Filback - Teaching Creativity & Innovation
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Transcript of Filback - Teaching Creativity & Innovation
Teaching Crea,vity and Innova,on
Robert A. Filback, Ph.D. Associate Professor of Clinical Education
Co-Chair, Global Executive Doctorate in Education [email protected]
Rio de Jinero, Sao Paulo | Febrary 22-26, 2016
Other Innova1on Hubs at USC • Spark SC – Student Innova1on • Center for Technology Commercializa1on • Blackstone Launchpad • Annenberg Innova1on Lab • Center for Innova1on in Pediatrics • Iovine and Young Academy • Center for Global Innova1on
11/9/2015 Why wait 100 years? Bridging the gap in global education | Brookings Institution
http://www.brookings.edu/research/reports2/2015/06/100-years-gap-global-education-winthrop-mcgivney 2/26
century, a sum total of 2.3 million children were enrolled in primary school aroundthe world.[2] Today, more than 700 million children are now enrolled in primaryschool, nearly 90 percent of the world’s school-age children (see Figure 1).
The spread of schooling around the globe remains one of the most widelysuccessful "going to scale" stories to date. Two hundred years ago, it would havebeen inconceivable in any country or cultural context that a central feature in achild’s upbringing and preparation for adulthood would be his or her regularparticipation in classroom lessons and school life. Of course, education existedlong before—and indeed for millennia has been the primary way in whichhumans have passed down knowledge across generations—but for the vastmajority of young people it took very different forms, such as through the family,songs and the arts, cultural and religious institutions, community work, andapprenticeships in arts and trades. Today, not a single country in the world iswithout a schooling system, and for most of the world’s youth the education theyreceive in school—or lack thereof—has a major bearing on their prospects inadult life.
Figure 1
P. 1EXECUTIVESUMMARY
Creative Public Leadership: How School System Leaders Can Create the Conditions for System-wide Innovation
By Joe Hallgarten, Valerie Hannon,Tom Beresford
Royal Society of Arts
Innovation Unit
11/9/2015 Why wait 100 years? Bridging the gap in global education | Brookings Institution
http://www.brookings.edu/research/reports2/2015/06/100-years-gap-global-education-winthrop-mcgivney 13/26
The gap is even larger if you break it down by region. In the above calculations,“developing regions” includes Latin America, China, and Korea, whose progresshas been much faster than the poorest regions.
As seen in Figure 6 below, sub-Saharan Africa and South Asia are the tworegions with the lowest education levels;; in 2010, the average number ofcompleted years of schooling was just under five. Looking back, we can see thatEurope and its offshoots were already above this level 100 years before. EasternEurope, Japan, and South Korea hit this level by 1950, and Latin America andChina by 1980. The progress in Africa and South Asia has been far slower, andthus the gap between these regions and the most developed countries today isalmost eight years.
Figure 6
Local Challenges in Brazil • Inclusion • Family engagement • Holis1c learning • Absences • Bullying • Mo1va1on • Adop1ng innova1on • Sparking curiosity
• Teacher professionalism • Public school financing • Assessing teacher performance
• IT in the classroom • Second language learners • Meaningful learning • College readiness
P. 1EXECUTIVESUMMARY
Creative Public Leadership: How School System Leaders Can Create the Conditions for System-wide Innovation
By Joe Hallgarten, Valerie Hannon,Tom Beresford
Royal Society of Arts
Innovation Unit
• Launched in 2012 • Conceptual and experiential learning • Third version • 12 faculty • 20+ sections/year • Approx. 300 students/year • Student feedback • Pre- and Post-Surveys
Crea1vity Course
Creativity?
A kind of capacity
to think up something new
that people find significant
Charles Lumsden, Sociobiologist, 1999, p. 153
What We Know from Research (Sawyer, 2012)
• Crea1vity is not about gene1cs • Yes, personality maXers • Yes, some have excep1onal abili1es • But the main story is nurture (environment) over nature
• Skills and behaviors can be acquired • We can learn to be more crea1ve
What We Know from Research (Sawyer, 2012)
• Insights are not mysterious • Result from prior knowledge/experience • Lots of liXle insights over 1me lead to “aha” moments
• Wai1ng for inspira1on doesn’t work • Comes through work, prac1ce, learning
Example – READ Bhutan Crea,ve Innova,on original useful
The genera1on of an idea judged to be
original and useful by a knowledgeable group
implemented successfully
The successful
implementa1on of a crea1ve idea in an
organiza1onal system Thinley Choden
Example – READ Bhutan Crea,ve Innova,on original useful
The genera1on of an idea judged to be
original and useful by a knowledgeable group
implemented successfully
The successful
implementa1on of a crea1ve idea in an
organiza1onal system Thinley Choden
Example – READ Bhutan Crea,ve Innova,on original useful
The genera1on of an idea judged to be
original and useful by a knowledgeable group
implemented successfully
The successful
implementa1on of a crea1ve idea in an
organiza1onal system Thinley Choden
Crow Vending Machine Crea,ve Innova,on original useful
The genera1on of an idea judged to be
original and useful by a knowledgeable group
not adopted in the crow world
The successful
implementa1on of a crea1ve idea in an
organiza1onal system
“interes1ng and crea1ve… unlikely ever to work.”
