Festival MESS 2013 / Visual Identity

3INTERNATIONAL THEATER FESTIVAL

MESS 2013VISUAL IDENTITY

5INTERNATIONAL THEATER FESTIVAL

MESS 2013VISUAL IDENTITY

TABLE OF CONTENTS

OPENING CEREMONY ....................................................................................................... 8

OFFICIAL TRAILER .......................................................................................................... 10

OFFICIAL LOGOTYPE / MESS 2013 ................................................................................. 12

POSTER ............................................................................................................................ 16

APPLICATION POSTERS .................................................................................................. 18

APPLICATION FOR NEWSPAPERS / OSLOBOENJE ..................................................... 20

APPLICATION FOR NEWSPAPERS / OSLOBOENJE ..................................................... 22

APPLICATION / KARTOLINA ............................................................................................ 24

THEATER TICKETS ........................................................................................................... 28

ACCREDITATIONS ............................................................................................................ 32

CATALOG .......................................................................................................................... 34

MESSPRESSO .................................................................................................................. 40

GENERAL INDEX ......................................................................................................................................42

CREDITS ...................................................................................................................................................44

CONTACT ..................................................................................................................................................46

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OSVAJANJE SREE28.09, subota i 29.09.2013, nedjelja, u 20.00Plato ispod Starog mosta / MostarBiH, Sjeverna Irska, Slovenija: East West Centar Sarajevo / Prime Cut Productions Belfast / Slovensko mladinsko gledalie LjubljanaReija: Haris PaoviKo ima pravo na sreu? Amerikanci ija Deklaracija o nezavisnosti kae da ljudi imaju neotuivo pravo na ivot, slobodu i sreu? Da li stanovnici Bosne i Hercegovine i Sjeverne Irske imaju pravo na sreu? A ta je sa Slovenijom, Kambodom, Belgijom, Sijera Leoneom, ileom, Italijom... i, uostalom, sa svim ostalim ljudima na Zemlji?Odgovor saznajte u Mostaru!

SOLFATARA30.09.2013, ponedjeljak, u 19.00Kamerni teatar 55panijaReija: MNICA ALMIRALL / MIQUEL SEGOVIA / ALBERT PREZ

ta se deava kad va strah svrati na veceru, a vae najdublje i najcrnje misli ne ele da se pritaje? Odgovor potraite u bolno domiljatoj i do suza smijenoj predstavi katalonske trupe.

TAJNA DEMA OD MALINA30.09.2013, ponedjeljak, u 20.00Sarajevski ratni teatarBosna i HercegovinaReija: SELMA SPAHI

Pacovi, katakombe, originali, falsifikati, Hitler, neonacisti/kinje, vampir, nevidljivi covjek, malinai/ce, antimalinai/ce, KGB, CIA, Nikola Tesla, Walt Disney... cudesna su smjea koja brie granice izmeu realnosti i fantazmagorije, otkrivajuci nam nevjerovatnu tajnu.

Application for Newspapers / 28.09.2013


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PLJAKA PLIJENA01.10.2013, utorak, u 19.30Narodno pozorite SarajevoKoreografija: WIM VANDEKEYBUSUltima VezBELGIJAest glumaca/ica, jedan muziar i jedan fotograf kreu u proces rekonstrukcije sjeanja pomou muzike, pokreta, rijei i fotografije.

UTA CRTA01.10.2013, utorak, u 22.00Kamerni teatar 55Reija: IVICA BULJANZagrebako kazalite mladihHRVATSKALinija razgranienja izmeu kandidata (Hrvatske) i lanice EU (Njemake) kroz propitivanje pitanja slobode, slobode odabira i mogunosti.

BOANSTVENA03.10.2013, etvrtak, u 20.00Kamerni teatar 55Koreografija: DANIEL LARRIEUReija: GLORIA PARISCie Daniel Larrieu-AstrakanFRANCUSKATijelo plesaa je u slubi fantomske snage i svijeta mogueg. Prijelaz rijei u pokret, preplitanje pozorista i plesa proizvode jedinstven jezik inspiriran Genetovim istim i baroknim pisanjem.

TOMORROWS PARTIES03.10, etvrtak i 04.10.2013, petak, u 22.00Sarajevski ratni teatarReija: TIM ETCHELLSForced EntertainmentVELIKA BRITANIJANastupila je godina dolaska Forced Entertainmenta na MESS!Bilo je i vrijeme!



