Final Storyboard Music Video

Shot No.

1

Type of shot, movement and angle.

-Mid shot-No movement-Straight angle-Camera is sitting outside the door on a tripod

Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene.

-Ambient sound of birds and wind-Sounds of actors laughing-Costumes for each actor are the ones that fit into the idea of the video (casual posh clothes)-Setting is a posh house, with the family leaving out of the door-Natural lighting-outside front of house

Frame duration

3 seconds

Editing notesFade from black, cut to next shot

Shot No.

2


-Long, wide shot-Slow pan right- Low angle


-Ambient sounds of birds and wind-Sounds of actors talking and laughing-The costumes for each actor are the ones that fit into the idea of the video (Casual posh clothes)- Setting is a posh house, with the family leaving out of the door-natural lighting-outside front of house

Frame duration

3 seconds

Editing notesCut from previous shot, cut to previous shot

Shot No.

3


-close up of the car back window-no movement-straight angle


-No dialogue-sound of the car door closing, ambient sound of the birds and wind-The setting is a car on the car park of the house-Although costume is not seen in this scene, they will be wearing the same clothes as before; also the children will be in the back of the car.-Natural colour-outside front of house

Frame duration

2 seconds

Editing notesCut from previous shot, cut to next

Shot No.

4


-Close up of the car wheel pulling off-no movement-straight angle


-No dialogue-Ambient sounds of car engine and wind and birds-No actors, no costumes-Natural lighting-the setting is in the car on the driveway-outside front of house

Frame duration

3 seconds


Shot No.

5


-Close up of the garage door starting to open from the side-no camera movement-Straight angle


-No dialogue-Ambient sounds of the wind and birds-no actors, no costume-natural lighting-The setting is the garage outside the house-outside garage

Frame duration

2 seconds

Editing notesCut from previous shot, cut to next shot

Shot No.

6


-Close up of lead singer opening the garage door fully-no camera movement-Straight angle


-No dialogue-Ambient sounds of the garage door opening, the sounds of the band moving around and moving equipment-All the actors are dressed in rocky clothes (jeans, t shirts, converse, messy hair)- The lead singer opens the garage door, looks left and right and then ushers the rest of the band out of the garage.-Natural lighting-camera is outside garage, actors are inside

Frame duration

4 seconds


Shot No.

7


-Establishing shot- slow pan right-low angle

Almost exactly the same as shot 2


- No dialogue- Ambient sounds of birds and wind- Actors are wearing the same costumes as

previously- The actors are all standing in front the garage,

looking at the house with arms crossed. They are looking at the house.

- The band are on the left, the house on the right

- Natural lighting.- -outside front of house

Frame duration

3 seconds


Shot No.

8


-Close up of the bands legs by the bass drum- dolly track to the right, stops in the middle of thelegs- Straight angle


-No dialogue-ambient sounds of wind, birds and the band moving-The actors are still wearing the same clothes as last time-the actors all stand in front of the bass drum until two walk one way and two walk the other to leave the bass drum. The screen then shows the words “Hands and Faces” added in in post-production-Outside front of garage

Frame duration

4 seconds

Editing notes

Shot No.

9


-Close up of the family portrait, on the mother’s face-No movement-Straight angle


-Song begins, just the first beats-No actors-natural lighting-inside the house (hallway)

Frame duration

1 second


Shot No.

10


-Close up on the family portrait, on the fathers face-no movement-straight angle


-Song begin, just the first beats-No actors-natural lighting-inside the house (hallway)

Frame duration

1 second


Shot No.

11


- Close up on the family portrait, on the daughters face.

- no movement- straight angle


-song begins, just the first beats-no actors-natural lighting-inside the house (hallway)

Frame duration

1 second


Shot No.

12


-Close up on the family portrait, on the sons face.-No movement-straight angle


-Song begins, just the first beats- as the second passes that is allocated for the face, we see a band member come between the camera and the portrait and slant it as he walks through.-inside the house (hallway)

Frame duration

2 seconds


Shot No.

13


-long shot of whole band sitting on the couch-slow pan left-straight angle


-“How can I not taste it? When its right here, put it in my hand”- Three of the band members are relaxing on the couch while the lead singer sits forward singing the lyrics-Around them, are the toilet paper and silly string that they are going to use to mess the house up.-Natural lighting- The costumes are the same as the previous scenes.-Couch is in front room, as are the actors

Frame duration

3 seconds


Shot No.

