European Art & Old Masters

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From Distant LandsEuropean Art & Old MastersJune 14, 2016

www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103T 215.563.9275 | F 215.563.8236

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European Art & Old MastersAuction

Catalogue

Exhibitions

Sale 1547Tuesday, June 14, 2016 at 10am 1808 Chestnut Street, Philadelphia PA 19103

By appointment only on the morning of the sale

$32 in the gallery$38 domestic mail$44 international mail

Catalogues are always available on our website and now through the app. Download it for free at the iPad App Store.

10:00am-5:00pm 12:00pm-5:00pm 12:00pm-5:00pm 10:00am-5:00pm

Friday, June 10 Saturday, June 11 Sunday, June 12 Monday, June 13

Cover Image: Lot 265

Inside Front Cover: Lot 151

Inside Back Cover: Lot 38

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v3.2016

Stephanie ParkerPost Sale [email protected] 267.414.1206

Mary Maguire Director | Client [email protected] 267.414.1236

Client Services

Melissa ArundelBids [email protected] 267.414.1208

Important Information for Buyers

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Catalogue DescriptionsAll item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

BiddingAt the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

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In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.


Sincerely,

David Weiss, Senior Vice Chairman | Head of Department

The present auction of European Art and Old Masters

features paintings, prints, sculpture, and works on

paper from Britain and the Continent. In addition to a select

number of noteworthy Israeli, Russian, and Indian artworks,

highlightsin this sale include an excellent assemblage of

Old Master drawings and watercolors, along with a group

of works on paper from a North Carolina collector. Purchased

from London-based auction houses and top-tier London

galleries in the late 1970s and the 1980s, this collection

features paintings by Giovanni Cariani, Stefano Maria Legnani,

Giovanni Bernardino Azzolino, and Allan Ramsay.

A number of exceptional paintings and watercolors offered

in this sale originate from the Richard Scaife Collection

and include a major Heywood Hardy golf-themed painting

and a large “Epsom Derby” oil by Geoffrey Douglas Giles.

Other notable nineteenth century artists represented are

Hermann David Salomon Corrodi, Isaac Israels, Pierre Puvis

de Chavannes, Rosa Bonheur, and a group of French soldier

oils by Étienne Prosper Berne-Bellecour, Louis Narcisse

Grolleron, and Eugene Van Mieghem. Also featured are select

twentieth century paintings with works by Edward Cucuel,

Montague Dawson, and Amos Yaski.

Two of the more interesting paintings in the sale are Moisei

Levovich Maimon’s “The 18th of April in the Turenchen

Mountains,” an apparently heretofore unknown version of

Maimon’s monumental painting of 1905, depicting the Battle

of the Yalu River, and “The Coquette,” a major work by

Raja Ravi Varma, one of India’s most renowned artists of the

nineteenth century. Each is privately consigned and to our

knowledge, have not been offered previously at auction.

The large and varied selection of artworks on offer here will

appeal to a broad and diverse array of buyers of European

and international art. We very much look forward to seeing

you during our exhibition and auction.

Molly MorrowCataloguer | Department Administrator [email protected] 215.940.9827

European Art & Old Masters Department

Lily LiuCataloguer | Department Administrator [email protected]

David Weiss Senior Vice President | Department Head

[email protected] 267.414.1214

Alasdair NicholVice Chairman | Head of Fine Arts [email protected] 267.414.1211


European Art & Old Masters lots 1-278

Lot 122 (detail)


1 160348/1REMBRANDT VAN RIJN(dutch 1606-1669)“THE AGONY IN THE GARDEN”c. 1652. An early 19th centuryimpression (c. 1816); second state ofthree, etching and drypoint4 3/8 x 3 1/4 in. (11.1 x 8.3cm)[Bartsch; Hollstein 75]provenance:Taylor Clark Gallery, Baton Rouge,Louisiana.Private Collection, Baton Rouge,Louisiana.$1,500-2,500

3 160517/5HENRI-JOSEPH VANBLARENBERGHE(french 1741-1826)FIGURES BEFORE A HARBORSigned and dated ‘Van Blarenberghe1766’ bottom edge, gouache onpaper, tondo2 1/8 x 2 1/8 in. (5.4 x 5.4cm)provenance:Private Collection, Maryland.$1,500-2,500

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2 160506/11GIOVANNI BATTISTA PIRANESI(italian 1720-1778)“VEDUTA DEGLI AVANZI DELFORO DI NERVA”; “VEDUTA DELLANTIFEATEATRO FLAVIO DETTOIL COLOFEO”; ‘VEDUTA INTERNEDI UNA DELL TRE SALESEPOLERALI CREDUTO DELLAFAMIGLIA DE AUGUFTO”; and“VEDUTA INTERNA DELLACAMERA SEPOLCRATE NELLAVIGNA CAFATI A PORTA S.SEBASTIANO’Four etchings, various sizes(4)provenance:Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,000-1,500

4 160481/2JACQUES FRANÇOIS JOSEPHSWEBACH-DESFONTAINES(french 1769-1823)SOLDIER ON HORSE INLANDSCAPEPrepared grey ground, black chalkand white gouache on off white laidpaper, tondo in fine gilded periodframeDiameter: 2 5/8 in. (6.7cm)provenance:Ex-Collection, John Koch.Private Collection, New Jersey.exhibited:“European Paintings, Drawings andSculpture: 19th and Early 20thCentury” (Winter Exhibition),Shepherd Gallery, New York, NewYork, 1991.$1,000-1,500

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5 160375/1LOUIS DE BOULOGNE THE YOUNGER(french 1654-1733)A STUDY OF A MAN HOLDING A STAFFSigned with initials ‘LB’ bottom left, black chalkheightened with white chalk on brown paper20 x 12 1/2 in. (50.8 x 31.5cm)provenance:Private Collection, California.$5,000-7,000

7 160471/4ISAAC VAN OSTADE(dutch 1621-1649)PEASANTS PLAYING CARDS IN ABARNBears signature ‘A.V. Ostade’ bottomleft; also bears attribution in chalkverso, pen and brown ink and brownand gray wash and watercolor overtraces of black chalk6 1/16 x 8 7/8 in. (15.4 x 22.5cm)provenance:Sotheby’s, New York, sale of January14, 1987, lot 159.The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$3,500-4,500

8 160481/4THEODORE MATTIAS VON HOLST(british 1810-1844)STANDING KNIGHTSigned ‘T von Holst’ bottom left, penand brown ink over traces of pencil onlaid paper8 7/8 x 6 5/8 in. (22.5 x 16.8cm)together with:THOMAS DE THOMON(french 1754-1813) FIGURES IN A ROCKY COVEWatercolor on paper, tondoDiameter: 14 5/8 in. (33.6 x 15.2cm)together with:AUGUSTE RAFFET(french 1804-1860) “LE PORTE DRAPEAU”Signed with initial ‘R’ bottom centerright, pencil on paper, tondo3 1/2 x 3 5/8 in. (9 x 9.2cm)(3)provenance:Curator’s Choice for exhibition,Minneapolis Museum of Art, 1976, (notexhibited) (De Thomon).Private Collection, New Jersey.$1,500-2,500

6 160375/2LOUIS DE BOULOGNE THE YOUNGER(french 1654-1733)A NUDE MAN STANDING AMONGTREESSigned and dated ‘Louis de Boullogne1692’ bottom center, black and whitechalk on brown paper22 x 14 in. (56.3 x 35.6cm)provenance:Private Collection, Switzerland.Acquired from the above.The collection of Jan Krugier.Private Collection, California.exhibited:“Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Janund Marie-Anne Krugier-Poniatowski”, Berlin, 1999, (illustrated in exhibitioncatalogue, p. 396).$5,000-7,000

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9 160471/1ATTRIBUTED TO GIOVANNIBATTISTA PIAZZETTA(italian 1682-1754)STUDY OF A MAN AND AWOMAN, THE MAN WEARING APLUMED HATBlack and white chalk on paper16 1/16 x 12 7/8 in.(40.8 x 32.7cm)provenance:Sotheby’s, New York, sale of January8, 1991, lot 216.The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$7,000-9,000

10 160471/19ANDREA (ANDREA VICENTINO)MICHIELI(italian c. 1542-1617)SEMIRAMIS HEARING THE NEWS OFA REVOLT IN BABYLONBears inscription ‘Semiramis’ at left and‘M. Benedetto...ms. AndreaVicentino/Passa…sta enchontro il largodella Farina’ at right margin; also bearsinscription in ink verso, pen and brownink and wash over black chalk on paper7 1/2 x 11 1/16 in. (19.1 x 28.1cm)provenance:Doge Nicolo Sagredo, Venice, by c.1654.By descent in the family to his brother,Stefano Sagredo, Venice.By descent in the family to his nephew,Zaccaria Sagredo, Venice (L.2103a,inscription, verso: S.V. no. 147).By descent in the family to his wife,Cecilia Sagredo, until sold, c. 1743.Sotheby’s, New York, sale of January 14,1989, lot 269.The Collection of Dr. Hilary Koprowskiand Dr. Irena Koprowska.$7,000-9,000




11 160143/8ATTRIBUTED TO PERINO DE VAGA(italian 1501 1547)DESIGN FOR A CEILING CARTOUCHEPen and brown ink with brown and graywashes on paper laid to card; also withunidentified collector’s seal7 5/8 x 10 15/16 in. (19.4 x 27.8cm)provenance:Vivant-Denon sale, Paris, 1826, I, p. 107,no. 268.Property from the Estate of Kenneth L.Hallam, Washington, D.C.$1,000-1,500

