Fine Line Group

FINE LINE GROUP FLG

We’re Building A Better Way

Our goal is to be at the forefront of the building industry by our commitment to continually develop innovative and cost effective approaches to construction.

Company Information

FINE LINE GROUP FLG About Us

SECTION 1 | About Us History Turn-Key Construction Management Contacts & Locations

SECTION 2 | Project Portfolio

SECTION 3 | Press & Testimonials

Index

Company Information


History

Founded in 1979, FLG began as a General Building Contractor specializing in museum interiors for such notable clients as the San Francisco Legion of Honor and the California Academy of Sciences.

Today, our Client portfolio includes some of the nation’s finest restaurant, hospitality and retail establishments throughout the continental West and Northeast.

Experience

With nearly thirty years of construction experience, FLG understands the critical balance of meeting both budget and schedule imperatives. We have evolved creative building methodologies and project delivery strategies that successfully manage both and enhance our Client’s design goals.

Efficiency

FLG has a proven track record as a value added construction firm that can meet serious cost and time constraints. We have a reputation for meeting very ambitious schedules and bring with us a time-tested “fast-track” approach.

Teamwork

FLG combines traditional contractor services with construction management and design-build capabilities. We are committed to a philosophy of organized teamwork between Client, Design Team and Construction Team. We believe that a project’s success is based upon excellent and timely communications, the anticipation of potential problems, and a commitment to focus on solutions.

Mission Statement

Fine Line Group’s goal is to be at the forefront of the building industry by our commitment to continually developing innovative approaches to construction. We provide a unique work environment that promotes learning, creativity and above all, a passion to excel.

Overview


FLG has developed a unique, Turn-Key project delivery method aimed at reducing our client’s financial risk by controlling budget and schedule from the earliest stages of design.

Unlike most Construction Managers, FLG offers an integrated design and construction approach. We not only assemble and manage the architectural and engineering team but incorporate them into our prime contract as sub-consultants. This approach enables us to assume full responsibility for meeting our client’s schedule and cost targets by providing single-source accountability, realistic schedules with fixed construction pricing very early in the design process.

FInally, our streamlined, open-book approach enables us to bid your project at the end of the Design Development Phase. This approach allows us to reduce your overall project schedule by up to 40 percent, bring your business to market faster, while saving you time and money in the process.

The FLG Turn-Key CM Process Provides:

Early Discovery • Pre-Lease Discovery • Lease Negotiation Support • Maximize TI Allowance Cost Control • Early Discovery Influences Design • “Real” Costing Throughout Design • Open Book Sub-Contractor Bidding • Architecturally Driven Value Engineering

Speed to Market• Reduced Project Schedule• Minimized Documentation • Overlapping Phases • Early Procurement

Efficiency & Quality• Team Approach• Reduced Administrative Costs • Improved Communication• Seamless Project Management

Turn-Key Construction Management


Retail Design & Construction | Turn-key Approach

41

2

26

3

3

3 STORE OPENING

30WEEKSTOTAL

WEEK17FINALIZE COSTSCHEMATIC DESIGN

LEASE NEGOTIATION

SITE DISCOVERY

SCHEMATIC DESIGN PRICING

DEMOLITION

MERCHANDISING & MOVE-IN

PERMIT REVIEW

CONSTRUCTION

CONSTRUCTION DOCUMENTS

DESIGN DEVELOPMENT

BIDDING

ORDER LONG LEAD ITEMS

1

44

12

Retail Design & Construction | Conventional Approach

23

1

6

2

3

48

3

22

12


SCHEMATIC DESIGN

LEASE NEGOTIATION

DESIGN DEVELOPMENT

DESIGN DEVELOPMENT PRICING

VALUE ENGINEERING

CONTRACT NEGOTIATION

DEMOLITION


CONSTRUCTIONMERCHANDISING & MOVE-IN

CONSTRUCTION DOCUMENTATION

BIDDING & PERMITTING

1

STORE OPENING

46 [ FINAL COST ]

WEEKSTOTAL

Approach Comparison | 2,000 - 4,000 Sf Retail Store


63

143

3

26

3

333

2

333

3

6

GRAND OPENING

48 WEEKS TOTAL

WEEK

23FINALIZE COST

3

55

3

9

220

Restaurant Design & Construction | Conventional Approach

Restaurant Design & Construction | Turn-key Approach

Approach Comparison | 8,000 Sf Restaurant

SITE DISCOVERY

SCHEMATIC DESIGN

KITCHEN DESIGN

BIDDING

CONSTRUCTION DOCUMENTS

PERMIT REVIEW

CONSTRUCTION

BURN-IN & STOCKING

DEMOLITION

LEASE NEGOTIATION

DESIGN DEVELOPMENT



LEASE NEGOTIATION

SCHEMATIC DESIGN

CONSTRUCTION DOCUMENTATION

BIDDING & PERMITTING

CONSTRUCTION

BURN-IN & STOCKING


DESIGN DEVELOPMENT

DESIGN DEVELOPMENT PRICING

VALUE ENGINEERING

CONTRACT NEGOTIATION

DEMOLITION


GRAND OPENING

66WEEKS TOTAL

[FINAL COST]

220


Contacts & Locations

Office Locations

FLG's corporate office is located in San Francisco, California with a regional office in New York City and Las Vegas. East coast, west or in between, we understand local subcontractor and supplier markets, and will assemble the best talent and resources for your project’s needs.

San Francisco 457 Minna Street San Francisco, CA 94103 415.777.4070 Contact: John Santori

Las Vegas 7660 W Sahara Ave, Suite 110 Las Vegas, NV 89117 702.363.7145 Contact: Scott Hatcher

New York36 West 25th Street, 16th FloorNew York, NY 10010 212.226.1646Contact: Dale Salsman

Project Portfolio2

ProjectInformation

ProjectPhotos

FINE LINE GROUP FLG Retail

Architect: Gensler Architects

Project Duration: 6 Weeks

Project Value: 3.7 Million

Project Scope: 7,700 square ft.