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KORALL KORAL05.10, subota i 06.10.2013, nedjelja, u 11.00 i 13.00Meunarodni centar za djecu i omladinu Novo SarajevoReija: HANNE DIESERUD / CHRISTINA LINDGRENBaby OperaNORVEKA

Opera za bebe koja e oarati i odrasle!

L.I. LINGUA IMPERII05.10.2013, subota, u 22.00Sarajevski ratni teatarAutori/ce: ANAGOORAnagoorITALIJA

Kroz sedam jezika predstava o razliitostima i nasilju kroz jezik i o injenici da su u dvadesetom stoljeu jo uvijek postojali ljudi koji doslovno love druge ljude.

KING SIZE07.10.2013, ponedjeljak, u 19.30Narodno pozorite SarajevoReija: CHRISTOPH MARTHALERTheater BaselVICARSKAvicarski genijalac Marthaller ponovo na MESS-u!Ne propustite muziki duhovitu i zabavnu predstavu!

LINNOCENTE07.10.2013, ponedjeljak, u 22.00Sarajevski ratni teatarReija: DIEGO DE BREASlovensko mladinsko gledalie LjubljanaSLOVENIJAFilmski klasik Visconti u matovitoj adaptaciji uvenog Slovenskog mladinskog gledalia iz Ljubljane.

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53. INTERNACIONALNI TEATARSKI FESTIVAL MESS 2013Sarajevo, Mostar, Gorade, Visoko

28.09.2013. / SUBOTA 11.00 / Meunarodni centar za djecu i omladinuNovo SarajevoJEDNO JUTRO SAM OTILAReija: Csar ESPINOZA ARAYA / Ana GALLEGO / ngel SNCHEZTeatro de OcasinILE

20.00 / Plato ispod Starog mosta / MostarOSVAJANJE SREEReija: Haris PAOVIEast West Centar Sarajevo / Prime Cut Productions Belfast / Slovensko mladinsko gledalie LjubljanaBOSNA I HERCEGOVINA, SJEVERNA IRSKA, SLOVENIJA

29.09.2013. / NEDJELJA11.00 / Pozorite mladih SarajevoMALI MUKReija: Darko KOVAOVSKIPozorite mladih SarajevoBOSNA I HERCEGOVINA

19.30 / Narodno pozorite SarajevoSVOJIM PORAZOM UINIT U TE NEPOBJEDIVOMReija: Anglica LIDDELLAtra Bilis TeatroPANIJA

20.00 / Plato ispod Starog mosta / MostarOSVAJANJE SREEReija: Haris PAOVIEast West Centar Sarajevo / Prime Cut Productions Belfast / Slovensko mladinsko gledalie LjubljanaBOSNA I HERCEGOVINA, SJEVERNA IRSKA, SLOVENIJA

22.00 / Kamerni teatar 55Devad Karahasan: KONCERT PTICAReija: Ale KURTKamerni teatar 55BOSNA I HERCEGOVINA

30.09.2013. / PONEDJELJAK13.00 / Muzej knjievnosti i pozorine umjetnosti BiHRazgovor s Devadom Karahasanom

19.00 / Kamerni teatar 55SOLFATARAReija: Albert Prez HIDALGO / Miquel SEGOVIA / Mnica ALMIRALLATRESBANDESPANIJA

20.00 / Sarajevski ratni teatarTAJNA DEMA OD MALINAReija: Selma SPAHISarajevski ratni teatarBOSNA I HERCEGOVINA

01.10.2013. / UTORAK19.30 / Narodno pozorite SarajevoPLJAKA PLIJENAKoreografija: Wim VANDEKEYBUSUltima VezBELGIJA

22.00 / Kamerni teatar 55UTA CRTAReija: Ivica BULJANZagrebako kazalite mladihHRVATSKA

02.10.2013. / SRIJEDA17.00 / Narodno pozorite SarajevoGALEBReija: Tomi JANEISrpsko narodno pozorite Novi SadSRBIJA

03.10.2013. / ETVRTAK18.00 / Narodno pozorite SarajevoDoruntina Basha: PRSTReija: Ana TOMOVIHartefakt / BITEFSRBIJA

20.00 / Kamerni teatar 55BOANSTVENAKoreografija: Daniel LARRIEUReija: Gloria PARISCie Daniel Larrieu-AstrakanFRANCUSKA

