FIG FLACK - Yashi · 2017-04-30 · exceeds the allowable time to resume her exercise a - 0.30 P....

FIG FLACK !

THE WOMEN’S ARTISTIC GYMNASTICS NEWSLETTER – N° 40 – November 2016

Minsk (BLR) / Lausanne (SUI)

To: All Member Federations

The Women’s Technical Committee would like to present to the FIG affiliated federations:

2016 Test Event “New elements”

Table of elements (FX gr.1)

Updated List with name of Gymnasts

2016 FX Symbol chart with new element included

A synopsis of recent changes to the WAG 2017-2020 COP o Sec.11, Sec.12, Sec.13

I. New element performed at 2016 Test Event

II. 2017-2020 WAG Code of Points

11.2, 12.2 and 13.2 The maximum 8 highest difficulties including the dismount are counted for DV

Add: NO DMT - 0.50 from Final Score (D- panel) 11.5 , 12.5 and 13.5

Delete: “No Dismount” 11.6

Delete: “Brush on apparatus with feet” and “Brush on mat” 13.5 Insufficient Complexity or creativity of movements

Delete: “Lack of variety in choreography into corners”

13.6

Distribution of elements

Add: “Lack of variety in choreography into corners” – 0.10 (once for entire exercise)

These changes will have no effect or be tested on the examinations for the 14th cycle.

For the FIG WTC and with best wishes,

Nellie KIM

President of the Women’s Technical Committee

FIG FLACK !

NEWSLETTER del COMITÉ TÉCNICO FEMENINO – N° 40 – Noviembre 2016

Minsk (BLR) / Lausanne (SUI) Para: Federaciones miembros El Comité Técnico Femenino tiene el agrado de presentar a las Federaciones afiliadas a la FIG:

“Elementos nuevos” presentados en el Test Event 2016

Tabla de elementos (SU gr.1)

Lista de Nombres de Gimnastas actualizada

Cuadro de Símbolos de SU 2016 con los elementos nuevos incluidos

Resumen de los cambios recientes del Código de Puntuación GAF 2017-2020 o Sec.11, Sec.12, Sec.13

I. Elementos nuevos realizados en el Test Event 2016

Aparato Gimnasta País Descripción del elemento Elemento # VD

Suelo Vulcan, Dora ROU Salto split desde dos piernas a anillo con ½ giro (180º)

1.309 C

II. Código de Puntuación GAF 2017-2020

11.2, 12.2 y 13.2 Para el VD se cuentan las 8 dificultades más altas incluida la salida

Agregar: Sin Salida - 0.50 de la Nota Final (Panel-D) 11.5 , 12.5 y 13.5

Eliminar: “Sin salida” 11.6

Eliminar: “Rozar el aparato con los pies” y “Rozar la colchoneta” 13.5 Insuficiente complejidad o creatividad en los movimientos

Eliminar: “Falta de variedad de la coreografía a las esquinas”

13.6

Distribución de elementos

Agregar: “Falta de variedad de la coreografía a las esquinas” – 0.10 (una vez en todo el ejercicio)

Estos cambios no tendrán efecto ni serán incluidos en los exámenes para el ciclo 14º.

El CTF / FIG con los mejores deseos, Nellie KIM

Presidenta del Comité Técnico Femenino

FIG FLACK !

NEWSLETTER DE LA GYMNASTIQUE ARTISTIQUE FÉMININE– N° 40 – Novembre 2016

Minsk (BLR) / Lausanne (SUI)

À: Toutes les Fédérations membres

Le Comité Technique Féminin désire vous présenter :

Les «nouveaux éléments» du Test Event 2016

Le tableau des éléments (Sol gr.1)

La mise à jour de la liste des noms des Gymnastes

Le tableau des symboles du Sol 2016 incluant les nouveaux éléments

Un résumé des changements récents au Code de Pointage Féminin 2017-2020 o Sec.11, Sec.12, et Sec.13

I. Nouvel Élément exécuté au Test Event 2016

Agrès Gymnaste Nation Description de l’élément Élément Élément

Sol Vulcan Dora ROU Saut écart deux pieds (jump) avec ½ tour (180°) à la position pied tête 1.309 C

II. Code de Pointage GAF 2017-2020

11.2, 12.2 et 13.2 8 éléments maximum, y compris la sortie, et dont la valeur est la plus élevée, sont pris en compte pour les VD.

Ajouter: PAS DE SORTIE - 0.50 sur la note finale, par le Jury D 11.5 , 12.5 et 13.5

Supprimer : “Pas de Sortie” 11.6

Supprimer les déductions : ─ “Frôler l’agrès avec les pieds” et “Frôler le tapis” 13.5 Complexité ou créativité insuffisante des mouvements

Supprimer : Manque de variété chorégraphique vers les coins

13.6

Distribution des éléments

Ajouter : Manque de variété chorégraphique vers les coins 0.10 (une fois pour l’ensemble de l’exercice)

Ces changements n’auront pas d’impact et/ou ne prendront pas effet pour l’examen du 14e cycle.

Au nom du CTF FIG, avec mes meilleurs compliments,

Nellie KIM

Présidente du Comité technique féminin

FIG FLACK !

THE WOMEN’S ARTISTIC GYMNASTICS NEWSLETTER – N° 40 – November 2016

Минск (BLR) / Lausanne (SUI)

Всем Федерациям

Женский Технический Комитет представляет для Федераций ФИЖ:

2016 Test Event “Новые элементы”

Таблица Элементов (В/У гр.1)

Обновленный Список с именами гимнастов

2016 В/У Таблица символов с новым элементом

Краткий обзор последних изменений в Женских правилах соревнований 2017-2020 o Разделы: 11,12,13

I. Новый элемент выполнен на 2016 Test Event

II. Женские правила соревнований 2017-2020

11.2, 12.2 и 13.2

Максимум 8 элементов включая соскок будут засчитываться в ДВ.

Добавить: Нет соскока – 0.50 с окончательной оценки (Бригада Д)

11.5, 12.5 и 13.5

Удалить: “Нет соскока”

11.6

Удалить: “Легкое касание снаряда ступнями” и “Лёгкое касание мата”.

5. Недостаточная сложность или оригинальность движении

Удалить: Отсутствие хореографии в углах ковра

6. Распределения элементов

Добавить: “Отсутствие хореографии в углах ковра”–0.10 (один раз за всё упражнение)

Эти изменения не будут применяться и использоваться на экзаменах 14го цикла.

Для ЖТК ФИЖ и с наилучшими пожеланиями,

Nellie KIM

Президент Женского Технического Комитета

Section 11 page - 1

Section 11 — Uneven Bars

11.1 General

The evaluation of the exercise begins with the take off from the board or the mat. Additional supports under the board (i.e.: an extra board) are not permitted.

a) Mounts

─ If the gymnast on her first attempt touched the springboard, the apparatus, or ran underneath the apparatus:

Deduct - 1.00

She must start her exercise

No Value will be awarded for the Mount

─ A gymnast is permitted a 2nd attempt to mount (with a penalty) if she has NOT touched the springboard, the apparatus, or run underneath the apparatus

Deduct - 1.00

─ A 3rd attempt is not permitted.

D- panel judges will take the deduction from the Final score.

b) Fall Timing:

For interruption of the exercise due to a fall from the apparatus intermediate time period of 30 seconds is allowed. If the gymnast exceeds the allowable time to resume her exercise

a - 0.30 P. neutral deduction for excessive time will be applied if the gymnast continues her exercise

– The timing starts when the gymnast is on her feet after the fall – The elapsed time during the fall will be displayed in seconds on

the scoreboard. – A warning signal (gong) will be communicated at

o 10 seconds o 20 seconds and again at the o 30 second time limit

– The exercise officially resumes when the feet leave the floor. – If the gymnast has not resumed the exercise within the 60 second

time limit, the exercise will be terminated.

No salute is necessary to resume an exercise from a fall.

11.2 Content and Construction of the Exercise

The maximum 8 highest difficulties including the dismount are counted for DV. – NO DMT - 0.50 from Final Score (D- Panel) – Only 3 different elements in chronological order from the same *root skill

(except for Kips, Giants fwd/bwd and casts to HSTD) will be counted for DV, CR and CV. *The root skill is determined by the entry into the skill and the direction of the rotation (bwd or fwd)

Example 1: B D E X (no value)

Example 2: D D D B B D

Example 3 D B C X (no value)

The value parts should represent a variety of the following categories of movement:

a) Circle and Swings

─ Giant Circles backward

─ Giant Circles forward

─ Swings & Clear Hip Circles

─ Stalders Forward/Backward

─ Pike Circles Forward/Backward

b) Flights

─ flight from HB to grasp on LB (or reversed)

─ counter flight (over the bar)

─ vaults

─ hechts

─ saltos

11.3 Composition Requirements (CR) – D- Panel 2.00P

1. Flight element from HB to LB award 0.50 2. Flight element on the same bar award 0.50 3. Different grips (no cast, MT or DMT) award 0.50 4. Non flight element with min. 360º turn, (no MT) award 0.50

Section 11 page - 2

11.4 Connection Value (CV) – D- Panel

Connection Value can be awarded for direct connections. The CV will be added to the D-Score. Formulas for direct connections

Note: C/D element must have flight or min. ½ turn (180˚)

a) An element can be performed 2 times within the same direct connection for CV, but may NOT receive DV a 2nd time.

b) Flight elements include elements with visible flight:

─ From HB to grasp on LB (or reversed)

─ With counter flight (over the bar), vault, hecht or salto followed by regrasp on same bar or the other bar

─ Performed as dismounts

Note: Hop-grip changes with/without 180°-360° turns do NOT constitute flight.

c) These direct connections can be performed as a:

─ Mount connection (Gr.1 elements are not considered flight elements)

Example: D+D = 0.10

─ Connection within the exercise

─ Dismount connection

d) If an empty swing or intermediate swing is performed between 2 elements, CV can NOT be awarded.

─ Empty swing = swing fwd/bwd without the execution of an element in the Table, before the swing reverses to the opposite direction.

Except "Shaposhnikova” type elements with/without 1/1 turn (360°) and following elements:

Note: If kip performed after Shaposhnikova type elements with/without 1/1 turn - apply deduction for empty swing

─ Intermediate swing = pump swing from a front support and/or a long swing not needed in order to perform the next element.

11.5 Composition deductions (E- Panel)

Faults 0.10 0.30 0.50

– Jump from LB to HB X

– Hang on HB, put feet on LB, grasp LB X

– More than 2 of the same elements directly connected to the dismount

X

– No Dismount X

11.6 Specific Apparatus Deductions

Faults 0.10 0.30 0.50 or

more

– Body alignment in hstd and cast to hstd X X

– Adjusted grip position X

– Brush on apparatus with feet X

– Brush on mat 0.50

– Hit on apparatus with feet 0.50

– Hit on mat with feet (fall) 1.00

Uncharacteristic element (Elements with take off 2 feet or thighs)

0.50

– Poor rhythm in elements X

– Insufficient height of flight elements X X

– Under rotation of flight elements X

– Insufficient extension in kips X

– Intermediate swing 0.50

– Empty swing 0.50

– Angle of Completion of elements X X X

Amplitude of: – Swings fwd or bwd under horizontal – Casts

X X

X

– Excessive flexion of hip joint in the leg tap (DMT)

X X

0.10 0.20

D + D (or more)

D (flight - same bar or LB to HB) + C or more (on HB and must be performed in this order) D + E (both flight elements)

Section 11 page - 3

11.7 NOTES

Falls –

Flight Elements

a) with grasp of both hands (momentary hang or support) on the bar,

the DV is awarded

b) without grasp of both hands on the bar – No DV is awarded

Dismounts

a) No attempt for DMT at all Evaluation: – No DV - count 7 elements only (D- panel) – NO DMT – 0.50 (D – Panel) – Fall -1.00 or apply landing deductions, if no fall (E- panel)

b) If the dismount has begun

Example 1: with initiation of salto (failure to land feet first)

Evaluation: – No DV - count 7 elements only (D- panel) – Fall -1.00 (E- panel)

c) If the dismount has begun

Example 2: without initiation of salto (only underswing)

Evaluation: – No DV - count 7 elements only (D- panel) – Apply landing deductions (E- panel)

Mounts

a) Can fulfill CR 1 for flight from HB to LB

b) Elements performed as mounts can be performed in the exercise

(or vice versa) but receive DV only once.

Section 12 page - 1

SECTION 12 — Balance Beam

ARTISTRY Artistic Performance

An artistic performance is one in which the gymnast demonstrates her ability to transform her balance beam exercise from a well-structured composition into a performance. In so doing the gymnast must demonstrate creativity, confidence of performance, personal style and perfect technique.

This is not “what” the gymnast performs, but “How” she performs.

Composition and Choreography

The composition of a balance beam exercise is based on the movement vocabulary, both gymnastic and artistic, of the gymnast, as well as the choreography of these elements in relationship to the Balance Beam, while establishing a strong sense of rhythm and modulation of pace. It is the balancing of elements of difficulty with artistic components in order to create a continuous flow, a cohesive whole. The design, structure and composition of the exercise includes:

A rich and varied selection of elements from different structure groups in the table of elements

Changes of level (up and down)

Changes of direction (fwd, bwd, swd)

Changes of rhythm & tempo

Creative or original movements and transitions.

This is “what” she performs. Rhythm & Tempo

The Rhythm and tempo (speed/pace) must be varied, sometimes lively, sometimes slow, but predominately dynamic and above all uninterrupted.

The transition between the movements and elements should be smooth and fluent;

without unnecessary stops or

prolonged preparatory movements before elements The exercise should not be a series of disconnected elements.

12.1 GENERAL

The evaluation of the exercise begins with the take-off from the board or the mat. Additional supports under the board (ie: an extra board) are not permitted.

a) Mounts – If the gymnast on her first attempt touched the springboard, or

the apparatus.

Deduction -1.00

She must start her exercise

No Value will be awarded for the Mount.

Deduction for “Mount not from the Table of elements” will be applied

– A gymnast is permitted a 2nd attempt to mount (with a penalty) if

she has not touched the springboard or the apparatus.

Deduction -1.00 – A 3rd attempt is not permitted.

D- panel judges will take the deduction from the Final score.

b) Timing

The duration of the exercise on the balance beam may not exceed 1:30 minutes (90 seconds). – The Time Judge 1 (Assistant) begins timing when the gymnast

takes-off from the springboard or mat. She stops the clock, when the gymnast touches the mat upon completion of her beam exercise.

– A signal (gong) will be communicated ten (10) seconds prior to the maximum time limit and again at the maximum time limit (1:30) to indicate that the exercise is to be finished.

– If the dismount lands at the sound of the second signal, there is no deduction.

– If the dismount lands after the sound of the second signal, there is a deduction for exceeding the time limit.

Section 12 page - 2

The deduction for overtime will be taken, if the exercise is more than 1:30 minutes (90 seconds)

-0.10

– Elements performed after the 90 second time limit will be recognized by the D- Panel and evaluated by the E- Panel.

– Time violations are reported in writing by the respective Time Judge to the D- Panel judges, who then takes the deduction from the Final Score.

c) Fall Timing:

For interruption of the exercise due to a fall from the apparatus, an intermediate time period of 10 seconds is allowed.

─ If the gymnast exceeds the allowable time to resume her exercise

a - 0.30 P. neutral deduction for excessive time will be applied if the gymnast continues her exercise – Time Judge 2 begins timing when the gymnast is on her feet

after the fall.

– The duration of the fall is timed separately; it will not be calculated in the total time of the exercise.

– The fall period ends when the gymnast takes-off from the mat to remount the beam.

– No salute is necessary to resume an exercise from a fall.

– After remounting the beam the resumption of timing by Time

Judge 1 begins with the first movement to continue the exercise.

– The elapsed time during the fall will be displayed in seconds on the scoreboard.

– A signal (gong) will be communicated at the

10 second time limit.

– If the gymnast has not resumed within 60 seconds, the exercise will be terminated.

12.2 Content of the Exercise The maximum 8 highest difficulties including the dismount are counted for DV. NO DMT - 0.50 from Final Score (D- Panel) Within the 8 counting elements there must be a minimum of:

3 Dance

3 Acro and 2 optional elements

12.3 Composition Requirements (CR) – D- Panel 2.00P.

1. One connection of at least 2 different dance elements,

1 being a leap, jump or hop with 180° split (cross or side), or straddle position award 0.50

2. Turn (Gr. 3) award 0.50 3. One Acro series, min. of 2 flight* elements

1 being a salto (elements may be the same) award 0.50 4. Acro elements in different directions (fwd/swd and bwd) award 0.50

* Flight elements with or without hand support.

Note:

– CR 1 - 4 must be performed on the Beam. – Rolls, handstands and holds may not be used to fulfill CR.

12.4 Connection Value (CV) and Series Bonus (SB) – D – Panel

a) Connection Value can be awarded for direct connections.

b) The CV will be added into the D- Score.

c) Series Bonus will be awarded for the connection of 3 or

more elements.

Section 12 page - 3

Formulas for direct connections

ACROBATIC

0.10 0.20

2 acro flight elements, including mount & dismount (min. F) All connections must be rebounding*

C + C B + E

C/D + D (or more)

B + D (both elements fwd) B + F

Series Bonus (SB) of + 0.10 P. Will be awarded to dance/mixed and acro series (*rebounding and non-rebounding) of B + B + C in any order, including MT & DMT (min.C), or more in addition to CV Example 1: B + B + C = +0.10 series bonus

D + B + C = +0.10 series bonus

Example 2: +0.10 series bonus Total CV + SB = 0.30 To receive the SB:

Non-flight acro elements Min. B (except “Holds”) may be used

The same (flight or non-flight) acro element may be repeated within connection)

*Connections with rebounding effect utilize the elasticity of the apparatus and develop speed in one direction.

