F Fash Grade Don j I |pjt|s j i1 t j ML COATS bilk and
1
THE EVEXIXft STAR. WASHTyOTOX, T>. C.. MONDAY. OCTOBER S, 1323. OPENING ATTRACTIONS IN WASHINGTON THEATERS STRAND—“Around the Town." Bocb Blake, versatile comic of the Town,” the peppy bur- leque show at the Strand this week, is by far the outstanding entertainer in the performance. Boob's wisecracking is fed to the fans on the ¦ “spoon of laugh.” and they receive his offering appreciatively. Eoob's assistant. Billy Kelly, proves a worthwhile comedian, even though he is usually the brunt of Blake’s jokes. The feminine side of the “burlesker,” under the leadership of Sylvia Pearl, Bccrie Rosa. Donna Davis and a thor- oughly entertaining young lady billed ns “Miss Dwan.” are well versed in Ecng. and their dances prove sufficiently pleasing. “The Black Diamond Express," a sketch, is the most amusing of the many short acts presented by the com- pany, and it is Boob and his assistant who again furnish the amusement. During another of these five-minute -nets, when Boob is characterized as the hen-pecked husband, he scampers away from his better half, clear from the stage and out into the audience, .where his monologue is met with a bar- rage of laughs from the crowd. Other members of the company who Rive creditable performances are Frank Dufrane and young Pat Crowley, an ex- cellent tap dancer and songster. The , chorus is among the best presented at : the burlesque heuse this season and Jts dances meet with approval from j the audience. KElTH'S—"Morocco Bound.” The new price of admission policy j at Keith's, coupled with a thrilling pic- j ture, “Tenth Avenue,” and a snappy j tabloid musica’ comedy, served to crowd the popular playhouse to the doors on j several occasions yesterday and last' night. A continuous performance from | 11 am. until 11 p.m. caught the fancy ! of a multitude of amusements seekers “Morocco Bound" comprises nine j scenes, which require rapid action to j cover the ground. The pretty girls in . the act work as though they enjoyed it and practically demontrated that they were walking away with the show. The principals showed the effects of ; good rehearsing. Jack Mundy. the i comedian, made everything possible out i of his lines. Clara Thropp, a pleasant j Ri»mory of farce comedy days, gave j Ydundy* a helping hand as the Queen j of the Harem, and Ann Pekare sang her “lonesome solo” effectively. The story is that of a prize fighter trying to get out of the country think- ing he has killed his ring opponent, his many disguises giving the detective plenty of scouting to do. A radio sales- man offers a helping hand at oppor- tune times. After all, the movie is what the pa- trons were after, and “Tenth Avenue” is all that could be desired in the thrill class. It is a story of the underworld pi New York with such sterling artists •s Phyllis Haver and Joseph Schild- Jkraut in the leading roles. Victor Var- coni is the good man of the story and he finally gains the girl he loves through the tragic end of his rival, who is everything from a dope vender to a murderer. The titles and photographic work are of the very best. EARLE—“The Wedding March." That long-awaited and much-dis- eussed picture drama, which originat- ed in the mind of Erich von Stroheim, ;and was then worked out through a couple of years and at an enormous ex- pense by this same originator, “The Wedding March,” is now ready for pub- lic consumption at the Earle. The en- tertainment value of the photoplay is above the average, but it shows, with- out doubt, that considerable trouble has been experienced in getting it down to an exhibition basis. The final fade- out leaves the audience in the air; after it is all over, one is inclined to wonder what it is all about, and why. The scene of the story is the gay Vienna of pre-war days, when the Austrian city had a reputation rivaling that of Paris. Von Stroheim, who plays the leading part, is the typical Austrian officer of the period (according to fiction ideas), and he is forced by his parents into marriage with the crippled daughter of a rich man, while he is in love with a daughter of the people. All this comes about through financial difficulties, and the title of the picture is derived from one of the final scenes of the drama, when the elaborate cathedral wedding unites the young officer and the heiress. The of- ficer’s neglected sweetheart watches the proceedings from a sidewalk view- point; the bride and bridegroom ride away in their carriage; the story is ended. Considerable of the popularity of the picture will come from the attention to detail, the selection of players for the character photography. One of the outstanding features is the procession of Corpus Christi, a ceremony in which the late Emperor Franz Josef has a part. Fay Wray is given her first real chance, playing the part of Mitzi, sweet- heart of Nicki (von Stroheim). Zasu Pitts is the crippled heiress, and her wealthy father is well represented by George Nichols. George Fawcett, long known to photoplay fans, has the character part of Nicki’s father and Maude George is the mother. A syn- chronized music score is well selected, and the program is concluded with an abbreviated news reel. In viewing “The Wedding March” one is confronted with the idea that the picture, in its entirety, must have been a monumental work. Von Stro- heim devoted his attention to it—writ- ing, directing and acting—for a year or more. Then, after an expense of hun- dreds of thousands of dollars, his cut- ting room was filled to the ceiling with reels. The producers started him on the cutting process, and after months of such work von Stroheim announced that he had the picture down to about 50 reels; that he could not, in justice to himself and to the story, cut any more. At this point the picture was taken from the director’s hands and other experts were put on the cutting job. Months passed. The drama went from one expert to another. One idea concerned the making of two complete pictures from the von Stroheim reels, but this was not done. Finally “The Wedding March” was ready for exhibi- tion, and it would be interesting, al- though probably somewhat tiresome, to see the 50 reels as von Stroheim left them. , Baby’s Skin Kept Gear Children always seem to be get- ting some sort of skin trouble —a rash, chafing, or more ssr*ious ec- zema. Often the irritation