22.00 / Sarajevski ratni teatarTOMORROWS PARTIESReija: Tim ETCHELLSForced EntertainmentVELIKA BRITANIJA

04.10.2013. / PETAK13.00 / Muzej knjievnosti i pozorine umjetnosti BiHRazgovor s Doruntinom Bashom

17.00 / Kamerni teatar 55Ronald Rand: NEKA BUDE UMJETNOST!Reija: Gregory ABELSSAD

17.00 / Muzej knjievnosti i pozorine umjetnosti BiHScensko itanje drama Srana Sandia i razgovor s autorom

19.30 / Narodno pozorite SarajevoTanja ljivar: GREBANJE ILI KAKO SE UBILAMOJA BAKAReija: Selma SPAHIBosansko narodno pozorite ZenicaBOSNA I HERCEGOVINA

22.00 / Sarajevski ratni teatarTOMORROWS PARTIESReija: Tim ETCHELLSForced EntertainmentVELIKA BRITANIJA

05.10.2013. / SUBOTA11.00 i 13.00 / Meunarodni centar za djecu i mladeNovo SarajevoKORALL KORALReija: Hanne DIESERUD / Christina LINDGRENBaby OperaNORVEKA

13.00 / Muzej knjievnosti i pozorine umjetnosti BiHRazgovor s Tanjom ljivar

15.00 / Narodno pozorite SarajevoINTELEKTUALNI AUTORReija: Jorge Hugo MARNLa Maldita VanidadKOLUMBIJA

17.00 / Narodno pozorite SarajevoMATERIJALNI AUTORIReija: Jorge Hugo MARNLa Maldita VanidadKOLUMBIJA

18.00 / Kamerni teatar 55frei.wild: IN THE MIXAutori/ce: frei.wildNJEMAKA

19.00 / Narodno pozorite SarajevoKAKO ELI DA TE ELIMReija: Jorge Hugo MARNLa Maldita VanidadKOLUMBIJA

22.00 / Sarajevski ratni teatarL.I. LINGUA IMPERIIAutori/ce: AnagoorAnagoorITALIJA

06.10.2013. / NEDJELJA11.00 / Kamerni teatar 55KRALJICA VEMAINAReija: Jelena KOVAIBosansko narodno pozorite Zenica BOSNA I HERCEGOVINA

11.00 i 13.00 / Meunarodni centar za djecu i mladeNovo SarajevoKORALL KORALReija: Hanne DIESERUD / Christina LINDGRENBaby OperaNORVEKA

18.00 / eljeznika stanica SarajevoAdnan Lugoni / Asja Krsmanovi: TRAMVAJReija: Senad ALIHODIFerceraBOSNA I HERCEGOVINA

19.30 / Narodno pozorite SarajevoHAMLET, OD ANDAReija: Diego ARAMBUROTeatro de los AndesBOLIVIJA

22.00 / Sarajevski ratni teatarHINKEMAN: TA MORA NEKA BUDEReija: Andrej NOSOVJugoslovensko dramsko pozoriteSRBIJA

07.10.2013. / PONEDJELJAK13.00 / Muzej knjievnosti i pozorine umjetnosti BiHRazgovor s Adnanom Lugoniem / Asjom Krsmanovi / Vukom Bokoviem / Dariom Bevandom / Bojanom Vidosavljevi

19.30 / Narodno pozorite SarajevoKING SIZEReija: Christoph MARTHALERTheater BaselVICARSKA

22.00 / Sarajevski ratni teatarLINNOCENTEReija: Diego DE BREA Slovensko mladinsko gledalie LjubljanaSLOVENIJA

