Century ......................................................... 318Spencer, John Clinton ..................................................................... 445Sprinchorn, Carl .............................................................. 637, 650, 689Staats, Gertrud ................................................................................. 648Stevens, Agapit (Attributed to) .......................................................... 340Stevens, William Lester ..................................................................... 505Stitt, Ed ............................................................................................ 754Strisik, Paul ..................................................................................... 545Stuart, Gilbert ................................................................................... 429Sully, Thomas .................................................................................. 428Suydam, James Augustus ................................................................ 459Szyk, Arthur ...................................................................................... 623

Tchelitchew, Pavel ............................................................................ 667Teague, Donald (Edwin Dawes) ......................................................... 570Thieme, Anthony .............................................................. 531, 547, 554Ting, Walasse .................................................................................. 712Tobey, Mark ..................................................................................... 735Tommasi, Publio ............................................................................... 321Tovish, Harold ................................................................................... 694Townley, Hugh R. ............................................................................ 741Tozer, Henry Edward Spernon ......................................................... 352Tucker, Allen ............................................................................ 544, 578

Van Beest, Albert .............................................................................. 412Van Elten, Hendrik-Dirk Krusema ...................................................... 460Vasarely, Victor ........................................................................ 674, 677Vernet, Claude-Joseph (Attributed to) ............................................... 404Vernet, Claude-Joseph (Manner of) .................................................. 405Vezin, Charles ................................................................................... 649Vickrey, Robert Remsen ................................................................... 518Vincent, Harry Aiken ......................................................................... 550Visser, Bob Gesinus ......................................................................... 639Von Wicht, John G.F. ....................................................................... 683Vonnoh, Robert William .................................................................... 607de Vos, Simon (Attributed to) ........................................................... 309Vranyczany, Renée Baronin von ....................................................... 610

Walker, William Aiken ....................................................................... 471Ward, Edmund Franklin ................................................................... 561Warren, Harold Broadfield ................................................................. 485Way, John ................................................................................. 738, 739Webb, James .................................................................................. 406Webber, Wesley Elbridge .................................................................. 458Webster, George (School of) ............................................................ 403Weeks, Edwin Lord (Attributed to) .................................................... 591Wei, Letang ............................................................................. 738, 739Welliver, Neil ..................................................................................... 756West, Benjamin (Attributed to) .......................................................... 436Whorf, John ..................................................................................... 654Wilde, John Henry ............................................................................ 724Williams, Keith Shaw ........................................................................ 584Winter, Alice Mary (Beach) ................................................................ 619Witkowski, Karl ................................................................................. 434Woodbury, Charles Herbert .............................................................. 535Woodward, Mabel May (School of) .................................................. 608Wyeth, Andrew Newell ...................................................................... 527Wyon, James .................................................................................. 327Wüst, Alexander ............................................................................... 473

Xavery, Gerard Joseph (Attributed to) ............................................... 301

Yeckley, Norman Henry .................................................................... 501

Ziem, Felix François Georges ............................................................ 396Zorach, William ................................................................................. 692Zúñiga, Francisco ............................................................................. 717

Skinner, Inc. - Conditions of Sale

316

1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via On-line Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via On-line Auctions will be in an amount up to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000.

11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised April 17, 2012

Name (Please Print) Business Name

Address check if change in address

City State Zip Code

Phone # Alternate # e-mail

SKINNERAuctioneers and Appraisers of Antiques and Fine Art

63 Park P laza , Bo s t on , MA 02116 Te l : 617 .350 .5400 Fax : 617 .350 .5429274 Cedar Hi l l S t re e t , Mar lborough , MA 01752 Te l : 508 .970 .3000 Fax : 508 .970 .3100

www. sk inner inc . c om


63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 274 Cedar Hill Street, Marlborough, MA 01752 Tel: 508.970.3100


The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 • 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241


The Heritage On The Garden, 63 Park Plaza, Boston, MA 02116 Tel: 617.350.5400 357 Main Street, Bolton, MA 01740 Tel: 508.779.6241

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are

executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.