itches, and the infant’s scratching leads to infection. For such disorders, thousands of mothers have found that Resinol possesses almost startling powers of relief. Resinol Soap, too, for baby’s daily bath. At all dru'j'jistt. Sample of each free, Address Resinol, Dept. 22, Baltimore Md. . Reslii&l ( FOX—-“Mother Knows Best.” F “Mother Knows Best.” William Fox’s - j first talking picture, with musical score ; by “Roxy,” and with Madge Bellamy, i Louise Dresser and Barry Norton In the ; i chief roles, is shown at the Fox Theater F this week David Rubinoff, violinist; ; Laura Hoffman, coloratura soprano. , and the house orchestra, Leon Brusiloff conducting, give a program which is a , real treat to music lovers. “Mother Knows Best” is based on the j story by Edna Ferber. A strong-willed mother determines to monopolize her daughter's time and interests and to realize her own thwarted ambitions in | the stage success of the daughter. All of Sallies entreaties for permission to play with young people of her own age are met with a flat denial and the final and not-to-bc-answered "Mother knows best.” Miss Dresser as Mrs. Quail suc- ceeds in launching her daughter Sallie | (Madge Bellamy) upon a stage career, end everything goes well except for the presence in the same company of a handsome young composer (Barry Nor- ton), who falls in love with Sallie and : writes a song, “Sallie of My Dreams." which makes a big hit with every one ! except Mrs. Quail. Wealth and fame j reward the mother's ambitious efforts, i but Saliie’s heart is broken. However, everything turns out right in the end. when mother is convinced that “Mother didn’t know best.” Although the mechanical difficulties I affecting enunciation and the nuances of expression of different actors under j different circumstances are still with us, ; the climactical scene, where the greater ! part of the talking is done, is tense | with drama and convincing. Miss i Dresser’s portrayal of the role of the ; ambitious mother is masterful, and Miss Belamy displays considerable versa- j tilityand impersonates Al Jolson. Harry j Lauder and Anna Held. Barry Norton ' is eaually good in a lesser role of the i popular song writer. Leon Brusiloff leads the orchestra In an overture. "Echoes of the Metropoli- tan Opera House." which is a special arrangement of grand opera melodies. The orchestra will be augmented to 50 members for a series of four symphonic- I jazz concerts, commencing next Sunday afternoon, October 14, with Meyer i Davis as guest conductor. David Rubinoff. violinist, plays his “Dance of the Russian Peasants” and I his own fanciful interpretation of "The | Blue Danube Waltz” as an encore. One • enthusiast in the audience described Rubinoff's technique when he said. "That fellow makes the violin laugh.” Laura Hoffman, coloratura soprano, sang “Je Vous Aime” and "The Italian Street Song.” Fox Movietone News completes an entertaining program. COLUMBIA—"Our Dancing Daughters.” The audience and spectators waited full 30 minutes for “Our Dancing Daughters” to begin at the Sunday afternoon performance, but it was worth that, and more. Probably the operator mixed musical scores on the movietone, or the film broke. But de- lays were quickly forgotten when Joan Crawford opened the piece, playing for- tissimo with a pair of twinkling ankles. When the year is done and the major- domos of criticism hold their annual council. “Our Dancing Daughters” probably will be chosen as one of the 10 best. Joan is vivacious, dynamic and breath-taking in the first scenes, when she exemplifies the mighty person of a neo-flapper. By at least two years, this picture predicts the logical development of American flapperism; it will become an institution of elite society, as the soiree litteraire or the salon. Your Honor, Miss Flapper, is to emerge a highly socialized creature given to the utmost frankness and frivolity; but, as Joan shows, there lurk somewhere in her make-up the solid refinements that make honorable women. The setting is ultra and neo. If the players depict development of flapper- ism. their environment is not lagging. We believe it is the first time that the screen has shown such a faithful pic- ture of the great revolution the French mode in home furnishings is about to effect. The modernistic motif is carried out even to architectural details, and it will afford one no end of keen amusement to see square, solid, severe lines and the quixotism of strange lighting arrangements. Joan alone does not make the picture, although she emerges a huge surprise. Her support, Dorothy Sebastian, Anita Page, Edward Nugent. Nils Asther and John Mack Brown, deserves honorable mention. They go in for the loftiest kind of interpretative acting and char- acter delineation. There is only one common tiring about the piece, and that is the title; It has been overworked and is only a trite cognomen for a produc- tion that surely outclasses all others of similar species. Strictly speaking, this is not a “talkie.” although advertisements might lead one to believe so. Only the mu- sical setting, hoof beats and auto honks are preserved by sound. The dialogue is in the good old fashion, on the screen. A footnote here—the title writer is as clever as the director. He effervesces with a gargantuan humor. The theme of the story cannot pre- tend to be original. Shakespeare wrote dramas grounded on similar plots. But no one can gainsay that the piece has not been jazzed up to the tempo of j the times. In the movietone acts Marion Davis, j ' songbird of jazz, struts a little emo- tional stuff and Leo Beers does a whistling art, a la ventriloquy. A mean- ingless half reel In color, facetiously | called a “classic,” is entitled “Gold.” j Conductor Burrows’ thematic prelude 1 Is up to its usual snuff. PALACE—"The Cameraman.