12 160471/20ATTRIBUTED TO JEAN HONORÉFRAGONARD(french 1732-1806)FIGURES IN A WOODEDLANDSCAPEPen and brown ink with gray washeson paper8 1/2 in 6 1/2 in. (21.6 x 16.5cm)provenance:The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$1,000-1,500

13 160375/3GUILLAUME COURTOIS(french 1628-1679)KNEELING BEFORE THEMAGISTRATEIndistinctly inscribed upper center;also inscribed ‘Andrea del Sarto’ and‘Scola Veneziana’ verso, red chalk onlaid paper12 7/16 x 16 5/8 in.(31.6 x 42.2cm)provenance:Private Collection, California.$1,000-2,000


14 160471/21FRANÇOIS BOUCHER(french 1703-1770)LA BOHÉMIENNEInscribed ‘Boucher’ bottom right,black chalk on paper8 5/8 x 6 1/2 in. (21.9 x 16.5cm)provenance:The Collection of Madamed’Azaincourt.Baron Schwiter (L.1768), his sale,Hotel Drouot, Paris, April 20, 1883,lot 13 (as ‘Les Mendiants’).With Schaeffer Galleries, New York.Acquired from the above byElizabeth Park Firestone.Elizabeth Parke Firestone, her sale,Christie’s, New York, March 23,1991, lot 607.The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.literature:A. Michel, François Boucher, Paris:1906, no. 1330.P. Jean-Richard, L’Oeuvre grave deFrançois Boucher dans la CollectionEdmond de Rothschild, Paris: 1978, p. 174, no. 611.$10,000-15,000

15 160471/2GIOVANNI BATTISTA BUSIRI(italian 1698-1757)A LANDSCAPE WITH FIGURESRESTING BY A RIVERGouache on paper9 3/8 x 12 in. (23.8 x 30.5cm)provenance:The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$3,000-5,000




16 160050/17ITALIAN SCHOOL(17th century)HEAD OF A CHERUB; STUDY OF A CHERUB;STUDY OF AN ARM; STUDY OF A FOOTFour red chalk drawings on paper, eachunframedLargest: 4 9/16 x 3 7/8 in. (11.6 x 9.8cm)(4)provenance:Private Collection, Washington, D.C.$1,000-1,500

17 160471/23BIAGIO PUPINI(italian act. 1530-1540)THE BIRTH OF THE VIRGINInscribed ‘Ecole de Raphael’ andnumbered ‘12’ bottom left; alsoinscribed extensively on the mount,in part, ‘école de Raphael’, brush andbrown wash heightened with whiteover traces of blue chalk on fadedblue paper12 5/8 x 8 1/4 in. (32.1 x 21cm)provenance:Bears unidentified collector’s mark(L. 366).Baron de Malaussena (L. 1886).Comte A. Marquet de Vasselot (L.2499).With P & D Colnaghi & Co., London,by 1984.Sotheby’s, New York, sale of January13-14, 1989, lot 244.The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$6,000-8,000

18 160408/1ENRICO ROMOLO(italian 19th century)CHERUBIAN ALLEGORYSigned and located ‘E. Romolo Milano’ bottom left, watercolor on paper, oval14 5/8 x 18 1/4 in. (37.1 x 46.4cm)provenance:Schwarz Gallery, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.$1,000-1,500

19 160536/3FOLLOWER OF ROSALBA CARRIERA(italian 1675-1757)YOUNG WOMAN WITH BASKET OF MIXED FRUITPastel on paper laid to canvas27 1/2 x 21 in. (69.9 x 53.3cm)provenance:Private Collection, Connecticut.$1,000-2,000

(part lot)


20 160506/1CORNELIS PIETERSZ BEGA(dutch c. 1631-1664)WOMAN WITH DOG ON A PATHWAYSigned ‘Bega’ bottom right, charcoal on paper,unframed11 x 15 in. (28 x 38cm)provenance:Ms. Hildegard Ryals and Professor Clyde Ryals,Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$2,000-3,000

21 160471/24CORNELIS DUSART(dutch 1660-1704)A PEASANT COUPLE OUTSIDE A HOUSESigned and dated ‘Corn. dusart. Fe 1689’,watercolor and pencil on vellum laid to card10 5/8 x 9 3/8 in. (27 x 23.8cm)provenance:Christie’s, London, sale of July 2, 1996, lot 291.The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska.$12,000-18,000

22 160471/22ANTHONIE WATERLOO(flemish c. 1610-1690)UTRECHT, WITH ROAD RUNNING THROUGHA VILLAGESigned ‘A. Waterloo’ bottom left, pen and brownink and brown and grey wash on two joinedsheets of paper3 9/16 x 11 1/8 in. (9 x 28.3cm)provenance:H. Lempertz, Cologne (L. 1337).Jacobus A. Klaver, Amsterdam, his sale,Sotheby’s, Amsterdam, May 10, 1994, lot 32.The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska.$7,000-9,000


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23 160506/10HORACE VERNET(french 1789-1863)FULL GALLOPSigned ‘H. Vernet’ bottom left, watercolor heightenedwith white on paperSight size: 7 1/2 x 14 in. (19.1 x 35.6cm)provenance:Sotheby’s, London, sale of Sepember 6, 1979, lot 60.Ms. Hildegard Ryals and Professor Clyde Ryals,Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$2,000-3,000

24 160083/29SYDENHAM TEAST EDWARDS(british 1768-1819)OTTERS; AND BEAVERSEach signed ‘Sydenham Edwardsdel’ bottom left, pair- pencil, pen,ink, and watercolor on paperEach: 8 3/4 x 7 in. (22.2. x 17.8cm)(2)provenance:Christopher Wood Gallery, London.The Estate of Richard M. Scaife.$1,000-1,500

25 160342/2NICOLAS STRUYK(dutch 1687-1769)BUTTERFLIES AND INSECTSPen and black ink, watercolor, and pencilon paperSight size: 17 1/4 x 11 in. (43.8 x 28cm)provenance:Hill-Stone, New York, New York.Private Collection, Philadelphia,Pennsylvania.$1,200-1,800

26 160471/3LEONARD BRAMER(dutch 1596-1674)THE CIRCUMCISION OF CHRISTSigned ‘Leonard Bramer’ verso; also bears inscription on mount,watercolor and gouache on vellum4 5/8 x 3 5/8 in. (11.7 x 9.2cm)provenance:With C.G. Boerner, Dusseldorf, 1973.F.C. Butot, Sankt Gilgen, his sale, Sotheby’s, Amsterdam,November 16, 1993, lot 53.The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska.$3,000-5,000

(part lot)


27 160506/5ANGELICA KAUFFMANN(swiss 1741-1807)WOMAN READING, LEANING ON A LYREInscribed ‘A. Kaufmann’ on the mount, pen andbrown ink on paper, unframed, tondo7 9/16 x 7 5/8 in. (19.2 x 19.4cm)provenance:Ms. Hildegard Ryals and Professor Clyde Ryals,Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$2,500-3,500

28 160506/6ANGELICA KAUFFMANN(swiss 1741-1807)TWO WOMEN AWAKENING A SLEEPING BOYWatercolor over pencil laid to backing sheet, unframed8 7/8 x 11 7/8 in. (22.5 x 30.2cm)provenance:Sotheby’s, London, sale of January 24, 1980, lot 38.Ms. Hildegard Ryals and Professor Clyde Ryals,Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$1,500-2,000

29 160471/25THIERRY BELLANGE(french 1594-1638)NOAH’S ARKSigned ‘bellange f’ bottom center left,black and red chalk on vellum withinblack framing lines9 7/8 x 13 1/16 in. (25.1 x 33.2cm)provenance:Sotheby’s, New York, sale of January 9,1996, lot 41.The Collection of Dr. Hilary Koprowskiand Dr. Irena Koprowska.$10,000-15,000




30 160060/2LOMBARD SCHOOL(17th century)DREAM OF SCIPIOOil on canvas, unframed67 x 111 in. (170.2 x 281.9cm)provenance:Private Collection, New Jersey.$10,000-15,000

31 160060/1ATTRIBUTED TO CLEMENTEBOCCIARDO (IL CLEMENTONE)(italian 1620-1658)CORPUS DOMINIInscribed ‘MENS/ARDVS (?)’ anddated illegibly bottom left, oil oncanvas, unframed121 x 76 in. (307.3 x 193cm)provenance:Private Collection, New Jersey.$15,000-25,000