Absentee Bid Form

Marlborough Boston Phone Fax Mail Person Employee:

FOR OFFICE USE

Lot # Description Bid Price

Signature (Required) Date

Sale Title Sale Date

First Time Bidder? YES NO Customer #

318

SKINNER, INC.Auctioneers andAppraisers of Antiquesand Fine Art

63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100

www.skinnerinc.com

Board of Directors

Administration

Expert Departments

Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. KeaneAndrew Payne

President/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

20th Century Design - Jane D. PrentissAmerican & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. HaffAmerican Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistant: Karen LangbergAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - Judith DowlingAssistants: Biying Zhang, Karen MakBooks & Manuscripts - Devon GrayBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Cara ElmslieDiscovery Auctions - Cara ElmslieAssistants: Garrett J. Sheahan, Melissa RiebeEuropean Furniture & Decorative Arts - Stuart G. SlavidAssistants: Leah Kingman, Stephanie OpolskiFine Wines - Marie KeepAssistant: Michael J. MoserJewelry - Victoria BratbergAssistants: John Colasacco, Julie KhouriJudaica - Kerry ShrivesMusical Instruments - David BonseyDeputy Director: Jill ArbetterOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant: Jonathan DowlingSilver - Stuart G. SlavidToys & Dolls - Kerry ShrivesAuctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney

319

Marlborough: Warehouse Manager - Fred Trottier; 508.970.3261

Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283 Credit Supervisor - Joe Monteyro, 508.970.3266

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley BridgmanAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica TurnerCatalogue Production - Pamela Van de Houten, Kristina HarrisonConsignment Services - Patricia Walker King, Megan J. Blomgren, Carol ZeiglerCustomer Relations - Carol McCaffreyInstitutional Relations - L. Emerson TuttleHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa RiebeManaging Director - Marie C. KeepMarketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather RetzkePhotographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John CorneliusReceptionists - Marlborough: Jessica BedenbaughBoston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric JonesAssistant: Mark McCaffrey

Service Departments

Exhibitions & Property Distribution

Finance Department

Subscriptions

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116Telephone: 617-350-5400

From the West:

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.

The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.

Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto

Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South

via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

321

RESTAURANTS

FINE DINING

DanteRoyal Sonesta Hotel5 Cambridge Parkway617-806-4200Mediterranean restaurant with great views of the Charles River and Boston skyline.

Davio’s75 Arlington St.617-357-4810Northern Italian steak house.

Grill 23 & Bar161 Berkley Street (Stuart Street)617-542-2255Great steak, seafood, wine list, and service.

L’Espalier774 Boylston St.617-262-3023Fine French dining and wines with a wonderful pre-fixe menu.

No. 9 Park9 Park St.617-742-9991Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill.

Radius85 High St.617-426-1234Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list.

ScampoThe Liberty Hotel215 Charles St.617-536-2100Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.

Troquet 140 Boylston St.617-695-9463French restaurant and wine bar perched at the edge of the Boston Common and the theatre district.

Via Matta79 Park Plaza617-422-0008Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.

MODERATE

Aquitaine569 Tremont Street617-424-8577Parisian bistro style fare.

The Bristol Lounge at Four Seasons Hotel200 Boylston St.617-338-4400Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden.

East Ocean City25-29 Beach St.617-542-2504Outstanding Chinese food restaurant highlighting seafood dishes with a full-service bar.

Lala Rokh on Beacon Hill97 Mt. Vernon Street617-720-5511Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff.

McCormick and Schmick’s Seafood Restaurant36 Columbus Ave617-482-3999Fresh seafood offerings that change daily.

Summer Shack50 Dalton St.617-867-9955Jasper White serves well-executed seaside favorites in a casual Back Bay setting.

INEXPENSIVE

Au Bon Pain26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street)617-338-8948Casual café offers quick service.

Davio’s To Go10 St. James Galleria Atrium617-357-4810Casual Italian take-out lunch spot with daily special pastas, soups, and salads.

Flash’s310 Stuart St.617-574-8888American comfort food served with classic cocktails in a casual setting.

Parish Café361 Boylston St.617-247-4777American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs.

Piattini226 Newbury Street617-536-2020Italian wine bar with an eclectic menu; specializes in Italian-style tapas.

The Upper Crust20 Charles Street617-723-9600Gourmet thin crust pizza.