** “Poker Face” Buster Keaton cranks a i tnck camera to turn out another neat | piece of photography at the Palace this week in his latest laugh provoker, em- ploying from a novel angle the present- ly popular theme of the adventures of a newsreel man. Keaton soberly goes about making the j most of some rather old gags, but, de- spite his consistent efforts, too many of the intended guffaws dwindle to mere chuckles. In spots, however, the picture is screamingly waggish, especially dur- ing the swimming pool sequence. Marcelline Dav, always a pleasant soother for tired eyes, furnishes the seemingly essential sympathetic touch, and well. Others in support are good, particularly the Irish officer and the gang of ex-laundry men In the big tong war scene. An added attraction, “Houseboat,” the stage show, was actually stopped to the extent where even Wesley Eddy couldn’t start it up again, by a little blonde ec- centric dancer, billed as Nell Jewell. The young lady began calmly enough, but when she had finished and said. “Thank you very much,” in her native tongue, the house came down and just would not regain its equilibrium. Dave Apollon, presumably a Russian, and his Manilla orchestra were also well received, as were a young Filipino in songs, the Felicia Sorel Girls in dance and the Palace Syncopators in jazz. An organlogue, by Charlie Gaige; M-G-M and Fox Movietone newsreels, and a spirited rendition of Edward Ger- man's overture to Nell Gwyn by the house orchestra, furnished the inter- esting subsidiaries. METROPOLITAN—“The Singing Fool.” Movie fans are served again this week with manifold songs that smack of a de- cidedly Jolson flavor by the waiter in “The Singing Fool” at the Metropolitan. Al Jolson figures as the waiter in a New York cabaret who rises from ob- scurity to fame in a big musical show, only to sink to degradation under stress of domestic difficulties. It is the age-old theme of “love lifted me,” the frame- work loaded with Jolson songs. Even in the most tragic moments, Jolson bursts into song, adding to the appeal of the picture. The humor saves several situa- tions throughout the story. In point of acting, Josephine Dunn, who uses her husband as a stepping stone to fame and then deserts him. and David Lee, as the son of Jolson, carry honors. Betty Bronson, as the cabaret cigarette girl, is pretty. Similar in plot and tone is "The Sing- ing Fool” to “The Jazz Singer,** Jolson's first movie vehicle. Perhaps the most J disconcerting feature of the presenta- ] j tion is the lapse in synchronization of | vitaphone and picture in a vital portion jof the story. This detracts from the j ! picture’s appeal. Due to the length of i | the picture the news reel is the only | | supplementary feature. LlTTLE—"Violette Imperiale.” j To that element which prefers pic- 1 lures historical to these hysterical is! offered this week at the Little Theater j | a story of a century ago. when Charles | I Louis Napoleon, nephew of Napoleon ! j Eonaparte, was Emperor of France. | “Violctte Imperiale,” featuring Raquel, Mcller, a Spanish star, and a French ! actress. Mile Blanchette, immortalizes | j the close friendship which sprang up j between the great lady. Eugenie de I Montejo. who later became Empress ox j France, and the little flower girl of j Seville, who rose to be a great opera ! | singer and was a frequent guest at the • I palace. In return for a kindness shown the little flower girl, the oner a singer ! i has occasion to prove her devotion by j 1 protecting the empress in several in- stances from scandal. A satisfactory j | ending to a love theme adds the usual t | interest, The historical atmosphere is ' j well preserved by filming the scenes in I France and Spain. The bouffant cos- | ! tumes of the period, the magnificent j ! court scenes end the courtly manners interpret the romantic tendency of the | stirring days of the third French em- -1 pire. Fritz Hauer, the violinist, accom- j I panied by the piano, played the theme j j music of the picture, “La Violetera,” a j j composition by Sicilisuo Francoeur. ar- i I ranged by K/cisler. In the comic pres- i j entation Harold Lloyd a’so follows the • I royal route, being king for a day and j I then through force of circumstances j | becoming president of the kingdom of ; j Razzazza and marrying the beautiful ! | princess. An educational film showing the fam- | ily life and peculiarities of the un- j ; friendly mosquito proved rn interesting ! I addition. The Paramount News showed j Hindenburg. at 81 years of age. review- ing troops numbering about 40,000 men; Herbert Hoover receiving the vachting trophy for California; Queen Wilhelmina opening parliament amid ancient pomp, the Argentines winning a polo gam" and Judge Landis opening the world series. NATIONAL—"Wings.** For one of the few times in the his- tory of moving pictures in the National Capital a screen epic is being held over for its fourth week. In this day of sound pictures and types of entertainment which cov.’U j ordinarily be expected to draw the major portions of the crowd away from the Avenue, and at an era when war pictures are generally supposed to be passe, it is unusual to find a strictly war film holding the public as “Wings” is doing. Apparently the size of the crowds has been undiminished in the three weeks the picture has been shown here and the fourth week has just opened auspiciously. The production is one of the most ambitious ever undertaken and there is no difficulty in understanding its popu- ! larity. I MENU PEAS I —are crown and narked for par- ticular people, moderately priced. Ask your grocer. JAMES M. DEMY Wholesale Distributor Chronic Golds ¦ Try Tills New Method ¦¦ I el Inhalation and Application The new, safe way of treating heed and j chest colds. Throw away your "dope** and try medicated fi PPwHYT&nK No. 2-A •nothin*, ammotfo ointment that corrects tbs tl\ canse. Glres almost instant ill’ relief and a fete treatments do the work—PrnggistabOa ELECTRICAL \ I HEADQUARTERS I " "~T MIA <6 C Sl*. N. W. f Heating Pads Heaters Soft, fleecy wool—warm A Not kin* lik * one of the touch even after JQll Sa»Pßn lhese ( ine ’ lptnsive H* a '; tti rv „ ors to warm up that Electric Heating Unit is MBTI MM chilly corner. It brings off. A variety of sizes ¦ppPTO'rop |9| pIHH you warmth—when and and styles at 0k Mia where you want it—with p IS the cleanest heat known. Table Lamps The newest designs and T l(|dl IldffiM colors in shades mounted In our Lamp display you « on both metal and wood are sure to find just bases. The variety is what you need in Port- rare — the P r,ces l,nusu * able Lamps—at a price y~-4liLl 3 a^-v reasona^e * you can readily afford Wy SQ.9 ott through our Easy Terms. mitt • X ** Payments On Electric Bills Make Them Easy to Own " l "' —:r.ir... 111. ' NATrONAirEDUCXTIONAL CAMPAIGN QTlote, e ".