Landing (on 2 feet) from the 1st flight element with hand support followed by an immediate take-off/rebound into the 2nd element, or

Landing from the 1st flight element (with/without hand support) on one leg and placing the free leg with an immediate rebound from both legs into the 2nd element.

DANCE & MIXED

(acro – flight elements only), excluding dismount

0.1 0.2

C + C or more (dance) A + C (turns only) B + D (mixed) D + A (Salto to 1 foot scale) (This order & no step is permitted)

D + D or more

Note: Turns may be performed on the same support leg (brief demi-plié is permitted), or with step into turn on opposite leg (demi-plié on one or both feet is NOT permitted)

The following B- acro elements with hand support and flight

– flic-flac with legs together – flic-flac with step-out – gainer flic-flac – round-off – handspring forward

may be performed a 2nd time in the exercise to receive CV and SB, but may

not be performed a 2nd time to receive CR.

Section 12 page - 4

12.5 Artistry & Composition Deductions (E- Panel)

Faults 0.10 0.30 0.50

Artistry of Performance

− Insufficient artistry of performance throughout the exercise including:

Confidence

Personal style

X X

− Rhythm & Tempo

Insufficient variation in rhythm & tempo in movements (no DV)

Performance of the entire exercise as a series of disconnected elements &

movements (lack of fluency)

X

X

Composition

− Mount without DV (All mounts without DV will be commonly recognized as “A” except straddle over to sit or squat on)

X

─ Insufficient use of entire apparatus:

Insufficient use of entire length of beam

Lack of side movements (NO DV)

Missing combination of movements/ elements close to the beam with a part of the torso (including thigh, knee or head) touching the beam (element not necessary)

X X X

─ Insufficient Complexity or creativity in the movements (A complex and creative movement is one that

requires training time, coordination and previous preparation)

X

− One-sided use of elements:

More than one ½ turn on 2 feet with straight legs throughout exercise

X

– No Dismount X

12.6 Specific Apparatus Deductions (E-Panel)

Faults 0.10 0.30 0.50

– Poor rhythm in connection (with DV) ea X

Excessive preparation – Adjustment (unnecessary steps & movements) – Excessive arm swing before dance elements – Pause (apply at 2 sec.)

ea X ea X ea X

Poor Body posture/Amplitude throughout (maximum elongation of the body movements) – Head, trunk, shoulder and arm positions – Feet not pointed/ relaxed/ turned in – Lack of work in relevé – Insufficient amplitude of leg swings/kicks

X X X X

– Additional support of leg against the side surface of the beam

X

– Failure to meet the technical requirement of the element

through use of additional support

X

– Grasp on beam in order to avoid a fall X

– Additional movements to maintain balance X X X

*Dismount:

a) If the salto for the dismount has not begun (no initiation of rotation) and a fall occur

Example 1: jump off BB: Evaluation: – No DV – count 7 elements only (D - panel) – No DMT – 0.50 (D - panel) – Fall -1.00 or apply landing deductions if no fall (E- panel)

b) If the salto for the dismount has begun and then a fall occurs:

Example 2: begin salto, but failure to land feet first Evaluation: – No DV – count 7 elements only (D- panel) – Fall – 1.00 ( E- panel)

https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=7&cad=rja&uact=8&ved=0CE8QtwIwBmoVChMI3JSv07n6yAIVyqYeCh3FKAuT&url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Ddim7AaoQrC8&usg=AFQjCNH1dtTpnwz8l2eVq_PTf2qCrhABDw&sig2=sI04DZVvBRkm_G_s9Um3Mw

Section 12 page - 5

12.7 NOTES Falls – Acro and Dance Elements Acro and Dance Elements must return to the beam with foot or torso in order to be awarded difficulty.

a) with a landing on 1 or 2 feet or in prescribed position on the beam

– the DV is awarded b) without a landing on 1 or 2 feet or in prescribed position on the beam

– No DV is awarded (element may be performed again to receive DV) Mounts

a) Only one acro element may precede the mount b) Some elements listed as mounts (rolls, handstands and holds) can be

performed in the exercise (or vice-versa) but receive DV only once. Holds

a) Handstands (without turns) & Holds must be held for 2 sec. when prescribed in the table of elements in order to receive DV. If the element is not held for 2 sec. and does not appear as another element in the Code, award 1 DV lower or no DV. (HSTD or hold position should be completed).

b) For CR, CV and SB “Hold” acro elements (with flight) may be used as

the last element in an Acro series or mixed connection.

c) and will be credited 1 DV lower if the handstand is NOT held for 2 seconds

If the gymnast performs the same element again in the exercise and holds the HSTD position for 2 sec. – No DV awarded

Onodi Tic Toc − Can only be used as the last element to fulfill CR of acro series and for

CV

– Can be used anywhere for Series Bonus

− Will be considered the same element as Onodi

Specific Elements

hands must land in cross position.

Hands placed together in Cross position – Correct If front hand completed turn – Apply deductions for Precision Hands in Side Position – Apply deductions for Precision

Section 13 page - 1

SECTION 13 — Floor Exercise

ARTISTRY Artistic Performance

An artistic performance is one in which the gymnast demonstrates her ability to transform her floor exercise routine from a well-structured composition into an artistic performance. In so doing the gymnast must demonstrate a strong choreographic flow, artistry, expressiveness, musicality and perfect technique.

The main objective is to create and present a unique and well-balanced artistic gymnastic composition by combining the body movements and expression of the gymnast harmoniously with the theme and character of the music

Composition and Choreography

The composition of a floor exercise is based on the movement

vocabulary of the gymnast, as well as the choreography of those elements and movements, that is, the mapping out of the body's movements, both gymnastic and artistic, over space and time in relationship to the floor exercise area and in harmony with the selected music.

The choreography should be developed such that one movement flows smoothly into the next with contrasts in the speed and intensity.

Creative choreography that is the originality of the composition of elements and movements, means that the exercise has been constructed and is performed using new ideas, forms, interpretations and originality, thereby avoiding copying and monotony. The design, structure and composition of the exercise includes:

A rich and varied selection of elements from different structure groups in the table of elements

Changes of level (up and down)

Changes of direction (fwd, bwd, swd and curves)

Creative or original movements, connections and transitions into acro lines.

This is “what” the gymnast performs.

Expression

Expression can be defined generally as the attitude and range of emotion exhibited by the gymnast with both her face and through her body. This includes how a gymnast generally presents herself and connects with the jury and public, as well as her ability to control/manage her expression during the performance of the most difficult and complex movements. It is also her ability to play a role or a character throughout the performance. In addition to the technical execution, artistic harmony and feminine grace must also be considered.

It is not only “what” the gymnast performs, but also “how” she performs her routine. Music

The music must be flawless, without any abrupt cuts, and must contribute a sense of unity to the overall composition and performance of the exercise.

It should flow and must have a clear start and clear finish. The chosen music must also help to highlight the unique characteristics and style of the gymnast. The character of the music should provide the guiding idea/theme of the composition.

There must be a direct correlation between the movements and the music. The accompaniment should be personalized to the gymnast and must contribute to the overall artistry and perfection of her performance.

Musicality

Musicality is the ability of the gymnast to interpret the music and to demonstrate not only its rhythm and speed, but its flow, shape, intensity and passion.

The music must support the performance and through her movements, the gymnast, must convey the theme of the music to the audience and jury.

Section 13 page - 2

13.1 GENERAL

a) CD Requirements

− The floor exercise music CD will be given to the competition administration. Each CD will be timed; said time will be approved by the administration and the delegation head coach.

− The following must be written on the CD:

The name of the gymnast and the 3 capitalized letters used by FIG for the country code

The name of the composer and of the title of the music. − The musical accompaniment with orchestration, piano or other

instruments must be recorded.

A signal or tone may be used at the beginning of the recording. However, the name of the gymnast may not be spoken.

The human voice may be used as a musical instrument without word/s Examples of the ' human voice' as an acceptable

instrument are: humming, vocalizing without words, whistling, chanting.

Absence of music or music with words – 1.00 Note: Taken by the D- Panel from the Final Score. In case of doubt Federation/gymnast may submit music to the WTC for evaluation

b) Timing

The evaluation of the exercise begins with the first movement of the gymnast. The duration of the floor exercise may not exceed 1:30 minutes (90 seconds). − The assistant begins timing, when the gymnast begins with

the first movement of her floor exercise. − The assistant stops timing, when the gymnast ends her floor

exercise with the last position. The exercise must end with the music.

− The deduction for overtime will be taken if the exercise is more than 1:30 minute (90 sec.). – 0.10

− Elements performed after the 90 sec. time limit will be recognized by the D- Panel and evaluated by the E- Panel.

c) Border Markings Exceeding the prescribed floor area (12 X 12 m), that is touching the floor with any part of the body outside of the border markings, will result in a deduction. − One step or landing outside of the boundary

with a foot or hand – 0.10 − Step(s) outside with both feet, both hands or a

body part or landing with both feet outside – 0.30 Both time and line violations are reported in writing by the respective Time and Line Judge to the D- Panel, who then takes the deduction from the Final Score.

13.2 Content of the Exercise The maximum 8 highest difficulties including the dismount are counted for DV. NO DMT - 0.50 from Final Score (D- Panel)

Within the 8 counting elements there must be a minimum of:

3 Dance

3 Acro and 2 optional elements

The dismount is the last counting acro Line (credit highest DV)

No DMT will be credited if only one acro Line is performed

a) Acro Lines

─ The maximum number of acro Lines is 4.

─ Any difficulty in subsequent acro Lines will not be counted for DV.

─ An acro line consists of a minimum of 2 directly connected flight

elements one of which must be a salto.

Failure to land on the feet first from a salto will still be considered an acro Line

Section 13 page - 3

13.3 Composition Requirements (CR) – D- Panel 2.00

1. A dance passage composed of two different, leaps or hops, (from the Code) connected directly or indirectly (with running steps, small leaps, hops, chassé, chainé turns), one of them with 180°cross/side split or straddle position award 0.50

(The objective is to create a large flowing and traveling movement pattern.)

No jumps or turns are permitted because they are stationary. Chainé turns (½ turns on two feet) are allowed because they are traveling steps.

Leaps and hops must land on one leg if performed as the 1st element in the dance passage.

2. Salto with LA turn (min. 360˚) award 0.50 3. Salto with double BA award 0.50 4. Salto bwd and salto fwd (no aerials) award 0.50

Note: CR 2, 3 and 4 must be performed within Arco line.

13.4 Connection Value (CV) – D- Panel Connection Value can be awarded for indirect (acrobatic) and direct (acrobatic, mixed, turns) connections.

The CV will be added into the D- Score.

Formulas for indirect and direct connections

INDIRECT ACROBATIC

0.10 0.20

B/C + D C + E D + D

A + A + D A + A + E

DIRECT ACROBATIC

A+ D A + E

C + C C + D

MIXED

D salto + B (dance) E salto + A (dance)

(this order only)

CONNECTION of TURNS on ONE LEG

D + B B + B (no step)

Note: Turns may be performed on the same support leg

(brief demi-plié on support leg is permitted),

Or with step into turn on opposite leg

(no demi-plié is permitted)

Indirect connections are those in which directly connected acrobatic elements with flight phase and hand support (i.e. round-off, flic-flac, etc. as preparatory elements) are performed between saltos.

Note: Acro elements for CV are without hand support only.

Section 13 page - 4


Faults 0.10 0.30 0.50

Artistry of Performance

– Insufficient artistry of performance throughout the entire exercise

Lack of Expressiveness

Inappropriate gesture or facial expression (mimic) not corresponding to the music or to the movements

Failure to engage the audience

X

X

X

– Inability to reflect musical theme, to play a role or a character throughout the performance

X

– Performance of the entire exercise as a series of disconnected elements & movements

X

Composition

– Incorrect selection of movements for particular music Example: “Tango” music, but “Polka” movements

X X

– Insufficient Complexity or creativity of movements (A complex and creative movement is one that requires training time, coordination and previous preparation)

─ Lack of variety in choreography into corners

X

ea X

− Missing movement touching floor (including min. trunk, or thigh, or knee or head)

X

Music and Musicality − Editing of music (e.g. no opening, ending, or accents)

No structure to the music

X

– Musicality

Lack of synchronization between movement and musical beat during a part of the exercise

Lack of synchronization between movement and musical beat at the end of exercise

Background music (the exercise is connected to the music only at the

beginning and end of the exercise)

X

X

X

− No Dismount X

13.6 Specific Apparatus Deductions (E- Panel)

Acro Lines & Dismounts Example 1 Only one acro Line Evaluation:

• No DV – count max. 7 elements (D- Panel) • No DMT – 0.50 (D - panel) • Apply landing deductions (E- Panel)

Faults 0.10 0.30 0.50

– Excessive preparation:

Pause (apply at 2 sec.)

Adjustment (unnecessary steps)

Excessive arm swing before dance elements

ea X ea X ea X

– Poor Body posture/ Amplitude (maximum elongation of the body movements) throughout

Head, trunk, shoulder and arm positions

Feet not pointed/relaxed/ turned in/flat

Insufficient amplitude of leg swings/kicks

X

X X

− Distribution of elements

Exercise starts immediately with an acro line

Subsequent acro line performed after previous line along the same diagonal without choreography in between (long acro line allowed)

More than 1 Subsequent acro line

Exercise ends with acro element (no choreography after last acro)

Lack of variety in choreography into corners

X

ea X ea X X X

Section 13 page - 5

Example 2 a) or b) Only one acro Line

Evaluation:

• No DV – count max.7 elements (D- Panel) • No DMT – 0.50 (D-panel) • Landing deductions (E- Panel)

Example 3 Two acro Lines

Evaluation: • Credit DMT(D- Panel)

Example 4 The gymnast fails to land feet first in the 2nd acro Line:

Evaluation:

No DV – count max. 7 elements (D- Panel)

Fall - 1.00 (E-Panel) Example 5 D + D + X (not completed) With repetition of the same element

Evaluation:

No DV – count max. 7 elements (D- Panel)

Apply landing deductions if necessary (E- Panel)

1.000 – GYMNASTIC LEAPS, JUMPS AND HOPS

FX – Group 1 - 1

1.109

Sissone (leg separation 180°on the diagonal/45°to the floor) take off two feet, land on one foot

Ring jump (rear foot at head height, body arched and head dropped bwd, 180° separation of legs)

Stag ring jump (rear foot at head height, body arched and head dropped bwd)

1.209

Tour jeté to ring (rear foot at head height, body arched and head dropped bwd)

Jump with upper back arch and head release with feet almost touching head (Sheep jump)

1.309

Switch leap to ring position (180° separation of legs)

Split ring leap (180° separation of legs)

Split jump to ring (180° separation of legs) with ½ (180˚) turn

1.409 Split leap, or split jump with 1/1 (360) turn to ring position

Switch leap to Ring position with ½ turn (180°)

1.509 1.609

CV 0.1 CR CV 0.2 CV 0.1

D + D Acro Flight C / D + D Acro Indirect B / C + D

or more HB LB (Must be rebounding) B + D (fwd dir)

DMT min.F B + F A + A + D

Flight SB - Dance/Mixed & Acro Acro Direct A + D

C + C

2 different Grips Dance & Mixed D + D Mixed D (salto ) + B (dance)

(No cast, MT, DMT) E (salto) + A (dance)

Turns D + B

Non-flight with Salto + 1 foot Scale (this order) B + B (no step)

360° turn Confidence 0.1 Expressiveness 0.1

(No MT) Personal style 0.1 Inappropriate gesture or facial expression (mimic) 0.1

Rhythm & tempo in move. (no DV) 0.1 Failure to engage the audience 0.1 0.1

Jump from LB to HB 0.5 Ex. as a series of disconnected ele./move. 0.1 Inability to play a role or a character throughout 0.1 0.1

Hang on HB, feet on LB, grasp LB 0.5 Insufficient Complexity or creativity in the move. 0.1 Exercise as a series of disconnected ele./movements 0.1 0.3

+2 of same element into DMT 0.1 Insufficient use of entire length of BB 0.1 Incorrect selection of move. for music 0.1 / 0.3 0.1

Missing combination of move./ele. close to BB 0.1 Insufficient complexit or creativity of movements 0.1 Background music 0.5

Lack of side movements (no DV) 0.1

+1 ½ turn on 2 feet with straight legs 0.1

UB DV

Acro Dance Total

.9 I CR

.8 H

.7 G CV

.6 F

.5 E

.4 D

.3 C

EXE ART .2 B

.1 A

UB DV

Acro Dance Total

.9 I CR

.8 H

.7 G CV

.6 F

.5 E

.4 D

.3 C

EXE ART .2 B

.1 A

UB DV

Acro Dance Total

.9 I CR

.8 H

.7 G CV

.6 F

.5 E

.4 D

.3 C

EXE ART .2 B

.1 A

WAG COP 2017-2020

same or different acro line

D + A

(2 ele. 1 salto)

Acro Direction

(DMT min. C)

B + B + C

A + C (Turns)

0.1

D - Score

E - Score

FINAL

180° split / straddle

Salto with Double BA

180° split / straddle

C + E

0.2

D (flight or ) C + C

CR

in this order)

B + E + C or more on HB D + D 2 different Dance - 1 with

A + A + E(Must be performed

2 different Dance - 1 with

A + E

CR0.2

D - Score

E - Score

FINAL

C + D Salto with LA turn (min. 360˚)

Missing movement touching floor

No structure to the music

Salto bwd & fwd within

D - Score

E - Score

FINAL

Lack of syn. during part of exercise

Lack of syn. at end of exercise

(fwd/swd & bwd)

MT without DV 0.1

Turn (Gr. 3)

Acro Series

C + C (Dance)

(both flight ele.)

