Exhibition at Museum of Fine Arts, St. Petersburg spotlights ...Woman (1869), Aubrey Vincent...
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Exhibition at Museum of Fine Arts, St. Petersburg spotlights compelling portraits
Martha Miller (American, born 1954), The Artist’s Daughters (1987). Pastel on paper. Collection of Robert Flynn Johnson.
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ST. PETERSBURG, FLA.- Contemplating Character: Portrait Drawings & Oil Sketches fromJacques-Louis David to Lucian Freud is the most expansive exhibition of portraits ever presented atthe Museum of Fine Arts. It opens on Saturday, February 13, and continues through Sunday, May29.
This fascinating exhibition features 152 rare portrait drawings and oil sketches from the lateeighteenth into the twenty-first century, with most from the nineteenth. Artists from 15 countries arerepresented, with a large number from France and England.
Lucian Freud, one of our time’s most provocative portrait painters and the grandson of thepioneering psychoanalyst Sigmund Freud, once noted: “I’ve always wanted to create drama in mypictures, which is why I paint people. It’s people who have brought drama to pictures from thebeginning. The simplest human gestures tell stories.”
The works are drawn from the remarkable collection of Robert Flynn Johnson, Curator Emeritus,Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco. He has written: “Iam fervently drawn to the vast variety of depictions of human beings in their grandeur,helplessness, pride, and vulnerability. Every drawing in this exhibition has moved me deeply insome way, and it is both my conviction and hope that individuals who view this exhibition will makea similar connection and feel the presence of the personalities represented who have been drawnand painted over the last two centuries.”
In addition to David and Freud, Mr. Johnson has selected such noted artists as ThéodoreRousseau, Edgar Degas, Édouard Vuillard, Pierre Bonnard, Elie Nadelman, Frank Stella, andGeorge Bellows, to name a few. Four drawings are by Adolf von Menzel, whose name may beunfamiliar to many Americans. He was one of Germany’s most admired artists working in thenineteenth century. Degas called him “the greatest living master.”
In an expressive drawing, Menzel treats his right hand as a portrait, which he drew with his left.Maximilien Luce, imprisoned for his anarchist political views, depicts his hand pressing against thewall of Mazas Prison. Brassaï focuses on The Hands of Matilda, Paris 5 April 1949.
All challenge our conception of the portrait. So, too, do Henry-Bonaventure Monnier’s watercolor, Self-Portrait Dressed as aWoman (1869), Aubrey Vincent Beardsley’s fanciful caricature of presumably the writer Oscar Wilde (1892), and CharlesHenry Sims’ modernistic Self-Portrait in Distress (about 1928).
Not surprising for a curator, Mr. Johnson was drawn to artist self-portraits and portraits of artists. One of the former is by DoraMaar, a talented artist who shared a decade with Pablo Picasso. She sliced her self-portrait in two, a strong visual suggestingmental turmoil. Another is Sir Alfred Hitchcock’s unmistakable Self-Portrait Profile (around 1960), which introduced his popularTV series Alfred Hitchcock Presents to millions of Americans.
There are two portraits of Jacques-Louis David, one while he was in prison. A supporter of the French Revolution, David wasimprisoned after the fall of Robespierre and later found favor with Napoleon. There are others of the English Romanticpoet-artist William Blake, American author Washington Irving, influential British critic-artist John Ruskin, French symbolistOdilon Redon, and the great American realist Thomas Eakins in silhouette.
The exhibition has many other gems, including a miniature portrait of George Washington (around 1795) by an anonymousartist and Bonnard’s Crying Woman (about 1890-1895), created in a flowing, seemingly spontaneous line. There are evendrawings by the American cartoonist Robert Crumb, who developed a cult following for his countercultural comic books likeWeirdo and who later received museum exhibitions.
A host of works capture family members, friends, and lovers in tender moments, and a number resonate with paintings in theMuseum’s collection. Contemplating Character was organized by Mr. Johnson with Landau Traveling Exhibitions, Los Angeles,California, in association with Denenberg Fine Arts, West Hollywood, California.
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