~ EUREKA VACUUM CLEANERS “ are being told than any other 44 make". Phone Today For Free Trial and Demonstration ONLY DOWN A Balance Monthly Liberal allowance on your old electric cleaner POTOMAC ELECTRIC I ] Have EVERYTHING Electrical—Pay on Electric Bills 1 14th & C Sts. N. W. Phone Main Ten Thousand | - Compelling Savings on Fash - 9 £S£S2££SS£^SSSS2SS2£2ESSS£SSSS2SSS^^^^^^^ fsik\ ioncble, New High - Grade _ . . . * . , . Coots. Just Compare! Save Don t miss seeing these wonderful up-to-the- Dollars Here Tomorrow! second dresses. The making alone would |pjt|s cost y° u more • Fur-Trimmed jtam bilk and Jersey ! ML COATS DRE sseS i| i w aa prf III 7 ID-00 5.85 i MMB You would hardly think it possible, but it is—and “see- Unquestionably the season’s loveliest fashions. ing is believing”—be sure to Values far beyond your fondest hope. If you could I j see them! only see these lovely dresses as you read this you would exclaim “wonderful”—and they are. Won- l / Sec these Coats, feel the rich. ' derful fabrics—wonderful styles—w onderful \ / smooth-finished fabrics —note the ALUU. \ / generous use of fur trimming—the 1 / intricate and fancy back treat- Velveteen Combinations, All-wool Jersey, Silk Crepes, / , , . . Lustrous Satins and many others. Every smart, / / "*"*>• *«•“"** a " d . “*r"*- yOU new trimming d.t.il .. . .nd color. // 1 . " 'll realize that this is indeed an Si*.. foT wom ,„ ,„d m i„ e «. k-J unusual offering. Especially so at tP\ ” y j Downstairs Store Y the seasons very start. Downstairs Store Steo-ms For Misae * ¦vU 42 For Cool Days Made with double yokes. long sleeves, round Z . > CL2..1.* t* 01*grfg or ncc ks. Full cut of pink or blue stripe U* lnrantS OllirtS VvUl flannelette. Full cut and roomy. 25c 30C C* lvrlloe Crepe Night Gowns fk 6 KjHwiMß I Cotton or Cotton and Wool-mixed vJ-ls QlvS Kawanta and Windsor crepe gowns QQ _ til a Shirts, in button or wrap-around in many attractive styles. Plain col- OOC /fil #f J/B Sizes 2to 6. Such famous ors nr floral effects. Pretty pipings arid IMM jjf M, fl p* l tt > Qh,V* c dQr makes as Gos- tagotting. All sizes. iOJffflSS IjirlS DllirtS, 4PC sard, C. 8.. and 6 a t OAn Rlnrmorc mllhw.rlJjZjD Fine quality Mercerized Cotton Neatform. Made zdx 9fl CUlccn DlOCluerS i Shirts; short sleeves. Also a lot of durable fabrics W g&| Well made and full cut bloomers of 70,, « ff/f/jfl of bloomers. Sizes 4 to 12. with elastic flue quality sateen. White, pink or • */C jfl _ ~ TT • c 'i serfs. Step-ins of hlack. Regular and extra sizes. H Uhlid. S Union DUItS B Silk Underwear fl iifl 69c All sizes hut not Heavy crepe dc chine Danccttcs, 1 QO t, | fl Finely-knit Cotton Union Suits, in every style. fIHHBI slips, chemises, French panties, jp f B with short sleeves, knee length. bloomers and step-ins. Pastel tints. All . A —f i rt, B - Sizes 4to 12. Values, $1.98 sizes. 1T . c .. and $2.98 #1 - , r% • Child * Union Suit* Downstair, stor, Children s 1 -rc. Pajamas 1.00 ffA PA 117 1 lUI* J Warm, fleecy, heavy quality Flannelette in fl sleeves, knee length. Sizes 4to 12. «p4«SU WOO! Mixed neat stripes. Full cut with drop seat. Frog » Union Blankets ‘ rimmed Sizcs 6tn 12 - OU suit., 79c 3pm pem Fine-quality Mercerized Cotton / / W%W* 117 9 run i • I Union Suits, with built-up shoul- • # # JJI# Women s rUll rashioned ders, knee length. Sizes 36 to 44. Double bed size. 66x80 inches c ~ Woven in colorful block plaids and ”K/\ww%U/M4/» yy I—l Men S Union OUItS finished with sateen bound ends. flPl ff 11 if*¦ >X I lOSC A wonderful value at this low A, IVUV Cq price. SUL sit Knit Cotton Union Suits, with Jacquard Blankets, each All the All short sleeves, ankle length. Sizes Woven double thick of A Colors m Sizes half wool and half china *•*o ® ' cotton, woven in serviceable col- Slight irregulars of the SI.OO grade, that will not affect I*/! ors. Extra large, 70x80 inches. (he wear of these fine quality hose. Reinforced with lisle IvICII S iJOCKS Qi , vji i . hem and sole. A good assortment of new Fall shades. Of\ Hri She B a " ke J 9 Children’s Cotton Hose 29c in grey nr tan with col- U5/V Rayon and Mercerized Socks, ored borders. Fine Combed Cotton Hose, full length, every 4| fn a variety of smart new col- ni | f. j pair perfect. Nude, tanbark, grav and camel. I Vf/’a ors and patterns. Every pair Blanket Ends . sizes 6to 9 */ 2 . 1 Vl* p erfect - Slzes 1010 n^- Esmond blanket ends that 7Q„ Downstairs Store. . # Downstairs Store. can be matched. 2 nyike ¦ ' a blanket. For making bath- bleached muslin. Full, •®® I Savings for Thrifty Folks | single or twin bed size. , * awaa Marquisette Ruffled Curtains slight [rrcgulars^otlwr' soiled' 1 ' C An opportunity to furnish your home with fresh, new curtains R nroarl* at a most sav in g- All-white ruffled curtains of fine M' • * sea ; S i; reaaS < Marquisette, with tie backs. Sheer quality in single, pin, cross- M Seconds of $1.79 grade. 1 QQ bar, circle or diamond-shaped dots. Seven beautiful patterns to B B m J** ! ' n fn'd Jo i r r , , . OUs Sca,lo”d choose Iron, \J fl Pr. Bleached Sheets Velour Drapes T Rayon Drapes 81x90 Inches 79 c Mmmi 81x99 Inches 89 c 1 4-7 Set 1 / / Set Run of the mill of sl.lO and $1.29 X«0 i grades. Seamless, full bleached Rich, lustrous velous drapes in such beauti- Figured or striped ravon damask in and hemmed. ful colors as gold, green, mulberry, taupe, seven attractive colors and patterns. Rillsvwr'aft*** rose, blue or brown, with matching valance. . , • . f . -i < , jriliowcase* yards long. Set consists of two side drapes and Seconds of 29c and ,>sc 1 • , matching valance, grades. Sizes 42x36 and *vU 45x36. Fine quality casing with " f"’- riac extension Ruffled Criss-Cross m C-11 I Lurtain Rods Marquisette Curtains new i ait Slngle Rods ia- - double Rod* o4c . A,w 28 to 48 inches .. Dainty white or cream. Some with colored Regulcr $5 Values Rods lA_ edges. Complete with tie bands. 2'A _ Each IVC yards long. 2.48 Novelty Oval Braided Rugs Seldom are we able to offer such e/ w pric? er All E th“ S new styteTare Ilasy to clean—brush or sweep, using soap and water or slightly dampened Nap- here— tha Cloth. Large variety of guaranteed fast colorings. ptf™.u.,her 18x30 inch" 24x30 inch" 24x36 inch" 24x48 inch" and Color Com- W AW 11 W 4 A M s”:V"» bi.n“, ry o7c ea, o7cea. 1.17 ea. 1.67 ea. 3ty "' Dnwnslair, Star. j Dcnnlalrs Store r 20
Transcript of F Fash Grade Don j I |pjt|s j i1 t j ML COATS bilk and
THE EVEXIXft STAR. WASHTyOTOX, T>. C.. MONDAY. OCTOBER S, 1323.