D + E

B + D (Mixed)

APPARATUS NAMED AFTER FED DESCRIPTIONEVENT /

YEARVIDEO

Vault 1 Kim Nellie USSR Handspring forward on - 1½ (540°) off WC Varna (BUL) 1974

1 Korbut Olga USSR Handspring forward with 1/1 turn (360°) on - 1/1 turn (360°) off

2 Chusovitina Oksana UZB Handspring forward on - piked salto forward with 1/1 turn (360°) off

2 Chusovitina Oksana UZB Handspring forward on - stretched salto forward with 1½ turn (540°) off

2 Davidova Elena USSR Handspring forward with 1/1 turn (360°) on - tucked salto forward off

2 Ewdokimova Irina KAZ Handspring forward on - stretched salto forward off

2 Produnova Elena RUS Handspring forward on - tucked double salto forward off

2 Wang Hui Ying CHN Handspring forward on - stretched salto forward with 1/2 turn (180°) off

3 Kim Nellie USSR Tsukahara tucked with 1/1 turn (360°) off OG Montreal (CAN) 1976

3 Kim Nellie USSR Tsukahara stretched with 1/1 turn (360°) off WC Strasbourg (FRA) 1978

3 Tourischeva Liudmila USSR Tsukahara tucked

3 Zamolodchikova Elena RUS Tsukahara stretched with 2/1 turn (720°) off

4 Amanar Simona ROU Round-off flic-flac on - stretched salto backward with 2½ turn (900°) off

4 Dungelova Erika BUL Round-off flic-flac on - tucked salto backward with 2/1 turn (720°) off

4 Luconi Patrizia ITA Round-off, flic-flac with 3/4 turn (270°) on – tucked salto backward off

4 Baitova Svetlana USSR Round-off flic-flac on - stretched salto backward with 2 turn (720°) off

4 Yurchenko Natalija USSR Round-off flic-flac on - tucked salto backward off5 Cheng Fei CHN Round-off flic-flac with 1/2 turn (180°) on - stretched salto forward with 1½ turn (540°) off5 Ivantcheva Natalia BUL Round-off flic-flac with 1/2 turn (180°) on - tucked salto forward off

5 Khorkina Svetlana RUS Round-off flic-flac with 1/2 turn (180°) on - tucked salto forward with 11/2 turn (540°) off

5 Omelianchik Oksana USSR Round-off flic-flac with 1/2 turn (180°) on - piked salto forward off

5 Podkopaieva Liliya UKR Roud-off flic-flac with 1/2 turn (180°) on - piked salto forward with 1/2 turn (180°) off

5 Servente Veronica ITA Round-off flic-flac with 1/2 turn(180°) on – tucked salto forward with ½ turn (180°) off

WOMEN'S ARTISTIC GYMNASTICS

ELEMENTS

FX_ Gr.1_ROU_Names.xls Page 1 of 6 25.11.2016


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ELEMENTS

Uneven Bars

1 Gonzales Leyanet MEX Round-off in front of LB flic-flac through hstd phase on LB

1 Gurova Elena USSR Round-off in front of LB flic-flac with 1/1 turn (360°) to clear support or through hstd phase on LB

1 Jentsch Martina DDR Round-off in front of LB - Tucked salto bwd over LB to hang on LB

1 Maarranen Anna-Mari FIN Jump with extended body to hstd on LB also with 1/1 turn (360°) in hstd phase

1 Makhautsova Volha BLR Free stretch jump over LB with legs together to hang on HB WC Tokyo (JPN) 2011

1 McNamara Julianne USA Jump to clear support on HB - clear hip circle to hstd on HB also with 1/2 turn (180°) in hstd phase on HB

1 Gebeshian Houry ARM Mount: - Hecht jump (legs together) with hand repulsion and 1/1 turn (360°) over LB to hang on HB OG Rio De Janeiro, (BRA)2016

2 Caslavska Vera CZE From front support on HB – swing bwd with release and 1/1 turn (360°) to hang on HB

2 Comaneci Nadja ROU Front support on HB - cast with salto fwd straddled to hang on HB

2 Yarotska Irina UKR Clear hip circle bwd on LB with hecht to hang on HB

2 Delladio Tanja CRO From handstand on LB hecht vault to hang on HB This is not in Code????

2 Hindorff Silvia DDR Clear hip circle on HB counter straddle to hang on HB

2 Khorkina Svetlana RUS Сlear hip circle through hstd with 1/2 turn (180°) in flight to hang on HB

2 Radocla Birgit DDR From inner front support on LB - cast with salto roll fwd to hang on HB

2 Reeder Anika GBR Cast with 1½ turn (540°) to hstd

2 Shang Chunsang CHN Clear hip circle on HB, counter pike to hang on HB WC Antwerp (BEL) 2013

2 Shaposchnikova Natalia USSR Inner front support on LB - clear hip circle through hstd with flight to hang on HB

3 Bhardwaj Mohini USA Pak Salto with 1/1 turn (360°) OG Athens, (GRE) 2004

3 Cappuccitti Stehanie CAN Swing bwd and salto fwd stretched to hang on HB

3 Chusovitina Oksana UZB Giant circle bwd to hstd with hop 1/1 turn (360°) in hstd phase

3 Davydova Yelena USSR Long swing fwd counter straddle-reverse hecht over HB to hang

3 Ejova Liudmila RUS Swing bwd release and ½ turn (180°) in flight between the bars to catch LB in hang

3 Hristakieva Snejana BUL Swing fwd and salto bwd stretched with 1½ turn (540°) to hang on HB

3 Kononenko Nataliya UKR Tkatchev with ½ turn (180°) WC Tokyo (JPN) 2011

3 Li Ya CHN Jaeger Salto straddled with ½ turn (180°) to hang on HB

3 Liu Xuan CHN Giant circle bwd to hstd on one arm

3 Mo Huilan CHN Swing bwd salto fwd tucked to hang on HB (Jaeger-Salto)

3 Monckton Mary-Anne AUS Long Swing forward with ½ turn (180°), pike vault over HB to hang WC Tokyo (JPN) 2011

3 Nyeste Adrienn HUN Swing fwd and salto bwd with 1/2 turn (180°) straddle-piked

3 Pak Gyong Sil PRK Hang on HB, facing LB – swing fwd, salto bwd stretched between bars to clear support on LB

3 Schuschunova Elena USSR Long swing fwd with 1/2 turn (180°) further 1/2 turn (180°) to counter straddle in flight over HB to hang



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ELEMENTS

3 Strong Lori CAN Hang on HB – Swing fwd with 1½ turn (540°) and flight over LB to hang on LB

3 Volpi Giulia, Wenning Zhang ITA/CHN Swing bwd with free stoop or straddle vault and 1/2 turn (180°) over HB to hang Did both Gymnasts perform this

3 Retiz Hernandez, Karla Yanin MEX Hang on HB – Swing forward with ½ turn (180˚) and flight to handstand with ½ turn (180˚) on LB WC Nanning (CHN), 2014

3 Zaytseva Anna KAZ Giant circle fwd in L grip to hstd with piked or stretched body, also with 1/2 turn (180°) to handstand

4 Downie Rebecca GBR Stalder bwd on HB with counter piкe – reverse hecht over HB to hang WC Rotterdam (NED) 2010

4 Frederick Marcia USA Stalder bwd with 1/1 turn (360°) in hstd phase

4 Galante Paola ITA Clear pike Circle bwd with counter straddle (open hip before flight) – reverse Hecht over HB to hang WC London (GBR) 2009

4 Komova Viktoria RUS Clear pike circle bwd through hstd with flight and 1/2 turn(180°) to hang on HB YOG Singapore (SIN) 2010

4 Komova Viktoria RUS Clear pike circle bwd through hstd with flight to hang on HB. WC Tokyo (JPN) 2011

4 Krasnyanska Irina UKR From hstd clear pike circle bwds to rear inverted pike support

4 Ray Elise USA Facing inward - Stalder bwd with release and counter movement fwd in flight to hang on HB

4 Ricna Hanna CZE Stalder bwd on HB with counter straddle-reverse hecht over HB to hang

4 White Morgan USA Stalder fwd in L grip to hstd also with 1/2 turn (180°) in hstd phase

4 Zgoba Dariya UKR Clear pike circle bwd on LB with hecht flight to hang on HB

5 Church Savannah GBR Pike sole circle bwd counter straddle-reverse hecht over HB to hang

5 Hoefnagel Hanneke NED Pike sole circle fwd in reverse or L grip with 1/1 turn (360°) in hstd phase

5 Kim (Name TBC) PRK Facing outward on HB – underswing with support of feet-counter salto fwd straddled to catch on HB

5 Li Li CHN Clear rear pike support (legs together) on HB - full circle swing bwd with stoop out bwd to hang on HB

5 Li Li CHN Clear rear pike support (legs together) on HB - full circle swing bwd with counter flight bwd straddled

5 Liubov Burda USSR Underswing on HB or LB with 1 1/2 turn (540°) to hang

5 Lucke Anneke NED Pike sole circle bwd with 1½ turn (540°) to hstd

5 Luo Li CHN Stoop in to Adler-seat (pike) circle fwd through clear extended support to finish in L grip (deviation up to 30° allowed)

5 Maloney Kristen USA Inner front support on LB – pike sole circle bwd through hstd with flight to hang on HB

5 Mirgoradskaja Anna UKRClear rear pike support on HB (legs together)-full circle swing bwd-continuing through clear rear pike support bwd over

HB into hang.

5 Nabieva Tatjana RUS Pike sole circle bwd with counter stretched hecht (layout position over HB) to hang WC Rotterdam (NED) 2010

5 Ray Elise USA Hstd on HB - Pike sole circle bwd counter straddle-reverse hecht over HB to hang

5 Seitz Elisabeth GER Pike sole circle bwd through hstd with flight 1/1 turn(360°) to hang on HB WC Tokyo (JPN) 2011

5 Teza Elvire FRA Circle swing bwd and continue to salto bwd stretched (or piked) between bars to clear support on LB

5 Tweddle Elizabeth GBR Pike sole circle bwd with counter straddle hecht over HB with ½ turn (180°) to hang in mixed L-grip



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ELEMENTS

5 Van Leeuwen Laura NED Pike sole circle bwd through hstd with flight and ½ turn (180°)

6 Arai (Name TBC) JPN Swing down fwd between bars in L Grip. Swing bwd to salto fwd with 1/2 turn (180°) into salto bwd tucked

6 Bar (Name TBC) TBC Swing down between bars - swing fwd to salto bwd stretched witth 3/1 turn (1080°)

6 Blanco Bibiana COL Swing down between bars - swing fwd to salto bwd stretched with 1/2 turn (180°) - into salto fwd stretched

6 Brunner Jenny GER Clear pike circle backward to salto forward stretched with 1/2 turn (180°)

6 Chusovitina Oksana UZB Swing fwd to double salto bwd tucked with 1/1 turn (360°) in second salto

6 Comaneci Nadja ROU Underswing with 1/2 turn (180°) to salto bwd tucked or piked

6 Delladio Tanja CRO On HB - Salto backwards tucked

6 Fabrichnova Oksana USSR Swing fwd to double salto bwd tucked with 2/1 turn (720°)

6 Fontaine Larisa USA Swing fwd to salto bwd tucked with ½ turn (180°) – into salto fwd tucked

6 Giovannini Carlotta ITA Swing fwd with ½ turn (180°) to double salto fwd piked

6 Gonzales Gabriela, Gratt Tanja MEX/AUT Salto bwd tucked or piked over HB

6 Ji (Name TBC) CHN Swing fwd to salto bwd stretched with 2½ turn (900°)

6 Kraeker Steffi DDR From HB – underswing with ½ turn (180°) to salto bwd tucked with 1/1 turn (360°)

6 Li Ya CHN Swing down between bars - swing fwd with 1/2 turn (180°) to double salto fwd piked

6 Ma Yen Hong CHN Hip circle bwd (also clear) on LB or HB - hecht with 1/1 turn (360°) to salto bwd

6 Magaca Brenda MEX Swing fwd to triple salto bwd tucked

6 Moors Victoria CAN From HB - underswing with salto fwd stretched with ½ turn (180°) OG London (GBR) 2012

6 Morio Maiko JPN Swing down between bars - swing fwd to double salto bwd tucked with 1/1 turn (360°) in first salto

6 Mukhina Elena USSR Hip circle bwd (also clear) on LB or HB - hecht with salto bwd tucked

6 Mustafina Aliya RUS Swing fwd to double salto bwd tusked with 1½ turn (540) WC Rotterdam (NED) 2010

6 Okino Betty USA Front support on HB - clear underswing with 1/2 turn (180°) to salto bwd stretched

6 Parolari Lia ITA Salto backwards tucked

6 Pechstein Tanja SUI Swing bwd to salto fwd stretched with 1½ turn (540°)

6 Pentek Tunde HUN Swing bwd to double salto fwd piked with ½ turn (180°)

6 Plichta Paula POL Clear straddle circle with salto fwd tucked

6 Ray Elise USA Swing fwd to double salto bwd stretched with 2/1 turn (720°)

6 Varga Adrienne HUN Swing fwd to salto bwd stretched with 1/2 turn (180°) into salto fwd piked with 1/2 turn (180°)



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ELEMENTS

Balance Beam

1 Baitova Svetlana USSR Two flank circles folowed by leg "Flair"

1 Marisa Dick TTO Mount: Change leg leap to free cross split sit - diagonal approach to beam. WC Glasgow (GBR) 2015

1 Marisa Dick TTO Mount: Diagonal approach to beam – Leap with leg change and ½ turn (180°) to free cross split sit OG Rio De Janeiro, (BRA)2016

1 Beukes Ramona NAM Straddle pike jump bwd over beam from round-off into immediate hip circle bwd – 90° approach to beam

1 Dunn Jacqui AUS Round-off at end of beam – flic-flac with ½ turn (180°) and walkover fwd

1 Erceg Tina CRO Round-off at end of beam – take off bwd. with 1/2 turn (180°) - tucked salto fwd to stand

1 Garrison Kelly USA Round-off at end of beam – salto bwd stretched with 1/1 turn (360°) to cross stand on beam

1 Gurova Elena USSR Round-off in front of beam – jump with 1/2 turn (180°) to near side hstd

1 Hand-Li Yifang CHN Jump press or swing to cross or side hstd – 1/1 turn (360°) in hstd - release one hand with swing down swd

1 Homma Leah CAN 3 flying flairs

1 Philips Kristie USA Press to side hstd - walkover fwd to side stand on both legs

1 Rankin janine CAN Jump or press on one arm to hstd

1 Shushunova Elena USSR Jump with stretched hips to planche

1 Tsavdaridou Vasiliki GRE Round-off at end of beam - flic-flac with 1/1 turn (360°) into swing down to cross straddle sit

1 Wong Hiu Ying Angel HKG Salto fwd tuck with ½ turn (180⁰) OG London (GBR) 2012

1 Zamolodchikova Elena RUS Round-off in front of beam - flic-flac with 1/1 turn (360°) to hip circle bwd

2 Johnson Kathy USA Leap fwd with leg change and 1/4 turn (90°) to side split leap (180°) or straddle pike position

2 Teza Elvire FRA From side stand – Jump to over split with body arched and head dropped bwd

2 Yang Bo CHN From Cross stand – Jump to over split with body arched and head dropped bwd

3 Galante Paola ITA 1½ turn (540°) with free leg held upward in 180° split position throughout turn WC London (GBR) 2009

3 Humphrey Terin USA 2½ turn (900°) in tuck stand on one leg - free leg optional

3 Li Li CHN 1¼ (450°) turn on back in kip position (hip-leg angle closed)

3 Mitchell Lauren AUS 3/1 turn (1080) in tuck stand on one leg – free leg optional WC Rotterdam (NED) 2010

3 Okino Betty USA 3/1 turn (1080°) on one leg - free leg optional below horizontal

3 Preziosa Elisabetta ITA 1/1 turn (360°) pirouette with free leg held backwards with both hands WC Tokyo (JPN) 2011

3 Wevers Sanne NED 2/1 turn (720) with heel of free leg fwd at horizontal throughout turn ( support and free leg may be straight or bent) WC Rotterdam (NED) 2010

5 Anastasia Kolesnikova RUS Flic-flac from side position with ½ turn (180°) to side hstd lower to optional end position

5 Colussi Pelaez Silvia ESP Free (Aerial) Cartwheel in cross position WC Antwerp (BEL) 2013

5 Schaefer Pauline GER Salto sideward tucked with ½ turn - take off from one leg to side stand WC Nanning (CHN), 2014

5 Garrison Kelly USA “Valdez" swing over bwd through horizontal plane with support on one arm

5 Grigoras Cristina Elena ROU Salto fwd tucked with 1/2 turn (180°) take-off from both legs

5 Khorkina Svetlana RUS Gainer flic-flac with min. ¾ turn (270°) before hand support

5 Kochetkova Dina RUS Flic-flac with min. ¾ turn (270°) before hand support

5 Kochetkova Dina RUS Flic-flac from side position with ½ turn (180°) to side hstd lower to optional end position

5 Liukin Nastia USA Salto fwd tucked, take-off from one leg to stand on one or two feet

5 Omelianchik Oksana USSR Flic-flac with ¾ turn (270°) to side hstd (2 sec.) - lower to optional end position

5 Onodi Henrietta HUN Jump bwd (flic-flac take-off) with 1/2 turn (180°) to walkover fwd

5 Produnova Elena RUS Jump fwd with 1/2 turn (180°) - salto bwd piked

5 Kitti Honti HUN Gainer Flic - Flac with ¼ turn (90°) to Handstand (2 sec.) WC Glasgow (GBR) 2015

5 Rueda Eva ESP All flic-flac variations with piking and stretching of hips in flight phase with swing down to cross straddle sit