The Honolulu store was Gucci’s first design build project.

This renovation included imported Italian millwork in high lacquered Rose wood. All fixtures were supplied and installed by Fine Line Group. The project included a completely new two-story high ornamental storefront finished with stainless steel panels.

Most important, the store was able to remain in business throughout the entire construction period, and was completed 3 weeks ahead of schedule with no change orders.

Gucci | San Francisco CA & Honolulu, HI

1. Storefront

2. Fixture & Lighting Detail

3. Main Floor

ProjectInformation

ProjectPhotos


Architect: Gensler


Project Value: 590 Thousand


Located in the historic 660 Market Building in San Francisco, Minamoto Kitchaon was designed to house the “Wagashi” Japanese Sweets used in the Japanese Tea Ceremony.

This exquisite new retail space has granite stone tiles, wood, textured wall finishes and specialty lighting imported from Japan. In addition, a large walk-in freezer with precision temperature control was installed to house the delicate Japanese confections.

This project was an international collaboration between a Japanese Design Firm, IRIE Design & Display and American Architect of Record, Gensler Architects. This cross-cultural effort required metric and imperial dimensioning, and Japanese|English translations for all construction documentation.

Minamoto Kitchoan | San Francisco CA

1. Fixture Detail

2. Display Counter

3. Storefront

ProjectInformation

ProjectPhotos


Architect: Melander Architects




This project showcases the designer’s signature shoe collection with custom super graphics on walls throughout, a creative curvilinear wall and a modernist approach to the interior furnishings.

FLG worked directly with the designer and store ownership as a design-build team with the architect to build out this project in twelve weeks.

Glory Chen | San Francisco CA

1. Stairway

2. Super Graphics

3. Main Floor


ProjectInformation

ProjectPhotos

Architect: Lalire March Architects, NY


Project Value: 2 Million


Located on historic State Street in downtown Santa Barbara, this Juicy Couture features colored glass walls, perforated design panels on the ceiling and custom interior finishes.

The project scope also included new wood flooring, an elaborate lighting package, and a beautiful exterior facade with signage.

FLG delivered the project on time and within budget.

Juicy Couture | Santa Barbara CA

1. Storefront

2. SIgnage

3. Exterior Facade

ProjectInformation

ProjectPhotos


Architect: Brand + Allen Architects




This project was a full Design Build - MEPS project.

The flooring is beautiful Travertine marble tile with exquisite inlaid sandstone strips. Wall finishes include hand painted faux stone. Because the elegant maple millwork was specially fabricated in Canada, Fine Line Group had to carefully construct the space to meet the exact dimensions.

One notable feature in the space is the floor to ceiling metal beaded curtain that divides the main floor from a private display shelf, complete with a library-style rolling ladder.

Additional work included storage and break room facilities in the basement complete with kitchenette, lockers, and shelving.

Longchamp | San Francisco CA

1. Storefront

2. Main Floor

3. Fixture Detail

ProjectInformation

ProjectPhotos


Architect: TEK Architects | MBH Architects


Project Value: 2.5 Million | Post St.4.5 Million | Powell St.

Project Scope: 18,000 square ft. | Post St.40,000 square ft. | Powell St.

H & M’s flagship store features new escalators, large video display screens, all new stone flooring, 42 high end dressing rooms, new restrooms, employee locker rooms and kitchen as well as a carefully restored historical ceiling and entry.

The Post Street store features all new stone flooring, a new glass balcony overlooking the entry, a grand staircase, new exterior sidewalks, new restrooms and 20 high end dressing rooms.

Both stores completed within an a extreme fast track schedule.

H & M | San Francisco CA

1. Powell Street

2. Powell Interior

3. Post Street

ProjectInformation

ProjectPhotos


Architect: Giorgio Borruso Design

Project Duration: 3 Months



Designed by Giorgio Borruso Design Fornarina Las Vegas project is a surrealistic ambience of amoeboid shapes that required extensive and complex custom fabrication.

The central lighting fixture, a series of organic shapes encased in a special nylon elastic fabric hangs from the ceiling from aluminum tubular frames. Mounted within the soffits are directional spots to provide illumination.

Pearlescent fiberglass rings mounted on suspended 16 foot cast resin panels serve as displays for small-scale items, such as shoes. While the white custom fiberglass walls required hand-sculpting the pieces out of foam prior to making molds for casting each peice.

Fornarina | Las Vegas NV

1. Ceiling Fixtures

2. Changing Rooms

3. Displays

ProjectInformation

ProjectPhotos


Architect: DucDuc | New YorkPollack Associates | SF




The seventh store and the largest of the Varvatos stores, the San Francisco flagship features two floors of sophisticated interiors, showcasing the Varvatos casual to formal menswear attire.

FLG coordinated with both architects on the east and west coast as well as meeting a demanding schedule of three months.

John Varvatos | San Francisco CA

1. Stairway

2. Main Floor

3. Cashwrap

ProjectInformation

ProjectPhotos

FINE LINE GROUP FLG Restaurant

Architect: Kuleto Consulting & Design




This spectacular bay view restaurant was built using a full compliment of specialty finishes, including the use of natural dark wood, rich colors and original glass work to create to embody a more traditional ambience.

This extensive remodel also included a new public stairway to Ghirardelli Square, lanscaping the adjacent park, and re-lighting the Municipal Pier.

McCormick & Kuleto’s | San Francisco CA

1. Pizza Oven

2. Bar

3. Main Dining

ProjectInformation

ProjectPhotos






This restaurant construction involved not only a full seismic upgrade but also included creating a mezzanine with a new elevator to service 3 levels.