OPENING ATTRACTIONS IN WASHINGTONTHEATERS
STRAND—“Around the Town."Bocb Blake, versatile comic of
the Town,” the peppy bur-leque show at the Strand this week, isby far the outstanding entertainer inthe performance. Boob's wisecracking
is fed to the fans on the ¦ “spoon of
laugh.” and they receive his offering
appreciatively. Eoob's assistant. Billy
Kelly, proves a worthwhile comedian,
even though he is usually the brunt of
Blake’s jokes.The feminine side of the “burlesker,”
under the leadership of Sylvia Pearl,Bccrie Rosa. Donna Davis and a thor-oughly entertaining young lady billedns “Miss Dwan.” are well versed inEcng. and their dances prove sufficientlypleasing.
“The Black Diamond Express," asketch, is the most amusing of themany short acts presented by the com-pany, and it is Boob and his assistantwho again furnish the amusement.During another of these five-minute-nets, when Boob is characterized asthe hen-pecked husband, he scampersaway from his better half, clear fromthe stage and out into the audience,.where his monologue is met with a bar-rage of laughs from the crowd.
Other members of the company who
Rive creditable performances are FrankDufrane and young Pat Crowley, an ex-cellent tap dancer and songster. The ,chorus is among the best presented at :the burlesque heuse this season andJts dances meet with approval from jthe audience.
KElTH'S—"Morocco Bound.”
The new price of admission policy jat Keith's, coupled with a thrilling pic- jture, “Tenth Avenue,” and a snappy jtabloid musica’ comedy, served to crowdthe popular playhouse to the doors on jseveral occasions yesterday and last'night. A continuous performance from |11 am. until 11 p.m. caught the fancy !of a multitude of amusements seekers
“Morocco Bound" comprises nine jscenes, which require rapid action to jcover the ground. The pretty girls in .the act work as though they enjoyedit and practically demontrated thatthey were walking away with the show.The principals showed the effects of ;good rehearsing. Jack Mundy. the icomedian, made everything possible out iof his lines. Clara Thropp, a pleasant jRi»mory of farce comedy days, gave jYdundy* a helping hand as the Queen jof the Harem, and Ann Pekare sangher “lonesome solo” effectively.
The story is that of a prize fightertrying to get out of the country think-ing he has killed his ring opponent, hismany disguises giving the detectiveplenty of scouting to do. A radio sales-man offers a helping hand at oppor-tune times.
After all, the movie is what the pa-trons were after, and “Tenth Avenue”is all that could be desired in the thrillclass. It is a story of the underworldpi New York with such sterling artists•s Phyllis Haver and Joseph Schild-Jkraut in the leading roles. Victor Var-coni is the good man of the story andhe finally gains the girl he lovesthrough the tragic end of his rival, whois everything from a dope vender to amurderer. The titles and photographicwork are of the very best.
EARLE—“The Wedding March."That long-awaited and much-dis-
eussed picture drama, which originat-ed in the mind of Erich von Stroheim,
;and was then worked out through acouple of years and at an enormous ex-pense by this same originator, “TheWedding March,” is now ready for pub-lic consumption at the Earle. The en-tertainment value of the photoplay isabove the average, but it shows, with-out doubt, that considerable trouble hasbeen experienced in getting it down toan exhibition basis. The final fade-out leaves the audience in the air; afterit is all over, one is inclined to wonderwhat it is all about, and why.
The scene of the story is the gayVienna of pre-war days, when theAustrian city had a reputation rivalingthat of Paris. Von Stroheim, whoplays the leading part, is the typicalAustrian officer of the period (accordingto fiction ideas), and he is forced by
his parents into marriage with thecrippled daughter of a rich man, whilehe is in love with a daughter of thepeople. All this comes about throughfinancial difficulties, and the title ofthe picture is derived from one of thefinal scenes of the drama, when theelaborate cathedral wedding unites theyoung officer and the heiress. The of-ficer’s neglected sweetheart watches theproceedings from a sidewalk view-point; the bride and bridegroom rideaway in their carriage; the story isended.
Considerable of the popularity of thepicture will come from the attention todetail, the selection of players for thecharacter photography. One of theoutstanding features is the processionof Corpus Christi, a ceremony in whichthe late Emperor Franz Josef has apart.
Fay Wray is given her first realchance, playing the part of Mitzi, sweet-heart of Nicki (von Stroheim). ZasuPitts is the crippled heiress, and herwealthy father is well represented byGeorge Nichols. George Fawcett, longknown to photoplay fans, has thecharacter part of Nicki’s father andMaude George is the mother. A syn-chronized music score is well selected,and the program is concluded with anabbreviated news reel.
In viewing “The Wedding March”one is confronted with the idea thatthe picture, in its entirety, must havebeen a monumental work. Von Stro-heim devoted his attention to it—writ-ing, directing and acting—for a year ormore. Then, after an expense of hun-dreds of thousands of dollars, his cut-ting room was filled to the ceiling withreels. The producers started him onthe cutting process, and after monthsof such work von Stroheim announcedthat he had the picture down to about50 reels; that he could not, in justiceto himself and to the story, cut anymore. At this point the picture wastaken from the director’s hands andother experts were put on the cuttingjob. Months passed. The drama wentfrom one expert to another. One ideaconcerned the making of two completepictures from the von Stroheim reels,
but this was not done. Finally “TheWedding March” was ready for exhibi-tion, and it would be interesting, al-though probably somewhat tiresome, tosee the 50 reels as von Stroheim leftthem. ,
Baby’s SkinKept Gear
Children always seem to be get-ting some sort of skin trouble —arash, chafing, or more ssr*ious ec-zema. Often the irritation itches,and the infant’s scratching leadsto infection. For such disorders,thousands of mothers have foundthat Resinol possesses almost startling
powers of relief. Resinol Soap, too, forbaby’s daily bath. At all dru'j'jistt.
Sample of each free, AddressResinol, Dept. 22, Baltimore Md.
. Reslii&l
( FOX—-“Mother Knows Best.”
F “Mother Knows Best.” William Fox’s
- j first talking picture, with musical score; by “Roxy,” and with Madge Bellamy,
i Louise Dresser and Barry Norton In the; i chief roles, is shown at the Fox Theater
F this week David Rubinoff, violinist;
; Laura Hoffman, coloratura soprano., and the house orchestra, Leon Brusiloff
conducting, give a program which is a, real treat to music lovers.
