Expo Greyhound

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    EXPOGREYHOUD 20011(YELLOW ART)

    Francisco Mucio Zendejas

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    Expogalgo 2010 (Arte amarillo)

    Expogalgo 2010 (Yellow Art )

    IntroductionThe mistreatment of animals is a prevalent problem found in every contemporary society, even in

    the most developed, and these acts, such as seal hunting in Canada and Norway, have been

    convicted by various organizations devoted to defending animal rights. The objective of this

    particular project is to address the mistreatment of greyhounds in Spain.

    General Purpose

    To produce an art exhibition intended to instill awareness among participants through

    installation, photography, video and painting.

    Specific Objectives

    To emphasize the most astounding or dramatic aspects of the theme using explicit content to

    catalyze understanding.

    To evoke reflection and inspire an all-inclusive decent treatment of animals, not just

    exposing the mistreatment of greyhounds as an isolated case.

    To involve participants in the problem in order to contribute to a social consciousness.

    The Problem

    "At the end of each hunting season more than 50,000 greyhounds are hung from trees, thrown into

    wells, burned alive, injected with bleach or beaten to death, according to the complaint of the

    Federation of Animal Protection (FAPA)."1

    This statement is the thesis and justification for our work. The hunting dog tradition is deeply

    rooted in Spanish rural culture, and like all traditions, it follows a protocol and provides a place for

    each character.

    Greyhounds are required to be fast, ambitious and devoted runners in order to catch and kill hares;

    any factor preventing optimum performance is cause, for some hunters, for their death. Considered

    a hunting tool rather than as a living being, the dogs are of minimum worth beyond its expected

    capabilities, its life or death treated indifferently. That is why they are killed with fire, sticks,

    nooses, etc. indicative of the greyhounds' lack of value to their masters.

    1 (s.a)Ms de 50.000 galgos son ahorcados, quemados o torturados en Espaa al acabar cada temporada de caza.Extrado el 03/11/2009 de http://www.consumer.es/web/es/medio_ambiente/2005/12/15/147785.php

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    Animal Abuse in Spain

    For many people, animal welfare law demands are a contradiction, a minor issue or simply not

    acknowledged. On the other hand, a growing number of people think exactly the opposite, and that

    the ethical treatment of animals is essential in our general assessment of human progress. As we

    stand, animal rights rank the lowest, deemed far below those of children, and thus animal cruelty

    sets the basis in the course of dehumanization. Our current ideological integrity attempts to detach

    the human condition from respect for all living entities and nature.2

    The use of animals for research and human consumption of meat products have been denounced by

    environmental groups and animal rights advocates, and there is a long, ongoing debate regarding

    these issues. The reason bilateral viewpoints exist is founded on specific needs with obvious

    reasons, such as in the case of seal hunting in Canada and Norway where they hold there are jobs

    generated by the practice. Supporters of bullfighting offer a strong argument by defining the

    custom as a cultural and artistic expression and protect it as traditional symbol that identifies a

    people, etc. In short, the latter debates have convincing arguments from both diametricallyopposing sides; however, this is not the case with the main topic at hand: the death of hunting dogs,

    which is simply the one-sided result of cruelty and insensitivity set by the precedents described

    below:

    May all evil come to animals (que todo lo malo venga para los animales)

    "May all evil come to animals"3 is an old proverb from the shire of Manchuela, Spain. It condemns

    animals as the recipients of all misfortunes threatening families. The proverb endorses thehierarchal mentality that humans are superior to other life forms. For instance, it illustrates the

    concept of animals as a disposable renewable resource, disqualifying their life as sentient beings.

    Further, it prolongs the justification that animals be in two stereotypical and antiquated categories:

    as sacrificial beasts who should suffer by ridding humans of evil, and as beasts of burden whose

    existence is reduced to services offered to aid humans in this case, the bearer of all things evil.

    "The Sacralized History:" Man: Lord and master of nature. "This thousand-year-old stubbornness

    has consequently brought an infinite series of disasters, such as global warming ... and the depletion

    of planetary resources .... And this process, in ascending rhythm, begins with animal cruelty and

    disregard for nature .... The callousness in our concern for animals having been demonstratedexcessively results as a direct introduction to insensitivity toward the lives of others, including

    those far-too-many cases of persons directly related to another. No cruelty is undone

    disproportionately, without turning this exercise into one of the greatest conditional reflections of

    people and communities, without sanctifying what in our justifications for massacre and slaughter is

    called human nature."4 "The humanist attitude remains and will remain the foundation of

    civilization; thus, sensitivity is, in an essential manner, respect and compassion for living beings (in

    the sense of suffering for others),"5 and the lack of it in this case is clearly an anachronism and

    involution and does not reflect in any way that "humans always have a tendency for righteousness,

    2 Monsivais, C.Sobre los derechos de los animales extrado el 30/04/08 de

    http://www.elsiglodetorreon.com.mx/noticia/281350.sobre-los-derechos-de-los-animales.html3 Mucio, Francisco.Entrevista a Pablo Jutgla, s/e. Espaa, 2009.