14


-Mid shot-Track backwards-straight angle


-“And lets not put it in their faces”-The drummer and the bassist walk around the house, looking for things that they can mess up, until they reach a cabinet-The drummer has his drum sticks in his back pocket, the bassist is just wearing his casual clothes-natural lighting

Frame duration

2 seconds


Shot No.

14


-Mid shot-No movement-Straight angle


-“Hide the obvious just a little bit, its coming to this”-The camera is positioned in the cabinet and behind some glasses. They open it and begin to mess up the glasses- They are wearing the same costumes as previously-Natural lighting

Frame duration

4 seconds


Shot No.

15


-Mid shot-Fast pan left-Straight angle


-“You know they’ll never face it”-The guitarist and the singer get up off the couch, the same couch as shot 13-they are wearing the same costumes as previously-Natural lighting

Frame duration

2 seconds

Editing notesCut from previous shot, Cut to the next shot

Jump cuts in editing to make it more jolty

Shot No.

16


-Mid Shot-Fast pan left and track backwards-Straight angle-handheld camera


-“They’re just a face all covered with a rag”- The camera follows the lead singer backwards through the kitchen, while he sings-Same costume as previously-Natural lighting

Frame duration

3 Seoconds


Shot No.

17


-Close up of the guitarist reaching for the silly string and TP- No movement-Straight angle


-“And they can’t stop talking”-Although, you can’t see the guitarist, his hand still comes into frame to grab the TP-The only thing that can be seen on the guitarist is a wristband.-The guitarist grabs the silly string and pulls it out of frame

Frame duration

Less than a second

Editing notes

Cut from previous shot, cut to next

Shot No.

18


-Close up of guitarists feet running up the stairs-Track and tilt upwards following the guitarist-Handheld camera


-“So the bigger it gets”-Shaky shot of the guitarist running up the stairs, however it is just a close up on his feet-Same costume as before-Some added lighting to try to brighten up the stairs so we are able to see their feet.

Frame duration

1 second

Editing notes

Shot No.

19


-mid shot from behind the guitarist-No movement-canted angle


-“And yeah, they take up space”- The guitarist kicks open a door to a bedroom with the string in hand-Wearing the same costume as before-Natural lighting

Frame duration

Less than a second


Shot No.

20


-Close up on the guitarists face, he smirks-No movement-straight angle


-“but still”-The guitarist simply smirks into the camera-Wearing the same clothing as before-Natural lighting

Frame duration

Less than a second


Shot No.

21


-Long shot of the guitarist from the side-No movement-Straight angle


-“Nothing’s wasted!”-from the side, we see the guitarist screaming and firing the silly string into the room, in slow motion.-Same costumes as before.-Natural Lighting

Frame duration

Less than a second


Shot No.

22


-Long shot-camera is shaking from left to right-Straight angle.


-“A lie’s a lie”-The band are seen performing in the living room-Same costumes as before but they are obscured by the instruments-Natural lighting, but effects can be added in to make it seem a little darker

Frame duration

1 second


Shot No.

23


-Close up of the drummer-No movement-Canted angle


-“A lies a lie”-The canted angle just shows the drummer performing the song.-Same costume as before-Natural lighting

Frame duration

Less than a second


Shot No.



Frame duration

24

-Close up of the singers feet-No movement-high angle

-“ A lie is a lie”-The singer is shown tapping and moving his feet whilst singing the lyrics.-Same costume, Converse as shoes.-Natural lighting

Less than a second


Shot No.

25


-Long shot of the band performing, similar to shot 22-Shaky movement- straight angle


-“With crossed hearts and hopes to die”-The shot shows all of the band members performing the song.-Same clothing as before-Natural lighting-Filmed in slow motion but then sped up in editing to move to a close up of the singers face

Frame duration

4 seconds

Editing notes

Cut from previous shot, cut to nextShot No.


-close up of the bassists


-“Woah!”

Frame duration

Less

26 face singing the lyric-No movement-low angle, over the shoulder

- This shot shows the bassists singing the backing track-Same clothing as before-Natural lighting

than a second

Editing notesCut from previous shot, cut to the next

Shot No.