The finishes were Honduras Mahogany for the bar and bar back, a three marble weave pattern floor, and several hand-painted oil Frescoes.

Cappelini | San Mateo CA

1. Counter

2. Bar

3. Main Dining

ProjectInformation

ProjectPhotos


Architect: Backen & Gillam




Designed by the award-winning architect Howard Backen of Backen & Gillam Architects, the decor captures the feel of the European old-world.

The commitment to excellence embodied in this restaurant places it instantly at the forefront of Hellenic Mediterranean venues nationally.

Major features include specially distressed hardwood floors, exposed ceiling beams, lintels, shutters, and operable windows, which provide the feel of a Mediterranean open air café.

Kokkari Estiatorio | San Francisco CA

1. Hania Room

2. Bar

3. Main Dining

ProjectInformation

ProjectPhotos


Architect: Huntsman | Carrell Design




This restaurant is set in the Napa Valley surrounded by an olive grove and walking garden. The interior is reminiscent of and elegant country lodge.

The Cherry wood beams and ceilings are set against warm plaster walls, slate floors and marble counters. A real stone fireplace in the lounge makes this space very inviting.

Brix | Yountville CA

1. Lounge

2. Bar

3. Main Dining

ProjectInformation

ProjectPhotos


Architect: n|a




This restaurant is located at South Coast Plaza in Costa Mesa, California and was one of several Scott’s remodels done by FLG including Scottsdale Arizon.

This project included a full kitchen remodel, dining room, and custom bar on the interior. Exterior work included the dining patio, outdoor planters and building facade.

FLG utilized a phased construction approach which allowed Scott’s South Coast Plaza to remain open during the entire remodel.

Scotts’ South Coast Plaza | Costa Mesa CA

1. Main Dining

2. Bar

3. Dining Patio

ProjectInformation

ProjectPhotos


Architect: Architects II




This restaurant was constructed in the Historic Southern Pacific Building in downtown San Francisco for Michael Dellar and Chef Bradley Ogden.

Details include custom sandcast glass panels at the pilasters, a terrazo bar top with amarello marble, and multicolor slate floors. Row steel details accent throughout while the lighting includes Italian custom hand-blown crystal lamps.

The spectacular kitchen includes a popular “Chefs” table surrounded by the bakery, ice cream room, butchery and assorted cook lines.

One Market | San Francisco CA

1. Storefront

2. Bar

3. Main Dining

ProjectInformation

ProjectPhotos


Architect: Engstrom Design Group




This elegant remodel included a bentwood curved ceiling, custom lighting, and bird's eye maple columns, and was accented with Gilhooly glass wall sculptures.

The bar and pizza oven were redone in classic style with exposed brick and custom copper ribbons.

Postrio was able to remain fully operational during construction.

Postrio Restaurant | San Francisco CA

1. Ceiling Detail

2. Bar

3. Dining Patio

ProjectInformation

ProjectPhotos


Architect: CCS Architects




Fine Line Group transformed this existing 3,000 square foot dilapidated and vacated space into a vibrant, up to-date facility infused with the latest kitchen appliances, cooking equipment and back-of-house devices available.

In addition to the large prep/clean/food storage area, there is a completely exposed cook line and food service kitchen. The in-house dining room and front-of-house kitchen are designed with a mixture of ‘exposed to structure’, partial new wood and painted ceilings are designed to create an atmosphere of openness, and a nothing-to-hide attitude.

This project included: New Toilet Rooms, Completely new BOH and FOH Kitchens, and Dining Area.

The Plant: Cafe Organic | San Francisco CA

1. Exterior

2. Pizza Oven & Dining Counter

3. Main Dining

ProjectInformation

ProjectPhotos






This restaurant is sure to be one of Pat Kuleto's most beautiful designs, as it utilized an impressive range of fine artisans and unique materials in it’s creation.

These materials included a pewter top bar, Mexican wormwood walls, French slate flooring, hand-hewn wood ceiling beams, limestone columns, hand-blown glass light fixtures and blacksmith wrought ironwork.

Splendido | San Francisco CA

1. Light Sconce

2. Bar

3. Main Dining

ProjectInformation

ProjectPhotos


Architect: Mark Cavagnero Associates




Elegance and refined beauty are captured in this historical building restoration. The raw brick and exposed steel beam construction of the interior walls, remaining from our seismic retrofit, is softened by the airy stretched fabric screen at the maple ventwood ceiling and light maple millwork throughout.

Selected walls were finished with integral colored Italian plaster then polished to a high sheen. The flooring consists of beautifully finished limestone slabs.

MC2 | San Francisco CA

1. Bar

2. Ceiling Detail

3. Main Dining

ProjectInformation

ProjectPhotos


Architect: Architectural Resources Group




Winner of Retail Environment’s 2008 Grand Prize for Best Specialty Food Retailer, Best Store Fixture, Visual Presentation, and Special Recognition for Green Awareness, Cellar 360 at the historic Ghirardelli Square in San Francisco introduces a new concept to retailing by combining a stylish wine bar and retail experience.

The hallmarks of this project’s success is its showcase of exquisite millwork, finishes, distinctive lighting, dramatic bay views, and the finest selection of wines in the country.

Cellar 360 | San Francisco CA

1. Retail

2. Counter and Lighting

3. Wine Bar

Awards:

Association for Retail Environment Grand Prize 2008

ProjectInformation

ProjectPhotos

RestaurantFINE LINE GROUP FLG

Architect: Mark Cavagnero Associates

Project Duration: 2.5 Months



The volumetric forms in this café employ a minimalist approach to movement; in both plan and section they are fluid. The wood floor surface with grid inlay furthers this sense of motion by continuing upward into vertical planes along the rear walls.