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    may they be of good morals or not."4

    "The humanist attitude remains and will remain the foundation of civilization; thus, sensitivity is, in

    an essential manner, respect and compassion for living beings (in the sense of suffering for

    others),"5 and the lack of it in this case is clearly an anachronism and involution and does not reflect

    in any way that "humans always have a tendency for righteousness, may they be of good morals or

    not."6

    PresentationBecause we consider art a form of creative expression (and in turn communicative), we are

    cognizant that each unique creative process and specific use of media distinguishes one artistic

    expression from another. The presentation of the work in itself should contain the message. In

    assuring that our message is clear, we decided to include in this multi-medial installation the use of

    a visual language readily understood by the majority of the Spanish population, one which is

    broadcasted and received every day and, therefore, the mass comprehends perfectly: the language of

    television. The features that we implement and the different concepts to be reconciled with in our

    work are described below.

    Television and Spanish SocietyElectronic media, especially television, has absorbed the interest of society in terms of how forms

    of expression are to be considered. "The MCM [Media for the Masses] influenced people, altered

    their way of life, choices, habits, consumption and public opinion."7. "An 88.9% of the population

    watches television on a regular basis."8. Thus, the masses learn of world events through television

    news; they gain their sense of popular culture by spending hours immersed in a wide range of series

    and advertisements that television networks decide to offer, isolating all other forms of expression

    to a specialized audience. In recent years, some television stations have focused on the production

    of programs where the information is just about the lifestyles and scandals of star characters in theirdaily environment, but often leaving their professional work in the background. The exclusion of

    responsibility in social roles by the entertainment industry is a method of generating information

    with ad hominem arguments, pointing exclusively to marketing tactics which drive the viewer to

    plunge into a fantasy world filled with stories of sensationalism.

    In Expogalgo 2010 (Yellow Art), the artists concentrated on one phrase which takes into account

    the aforementioned social inclination to receive messages based on the demands of a specific sector:

    social marketing. It reads, "design, implementation and monitoring of programs are aimed to

    increase the acceptance of an idea or social practice in certain target groups."9 , In their advertising

    4 Monsivais, C.Sobre los derechos de los animales extrado el 30/04/08 de

    http://www.elsiglodetorreon.com.mx/noticia/281350.sobre-los-derechos-de-los-animales.html

    5 V.Notimex. Los derechos de los animales, extrado el 09/05/2009 de http://209.85.229.132/search?

    q=cache:PJb_GKuO22EJ:pmazariegos.googlepages.com/deranim+%22actitud+humanista

    %22+animales&cd=8&hl=es&ct=clnk&gl=es&client=firefox-a

    6 (s.a) Tendencia al bien, extrado el 09/05/2009 de

    http://redlaicos.org.ar/blog/realidadbioetica/2007/06/20/tendencia-al-bien/

    7 (s.a), Influencia de los medios de comunicacin en la sociedad, extrado el 18/09/2009 de

    http://nicolpaolaroxana.wordpress.com/2009/06/11/influencia-de-los-medios-de-comunicacion-en-la-

    sociedad/

    8 (s.a) Una extremadura de tele, extrado el 18/09/2009 de

    http://www.elperiodicoextremadura.com/noticias/noticia.asp?pkid=222535

    9 (s.a.), Qu es la mercadotecnia social?, extrado el 29/04/08 de http://www.miespacio.org/cont/invest/social.htm

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    campaigns, marketers seek to "influence or change behavior [and]. .. activate a desired

    disposition."10 The expertise and motive behind the labor market allows for "Direct Marketing",

    which makes it possible to divide up the market into different niches and bring specific expressions

    to a client or prospectus...11 . The need for simple products and information grows daily because

    "the fact of keeping things simple is the main factor for success [and] ... in the next ten years the

    creative capacity to make things simpler will continue to be used."12

    ConclusionIn Expogalgo 2010 (Yellow Art), we use the language and methods clearly described above,

    providing explicit and simple messages that prevent leaving room for interpretation. In spite of this,

    we are not trying to deceive or steer the market to waste products. On the contrary, our intention is

    to promote awareness reachable through our proposed approach.