322

The Back Bay Hotel (formerly Jurys)350 Stuart StreetBoston, MA 02116Tel: 617-532-3800

Beacon Hill Hotel & Bistro25 Charles StreetBoston, MA 02114Tel: 617-723-1133

The Colonnade120 Huntington AvenueBoston, MA 02116Tel: 617-424-7000Fax: 617-424-0968

Eliot Hotel370 Commonwealth Ave. Boston, MA 02215Tel: 617-267-1607

The Park Plaza64 Arlington StreetBoston, MA 02116Tel: 617-457-7488Fax: 617-426-2000

INDOOR PARKING GARAGES

City Place Parking GarageTransportation Building12 Charles StreetLocated at the end of Park PlazaUnderground multi-level garage All day–closes at 2:30amFirst hr/$5, after 2 hrs/$14

AllRight ParkingBoston Common GarageLocated on Charles Street, on the Common, two blocks from Skinner1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10

The Four Seaons Hotel Parking Garage200 Boylston StreetAdjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30

The Taj Hotel Parking Garage2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-upUp to 24 hrs/$42

Back Bay Garage222 Berkeley Street (entrance off St. James)One block from SkinnerAll day/$35, evening (5pm-7am)/$10

Radisson Hotel Parking GarageStuart Street (near intersection of Charles)Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31

Motor Mart Garage26 Park Plaza(Same building as Legal Sea Food)Up to 1 hr/$8, 1 to 2 hrs/$12,2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8

OUTDOOR PARKING LOTS(recommended for trucks)

Pin Stripe ParkingArlington Street617-338-7984All day/$14, after 6pm and weekends/$10, overnight/$15

Billy’s Parking222 Stuart Street617-423-77818am-5pm/$18, after 5pm/$20

BOSTON HOTELS WITH SKINNER CORPORATE RATES

PARKING

BOSTON HOTELS

Boston Harbor Hotel70 Rowe’s WharfBoston, MA 02110Tel: 800-654-2000Fax: 617-345-6799

Fairmont Copley Plaza138 St. James AvenueBoston, MA 02116Tel: 617-267-5300Fax: 617-375-9648

Four Seasons200 Boylston StreetBoston, MA 02116Tel: 617-351-2036

The Liberty Hotel215 Charles St.Boston, MA 02114617-224-4000

Marriott Copley Place110 Huntington AvenueBoston, MA 02116Tel: 800-228-9290Fax: 617-236-5885

Nine Zero Hotel90 Tremont St.Boston, MA 02108617-772-5800

Radisson Hotel200 Stuart StreetBoston, MA 01740Tel: 617-482-1800 Fax: 617-451-2750

The Ritz-Carlton, Boston Common10 Avery Street Boston, MA 02111Tel: 617-912-3315 Fax: 617-912-3375

Taj Boston15 Arlington St.Boston, MA 02116617-536-5700

Westin-Copley Plaza10 Huntington AvenueBoston, MA 02116Tel: 800-228-3000Fax: 617-424-7483

323

Name __________________________________________ Business Name

Mailing Address ____________________________________________________

City ______________________________ State _______ Zip______________

email address ____________________________________ __________ Tel: ( ) _____________________________

Quarterly Brochure No charge No charge

Included with catalogue subscription

American Furniture & Decorative Arts $120 $143

European Furniture & Decorative Arts $120 $143

American & European Paintings & Prints $120 $143

Fine Jewelry $120 $143

20th Century Furniture & Decorative Arts $60 $73

Asian Works of Art $60 $73

Fine Oriental Rugs & Carpets $18 $25

American Indian & Ethnographic Art $60 $73

Fine Books & Manuscripts $30 $36

Fine Ceramics $60 $73

Fine Musical Instruments $60 $73

Science, Technology & Clocks $60 $73

Fine Wines $60 $73

All Above Departments $750 $915

subtotal

ma residents 6.25% sales tax

total

PLEASE ENCLOSE PAyMENT WITH SUBSCRIPTION FORM AND MAIL OR FAX TO:

Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)

SKINNER catalogue subscription formPRICES EFFECTIVE JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

MasterCard/VISA # Exp. Date

Signature Check enclosed

Upcoming Auction

Fine Prints & PhotographyFebruary 1st, 2013 Boston, MA

Consignment Deadline: November 16th, 2012

For more information please contact our Fine Prints & Photography department at 508.970.3206 or email [email protected]

www.skinnerinc.com

Andy Warhol (American, 1928-1987), Northwest Coast Mask, from COWBOYS AND INDIANS, 1986



SKINNERAuctioneers and Appraisersof Antiques and Fine Art

SKINNERJanuary/February 1995 Auction Schedule

SKINNERJanuary/February 1995 Auction Schedule

SKINNERAuctioneers and Appraisersof Antiques and Fine Art

Fine Paintings & Sculpture | Skinner Auction 2609B

Documents

Transcript of Fine Paintings & Sculpture | Skinner Auction 2609B