The undulating negative spaces created between the objects themselves and the existing elements hold each other in tension, embracing those within the café.

Bold colors and lighting juxtapose, but enliven the raw materials of the room’s shell. The strength of the new lends a clear response to the authority of the old, culminating in a balanced and unified whole.

Zero Degrees | San Francisco CA

1. Storefront

2. Counter

3. Cafe

Press & Testimonials3


News Articles

• Hospitality Design On Time & On Budget

• Visual Merchandising + Store Design Problem Solving – Fine Line Group’s Competitive Edge

• Pacific Business News Givenchy Employs the Fast-Track Process

• San Francisco Chronicle Upscale Contractor On The Fast Track

• San Francisco Business Times Convincing Others to Try Something New

Client Testimonials

• Namrata Gupta | Director of Development & Design, BlissWorldÊLLC

• Michael Gatti | Principal, Barteluce Architects & Associate

• Charlie Kridler | Vice President of Retail, Gensler

• Akos Wright | Senior Director, Starwood Hotels & Resorts

• Bill Upson | Principal, Real Restaurants

Press & Testimonials

• Pat Kuleto | Principal, Pat Kuleto Restaurants

• Louis Ligouri | GM, Ghirardelli Square

FINE LINE GROUP FLG Press

San Francisco Chronicle

What will Brad Ogden’s spectacular new San Francisco restaurant, One Market, and the new Coach leather goods store at Post and Grant have in common with 20 Talbot’s apparel stores in three states, Brobeck’s just-completed Palo Alto law office and three Alders Duty Free shops in Las Vegas?

They’re all projects of Fine Line Group, a San Francisco general contracting firm that’s not at all general.

“We’ve been increasing revenues 30 percent to 35 percent a year for the past three years. This year we’ll double to somewhere between $15 million and $20 million in new business. We’ve got 12 projects under way and another 12 in negotiation.”

Santori, 46, has all the usual answers as to why his company is “so hot” – quality workmanship, fast-track performance, good follow-up and maintenance. “Ninety percent of our business is repeat.”

But Fine Line also offers something that is unique.

“Despite the computers in the office, construction is one of the most backward of businesses.” Santori said. “There’s always been an adversarial relationship between the contractor and the architect/owner. We’ve tossed that old negative way of doing business out the window. We take the team approach and share some of the risk that normally falls entirely on the owner.”

Fine Line works up its budget from the architect’s schematic drawings rather than the much more expensive working drawings. “Only the subcontractors know the real cost of building,” Santori said. “So we bring all the potential subcontractors to the job site and walk them through the project. Then we can commit to a price that the developer

can take to his investors as a firm number.”

By so doing, Santori says he can save an owner 10 percent or more of a project’s overall cost. That can be especially significant when construction runs from $250 to $300 a square foot – as it did for the Splendido’s and McCormick & Kuleto restaurants, both recent Fine Line jobs.

A fourth-generation San Franciscan who worked his way through Lowell, USF and Cal as a carpenter, Santori began by specializing in interiors for major exhibits at the Legion and DeYoung museums and the California Academy of Sciences. When Prop 13 killed off much museum funding, he switched to retail and restaurant interiors.

His Fine Line partner is Bob Helmers, 46.

Their pet project of the moment is the $2.5 million-plus One Market restaurant being built for acclaimed chef Ogden, 38 and his Lark Creek Inn partner, Mike Deller, 46. It’s scheduled to open by Thanksgiving in the old SP Building at the corner of Market and Steuart.

The restaurant will be one of the city’s largest, with floor-to-ceiling windows looking on to the Embarcadero and the Ferry Building. It will employ 150 people and seat more than 300 – 10 of them at a chef’s table in the kitchen, which will take up more than 40 percent of the 10,300-square-foot space.

Copyright © by the San Francisco Chronicle.

Reprinted by permission.

Upscale Contractor On The Fast Track

By Lloyd Watson


Hospitality Design

On time and on budget are words clients like to hear – but often don’t – from their contractors. With the Fine Line Group, a San Francisco-based commercial interior construction firm headed by CEO John S. Santori, clients can anticipate a construction experience that is designed to save time, money, and energy often spent on unforeseen problems.

According to Santori, Fine Line does this by following a methodology of teamwork based on Japanese management principals.

Specializing in high-end West Coast restaurant projects, Santori’s 40-person firm is responsible for building some of San Francisco’s most successful venues, such as the $2.5 – million One Market restaurant and McCormick & Kuleto’s, created by award-winning restaurant designer Paul Kuleto.

What sets his firm apart from the competition, Santori says, is the amount of pre-construction planning that goes into each of its projects. “Pre-planning allows us to make scheduling and budgetary commitments that are invariably met,” he adds.

On all Fine Line projects, a team composed of the client, architect, contractor, and subcontractors is organized at the outset of a project. In the earliest stages of planning, each team member participates in several inspections to become totally familiar with the project so that there are no surprises down the road. “Each team member will be expected to perform as specified and for the price agreed to,” Santori explains.

Team members each have an equal voice in the numerous plan reviews and revisions that take place during the planning period. It is only after final revised schematics are approved by everyone on the team and an

item-by-item budget review is performed that actual work begins – with fewer hitches than might be the case without such meticulous pre-planning.

Though he earned a biochemistry degree from the University of California, Berkeley in 1970, Santori has always had a taste for the construction business. He worked for an uncle framing house during his college days, “and it progressed from there,” he says. In 1974, he started his own construction firm, which worked mainly on museum projects. That firm, eventually renamed the Fine Line Group, expanded its market to include retail and restaurant projects, as well as some hotel projects for Hyatt.