32 160471/12GIOVANNI CARIANI(italian c. 1485 - after 1547)PORTRAIT OF A GENTLEMAN,HALF-LENGTH, HOLDING APORTRAIT OF A LADYOil on canvas27 1/2 x 23 1/4 in. (69.9 x 59.1cm)provenance:M. Nierwenhump, 1833.Christie’s, London, sale of May 10,1833, lot 33 (as by Giorgione, toNorton).Captain E. Spencer-Churchill,Northwick Park.Christie’s, London, sale of May 28,1965, lot 20 (to Brod).With Brod Gallery, London, 1965.With Galerie Fischer, Lucerne, 1967.The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.literature:A Catalogue of the Pictures, Works ofArt, etc. at Northwick Park, Blockley:1864, cat. no. 61 (as Nicolo Casa).B. Berenson, Italian Pictures of theRenaissance; Venetian School, London:1957, p. 55.B. Berenson, Pitture Italiani delRinascimento; La scuola veneta,Florence: 1958, p. 57.P. Dessy, Giovanni Busi detto Cariani,University of Padua Theses, Padua:1960-1, p. 158.A. Ballarin, “Pittura veneziana neimusei de Budapest, Dresda, Praga,Varsavia”, Arte Veneta magazine, 22,1968, p.57.G. Bolaffi et al., Cariani Giovanni, inDizionario enciclopedico Bolaffi deipittori e degli incisori italiani, Turin:1972, p. 60.R. Pallucchini, F. Rossi, GiovanniCariani, 0 133, cat. no. 60, fig. 4 .note:Cariani was active in Bergamo andVenice, and may have trained withGiorgione (c. 1477-8 -1510) and wasstrongly influenced by Palma IlVecchio (c. 1479-1528) and Titian(1485-1576). Bernard Berenson firstproposed the attribution to Carianiin 1957. Alessandro Ballarin agreedwith Berenson, suggesting a date forthis portrait of 1510-15, andreferenced the portrait’sGiorgionesque character.$25,000-35,000




33 160519/1ATTRIBUTED TO LUCAGIORDANO(italian 1634-1705)MOSES HOLDING THE TENCOMMANDMENTSOil on canvas27 1/2 x 21 1/4 in. (70 x 54cm)provenance:Private Collection, Pennsylvania.$5,000-7,000

34 160517/3CIRCLE OF IGNAZ STERN(german 1679-1748)VIRGIN AND CHILDOil on canvas, unframed31 x 22 7/8 in. (78.7 x 58.1cm)provenance:Private Collection, Maryland.$1,500-2,500

35 160471/7ATTRIBUTED TO CARLO SARACENI(italian 1579–1620)JUDITH WITH THE HEAD OF HOLOFERNESOil on canvas36 1/4 x 29 1/8 in. (92.1 x 74cm)provenance:Christie’s, South Kensington, sale of July 12, 2002,lot 184, (as After Carlo Saraceni).The Collection of Dr. Hilary Koprowski and Dr. IrenaKoprowska.note:The prime version of this composition is in theKunsthistorisches Museum, Vienna (see A. Cavina,Carlo Saraceni, 1968, pp. 125-6, fig. 70).$4,000-6,000


36 160471/9ATTRIBUTED TO ANNIBALECARRACCI(italian 1560-1609)HEAD OF YOUTH LOOKINGUPWARDS TO THE RIGHTOil on canvas laid on aluminum10 7/8 x 9 3/8 in. (27.6 x 23.6cm)provenance:Acquired in Italy in the 18th centuryby an ancestor of the previousowner.The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$3,500-4,500

37 160342/1ATTRIBUTED TO ANNIBALECARRACCI(italian 1560-1609)PORTRAIT OF A LADY WITH ACORAL NECKLACEOil on paper laid to canvas14 3/4 x 12 1/2 in. (37.5 x 31.8cm)provenance:Lori Bookstein Fine Art, New York,New York (as by Annibale Carracci).Private Collection, Philadelphia,Pennsylvania.exhibited:“Old Master paintings andDrawings, Fourth Annual OldMaster Exhibition”, Berry HillGalleries, New York, New York,January 24 - March 3, 2001, (as byAnnibale Carracci).$12,000-18,000




38 160471/11GIOVANNI BERNARDINO AZZOLINI(italian c. 1572-1645)CHRIST IN THE HOUSE OF MARY AND MARTHAOil on canvas48 3/4 x 69 in. (123.8 x 175.3cm)provenance:J.W. Brett, 1833.E. Dwight, 1837, by whom given to an institution whereit remained until the early 1990s.Sotheby’s, New York, sale of January 11, 1996, lot 174(as by Pietro Novelli).The Collection of Dr. Hilary Koprowski and Dr. IrenaKoprowska.exhibited:Boston Athenaeum, Boston, Massachusetts, 1833, no. 9; and 1837, no. 116, (each time as by Caravaggio).literature:R. F. Perkins and W. J. Gain, eds., Boston Athenaeum ArtExhibition Index, 1827-1874, Cambridge: 1980, pp. 30,285.S. Causa, La strategia dell’attenzione: pittori a Napoli nelprimo Seicento, Naples: 2007, p. 41, fig. 7 (as byAzzolino).

note:Azzolini was a native of Sicily and is recorded as beingin Naples from 1594. He later settled in Genoa where hewas elected to the Accademia di San Luca. Trained as asculptor as well as a painter, his chief influences werehis Neapolitan contemporaries Belisario Corenzio (c.1558-1643) and Fabrizio Santafede (c. 1560-1635).Azzolini also worked with his son-in-law Jusepe deRibera (1591-1652) on several commissions.We are grateful to Nicola Spinosa, who has identifiedthis painting to be the work of Azzolini based on anelectronically transmitted photograph.$25,000-35,000

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39 160060/3SPANISH SCHOOL(18th-19th century)“SAN PEDRO”, “SAN PABLO” AND“SAN ANDRES”Three tempera with gold groundpaintings on cradled panel; eachalso identified along topEach (approx.): 33 x 21 in.(83.8 x 53.3cm)(3)provenance:Private Collection, New Jersey.$3,000-5,000

40 160143/7NORTHERN ITALIAN SCHOOL(mid 17th century)PORTRAIT OF A GENTLEMAN IN HISSTUDY, THREE-QUARTER LENGTHInscribed ‘Aetatis Svae LIII 1642’ uppercenter right; also inscribed ‘fundatioStipendis Moseriani de Anno 1676’bottom left, oil on canvas39 x 30 in. (99.1 x 76.2cm)provenance:Property from the Estate of Kenneth L.Hallam, Washington, D.C.$1,500-2,500

41 160471/8ANDREA (ANDREA VICENTINO) MICHIELI(italian 1542-1617)DAVID AND GOLIATHInscribed ‘Sketch by Tintoretto’ verso, oil oncanvas18 1/4 x 24 in. (46.4 x 61cm)provenance:Galerie Charles Brunner, Paris, no. 7090.The Collection of Dr. Hilary Koprowski andDr. Irena Koprowska.$3,500-4,500




42 160386/3VENETIAN SCHOOL(17th century)SAINT JEROME IN THEWILDERNESSOil on canvas39 7/8 x 32 5/8 in.(101.3 x 82.9cm)provenance:Private Collection, Pennsylvania.$3,000-4,000

43 160471/5STEFANO MARIA LEGNANI(italian 1661-1713)ADORATION OF THE SHEPHERDSOil on canvas23 x 37 5/8 in. (58.3 x 95.6cm)provenance:The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.note:We are grateful to AlessandroMorandotti for suggesting theattribution to Legnani.$6,000-8,000

44 168027/1CONTINENTAL SCHOOL(17th century)PORTRAIT OF A GENTLEMAN,THREE-QUARTER LENGTH,POSSIBLY SIR ROBERT VYNEROil on canvas35 3/4 x 30 1/2 in.(90.8 x 77.5cm)provenance:Private Collection, North Carolina.$2,000-3,000


45 160512/1ATTRIBUTED TO SIR JAMESTHORNHILL(british 1675-1734)PORTRAIT OF A GENTLEMANBELIEVED TO BE SIR WILLIAMWYNDHAM IN HIS STUDY, HALF-LENGTHOil on canvas36 x 28 1/2 in. (91.4 x 72.4cm)provenance:Private Collection, Maryland.note:Sir William Wyndham was 3rdBaronet, Chancellor of theExchequer in 1713, and head of thetreasury in 1714.$2,500-3,500

46 160386/5MANNER OF JAN ANTHONISZVAN RAVESTEYN(dutch c. 1570-1657)PORTRAIT OF A LADY WITHWHITE RUFF AND CAP, HOLDINGA FLOWER, THREE-QUARTERLENGTHOil on canvas41 x 33 in. (104.1 x 83.8cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

48 160164/3CIRCLE OF JOHN MICHAELWRIGHT(scottish c. 1617-1694)PORTRAIT OF A GENTLEMAN INARMOR, THREE-QUARTERLENGTHOil on canvas51 3/8 x 38 3/4 in.(130.5 x 98.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$3,000-5,000


47 160400/5JOHN VANDERBANK THEYOUNGER(british 1694-1739)PORTRAIT OF THE NINTHDUCHESS OF NORFOLK, THREE-QUARTER LENGTHOil on canvas50 x 39 7/8 in. (127 x 101.3cm)provenance:Christie’s, London, n.d.The Estate of Dr. William N.Coughlin, Springfield, Illinois.$4,000-6,000

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45 46

48



49 168027/5ATTRIBUTED TO BARTHOLOMEWDANDRIDGE(british 1691-1755)PORTRAIT OF A YOUNGNOBLEMAN, THREE-QUARTERLENGTHOil on canvas53 1/4 x 43 in. (135.3 x 109.2cm)provenance:Private Collection, North Carolina.$3,000-5,000

50 160400/6ALLAN RAMSAY(scottish 1713-1784)PORTRAIT OF SIR WILLIAMTEMPLE, THREE-QUARTERLENGTHOil on canvas49 7/8 x 39 7/8 in.(126.7 x 101.3cm)provenance:With Sir Robert Hatfield, 22 CarltonHouse Terrace.The Cooling Galleries, London.The Estate of Dr. William N.Coughlin, Springfield, Illinois.$10,000-15,000