27


-Close up of the drummer singing the lyric-No movement-low angle, above the drums


-“Woah!”- This shot shows the drummer performing the backing singing-Same clothing as before-natural lighting

Frame duration

Less than a second

Editing notes

Cut from previous shot, cut to next

Shot No.


-Close up of the guitarist


-“Woah!”

Frame duration

Less

28

singing the lyric-No movement-Straight angle

- This shot shows the guitarist performing the backing singing-Same clothing as before-natural lighting

than a second


Shot No.

29


-Long shot of the band-No movement- straight angle


-“You can find me underground”- We see the band members performing in the long shot-Same costumes as before-Natural lighting

Frame duration

1 second


Shot No.


-Mid shot on the bassist


-“You can find me underground”

Frame duration

1

30

-No movement-slight low angle on him -same costumes as before

-natural lighting

second

Editing notes

Cut from previous shot, cut to nextShot No.

31


-Mid shot on guitarist-no movement-Straight angle


-“Where I can’t hear a sound”-natural lighting

Frame duration

Less than a second


Shot No.


-mid shot of the drummer


-“Where I can’t hear a sound”

Frame duration

Less

32-No movement-Straight angle

-Using a match-on-action, we see the drummer continue stop playing the drums, he throws his sticks behind him-same costumes as before-natural lighting

than a second


Shot No.

33


-Close up on the singers face-no movement-Straight angle


-The ending of the line ”Where I can’t hear a sound”- the close up just shows the singer singing the song-Same costume as before. At the end of the line, he drops the microphone-natural lighting

Frame duration

1 second

Editing notesCut from previous shot, wipe to next

Shot No.


-Long shot of the room


-“I watched you get down on your knees”

Frame duration

2

34they are performing-No movement-High angle

-We see all of the band leave where they have been standing and run outside of the room.-Same costumes as before-natural lighting, however, extra lighting might be needed to brighten up the area near the camera.

seconds


Shot No.

35


-Long shot of the landing-No movement-Straight angle


-“I watched you get down on your knees”-The singer slides across the landing on either a skateboard in his socks with his arms in the air-Same clothing as before, without shoes-Natural lighting

Frame duration

2 seconds


Shot No.


-mid shot from inside the


-“In hopes that I would turn around”

Frame duration

36fridge-No movement-Straight angle

-The mid shot shows the fridge being opened by the bassist, the camera is positioned inside the fridge-Same costume as before-natural lighting

2 seconds


Shot No.

37


-Mid shot, outside of the fridge-No movement-Low angle so we see them from above.


-“In hopes that I would turn around”-The mid shot shows the guitarist take the milk out of the fridge and swig it from the bottle-Same costumes as before-Natural lighting

Frame duration

2 seconds


Shot No.

38


-Long shot-Straight angle-shaky/handheld camera


-“So now you’ll find me underground”-In the bedroom, the singer is on the bed singing, the drummer is in front of the bed, the guitarist is on the

Frame duration

1 second

right and the bassist is on the left-Same costumes as before-Natural lighting


Shot No.

39


-Close up-Straight angle-No movement


-“So now you’ll find me underground”-In the same position as shot 38, but it is a close up on the bassists fingers playing the song-Same costumes as before-Natural lighting

Frame duration

Less than a second


Shot No.

40


-Over the shoulder shot-High angle-No movement


-“So now you’ll find me underground”-In the same position as shot 39 but it’s an over the shoulder shot of the drummer playing the song

Frame duration

Less than a second

-Same costumes as before-Natural lighting


Shot No.

41


-Mid shot-Straight angle-Tilt down


-“Where I can’t hear a sound”-In the same position as shot 40 but it is a mid-shot of the guitarist playing the song that will tilt down, his head is down-Same costumes as before-natural lighting

Frame duration

1 second


Shot No.

42


-Long shot-Straight angle-Fast dolly right at the end of the shot


-“Where I can’t hear a sound”-This shot is almost identical to shot 38, the band are all in the same place.-At the end of the shot, the camera will pan to the right quickly-Same costume as before-Natural lighting

Frame duration

2 seconds

Editing notesCut from previous shot, wipe to the next

Shot No.

43


-Mid shot-Straight angle-No movement


-“I tried hard to erase it”-This mid shot shows the mother sitting in the park; she is sitting on a picnic blanket with a basket. She is laughing something off screen-The costume of the mother is a dress, sunglasses and a sun hat. She is sitting on a picnic blanket of some sort.-Natural lighting but we need a sunny day.