    10 (s.a.), Qu es la mercadotecnia social?, extrado el 29/04/08 de http://www.miespacio.org/cont/invest/social.htm

    11 (s,a),Mercadotecnia Directa: una nueva alternativa para las empresas , extrado el 28/04/09 dehttp://www.imt.com.mx/recontact/03/mercadotecnia.php

    12 Luna, Pamela,Keep it simple, extrado el 28/04/09 de http://www.merca20.com/?p=9678

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    EXPO GALGO 2001 (Arte Amarillo) EXPOGREYHOUND 20011 (Yellow art)

    1. Foto gratis! (Photo for free!)

    Installation

    Measures to define

    This piece is an analogy to fairs panels, where people are photographed with the bodies of historical

    and fictional characters to put their faces in the holes made expressly for this purpose. The

    installation has a camera and a tripod placed in front of the panel (not shown in the sketch). The

    piece is an ironic invitation to the viewer.

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    2. Futboln (Table football)

    Installation

    Measures to define

    Traditional Table football with greyhounds instead of players, the ball could be painted with the

    figure of a hare.

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    3. Favor de romper en caso de emergencia (Emergency break!)

    Installation

    Measures to define

    This installation is an art appropriation of Srvase usted mismo (Selfservice):

    http://www.flickr.com/photos/19814992@N04/4954428982/

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    4. My wound

    Measures to define

    Photography, painting and transfer on wood / video

    Transfer of the wound in the leg of "super" repeated and panel painting with dog video.

    Super's wound

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    5. Adoration

    Installation.

    Measures to define.

    Stuffed hare toy on pedestal, at the foot three televisions play the same video of hunting dogs at

    different times and speeds.

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    6. Bodies

    Sculpture/ Installation

    10 x 140 x 200 cm

    Wood base with artificial grass and uneven ground, are placed in it pet food cans showing images of

    dogs.

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    7, 8, 9, 10. Por qu?, Hasta cundo?, O, O, O!, Despus de todo?

    (Why? Until when? O,O,O! After all?)

    Painting

    Mixed (Dog Food Bags and Indian ink) / table

    Measures to define

    Dog feed bags painted, underlining forms and deleting words and letters, with those that remain,

    repeat and read the words in the titles concerned.

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    11. Eat rope!

    Installation

    Measures to define

    Dog dishes and pots with rope in a horizontal space.

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    12. Shooting

    Installation

    Shooting gallery fair, with all targets as hunting dogs.

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    13. Super

    Photography

    15.2 x 20.3 cm.

    2010

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    14. Supers

    42 x 28 cm.

    Digital image

    2010

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    The next series makes reference to the hounds confinement in small and dirty cages, the title refers

    the routes that makes the dog every day (all images have been decorated, "super" doesn't dwell in

    the place pictured). The progressive out of focus is deliberately.

    15. Agenda semanal (polptico) [weekly schedule (polyptych)]

    Lunes (Monday)

    Digital Image

    15.2 x 20.3 cm.

    2010

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    Martes (Tuesday)Digital Image

    15.2 x 20.3 cm

    2010

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    Mircoles (Wednesday)

    Digital Image

    15.2 x 20.3 cm.

    2010

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    Jueves (Thursday)

    Digital Image

    2010

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    Viernes (Friday)

    Digital Image

    2010

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    Sbado (Saturday)

    Digital Image

    2010

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    Domingo (Sunday)

    Digital Image

    2010

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    Fuentes

    Luna, Pamela,Keep it simple, extrado el 28/04/09 de http://www.merca20.com/?p=9678

    Monsivais, C.Sobre los derechos de los animales extrado el 30/04/08 de

    http://www.elsiglodetorreon.com.mx/noticia/281350.sobre-los-derechos-de-los-animales.html

    Mucio, Francisco.Entrevista a Pablo Jutgla, s/e. Espaa, 2009

    V.Notimex. Los derechos de los animales, extrado el 09/05/2009 de http://209.85.229.132/search?

    q=cache:PJb_GKuO22EJ:pmazariegos.googlepages.com/deranim+%22actitud+humanista

    %22+animales&cd=8&hl=es&ct=clnk&gl=es&client=firefox-a

    (s.a.)Ms de 50.000 galgos son ahorcados, quemados o torturados en Espaa al acabar cada temporada de caza.

    Extrado el 03/11/2009 de http://www.consumer.es/web/es/medio_ambiente/2005/12/15/147785.php

    (s.a.)Influencia de los medios de comunicacin en la sociedad, extrado el 18/09/2009 de

    http://nicolpaolaroxana.wordpress.com/2009/06/11/influencia-de-los-medios-de-comunicacion-en-la-

    sociedad/

    (s.a.) Qu es la mercadotecnia social?, extrado el 29/04/08 de http://www.miespacio.org/cont/invest/social.htm

    (s,a.) Mercadotecnia Directa: una nueva alternativa para las empresas, extrado el 28/04/09 de

    http://www.imt.com.mx/recontact/03/mercadotecnia.php

    (s.a.) Una extremadura de tele, extrado el 18/09/2009 de

    http://www.elperiodicoextremadura.com/noticias/noticia.asp?pkid=222535