With annual billings of $20 million, Santori and his Fine Line Group are at work currently on the California Culinary Academy, Chalkers Billiard Club, and Silks restaurant, all located in San Francisco.

Reprinted with the permission of HOSPITALITY

DESIGN Magazine.

On Time & On Budget

By Suzanne Dorn


Pacific Business News

Time is money, especially in Waikiki, where rents often soar into the double digits per square foot per month, and downtime can destroy the bottom line.

On the ground floor of the Royal Hawaiian Shopping Center, workers are putting in double shifts to build out a posh Givenchy store slated to open by Memorial Day weekend. The catch is they didn’t start until May 6. In just four weeks, more than a dozen subcontractors will have gutted and re-built a 2,000-square-foot space to specifications in half the time it normally takes.

San Francisco-based general contractor Fine Line Group Inc. uses what company President John Santori calls “Japanese fast-track construction.”

The Japanese method is budget-driven, and there is no such thing as a change order or cost overrun, he said. Subcontractors participate in the planning process, along with the architect and owner. All components – such as cabinetry and storefront – are manufactured off-site, and on-site assembly is carefully choreographed for maximum efficiency. Santori said all on-site construction and installation is

being done by local union workers, and comes in at about $180 - $200 per square foot, often cheaper than traditional American techniques.

Santori said the Givenchy store is Fine Line’s first job in Hawaii, but the firm has been building custom interiors since 1979. He said most of the work involves high-end retail stores, including build-outs on cruise ships. Fine Line is targeting the Hawaii market with fast-track construction, he said, because high rents mean time is crucial, especially in the context of the visitor industry.But Santori said he is looking to the entire Pacific Rim, starting with Guam and Saipan, and is considering opening an office in Honolulu. “I’d like to put a team together in Hawaii,” he said, to serve those other markets. He said Fine Line employs about 50, and has gross sales of $15 million to $20 million per year.

The Givenchy store is being developed by Waikiki Trader Corp., which operates 29 theme stores in Hawaii and on the Mainland, including Endangered Species Stores, LeSportsac and Prima Classe.Cleigh Pang, Waikiki Trader vice president of operations, said he has used fast-track construction in two Endangered Species locations on the Mainland, and is sold on the concept.

Paris-based Givenchy sells men’s and women’s apparel and accessories, which have traditionally been carried by Island department stores. The move to open a store, analysts say, is part of a trend among upscale lines to address consumer preferences for branded-store shopping, which is perceived as more entertaining than department stores.

Royal Hawaiian Shopping Center Property Manager Jonathan Kim listed the Polo Store, Louis Vuitton, Burberry’s Ltd. And Chanel Boutiques among

those which have followed that pattern. And the Givenchy operation, he said, “is keeping with our marketing plan of offering designer products, and fits right in with our tenant mix, which attracts Japanese visitors.”

Marketing consultant Taka Kono, publisher of the Japan report, said specialty stores are much more powerful than boutiques within department stores. “For Japanese tourists, who are increasingly time-conscious, and are unfamiliar with Hawaii’s geography, it is much easier to shop at specialty stores dedicated to their favorite brands than to hunt down the products at several locations.”

Copyright ©1996 by Pacific BusinessNews.

Reprinted by permission.

Givenchy Employs the Fast-Track Process

By Chuck Davis


San Francisco Business Times

In the last 20 years, contractor John Santori has rebuilt himself, his company and the construction industry at least a half a dozen times.

Changing the course of his own life wasn't difficult. If Santori had followed his original career path to attend Columbia University Medical School, he would still be his same innovative self, and no doubt gone on to become something like a reconstructive surgeon. Instead, Santori has reinvented the way seismic work and high-end retail and restaurants projects are done.

Changing the ways of the construction industry proved more difficult. Said Santori, "The construction business isn't very innovative."

Santori chose a career in construction, in 1974, after spending his summers framing houses for his uncle. Building seemed like it would be a lot more fun than the years of studying that medical school required. Soon he learned that it would also be more challenging.

Santori's first company, Santori Construction, started out with small projects and was soon called on to renovate San Francisco's California Academy of Sciences and the Legion of Honor.

"We were cheap," said Santori, who loved the opening parties that went with doing museum work.

In 1979, Proposition 13 wiped out all the funding for library and museum construction and almost demolished Santori's company.

To stay alive, Santori turned to high-end retail construction, signing on four partners who each put in $500 for a total of $2,000 in startup funds. They spent the money on stationery for their new company, the Fine Line Group, photocopied the American Institute of

Architect's San Francisco directory and went door-to-door looking for projects. Lacking retail experience, work was difficult to get, so Fine Line took what other construction firms wouldn't. In 1980, their largest job was for the department store Liberty House. Their fee: $5,000.

At a Christmas party, Santori announced that Fine Line was going out of business in March.

After that announcement, they received $4 million in letters of intent from Liberty House and Bullock's. Fine Line decided to give the construction industry another try.

Wanting to be like the big players in the industry, it moved from its original home in Marin to San Francisco.

Soon, Liberty House pulled out of California, and so did Bullock's. "We learned a new word -- diversification," Santori said.

IBM was Fine Line's next big client, but the 1980s were also a time of downsizing for the technology giant.

During this series of disasters, Santori picked up on a way of doing construction that would save his business -- and the budgets of others.

While working with a Los Angeles architecture firm, Santori was introduced to the Japanese fast-track method of building.

Santori was astounded by the method's short construction period. He studied it for 10 years before finding a client that would allow him to test his new-found approach to building.

Rizzoli's bookstore decided to give the method a try. Santori had already

>>

Convincing Others to Try Something New

By Susan Smith Hendrickson

San Francisco Business Times

remodeled two of the chain's stores, and the owner was anxious to try anything that would prevent him from closing a third store and losing business during the long remodeling process.