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29/09/13

DEVAD KARAHASAN

KONCERT PTICA THE CONCERT OF BIRDS

Tekst Devada Karahasana Koncert ptica, napisan kao svojevrsni oma Aristofanu i islamskom mistiku Fariduddinu Attaru, govori o vrlo aktualnoj temi ljudske potrebe i potrage za vjenom mladou s jedne strane, i o ljudskoj potrebi da na bilo koji nain, i po svaku cijenu, sauvamo ono to volimo. Bilo to zdravlje, mladost, ili jedan sasvim prosjean terijer. enski. Tekst je napisan kao svojevrsna parodija kojom autor na jedan vrlo rafiniran nain ismijava ljudsku sujetu, elju za vlau, kao i samu sr nae ljudskosti, koja, ogoljena i razotkrivena, ostaje isprazna, tata i okrenuta sebi. Glavni likovi, Predsjednik koji je postao Slavuj i njegova majka Ghalina koja se pretvorila u Gavrana, u svojoj velikoj elji da zadre vjenu mladost (i Predsjednikovog psa, Paulinu), pristaju na genetski eksperiment koji ih, iako uspjean u podmlaivanju, polako pretvara u ptice. Kada se oslobode svoje ljudskosti, oni polako shvataju kakvi su ljudi zapravo, i sazivaju veliki sabor svih ptica kako bi preuzeli vlast i oslobodili se ljudske tiranije. Ubrzo sreu i pjesnika i mistika Attara, koji je postao Pupavac, jer je nekada davno pisao o pticama i shvatio njihovu sutinu. On ih vodi na jedno mistino putovanje u potrazi za smislom i identitetom. Koncert ptica je komino ispriana pria o potrazi za ljudskou, za ivotom i izgubljenim vremenom.

PREDSTAVA PERFORMANCE

Jezik: bosanski s engleskim prijevodom Language: Bosnian with English Subtitles

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The play Concert of Birds by Devad Karahasan, written as a kind of homage to Aristophanes and the Islamic mystic Fariduddin Attar, focuses on a very present issue of human need and quest for eternal youth on one hand, and the need to preserve what we love, in any way, at any cost. Whether it is health, youth, or an entirely average terrier. Female. The play is written as a sort of parody, in which the author is, in a very refined way, making fun of human vanity, desire for power, and the very core of our humanity, which, stripped and exposed, remains empty, vain and ego-centric. The main characters, a President who became a Nightingale and his mother Ghalina who turned into Raven, in their great desire to maintain eternal youth (and the Presidents dog, Pauline), agree to a genetic experiment which is, although successful in rejuve-nation, slowly turning them into birds. When they liberate themselves from their humanity, they slowly realize what people are actually like, and invite a great ansembly of all birds in order to take power and liberate themselves from human tyranny. Soon after, they meet the poet and mystic Attar, who became the Hoopoe, because a long time ago he wrote about the birds and understood their essence. He takes them on a mystical journey in search of meaning and identity. Concert of Birds is a comic story about the quest for humanity, life and lost time.

PRODUKCIJA

Kamerni teatar 55 iz Sarajeva poeo je sa radom 7. marta 1955. godine. Iako historija ove kue nije iznimno duga, ona je nesumnjivo bogatija, atraktivnija i znaajnija od decenija i decenija neijeg rutinerstva, hladnog shematizma i bezbrinog tavorenja, kako je to primijetio jedan ugledni kritiar. U stalnom kritikom preispitivanju i u aru traganja za drukijim, neposrednijim i otvorenijim scenskim izrazom, dogaala su se, dakako, i lutanja, koja takoer nisu bila beskorisna i nakon kojih se Kamerni teatar 55, ponovo vraao sebi, jo matovitiji i bolji, ne iznevjeravajui onaj profil kojeg je ve u startu definirao njegov osniva Jurislav Koreni (1914-1974) a koji je, na tragu novih teatarskih stremljenja u tadanjoj Evropi, bio novost na prostorima bive Jugoslavije i primjer kojeg su slijedili brojni teatri irom bive drave. Otvarajui irom svoja vrata za naglaeno eksperimentiranje u teatru, za tekstove Beketa, arija, enea, Joneska, varca, ehova i itavu plejadu autora ija je poetika u modernom teatru proizlazila iz apsurdnog osjeanja ivota, Kamerni teatar 55 je imao presudan utjecaj na itave generacije dramskih umjetnika/ca koji su pozornicu ring, okruenu gledalitem, umjesto frontalnog tipa scene, sa nepremostivom rampom, prepoznali kao priliku za intimniju, prirodniju i iskreniju glumaku igru.