51 160471/18ATTRIBUTED TO MICHIEL VAN MUSSCHER(dutch 1645-1705)THE LOVESICK WOMAN VISITED BY ADOCTORWith remnants of a signature and date bottomleft, oil on canvas25 3/4 x 21 in. (65.4 x 53.3cm)provenance:The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska.$1,800-2,400

52 160164/1CIRCLE OF DAVID VINCKBOONS(flemish 1576-1632)VILLAGERS IN AN EXTENSIVELANDSCAPEOil on panel5 3/8 x 7 3/4 in. (13.7 x 19.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

53 160471/17FOLLOWER OF ADRIAEN PIETERSZ VANDE VENNE(dutch 1589-1662)“HET SYN STERCKE BEENE DIE WEELDEKUNNE DRAGEN” (ONLY THE STRONGLEGS CARRY WEALTH)Oil on panel23 1/2 x 19 1/4 inches (59.7 x 48.9cm)provenance:Christie’s, New York, sale of January 11, 1989,lot 67 (as by Adriaen Pietersz van de Venne).The Collection of Dr. Hilary Koprowski andDr. Irena Koprowska.note:This composition derives from Van deVenne’s ‘De Belacchend Werald (TheLaughable World)’, a series of 42 grisailles. Apendant, entitled ‘Only Strong Legs can CarryPoverty,’ is in the Fogg Art Museum, Boston.$2,500-3,500




55 160471/14JAN BAPTIST LAMBRECHTS(flemish 1680-c. 1731)A CAT JUDGED BY MONKEYSOil on canvas15 x 18 in. (38.1 x 45.7cm)provenance:The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$3,500-4,500

56 160523/4MANNER OF GASPAR PIETERVERBRÜGGEN THE ELDER(flemish 1635-1681)MIXED FLOWERSPair oils on canvasEach (approx.): 16 1/2 x 13 1/2 in.(41.9 x 34.3cm)(2)provenance:Private Collection, Pennsylvania.$1,000-2,000

54 160517/4DUTCH SCHOOL(probably 18th century)THE BETRAYAL OF CHRIST; andLADY WITH ATTENDANTTwo oils on copperThe former: 13 7/8 x 11 in.(35.2 x 27.9cm)The latter: 4 1/2 x 3 7/8 in.(11.4 x 9.8cm)(2)provenance:Private Collection, Maryland.$1,000-2,000

(part lot)

(part lot)


59 160386/10MANNER OF FRANS FRANCKEN THEYOUNGER(flemish 1581-1642)CHRIST AND THE WOMAN TAKEN INADULTERYWith wax seal verso, oil on panel, unframed5 3/4 x 9 13/16 in. (14.6 x 24.9cm)provenance:Private Collection, Pennsylvania.note:The present painting follows a portion of theoriginal oil of the same subject by Francken theYounger. We are grateful to Fred G. Meijer of theRKD for confirming the attribution.$1,000-2,000


57 160520/2ATTRIBUTED TO PAUL BRIL(flemish 1554-1626)HILLY LANDSCAPE WITHTRAVELLEROil on canvas laid on cradled panel6 3/4 x 8 13/16 in. (17.2 x 22.4cm)provenance:Dorotheum, ca. 1965.The Collection of Gretel Mayer.Acquired from the above.Private Collection, Maryland.$1,500-2,000

58 160471/15CIRCLE OF JAN HACKAERT(dutch 1629-c. 1700)ROCKY LANDSCAPE WITHFIGURES AND MILLOil on canvas22 1/2 x 30 1/4 in. (57.2 x 77cm)provenance:The Collection of Dr. HilaryKoprowski and Dr. Irena Koprowska.$3,500-4,500



60 160471/16FOLLOWER OF CORNELIS VAN POELENBURGH(dutch 1586-1667)FEAST OF DIANAOil on panel23 1/4 x 33 in. (59 x 84cm)provenance:The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska.$1,200-1,800

61 160539/1CHRISTIAN WILHELM ERNST DIETRICH(german 1712-1774)FÊTE CHAMPÊTRESigned and dated ‘Dietricÿ fec. 1740’ bottom right,oil on canvas laid to board33 x 28 in. (83.8 x 71.1cm)provenance:C. Perry Scull, St. Petersburg, Florida.Acquired from the above.Private Collection, Pennsylvania.By descent in the family.Private Collection, Pennsylvania.$4,000-6,000

62 160471/26AERT SCHOUMAN(dutch 1710-1792)A MANDOLIN PLAYER AND TWO PEASANTSDANCING IN A STREETSigned, inscribed, and dated, ‘A: Schouman, na Careldu Jardijn. 1748’ verso, gouache on paper withinblack chalk framing lines11 3/8 x 9 3/8 in. (28.9 x 23.8cm)provenance:With C.G. Boerner, Dusseldorf, by 1984.Christie’s, Amsterdam, sale of November 12, 1990,lot 183.The Collection of Dr. Hilary Koprowski and Dr. IrenaKoprowska.literature:J.M. Kilian, The Paintings of Karel du Jardin 1626-1678,Catalogue Raisonné, Amsterdam: 2005, p. 136, no. 17.$5,000-7,000



63 160471/10CIRCLE OF JEAN HONORÉ FRAGONARD(french 1732-1806)ARTIST AND MODELOil on canvas laid down on Plexiglas 7 1/2 x 8 1/8 in. (19.1 x 20.6cm)provenance:Christie’s, sale of April 16, 1986, lot 109(as Attributed to Fragonard).The Collection of Dr. Hilary Koprowski andDr. Irena Koprowska.$2,500-3,500

64 160392/1FOLLOWER OF NICOLAS LANCRET(french 1690-1743)FÊTE GALANTE; AND A COMPANIONPair oils on canvasEach: 21 1/2 x 36 in. (54.6 x 91.4cm)(2)provenance:Private Collection, Philadelphia,Pennsylvania.$5,000-7,000



65 160138/3FOLLOWER OF JAN WYCK(dutch 1640-1700)EQUESTRIAN PORTRAITIndistinctly inscribed on partial stretcher labelverso, oil on canvas40 3/4 x 31 5/8 in. (103.5 x 80.3cm)provenance:Private Collection, New York, New York.$2,000-3,000

66 160471/6JAN JOSEF HOREMANS THE ELDER(flemish 1682-1759)THE MUSSEL SELLERSigned ‘J.Horemans’ bottom left, oil on canvas18 x 14 3/4 inches (45. 7 x 37.5cm)provenance:Sir Edmond Ovey.Christie’s, New York, sale of January 31, 1997, lot 177.Acquired from the above.The Collection of Dr. Hilary Koprowski and Dr. IrenaKoprowska.$7,000-9,000

67 160471/13AFTER JAN STEEN(dutch 1626-1679)THE PROPOSALOil on canvas14 1/4 x 12 in. (36.2 x 30.5cm)provenance:J. P. Wierman, Amsterdam, sale of August18, 1762.Angelberts en Tersteeg, Amsterdam, sale ofJune 13, 1808 (purchased by Spaan).C. Buys, Amsterdam, sale of April 4, 1827.A.H.H., v.d. Burgh uit Den Haag,Amsterdam, sale of September 21, 1904(purchased by Kunsthandel Hamburger).Jos Monchen, Amsterdam, sale of April 30,1907 (purchased by Van Arkel).With Colnaghi, London.

Acquired from the above by Markus Kappel,Berlin.“New York Private Collector,” New York,Parke-Bernet Galleries, sale of November 12,1952, lot 46 (as ‘The Declaration of Love’).Christie’s, New York, sale of June 3, 1987, lot 100 (as by Jan Steen).The Collection of Dr. Hilary Koprowski andDr. Irena Koprowska.literature:C. Hofstede de Groot, A Catalogue Raisonnéof the Most Eminent Dutch Painters of theSeventeenth Century, London: 1908, vol. I, p. 221, translator’s note to cat., no. 822.K. Braun, Jan Steen, Rotterdam: 1983,pp. 176, cat. no. B. 227, p. 177, (illustrated).$4,000-6,000


68 151469/803THOMAS ROWLANDSON(british 1756-1827)A DREADFUL FRIGHTSigned ‘T. Rowlandson’ bottom left, inkand watercolor on paper laid to card11 13/16 x 9 5/8 in. (30 x 24.5cm)provenance:The Estate of Mrs. Helen T. Madeira.$1,000-2,000

69 151469/802THOMAS ROWLANDSON(british 1756-1827)“METHODISM DISPLAYED”Signed ‘Rowlandson’ bottom left;also inscribed with title verso, inkand watercolor on paper laid to card10 3/16 x 8 3/4 in. (25.9 x 22.2cm)provenance:The Estate of Mrs. Helen T. Madeira.$1,000-2,000

70 160506/24ALFRED EDWARD CHALON(british 1780-1860)JOSEPH AND POTIPHAR’S WIFEInscribed ‘Chalon’ twice on backing paper, penciland brown ink with wash over traces of pencil onpaper laid on paper, unframed11 1/2 x 15 in. (29.2 x 38.1cm)provenance:Sotheby’s, London, sale of January 24, 1980, lot 14.Ms. Hildegard Ryals and Professor Clyde Ryals,Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$1,000-1,500




