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85
:TS:«» Arranged by Howard Wallach • i n i i f I National Guitar t Woi ksiiop Booh am KliMM
Transcript of f I am - archive.org
:TS:«»
Arranged by
Howard Wallach
• i n i i f I ■ National Guitar t ■ Woi ksiiop Booh am KliMM
in Tablature
Arranged by
Howard Wallach CONTENTS Signs, Symbols and Terms Used in ibis Rt**k
The Arranger,.,.„...„......
MUSIC of the RENAISSANCE Djunta (Anon) ,,,.,,.
Saltarello (Galilei) ....
Ga^liiirdi (Anon} ..
Pavarn* (Aftatgriartf) ......
Gal Liard u ( Altaignant) ............
Ij. Brosse (Attaignant) ..
Packington’is Pound (Cutting}
O’Sweet Oliver (Anon) .
Ptg-A-Rsunsey (Anon)
Wiisoo's Wilde (Anon) ..
Gnccnslecves (Anon) .
Kemp’s Jig (Amu) ....
Wackin’s Ale (Anon) ..............
Pissamezze (LeRoy) ...
::::::
MUSIC of the BAROQUE ERA Tordigliore (CaJvi) ..
Spagnoleua (Calvi) .........
Aria tli Fiorcnaa (Calvi) ....
Canaria (Cafvi) .«r„.„^rrr.,.,w..,
Villanu (Sanl) .......
Rujern ($at:z) .....
Espanoleta (Sant) ......
Canaries (Sum) .......
Menuei (Vide) ......
Gavotte (Virde) ....
Mcnuct 1 (Visee) ........
Munuci II (Visee) ....
Sarahunde (Visee) ...
Bourree (Visee) .....
MUSIC of the CLASSICAL PERIOD .. i. Prelude in C Majfjr (Curctisii) . 55
- 5 English Dance (Camlli) .. 56
.. S Waltz (Carnlli) .. 58
EO Sicillana (CantUi) . ...60
.12 Andantinn (Carcassi) ..62
■ 14 Study in A Minor (Cavcatti) ........
. 16 Study in E Minor (Cnrcassi) .. 6b
.18 Study in A Minor ,,..67
. 19 Study in E Minor (Aguado) ..,...68
.20 Andante in C Major (Sar) . ,...70
.23 Study in A Minor (Sor) . ,...72
,24 Minuet in G Major f.for) .. .73
.26 Study in A Minor (SwJ . 14
.28 Andante in E Minor fSor) ..... ......76
Study in C Major (Sar) ........78
Study in B Minor (Sor) ...,......,,,....80
'52 MUSIC of the ROMANTIC ERA .34 Lagrima iTrirrega) .. 83
37 Study in C Major (Tdrrtga) . 85
.38 Adelifa (Tdrrega)
39 El Noy de la Mare (Traditional) .. 88
Romance de Amor—Spanish Ballad (Tradithttal).91
.43 Romance tie Amor—TrCdlplO Version (Wtthtub) ..,,,,...94
.47
48
.50
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l .k-L'HH-rl HsdiiRindy In Wcirkslinp- Art*. Inr. t^rinled in USA.
Acttuinirion amf (djiarul: Nalhuniel Gunsd
Cover : 1 unatliy Phi I pi
Cover photo of Hauser ^ruiljir nourttsv nil" Guitar SiiEnn InltTnatinnal
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Copyrighled ima
Signs, Symbols and Terms
Used in this Book
Ri&bi Hand Indications p - Thumb
i - Index Finger
m * Middle Finger
li - Ring Finger
f - Arpeggiare the chord with right-hand
1 fingers or thumb
Left Hand indications
^ - Hammer-on if to a higher note* or or or 1
puliofF if to a lower note.
B or C - Bar indicated fret with 1st finger.
■/jB or VsC - Half bar indicated fret.
- Sharp. Raise die note one half step (one frer).
X - Double Sharp, Raise the note one whole step (two frets).
= Plat, tower the note one half step (one fret).
= Double flat. Lower the more one whole step (two frees).
Jj = Natural. Returns a sharp or flat to its natural position.
© = D * Tune the 6rh string down to D
(T) = G - Tune the 6th string down to G
- Tune the 3rd string down to P*
2 3 i (i . 1148 C? - Time Signatures. The number on top indicates the number of
beats per measure. The number on the bottom indicates which
note value equals one beat. A Y indicates chat the quarter note
equals one beat. An ' *T indicates char the eighth note equals one
beat. The C refers to mntrnn tim, which is the same as \ time.
The refer:-; ro cut tim, which is the same as ^ c ime.
= 1st and 2nd endings. Play r' I the I i rst time; play
i tilt second time, omit ring T " I.
I = Repeal signs..
D.C. at t ine = Dii Capo a! Vim. Repeat from the beginning until the word
Fine (end).
= Femnta. I in-ld sign. Indicates that the note should be held for
longer ttian its written duration.
= Tie. Joins two or more notes of the .time pitch to create one
longer note chat lasts for the duration of the combined note
values.
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3
Tempo hid icar ion.1;
Adagio
Allegretto
Allegro
Andante
And anti no
Larghetto
Largo
Lento
Moderate)
- Slowly; smoothly, leisurely,
- Quite lively; moderately last, her ween Andante and Allegro.
- Lively; fast, brisk1 rapid.
- Moving at a moderate rare.
- A little slower than Andante, but often used as if meaning a little faster.
- Slightly faster than Largo.
- Very stow; slower than Adagio.
- Slow; between Andante and Largo,
- Moderately; at a moderate rate.
Types of Pieces
Bourse
Gag 1 iarda/Gal 3 i ard
Gavotte
Menuet/Minuet
Pavane
PassamesEe
Prelude
Saltarello
Sarabande
Sici liana
- 17th and 18th-century French dance in quick \ time.
- Ifkh-crntury dance in moderately quick triple time (any time signature with three beats to
the measure).
- 17th and 18th-century French dance in moderate } time.
■ Graceful dance in moderate triple time.
- Courtly 16th-century dance in rather slow duple merer (any rime signature with two bears ro
the measure).
- 16th-century Italian dance in mode rare j rime,
- A non - dance piece, sometimes of an introductory character.
- 16th-century Italian dance in fast triple meter.
- 17th and 18 th-century dance in slow triple meter and of a dignified character.
- A piece in | time or meter in moderate tempo suggestive of a pastoral scene.
Tablacure Explanation
Tablature is a system ol notation that graphically represents the strings and
frets of the guitar fingerboard. Each note is indicated by placing a number,
which indicates the fret to play, on the appropriate string.
2nd Siring. Wth fnrtJ
Jth String. 3!li fret
The Arranger Howard Wallach was bum in Cleveland, Ohio. At the age uf ten, lie began performing on
bruit ji22 and 1rla.s5.Lcal guitar. AfrL-F studying with guitar virtuoso Miguel Rubio at the
Conservatory of Lausanne, Switzerland, lw completed his Bachelor of Music at the Peabody
Conservatory ot the Johns Hopkins University under the renowned educator Aaron Shearer.
K.L$ graduate studies were undertaken at the University of" Houston.
Mr. WsJIach has giv^n many solo ami ensemble peTfbrmaniCCS on both guitar and Lure in
Switzerland, Ho It i more, Houston, Washington., D.C.h Cleveland and Philadelphia, Cur¬
rently residing in Houston, be teaches at Houston Community College and at lee College
in Baytown, Tt^as.
Thle one
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SI 4.95
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50 C
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How
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Natio
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