Expanding the Discourse: Vol. I—The Politics of the “Other”
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Transcript of Expanding the Discourse: Vol. I—The Politics of the “Other”
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Expanding the Discourse:
Vol. I—The Politics of the “Other”
Dan CollinsIssues in Intermedia
Arizona State University
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ACT UP!Let the Record Show…1987installation at the New Museum, New York City
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Gran FuryUntitled1989billboard
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Gran FuryUntitled1988billboard
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Gran FuryUntitled1990billboard
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Gran FuryUntitled1988billboard
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conceived by Cleve Jones The NAMES Project, AIDS Memorial Quiltbegun 1987fabric3 x 6 ft. panels
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conceived by Cleve JonesThe NAMES Project, AIDS Memorial Quiltbegun 1987(1992 installation in Washington, DC)fabriccurrently more than 44,000 3 x 6 ft. panels
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Keith HaringAIDS 851985oil and acrylic on linen116 1/2 x 119 1/4 in.
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Keith HaringSafe Sex1987posters
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Keith HaringIgnorance = Fear: Silence = Death1989billboard
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Keith HaringThe Life of Christ1990silver altarpiece, edition of 9
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Robert MapplethorpeSelf-Portrait1988gelatin-silver print24 x 20 in.
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Andres SerranoMilk, Blood1986Cibachrome print, silicone, plexiglass, wood frame39 3/8 x 26 3/4 in.edition of 10
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Andres SerranoPiss and Blood XXVI1987Cibachrome print, silicone, plexiglass, wood frame40 x 60 in.edition of 4
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Andres SerranoBlood and Semen1990Cibachrome print, silicone, plexiglass, wood frame15 5/8 x 32 1/8 in.
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General Idea (Felix Partz, AA Bronson, Jorge ZontalPlaying Doctors1992poster
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General IdeaAIDS1987poster
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General IdeaOne Day of AZT / One Year of AZT1991installation at the Power Plant Gallery, Toronto
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A.A. BronsonJorge, February 3, 19941994/2000photographs
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A.A. BronsonFelix, June 5, 19941994/99photograph
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David WojnarowiczUntitled “One Day this Kid”1990photostat28 x 37 1/4 in.
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David Wojnarowicz“When I Put My Hands on Your Body”1990gelatin-silver print and silkscreened text in museum board 2 ft. 2 in. x 3 ft. 2 in.
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David WojnarowiczUntitled1988-9gelatin-silver print38 x 26 in.
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David WojnarowiczUntitled (Face in Dirt)1993gelatin-silver print28 1/2 x 28 1/2 in.
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David WojnarowiczSubspecies Helms Senatorious1990color photograph19 x 24 1/2 in.
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Tim MillerMy Queer Body: Performance of Desire1992performance
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Holly HughesClit Notes: A Sapphic Sampler1996book containing prior performance scripts and notes
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Holly HughesPreaching to the Perverted2000performance
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Karen FinleyWe Keep Our Victims Ready1989performance
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Karen FinleyShut Up and Love Me2001performance
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Renee CoxYo Mama’s Last Supper1996five color prints
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Renee CoxThe Yo Mama and Yo Mama at Home1993gelatin-silver printseach 82 x 47 in.
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James Luna (Luiseño)The Artifact Piece, 1987, was a performance/installation that questioned American Indian presentation in museums-presentation that furthered stereotype, denied contemporary society and one that did not enable an Indian viewpoint. The exhibit, through 'contemporary artifacts' of a Luiseño man, showed the similarities and differences in the cultures we live, and putting myself on view brought new meaning to 'artifact.' (Durland 37)
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Jimmy Durhamall that is solid melts into air, 2008
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Edgar Heap of Birds (Cheyenne/Arapahoe)
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Kade Twist (Cherokee)Suburban Bush is from a series of two-dimensional work titled Semiotic Warfare. The series utilizes short, stark, poignant and ironic phrases written in Cherokee syllabary, and a variety of media, to examine postcolonial signifiers that define contemporary geographies, economic markets, political bodies and intercultural intercourse throughout North America. In this work the Cherokee syllabary becomes a transformative medium of Cherokee propagation and cultural/political self-determination. By engaging the viewer, the architecture of a particular space and the broader contexts of a particularized regional geography the work becomes a semiotic vehicle of hemispherical decolonization — physically, politically and cognitively.
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