Dr. Kevin McGowan Cornell Ornithology Lab
Crow Vending Machine Crea,ve Innova,on original useful
The genera1on of an idea judged to be
original and useful by a knowledgeable group
not adopted in the crow world
The successful
implementa1on of a crea1ve idea in an
organiza1onal system
Crosswalk of Creative Problem Solving Processes Found in Research and Practice
Innovators DNA Dyer et al 2011
Sawyer 2012 CPS Isaksen, Dorval, Tretfinger 2000
IDEAL Bransford & Stein 1984
Sternberg 2006
Possibility Thinking Burnard, Craft, Grainger 2006
UK QCA 2005 Synectics Gordon 1961
Mumford’s Group Scott 2004
IDEO Kelley 2001
Question Question Find the
problem Frame problems
Identify problems, define goals
Redefine problems
Pose questions
Question and challenge
Problem finding
Observe Observe Acquire the
knowledge Explore data Learn Know the
domain Groundwork Info gathering
Gather related information
Look Immersion Immersion Observation
Network Network Construct
opportunities Explore possible strategies
Keep options open
Concept search
Incubate Incubation Take time off Play Envisage what might be
Ideate
Divergent Generate ideas
Generate ideas
Generate ideas
Be imaginative
Explore ideas Divergent exploration
Idea generation Brainstorming
Associative Associate Combine
ideas Cross fertilize
ideas Make
connections and see relationships
Conceptual combinations
Convergent Select the
best ideas Develop solutions
Judge ideas Reflect critically on ideas
Selection Idea evaluation
Experiment
Experiment Externalize ideas
Build acceptance
Act and anticipate outcomes
Sell the idea, persevere
Self determination
Articulation of solution, development and transformation, implementation
Implementation, planning and action monitoring
Rapid prototyping, refining, implementation
Filback, 2016 - adapted from Sawyer, R. (2012). Explaining creativity: The science of human innovation (2nd ed.). London: Oxford University Press, p. 89.
Two types of ques1ons Descrip,ve Disrup,ve Understand the
problem beXer and get informa1on you
need.
• WHAT… • WHO… • WHERE… • WHEN…
Challenge current thinking and
assump1ons about the problem.
• WHY… • WHAT IF… • WHY NOT… • HOW MIGHT…
Dyer, Gregersen, Christensen, The Innovator’s DNA
Observing
• Increased awareness of the world around you • Slowing down and no1cing • Gather insights about people and processes • Collect data about underlying causes • Generate ideas
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things.
- Steve Jobs “Crea1vity is connec1ng things”
Of the following, which do you think are the primary determinants of chemistry in a professional rela1onship, according to social science research?
1. Intelligence 2. AXrac1veness and charisma 3. Similarity 4. Physical proximity 5. High status
From Ibarra, Act Like a Leader, Think Like a Leader
Of the following, which do you think are the primary determinants of chemistry in a professional rela1onship, according to social science research?
1. Intelligence 2. AXrac1veness and charisma 3. Similarity 4. Physical proximity 5. High status
From Ibarra, Act Like a Leader, Think Like a Leader
Personal Opera,onal Strategic Idea
Purpose
Develop personally
and professionally
Get things done
efficiently
Define future direc1ons and help org pivot
Maintain idea bank
and s1mulate
new thinking
Who
Based on interests and
career priori1es
Prescribed by the task
and organiza1on structure
Select based on needs and direc1on
People from wide-‐ranging and very disparate fields
Types of Networking
From Ibarra, Act Like a Leader, Think Like a Leader
Idea1on: Incuba1on
“Looking in” or “down1me” 1ed to:
• Abstract thinking • Divergent thinking • Dis1lling experiences • Making meaning • Organizing memories
• Making crea1ve connec1ons
Immordino-‐Yang, Rest is Not Idleness
Human nature School culture
Diversity Uniformity Curiosity Compliance Crea1vity Standardized
The Challenge
Sir Ken Robinson, TED Talk “Do Schools Kill Crea1vity?”
Human nature School culture
Diversity Uniformity Curiosity Compliance Crea1vity Standardized
The Challenge
Sir Ken Robinson, TED Talk “Do Schools Kill Crea1vity?”
Human nature School culture
Diversity Uniformity Curiosity Compliance Crea1vity Standardized
The Challenge
Sir Ken Robinson, TED Talk “Do Schools Kill Crea1vity?”
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Right Brain Myth
Lone Genius Myth
Insight Myth Knowledge
Pre-‐/Post-‐Survey Results, EDUC 620 Fundamentals of Crea1vity
( ( Problem Solving Confidence
%( ( , Crea1ve Self-‐Efficacy ( (
Help Others Be More Crea1ve
Efficacy
Pre-‐/Post-‐Survey Results, EDUC 620 Fundamentals of Crea1vity
( , , ( *
#( -(. // &( * *
!(
!( 00 *0
Ques1oning Reflec1on Observa1on
Experimen1ng Idea1on Networking
Prac1ces
Pre-‐/Post-‐Survey Results, EDUC 620 Fundamentals of Crea1vity
Design Thinking
hXp://borschtwithanna.blogspot.com/2014/07/reflec1ons-‐on-‐design-‐thinking-‐ins1tute.html
“Struggling students began to use writing as a means to express their thoughts and feelings for perhaps the first time in their lives. They began to write because they wanted to, not just because they had to do so.”
– Dennis Hagen-Smith, 5th grade Teacher, Toluca Lake Elementary
• Opportunity to create • Par1cipatory learning • Student centered • Authen1c problem solving
• Access to new exper1se
Maker Movement