“Mother Knows Best” is based on thej story by Edna Ferber. A strong-willedmother determines to monopolize herdaughter's time and interests and torealize her own thwarted ambitions in
| the stage success of the daughter. Allof Sallies entreaties for permission toplay with young people of her own ageare met with a flat denial and the finaland not-to-bc-answered "Mother knowsbest.” Miss Dresser as Mrs. Quail suc-ceeds in launching her daughter Sallie
| (Madge Bellamy) upon a stage career,end everything goes well except for thepresence in the same company of ahandsome young composer (Barry Nor-ton), who falls in love with Sallie and
: writes a song, “Sallie of My Dreams."which makes a big hit with every one
! except Mrs. Quail. Wealth and famej reward the mother's ambitious efforts,
i but Saliie’s heart is broken. However,everything turns out right in the end.when mother is convinced that “Motherdidn’t know best.”
Although the mechanical difficultiesI affecting enunciation and the nuancesof expression of different actors under
j different circumstances are still with us,; the climactical scene, where the greater
! part of the talking is done, is tense| with drama and convincing. Missi Dresser’s portrayal of the role of the
; ambitious mother is masterful, and MissBelamy displays considerable versa-
j tilityand impersonates Al Jolson. Harry
jLauder and Anna Held. Barry Norton' is eaually good in a lesser role of thei popular song writer.
Leon Brusiloff leads the orchestra Inan overture. "Echoes of the Metropoli-tan Opera House." which is a specialarrangement of grand opera melodies.The orchestra will be augmented to 50members for a series of four symphonic-
I jazz concerts, commencing next Sundayafternoon, October 14, with Meyer
i Davis as guest conductor.David Rubinoff. violinist, plays his
“Dance of the Russian Peasants” andI his own fanciful interpretation of "The| Blue Danube Waltz” as an encore. One• enthusiast in the audience describedRubinoff's technique when he said."That fellow makes the violin laugh.”Laura Hoffman, coloratura soprano, sang“Je Vous Aime” and "The Italian StreetSong.” Fox Movietone News completesan entertaining program.
COLUMBIA—"Our Dancing
Daughters.”
The audience and spectators waitedfull 30 minutes for “Our DancingDaughters” to begin at the Sundayafternoon performance, but it wasworth that, and more. Probably theoperator mixed musical scores on themovietone, or the film broke. But de-lays were quickly forgotten when JoanCrawford opened the piece, playing for-tissimo with a pair of twinkling ankles.
When the year is done and the major-domos of criticism hold their annualcouncil. “Our Dancing Daughters”probably will be chosen as one of the10 best. Joan is vivacious, dynamic andbreath-taking in the first scenes, whenshe exemplifies the mighty person of aneo-flapper. By at least two years, thispicture predicts the logical developmentof American flapperism; it will becomean institution of elite society, as thesoiree litteraire or the salon. YourHonor, Miss Flapper, is to emerge ahighly socialized creature given to theutmost frankness and frivolity; but, asJoan shows, there lurk somewhere inher make-up the solid refinements thatmake honorable women.
The setting is ultra and neo. If theplayers depict development of flapper-ism. their environment is not lagging.We believe it is the first time that the
screen has shown such a faithful pic-ture of the great revolution the Frenchmode in home furnishings is about toeffect. The modernistic motif is carriedout even to architectural details, andit will afford one no end of keenamusement to see square, solid, severelines and the quixotism of strangelighting arrangements.
Joan alone does not make the picture,although she emerges a huge surprise.
Her support, Dorothy Sebastian, AnitaPage, Edward Nugent. Nils Asther andJohn Mack Brown, deserves honorablemention. They go in for the loftiestkind of interpretative acting and char-acter delineation. There is only onecommon tiring about the piece, and thatis the title; It has been overworked andis only a trite cognomen for a produc-tion that surely outclasses all othersof similar species.
Strictly speaking, this is not a“talkie.” although advertisements mightlead one to believe so. Only the mu-sical setting, hoof beats and auto honksare preserved by sound. The dialogueis in the good old fashion, on thescreen. A footnote here—the titlewriter is as clever as the director. Heeffervesces with a gargantuan humor.
The theme of the story cannot pre-tend to be original. Shakespeare wrotedramas grounded on similar plots. Butno one can gainsay that the piece hasnot been jazzed up to the tempo of jthe times.
In the movietone acts Marion Davis, j' songbird of jazz, struts a little emo-tional stuff and Leo Beers does awhistling art, a la ventriloquy. A mean-ingless half reel In color, facetiously |called a “classic,” is entitled “Gold.” jConductor Burrows’ thematic prelude 1Is up to its usual snuff.
PALACE—"The Cameraman.**“Poker Face” Buster Keaton cranks a i
tnck camera to turn out another neat |piece of photography at the Palace this
week in his latest laugh provoker, em-ploying from a novel angle the present-ly popular theme of the adventures of anewsreel man.
Keaton soberly goes about making the jmost of some rather old gags, but, de-spite his consistent efforts, too many ofthe intended guffaws dwindle to merechuckles. In spots, however, the pictureis screamingly waggish, especially dur-ing the swimming pool sequence.
Marcelline Dav, always a pleasantsoother for tired eyes, furnishes theseemingly essential sympathetic touch,and well. Others in support are good,particularly the Irish officer and thegang of ex-laundry men In the big tongwar scene.
An added attraction, “Houseboat,” thestage show, was actually stopped to theextent where even Wesley Eddy couldn’tstart it up again, by a little blonde ec-centric dancer, billed as Nell Jewell.The young lady began calmly enough,but when she had finished and said.“Thank you very much,” in her nativetongue, the house came down and justwould not regain its equilibrium.
Dave Apollon, presumably a Russian,and his Manilla orchestra were also wellreceived, as were a young Filipino insongs, the Felicia Sorel Girls in danceand the Palace Syncopators in jazz.
An organlogue, by Charlie Gaige;M-G-M and Fox Movietone newsreels,and a spirited rendition of Edward Ger-man's overture to Nell Gwyn by thehouse orchestra, furnished the inter-esting subsidiaries.
METROPOLITAN—“The Singing Fool.”Movie fans are served again this week
with manifold songs that smack of a de-cidedly Jolson flavor by the waiter in“The Singing Fool” at the Metropolitan.
Al Jolson figures as the waiter in aNew York cabaret who rises from ob-scurity to fame in a big musical show,only to sink to degradation under stressof domestic difficulties. It is the age-oldtheme of “love lifted me,” the frame-work loaded with Jolson songs. Even inthe most tragic moments, Jolson burstsinto song, adding to the appeal of thepicture. The humor saves several situa-tions throughout the story.