The Chamber Theater 55 from Sarajevo was founded on March 7, 1955. Although it does not have an exceptionally long history, it is undoubledly richer, more attractive, and more significant then the decades-long routine and cold schematism of other theaters and their careless existence, as a renowned critic once noted. Through the constant questioning and challenging, as well as fervent search for different, more direct and more open stage expression, there certainly have been wonder-ings, but not in vain, after which the theater kept returning to its own self, better and with even greater imagination, staying true to its profile defined by its founder Juroslav Koreni (1914-1974) the profile that was a novelty in this part of the world, and in sync with the tendencies of the European theater at the time. By opening its gates to more experi-mental forms of theater, including the plays by Beckett, Jarry, Genet, Ionesco, Schwartz, Chekov, and the plethora of authors whose poetics in modern theater came from the feel-ing of absurdity in life, The Chamber Theater 55 made a decisive influence on generations of young artists who recognized this ring-like stage surrounded by audience as their oppor-tunity for more intimate, natural and sincere performance.

Autor drame / Playwright:DEVAD KARAHASAN

Reija / Direction: ALE KURT

Igraju / Cast:MIRSAD TUKA AMAR SELIMOVI TATJANA OJI SENAD ALIHODI AIDA BUKVA

Dramaturgija / Dramaturgy: VEDRAN FAJKOVI

Scenografija i kostimografija / Stage and Costume Design: ADISA VATRE

Asistent scenografa / Stage Designers Assistant: VEDAD ORAHOVAC

Kompozitor i araner / Composer and Arrangement: DUAN VRANI

Ninjutsu sensei: DARKO TRAJKOVI

Video Art: NAIDA BEGOVI

Svjetlo / Light: ELVEDIN BAJRAKTAREVININO BRUTUS

Ton / Sound: EDIN HAJDAREVIDINA HAJDAREVI

Majstor scene:MILAN NOVI

Video-projekcija / Video Projection: DINO BRUTUS

Grafiki dizajn i video art / Graphic Design and Video Art: BOJAN MUSTUR

Fotografija / Photography:BOJAN MUSTUR

Produkcija / Production: DUKA AMIDI

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Ale Kurt diplomirao je na Fakultetu dramskih umjetnosti u Beogradu (Odsjek filmske i TV reije). Snimio je nekoliko kratkih i dugometranih filmova: Prokleta je Amerika (1991), Akumulator (2011), kao i dokumentaraca ta se desilo s mojim prijateljima (1995), Portret reditelja (1998), Bahtalo drom (2003), Sretan put buba-maro (2004). U teatru je od 1995. reirao veliki broj predstava, a neke od njih su: Soire, Macblettes, Stop maina, Pucanje due, Dijalog u paklu, Premijera, Mjera za mjeru, Poljska konjica, Pinokio, Alisa u zemlji uda, Bog, Rat i ostalo, Muholovac, Pinokio u nevolji.

Ale Kurt graduated from the Faculty of Dramatic Arts in Belgrade (Department of Film and TV directing). He has made several short and feature-length films: Cursed America (1991), Battery (2011), as well as documentaries, What happened to My Friends (1995), Portrait of a Director (1998), Bahtalo Drom (2003), Farewell Ladybug (2004). Since 1995, in theater, he has directed a great number of plays, and some of them are: Soire, Macblettes, Stop Machine, Soul Cracking, Dialogue in Hell, Premiere, Measure for Measure, Polish Cavalry, Pinocchio, Alice in Wonderland, God, War, etc., Flycatcher, Pinocchio in Trouble.

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Devad Karahasan, pisac i profesor knjievnosti. Roen u Duvnu, kolovao se u Duvnu, Sarajevu i Zagrebu. Predavao na univerzitetima u Sarajevu, Salzburgu, Goettingenu, Berlinu, Baselu.Objavio:romane: Istoni diwan, ahrijarov prsten, Sara i Serafina, Nono vijee, Sjeme smrti;knjige pripovjedaka: Kraljevske legende, Kua za umorne, Izvjetaji iz tamnog vilajeta;eseje: O jeziku i strahu, Dnevnik selidbe, Knjiga vrtova, Sjene gradova;knjige drama: Kralju ipak ne svia se gluma, Misionari, Koncert ptica;u tampi: Knjiga uitelja.Drame su mu igrane u raznim gradovima i raznim teatrima, a prva je igrana u Kamernom teatru 55. Dobio je brojne ugledne meunarodne nagrade. Knjige su mu prevedene na etrnaest jezika.