Frame duration

1 second

Editing notesWipe from previous shot, cut to the next

Shot No.

44


-Long shot-Straight angle-Handheld camera


-“I tried not to use it cause I can”-The long shot shows the father and the son playing some form of crochet-The costume of both the father and the son is casual smart, something they would wear to the park-natural lighting

Frame duration

2 seconds

Editing notesCut from previous shot, wipe to the next

Shot No.

45


-Establishing shot-Straight angle-no movement


-“I tried not to use it cause I can”-The establishing shot shows the family and their surroundings at the park. You can see the trees, the rest of the park and the whole family-Same costumes as before-natural lighting

Frame duration

2 Seconds


Shot No.

46




-“And don’t tell me what a race is”-The mid shot is almost the same as shot 43 but the mother is more on the left of the screen. In the distance there is a tree that all the band members are behind.- As the mom laughs again, a focus pull occurs and the tree comes into focus as the first band member pokes their head around the tree.-The band are wearing the same clothing as they are in the house and the family are wearing the same clothes as before-natural lighting

Frame duration

3 seconds


Shot No.

47




-“And don’t tell me what a race is” however, this line might creep into “Cause I can get fucked up more than a little bit”-The mid shot is the tree with the first band member already poking their head around. The other members then also come around; they are standing two at each side. They are watching the family-They are wearing the same clothes as they are in the house

Frame duration

2 second


Shot No.

48




-“Cause I can get fucked up more than a little bit”-The close up shows the singers face, he simply raises his eyebrow-Same costume as before-Natural lighting

Frame duration

1 second


Shot No.

49


-Close up-High angle-No movement


-“Cause I can get fucked up more than a little bit”-There is a shot of a pebble on the floor that the lead singer kneels down to pick it up-Same costume as before (Jeans and converse)-Natural lighting

Frame duration

1 second


Shot No.

50


-Over the shoulder shot-Straight angle-No movement


-“Cause I can get fucked up more than a little bit”-The lead singer throws the pebble at the family in the distance-Same costume as before-Natural lighting

Frame duration

1 second


Shot No.

51


-Mid shot-straight angle-pan left


“It’s coming to this”-The pebble lands in a jug of juice by the mother, it plashes everywhere and she is startled the shot is similar to 46. She picks up the pebble and throws it to the left-As she throws the ball to the left, the camera also pans left to follow the ball.-Same costumes as before-Natural lighting

Frame duration

1 second


Shot No.

52


-Mid shot-Straight angle-Fast pan left


-“it’s coming to this”-The pebble that was thrown by the mother is caught by the lead singer who is back in the house.-A shallow focus shows the ban playing their instruments in the background.-Same clothes as before-maybe some added extra lights on the background band.

Frame duration

1 second


Shot No.

53


-Long shot-Straight angle-No movement


-“We pay to watch it wasted”-The band are standing out on the drive performing the song-Same clothes as before-Natural lighting, but we need it to be light

Frame duration

2 second


Shot No.

54


-Long shot-Low angle-360° rotation


-“They’re just a face all covered with a rag”-The band are still performing on the drive, with the camera rotating all around them.-Same costumes as before-A quarter the way through the rotation the screen flashes and it goes to shot 55

Frame duration

2 seconds


Shot No.

55




-“They’re just a face all covered with a rag”-The band is in the same positions as they were on the driveway but, they are instead in the living room. They are performing the exact same-The same costumes as before-A quarter of the way through, the screen flashes and it goes to shot 56

Frame duration

2 seconds

Editing notesCut from previous shot, cut to nextHave to make sure that the two shot line up so it looks smooth

Shot No.

56




-“And they might keep running but the slower they move”-The band is in the same positions as they were on the living room but, they are instead in the bedroom. They are performing the exact same-The same costumes as before

Frame duration

3 seconds

Editing notesCut from previous shot, cut to nextHave to make sure that the two shot line up so it looks smooth

Shot No.

57


-Close up-Straight angle-no movement


-“And those moves in time with their…”-Close up on the guitarists fingers playing the song-Same costumes as before, still in the bedroom-Natural lighting

Frame duration

1 second


Shot No.