In point of acting, Josephine Dunn,who uses her husband as a steppingstone to fame and then deserts him. andDavid Lee, as the son of Jolson, carryhonors. Betty Bronson, as the cabaretcigarette girl, is pretty.
Similar in plot and tone is "The Sing-
ing Fool” to “The Jazz Singer,** Jolson'sfirst movie vehicle. Perhaps the most Jdisconcerting feature of the presenta- ]
jtion is the lapse in synchronization of| vitaphone and picture in a vital portionjof the story. This detracts from the j! picture’s appeal. Due to the length of i| the picture the news reel is the only || supplementary feature.
LlTTLE—"Violette Imperiale.”
j To that element which prefers pic- 1lures historical to these hysterical is!offered this week at the Little Theater j
| a story of a century ago. when Charles |I Louis Napoleon, nephew of Napoleon !j Eonaparte, was Emperor of France. |
“Violctte Imperiale,” featuring Raquel,Mcller, a Spanish star, and a French !actress. Mile Blanchette, immortalizes |
j the close friendship which sprang up jbetween the great lady. Eugenie de IMontejo. who later became Empress ox jFrance, and the little flower girl of jSeville, who rose to be a great opera !
| singer and was a frequent guest at the •I palace. In return for a kindness shown
the little flower girl, the oner a singer !
i has occasion to prove her devotion by j1 protecting the empress in several in-stances from scandal. A satisfactory j
| ending to a love theme adds the usual t| interest, The historical atmosphere is 'j well preserved by filming the scenes in
I France and Spain. The bouffant cos- |! tumes of the period, the magnificent j! court scenes end the courtly manners
interpret the romantic tendency of the| stirring days of the third French em--1 pire.
Fritz Hauer, the violinist, accom- jI panied by the piano, played the theme j
j music of the picture, “La Violetera,” a jj composition by Sicilisuo Francoeur. ar- iI ranged by K/cisler. In the comic pres- ij entation Harold Lloyd a’so follows the •
I royal route, being king for a day and jI then through force of circumstances j| becoming president of the kingdom of ;
j Razzazza and marrying the beautiful !| princess.
An educational film showing the fam-| ily life and peculiarities of the un- j
; friendly mosquito proved rn interesting !I addition. The Paramount News showed
j Hindenburg. at 81 years of age. review-ing troops numbering about 40,000 men;Herbert Hoover receiving the vachtingtrophy for California; Queen Wilhelminaopening parliament amid ancient pomp,the Argentines winning a polo gam" andJudge Landis opening the world series.
NATIONAL—"Wings.**For one of the few times in the his-
tory of moving pictures in the NationalCapital a screen epic is being held overfor its fourth week.
In this day of sound pictures andtypes of entertainment which cov.’U jordinarily be expected to draw themajor portions of the crowd away fromthe Avenue, and at an era when warpictures are generally supposed to bepasse, it is unusual to find a strictlywar film holding the public as “Wings”is doing. Apparently the size of thecrowds has been undiminished in thethree weeks the picture has been shownhere and the fourth week has justopened auspiciously.
The production is one of the mostambitious ever undertaken and there isno difficulty in understanding its popu- !larity.
I MENU PEAS I—are crown and narked for par-ticular people, moderately priced.Ask your grocer.
JAMES M. DEMYWholesale Distributor
Chronic Golds¦ Try Tills New Method ¦¦ I
el Inhalation and ApplicationThe new, safe way of treating heed and jchest colds. Throw away your "dope**and try medicated
fi PPwHYT&nKNo. 2-A •nothin*, ammotfoointment that corrects tbs
tl\ canse. Glres almost instantill’ relief and a fete treatments
do the work—PrnggistabOa
ELECTRICAL \I HEADQUARTERS I " "~T
MIA <6 C Sl*. N. W. f
Heating Pads HeatersSoft, fleecy wool—warm A Notkin* lik* one of
the touch even after JQll Sa»Pßn lhese(
ine ’lptnsive H*a';tti rv „ ors to warm up thatElectric Heating Unit is MBTIMM chilly corner. It bringsoff. A variety of sizes ¦ppPTO'rop |9| pIHH you warmth—when andand styles at 0k Mia where you want it—with
p IS the cleanest heat known.
Table Lamps The newest designs andT l(|dl IldffiM colors in shades mountedIn our Lamp display you « on both metal and woodare sure to find just bases. The variety iswhat you need in Port- rare — the P r,ces l,nusu *
able Lamps—at a price y~-4liLl 3 a^-v reasona^e *
you can readily afford Wy SQ.9 ottthrough our Easy Terms. mitt • X **
Payments On Electric BillsMake Them Easy to Own
"l "' —:r.ir... 111. '
NATrONAirEDUCXTIONAL CAMPAIGN
QTlote,e".~EUREKA
VACUUM CLEANERS“
are being told than any other 44 make".
Phone Today ForFree Trial and Demonstration
ONLY DOWNA Balance Monthly
Liberal allowance on your old electric cleaner
POTOMAC ELECTRIC I] Have EVERYTHING Electrical—Pay on Electric Bills1 14th & C Sts. N. W. Phone Main Ten Thousand
| -
Compelling Savings on Fash -9£S£S2££SS£^SSSS2SS2£2ESSS£SSSS2SSS^^^^^^^
fsik\ ioncble, New High - Grade _ ..
. * . , .
Coots. Just Compare! Save Don t miss seeing these wonderful up-to-the-Dollars Here Tomorrow! second dresses. The making alone would
|pjt|s cost y°u more •
Fur-Trimmedjtam bilk and Jersey
! ML COATS DRE sseSi| i w aa prfIII7 ID-00 5.85
i MMB You would hardly think itpossible, but it is—and “see- Unquestionably the season’s loveliest fashions.ing is believing”—be sure to Values far beyond your fondest hope. If you could
I j see them! only see these lovely dresses as you read this youwould exclaim “wonderful”—and they are. Won-
l / Sec these Coats, feel the rich. ' derful fabrics—wonderful styles—w onderful\ / smooth-finished fabrics —note the ALUU.\ / generous use of fur trimming—the
1 / intricate and fancy back treat- Velveteen Combinations, All-wool Jersey, Silk Crepes,/ , , .
. Lustrous Satins and many others. Every smart,/ / "*"*>• *«•“"**a"d
. “*r"*-yOU new trimming d.t.il .. . .nd color.// 1 .