Devad Karahasan, writer and professor of literature. Born in Duvno, educated in Duvno, Sarajevo and Zagreb. He taught at universities in Sarajevo, Salzburg, Goettingen, Berlin, Basel.Published:Novels: Eastern Diwan, ahrijars Ring, Sara and Serafina, Night Council, Seed of Death;Books of short stories: Royal Legends, House for Weary, Reports from Dark Vilayet;Essays: About Language and Fear, Diary of Moving, Book of Gardens, Cities Shadows;Plays: King Still Does Not Like Acting, Missionaries, Concert Of Birds;In the press: The Book of Teachers.His plays have been staged in many cities and theatres, and the first one was staged in the Chamber Theater 55. He received numerous prestigious international awards. His books have been translated into fourteen languages.

PRODUCTION

Razgovor sa Devadom Karahasanom e se odrati 30.9.2013. u 13.00 / Muzej knjievnosti i pozorine umjetnosti BiH. Moderatorica: Asja Krsmanovi

Discussion with Devad Karahasan will be held on September 30 2013 at 13:00 / Museum of Literature and Per-forming Arts of B&H. Moderator: Asja Krsmanovi

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NEKA BUDE UMJETNOST!LET IT BE ART!

SCENSKO ITANJE TEKSTOVA SRANA SANDIA I RAZGOVORSA AUTOROM THEATRICAL READING OF SRAN SANDIS TEXTS ANDDISCUSSION WITH THE AUTHOR

IN THE MIX

7 DRAMA IZ BiH7 PLAYS FROM B&H

LInnocente (1976) je posljednje djelo velikog filmskog reditelja Luchino Viscontija. Radnja intimnog trokuta se deava u vilama rimske aristokratije, gdje je scenografija pomno i brino birana, u senzualnoj atmosferi palata Italije. Viscontijevi junaci, u luksuznim kostimima i u bahatoj otuenosti od svojih emocionalnih svjetova, kao da su zamrznuti u vremenu. Visconti je bazirao svoj film na romanu Gabriele DAnnunzia, jednog od vodeih autora dekadencije i simbolizma u italijanskoj literaturi. I upravo je ova aspiracija ka dekadeneciji i aristokratiji poveznica izmeu Diega de Brea-e i Luchino Viscontija; de Brea se ve suoio sa njim 2006. godine, kada je postavio Proklete na pozorinici Mladinskog. Bogati, privlani, nemilosrdni i arogantni Tullio Hermil zapostavlja svoju lijepu enu Giulianu, te svu svoju panju posveuje ljubavnici Teresi, samodostatnoj grofici udovici. Njegov brak se ini kao formalnost, sve dok on ne otkrije da nije jedini koji ima vanbrane afere. Otkrie da ga je ena prevarila sa mladim piscem u njemu budi ljubav za do tada emocionalno zapostavljenom Giulianom. Neoekivana rasplamsala ljubav prema njegovoj eni, moda jedina istinska ljubav koju je osjetio, u njemu budi oprost afere sa mladim piscem, koji nedugo nakon toga umire. Ali, onda on iznenada biva pogoen vijestima da je Giuliana, koja s njim nema djece, zatrudnila sa ljubavnikom...

LInnocente (1976) is the final work of the grand film maker Luchino Visconti. The intimate triangle takes place in the villas of Roman aristocracy where the decor is thoughtfully chosen, in the sensual atmosphere of Italian country palaces, where Viscontis heroes in luxurious costumes, in their haughty distance from their own emotional worlds, seem to be frozen in time. Visconti made his film based on a novel by Gabriele DAnnunzio, one of the leading authors of decadence and symbolism in Italian literature. And it is this partiality towards decadence and aristocracy that links Diego de Brea and Luchino Visconi; de Brea already faced him in 2006 when he created The Damned on the Mladinsko stage. The wealthy, attractive, ruthless and arrogant Tullio Hermil is neglecting his pretty wife Giuliana and showers his mistress Teresa, a self-sufficient dowager countess, with his attention. His marriage appears to be a formality until he discovers that hes not the only one in it to have an extra-marital affair. It is the discovery that his wife cheated on him with a young writer that evokes in him love for the so far emotionally neglected Giuliana. The unexpectedly rekindled love for his wife, maybe the only true love he has ever experienced, brings about his decision to pardon her the affair with the young writer who dies soon after. But then hes suddenly struck with the news that Giuliana, who has no children with him, got pregnant by her lover

PREDSTAVA PERFORMANCE

07/10/13

Slov

enija

/ Sl

oven

ia

Jezik: slovenski s bosanskim i engleskim prijevodom Language: Slovenian with Bosnian and English Subtitles

LINNOCENTE

Sara

jevs

ki ra

tni t

eata

r 22.