5 Rulfova Jana CZE Flic-flac with 1/1 turn (360°) - swing down to cross straddle sit

5 Schischova Albina USSR Salto bwd tucked or stretched with 1/1 turn (360°)

5 Teza Elvire FRA Flic-flac from side position with 1/1 turn (360°) to hip circle bwd

5 Tousek Yvonne CAN Flic-flac with step-out from side position

5 Portocarrero Luisa GUA Free (aerial) walkover fwd, landing on one foot in extended tuck sit, without hand support

5 Worley Sheyla USA Jump bwd with 180 turn handspring to land on two feet

6 Araujo Heine BRA Salto fwd stretched with 2/1 turn (720°)

6 Bohmerova Lubica SVK Gainer salto stretched with 1½ turn ( 540 ) to side of beam

6 Domingues Gabriela ESA Salto bwd tucked with 1½ (540°) YOG Singapore (SIN) 2010

6 Khorkina Svetlana RUS Gainer salto bwd stretched with 2½ turn (900°) to side of beam

6 Kim Nellie USSR Gainer salto tucked 1/1 turn (360°) at end of beam OG Montreal (CAN) 1976

6 Kim Nellie USSR Free (aerial) cartwhell into salto bwd tucked OG Moscow (RUS) 1980

6 Patterson Karly USA Arabian double salto fwd tucked

6 Steingruber Giulia SUI Gainer Salto Backward Stretched with 1/1 turn (360°) at the end of beam WC Tokyo (JPN) 2011



YEARVIDEO


ELEMENTS

Floor Exercise 1 Krystyna SANKOVA UKR Change Leg Ring Leap with 180⁰ turn WC Antwerp (BEL) 2013

1 Bulimar Diana ROU Johnson Leap with additional 1/1 turn (360°) WC Tokyo (JPN) 2011

1 Csillag Tunde HUN Side split leap with 1/1 turn (360°) WC Rotterdam (NED) 2010

1 Ferrari Vanessa ITA Split leap with 1/1 turn (360°) to ring position OG London (GBR) 2012

1 Frolova Tatiana USSR Switch leap with ½ turn (180°) or with 1/1 turn (360°) in flight phase

1 Popa Celestina ROU Straddle pike jump with 1/1 turn (360°)

1 Jurkowska - Kowalska, Katarzyna POL Split jump with 1/1 turn (360°) to the ring WC Nanning (CHN), 2014

1 Vulcan Dora ROU Split jump with 1/2 turn (180°) to the ring 2016 TE Rio De Janeiro

2 Gomez Elena ESP 4/1 turn (1440°) on one leg - free leg optional below horizontal

2 Hopfner-Hibbs Elyse CAN 2/1 (720°) illusion turn without hand or foot support

2 Memmel Chelsia USA 2/1 turn (720°) with free leg held upward in 180° split position

2 Mitchell Lauren AUS 3/1 turn (1080°) in tuck stand on one leg – free leg straight throughout WC Rotterdam (NED) 2010

2 Semenova Ksenija RUS 2/1 turn (720°) in back attitude (knee of free leg at horizontal throughout turn)

2 Mustafina, Aliya RUS 3/1 (1080°) with leg held up in 180˚ split position WC Nanning (CHN), 2014

3 Mostepanova Olga USSR Handspring fwd with 1/1 turn (360°) after hand support or before

3 Tsavdaridou Vasiliki GRE Hop with 1/1 turn (360°) to straddle and land in front lying support

4 Andreasen (Name TBC) SWE Arabian double salto tucked

4Tarasevich Svetlana, Cojocar

SabinaBLR/ROU Salto fwd stretched with 2½ turn (900°)

4 Dos Santos Daiane BRA Arabian double salto piked

4 Dos Santos Daiane BRA Arabian double salto stretched

4 Podkopaeva Lilja UKR Double salto fwd tucked. Also with 1/2 turn (180°)

4 Brenna Dowell USA Double Salto Forward Piked WC Glasgow (GBR) 2015

5 Kim Nellie USSR Double salto bwd tucked OG Montreal (CAN) 1976

5 Kim Nellie USSR Double salto bwd stretched-piked WC Strasbourg (FRA) 1978

5 Mukhina Elena USSR Double salto bwd tucked with 1/1 turn (360°)

5 Silivas Daniella ROU Double salto bwd tucked with 2/1 turn (720°)

5 Chusovitina Oksana USSR Double salto bwd stretched with 1/1 turn (360°)

5 Biles Simone USA Double Salto bwd stretched with ½ turn (180⁰) WC Antwerp (BEL) 2013

5 Moors Victoria CAN Double Salto bwd Stretched with 2/1 turn (720⁰) WC Antwerp (BEL) 2013


1

To the FIG affiliated Federations: The Women’s Technical Committee has prepared clarifications and explanations to 2017-2020 WAG Code of Points with examples for applying these new rules. 2.3.1 General Q: Is it permissible for the gymnast to run/walk under LB to start the routine? A: Deduction of 0.30 for undisciplined behavior – taken by Superior Jury from the Final Score

There is no deduction if after a fall the gymnast walks under the low bar to Mount again and

restart the routine (this due to short Fall time)

Section 7.4.2

Q: May a dance element on BB and FX be performed 2 times within one connections to receive CV (SB

on BB)?

A: Dance elements cannot be repeated to receive CV and SB (BB).

Section 8.3 – Table of General Faults and Penalties Landing Faults – Extra arm swings Q: Is there a difference between “One swing” and “more than one swing”? A: Apply deduction 0.10 one time only no matter if one or more arm swings on landing.

Q: – Lack of balance and Body posture fault. What is the difference? A: ─ Body posture fault is the body position on landing (when gymnast contact mat/carpet on landing)

o Hip, head/shoulders position

─ Lack of balance

o Extra arm swing/s, step/s /jump/s, hop/s or Fall.

9.1.1 Element Recognition

To receive “E there should be stretched position shown throughout salto (only slight piking

allowed and approximately 45˚ after vertical position in preparation for landing)

Both legs must be grasped (during salto) and both legs must be bent as per Body Positions

requirements (8.3 and 9.1)

Deviations:

o If one leg is straight recognize as aerial salto and apply deduction 0.1/0.30 for bent leg.

o if one or no legs are grasped, apply deduction 0.10 for precision

2

9.3 REQUIREMENTS FOR SELECTED DANCE ELEMENTS

Yang Bo

Q: If there is arch but no over split is shown?

A: D- panel credit initial DV and E- panel apply deduction for lack of “Over split”

If front leg below horizontal - recognize as Ring Jump

Q: Evaluation of Split Ring Jump with/without turn: Should the same rule be applied as for Ring

Leap/Switch Ring Leap (with/without turn)?

A: Yes

Rewarding DVs

If Turn Incomplete by more than 30˚ another element from the COP will be recognized.

The position of the shoulders and hips are decisive.

Incomplete turn in becomes or (if clear straddle position shown)

Incomplete turn in becomes or (if clear straddle position shown)

Q: Incomplete turn (e.g.by 35˚) what DV should we credit if there is Upper back arch and head release?

A: becomes (new element performed on FX at TE’16)

Q: Incomplete turn (e.g.by 35˚) in (1.409), what DV is awarded if there is Upper back arch and head release?

A: recognize as

Q: What DV is awarded If front leg below horizontal in but there is Upper back arch and head release and/or rear foot at head height? A: D- panel should recognize DV and E- panel apply deductions as per Sec.8.3 and Sec.9.3

Q: What DV is awarded if the free leg bent, or insufficient free leg swing in etc.? A: Recognize DV and apply deduction as per Sec.8.3 and Sec.9.3.

Q: If performed sideways is it still a D- value or are deductions incurred?

A: Turn must be performed in backward attitude not sideways. Will be considered as (B) turn

3

Q: Should these elements be performed with the leg forward or sideways? A: Both ways are correct Body Shape deductions: Maximum cumulative deductions for Deviation from required body shapes may not exceed 0.50. Q: Can judge deduct 0.2 points or 0.4 points for Body Shape? A: No. There may be only one of three deductions (0.10 or 0.30 or 0.50) for Body shape mistakes. In addition, there may be deduction for height, precision and landing.

VAULT

10.4 REQUIREMENTS

Apparatus Finals

Q: To fulfill Apparatus Finals requirement can gymnast perform and ?

A: Yes Q: Does this fulfill the Vault - Apparatus Finals requirement?

Vault 1 Vault 2

Or

Vault 1 Vault 2

A: Yes

Q: What happens if the gymnast performs over rotates and lands on the feet and hands

simultaneously?

A: recognize as and apply landing and other deductions.

Q: What Vault will the D- panel give if a gymnast is performing a Tsukahara layout full with the hands placement at table like this?

A: More likely VT #2.31

4

UNEVEN BARS

Q: On HB – salto bwd tucked or piked , but before salto or or . In this case are there 1 or 2 elements? A: 2 separate elements. In the table of elements saltos are in the separate boxes.

Root Skill

There will be NO CV rewarded if 4th element with the same Root was performed in connection

Repeated element with the same Root will be counted for the number of Root elements

Elements with no DV (due to technical execution) will not be counted in the number of elements

with the same Root

Clarification:

"Jager" salto performed in reverse or L- grips will fulfill CR#3. Grip belongs to the salto and not to

preceding element

Q: If the DMT is 4th the element in the exercise with the same Root should a deduction for “NO DMT” be

applied? A: There should be no deduction for “No DMT”

Examples of “Root Skill” calculation

Note: Some examples are not realistic but given as tool for training purposes

#1. NO DV for 2nd as it is repeated skill and 4th element w/same root

No CV for

Elements counted for Root are:

#2

NO DV for 2nd as it is repeated element and No DV for as it is 4th element w/same root

+0.10 CV for as per 7.4.2 c)


5

#3 No DV for as it is 4th element with the same Root

+0.10 CV for

No CV for because are elements w/same Root


#4

NO DV for 2nd as it is repeated skill and it is 4th element w/same root

No CV for because 2nd is 4th element w/same Root


#5

No DV for 2nd as it is repeated skill and No DV for 2nd as it is

repeated skill and 4th element w/same Root

+0.10 CV for as per 7.4.2 c) No CV for

Elements counted for Root are: 1st

#6

No DV for 2nd as it is repeated skill and 4th element w/same Root


6

#7

No DV for 2nd as it is repeated skill. No DV for as it is 4th element

w/same Root


#8

NO DV for 2nd as it is repeated skill No DV for as it is 4th element

w/same Root

+0.20 CV for No CV for as per 7.4.2 c)


#9

No DV for 2 nd as it is repeated skill No DV for as it is 4th element

w/same Root

+ 0.10 CV for + 0.10 CV for as per 7.4.2 c)


#10

No DV for 2nd as it is repeated skill and is 4th element w/same Root

+0.20 for + 0.10 CV for +0.10 0.10 CV for No CV for


7

Q: Would MTs and DMTs be counted for number of “Root Skill “elements?

A: MTs (e.g. ) and DMTs are counting in calculation of Root skills

Example: Elements counted for Root are:

Example of elements with the same Root:

#1 etc.

#2 etc.

BALANCE BEAM

12.3

Q: CR# 3. One Acro series, min. of 2 flight* elements,1 being a salto (elements may be the same).

Should it be rebounding?

A: Rebounding and non-rebounding

12.4 Q: CR/CV/SB: Should dance elements be different? A:

o In a dance series, the elements should be different o In a mixed series, if using 2 dance elements these should be different

Clarification: and

If both acro series performed, then No CV, No SB for

may be used only 2 times in the exercise.

Q: What SB will be rewarded for the following connection ?

A: SB + 0.10 In addition for CV bonus

Q: What SB will be rewarded for the connection above?

A: SB + 0.10 In addition for CV bonus

8

Q: If perform with “hands in side position” in HSTD, what value will be awarded? A: Credit D- value and apply deduction for precision

Q: Are these 2 elements same or different? A: They are the same elements. Q: Mount without DV. All mounts without DV will be commonly recognized as an “A”, Does it mean a mount not listed in COP as well? Or it must be listed or the Federations should submit it? A: It may be MT not listed in the COP. When gymnast performs the straddle over to sit or squat – apply

0.10 deduction (Mount without DV)

Q: Gymnast performs e.g. # 1.101 but fails to show the arabesque (leg below horizontal).

A: Credit A- value and deduct 0.10 for precision

Q: #1.105 If gymnast does not show split without hands touching the beam as Final position

A: Credit A - value and deduct 0.10 for precision

FLOOR EXERCISE

Examples of calculation of D- score:

a) There are only 3 acro elements (No DMT) and there are 6 dance elements in the exercise.

Calculation: 2 acro +5 dance =7

b) There are only 3 acro elements (No DMT) and there are 3 dance elements:

Calculation: 2 highest acro + 3 dance = 5 elements

c) There are only 3 acro elements (No DMT) and there are 7 dance elements:

Calculation: 2 highest acro + 5 dance = 7 elements

d) When 4 acro elements, but NO DMT and 5 dance elements.

Calculation: 3 highest acro + 4 dance =7.

e) When 5 acro (NO DMT) and 5 dance elements,

Calculation: 4 highest acro + 3 dance =7. Or 4 dance +3 acro =7. It depends on highest DVs.

f) When 6 acro elements (NO DMT) , but only 2 dance.

Calculation: 4 acro +2 dance = 6 elements only.

g) When 6 acro elements, but only 2 dance.

Calculation: 5 acro +2 dance=7.

When there is minimum of acro or minimum of dance elements in calculation we should not substitute

acro with dance or vice versa.

When there are more than required acro and more than required dance elements we may chose the

highest values.

Note: Any difficulty (acro) performed after last counting acro Line will not be counted for DV.

9

Examples of D score calculation

#1

C C A A D X B A C B X

Calculation:

Acro: 1D 1C 1A = 0.80

Dance: 2C 2B = 1.00

CR = 1.00

CV = 0.00

Total: 2.80

#2

D C C A A D X B A C B X

Calculation:

Acro: 2D 1C = 1.10

Dance: 2C 2B = 1.00

CR = 1.00

CV = 0.00

Total: 3.10

#3

A E A A D X C D X E X X E

Calculation:

Acro: 1D 1A = 0.50

Dance: 3E 1D 1C = 2.20

CR: = 1.00

CV: = 0.00

Total: 3.70

10

#4

C B B B A A D C

Calculation:

Acro: 1D 1C 1A = 0.80

Dance: 1C 3B = 0.90

CR: = 1.00

CV: = 0.00

Total: 2.70

#5

A A D B B B X C

Calculation:

Acro: 1A 1D = 0.50

Dance: 1C 3B = 0.90

CR: = 1.00

Total: 2.40

#6 ………. And nothing more… as she is injured…

C B A A E A A

Acro: 1E 1A = 0.60

Dance 1C 1B 2A = 0.70

CR: = 1.00

Total: 2.30

2017-2020 WAG COP changes which will be inserted after 2016 Intercontinental judges course.

2.1.1 General (e)Briefly leave the competition hall for personal reasons. and that such a request not be unreasonably denied with permission from the by Chair of the Superior Jury.

11

2.1.2 Apparatus

Warm up

Vault “All –Around Final”

2.3.1 General h) To refrain from any other undisciplined or abusive behavior or infringing on those of any other participant ( …….. removing springs from the spring board; gymnast running/walking under LB to start the routine.)

2.4 Penalties

Other undisciplined or abusive behavior

Including Gymnast runs/walks under the LB to

perform mount

0.30 from the Final Score by Superior Jury

6.3 Short Exercise

Example: FX The gymnast falls and injures herself after performing only 3 elements.

(without landing feet first) Evaluation: D- score DV (A + C + A + 0 + 0 + E) + 1.00 P. CR # 2, # 3 + 1.00 P. D- score + 2.00 P. Max. E- score for Execution & Artistry may be 10.00 P. Total deductions (2 Falls, Height, amp. etc.) – 4.10 P.

E - Score = 5.90 P. Final Score = 7.90 P. Final Score after neutral deduction for Short exercise applied 7.90 P. – 6.00 P. (short exercise) = 1.90 P

7.4.2 Repetition of elements for CV

b) Same elements on UB, acrobatic elements on BB and FX may be performed 2 times within one

connections. Dance elements cannot be repeated.

c) Corrected symbol from to Corrected diagram

12

Examples

d) Diagram will be changed to

8.3 – Table of General Faults and Penalties

Insufficient

– exactness of tuck or pike position in single salto each time

X

90˚

Hip/knee

angle

X

>90˚

Hip/knee

angle

9.2 BALANCE BEAM AND FLOOR EXERCISE

Text from 9.2 moved to 9.2.1 Turn recognition in dance elements

─ The turn must be completed exactly or another element from the COP will be credited. ─ The position of the shoulders and hips are decisive otherwise another element from the

COP will be credited.

9.2.1 Rewarding DV for Turns on One Leg are in increments of:

180° for BB

360° for FX

The turn must be completed exactly or another element from the COP will be credited.

The position of the shoulders and hips are decisive otherwise another element from the COP will be credited.

9.2.2 Rewarding DV for Leaps, Jumps & Hops with turns are in increments of: …Various techniques of jumps, leaps and hops with turns are permitted; piking, tucking, straddling the legs, or ring position may be in the beginning, middle or end of the turn (unless there is a special requirement for the element).

Under turning of more than 30° or more another element from the COP will be recognized.