71 160506/27WILLIAM POWELL FRITH(british 1819-1909)AT BOULOGNEWatercolor and gouache on papertogether with:JOHN HENRY MOLE(british 1814-1886) THE RESTING PLACEwatercolor on card, unframedLarger (sight size): 10 x 14 in.(25.4 x 35.6cm)(2)

72 160083/15HELEN ALLINGHAM(british 1848-1926)“THE OLD MEN’S GARDEN, CHELSEAHOSPITAL”Signed and dated ‘H. Allingham 1870’ bottomright; also inscribed with title on label verso,watercolor, bodycolor, and Chinese white onpaper15 x 24 in. (38.1 x 61cm)provenance:Christopher Wood, London.The Estate of Richard M. Scaife.note:The present lot is one of a number of artworks inthis auction from the collection of Richard M.Scaife, owner of the Trib Total Media publishingcompany and other media properties. Scaife wasa dedicated philanthropist who donated millionsof dollars for public improvement and restorationprojects to foundations and individualsthroughout the country. However, it wascollecting fine art that was his other greatpassion. He began to amass a major collection oflargely American paintings with the influence ofhis mother, Sarah, which ultimately led to thecreation of the Sarah Mellon Scaife Gallery,Carnegie Museum of Art, Pittsburgh, in 1974. He

would later donate a commissioned portrait ofAndrew Carnegie by Andrew Wyeth to theCarnegie Museum, and a rare John JamesAudubon painting to the National Gallery of Art.Scaife donated more art to the WestmorelandMuseum of American Art in Greensburg,Pennsylvania, and to the Brandywine RiverMuseum of Art in Chadds Ford, Pennsylvania,than to any other institutions. He focused his

collecting efforts on mid to late 19th centuryAmerican landscapes, bequeathing his collectionof paintings and works on paper - mainlyAmerican - to those two museums. Freeman's isvery pleased to include a fine selection of non-American works of art from the core of Scaife'scollection in this auction.$3,000-5,000

provenance:Bonham’s, London, sale of January31, 1973, lot 127 (Frith).Bonham’s, London, sale of May 21,1980, lot 36 (Mole).Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,000-2,000


73 160083/34BRITISH SCHOOL(19th century)“UNFINISHED VIEW OF THE VILLA”; “FINISHEDVIEW OF THE VILLA”; MY DANCING DAYS AREOVER”; “I WISH I HAD A PARTNER”Each titled at the bottom, group of four pen andink drawings on paper; the latter two withwatercolorLargest (sight size): 9 3/8 x 5 3/4 in.(23.8 x 14.6cm)(4)provenance:Charles Plante Fine Art, Washington, D.C. (theformer two).The Estate of Richard M. Scaife.$1,000-2,000

75 160506/16JAMES ROBERTSON(british fl. 1815-1836)“WARWICK CASTLE”; AND FOURCOMPANIONS INCLUDING“ELIZABETH CASTLE”Group of five pen and ink drawingswith wash on paper, each unframedLargest: 7 x 9 7/8 in.(17.8 x 20.1cm)(5)


provenance:Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$2,000-3,000

provenance:Christie’s, London, sale of May 25, 1976, lot 110(Cotman).Phillip’s, London, sale of May 10, 1976, lot 72(Fielding).Bonham’s, London, sale of August 1, 1976, lot 26(Lear).Ms. Hildegard Ryals and Professor Clyde Ryals,Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$2,000-3,000

74 160506/19JOHN JOSEPH COTMAN(british 1814-1878)FIGURES BY RUINSPencil on papertogether with:ANTHONY VAN DYKE COPLEY FIELDING(british 1787-1855) TRAVELLERS IN A LANDSCAPESigned and dated ‘C. Fielding 1809’ bottom left,pen and ink on papertogether with:EDWARD LEAR(british 1812-1888) STONE WALL AND FENCEpencil on paperLargest (sight size): 10 1/4 x 7 1/4 in.(26 x 18.4cm)(3)

(part lot)

(part lot)

(part lot)



76 160506/15JAMES ROBERTSON(british fl. 1815-1836)FIGURES IN A LANDSCAPEwatercolor on papertogether with:“BEAUCHIEF ABBEY”; “COTTAGENEAR BROMLY”; AND ACOMPANIONPen and ink with wash drawings onpaper, each unframedLargest: 9 3/8 x 12 7/8 in.(23.8 x 32.7cm)(4)

77 160506/3GEORGE BRYANT CAMPION(british 1796-1870)A CLUMP OF TREES BESIDE ALAKEBlack chalk and watercolorheightened with white on papertogether with:ON A SWISS LAKE; and A CARTERNEAR THE COASTWatercolors over pencil, eachunframedLargest (sight size): 10 x 14 3/8 in.(25.4 x 36.5cm)(3)

78 160506/4GEORGE BRYANT CAMPION(british 1796-1870)HASTINGS; AND A COMPANIONWatercolors heightened withgouache on paper, each unframedLarger: 10 x 14 1/4 in.(25.4 x 36.2cm)(2)

provenance:Christie’s, London, sale of May 25,1976, lot 196 (part lot).Sotheby’s, London, sale of January24, 1980, lot 14 (part lot).Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,500-2,000

provenance:Christie’s, London, sale of May 25,1976, lot 105 (‘Figures in aLandscape’).Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,200-1,800

provenance:Sotheby’s, London, sale of January24, 1980, lot 14 (part lot).Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,500-2,000

(part lot)

(part lot)

(part lot)


79 160506/17ARTHUR BAYLIS ALLEN(british b. 1889)HARBOR AT NIGHTWatercolor on papertogether with:T*W*O*(act. early 19th century) CLUNIE CASTLE, PERTHSHIRESigned with initials ‘T.W.O’,inscribed ‘Del.’ and dated ‘1829’bottom left, watercolor on papertogether with:THOMAS COLLIER(british 1840-1891) A ROCKY LANDSCAPEWatercolor on paperLargest (sight size):9 3/4 x 13 3/4 in. (24.8 x 34.9cm)(3)

80 160506/18JOHN CROME(british 1768-1821)A WOODED GLADEPen and ink with wash on paper,4 9/16 x 8 3/16 in. (11.6 x 20.8cm)provenance:Christie’s, London, sale of May 25, 1976, lot 78(part lot).Ms. Hildegard Ryals and Professor Clyde Ryals,Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$1,000-1,500


81 160506/20AUGUSTUS CHARLES PUGIN(french c. 1762-1832)FIGURES ON A STREETColored washes heightened withbodycolor and white on brownpapertogether with:WILLIAM LEIGHTON LEITCH(british 1804-1883) A HIGHLAND LANDSCAPEwatercolor on papertogether with:JOSEPH STANNARD(british 1797-1830) ROCKY COASTLINE WITHFIGURESblack chalk heightened with whiteon gray paperLargest (sight size):8 3/4 x 11 5/8 in. (22.2 x 29.5cm)(3)

provenance:Richard Icor, London (Allen).Sotheby’s London, sale of January24, 1980, lot 182 (‘Clunie Castle,Perthshire’).Bonham’s, London, August 1, 1980(Collier).Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,500-2,000

provenance:Hampton Hill Gallery, Middlesex,United Kingdom (Pugin).Phillip’s, London, sale of September4, 1979, lot 114 (Pugin).Christie’s, London, sale of May 25,1976, lot 103 (Leitch).Sotheby’s, London, sale of January18, 1973, lot 171 (Stannard).Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,500-2,000(part lot)

(part lot)



82 160506/21HENRY GASTINEAU(british 1791-1876)OLD MALTON PRIORY,YORKSHIRE, WITH CATTLEGRAZINGIndistinctly signed with initialsbottom left, watercolor on papertogether with:GEORGE GRAHAM(british 1882-1949) A HILLTOP CASTLESigned ‘George Graham’ bottomright, watercolor on papertogether with:JAMES ROBERTSON(british fl. 1815-1836) EXTENSIVE LANDSCAPE; AND ACOMPANIONPen and brown in with wash, bothunframedLargest (sight size): 8 x 14 in.(20.3 x 35.5cm)(4)

provenance:Sotheby’s, London, sale of January24, 1980, lot 139 (Gastineau).Barker & Pitchers, Bradford, UnitedKingdom (Graham).Sotheby’s, London, sale of January24, 1980, lot 154 (Graham; part lot).

Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,200-1,800

83 160506/23HENRY BRIGHT(british 1814-1873)A RUINED CHURCH TOWERPencil and gray wash on papertogether with:JOSHUA CRISTALL(british 1767-1847) EXTENSIVE LANDSCAPE,SCOTLANDPencil with colored washes on papetogether with:HENRY COURTNEY SELOUS(british 1811-1890) LANDSCAPE WITH CHURCH ANDFIGURES; and A DEVONSHIREVILLAGEThe former signed with initialsbottom right; the latter signed withinitials and located bottom left, twopencil on paper drawingsLargest (sight size):10 1/2 x 14 1/4 in. (26.7 x 36.2cm)(4)provenance:Sotheby’s, London, sale of January18, 1973, lot 197 (Bright).Phillip’s, sale of September 3, 1979,lot 75 (Cristall).

Sotheby’s, London, sale of January24, 1980, lot 206 (Selous,‘Landscape with Church andFigures’).Richard Ivor, 1979 (Selous, ‘ADevonshire Village’).Sotheby’s London, sale of January24, 1980, lot 206 (Selous, ‘ADevonshire Village’).

Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,200-1,800

(part lot)

(part lot)


84 160083/33GEORGE SAMUEL ELGOOD(british 1851-1943)“THE GARDEN, LEVENS HALL”Signed and dated ‘Geo. S. Elgood 1892’ bottom left, watercoloron paper15 1/2 x 24 1/4 in. (39.4 x 61.6cm)together with:“BULWICK, THE GATEWAY”Signed and dated ‘George S. Elgood 1893’ bottom left,watercolor on paper12 1/2 x 19 3/4 in. (31.8 x 50.2cm)(2)provenance:Lord Henry Grosvenor.Christopher Wood, London.The Estate of Richard M. Scaife.literature:Gertrude Jekyll and George S. Elgood, Some English Gardens,1910, plate opposite p. 12 (Bulwick, The Gateway).$1,500-2,000

85 160083/13ROBERT PONSONBY STAPLES(irish 1853-1943)“MANOR HOUSE AND GARDEN, COUNTY TYRONE”Signed and dated ‘R. Ponsonby Staples 1926’ bottom right,watercolor on paper15 x 25 in. (38.1 x 63.5cm)together with:LILIAN STANNARD(british 1877-1944) “SUMMER BOARDERS”Signed ‘Lilian Stannard’ bottom left, watercolor on paper20 x 33 1/2 in. (50.8 x 81.5cm)(2)provenance:Christopher Wood, London (Stannard, “Summer Boarders”).The Estate of Richard M. Scaife.$2,000-3,000

86 160083/37BEATRICE E. PARSONS(british 1870-1955)FOUR WATERCOLORS ON PAPEREach signed ‘Beatrice Parsons’“QUEEN MARY’S GARDEN, REGENT’S PARK, LONDON”11 1/2 x 15 3/4 in. (29.2 x 40cm)together with:“GARDEN PATHWAY”11 x 15 1/4 in. (27.9 x 38.7cm)together with:“RAINBOWS”8 5/8 x 11 1/2 in. (21.9 x 29.2cm)together with:“GARDEN FOUNTAIN”7 x 9 7/8 in. (17.8 x 25.1cm)(4)provenance:The Estate of Richard M. Scaife.$1,500-2,000


(part lot)

(part lot)

(part lot)



88 160083/1BEATRICE E. PARSONS(british 1870-1955)FOUR WATERCOLORS ON PAPEREach signed ‘Beatrice Parsons’“A BOARDER IN SUMMER WITHLILIES AND DEPHINIUMS”7 x 5 1/2 in. (17.8 x 14cm)together with:“QUEEN MARY’S GARDEN,REGENTS PARK, LONDON”4 3/4 x 6 3/4 in. (12.1 x 17.1cm)together with:“SUNSET, MARYLAND,VILLEGRANCHE”6 x 9 in. (15.2 x 22.9cm)

87 160083/35ERNEST ARTHUR ROWE(british 1863-1922)“THE ROSE PERGOLA,BLACKHURST HOUSE,TURNBRIDGE WELLS, KENT”Signed ‘E.A. Rowe’ bottom right,watercolor on paper9 5/8 x 13 5/8 in. (24.4 x 34.6cm)together with:ERNEST ALBERT CHADWICK(british b. 1876) “THE POND AT THE HILL,HAMPSTEAD”Signed ‘E.A. Chadwick’ bottom right,watercolor on paper14 x 10 in. (35.6 x 25.4cm)together with:LILIAN STANNARD(british 1877-1944) “FLOWER GARDEN”Signed ‘Lilian Stannard’ bottomcenter right, watercolor on paper13 1/2 x 19 1/2 in. (34.3 x 49.5cm)

together with:HELEN ALLINGHAM(british 1848-1926) “IN A FLOWER GARDEN”Signed ‘H. Allingham’ bottom left;also inscribed with title verso,watercolor on paper7 1/4 x 4 1/2 in. (18.4 x 11.4cm)(4)

provenance:Mallett, London (Rowe).Christopher Wood Gallery, London(Chadwick; Allingham).Arthur Ackermann & Son, Inc., New York (Stannard).The Estate of Richard M. Scaife.$2,000-3,000

together with:“AZELEAS”6 1/2 x 9 1/2 in. (16.5 x 24.1cm)(4)provenance:Christoper Wood, London (‘ABoarder in Summer with Lilies andDelphiniums’).Oscar and Peter Johnson Limited,London (‘Queen Mary’s Garden,Regent Park, London’).Mallett, London (‘Sunset, Maryland,Villefranche’ and ‘Azeleas’).The Estate of Richard M. Scaife.$1,500-2,000

(part lot)

(part lot)


89 168016/1ALBERT GOODWIN(british 1845-1932)“OVER THE HORSESHOE FALL,NIAGARA”Signed and dated ‘Albert Goodwin1912’ bottom right; also withinscribed with title and indistinctlydated bottom left, watercolor andbodycolor over traces of pencil onpaper laid to cardImage size: 10 1/16 x 14 in.(25.6 x 35.6cm)Sheet size: 10 1/4 x 14 3/16 in.(26 x 36cm)provenance:Private Collection, Virginia.$3,000-5,000

90 160506/7SIR LAWRENCE ALMA-TADEMA(british 1836-1912)PORTRAIT OF A LADYWatercolor on papertogether with:FIGURAL STUDYverso, pencil on paper, unframed21 x 15 1/2 in. (53.3 x 39.4cm)provenance:Bonham’s, London, sale of August 1, 1979, lot 7.Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, NorthCarolina.By descent in the family to the present owner.Private Collection, Maryland.note:Alma-Tadema was amongst the most successful and importantartists of the Victorian era, known for his depictions of classicalantiquity and historical scenes, including themes of life in ancientEgypt and Pompeii. Strongly influenced by the artist Louis(Lodewijk) Jan de Taeye’s courses in history and historicalcostume at the Royal Academy of Antwerp, he went on to workwith the painter Baron Jan August Hendrik Leys (1815-1869),during which time he painted his first major work, ‘The Educationof the Children of Clovis’ in 1861 to great critical acclaim. In lateryears, he favored subject matter depicting classical women onmarble terraces overlooking the sea, which reveal his technicalability to capture the physical characteristics of marble, flowersand pottery in brilliant color. Alma Tadema was above all aperfectionist who reveled in painting his compositions withexacting detail in elaborate settings.$6,000-10,000




91 158162/7JOHN FAULKNER(irish 1835-1894)“ELAGH BAY”Inscribed and signed ‘Elagh Bay/near S*****/ John Faulkner’ bottomleft, watercolor on paper20 1/8 x 37 in. (51.1 x 94cm)provenance:Private Collection, Florida.$2,000-3,000

92 160083/36GUSTAVUS ELLINTHORPE SINTZENICH(british d. 1856)VIEWS OF OLD GROVE HOUSE, MIDDLESEXOne signed and dated ‘Sintzenich 1840’, pairwatercolors with bodycolor on paper, framed togetherLarger: 8 3/4 x 17 1/4 in. (22.2 x 43.8cm)together with:BRITISH SCHOOL(c. 1840) FIGURES BEFORE A NEOCLASSICAL MONUMENTWatercolor on paper11 x 9 in. (27.9 x 22.9cm)(3)provenance:Charles Plante Fine Art, Washington, D.C.The Estate of Richard M. Scaife.$1,000-2,000

93 160462/1FLORA H. MITCHELL(irish 1890-1973)“ON THE QUAYS-DUBLIN”Signed in pencil and with title at bottom right andleft, watercolor over ink on paperImage size: 9 7/8 x 14 in. (25.1 x 35.6cm)Sheet size: 12 7/8 x 16 1/2 in. (32.7 x 41.9cm)together with:HOWARD KNEE(irish 1889-1971) “RAINSTORM OVER CLARE ISLAND”Signed ‘Howard Knee’ bottom right; also with titleverso, watercolor on illustration board10 9/16 x 15 in. (26.8 x 38.1cm)(2)provenance:Private Collection, Delaware.$1,500-2,000

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(part lot)



96 160254/3AN IVORINE FAN(c. early 20th century)Signed by various artists and figures ofnotoriety, including Jack Yeats, George WilliamRussell, John Hughes, George Moore, SirHorace Plunkett, Thomas William HazenRolleston and Edward Martyn.Height: 7 7/8 in. (20cm)Width: 14 1/8 in. (35.9cm).provenance:Private Collection, Maryland.$1,000-1,500

95 160254/2JACK BUTLER YEATS(irish 1871-1957)FIGURES GATHEREDSigned ‘JACK B. YEATS’ bottomright, watercolor on heavy card10 5/16 x 14 1/4 in.(26.2 x 36.2cm)provenance:Private Collection, Maryland.$7 ,000-10,000

94 160254/1JACK BUTLER YEATS(irish 1871-1957)STAGECOACHSigned ‘JACK B. YEATS’ bottom left,watercolor on card10 1/2 x 14 1/4 in. (26.7 x 36.2cm)provenance:Private Collection, Maryland.$5,000-7,000


98 168038/1RICHARD WILSON(british 1714-1782)TRAVELLERS IN AN EXTENSIVELANDSCAPESigned with initials and dated ‘RW79’ bottom right, with ‘Izon & Son’stretcher label, oil on canvas24 1/4 x 26 15/16 in. (61.6 x 43cm)provenance:Property of an Estate, Louisiana.$8,000-12,000