58


-Close up-Low angle-No movement


-“And those moves in time with their...”-A low angle shot from the bassists feet as he plays the songs-Same costumes as before-natural lighting

Frame duration

1 second


Shot No.

59




-“And those moves in time with their...”-close up on the drums being hit in time with the song-Same costumes as before-natural lighting

Frame duration

1 second


Shot No.

60


-Close up-Canted angle-Jumpy Zoom


-“Per-fect Place-ment”-On each of the different syllables, the camera jumps closer to the singer screaming the lyric into the camera-Same clothing as before-natural lighting

Frame duration

3 seconds


Shot No.

61




-“A lie’s a lie”-We can see the guitarist’s whole body as he mimes the line. He is holding the toilet paper in one hand and the mic in the other-After singing the line, he throws the toilet paper to the right off the screen.-Same clothes as before

Frame duration

2 seconds


Shot No.

62




-“With crossed hearts and hopes to die”-We see the guitarist’s whole body and he plays the song. The toilet paper comes in from the right and the guitarist uses his guitar as a baseball bat and hits it to the left.-same clothes as before

Frame duration

2 seconds


Shot No.

63




-“You can find me underground”-We see the bassist’s whole body and he plays the song. The toilet paper comes in from the right and the bassist uses his guitar as a baseball bat and hits it to the left.-same clothes as before

Frame duration

2 seconds


Shot No.

64




-“Where I can’t hear a sound”-The drummer is seen casually making a cup of tea amongst the chaos, shown from the side on as he pours the kettle-Same clothing as before

Frame duration

2 seconds


Shot No.

65


-Close up-Low angle-no movement


-“Where I can’t hear a sound”-The camera goes in front of the drummer making the tea as the toilet paper comes in and hits the drummer on the side of the head.-Same costumes as before

Frame duration

1 second


Shot No.

66


-Long shot-Straight angle-Slow pan right


-“I watched you get down on your knees”-The camera slowly pans right and we see the rest of the band under the archway, they all cheer for hitting the drummer.-Same costumes as before.

Frame duration

2 seconds

Editing notes

Shot No.

67


-Close up-High angle-No movement


-“I watched you get down on your knees”-We see the TP on the floor and the drummer quickly picks it up

Frame duration

Less than a second


Shot No.

68




-“In hopes that I would turn around”-The drummer rips the toilet paper and throws it back at the band, making it leave some of the paper in its trail.-Same costumes before.

Frame duration

2 seconds


Shot No.

69


-Mid shot-High angle-handheld camera


-“So now you’ll find me underground”-The mid shot shows the bassist playing the song-Same costume as before-Performing in the living room

Frame duration

Less than a second


Shot No.

70




-“So now you’ll find me underground”-The close up shows the guitarist playing the song but the shot is the strings at the base of the guitar-Same costumes as before

Frame duration

Less than a second


Shot No.

71




-“So now you’ll find me underground”-The close up shows the drummer pressing his foot on the bass drum-Same costume as before

Frame duration

Less than a second


Shot No.

72




-“Where I can’t hear a sound”-The mid shot shows the lead singer perform this line in between the band playing-Still in the living room-Same costumes as before

Frame duration

3 seconds


Shot No.

73


-Close up-low angle-No movement


-“Where I can’t hear a sound”-The close up shows the bassist miming the line while playing the song-Same costume-Still in the living room

Frame duration

3 seconds


Shot No.

74




-“Where I can’t hear a sound”-The close up shows the lead singers face miming the line while he stands on the bed-His costume is the same as before-The band are no longer around him

Frame duration

1 second


Shot No.

75




-“Where I can’t hear a sound”-The camera is positioned from the side and we see the singer drop backwards onto the bed in slow motion

Frame duration

2 second


Shot No.

76


-Close up-Canted angle-No movement


-Instrument bridge-This shot shows a roll of toilet paper being thrown through the air in slow motion

Frame duration

3 seconds

Editing notesCut from previous shot, fade to next

Shot No.

77


-Close up-Straight angle-Track right


-Instrumental Bridge-The close up shows silly string being fired from somewhere off screen. The camera tracks right to show that it is coming from a can.-Slow motion

Frame duration

3 seconds

Editing notesfade from previous shot, fade to next

Shot No.

78




-Instrumental Bridge-The screen cuts back to a shot similar to shot 75, but the singer is halfway through the air.-Slow motion

Frame duration

3 seconds

Editing notesfade from previous shot, cut to next

Shot No.

