Fine Art and Antiques - Thomas R. Callan Ltd · 2014-03-28 · Thomas R Callan Ltd 1 Royal...
Transcript of Fine Art and Antiques - Thomas R. Callan Ltd · 2014-03-28 · Thomas R Callan Ltd 1 Royal...
Thomas R Callan LtdEst. 1933
Fine Art and AntiquesSaturday 10th November 2012 at 10.00am
Realisations from the sale
Thomas R Callan Ltd
1Royal Worcester vase, decorated with Highland cattle in an upland landscape, signed John Stinton, date coded 1916, model No. 1407, 30cm high
2Pair Royal China Works Worcester vases, double handled and raised on circular feet, decorated in pink and rich gilt, hand painted landscapes with (I) Lapwings (very rare) and (II) Pheasants, signed James Stinton, both date coded 1902, No. 998, Royal China Works marks to base, standing 28cm high
Lot 1 Lot 1 detail
Lot 2
Realised £2,100
Realised £1,900
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Lot 18
Lot 19
Thomas R Callan Ltd
319th Century Royal China Works Worcester double handled reticulated vase and cover, raised on a square foot, hand painted landscape of lowland cattle No. 163 G2547, Royal China Works marks
620th Century Royal Worcester Pot Pourri jar and cover, decorated with hand painted fruit and signed Sally Wood M/169B
Lot 6
Lot 3
18Hand painted Newport Pottery coffee can and saucer, Bizarre by Clarice Cliff, Blue W pattern, cup 5cm high
19Hand painted Newport Pottery coffee can and saucer, Bizarre by Clarice Cliff, Blue W pattern, cup 5cm high
to base, 28cm high
Royal Worcester black Factory mark to base, standing 20cm high
Realised £2,000
Realised £800
Realised £500
Realised £480
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Thomas R Callan Ltd
40William De Morgan glazed earthen ware plate, decorated with two fish on a blue wave ground, blue broad ringed back (no markings), 20.5cm diameter
5214 carat gold ring, square cluster of five diamonds secured setting between two further brilliant cut diamonds, colour G, clarity VS, principal stone 0.62 carat
Lot 52
Lot 40
6014K white gold and diamond set ring, pear shaped blue sapphire, approx. 4.5ct, surrounded by diamonds approx. 1 carat total weight
Lot 60
Realised £1,500
Realised £850
Realised £950
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6418 carat white gold necklace with a string of round brilliant cut diamonds, with a suspending emerald cut natural golden topaz surrounded by diamonds, (50 x 0.07 carat diamonds, total carat weight 3.5 carats)
Lot 64
67Ladies diamond and sapphire bracelet in 14 carat white gold, box clasp and safety clasp, bracelet set with 29 brilliant cut diamonds, total estimated weight 5.8 carats and ten marquise cut blue sapphires (good colour) approx. 0.2 carats each (approx. 2 carats), diamonds colour H/J, quality VVSI
Lot 67
74
Gents 9 carat gold Omega Seamaster De Ville wrist watch with a 9 carat gold bracelet strap. Total weight including time piece 70.8 grams
Lot 74
Realised £2,400
Realised £2,000
Realised £1,800
Realisations
Thomas R Callan Ltd5 Realisations
88South African Kruggerand 1978 with a 9 carat gold mount and chain, total weight 76.5 grams
Lot 88
115Chinese carved ivory panel, deep relief carving of village life, thirty three figures set amongst pagodas, pine trees and weeping willows, carved seal mark to rear with a carved hard wood stand, panel measures 30cm long, 8 - 9cm high
Lot 115
174Set of six George III Scottish Provincial silver table spoons, Hanoverian pattern, Assay marked Dumfries by Archibald and James Dalziel, circa. 1780, approx. 13ozs
Lot 174
Realised £1,350
Realised £3,200
Realised £700
Thomas R Callan Ltd Realisations
207Chinese blue and white vase, foliate decoration, blue seal mark to base, 26.5 cm high
Lot 207
22718th Century violin, makers label to interior, Aegidius Kloz Mittenwald, Germany, dated 1771, The violin body has been lengthened on the upper bouts by excellent workmanship, length of back 36cm, depth of rib 3mm, with a modern carry case and four bows, one incised tourte
Lot 227
234Chinese bronze censer, bearing a six character Xuande mark but 19th Century of Bombe form with a flattened rim, three decorative raised panels, standing on three feet, approx. 13cm diameter, 6cm high
Lot 234
23619th Century bronze censer of waisted form, with twin upturned handles in the form of elephants heads, 11cm diameter 6.5cm high
Lot 236
6
Realised £1,100
Realised £3,000
Realised £2,200
Realised £1,000
Thomas R Callan Ltd
25219th Century French Louis XIV Style Ormolu cased mantel clock, decorated in champleve enamel work, twin trained movement striking on a gong, time piece, initialled B.R. stamped Japy Freres med D’Honneur, retailed by Edward & Sons, the case is stamped E over H, standing 48cm