97 160083/17BRITISH SCHOOL(19th century)SCULLINGOil on canvas24 x 40 1/4 in. (61 x 102.2cm)provenance:The Estate of Richard M. Scaife.$3,000-5,000



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101 160347/1ERNEST PARTON(british/american 1846-1933)“SPRINGTIME”Signed ‘Ernest Parton’ bottom left,oil on canvas28 1/8 x 36 in. (71.4 x 91.4cm)provenance:Frost & Reed, London.Private Collection, Pennsylvania.$2,500-3,500

100 160330/1CIRCLE OF JOHN BERNEY CROME(british 1794-1842)MOONLIT RIVERSCAPEOil on canvas19 7/8 x 24 in. (50.5 x 61cm)provenance:Private Collection, New Jersey.By descent in the family.Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

99 158106/29ATTRIBUTED TO CHARLES TOWNE(british 1763-1840)A LANDSCAPE WITH GOATS, SHEEP AND RUINS;AND A COMPANIONPair oils on canvasEach: 4 7/8 x 6 7/8 in. (12.4 x 17.5cm)(2)provenance:Bonham’s, Knightsbridge, sale of October 31, 1991,lot 183 (as by Charles Towne).Private Collection, Virginia.$1,000-1,500


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104 160258/2CHARLES HENRY PASSEY(british 19th cetury)GATHERING HAYSigned and dated ‘CH Passey 1878’bottom right, oil on canvas29 7/8 x 49 7/8 in.(75.9 x 103.8cm)provenance:Private Collection, Virginia.$2,000-3,000

103 160336/4JOHN BARRETT(british 19th century)ON THE CORNISH COASTSigned and dated ‘J. Barrett 1871’bottom right, oil on canvas28 1/4 x 46 in. (71.8 x 116.8cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

102 152622/3ALBERT EDWARD ALDIS(australian/new zealand 1865-1921)TROPICAL LANDSCAPESigned and dated ‘A.E. Aldis 1897’ bottomright, oil on canvas12 x 18 in. (30.5 x 45.7cm)together with:RUSHING RIVERSigned ‘A.E. Aldis’ bottom left, oil on canvas12 x 18 in. (30.5 x 45.7cm)(2)provenance:Private Collection, Delaware$2,000-3,000




107 168031/1JOHN PHILLIP(british 1817-1867)“DOLORES”Signed with artist’s monogram anddated ‘1864’ bottom right, oil oncanvas30 x 25 in. (76.2 x 63.5cm)provenance:Private Collection, Virginia.$2,000-3,000

106 160083/6THOMAS MUSGRAVE JOY(british 1812-1866)OFF TO SCHOOLSigned with monogram and dated‘1860’ bottom right, oil on canvas36 1/8 x 24 in. (91.8 x 61cm)provenance:Christopher Wood, London.The Artist’s sale, Christie’s, June 18,1866, lot 19.The Estate of Richard M. Scaife.$5,000-7,000

105 160083/4EVA ROOS(british b. 1872)HAIL BRITANNIASigned ‘Eva Roos’ bottom right, oilon canvas26 3/4 x 64 in. (67.9 x 162.6cm)provenance:The Estate of Richard M. Scaife.$7,000-10,000


110 160165/1SOPHIA BEALE(british act. 1860-1889)MIDDAY TASKSSigned ‘Sophia Beale’ bottom right,oil on panel18 x 13 5/8 in. (45.7 x 34.6cm)provenance:Private Collection, Florida.$2,000-3,000

109 160083/26JOHN WOOD(british 1801-1870)PORTRAIT OF A BOY OF THE DA BATHE FAMILY, IRELANDSigned and dated ‘June 1844’ (according to label verso), oil oncanvas, painted in the oval, in a fine carved and gilded antiqueperiod frameImage size: 34 5/8 x 33 1/2 in. (87.9 x 85.1cm)Canvas size: 37 x 35 3/4 in. (94 x 90.8cm)provenance:Christopher Wood Gallery, London.The Estate of Richard M. Scaife.$4,000-6,000

108 160083/18CHARLES SPENCELAYH(british 1865-1958)“SUNSHINE AND SHADOW”Signed ‘C. SPENCELAYH’ bottom left;also with title verso, oil on canvas18 x 12 in. (45.7 x 30.5cm)provenance:The Estate of Richard M. Scaife.$4,000-6,000



111 160083/22GEORGE SHERINGHAM(british 1884-1937)“THE PARLOUR, JUDGES’LODGINGS AT WELLS,SOMERSET”Signed with initials ‘G.S.’ bottom left;also inscribed on stretcher labelverso, oil on canvas24 x 29 in. (61 x 73.7cm)provenance:Christopher Wood, London.The Estate of Richard M. Scaife.$2,000-3,000

112 160083/30THOMAS LEWIS(british act. 1835-1864)“THE INSIGNIA AND DRUMS OFTHE HOUSEHOLD CAVALRY”Signed ‘Thomas Lewis’ bottom leftand dated ‘1864’ bottom right, oil oncanvas with an arched top34 x 27 in. (86.4 x 68.6cm)provenance:Christopher Wood Gallery, London.Bonham’s, n.d.The Estate of Richard M. Scaife.$3,000-5,000

113 160083/27DUDLEY HARDY(british 1866-1922)TEA TIME ON THE TERRACESigned ‘Dudley Hardy’ bottom right,oil on canvas18 x 22 in. (45.7 x 55.9cm)provenance:The Estate of Richard M. Scaife.$3,000-5,000




114 160083/32G*** C***(british 19th century)COUNTRY ESTATESigned with initials and dated ‘G.C. 1833’bottom left, oil on canvas20 x 24 1/8 in. (50.8 x 61.3cm)provenance:The Estate of Richard M. Scaife.$1,000-1,500

115 152491/1ALOYSIUS C. O’KELLY(irish/american 1850-1928)HORSE CART ALONG THE SHORESigned ‘Aloysius O’Kelly’ bottom right, oil on canvas20 x 32 in. (50.8 x 81.3cm)provenance:Louis Antoville, New York.Private Collection, Massachusetts.$5,000-7,000

116 160113/1WILLIAM JOSEPH SHAYER(british 1811-1892)WINTER TIMESigned ‘W.J.S.’ bottom right (on log),oil on canvas30 x 49 3/4 in. (76.2 x 126.4cm)provenance:Private Collection, Montana.$5,000-7,000

117 160458/1LOUIS BOSWORTH HURT(british 1856-1929)HIGHLAND CATTLESigned ‘Louis B. Hurt’ bottom left, oilon canvas24 x 40 in. (61 x 101.6cm)provenance:Private Collection, Pennsylvania.$5,000-8,000


118 160083/12JOHN FREDERICK HERRING THEYOUNGER(british 1815-1907)OVER THE FENCESSigned ‘JF Herring’ bottom left, oilon canvas15 13/16 x 30 in. (40.2 x 76.2cm)provenance:Arthur Ackermann and Son, London.The Estate of Richard M. Scaife.$4,000-6,000

121 160336/3EDMOND VAN DER MEULEN(belgian 1841-1905)BLOODHOUNDSSigned ‘Edm. van der meulen’ bottom right, oil on canvas19 3/8 x 25 3/4 in. (49.2 x 65.4cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


119 158162/9BRITISH SCHOOL(19th century)HOUND IN A LANDSCAPEOil on canvas13 x 18 in. (33 x 45.7cm)provenance:Private Collection, Florida.$1,000-1,500

120 158106/32PAMELA EDWARDS(canadian b. 1917)TWO GREAT DANESSigned and dated ‘Pamela Edwards/ 1969’ bottom right, oil on canvas14 x 18 in. (35.6 x 45.7cm)provenance:Private Collection, Virginia.$1,000-1,500



122 160083/3HEYWOOD HARDY(british 1842-1933)LORD WEMYSS OF ELCHO GOLFING ATNORTH BERWICK, THE ISLAND OFCRAIGLEITH IN THE DISTANCESigned and dated ‘Heywood Hardy 1900’bottom right, oil on canvas39 7/8 x 70 1/2 in. (101.3 x 179.1cm)provenance:The Estate of Richard M. Scaife.note:Heywood Hardy is best known for hispaintings of sporting subjects andhorsemen pausing to engage with localvillagers, stopping at a home or an innalong their travels. The present large-scale golfing painting stands apart withinHardy's oeuvre, although Sir FrancisGrant (c. 1803-1878) did paint a moreformal golfer's portrait of Sir John Whyte-Melville of Bennochy and Strathkiness,depicted holding a golf club (seeChristie's, London, sale of May 30, 2012,lot 204). One of the best known 19thcentury golf paintings related to thepresent work is Grant's 'Golf at NorthBerwick,' c. 1832-3. 'The Golfers' byCharles Lees (1800-1880), painted in1847, is generally considered one of themost iconic large scale golfing paintings

(National Galleries of Scotland,Edinburgh). Known as the "High Green,"North Berwick, along with St. Andrewswere the preeminent golf courses of theirday, favored amongst the Scottisharistocracy. Along with Lord Wemyss,there are two women depicted in Hardy'spainting; they are said to be the MissesGrant-Suttie, leading golfers of their day.Played on ice, the early Dutch game of'kolf' is thought to be a forerunner of thegame of golf, with commercial tiesbetween the Netherlands and Scotlandhelping to bring the game to the eastcoast of Scotland in the 15th century.While King James II discouraged thegame of 'gouff' due to its interferencewith another game - archery, King JamesIV and Mary Queen of Scots were earlyproponents of the sport. With theascension of James VI of Scotland to theEnglish throne, Scottish exiles outside ofLondon are known to have been golfers.While the official rules of golf were notdrawn up until 1744, golf in its currentformat was developed in the second halfof the 19th century.$40,000-60,000