79




-Instrumental bridge-The mid shot cuts back to the family at the park, the mom signals back to the family as if to call them to the car to leave.-Same costumes that they were wearing before

Frame duration

2 seconds


Shot No.

80


-Close up-Canted angle-No movement


-Instrumental bridge-The close up shows the family getting into the car. The close up focuses on the car door shutting, you can see the family inside it.

Frame duration

4 seconds


Shot No.

81


-Mid shot-Straight angle-Slow pan right


-“What can I say?”-The band is laying top and tail on a bed, all four members. The camera is above them and it tracks right as we see the singer mime the lyric-The other band members all have toilet paper and silly string covering them.

Frame duration

2 seconds

Editing notesFade from previous shot, cut to next shot

Shot No.

82




-“I would have gone another way”-The lead singer is shown sitting on the couch, singing the lyrics while the band cause chaos behind them-This will be in slow motion-Living room

Frame duration

2 seconds


Shot No.

83


-mid shot-straight angle-Slow pan right


-“Cause that isn’t me”-The screen cuts back to the shot of shot 81 and the singer continue to sing the line.-The pan doesn’t restart, it simply continues

Frame duration

1 second


Shot No.

84




-“I was born to fade away”-We see the singer falling backwards onto the bed again, in slow motion, getting closer to the bed.

Frame duration

2 seconds


Shot No.

85


-Over the shoulder shot/next to the arm-Canted angle-No movement


-“It’s nothing you did”-The shot shows the drummer and the guitarist firing the silly string at each other in slow motion-Same costumes as before-Living room

Frame duration

2 seconds


Shot No.

86


-Over the shoulder shot/ Next to the arm-canted angle-Slow pan left


-“ Just felt something as a kid”-This shot shows the opposite to shot 85, they are still firing the silly string but it is from the perspective of the guitarist this time-Same costume as before-Living room

Frame duration

3 seconds


Shot No.

87


-Long shot-straight angle-no movement


-“And now I can’t feel”-The shot cuts back to the same shot as 82. The singer mimes the line and the chaos keeps going on the background-living room.

Frame duration

2 seconds

Editing notesFade from previous shot, fade to next

Shot No.

88


-Mid shot-straight angle-Slow pan right


-“I can’t feel anything at all”-Same shot as 81, the pan right continues and the singer mimes the lyric.-In this shot, you see the lead singer look confused as he begins to sit up-bedroom

Frame duration

2 seconds

Editing notesfade from previous shot, fa to next

Shot No.

89




-“It’s nothing at all”-The camera sits side on to the bed. We see the singer sit up completely and look to the side of the bed.

Frame duration

2 seconds


Shot No.

90


-Mid shot-Straight angle-Track forwards


-“I feel nothing at all”-The camera is down by the singers leg and it follows him through the hallway as he walks towards the door, in slow motion-Hallway-Same costume

Frame duration

2 seconds


Shot No.

91




-“nothing at all”-The close up shows the singer reaching for the door handle and turning it-Same costume-hallway

Frame duration

Less than a second


Shot No.

92


-Mid shot-Straight angle-no movement


-“Nothing at all”-The singer opens the door and we see the family looking horrified standing at the door.-Same costumes-Outside but the camera is positioned inside the house.

Frame duration

2 seconds


Shot No.

93




-“Nothing at all”-The close up shows the dads horrified face, mirroring the shots with the portrait (shot 9-11)-Same costumes as before

Frame duration

1 second

Editing notesCut from previous shot, cut to nextCuts with the beat

Shot No.

94




-Instrumental-The close up shows the horrified mom face, mirroring the shots with the portrait-Same costumes as before

Frame duration

1 second

Editing notesCut from previous shot, cut to nextCuts with the beat

Shot No.

95


-Close up-straight angle-No movement


-Instrumental-The close up shows the sons face, unlike his parents he is smiling and laughing-Same clothes as before

Frame duration

1 second

Editing notesCut from previous shot, cut to nextCut with the beat

Shot No.

96




-Instrumental-The close up shows the daughters face, much like her brother, she is also smiling and laughing-Same clothes

Frame duration

1 second

Editing notesCut from previous shot, cut to nextCut with the beat

Shot No.