"With Japanese fast track, you can advertise that you are closing on a Friday, `come see our new store on Monday,' " said Santori.

Because of the months spent planning, measuring and doing most of the building off-site (which is cheaper), construction of a store happens almost overnight.

Fine Line's first Japanese fast track project was a success and the company realized it had found a niche: meeting next to impossible deadlines.

The company reinforced its theory by completing the renovation of the French Lycee School in San Francisco in five-and-a-half months, four months ahead of its set schedule.

Santori next applied Japanese fast-track construction to the seismic renovation of Rizzoli's San Francisco store. The project had a 14- month deadline. Fine Line completed it in five-and-a-half months.

Now Santori wants to completely change the way seismic work is done in the Bay Area. After all, a lot of buildings still have to get up to code before the 2002 deadline. To help them, Fine Line has joined with two universities and started a new division, Composite Structures, to test a new building material made out of carbon fiber, which is 10 times stronger than steel.

"In every other industry, you have to deal with the Steve Jobs-types, working away in their garages, trying to innovate," said Santori, a biochemist by degree. "I named my company the Fine Line Group, not Fine Line Construction, because I don't know where we will be in 10 years."

Copyright 1999 American City Business Journals Inc.

Continued

Visual Merchandising + Store Design

How does a construction company enjoy 20- to 30-percent growth in the depths of a recession when its principal clients are retailers going through the worst down market in a decade? By accepting smaller profit margins, by being more versatile and budget-conscious than competitors and by helping clients solve time constraint and design problems.

At least that’s the formula used by San Francisco-based contractor Fine Line Group. Fine Line’s President and COO, Bruce Clymer, says it’s worked so well that the company expects 30- to 40-percent growth throughout the rest of the year.

Since its inception in 1979, Fine Line’s 40 employees, under the direction of CEO John Santori, have gathered clients such as Coach, Talbots, Liberty House, Confetti candy stores, Duty Free Shops, Sharper Image and Hyatt Regency Hotels. While the group’s work is primarily confined to the Southwest – California, New Mexico, Nevada and Arizona – future plans include venturing to the Northwest and Hawaii.

“The recession has given us a lot of good customer,” Clymer says. “Our

versatility has insulated us to some degree … and our willingness to offer additional services that other builders don’t offer has worked in our favor.”

One of those services includes site surveys. For example, the firm reviewed four possible locations for Talbot’s flagship store in San Francisco’s Union Square. Before leases closed, Fine Line found asbestos problems in one and structural problems in another. They also advised Talbots of city building codes and restrictions that might adversely affect their project.

“After site selection, we quickly got involved with the construction teams, helping to develop cost estimates,” Clymer explains. “There were some plaster ceilings in the existing space. The architects contacted us to see what we could do to salvage and determine whether we could repeat those original details throughout the space. That’s the kind of challenge we love to rise to.”

Say you’re a store designer who has just been given a rehab assignment with a limited budget, a ridiculously short completion date of eight weeks and very upscale expectations for the result. Is this mission impossible?

Maybe not. You fall into the classic profile of clients that sought the services of Fine Line Group this past year. Satisfied clients include such retail icons as I. Magnin, Bullock’s, Gumps and Coach.

“We were able to do a renovation for Coach in eight weeks, Talbots took about ten weeks… and that was in the middle of the earthquake.” Clymer says.

The Coach renovation, at Post and Grand Streets in San Francisco, involved a new façade, plus internal remodeling. “We knew an eight-week schedule was very ambitious,” admits Michael Fernbacher, Coach’s project manager. The renovation budget was

incomplete and some of the finishing detail had yet to be determined. These challenges left Fine Line undaunted – they assigned Steve Fairclough to the project as field superintendent.

“Steve has a millwork background,” Fernbacher explains. “This makes him sensitive to the larger architectural issues – and ability to see further ahead. Also, we are very much problem-solvers. Where many builders are always complaining about design problems, Fine Line becomes part of the design team – they think like designers.”

Fairclough sweated out every detail, according to Fernbacher. Fine Line located subcontractors to accommo-date special metalworking require-ments. Innovative construction methods, that involved removing, restructuring and reusing existing metal design elements, economically solved design problems on the façade. Unique scaffolding allowed ceiling and floor work to progress simultaneously. Tasmanian oak cabinetry and trim gave the Coach store the look of rich mahogany at a fraction of the price.

“They kept moving, taking it all in as we went,” says Fernbacher. “We had considerable changes – both in design and price – and they were able to accommodate it all.” Gene Messina, Coach’s manager of store construc-tion, was so pleased with the final result that he’s decided to replicate many of the Fine Line’s ideas in the firm’s other stores.

The secret of Fine Line’s success lies in the company’s philosophy of selecting clients with whom they hope to build long-term relationships. Clymer says Fine Line works to develop a team concept between client, architects and other contrac-tors.

>>

Problem Solving – Fine Line Group’s Competitive Edge

By Bob Jordan

Visual Merchandising + Store Design

“Another of our services is our ability to provide subcontractors who provide quality work at competitive prices,” says Clymer. “We try to target clients who are growing. We repeat a lot of work with different architects. This enables us to negotiate attractive prices. It also makes it easier to devise alternative ways of constructing thing within structural limitations.

“Systemization is the key,” insists Clymer. “We are highly organized, with highly developed computer systems. This permits us to organize our subcon-tractors more efficiently. We’re able to be more creative on the financial end, allowing projects to move forward before the design is complete.”

As an example, in the Coach project Fine Line separated the façade from the prime contract. This permitted the firm to set a ballpark figure and begin construc-tion while the final design problems and costs were worked out for the rest of the project.