" 'll realize that this is indeed an Si*.. foT wom ,„ ,„d m i„e«.
k-J unusual offering. Especially so attP\ ”y j
Downstairs StoreY the seasons very start.
Downstairs Store
Steo-ms For Misae * ¦vU 42 For Cool DaysMade with double yokes. long sleeves, round Z . > CL2..1.*
t*01*grfg or ncc ks. Full cut of pink or blue stripe U* lnrantS OllirtSVvUl flannelette. Full cut and roomy. 25c 30CC* lvrlloe Crepe Night Gowns fk 6KjHwiMß I Cotton or Cotton and Wool-mixedvJ-ls QlvS Kawanta and Windsor crepe gowns QQ _ tila Shirts, in button or wrap-around
in many attractive styles. Plain col- OOC /fil #f J/B Sizes 2to 6.
Such famous ors nr floral effects. Pretty pipings arid IMM jjfM, fl p* l tt> Qh,V* c dQr
makes as Gos- tagotting. All sizes. iOJffflSS IjirlS DllirtS, 4PCsard, C. 8.. and 6 a tOAn Rlnrmorc mllhw.rlJjZjD Fine quality Mercerized CottonNeatform. Made zdx 9fl CUlccn DlOCluerS i Shirts; short sleeves. Also a lot
of durable fabrics W g&| Well made and full cut bloomers of 70,, « ff/f/jfl of bloomers. Sizes 4 to 12.
with elastic flue quality sateen. White, pink or • */C jfl _
~ TT • c 'iserfs. Step-ins of hlack. Regular and extra sizes. H Uhlid. S Union DUItS
B Silk Underwear fl iifl 69cAll sizes hut not Heavy crepe dc chine Danccttcs, 1 QO t, | fl Finely-knit Cotton Union Suits,in every style. fIHHBI slips, chemises, French panties, jp f B with short sleeves, knee length.
bloomers and step-ins. Pastel tints. All . A—f i rt, B - Sizes 4to 12.Values, $1.98 sizes.
1T . c..and $2.98 #1 - , r% • Child * Union Suit*Downstair, stor, Children s 1 -rc. Pajamas 1.00
ffA PA 117 1 lUI* J Warm, fleecy, heavy quality Flannelette in fl sleeves, knee length. Sizes 4to 12.
«p4«SU WOO! Mixed neat stripes. Full cut with drop seat. Frog » UnionBlankets ‘rimmed Sizcs 6tn 12 - OU
suit., 79c3pm pem Fine-quality Mercerized Cotton
/ / W%W* 117 9 run i • I Union Suits, with built-up shoul-• # # JJI# Women s rUll rashioned ders, knee length. Sizes 36 to 44.
Double bed size. 66x80 inches c ~
Woven in colorful block plaids and ”K/\ww%U/M4/»yy I—l Men S Union OUItSfinished with sateen bound ends. flPl ff 11 if*¦ >X I lOSCA wonderful value at this low A, IVUV Cqprice.
SUL sit Knit Cotton Union Suits, withJacquard Blankets, each Allthe All short sleeves, ankle length. Sizes
Woven double thick of A Colors m Sizeshalf wool and half china *•*o ® 'cotton, woven in serviceable col- Slight irregulars of the SI.OO grade, that will not affect I*/!ors. Extra large, 70x80 inches. (he wear of these fine quality hose. Reinforced with lisle IvICIIS iJOCKS
Qi , vji i . hem and sole. A good assortment of new Fall shades. Of\Hri
She B a "ke J 9 Children’s Cotton Hose 29cin grey nr tan with col- U5/V Rayon and Mercerized Socks,ored borders. Fine Combed Cotton Hose, full length, every 4| fn a variety of smart new col-
ni | f. j pair perfect. Nude, tanbark, grav and camel. I Vf/’a ors and patterns. Every pair
Blanket Ends . sizes 6to 9 */2 . 1 Vl* perfect - Slzes 1010 n^-Esmond blanket ends that 7Q„ Downstairs Store.
.
#
Downstairs Store.
can be matched. 2 nyike ¦ 'a blanket. For making bath-
bleached muslin. Full, •®® I Savings for Thrifty Folks |single or twin bed size. ,
*
awaa Marquisette Ruffled Curtainsslight [rrcgulars^otlwr' soiled' 1 ' C An opportunity to furnish your home with fresh, new curtains
R nroarl* at a most sav in g- All-white ruffled curtains of fine M' •*sea ;S i;reaaS
<Marquisette, with tie backs. Sheer quality in single, pin, cross- M
Seconds of $1.79 grade. 1 QQ bar, circle or diamond-shaped dots. Seven beautiful patterns to B B m J**!
'nfn'd Jo i
rr,
,
.
OUs Sca,lo”d choose Iron, \J fl Pr.
Bleached Sheets Velour Drapes T Rayon Drapes81x90 Inches 79c Mmmi81x99 Inches 89c 1 4-7 Set 1 / / SetRun of the mill of sl.lO and $1.29 X«0 igrades. Seamless, full bleached Rich, lustrous velous drapes in such beauti- Figured or striped ravon damask inand hemmed. ful colors as gold, green, mulberry, taupe, seven attractive colors and patterns.
Rillsvwr'aft*** rose, blue or brown, with matching valance. .,
• . f . -i < ,jriliowcase*yards long. Set consists of two side drapes and
Seconds of 29c and ,>sc 1 •
, matching valance,grades. Sizes 42x36 and *vU45x36. Fine quality casing with
"f"’-riac extension Ruffled Criss-Cross
m C-11 I Lurtain Rods Marquisette Curtainsnew i ait Slngle Rods ia-
- double Rod* o4c . A,w28 to 48 inches
..Dainty white or cream. Some with colored
Regulcr $5 Values Rods lA_ edges. Complete with tie bands. 2'A_
Each IVC yards long.
2.48 Novelty Oval Braided RugsSeldom are we able to offer such e/ w
pric? erAll
Eth“S
new styteTare Ilasy to clean—brush or sweep, using soap and water or slightly dampened Nap-here— tha Cloth. Large variety of guaranteed fast colorings.
ptf™.u.,her 18x30 inch" 24x30 inch" 24x36 inch" 24x48 inch"and Color Com- W AW 11 W 4 AM
s”:V"» bi.n“, ry o7c ea, o7cea. 1.17 ea. 1.67 ea.3ty"'
Dnwnslair, Star. j Dcnnlalrs Store
r
20