The position of the shoulders and hips are decisive

Add: …. (if clear straddle position shown) Example:

─ BB/FX becomes or (if clear straddle position shown)

13

9.2.3 SPLIT REQUIREMENT For missing degrees of leg separation in Leaps, Jumps, Hops, Turns

9.3 REQUIREMENTS FOR SELECTED DANCE ELEMENTS

ADD: and

Switch Leap with turn ( ) D - Panel

Lack of free leg swing – credit Split Leap with turn

Incomplete turn in becomes or

Incomplete turn in becomes or

9.4.5 REQUIREMENTS FOR SELECTED UB ELEMENTS

French text. Correct diagram:

11.2 Content and Construction of the Exercise

Russian text

Substitute with Correct Example:

11.2 Content and Construction of the Exercise Add: NO DMT - 0.50 from Final Score (D- Panel) Read: The maximum 8 highest difficulties including the dismount are counted for DV. NO DMT - 0.50 from Final Score (D- Panel)

Delete: …different…

Read: Only 3 different elements in chronological order from the same root skill will be counted for DV, CR

and CV(except for Kip, Giants and casts to HSTD). 11.5 Composition deductions (E- Panel)

Delete: NO DMT” - 0.50 11.6 Specific Apparatus Deductions Delete: “Brush on apparatus with feet” – “Brush on mat”

11.7 NOTES

Correct (E – panel) to (D panel) Read: Dismounts a) …… – NO DMT – 0.50 (D – Panel)

14

Delete:

c) If the dismount has begun

Example 2: without initiation of salto (only underswing)

Evaluation:

– No DV - count 7 elements only (D- panel) – Apply landing deductions (E- panel)

12.2 Content of the Exercise

Add: NO DMT - 0.50 from Final Score (D- Panel) Read: The maximum 8 highest difficulties including the dismount are counted for DV. NO DMT - 0.50 from Final Score (D- Panel)

12.3 BB Composition Requirements

Delete: …or Hop.. Read: One connection of at least 2 different dance elements, 1 being a leap, jump or hop with 180° split (cross or side), or straddle position


Delete: NO DMT - 0.50

12.6 Specific Apparatus Deductions (E-Panel)

Correct (E panel) to (D panel)

Dismount:

a) If the salto for the dismount has not begun (no initiation of rotation) and a fall occur – No DMT – 0.50 (D - panel)

FLOOR EXERCISE

13.2 Content of the Exercise Add: NO DMT - 0.50 from Final Score (D- Panel) Read: The maximum 8 highest difficulties including the dismount are counted for DV. NO DMT - 0.50 from Final Score (D- Panel)

Add: a) Any difficulty (acro) performed after last counting acro Line will not be counted for DV.


Delete: NO DMT - 0.50

Delete: Lack of variety in choreography into corners

13.6 Specific Apparatus Deductions (E- Panel)

─ “Distribution of elements”

Add: Lack of variety in choreography into corners 0.10 (for the entire exercise)

15

TABLE OF ELEMENTS:

UB: 4.407 (3rd element) will be moved to 5.402

1.406 Hecht jump (legs together) with hand repulsion and 1/1 turn (360°) over LB to hang on

HB will be added to the COP’17

3.402 Hang on HB – Swing fwd with ½ turn (180°) and flight to hstd also with ½ turn (180°) in hstd on

LB

BB: Star will be added to (*) 2.208* 2.408* 2.112*,3.209* 3.408*

Note 2.207 picture will be moved, so the text will be seen.

Text will be corrected: Pike jump from side cross position with ½ turn (180°)

1.405 Leap with leg change and ½ turn (180˚) away from beam to free cross split sit –

diagonal approach to beam will be added to the COP’17

2nd picture will be removed in 2.207, 2.303 and 2.212

FX:

Star (*) will be added to 1.409*

Split jump to ring position with ½ turn (180˚) will be added to the COP’17

Will be added to 1.202

EXERCISE RECORDING SHEET

FX

Delete: Lack of variety of Choreography in corners

CR

Salto bwd & fwd within

same or different acro line

UB/BB/FX

Delete: No DMT

Names: Vault Gr.5: Ivantcheva Natalia (BUL) Round‐off flic‐flac with 1/2 turn (180) on ‐ tucked salto

forward off 5.10. Corrected name Ivantcheva Velina.

1

A las Federaciones afiliadas a la FIG: El Comité Técnico Femenino ha preparado aclaraciones y explicaciones del Código de Puntuación GAF 2017-2020 con ejemplos en los que se aplican las nuevas reglas. 2.3.1 General Q: ¿Está permitido que la gimnasta corra/camine por debajo de la BI para comenzar su rutina? A: Deducción de 0.30 por conducta antideportiva – aplicada por el Jurado Superior de la Nota Final

No hay deducción si después de una caída la gimnasta camina por debajo de la barra inferior para subir a la barra y reiniciar la rutina (lo anterior debido al que el tiempo de caída es corto).

Sección 7.4.2 Q: ¿Se puede usar 2 veces un mismo elemento de danza en VI y SU dentro de un enlace para recibir VE (BS en VI)? A: Los elementos de danza no se pueden repetir para recibir VE y BS (VI). Sección 8.3 – Tabla de faltas y penalizaciones generales Faltas en la recepción – Movimientos adicionales de brazos Q: ¿Hay alguna diferencia entre “un balanceo de brazos” y “más de un balanceo de brazos”? A: No. Se debe aplicar la deducción de 0.10 una sola vez, sin importar si se trata de uno o más movimientos adicionales de brazos en la recepción. Q: – ¿Cuál es la diferencia entre Pérdida de equilibrio y Falta de postura del cuerpo? A: ─ La Falta de postura del cuerpo se refiere a la posición del cuerpo en la recepción (al momento de que la gimnasta hace contacto con el colchón/alfombra en la recepción.)

o Posición de la cadera, cabeza/hombros ─ Pérdida de equilibrio

o Movimientos adicionales de brazo/s, paso/s, salto/s, saltito/s o caída

9.1.1 Reconocimiento del elemento

Para recibir E- se debe mostrar la posición extendida durante el mortal (se permite

únicamente una ligera carpa y una desviación aproximada de 45˚ después de la posición vertical

en preparación para la recepción)

Se deben agarrar ambas piernas (durante el mortal) y ambas piernas deben estar flexionadas como lo indican los requisitos de Posiciones del Cuerpo (8.3 y 9.1)

Desviaciones:

o Si una pierna está extendida, reconocer el elemento como inversión lateral libre y aplicar la deducción de 0.10/0.30 por pierna flexionada.

o Si no se agarra una o ambas piernas, aplicar la deducción de 0.10 por precisión

2

9.3 REQUERIMIENTOS PARA ELEMENTOS DE DANZA ESPECÍFICOS Yang Bo Q: ¿Qué pasa cuando hay arco pero no se muestra split pasado? A: El Panel D- reconoce el VD original y el Panel E- aplica la deducción por falta de “Split pasado”

Si la pierna de adelante está debajo de la horizontal – reconocer el elemento como Salto anillo desde dos pies.

Q: Sobre la evaluación del Salto Anillo con despegue desde dos pies con/sin giro: ¿se debe aplicar la misma regla que se usa para las Zancadas a anillo/Zancada con cambio a anillo (con/sin giro)? A: Si. Reconocimiento del VD Si no se completa el giro por más de 30˚, se reconocerá como otro elemento del COP. Las posición de los hombros y cadera es decisiva.

Giro incompleto en pasa a o (si claramente se muestra una posición carpada con piernas separadas)

Giro incompleto en pasa o (si claramente se muestra una posición carpada con piernas separadas)

Q: En el caso de giro incompleto (ej. por 35˚) : ¿qué VD se debe reconocer si se muestra arco del tronco y cabeza atrás?

A: pasa a (elemento nuevo realizado en SU en el Evento Test 2016)

Q: En el caso de giro incompleto (ej. por 35˚) en (1.409): ¿qué VD se debe reconocer si se muestra arco del tronco y cabeza atrás?

A: reconocer como

Q: ¿Qué VD se reconoce si la pierna de adelante está debajo de la horizontal en

pero se muestra arco del trono y cabeza atrás y/o el pie de atrás a la coronilla? A: El Panel D- debe reconocer el VD original y el Panel E- aplicará las deducciones conforme a las Secciones 8.3 y 9.3

3

Q: ¿Qué VD se reconoce si la pierna libre se flexiona o si hay un balanceo insuficiente de la pierna libre en

, , , etc.? A: Reconocer el VD original y aplicar las deducciones conforme a las Secciones 8.3 y 9.3.

Q: Si el elemento se realiza con attitude lateral, ¿se otorga el valor D- o se debe considerar alguna deducción?

A: El giro se debe realizar con attitude atrás y no lateral. Se reconocerá como giro (B)

Q: ¿Se deben realizar estos elementos con la pierna adelante o lateral? A: Ambas opciones son correctas. Deducciones por Forma del cuerpo: La máxima deducción acumulada por desvío de la forma del cuerpo no puede exceder los 0.50. Q: ¿Una juez puede deducir 0.20 ó 0.40 puntos por Forma del Cuerpo? A: No. Solo se puede considerar una de las tres deducciones por desvío de la Forma del Cuerpo (0.10 ó 0.30 ó 0.50). Adicionalmente, se puede aplicar deducciones por altura, precisión y recepción. SALTO 10.4 REQUISITOS Final por Aparatos

Q: Para cumplir con los requisitos de Finales por Aparatos, ¿la gimnasta puede realizar y

? A: Si. Q: ¿Estos ejemplos cumplen con los requisitos de Finales por Aparatos en Salto?

Salto 1 Salto 2 Ó

Salto 1 Salto 2 A: Si.

Q: ¿Qué pasa si la gimnasta realiza , se excede en la rotación y aterriza con los pies y manos simultáneamente?

A: Se reconoce como y se aplican las deducción de recepción, entre otras.

4

Q: ¿Qué salto debe reconocer el Panel D- si en una Tsukahara extendida con 1/1 giro la gimnasta coloca las manos como se muestra en el dibujo?

A: Lo más probable es que sea el salto #2.31 PARELAS ASIMÉTRICAS

Q: En BS – se realiza mortal atrás agrupado o carpado , pero antes del mortal se realiza o

o . En este caso, ¿se reconocen 1 o 2 elementos? A: Son 2 elementos separados. En la tabla de elementos los mortales están en cuadros separados. Elemento raíz

No se otorgará VE si en un enlace se presenta un 4to elemento con la misma raíz.

Elementos repetidos con la misma raíz contarán para el número total de elementos de esa raíz.

Elementos sin VD (a causa de la ejecución técnica) no se contarán para el número total de elementos de la misma raíz.

Aclaración: Mortal "Jaeger" realizado con toma palmar o cubital cubrirá el RC#3. La toma pertenece al mortal y no al elemento que le precede. Q: Si la Salida es el 4to elemento en la rutina con la misma raíz, ¿se debe aplicar la deducción por ejercicio Sin salida? A: No se aplica la deducción por ejercicio Sin salida. Ejemplos del cálculo de “Elementos raíz” Nota: Algunos ejemplos no son realistas, pero se presentan con el propósito de ser una herramienta de práctica.

#1. El 2do sin VD, porque es un elemento repetido y sería el 4to elemento con la misma raíz

Sin VE para

Elementos que cuentan para la regla de misma raíz son :

#2 El 2do sin VD, porque es un elemento repetido.

Sin VD para porque es el 4to elemento con la misma raíz

5

+0.10 VE por según el art. 7.4.2 c)


#3 Sin VD para porque es el 4to elemento con la misma raíz.

+0.10 VE para

Sin VE para porque y son elementos de la misma raíz.


#4 El 2do sin VD porque es un elemento repetido y sería el 4to elemento con la misma raíz.

Sin VE para porque el 2do es el 4to elemento con la misma raíz

Elementos que cuentan para la regla de misma raíz son:

#5 El 2do sin VD porque es un elemento repetido y sin VD para el 2do

porque es un elemento repetido y sería el 4to elemento con la misma raíz

+0.10 VE para según el art. 7.4.2 c)

Sin VE para

Elementos que cuentan para la regla de misma raíz son: , y el

1er

#6 El 2do sin VD porque es un elemento repetido y sería el 4to elemento con la misma raíz


6

#7 El 2do sin VD porque es un elemento repetido. Sin VD para porque es el 4to elemento con la misma raíz


#8 El 2do sin VD porque es un elemento repetido. Sin VD para porque es el 4to elemento con la mima raíz

+0.20 VE para Sin VE para según el art. 7.4.2 c)


#9 El 2do sin VD porque es un elemento repetido. Sin VD

para porque es el 4to elemento con la misma raíz

+ 0.10 VE para

+0.10 VE para según el art. 7.4.2 c)


#10 El 2do sin VD porque es un elemento repetido y es el 4to elemento con la misma raíz

+0.20 VE para , +0.10 VE para , +0.10

+0.10 VE para , sin VE para

Elementos que cuentan para la regla de misma raíz son: Q: ¿Las entradas y las salidas se toman en cuenta para el conteo de elementos de la misma raíz?

A: Las entradas (ej. ) y las salidas sí cuentan para el cálculo de elementos de la misma raíz.

7

Ejemplo:

Elementos que cuentan para la regla de misma raíz son: Ejemplo de elementos con la misma raíz:

#1 , , , , , etc.

#2 , , , , , , , , , etc. VIGA DE EQUILIBRIO 12.3 Q: RC# 3 - Una serie acrobática, mínimo 2 elementos con vuelo,1 es un mortal (los elementos pueden ser iguales). La serie debe ser con rebote? A: Puede ser con rebote o sin rebote. 12.4 Q: RC/VE/BS: ¿Deben ser diferentes los elementos de danza? A:

o En las series de danza, los elementos deben ser diferentes o En las series mixtas, si se utilizan 2 elementos de danza, éstos deben ser diferentes

Aclaración: y

Si se realizan ambas series acrobáticas, entonces no se otorga VE y BS para

se puede usar solo 2 veces en el ejercicio Q: ¿Qué BS se otorga para el siguiente enlace? A: BS + 0.10, además del VE que aplique Q: ¿Qué BS se otorga para el siguiente enlace? A: BS + 0.10, además del VE que aplique

Q: Si en el apoyo invertido se colocan las “manos en posición lateral”, ¿qué valor se debe otorgar? A: Otorgar valor D- y aplicar deducción por precisión

Q: ¿Estos elementos son iguales o diferentes? A: Son elementos iguales.

8

Q: Entradas sin VD. Todas las entradas sin VD serán comúnmente reconocidas como elementos A-, ¿Esto aplica para las entradas que no están enlistadas en el COP? ¿deben estar enlistadas o la las Federaciones deben hacer la solicitud? A: Pueden ser entradas que no están enlistadas en el COP. Cuando una gimnasta sólo pasa la pierna por arriba de la viga para sentarse en horcajadas o apoyo de pies en posición agrupada – aplicar la deducción de 0.10 (entrada sin VD) Q: ¿Qué evaluación se aplica si la gimnasta realiza por ejemplo el elemento #1.101 pero no consigue mostrar posición de arabesque (pierna debajo de la horizontal)? A: Se otorga el valor A- y se deduce 0.10 por precisión.

Q: ¿Qué evaluación se aplica si en el elemento #1.105 la gimnasta no muestra la posición final de split con las manos libres (sin que las manos estén tocando la viga)? A: Se otorga el valor A- y se deduce 0.10 por precisión. SUELO Ejemplos de cálculo de nota-D:

a) Se realizan solo 3 elementos acrobáticos (Sin Salida) y 6 elementos de danza. Cálculo: 2 acro + 5 danza = 7 elementos

b) Se realizan solo 3 elementos acrobáticos (Sin Salida) y 3 elementos de danza. Cálculo: 2 acro de más valor + 3 danza = 5 elementos

c) Se realizan solo 3 elementos acrobáticos (Sin Salida) y 7 elementos de danza. Cálculo: 2 acro de más valor + 5 danza = 7 elementos

d) Cuando se realizan 4 elementos acrobáticos, pero sin salida y 5 elementos de danza. Cálculo: 3 acro de más valor + 4 danza = 7 elementos

e) Cuando se realizan 5 elementos acrobáticos, sin salida y 5 elementos de danza. Cálculo: 4 acro de más valor + 3 danza = 7 elementos o, 3 acro + 4 danza = 7 elementos, dependiendo de los VD de más valor

f) Cuando se realizan 6 elementos acrobáticos, sin salida, pero solo 2 elementos de danza. Cálculo: 4 acro + 2 danza = 6 elementos solamente

g) Cuando se realizan 6 elementos acrobáticos, pero solo 2 de danza. Cálculo: 5 acro + 2 danza = 7 elementos

Cuando hay el mínimo de elementos acro o de danza, para el cálculo no se debe sustituir elementos acro por danza o viceversa. Cuando hay más elementos acro de los requeridos y más elementos de danza de los requeridos, se deben escoger los elementos con mayor valor. Nota: No se reconocerá el VD de ningún elemento (acro) realizado después de la última línea acrobática que cuenta.

9

Ejemplos de cálculo de nota-D:

#1 C C A A D X B A C B X Cálculo: Acro: 1D, 1C, 1A = 0.80 Danza: 2C, 2B = 1.00 RC: = 1.00 VE: = 0.00 Total: 2.80

#2 D C C A A D X B A C B X Cálculo: Acro: 2D, 1C = 1.10 Danza: 2C, 2B = 1.00 RC: = 1.00 VE: = 0.00 Total: 3.10

#3 A E A A D X C D X E X X E Cálculo: Acro: 1D, 1A = 0.50 Danza: 3E, 1D, 1C = 2.20 RC: = 1.00 VE: = 0.00 Total: 3.70

#4 C B B B A A D C Cálculo: Acro: 1D, 1C, 1A = 0.80 Danza: 1C, 3B = 0.90 RC: = 1.00 VE: = 0.00 Total: 2.70

10

#5 A A D B B B X C Cálculo: Acro: 1D, 1A = 0.50 Danza: 1C, 3B = 0.90 RC: = 1.00 VE: = 0.00 Total: 2.40

#6 ………. y ningún otro elemento debido a una lesión C B A A E A A Cálculo: Acro: 1E, 1A = 0.60 Danza: 1C, 1B, 2A = 0.70 RC: = 1.00 VE: = 0.00 Total: 2.30 Cambios en el COP GAF 2017-2020 que serán incluido después del Curso Intercontinental de Jueces de 2016. 2.1.1 General (e) Salir brevemente de la sala de competencia por motivos personales y que dicha solicitud no se les niegue sin razón con el permiso de la Responsable del Jurado Superior. 2.1.2 Aparatos Calentamiento Salto “All –Around Final” (solo en versión en inglés)

2.3.1 General h) Evitar cualquier otro comportamiento indisciplinado o abusivo, o infringir aquellos de cualquier otro

participante (…quitar resortes del trampolín, la gimnasta corre/camina por debajo de la BI para comenzar la rutina).