Leadership is another key. “We often teach our subcontractors how to bid,” Clymer says. “We teach them to develop detailed proposals. We keep them trim. We’re really strong on realistic bids. Then we protect our subs – we make sure we keep our promises.”

Trust is extended through the client-architect-builder team. It makes for long-term, stable relationships where work can be done on a handshake if need be.

This worked to everyone’s advantage in a multi-store project at San Francisco’s Embarcadero Center. Fine Line contracted to construct some 20 separate projects. In some instances clients were moving into space currently occupied by other clients.

“We were on an extremely tight sched-ule,” Clymer explains. “We didn’t have time to design everything first, so we

designed, budgeted and built as we went. “The result is a level of trust and credibility that’s earned Fine Line repeat business with 80 percent of its clients.

Clymer’s background suits him well in heading up such an innovative construc-tion firm. The grandson of a builder and son of an engineer, he worked as a boat builder, earning degrees in both anthro-pology and psychology. Early travels took him to Brazil and other foreign countries, where he was introduced to new and exotic building styles, techniques and materials. He built store for Joseph Magnin and then, as an independent consultant, built Gump’s stores in Dallas and Beverly Hills before joining Fine Line in 1988.

Admitting that the “Wal-Mart price point element” has introduced a new dynamic to retailing, Clymer still insists that image and quality design are here to stay.

Great design of the future, he says, will involve creating a strong image that enhances what a retailer’s client is seeking. An image of not only what the store sells, but of how the store wants its customers feel about what it sells. According to Clymer, the stores that do well in the future will be those that stay focused on what they sell – stores that are well planned and customer friendly. There will be less fear of signage. Pillars and columns will be mixed with new materials. “We now have stones and slates available in California that until recently we didn’t even know existed,” he says.

Lighting is gaining in importance as restrictive codes in some areas are forcing more creative approaches. In that regard, Clymer says that the United States makes the best lighting in the world, but the best design-oriented, mass-produced lighting now comes from Italy. Ergonomics, in terms of putting focus points at level more comfortable for customers, is taking on greater importance.

Clymer says we’ll see more stores-within-stores using different materials while still maintaining architectural balance. “Building in flexibility has become very important,” he stresses. “We’re building more modular showcases – cases lit from above rather than from within.”

Entertainment and convenience will be increasingly important to store design. “Look what Disney is doing.” Clymer says. “They’re creating entertainment and excitement.” Some recent jewelry stores Fine Line has worked on have video centers, toy centers, and couches where children can be entertained while their parents are looking at fine jewelry. “The trick,” says Clymer. “Is to balance entertainment with good merchandising concepts.”

Despite new advances, Clymer believes classics are here to stay. “Store designers have to be more sensitive to both interior and exterior store imaging. They must combine good graphics with great lighting to create efficient stores that focus on the customer’s needs.”

Continued

From: Gupta, NamrataSent: Wednesday, July 15, 2009 2:09 PMTo: '[email protected]'Subject: Bliss Fine Line Group recommendation

Dear Lee,

John Santori asked that I share with you my recent experience working with Fine Line Group. Specifically, John asked that I comment on the support his construction management team, led by Eric Robinson, has offered my bliss spa project during the pre-construction phase of our new 4000 sf spa in Hollywood, California.

While Fine Line Group has built successful spas for Bliss in the past, the Hollywood project is the first in which they have provided us with pre-construction/construction management services. These services fell into three main categories: design team management, coordination/technical review, and pricing/cost control. In all categories, Fine Line has added incredible value to my team. Specifically: they supported Bliss and the design team in scheduling and communication; they coordinated technical conflicts during design to avoid costly changes during construction; and finally, they led “value engineering” exercises that have brought down project costs substantially without sacrificing design quality. In each case, we have benefited greatly by including Fine Line Group in an “integrated” delivery process and not waiting until the start of construction to do so.

For all of these reasons and more, I can offer you my strongest endorsement of John’s team at Fine Line Group.

And should you need to, you may call me at the mobile number below for any additional details or questions you may have.

Respectfully,

Namrata

namrata gupta director development + design | bliss | 75 varick street, 10th floor, new york, ny 10013 t 212 380 4612 | f 212 380 4642 | m 781 363 1469www.blissworld.com

Daniel J. Barteluce P.C. Architects & Associates 36 West 25th Street New York, NY 10010

Barteluce Architects & Associates

Phone (212) 691-7200Fax (212) 691-7260

www.bapc.net

Daniel J. Barteluce Principal, CEO

Michael M. Gatti Sr. VP, Principal

Vice Presidents Laurent Charlet

Charles J. Petretti Michael J. Rostkowski

Brian Swanson

Associates Atilio Leveratto

Christopher Nubla Alice Perera

July 16, 2009 Re: Fine Line Group 457 Minna Street San Francisco, CA 94103 To whom it may concern: I understand that you are considering retaining the General Contractor or Construction Management services of Mr. John Santori and Fine Line Group. I have had the recent pleasure of working with John and his team on a number of projects including the flagship boutique for Diesel in San Francisco and the renovation of a 5 story townhouse here in New York City. Our firm specializes in luxury retail environments but has completed many projects of all different types and sizes. A brief look at our website www.bapc.net will give you a sense of the level of detail we require when we hire a general contractor. In my 20 year career I can honestly say that Fine Line Group is one of the best I have worked with. Their management team is proactive and smart, providing viable solutions to field issues instead of simply stating the problem. Their field superintendents consolidate their questions and clearly present the issues making our job easier benefitting the overall project. Most importantly, they take tremendous pride in the quality of their work; they are committed to building relationships, not simply making as much money as possible and moving on to the next. I would highly recommend Fine Line Group for any project you are considering and am available to talk to you and your team anytime. Don’t hesitate to call with any questions or comments. Sincerely,

Michael M. Gatti, AIA Principal

June 10, 2003

To Whom It May Concern:

Gensler has worked with Fine Line Group for the past ten years on several projects including the Gucci stores in Ala Moana Center in Hawaii and Union Square in San Francisco.

