Extreme photography
Transcript of Extreme photography
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Marc LevoyComputer Science DepartmentStanford University
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!Marc Levoy
! high resolution
high speed
low speed
small aperture
large aperture
narrow field of view
wide field of view
high dynamic range
low dynamic range
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!Marc Levoy
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! 95mm ! 95mm CCD sensor
! 10,580 ! 10,560 pixels
! low yield, very expensive
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! custom camera and lens
! 18 negative! drum scanner! printer
! 40,000 pixels ! 25,000 pixels
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(full-resolution print in Gates Hall, 3rd floor, entrance to graphics wing)
Balboa Park, San Diego
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San Diego Skyline
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high resolution
! high speed
low speed
small aperture
large aperture
narrow field of view
wide field of view
high dynamic range
low dynamic range
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high resolution
high speed
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small aperture
large aperture
narrow field of view
wide field of view
high dynamic range
low dynamic range
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Jesse Levinson, Andromeda
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high resolution
high speed
low speed
! small aperture
large aperture
narrow field of view
wide field of view
high dynamic range
low dynamic range
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high resolution
high speed
low speed
small aperture
! large aperture
narrow field of view
wide field of view
high dynamic range
low dynamic range
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!2008Marc Levoy
Synthetic aperture photography
"
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!2008Marc Levoy
Example using 45 cameras[Vaish CVPR 2004]
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!Marc Levoy
high resolution
high speed
low speed
small aperture
large aperture
! narrow field of view
wide field of view
high dynamic range
low dynamic range
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high resolution
high speed
low speed
small aperture
large aperture
narrow field of view
! wide field of view
high dynamic range
low dynamic range
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! capture video while driving
! extract middle column from each frame
! stack them to create a panorama
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high resolution
high speed
low speed
small aperture
large aperture
narrow field of view
wide field of view
! high dynamic range
low dynamic range
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! one of photographys key limitations negative film = 250:1 (8 stops)
paper prints = 50:1
example below = 250,000:1 (18 stops)
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high resolution
high speed
low speed
small aperture
large aperture
narrow field of view
wide field of view
high dynamic range
! low dynamic range
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the nearest objects will be bounded byevident and sharp boundaries, while
those more distant will be... moreblurredOn Painting
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! 2"! 2" sensor, actively cooled, 14 real bits
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! Kayafas, G., Jussim, E.., Stopping Time: The Photographs of Harold Edgerton, Harry Abrams Inc., 1987.
! Frost, L.,Night & Low-Light Photography,Watson-Guptill, 1999.
! Peterson, B.,Learning to See Creatively , Watson-Guptill, 1988.
! Kemp, M.,Leonardo On Painting, Yale University, 1989.
! http://gigapixl.org
! http://xrez.com