2.4 Penalizaciones Otro comportamiento indisciplinado o abusivo Incluyendo cuando la gimnasta corre/camina por debajo de la BI para realizar la entrada

0.30 de la Nota Final por Jurado Superior

6.3 Ejercicio corto Ejemplo: SU La gimnasta se cae y se lesiona después de realizar sólo 3 elementos.

(sin recepción con los pies primero)

11

Evaluación: Nota-D VD (A + C + A + 0 + 0 + E) + 1.00 P. RC #2, #3 + 1.00 P. Nota-D + 2.00 P. Máx. Nota E- por Ejecución y Artístico puede ser 10.00 P. Deducción total (2 caídas, altura, amp. etc.) – 4.10 P.

Nota-E = 5.90 P.

Nota Final = 7.90 P. Nota Final después de aplicar la deducción neutral por Ejercicio Corto 7.90 P. – 6.00 P. (ejercicio corto) = 1.90 P. 7.4.2 Repetición de elementos para VE b) Los mismos elementos en PA, y elementos acrobáticos en VI y SU se pueden hacer 2 veces dentro de un mismo enlace. Los elementos de danza no se pueden repetir.

c) Reemplazar el símbolo por Diagrama corregido Ejemplos

d) El diagrama será reemplazado por 8.3 – Tabla de faltas y penalizaciones generales

Insuficiente – exactitud de la posición agrupada o carpada en

mortal simple Cada vez

X ángulo de

cadera/rodilla 90˚

X ángulo de

cadera/rodilla

>90˚

9.2 VIGA DE EQUILIBRIO Y SUELO

El texto en 9.2 se moverá para 9.2.1

Reconocimiento del giro en elementos de danza

─ El giro se debe completar exactamente o se otorga otro elemento del Código. ─ La posición de los hombros y la cadera es decisiva, de otra manera se reconocerá otro

elemento del Código.

12

9.2.1 Se otorga VD a los giros sobre una pierna que incrementan de la siguiente manera:

180° en VI

360° en SU

El giro se debe completar exactamente o se otorga otro elemento del Código.

La posición de los hombros y la cadera es decisiva, de otra manera se reconocerá otro elemento del Código.

9.2.2 Se otorga VD a los saltos con giros (jumps, leaps, hops) que incrementan en: …Se permiten diversas técnicas para los saltos con giros; las posiciones carpadas, agrupadas, con piernas separadas o anillo, se pueden hacer al comienzo, en el medio o al final del giro (a menos que sea un requisito especial del elemento). Si faltan 30° o más de giro, se reconoce otro elemento del Código.

La posición de los hombros y de la cadera es decisiva

Ejemplos:

Añadir: …. (si se muestra una clara posición carpada con piernas separadas) Ejemplo:

─ VI/SU pasa a ó (si se muestra una clara posición carpada con piernas separadas)

9.2.3 REQUISITOS PARA LA SEPARACIÓN DE PIERNAS (SPLIT) Por falta de grados en la separación de piernas en saltos (jump, leap, hop) y giros

9.3 REQUISITOS PARA ELEMENTOS DE DANZA ESPECÍFICOS

Añadir: y

Zancada con cambio con giro ( ) Panel-D

Falta de balanceo pierna libre – reconocer zancada con giro

Giro incompleto en pasa a o

Giro incompleto en pasa a o

9.4.5 REQUISITOS PARA ELEMENTOS DE PARALELAS ESPECÍFICOS

Texto en Francés. Corregir el diagrama:

11.2 Contenido y construcción del ejercicio Texto en Ruso

Sustituir por Ejemplo correcto:

13

11.2 Contenido y construcción del ejercicio Añadir: Sin Salida - 0.50 de la Nota Final (Panel-D) Leer: Para el VD se cuentan las 8 dificultades más altas incluida la salida. Sin Salida - 0.50 de la Nota Final (Panel-D)

Eliminar: …diferentes…

Leer: Para VD, RC y VE solo se contarán en orden cronológico 3 elementos diferentes provenientes del

mismo *elemento raíz (excepto para kips, gran vuelta ad/atr e impulsos al apoyo invertido (cast)). 11.5 Deducciones de composición (Panel-E) Eliminar: Sin Salida - 0.50

11.6 Deducciones específicas del aparato Eliminar: ─ “Rozar el aparato con los pies” – “Rozar la colchoneta”

11.7 NOTAS Reemplazar (Panel-E) con (Panel-D) Leer: Salidas a) … – Sin salida – 0.50 (Panel-D)

Eliminar: c) Si la salida ha comenzado

Ejemplo 2: sin inicio del mortal (solo balanceo) Evaluación: – No VD – se cuentan solo 7 elemento (Panel-D) – Aplicar deducciones de la recepción (Panel-E)

12.2 Contenido del ejercicio Añadir: Sin salida - 0.50 de la Nota Final (Panel-D) Leer: Para el VD se cuentan las 8 dificultades más altas incluida la salida. Sin Salida - 0.50 de la Nota Final (Panel-D)

12.3 Requisitos de Composición VI

Eliminar: …o hop.. Un enlace de por lo menos 2 elementos de danza diferentes, uno es un salto (jump, leap o hop) con split 180º (sagital o frontal), o posición de piernas abiertas laterales (straddle)

12.5 Deducciones por Presentación Artística y Composición (Panel-E) Eliminar: Sin Salida - 0.50

12.6 Deducciones específicas del aparato (Panel-E) Reemplazar (Panel-E) con (Panel-D)

14

Salidas: a) Si el mortal para la salida no ha comenzado (no ha iniciado la rotación) y ocurre una caída

– Sin salida – 0.50 (Panel-D)

SUELO 13.2 Contenido del ejercicio Añadir: Sin salida - 0.50 de la Nota Final (Panel-D) Leer: Para el VD se cuentan las 8 dificultades más altas incluida la salida. Sin Salida - 0.50 de la Nota Final (Panel-D)

Añadir: a) No se reconocerá el VD de ningún elemento (acro) realizado después de la última línea acrobática que cuenta.

13.5 Deducciones por Presentación Artística y Composición (Panel-E) Eliminar: Sin Salida - 0.50 Eliminar: Falta de variedad en la coreografía de las esquinas 13.6 Deducciones específicas del aparato (Panel-E)

─ “Distribución de los elementos”

Añadir: Falta de variedad en la coreografía de las esquinas 0.10 (en toda la rutina) TABLA DE ELEMENTOS:

PA: 4.407 (3er elemento) se moverá para 5.402

1.406 Salto ángel (piernas juntas) con repulsión de manos y 1/1 giro (360°) sobre BI a la suspensión en BS, se incluirá en el Código 2017

3.402 Suspensión en BS – Balanceo adelante con ½ giro (180°) y vuelo al apoyo invertido también con

½ giro (180º) en la vertical en BI

Hang on HB – Swing fwd with ½ turn (180º) and flight to hstd also with ½ turn (180°) in hstd on LB

Nota: Eliminar el segundo diagrama y símbolo (versión en Español)

VI: Se debe añadir un asterisco (*) a: 2.208* 2.408* 2.112*,3.209* 3.408* Nota: el diagrama de 2.207 se moverá para que el texto quede visible (versión en Inglés). El texto en inglés será corregido: Pike jump from side cross position with ½ turn (180º)

1.405 Salto libre con cambio de piernas y ½ giro (180˚) fuera de la viga al spagate transversal – carrera diagonal a la viga, se incluirá en el Código 2017

Se eliminará el 2do diagrama de 2.207, 2.303 y 2.212 SU: Se añadirá un asterisco (*) a 1.409*

Zancada desde dos piernas a anillo con ½ giro (180˚) se incluirá en el Código 2017

Se añadirá a 1.202

15

HOJA DE SÍMBOLOS SU Eliminar: Falta de variedad en la coreografía de las esquinas RC

Mortal atr y ad en misma línea acro u otra

PA/VI/SU Eliminar: Sin Salida Nombres:

Salto Gr.5: Ivantcheva Natalia (BUL) Rondada flic-flac con 1/2 giro (180) ‐ mortal ad agrupado 5.10. Nombre correcto es Ivantcheva Velina.

Nota: En la versión en Español, añadir el símbolo en el salto 5.10

1

Aux Fédérations affiliées à la FIG: Le Comité technique féminin a préparé ce document de clarifications sur le Code de pointage 2017-2020 avec des exemples d’application de ces nouvelles règles 2.3.1 Généralités

Q: La gymnaste peut-elle passer sous BI (marcher/courir) pour débuter son exercice ?

R : Déduction de -0.3 pour comportement indiscipliné, appliquée sur la note finale par le Jury Supérieur

Il n’y a pas de déduction si la gymnaste passe sous BI après une chute pour remonter sur les barres et

poursuivre son exercice (si le temps de chute est court ). Section 7.4.2

Q: Est-ce qu’un élément gymnique à la POUTRE et au SOL peut être exécuté 2 fois à l’intérieur d’une même

liaison et recevoir la VL (s’applique aussi aux BS à la POUTRE) ?

R: Les éléments gymniques ne peuvent pas être répétés pour les VL et les BS (POUTRE).

Section 8.3 – Tableau des fautes générales et pénalisations Fautes de réception – Élans supplémentaires des bras Q: Existe-il une différence entre « un élan » et « plus d’un élan » ? R: Appliquer la déduction de 0.10 une fois seulement peu importe si un ou plusieurs élans des bras à la réception.

Q: – Déséquilibre et fautes de position du corps. Quelle est la différence ? R: ─ Une faute de position du corps fait référence à la position du corps à la réception (lorsque la gymnaste prend contact avec le tapis à la réception)

o Position des hanches, tête/épaules ─ Déséquilibre

o Élan(s) supplémentaires(s) des bras, pas, sursaut(s), saut(s) ou chute

9.1.1 Reconnaissance des éléments

Valeur E accordée si le corps est tendu pendant tout le salto (seulement un léger

carpé, est permis et à environ 45˚ après la verticale en préparation pour la réception)

Les mains doivent saisir les deux jambes (pendant le salto), et les deux jambes doivent être fléchies, tel

que décrit dans les directives techniques sur la position du corps (8.3 et 9.1)

Déviations:

o Si une jambe est tendue reconnaître renversement latéral libre et appliquer une déduction de 0.10/0.30 pour jambes fléchies.

o Si une ou les deux jambes ne sont pas saisies par les mains, appliquer déduction 0.10 pour

précision

2

9.3 EXIGENCES POUR CERTAINS ÉLÉMENTS GYMNIQUES

Yang Bo

Q: Si le cambré est visible mais que l’écart des jambes n’est pas au-delà de l’horizontale ?

R: Le Jury D accorde la VD et le Jury E applique la déduction pour écart insuffisant.

Si la jambe avant est sous l’horizontale – reconnaître saut pied tête

Q: Évaluation du saut grand écart pied tête avec/sans tour: Applique-t-on les même règles que pour les

sauts grand jeté pied tête et grand jeté changement de jambes pied tête (avec/sans tour) ?

R: Oui

Attribution de la VD

Si le tour est incomplet, plus de 30˚ un autre élément du CdP sera reconnu. La position des épaules et des

hanches est décisive.

Tour incomplet dans devient ou (si la position latérale est clairement visible)

Tour incomplet dans devient ou (si la position latérale est clairement visible)

Q: Quelle VD est accordée au saut si le tour est incomplet (par exemple 35˚), mais le haut du dos est

cambré et la tête est en extension ?

R: devient (nouvel élément exécuté au sol au Test Event à Rio, 2016)

Q: Quelle VD est accordée au saut (1.409) si le haut du dos est cambré et la tête est en extension, mais le tour est incomplet (par exemple 35˚) ?

R: reconnu comme

Q: Quelle est la VD pour les sauts si la jambe avant est sous l’horizontale mais le haut du dos est cambré, la tête est en extension et/ou le pied arrière est à la hauteur de la tête ? R: Le Jury D doit accorder la VD et le Jury E applique les déductions conformément aux sections 8.3 et 9.3.

Q: Quelle VD est accordée pour les sauts etc. si la jambe libre est fléchie, ou l’élan avec la jambe libre est insuffisant ? R: Reconnaître la VD et appliquer les déductions conformément aux sections 8.3 et 9.3.

Q: Est-ce que la valeur D est accordée si est exécuté latéralement ? Quelles déductions sont appliquées?

3

R: Le tour doit être exécuté en attitude arrière et non de côté; autrement la valeur B est accordée

Q: Ces éléments doivent-ils être exécutés avec la jambe libre vers l’avant ou de côté ? R: Les deux techniques sont acceptées Déductions relatives à la position du corps: Le maximum de déductions cumulées pour déviations par rapport aux exigences pour la position du corps ne peut pas dépasser 0.50. Q: Est-ce qu’un juge peut déduire 0.2 points ou 0.4 points pour position du corps? R: Non. Il ne peut y avoir qu’une seule des trois déductions (0.10 ou 0.30 ou 0.50) pour les erreurs de positions du corps. De plus, les déductions pour hauteur, précision et réception peuvent aussi être appliquées.

SAUT

10.4 EXIGENCES

Finales aux agrès

Q: Pour remplir l’exigence de la Finale aux agrès, la gymnaste peut-elle exécuter et ?

R: Oui Q: Est-ce que les sauts suivants remplissent les exigences pour la Finale aux agrès?

Saut 1 Saut 2

Ou

Saut 1 Saut 2

R: Oui

Q: Qu’arrive-t-il si la gymnaste exécute avec trop de rotation et se réceptionne sur les pieds et les

mains simultanément?

R: Reconnaître le saut et appliquer les déductions pour fautes de réception et autres déductions

spécifiques.

Q: Quel saut est reconnu par le Jury D si la gymnaste exécute un Tsukahara tendu avec vrille si les mains sont placées sur la table de saut de la façon suivante?

R: Le saut #2.31 sera probablement reconnu

BARRES ASYMÉTRIQUES

4

Q: Sur BS – sortie salto arrière groupé ou carpé , mais le salto est précédé de ou ou . Est-ce que 1 ou 2 éléments sont reconnus ? R: 2 éléments différents sont reconnus. Dans le tableau des éléments, les salti sont dans des cases différentes.

Racine d’éléments

La VL ne sera pas accordée si un 4ème élément issu d’une même racine est exécuté dans une liaison.

Les éléments issus d’une même racine qui sont répétés, sont inclus dans le calcul du nombre d’éléments

issus de la même racine.

Les éléments sans valeur (dû à l’exécution technique) ne sont pas comptés dans le nombre d’éléments

issus d’une même racine.

Clarification:

Le salto "Jager" exécuté de la prise palmaire ou cubitale remplit l’EC #3. Les prises appartiennent au salto et non

à l’élément précédent.

Q: Si la sortie est le 4ème élément issu de la même racine d’élément dans l’exercice, la déduction pour pas de

sortie sera-elle être appliquée? R: La déduction pour Pas de sortie n’est pas appliquée.

Exemples de calcul des éléments issus de la même «racine d’élément»

Remarque : Certains exemples ne sont pas réalistes mais sont présentés comme outil de formation.

#1.

Pas de VD pour 2e parce que l’élément est répété et 4e élément issu de la même racine

Pas de VL pour

Éléments comptés pour les éléments issus de la même racine :

#2

Pas de VD pour 2e parce que l’élément est répété et pas de VD pour puisque 4e élément issu de la

même racine

5

+0.10 VL pour selon 7.4.2 c)

Éléments comptés pour les éléments issus de la même racine:

#3 Pas de VD pour puisque 4e élément issu de la même racine

+0.10 VL for

Pas de VL pour parce que sont des éléments issus de la même racine


#4


Pas de VL pour puisque 2ème est le 4ème élément issu de la même racine


#5

Pas de VD pour le 2e parce que l’élément est répété et pas de VL pour le 2ème parce que l’élément est

répété et 4e élément issu de la même racine

+0.10 VL pour selon 7.4.2 c)

Pas de VL pour

Éléments comptés pour les éléments issus de la même racine : 1er

6

#6



#7

Pas de VD pour 2ème parce que l’élément est répété

Pas de VD pour parce que 4e élément issu de la même racine


#8

Pas de VD pour 2ème parce que l’élément est répété

Pas de VD pour parce que 4ème élément issu de la même racine

+0.20 VL pour Pas de VL pour selon 7.4.2 c)


#9

Pas de VD pour 2e parce que l’élément est répété

Pas de VD pour parce que 4e élément issu de la même racine

+ 0.10 VL pour + 0.10 VL pour selon 7.4.2 c)

7


#10


+0.20 pour + 0.10 VL pour +0.10 +0.10 VL pour

Pas de VL pour


Q: Les entrées et les sorties sont-elles prises en compte dans le calcul du nombre d’éléments issus de la même

racine?

R: Les entrées (ex. ) et les sorties sont prises en compte dans le calcul du nombre d’éléments

issus de la même racine.

Exemple:


Exemples d’éléments issus de la même racine:

#1 etc.

#2 etc.