97


-Mid shot-straight angle-No movement


-Instrumental-The mid shot shows a shot of the singer standing at the door (The camera will be positioned outside, looking in), he scratches the back of his head and smiles.-in the background we see all of the toilet paper hanging on the painting.-same clothes

Frame duration

1 second

Editing notes-cut from previous shot, cut to next-Cut with beat

Shot No.

98




-Instrumental drop-The close up shows someone pushing the button down on an air horn. The shot is simply a hand holding the horn in the air and it being set off

Frame duration

1 or 2 seconds


Shot No.

99


-Long shot-canted angle-handheld camera (shaky)


-“A lie’s a lie”-The long shot shows the band performing again-Same clothes-Garage

Frame duration

2 seconds


Shot No.

100


-Long shot-low angle-Track left,


-“With crossed hearts and hopes to die”- The track shows the family walking through the. Now destroyed, house. We see the horror on the parents faces.-Same clothes as before-Hallway

Frame duration

3 seconds


Shot No.

101




-“You can find me underground”-The mid shot shows the lead singer standing by the door to the living room, he ushers the family into the living room-Same clothes as before-hallway

Frame duration

2 seconds


Shot No.

102


-Close up-Straight angle-handheld camera, shaky


-“Where I can’t hear a sound”-The close up shows the lead singer singing into the camera-Same clothes as before-Garage

Frame duration

2 seconds

Editing notesCut from previous shot

Shot No.

103




-“I watched you get down on your knees”-The camera is positioned on the other side of the living room door. It shows it opening and the mother coming through-Same clothing as before

Frame duration

2 seconds


Shot No.

104


-Establishing shot-Straight angle-Slow pan right


-“I watched you get down on your knees”-The establishing shot shows the front room, covered in toilet paper; the instruments are also in the front.-Same clothes as before

Frame duration

1 second


Shot No.

105




-“In hopes that I would turn around”-The close up shows the mom screaming, just her face, at the sight of the room-Same costume as before

Frame duration

1 second


Shot No.

106


-Mid shot-Straight angle-Handheld camera, shaky


-“In hopes that I would turn around”-The mid shot shows the guitarist playing the song In the garage-Same clothes as before

Frame duration

2 seconds


Shot No.

107




-“So now you’ll find me underground”-The band are all standing in a line in the front room, they all look pleased with themselves and high five each other, suddenly silly string hits them-Same clothes as before

Frame duration

3 seconds


Shot No.

108


-Mid shot-Low angle-No movement


-“Where I can’t hear a sound”-The mid shot shows the son and daughter firing silly string at the band from the other side of the living room.-Relaxed smart clothes

Frame duration

2 seconds


Shot No.

109




-“Where I can’t hear a sound”-The close up shows the lead singer wiping the silly string off his face. He looks at the camera and shrugs.-Same clothes as before

Frame duration

2 seconds


Shot No.

110




-Instrumental-The mid shot shows the rest of the band who pull up toilet paper and silly string like weapons-Same clothes as before

Frame duration

2 seconds


Shot No.

111




- “Scream”- The close up shows the singers face as he

screams into the camera- Same clothes as before

Frame duration

1 second


Shot No.

112


--Long shot-Straight angle-No movement


- Instrumental- The long shot shows the band on one side of

the screen and the kids on the other side, they start to throw things at each other

Frame duration

2 seconds


Shot No.

113




-Instrumental-The close up shows the sons hand throwing toilet paper through the air-Same costume as before

Frame duration

1 second


Shot No.

114




-Instrumental-The mid shot shows the daughter getting silly string shot at her-Same costume as before

Frame duration

2 seconds


Shot No.

115


-Mid shot-Straight angle-handheld camera, shaky


-Instrumental-The shaky mid shot shots the band performing in the living room. It mainly focuses around the lead singer-Same clothes as before

Frame duration

3 seconds


Shot No.

116


-Mid shot-Straight angle-Camera falls over?


-Instrumental to the end of the song-The mid shot shows the family lined up in the dirty living room. They all have the silly string and TP over them. The son and daughter look happy while the mom and dad look unimpressed.-After 3 seconds, the camera falls over onto its side and cuts to black.-Same clothes as before

Frame duration

4 seconds

Editing notesCut from previous shot, fade to black

Final Storyboard Music Video

Documents

Transcript of Final Storyboard Music Video