00S

araj

evo

War

The

ater

Traj

anje

/ R

unni

ng t

ime:

65

min

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Reija / Direction: DIEGO DE BREA

Igraju / Cast: URO MAEK ROMANA ALEHAR DRAGA POTONJAK OLGA GRAD MATEJ RECER

Dramaturgija / Dramaturgy: TOMA TOPORII

Scenografija / Stage Design:DIEGO DE BREA

Kostumografija / Costume Design: SLAVICA JANOEVI

Zvuna slika / Soundscape: FI PRODUKCIJA

Dizajn zvuka u prostoru / Sound Design in the Venue: SILVO ZUPANI

Dizajn svjetla / Light Design: DIEGO DE BREA

Na snimku / On the Recording: MATJA TRIBUON HELENA PERUH IGOR SAMOBOR MARUA GEYMAYER-OBLAK DIEGO DE BREA SANDI PAVLIN ELJKO HRS MARINKA TERNIVAN GODNI BLA EF

Fotografija / Photography:PETER UHAN

REDITELJ

Diego de Brea jedan je od najuspjenijih slovenskih reditelja. Prvo je studirao komparativnu knjievnost i historiju umjetnosti, a potom je zavrio pozorinu reiju na Akademiji za pozorite, radio, film i televiziju u Ljubljani. Autor je predstava slovenskih i stranih repertoara, kao i nezavisnih pozorita. Bavi se razliitim anrovima, od predstava za mlade, lutkarskih predstava, osmiljenog pozorita, klasinih i suvremenih tekstova, do muzikih vodvilja. Njegove reije su bile na turneji u Sloveniji, u Europi i na drugim kontinentima. Dobitnik je brojnih prestinih domaih i inozemnih nagrada. U Mladinskom pozoritu je reirao Kraljicu Margot (2005), Proklete (2006), koji se takoer temelje na Viscontijevom filmu), Zloin i kaznu (2009) i, na kraju prole godine, LInnocente. Ove godine, izabran je za Umjetnikog direktora Slovenskog narodnog pozorista Maribor.

Diego de Brea is one of the most successful Slovene directors. He first studied comparative literature and art history, and later on finished theater directing at the Academy of Theatre, Radio, Film and Television in Ljubljana. He is the author of high-profile plays in Slovene and foreign repertory as well as non-institutional theaters, taking up different genres, from youth plays and puppet shows, devised theater, classical and contemporary texts, to musical vaudevilles. His stagings have toured in Slovenia, in Europe and on other continents. He has received numerous prestigious national and international awards. At the Mladinsko Theater he directed Queen Margot (2005), The Damned (2006, also based on a Visconti film), Crime and Punishment (2009) and, at the end of last year, Linnocente. This year, he was elected the artistic director of the Slovene National Theater Maribor.

DIRECTOR

Osnovan je 1955. godine kao prvi profesionalni teatar za djecu i mlade u Sloveniji. Osamdesetih godina Mladinsko je postepeno rekonstruisano u teatar, koji je interdisciplinarno kombinirao granino pozorino istraivanje i tematizaciju politike subverzivnosti. Danas je teatar poznat po irokom spektru inovativne poetike razliitih mladih reditelja/ica i po fenomenu energije ansambla Brookovom pristupu glumi, koji nije baziran na hijerarhiji slave, ve na glumakoj laboratoriji, u kojoj su pojedinani bravurozni dijelovi povezani u jaku, cjelovitu glumaku energiju. U svojim predstavama Mladinsko eli tematizirati univerzalne paradokse civilizacije, sa programom baziranom na problematici novih vremena i prostora. Mladinsko e nastaviti razvijati kodove nove pozorine prakse, novih vizualnih paradigmi, novih naina prikaza klasika, modernizma i postmodernizma. U Mladinskom svi, glumci/ice, reditelji/ce, koreografi/kinje, scenografi/kinje, muziari/ke, istrauju, riskiraju i stvaraju, kako bi svojim radom razvili/e novog gledaoca/gledateljicu.