8

POUTRE

12.3

Q: EC# 3. Une série acro, min. de 2 éléments avec envol dont 1 salto (les éléments peuvent être identiques).

Est-ce que la série doit être avec rebond?

R: Avec ou sans rebond

12.4 Q: EC/VL/BS: Les éléments gymniques doivent-ils être différents? R:

o Dans une liaison gymnique, les éléments doivent être différents o Dans les séries mixtes, si 2 éléments gymniques sont utilisés ils doivent être différents.

Clarification: et

Si les deux liaisons sont exécutées dans un même exercice, pas de VL, pas de BS pour

ne peut être utilisé que 2 fois dans un même exercice.

Q: Quel est le BS pour la liaison suivante ?

R: BS + 0.10, en plus des bonus de VL

Q: Quel est le BS pour la liaison suivante ?

R: BS + 0.10, en plus des bonus de VL

Q: exécuté avec les mains en position latérale à l’ATR, quelle valeur est accordée ? R: La valeur D est accordée et appliquer une déduction pour précision.

Q: ces 2 éléments sont-ils identiques ou différents? R: Ce sont des éléments identiques. Q: Entrée sans VD. Toutes les entrées sans VD seront généralement reconnues comme « A ». Est-ce que cet énoncé inclut les entrées qui ne figurent pas au CdP ? Ou doivent-elles figurer au CdP ou soumises par les Fédérations ? R: Il se peut que l’entrée ne figure pas au CdP. Lorsque gymnaste effectue une entrée à cheval ou en position

accroupie, appliquer la déduction de 0.10 (entrée sans VD)

Q: Une gymnaste exécute l’entrée # 1.101 mais ne montre pas la position arabesque (jambe sous l’horizontale).

R: Accorder la valeur A et déduire 0.1 pour manque de précision.

Q: Comment est évaluée l’entrée #1.105 - si la gymnaste ne montre pas une position finale au grand écart sur la

poutre sans appui des mains ?

R: Accorder la valeur A et déduire 0.10 pour manque de précision.

9

EXERCICES AU SOL

Exemples de calcul de la Note D:

a) Il y a seulement 3 éléments acro (pas de sortie) et il y a 6 éléments gymniques dans l’exercice:

Calcul: 2 acro + 5 gymniques =7 éléments

b) Il y a seulement 3 éléments acro (pas de sortie) et 3 éléments gymniques :

Calcul: 2 acro avec valeur la plus élevée + 3 gymniques = 5 éléments

c) Il y a seulement 3 éléments acro (pas de sortie) et 7 éléments gymniques :

Calcul: 2 acro avec valeur la plus élevée + 5 gymniques = 7 éléments

d) Lorsque 4 éléments acro sont exécutés (pas de sortie) et 5 éléments gymniques:

Calcul: 3 acro avec valeur la plus élevée + 4 gymniques = 7.

e) Lorsque 5 éléments acro sont exécutés (pas de sortie) et 5 éléments gymniques :

Calcul: 4 acro avec valeur la plus élevée + 3 gymniques =7 ou 4 gymniques + 3 acro = 7

Cela dépendra des éléments valeurs de difficulté les plus élevées.

f) Lorsque 6 éléments acro sont exécutés (pas de sortie), mais seulement 2 éléments gymniques :

Calcul: 4 acro + 2 gymniques = 6 éléments seulement.

g) Lorsque 6 éléments acro sont exécutés, mais seulement 2 éléments gymniques.

Calcul: 5 acro + 2 gymniques =7.

Lorsque le nombre d’éléments acro ou gymniques exécutés est le nombre minimal requis, on ne doit pas

substituer les éléments acro pour des éléments gymniques ou vice versa dans le calcul des VD.

Lorsqu’il y a plus d’éléments acro ou gymniques que le nombre requis, les éléments peuvent être choisis selon

les valeurs les plus élevées.

Remarque : Tout élément (acro) exécuté après la dernière ligne acro reconnue ne recevra pas de VD.

Exemples de calcul de la Note D:

#1

C C A A D X B A C B X

Calcul :

Acro : 1D 1C 1A = 0.80

Gym : 2C 2B = 1.00

EC = 1.00

VL = 0.00

Total: 2.80

10

#2

D C C A A D X B A C B X

Calcul:

Acro : 2D 1C = 1.10

Gym : 2C 2B = 1.00

EC = 1.00

VL = 0.00

Total: 3.10

#3

A E A A D X C D X E X X E

Calcul:

Acro : 1D 1A = 0.50

Gym : 3E 1D 1C = 2.20

EC = 1.00

VL: = 0.00

Total: 3.70

#4

C B B B A A D C

Calcul:

Acro : 1D 1C 1A = 0.80

Gym : 1C 3B = 0.90

EC = 1.00

VL: = 0.00

Total: 2.70

11

#5

A A D B B B X C

Calcul:

Acro : 1A 1D = 0.50

Gym : 1C 3B = 0.90

EC = 1.00

Total: 2.40

#6 ………. Et rien d’autre … la gymnaste s’est blessée…

C B A A E A A

Acro: 1E 1A = 0.60

Gym : 1C 1B 2A = 0.70

EC = 1.00

Total: 2.30

CODE GAF 2017-2020 changements qui seront insérés après le Cours de juge intercontinental 2016.

2.1.1 Généralités (e) De quitter un court instant la salle de compétition pour des raisons personnelles,

2.1.2 Agrès

Échauffement

Saut Concours multiple (correction nécessaire au texte anglais seulement : Saut “All –Around Final”

2.3.1 Généralités h) Elle doit s’abstenir de tout autre comportement indiscipliné ou abusif ou enfreindre les droits de tout autre

participant (…….. enlever les ressorts des tremplins ; la gymnaste court/marche sous BI pour débuter l’exercice.

2.4 Pénalisations Autres comportements indisciplinés ou abusifs

Incluant la gymnaste court/marche sous BI

pour effectuer son entrée

0.30 sur la note finale par le Jury supérieur

12

6.3 Exercice trop court

Exemple: SOL La gymnaste chute et se blesse après avoir exécuté seulement 3 éléments.

(réception pas sur les pieds d’abord) Jugement: Note D VD (A + C + A + 0 + 0 + E) + 1.00 P. EC # 2, # 3 + 1.00 P. Note D + 2.00 P. Note E MAXIMALE pour Exécution et présentation artistique peut être 10.00 P. Total des déductions (2 chutes, hauteur, ampl. etc.) – 4.10 P.

Note E = 5.90 P.

Note finale = 7.90 P.

Note finale après déductions neutres pour exercice trop court 7.90 P. – 6.00 P. (exercice trop court) = 1.90 P

7.4.2 Répétition des éléments pour la VL

b) Le même élément aux barres, à la poutre, et au sol (élément acrobatique) peut être exécuté 2 fois dans une

même liaison. Les éléments gymniques ne peuvent pas être répétés.

c) Symbole corrigé de à diagramme corrigé

Exemples

d) Le diagramme sera modifié pour

8.3 – Tableau des fautes générales et pénalisations

13

Manque

– De précision de la position groupée ou carpée dans les salti simples

Chaque

fois

X

90˚

Angle

bassin/

genoux

X

>90˚

Angle

bassin/

genoux

9.2 POUTRE ET SOL

Le texte de 9.2 est déplacé au 9.2.1 Reconnaissance des tours pour les éléments gymniques

─ Le tour doit être complètement terminé ou un autre élément du CdP sera attribué. ─ La position des épaules et des hanches est décisive ou un autre élément du CdP sera attribué.

9.2.1 Attribution de la VD pour les tours sur une jambe; l’augmentation des rotations est de :

180° à la POUTRE

360° au SOL

Le tour doit être complètement terminé ou un autre élément du CdP sera attribué.

La position des épaules et des hanches est décisive ou un autre élément du CdP sera attribué. 9.2.2 Attribution de la VD pour les sauts (Leaps, Jumps & Hops) avec rotation (tours) se fait par augmentation de : …Différentes techniques de sauts avec tours sont autorisées; par groupé, carpé, avec écarts des jambes, ou position pied tête au début, au milieu ou à la fin du tour (sauf s’il y a une exigence spéciale pour l’élément).

Pour sous rotation de plus de 30° ou plus on reconnait un autre élément du CdP.

La position des épaules et des hanches est décisive

Ajouter : … (si la position latérale est clairement montrée)

Exemple:

─ POUTRE/SOL devient ou (si la position latérale est clairement montrée)

9.2.3 EXIGENCES POUR LES ÉCARTS Pour angle d’écart insuffisant dans les sauts (leaps, Jumps, Hops), et les tours

9.3 EXIGENCES ÉLÉMENTS GYMNIQUES PARTICULIERS

AJOUTER : ET

Saut grand jeté avec changement de jambes avec tour ( )

14

Jury D

Manque d’élan de la jambe libre – reconnu comme saut écart avec tour

Tour incomplet dans devient ou

Tour incomplet dans devient ou

9.4.5 EXIGENCES ÉLÉMENTS PARTICULIERS AUX BARRES

Texte français : Corriger diagramme «Adler»

11.2 Contenu et construction de l’exercice

Texte russe

Substituer avec Exemple Correct:

11.2 Contenu et construction de l’exercice Ajouter : PAS DE SORTIE - 0.50 sur la note finale par le Jury D

Lire : 8 éléments maximum, y compris la sortie, et dont la valeur est la plus élevée, sont pris en compte pour les

VD.

- PAS DE SORTIE – 0.5 sur la note finale, par le jury D

Supprimer :…différents… Lire :Seuls 3 différents éléments issus de la même *racine d’élément, seront comptés dans l’ordre chronologique pour la VD, EC et VL (sauf bascules, grands tours av/ar. et prises d’élan à l’ATR)

11.5 Déductions pour la composition (Jury E)

Supprimer : PAS DE SORTIE - 0.50 11.6 Déductions spécifiques à l’agrès Supprimer les déductions : ─ “Frôler l’agrès avec les pieds” – “Frôler le tapis”

11.7 NOTES

Corriger (Jury E par Jury D) Lire : Sorties a) ……. – PAS DE SORTIE – 0.50 (Jury D)

15

Supprimer :

c) Si la sortie est commencée

Exemple 2: sans commencer le salto (seulement élan par –dessous barre)

Jugement:

– Pas de VD - 7 Éléments seulement sont comptés (Jury D) – Appliquer les fautes de réception (Jury E)

12.2 Contenu de l’exercice

Ajouter : PAS DE SORTIE - 0.50 sur la note finale par le Jury D

Lire : 8 éléments maximum, y compris la sortie, dont la valeur est la plus élevée, sont pris en compte pour les

VD.


12.3 POUTRE Exigences de composition Supprimer … ou hop… Lire : Une liaison d’au moins 2 éléments gymniques différents dont 1 saut (leaps, jump ou hop ) avec un écart de 180º (transversal ou latéral) ou écarté lat. 12.5 Déductions pour l’artistique et la composition (Jury E)

Supprimer : Pas de sortie - 0.50

12.6 Déductions spécifiques à l’agrès (Jury E)

Corriger (Jury E par Jury D) Sortie :

a) Si lors de la sortie, le salto n’est pas commencé (pas de début de la rotation) et ensuite la chute se produit

– Pas de sortie – 0.50 (Jury D)

EXERCICES AU SOL

13.2 Contenu de l’exercice

Ajouter : PAS DE SORTIE - 0.50 sur la note finale par le Jury D

Lire : 8 éléments maximum, y compris la sortie, dont la valeur est la plus élevée, sont pris en compte pour les

VD.


Ajouter : a) Tout élément (acro) exécuté après la dernière ligne acro reconnue et comptabilisée ne recevra pas

de VD.

13.5 Déductions pour l’artistique et la composition (Jury E) Supprimer : PAS DE SORTIE - 0.50 Supprimer : Manque de variété chorégraphique vers les coins 13.6 Déductions spécifiques à l’agrès (Jury E) ─ “Distribution des éléments” Ajouter : Manque de variété chorégraphique vers les coins 0.10 (pour l’ensemble de l’exercice)

16

TABLEAU DES ÉLÉMENTS:

BARRES: # 4.407 (3ème élément) sera déplacé à # 5.402

# 1.406 Saut de poisson (jambes serrées) par-dessus BI avec impulsion des mains et 1/1 tour (360°)

à la suspension BS, l’élément sera ajouté au CdP 2017

3.402

Suspension BS- élan en av. avec 132 tour (180º) et envol à BI aussi avec ½ tour (180º) à l’atr BI

POUTRE: Un astérisque sera ajouté à : (*) 2.208* 2.408* 2.112*,3.209* 3.408*

Note: La figurine du saut 2.207 sera déplacée afin que le texte soit lisible complètement.

Le texte sera corrigé. : Saut carpé (appel 2 pieds) Jambes serrées de la pos. lat. trans avec ½ tour (180º)

Saut 1.405 : Saut libre avec changement de jambes de l’appel des deux pieds et ½ tour (180˚) au

grand écart transversal - élan oblique par rapport à la poutre sera ajouté au CdP 2017

La deuxième figurine sera retirée pour les éléments : 2.207, 2.303 et 2.212

SOL:

Un astérisque (*) sera ajouté à 1.409*

Saut pied tête ½ tour (180˚) sera ajouté au CdP 2017

sera ajouté à 1.202

FEUILLES D’ENREGISTREMENT DES EXERCICES

SOL

Supprimer : Manque de variété chorégraphique vers les coins

EC

Salto arr et av dans la même

ou différente ligne acro

BARRES/POUTRE/SOL

Supprimer : Pas de sortie

Noms:

Saut Gr.5 : Ivantcheva Natalia (BUL) Rondade - flic‐flac avec 1/2 tour (180º) dans le 1er envol ‐ salto avant

groupé dans le 2e envol 5.10. Le nom correct est Ivantcheva Velina.

1

Всем Федерациям Гимнастики

Женский Технический комитет подготовил дополнительные примеры и разъяснения к

Правилам Соревнований 2017-2020г.

2.3.1 Общее

Вопрос:

Разрешается ли гимнастке бежать/идти под нижней жердью чтобы начать упражнение на

брусьях?

Ответ:

Сбавка 0.3 за недисциплинированное поведение - производится Главным Жюри

соревнований и снимается с окончательной оценки.

Сбавки нет если гимнастка после падения проходит под нижней жердью чтобы

продолжить упражнение (в связи с коротким временем отведённым для

падения).

Раздел 7.4.2

Вопрос:

Может ли один и тот же гимнастический (танцевальный ) элемент на Бревне и В/У быть

использован два раза в одном соединении для получения надбавки?

Ответ:

Гимнастический (танцевальный ) элемент не может повторяться для СВ (CV) надбавки

на Бревне и В/У а также СБ (SB) на Бревне.

Раздел 8.3

Таблица общих ошибок и сбавок за приземление.

- Дополнительные движения (махи) руками:

Вопрос:

Есть ли разница между одним взмахом и больше одного взмаха руками?

Ответ:

- Сбавка 0.1 только один раз не зависимо от того сколько было взмахов руками для

сохранения равновесия на приземлении.

Вопрос:

- Недостаток равновесия и ошибки в положении тела. В чём разница?

Ответ:

- Ошибки в положении тела это позиция тела во время приземления (когда гимнастка

касается мата/ковра на приземлении)

Положение головы/плечей, бёдер

- Недостаток равновесия

Дополнительные взмах/и руками, шаг/и, прыжок/прыжки, подскок/и или падение.

2

9.1.1 Признание стоимости элементов

Чтобы засчитать трудность "E", положение прямого тела должно быть

сохранено в большинстве сальто (только небольшое сгибание приблизительно

45˚ после вертикали допускается для подготовки к приземлению).

Сальто должно быть выполнено с захватом руками обеих ног. Также

обе ноги должны быть согнуты в соответствии с требованиями к

положению тела в разделе (8.3 и 9.1) Отклонение:

- если одна нога прямая, признаётся маховое сальто боком и делается сбавка 0.1/0.3 за

согнутую ногу. - если сальто выполнено с захватом одной ноги или вообще без захвата ног - сбавка 0.1 за

точность исполнения.

9.3 Требования к определённым танцевальным элементам. Янг бо Вопрос: Если есть прогиб, но нет "перешпагата"? Ответ: Бригада Д засчитывает первоначальную трудность и Бригада E делает сбавку за

отсутствие "перешпагата" - если передняя нога ниже горизонтали - признаётся прыжок в кольцо.

Вопрос: Судейство прыжков в шпагат в кольцо с поворотами и без поворотов: Должны ли

применяться те же правила которые применяются к прыжкам шагом в кольцо и прыжкам

со сменой ног в кольцо? Ответ: Да

Признание трудности (ДВ) (DV)

Если поворот не закончен больше чем на 30˚ признаётся другой элемент из правил

соревнований. Положение бёдер и плечеи являются решающими для оценки элемента.

Незаконченный поворот при исполнении засчитывается или (если показана явная позиция поперечного шпагата)

Незаконченный поворот при исполнении засчитывается или (если показана явная позиция поперечного шпагата)

3

Вопрос:

Недоворот (к примеру в 35˚) в какая трудность должна засчитаться если есть прогиб в верхнеи части спины и голова откинута назад?

Ответ: засчитывается (новый элемент выполнен на в/у в 2016г)

Вопрос:

Недоворот (к примеру в 35˚) в (1.409), какая трудность засчитывается если есть прогиб в верхней части спины и голова откинута назад?

Ответ: засчитать как

Вопрос:

Какая трудность (ДВ) засчитывается если передняя нога ниже горизонтали

если есть прогиб в верхней части спины и голова откинута назад? Ответ: Бригада Д должна засчитать трудность и Бригада Е должна сделать сбавку в соответствии с Разделом 8.3 и 9.3. Вопрос: Какая трудность засчитывается если маховая нога согнута или недостаточный высокий мах

свободной ногой в и т.д.? Ответ: Бригада Д должна засчитать трудность, а Бригада Е сделать сбавку в соответствии с Разделом 8.3 и 9.3.