Lot 252
Realisations7
Realised £3,400
Thomas R Callan Ltd
279Wolseley 11 / 12 Deluxe 4 / 5 seat open tourer Reg. No. KA 6866 Finished in Oxford Blue, right hand drive, petrol Engine No. 1029A 2988 Cylinder capacity 1235cc Chassis Type 75220 First Registered: 6th April 1927 2 Owners from new No Current MOT Last Taxed 31st May 2012 Sorned and garaged since. Wolseley Motors Ltd was a British Motor Vehicle Manufacturer founded in early 1901. The Company initially made a full range topped by large luxury cars and dominated the Edwardian Era. In 1921 it manufactured 12,000 cars and continued to be the biggest Motor Manufacturer in Britain. Following receivership in 1927 it was acquired from Vickers by William Morris as a personal investment and years later moved into his Morris Motors Empire. This Wolseley was purchased from New by Captain Godson, a Cape Horner of the Clan Shipping Line. The car was bought from Blakes Garage in Birkenhead, Liverpool hence KA registration and was used to commute between Troon and Glasgow and to Liverpool, the car had completed around 70,000 miles when it was purchased by Tom Pate of Ayr in 1957. Thomas Pate, a mechanical engineer, completed a detailed and quality restoration of the car, the Wolseley was stripped to the chaises and almost every part was refurbished. Advise from the Wolseley Owners Club was given to maintain as much originality as possible. The resulting car is essentially original, only such items as the enamel finish, tyres, battery, hood cloth, side screen, covering and carpets having been replaced in the renovation. Four wheel brakes were originally fitted to this car as a Factory Extra (Brakeless front axles were standard). The engine size is 1261cc, has 4 cylinders and the RAC rating is 11.9hp technically an overhead camshaft, magnetic ignition. Lucas dynamo and starter and SU carburettor and an exposed flywheel containing a large single plate clutch, smooth in operation. The gearbox is built into the worm-drive rear axle and both are silent in operation. It was a testimony to the quality of the restoration and the faultless performance and reliability that the car was selected to Star in one of the most popular Television series. From 1965 - 1972 the Wolseley was used as Doctor Finlay’s personal car in the television series ‘Doctor Finlay’s Case Book’ based on A.J. Cronin’s novel Country Doctor. The storylines centred on a general medical practice in the fictional Scottish Village of Tannochbrae (filmed around Callander, Stirlingshire) during the 1920s The Wolseley belonged to Doctor Finlay, the Junior Partner in the practice played by Bill Simpson. The Wolseley was also selected to be used in the 2008 British Television adaptation of the John Buchan’s novel the Thirty Nine Steps, produced by the BBC. The car was successfully used as a Wedding Car on hire throughout Ayrshire. The Wolseley has completed 93500 miles since its restoration A large History File comes with the car. Realised £11,000
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Thomas R Callan LtdRealisations9
280AFord Popular Saloon finished in black, Reg YSD812, first registered 1959. 81k miles, engine 1172cc,chassis no. C943372, restored 2001, original interiorvery good, exterior as new, last MOT August 2010,sorned and garagedRealised £3,600
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Lot 285
285Jessie Marion King (Scottish 1875-1949) ARR.Framed watercolour‘Young woman sketching’ possibly a self portrait22cm x 18.5cm
Provenance: Davis & Long Company, New York, Exhibition of English Sketches and Studies, cat No. 110 November 7th - 25th November 1978. Then to Anthony Reed, London and through private hands to a local collector.One of the most individual and successful ‘Glasgow Style’ designers of her time. Jessie Marion King had a long and productive career trained at the Glasgow School of Art, her talent was recognised in 1902 when she won a Gold Medal at the International Exhibition of Decorative Art in Turin for a book cover design.Although her earliest success was with book illustrations, King also wrote over seventy children’s books and designed wallpaper, posters, fabrics and costumes, as well as creating silver and jewellery for Liberty and Co’s Cymric Line.Throughout her varied professional career King retained a distinctive individuality.Cutting an eccentric figure in her trademark black hat, (shown in the watercolour which is believed to be a rare self portrait) cape and buckle shoes. King became well known and liked in Kirkcudbright where she lived until her death in 1949.