We have found John Santori and his company to be conscientious in meeting project budgets and committed to maintaining project schedules. They have proven to be innovative problem solvers and are able to rise to the challenge of fast track deadlines while maintaining a quality product. They are easy to work with and are highly regarded by their clients and project consultant teams.

I would recommend John Santori and his company, the Fine Line Group Inc. as an exceptionally capable contractor for your project.

Sincerely,

Charlie KridlerVice President, RetailCK/LN

Architecture, Design & Planning Worldwide

San FranciscoSan Francisco

Two Harrison Street

Suite 400

California 94105

Tel: 415.433.3700

Fax: 415.836.4599

February 19, 2008

To Whom It May Concern,

On behalf of Starwood Hotels and Resorts Worldwide, Inc., I am pleased to write this letter of recommendation with regard to the excellent service and caliber of work that our company has experienced with Fine Line Group (FLG).

The W Hotel, one of our premier properties in San Francisco, benefited from the FLG’s pre-construction and construction services. FLG was involved with early programmatic services for the hotel’s lobby and public areas, and provided construction services for the hotel as well as completed construction for the renowned Bliss Spa. We were impressed by FLG’s highly responsive service and proactive attitude. Our projects were completed in a timely and professional manner.

We highly recommend Fine Line Group without hesitation, and look forward to working with them on future projects.

Sincerely,

Akos WrightSenior Director of Starwood HotelsStarwood Hotels & Resorts Worldwide

1111 Westchester Ave, White Plains, New York 10604-3500 Tel:914-64-5222 Fax:914-640-1858

180 Harbor drive.suite 100

sausalito, ca 94965tel: 415/331-9101Fax: 415/331-9022

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May 18, 2005

Douglas WongExecutive DirectorPort of San FranciscoFerry Building #3108San Francisco, CA 94111-4263

RE: Fine Line Group

Dear Doug,

I am writing on behalf of John Santori, principal of Fine Line Group, Inc. Over the last three years I have worked with Mr. Santori on numerous projects including Loongbar and Bistecca in San Francisco. This experience has proven the Fine Line Group to be professional, thorough and honest in every regard. The company honored every agreement and promise from the preconstruction to final punch list completion. John personally insured a quality product was delivered in a timely manner. In short, the integrity of John Santori and his company is superior.

If I can be of any assistance in the future concerning the Fine Line Group, please let me know.

Sincerely,

Bill Upson

Wolfgang Puck1114 Horn AvenueLos Angeles, CA 940069

Dear Wolf:

Long time no talk to. I understand things are going great for you. Thought I'd let you know about Fine Line Group, who I've enjoyed working with.

I've had the pleasure of designing and constructing several restaurants including McKormick & Kuleto's, Splendido's and Ristorante Capellini in collaboration with Fine Line Group. Their attention to detail, their overall workmanship, professionalism and team spirit contributed greatly to the success of these projects.

Despite many design changes during the construction of these projects, Fine Line Group was able to react quickly to implement these changes and still complete the projects either on time or ahead of schedule. Their skill in the field and ability to respond quickly, to anticipate problems, develop value engineering, suggest creative alternatives, coordinate, manage and ultimately complete a project in a professional manner is a rarity in today's marketplace.

I highly recommend Fine Line Group as a Contractor in the construction of any restaurant facility.

Give me a call next time you're in town -- I'd love to say hello.

Sincerely,

Pat

30 LIBERTYSHIP WAY #207 SAUSALITO, CALIFORNIA 94965 415.331.0880 FAX 415.331.2954

Ghirardell Square

word ly f lavor. loca l f la i r. 900 NORTH POINT STREET SAN FRANCISCO CA 94104

T E L E P H O N E 4 1 5 . 7 7 5 . 5 5 0 0 . F A X . 4 1 5 . 7 7 5 . 0 9 1 2 h t t p : / / w w w . G h i r a r d e l l i S q . c o m

Mr. Yuji TsunodaEugene & Associates, Inc.Chaya Brasserie8741 Alden DriveLos Angeles, CA 90048

Dear Mr. Tsunoda,

I am writing this as a testament to the workmanship and quality of service of the Fine Line Group Inc. as a general contractor.

As the General Manager of Ghirardelli Square in San Francisco, I have had the opportunity to work with Mr. Santori and the Fine Line Group Inc. as the principal contractor during the construction of two major restaurants that are currently part of the Ghirardelli Square scene. The restaurants include McCormick & Kuleto’s 18,334 square feet and Oritalia (now La Pasta) 2,103 square feet.

The Fine Line Group was recently contracted and is currently involved in the construction of a third major restaurant for Ghirardelli Square. Fine Line is currently building a restaurant for Mark Miller and work includes the seismic up-grading of the Power House Building, the location for this new restaurant.

Our experience with the Fine Line Group has been nothing short of outstanding. They continually meet their deadlines and have been consistently productive in determining solutions for the many problems that develop in projects of the magnitude of the above restaurants.

I would wholeheartedly recommend the services of the Fine Line Group Inc. to any entity seeking a dependable construction company for projects of any size.

I am available to discuss the merits of the Fine Line Group Inc. at any time. Please feel free to call me if you have any questions.

Sincerely

Louis LigouriGeneral Manager

FINE LINE GROUP FLG

San Francisco457 Minna Street | San Francisco, CA 94103

415.777.4070

New York 36 West 25th Street, 16th Floor | New York, NY 10010

212.226.1646

Las Vegas 7660 W Sahara Ave, Suite 110 | Las Vegas, NV 89117

702.363.7145

Fine Line Group

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