Вопрос: получит ли этот поворот трудность "Д" или сбавку если исполнен с ногой в сторону? Ответ: Поворот должен быть выполнен в "аттитюд" с ногой сзади, но не в сторону. Если выполнен

с ногой в сторону засчитать как поворот группы (Б)

Вопрос: Как должны быть выполнены эти элементы - с ногой вперёд или в сторону? Ответ: Оба варианта допустимы. Сбавки за положение тела: Сумма сбавки по совокупности ошибок не должна превышать 0.50. Вопрос: Может ли судья сделать сбавку 0.2 или 0.4 за положение тела?

4

Ответ: Нет. Это может быть только одна из трёх сбавок (0.10 or 0.30 or 0.50) за ошибки в положении тела. Возможны дополнительные сбавки за высоту, точность и приземление.

Прыжок

10.4 Требования

Финальные соревнования на прыжке

Вопрос: Будет ли соответствовать требованиям Финала по снарядам исполнение гимнасткой

следующих опорных прыжков и ?

Ответ: Да

Вопрос: Соответствуют ли следующие опорные прыжки требованиям Финала по снарядам?

Прыжок 1

Прыжок 2

Или

Прыжок 1

Прыжок 2

Ответ: Да

Вопрос : Какой прыжок засчитается в случае если гимнастка при исполнении

приземлится в перекрут на ноги и на руки одновременно?

Ответ: Засчитается со сбавками за приземление и за другие ошибки.

Вопрос: Какой прыжок засчитает Бригада Д если при исполнении Цукахары прогнувшись с

поворотом на 1/1 360° руки гимнастки на коне были в таком положении Ответ: Быстрее всего прыжок # 2.31

Брусья

Вопрос: На ВЖ - сальто назад в группировке или согнувшись , а перед сальто

или или . В этом случае это 1 или 2 элемента?

5

Ответ: 2 разных элемента. В таблице элементов они находятся в отдельных секциях и под разными номерами. Семья (Root) элементов

4й элемент из “одной семьи”, выполненный в соединении, не может быть использован для

получения СВ.

Повторение того же элемента должно засчитываться в количество элементов из “одной

семьи”.

Элементы без группы трудности (нет ДВ в связи с невыполнением технических

требований) в количество элементов из “одной семьи” не засчитываются.

Разъяснения:

Сальто "Егер" выполненное в хвате снизу или в обратном хвате соответствует требованию к

композиции #3. Хват руками принадлежит сальто, но не предыдущему элементу.

Вопрос: Если в упражнении соскок 4й элемент из одной семьи элементов, будет ли в этом случае

сбавка за отсутствие соскока? Ответ: Сбавки за отсутствие соскока в этом случае быть не должно.

Примеры подсчёта элементов из одной семьи: Примечание: Некоторые примеры не являются реалистичными, и даны как инструмент для

учебных целей.

#1.

Нет ДВ за 2й так как это повторный элемент и 4й элемент из одной семьи.

Нет надбавки за СВ

Элементы засчитанные в число одной семьи:

#2

Но ДВ за 2й так как это повторный элемент и нет ДВ за так как это 4й элемент из одной

семьи.

+0.10 СВ за согласно 7.4.2 с)

Засчитанные элементы семьи:

6

#3 Нет ДВ так как это 4й эл семьи

+0.10 за СВ

Нет СВ за потому что элементы из одной семьи

Засчитанные элементы семьи :

#4

Нет ДВ за 2й так как это повторный элемент и 4й элемент из одной семьи

Нет СВ так как 2й 4й элемент семьи


#5

Нет ДВ за 2й так как это повторный элемент и нет ДВ за 2й т.к. это

повторный элемент и 4й элемент одной семьи.

+0.10 СВ за согласно 7.4.2 с)

Нет СВ за

Засчитанные элементы семьи: 1й

#6

Нет ДВ за 2й так как это повторный элемент и 4й элемент из одной семьи


7

#7

Нет ДВ за 2й т.к. это повторный элемент. Нет ДВ за т.к. Это 4й элемент одной семьи.


#8

Нет ДВ за 2й т.к. это повторный элемент. Нет ДВ за т.к. это 4й

элемент одной семьи.

+0.20 СВ за Нет СВ за согласно 7.4.2 с)


#9

Нет ДВ за 2й т.к. это повторный элемент и нет ДВ за т.к. это

4й элемент одной семьи.

+ 0.10 СВ за + 0.10 СВ за согласно 7.4.2с)


#10

Нет ДВ за 2й т.к. это повторный элемент и это 4й элемент одной семьи.

+0.20 за + 0.10 СВ за +0.10 0.10 СВ за Нет СВ за


8

Вопрос: Будут ли начало и соскок засчитываться в общее количество элементов из одной семьи?

Ответ: (e.g. ) Начало и соскок должны входить в число элементов из “одной семьи”.

Пример:

Элементы засчитанные в число элементов семьи:

Примеры элементов из одной семьи:

#1 и т..д.

#2 и т..д.

Бревно

12.3

Вопрос: СР# 3. Одна акробатическая связка, мин. 2 элемента с фазой полёта, один из элементов

сальто (элементы могут быть одинаковыми). Должно ли это соединение быть темповым?

Ответ: Может быть темповым и не темповым.

12.4 Вопрос: CР/CВ/СБ (CR/CV/SB) Могут ли танцевальные элементы быть различными?

Ответ: o В танцевальных связках элементы должны быть разными. o В смешанных соединениях, при использовании 2х танцевальных элементов, они

должны быть разными.

Разъяснения: И

Если оба соединения используется в комбинации, то надбавка CВ и СБ за второе соединение

не даётся. может использоваться в комбинации только 2 раза.

Вопрос: Какая будет надбавка СБ за следующее соединение ?

Ответ: СБ + 0.10 в дополнение к надбавкам за CВ.

9

Вопрос: Какая будет надбавка СБ за соединение сверху?

Ответ: СБ + 0.10 в дополнение к надбавкам CВ.

Вопрос: Какая будет трудность этого элемента если на приземлении в стойку руки оказались в продольной позиции? Ответ: Трудность "Д" со сбавкой за точность.

Вопрос: Как засчитываются эти элементы, как разные или одинаковые? Ответ: Эти элементы считаются одинаковыми. Вопрос: Наскоки без трудности: В основном все наскоки без группы трудности будут признаваться как группа "А". Имеется в виду наскоки которые не находятся в таблице элементов? Или только те которые уже в таблице, или федерация должна отправить запрос для оценки? Ответ: Это может быть наскок не из таблицы элементов. Только когда гимнастка выполняет наскок

махом ноги врозь в положение сидя или в положение приседа - в этом случае сбавка 0.1 (начало

без ДВ).

Вопрос: Гимнастка выполняет # 1.101 но не показывает равновесие (нога ниже горизонтали)?

Ответ: Засчитывается трудность "А" и сбавка 0.10 за точность.

Вопрос: #1.105 Если гимнастка в шпагате не показала позицию не касаясь руками бревна...?

Ответ: Засчитывается трудность "А" и сбавка 0.10 за точность.

Вольные Упражнения

Примеры подсчёта оценки "Д":

a) В упражнении только 3 акробатических и 6 танцевальных элементов (соскока нет)

Подсчёт: 2 наибольшей трудности акро +5 танц = 7 элементов

b) В упражнении только 3 акробатических и 3 танцевальных элементов (соскока нет)

Подсчёт: 2 наибольшей трудности акро + 3 танц = 5 элементов

c) В упражнении только 3 акробатических и 7 танцевальных элементов (соскока нет)

Подсчёт: 2 наибольшей трудности акро + 5 танц = 7 элементов

d) Когда 4 акро и 5 танц элементов (соскока нет)

Подсчет: 3 высшей трудности акро+ 4 танц = 7

e) Когда 5 акро и 5 танц элементов (соскока нет)

Подсчет: 4 высшей трудности акро + 3 танц = 7 Или 4 танц + 3 акро =7. Зависит от

трудности элементов.

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f) Когда 6 акро и только 2 танц (соскока нет)

Подсчет: 4 акро и 2 танц = только 6 элементов

g) Когда 6 элементов но только 2 танц

Подсчет: 5 акро + 2 танц = 7

Когда в упражнении минимальное количество акро элементов или мин. количество танцевальных

элементов мы не должны при подсчете заменять акро на танц элементы и наоборот.

Когда в упражнении больше чем требуется акро и больше чем требуется танц эл. мы можем

выбирать элементы высшей трудности.

Примечание: Акробатические элементы любой трудности выполненное после последней

зачитывающейся акробатической линии не будут получать ДВ.

Примеры подсчёта оценки "Д":

#1

C C A A Д X Б A C Б X

Подсчёт:

Акро: 1D 1C 1A = 0.80

Танц: 2C 2B = 1.00

CР: = 1.00

CВ: = 0.00

Сумма: 2.80

#2

Д C C A A Д X Б A C Б X

Подсчёт:

Акро: 2Д 1C = 1.10

Танц: 2C 2Б = 1.00

CР: = 1.00

CВ: = 0.00

Сумма: 3.10

11

#3

A E A A Д X C Д X E X X E

Подсчёт:

Акро: 1Д 1A = 0.50

Танц: 3E 1Д 1C = 2.20

CР: = 1.00

CВ: = 0.00

Сумма: 3.70

#4

C Б Б Б A A Д C

Подсчёт:

Акро: 1Д 1C 1A = 0.80

Танц: 1C 3Б = 0.90

CР: = 1.00

CВ: = 0.00

Сумма: 2.70

#5

A A Д Б Б Б X C

подсчет:

Акро: 1A 1Д = 0.50

Dance: 1C 3Б = 0.90

CР: =1.00

СВ: = 0.00

Сумма: 2.40

12

#6 .....упражнение не закончено....т.к. гимнастка

травмировалась...

C Б A A E A A

Акро: 1E 1A = 0.60

Танц: 1C 1Б 2A = 0.70

CР: = 1.00

СВ: = 0.00

Сумма: 2.30

2017-2020 изменения к женским правилам соревнований которые будут внесены после

завершения 2016 Межсонтинентального судейского курса.

2.1.1 Общие (е) На короткое время покинуть зал соревнований по личным причинам. по причине согласованной с председателем Жюри соревнований

2.3.1 Общие h) Не вести себя не дисциплинированно или оскорбительно и мешать другим гимнасткам (........убирать пружины из мостика; гимнастка пробегает/проходит под НЖ чтобы начать упражнение)

2.4

Нахождение на помосте без разрешения

Гимнастка бежит/идёт под НЖ чтобы

выполнить наскок

0.30 из окончательнои оценки – Жюри Соревновании

6.3 Короткое упражнение

Примеры: В/У Гимнастка упала и получила травму после выполнения только 3х элементов.

без приземления на стопы Оценка Д ДВ (A + C + A + 0 + 0 + E) + 1.00 CР # 2, # 3 + 1.00 . Оценка Д + 2.00 .

13

Макс. оценка И за исполнение и артистизм может быть 10.00 Общая сумма сбавок (2 падения. Высота, амп.) – 4.10

Оценка Е = 5.90 Окончательная оценка = 7.90

Окончательная оценка после сбавки за короткое упражнение:

7.90 P. – 6.00 P. (короткое упражнение) = 1.90

7.4.2 Повторение элементов в СВ

b) Некоторые элементы на брусьях, акробатические элементы на бревне и в/у, могут повторятся в одном соединении. Танцевальные элементы не могут повторяться.

c) Исправленный символ: вместо этот Исправленная диаграмма

Примеры:

d) Диаграмма будет исправлена на

8.3 – Таблица общих ошибок и сбавок

Недостаточная точность группировки, положения согнувшись в одном сальто

Каждый

раз

X

90˚

угол в

тазу/коленях

X

>90˚

угол в

тазу/коленях

9.2 Бревно и В/У Техт из 9.2 перенесен в 9.2.1

Засчитывание поворота в танцевальных элементах

Поворот должен быть полностью закончен или засчитывается другои элемент из правил

соревнований.

Положение бедер и плечей является решающим для оценки элемента или засчитывается другой

элемент из правил соревнований.

9.2.1 Трудность поворотов на однои ноге возрастает с добавлением:

180° на бревне

360° на в/у

14

Поворот должен быть полностью закончен или засчитывается другои элемент из правил соревнований.

Положение бедер и плечей является решающим для оценки элемента или засчитывается другой элемент из правил соревнований

9.2.2 Трудность прыжков с однои и двух ног, подскоков с поворотами возрастает с добавлением: ..… Разрешается разная техника в исполнение прыжков с поворотами – положение ног согнувшись, в группировке, врозь, в кольцо в начале, середине или конце поворота (кроме элементов в которых

есть спец. требования) Недоворот на 30° или больше: дается другои элемент из Таблицы Элементов.

Положение бедер и плечей является решающим для оценки элемента

Пример:

─ Бревно/В/У становится или (если показано явное положение ноги врозь)

9.2.3 Требования к шпагатам Сбавки за недостаточное разведение ног (недостаточныи шпагат) в прыжках с однои и двух ног, подскоках, и поворотах. 9.3 Требования к исполнению танцевальных элементов

Прыжки в шпагат со сменой ног с поворотами 180°, 360° Бригада Д

Нет маха свободной ногой – засчитывается Прыжок шагом с поворотом

Недостаточный поворот в становится или

Недостаточный повотрот становится или

9.4.5 Требования к отдельным элементам на Брусьях

Французкий текст. Исправленная диаграмма:

11.2 Содержание и построение упражнения

Русский текст

Заменить на Правильный пример:

15


Только 3 разных элемента в хронологическом порядке из однои семьи элементов (кроме подъемов разгибом, оборотов вперед/назад и отмахов в стоику) засчитывается на ДВ, СР, и СВ.

Добавить: Нет соскока – 0.50. с окончательной оценки (Бригада Д)

11.5 Сбавки за композицию (Бригада Е) Удалить: NO DMT” - 0.50

11.6 Специфические сбавки на снаряде

Удалить сбавки:

"Лёгкое касание снаряда ступнями"

"Лёгкое касание мата"

11.7 Примечание

Поправка (Бригада Е) на (Бригада Д)

Соскоки

а) ........ - Нет соскока - 0.50 (Бригада Д)

Удалить:

Если соскок начат

Пример 2: без попытки начать сальто вращение

Оценка: Нет ДВ, засчитывается только 7 элементов (Бригада Д) Сбавка за приземление (Бригада Е)


Добавить: Нет соскока -0.50 с окончательной оценки (Бригада Д)

Читать: Максимум 8 сложнейших элементов, включая соскок, засчитываются в ДВ.

Нет соскока -0.50 с окончательной оценки (Бригада Д)

12.3 Бревно:

Требования к композиции

Одна связка из минимум 2х разных танцевальных элементов:

1 прыжок с одной или двух ног или подскок с шпагатом в 180° (вдоль или поперёк) или прыжок ноги

врозь.

12.5 Сбавки за артистичность и хореографию (Бригада Е)

Удалить: Нет соскока -0.50

12.6 Специфические сбавки на снаряде (Бригада Е)

Поправка: (Бригада Е) на (Бригада Д)

Соскок:

a) Если сальто соскока ещё не началось (не было начала вращения), и гимнастка падает

16

- 0.50 нет попытки выполнения соскока (Бригада Д)

Вольные упражнения

13.2 Содержание упражнения

Добавить : Нет соскока - 0.50 с окончательной оценки (Бригада Д)

Читать: Максимум 8 сложнейших элементов, включая соскок, засчитываются в ДВ.

Нет соскока -0.50 с окончательной оценки (Бригада Д)

Добавить: a) Акробатические элементы любой трудности выполненное после последней

засчитывающейся акробатической линии не будут получать ДВ.

13.5 Сбавки за артистичность и хореографию (Бригада Е)

Удалить: Нет соскока -0.50


13.6 Специфические сбавки на снаряде (Бригада Е)

─ "Распределение элементов"

Добавить: Отсутствие хореографии в углах ковра 0.10 (во всём упражнении)

Таблица элементов:

Брусья: 4.407 (3й элемент) будет перемещён в 5.402

1.406 Наскок (ноги вместе) с опорой руками и 1/1 поворотом (360°) через НЖ хватом

за ВЖ. Будет добавлен в Таблицу элементов правил соревнований 2017

Бревно: Звёздочка будет добавлена (*) 2.208* 2.408* 2.112*,3.209* 3.408*

Примечание: 2.207 рисунок будет передвинут чтобы было видно текст.

Тест будет исправлен: Прыжок согнувшись из продольного поперечного положения с поворотом

на 1/2 (180°)

1.405 Прыжок шагом в шпагат со сменой ног и ½ поворотом (180˚) с приземлением в

шпагат не касаясь руками – разбег по диагонали. Будет добавлен в Таблицу элементов

правил соревнований 2017.

2й рисунок будет удалён из 2.207, 2.303 и 2.212

FX:

Звёздочка будет добавлена (*) 1.409*

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Прыжок в шпагат в кольцо с поворотом на ½ (180˚) Будет добавлен в Таблицу

элементов правил соревнований 2017.

Будет добавлен к 1.202

ЛИСТ ЗАПИСИ УПРАЖНЕНИЙ

В/У


СР

Сальто вперед и назад в

одной или в разных акробатических линиях

Брусья/Бревно/В/У

Удалить: Нет соскока

Имена:

Прыжок Гр.5: Ivantcheva Natalia (BUL) Рондат фляк с поворотом на 1/2 (180) в первой фазе полёта

‐ сальто вперёд в группировке во 2й фазе. 5.10. Имя исправлено на Ivantcheva Velina.

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