290James Stuart Park (Scottish 1862-1933)Gilt framed oil on canvas, signed‘Petunias in green vase’50cm x 39cm
Lot 290
Realised £2,200
Realised £1,500
Thomas R Callan LtdRealisations11
292Andrew Law (Scottish 1873-1967)Rosewood framed oil on canvas‘Still life, Rhododendrons’50cm x 40cm
Lot 292
323Mat hew Draper ARR (born 1923-) ARRFramed pastel on paper 2001‘Edinburgh at night’80cm x 110cm
His paintings resound with the evidence of reduction and elation. Among his tools are sand paper and sponges, used to erode the surface, transforming paper to velvet all the time spray fixing each layer of pastel, what began as a town scape dissolves in a sea of colour.Matthew is the recipient of many Art Awards as his Art Work is now exhibited in many USA and UK Galleries. His works are also in art collections including Kelvingrove, Glasgow, Bank of Scotland, plus various private collections across the world.
Lot 323
Realised £1,050
Realised £1,300,
t
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299David Gauld RSA (Scottish 1867-1936)Oil on canvas signed lower left (Ian McNicol, Glasgow, label) ‘Calves by the Solway’50cm x 754cm
Gauld was an apprentice Lithographer with Gilmour and Deen from 1882 at the Glasgow School of Art and Haldane Academy. He attended classes until 1885. In 1887 he joined the staff of the Glasgow Weekly Citizen as an illustrator.The influence of the Japanese print is obvious in his early works. Although this phase of his work was short lived, the influence carried through to this stained glass designs, in association with the firm Guthrie and Wells. His most important stained glass commission was for St. Andrew’s Scottish Church in Buenos Aires and took him ten years to complete.The result of the combination of painting and his stained glass designs produced a rich flat painted surface combined with sharp, angular, delineation of shapes.The above work can be dated to post 1900, when Gauld returned to oil painting after the completion of the Buenos Aires Project, it was his popular cattle and calves studies for which he is renowned. These fine oils came to adorn many middle class Glasgow Drawing Rooms, along with the later paintings of Hornel and two younger Glasgow artists William Wells and W.A. Gibson
Lot 299
304Andrew Law (Scottish 1873-1967) ARRFramed oil on canvas‘Rhododendrons’50cm x 60cm
Lot 304
Realised £3,100
Relaised£1,000
Realisations
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341
Lord Frederic Leighton (British1830-1896)Gilt framed oil on canvas, signed to rear‘Maiden at Temple entrance with Horse of Troy’93cm x 56cm
Lot 341
In the circle of
388Arts and Crafts mahogany writing desk by Shapland and Petter, Barnstable, shaped leaded glass, single frieze drawer, decorated with inlaid stylised flowers and tendrils, retailed by James Philips, Bristol, 110cm wide
Lot 388
389William and Mary walnut long cased clock by Edmund Massey, stepped hood with inset spiral twist columns, the 25.5cm square brass dial signed along the lower edge, Edmund Massey, London, with floral scroll engraving to the quarter points, foliate and cherubs mask spandrels, silvered Roman Chapter ring and alarm disc, matted centre, on a bell, standing
Edmund Massey was born in 1660, He was apprenticed to Joseph Knibbs in December 1673 in London. He became a Freeman of the Worshipful Company of Clockmakers in January 1683. Further details can be found in ‘Early Clockmakers of Great Britain’ by Brian Loomes
Lot 389
striking 190cm high
Realised £7,000
Realised £2,000
Realised £4,800
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394Edwardian mahogany kidney shaped desk, decorated with foliate marquetry, central drawer flanked either side with three pedestal drawers, raised on square tapered legs, 117cm wide
Lot 394
446Scottish Victorian walnut drumhead clock, tapered glass case, gilt and enamel dial with seconds and date subsidiary dials, by R L Hill Paisley, 207cm high
Lot 446
Realised £1,000
Realised £1,700
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397A magnificent Art Noveau walnut dining suite, the sideboard with heavily carved floral cornice, with carved brackets, with maidens head and trailing flowers, twin frieze drawers over a centre drawer above a twin panel door cupboard flanked either side by panel cupboard doors with separating supports carved with stylised flowers. A telescope dining table, (2 leaves), raised on square tapered legs each carved with stylised flowers. A set of twelve hooped back matching chairs, extended table measures 280cm long x 122cm wide
walnut
Realisations
Realised £4,800