Established in 1955 as the first professional theater for children and youth in Slovenia. In the eighties, Mladinsko was gradually re-structured into a theater which inter-disciplinarily combined borderline theater research and the thematisation of political subversiveness. Today, it is known for a wide range of innovative poetics of various young directors and the phenomenon of ensemble energy the Brook approach towards acting, which is not based on star hierarchy, but on an acting laboratory connecting individual bravura parts into a strong whole of the acting ensemble.In its performances, the Mladinsko strives to thematise universal paradoxes of the civilisation, with its programme based on the problematisation of new times and spaces. The Mladinsko will continue to develop the code of new theatrical practice, new visual paradigms, new views on the classics, modernism and postmodern-ism. At the Mladinsko, the actor, director, choreographer, set designer, musician all research and develop, risk and create in order to develop a new spectator through their gestures.

WO

RLD MESS

PRODUKCIJA PRODUCTION

40

MES

SPRE

SSO

Sutra u fokusu mladi reditelj i rediteljicaAndrej Nosov i Selma Spahi

i razgovor o predstavamaHinkeman: ta mora neka bude i Tajna dema od malina

Subota, 05. oktobra, Delikatesna radnja, 10.30Dobrodoli na MESSPRESSO!

Official Invitation Letter / Web

Official Logotype

41

Roll-up

42

GENERAL INDEX

AACCREDITATIONS .......................................32

Accreditations / Academy ..........................................32Accreditations / Direction ..........................................32Accreditations / Guest ................................................32Accreditations / Jury ..................................................33Accreditations / Organiser .........................................33Accreditations / Press ................................................33Accreditations / Technician ........................................33Accreditations / Workshops .......................................32

APPLICATION FOR NEWSPAPERS / OSLOBOENJE ..........................................20

Application for Newspapers / 01.10.2013 .................21Application for Newspapers / 03.10.2013 .................21Application for Newspapers / 05.10.2013 .................22Application for Newspapers / 07.10.2013 .................22Application for Newspapers / 28.09.2013 .................20Application for Newspapers / 30.09.2013 .................20

APPLICATION / KARTOLINA ........................24Side A ..........................................................................25Side B ..........................................................................25

APPLICATION POSTERS ..............................18Announcement for Magazine / Dani ...........................19Announcement for Magazine / Gracija .......................19Announcement for Newspaper / Osloboenje ...........18Bilboard .......................................................................18City Banner ..................................................................19City Light .....................................................................18

CCATALOG ....................................................34

Cover............................................................................34Layout ...................................................................34, 35Layout / Section ..........................................................35

MMESSPRESSO ............................................40

Official Invitation Letter / Web ...................................40Official Logotype .........................................................40Roll-up .........................................................................41

OOFFICIAL LOGOTYPE / MESS 2013 ..............12

Black logotype ............................................................12White logotype ...........................................................13

OFFICIAL TRAILER .....................................10

OPENING CEREMONY .................................. 8CONQUEST OF HAPPINESS ..........................................8

PPOSTER .....................................................16

Official Poster ..............................................................16

TTHEATER TICKETS ......................................28

Chamber Theater 55 ..................................................29International Centre for Children Youth Novo Sarajevo ..................................................29National Theater Sarajevo / Balcony .........................30National Theater Sarajevo / Gallery ..........................30National Theater Sarajevo / Lodge ............................30National Theater Sarajevo / Parterre ........................31Plateau under the Old Bridge / Mostar ......................28Sarajevo War Theater .................................................31Sarajevo Youth Theater ..............................................31Ticket for How do you want me to want you ...........29Ticket for The Material Authors ...............................28

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Visual identity, video and graphic design of International Theater Festival MESS: FABRIKAGraphic design of International Theater Festival MESS 2013: Haris Jusovi / for FABRIKAIdea, brochure design: Bojan MusturPhotography: Velija Hasanbegovi

Sarajevo, 2015

CREDITS

46

INTERNATIONAL THEATER FESTIVAL MESS Marala Tita 54/I, 71000 Sarajevo, Bosnia and Herzegovina

Tel: + 387 33 200 392, Fax: + 387 33 211 972

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CONTACT

OPENING CEREMONY OFFICIAL TRAILEROFFICIAL LOGOTYPE / MESS 2013POSTERAPPLICATION POSTERSAPPLICATION FOR NEWSPAPERS / OSLOBOENJEAPPLICATION FOR NEWSPAPERS / OSLOBOENJEAPPLICATION / KARTOLINATHEATER TICKETSACCREDITATIONSCATALOGMESSPRESSOGENERAL INDEXCREDITSCONTACT

Festival MESS 2013 / Visual Identity

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Transcript of Festival MESS 2013 / Visual Identity