123 160083/2GEOFFREY DOUGLAS GILES(british 1857-1923)“EPSOM DERBY”Signed and dated ‘G. D. Giles/ 1894’bottom left, oil on canvas60 1/2 x 108 1/2 in.(153.7 x 275.6cm)provenance:The Estate of Richard M. Scaife.note:The Epsom Derby of 1894 was runon June 6th and won by Ladas, aBritish thoroughbred racehorse andsire owned by Lord Rosebery.Trained by Mathew Dawson, Ladaswon the race by one and a halflengths. He went on to win the‘2000 Guineas’ at Newmarket tocomplete the first two legs of theEnglish Triple Crown that year.$20,000-30,000




124 160083/9ATTRIBUTED TO HENRY ALKEN(british 1785-1851)FULL CRYOil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:The Estate of Richard M. Scaife.$2,000-3,000

125 158106/55JOHN EMMS(british 1843-1912)“A BOY’S COMPANIONS”Signed and dated ‘John Emms/ 89’bottom left; also with artist and titleon label verso, oil on canvas36 1/4 x 28 in. (92.1 x 71.1cm)provenance:The Tryon Gallery, Ltd., London.Private Collection, Virginia.$15,000-20,000

126 160484/1WILLIAM WEBB(british 1780-1846)A FOX BREAKING COVERSigned and dated ‘Wm. Webb 1824’bottom center, oil on canvas34 1/2 x 44 in. (87.6 x 111.8cm)provenance:Sotheby’s, New York, sale ofNovember 29, 2007, lot 64.Private Collection, London.Private Collection, Pennsylvania.$10,000-15,000


127 160007/2WILLIAM R.C. WATSON(british 1831-1921)“ON THE MOORS-JAY VALLEY-PERTHSHIRE”Signed and dated ‘W. Watson 1901’ bottom right;also with artist and title verso, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:The Collection of Minnie Ware Harpur (Mrs.Ernest), Belfast, Ireland.By descent in the family.The Collection of Mabelle Andrews Ware, 1950.Private Collection, New Hampshire.$3,000-5,000

128 160083/24JOHN E. FERNELEY(british 1782-1860)DEPARTINGSigned and dated ‘J. Ferneley/ Pinxt1808’ bottom right, oil on canvas34 x 43 in. (86.4 x 109.2cm)provenance:The Estate of Richard M. Scaife.$10,000-15,000

130 160138/10HENRY HERBERT SANDS(british fl. 1886-1906)PACK HORSESSigned and dated ‘H. H. Sands ‘03’, oil on canvas16 x 12 in. (40.6 x 30.5cm)provenance:Private Collection, New York, New York.$1,000-1,500


129 160083/25JOHN E. FERNELEY(british 1782-1860)BAY HUNTER WITH GROOMInscribed in pencil ‘Painted by/ J.Ferneley/ Melton Mowbray’ verso,oil on board7 1/2 x 10 in. (19.1 x 25.4cm)provenance:The Estate of Richard M. Scaife.$1,500-2,500



131 160083/11HENRY ALKEN(british 1785-1851)“THE MEET”; “FULL CRY”; “BREAKINGCOVER”; and “THE DEATH”Two signed ‘H. Alken’, four oils oncanvasEach: 10 x 14 in. (25.4 x 35.6cm)(4)provenance:The Estate of Richard M. Scaife.$2,000-4,000

132 152626/2GEORGE WRIGHT(british 1860-1942)TAKING A SPILLSigned ‘G. Wright’ bottom right, oil on canvas8 x 12 in. (20.3 x 30.5cm)provenance:Private Collection, New Jersey.$1,000-1,500

133 160083/10MICHAEL LYNE(british 1912-1989)BEFORE THE RACESigned and dated ‘Michael Lyne 1948’ bottom left,watercolorImage size: 13 5/8 x 20 9/16 in. (34.6 x 52.2cm)Sheet size: 15 15/16 x 22 7/8 in. (40.5 x 58.1cm)provenance:Arthur Ackermann and Son, New York.The Estate of Richard M. Scaife.$1,200-1,800

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134 158106/43SIR ALFRED MUNNINGS(british 1878-1959)THE HORSE STABLESSigned ‘A J Munnings’ bottom left, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Virginia.note:An outspoken critic of modernism, Sir Alfred Munnings was one ofEngland’s most important equine painters of the first half of the20th century. He was associated with the Newlyn School ofpainters and was highly successful as a painter of commissionedhorse portraits. A Knight Commander of the Royal Victorian Orderand President of the Royal Academy, he was represented by agentsFrost & Reed during his lifetime.$40,000-60,000


135 160346/1MONTAGUE DAWSON(british 1890-1973)“DEPARTING DAY”Signed ‘Montague Dawson’ bottom left; also with title on partial label onstretcher verso, oil on canvas24 x 44 1/4 in. (61 x 112.4cm)provenance:Frost & Reed, London.The Collection of K.W. Kerr, Toronto, Canada.Acquired from the above.The Collection of Arthur C. Jensen, Montreal, Canada.By descent in the family.Private Collection, Toronto, Canada.note:Known for his vast output of ship portraits, Montague Dawson remains oneof the most commercially successful marine artists of the 20th century.While he never attended art school, Dawson’s father and grandfather wereboth marine painters, and around the age of twenty, Dawson joined acommercial London art studio, and thereafter the Royal Navy at theinception of World War I. He regularly exhibited at the Royal Academy andthe Royal Society of Marine Artists. His work is characterized by his vastknowledge of all manner of ships, including clippers, frigates, warships,racing cruisers, tankers, U-boats and packets. He painted these vessels withtechnical accuracy and in great detail, as in the present work.$30,000-50,000



136 160083/21MONTAGUE DAWSON(1890-1973)“A FLOWING SEA”Signed ‘Montague Dawson’ bottomleft; also with title in pencil on verso,watercolor and gouache on card20 1/16 x 29 3/4 in. (51 x 75.6cm)provenance:The Estate of Richard M. Scaife.$4,000-6,000

137 160138/14HAROLD MOCKFORD(british b. 1932)“CLIFF WALK”Signed ‘H. Mockford’ three times; alsoinscribed ‘’31 Milton Road Eastbourne’and ‘3/75 Cliff Walk’ verso, oil on board48 x 48 in. (121.9 x 121.9cm)provenance:Private Collection, New York, New York.$3,000-5,000




138 160506/2GIOVANNI BOLDINI(italian 1842-1931)LE RENCONTRESigned and dated ‘Boldini 1875’ bottomright, pen and brown ink over traces ofpencil on paper, unframed9 3/8 x 9 1/4 in. (23.8 x 23.5cm)provenance:Sotheby’s, London, sale of June 29, 1979.Ms. Hildegard Ryals and Professor ClydeRyals, Durham, North Carolina.By descent in the family to the presentowner.Private Collection, Maryland.$2,000-3,000

139 160386/4GIUSEPPE GABANI(italian 1846-1899)A PAUSE AT THE WELLSigned and located ‘G. Gabani Roma’bottom right, watercolor on paper19 1/2 x 26 1/4 in. (49.3 x 66.7cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

140 160559/1GIUSEPPE GABANI(italian 1846-1899)CAVALRY GATHERING,SOUNDING THE TRUMPETSigned and located ‘G. Gabani/Roma’ bottom right, oil on canvas17 5/8 x 20 3/8 in.(44.8 x 51.8cm)provenance:Private Collection, New Jersey.$8,000-12,000


141 160517/2FELICE BARUCCO(italian 1830-1906)WOMAN WITH FLOWERSSigned and dated ‘F. Barucco 1856’bottom left, oil on canvas61 1/4 x 37 1/2 in. (155.6 x 95.3cm)provenance:Private Collection, Maryland.$4,000-6,000

142 160050/15ADRIANO CECCHI(italian 1850-1936)ELEGANT LADYSigned ‘A Cecchi’ upper left, oil oncanvas13 x 9 1/8 in. (33 x 23.2cm)provenance:Private Collection, Washington, D.C.$1,200-1,800




145 160386/2A. PAGANI(italian 19th-20th century)ELEGANT FIGURES ALONG ABALCONY, VENICESigned and dated ‘A. Pagani 93’bottom left, watercolor and gouacheon paper13 15/16 x 18 in. (35.4 x 45.7cm)provenance:Private Collection, Pennsylvania.$1,500-2,000

143 160437/1NATALE SCHIAVONI(italian 1777-1858)ARTIST AND MODELSigned ‘N. Schiavoni’ center right (ontable); also inscribed illegibly on labelverso, oil on panel27 11/16 x 21 1/4 in. (70.3 x 54cm)provenance:E. Clifford, St. James’s, London.John Wanamaker Fine Arts Gallery,Philadelphia, Pennsylvania.Private Collection, Pennsylvania.$3,000-5,000

144 168000/2ATTILIO SIMONETTI(italian 1843-1925)SEEKING ALMSSigned, located, and dated ‘Attilio Simonetti/Roma 71’ bottom left; also with Parisian stencilverso, oil on panel13 7/8 x 10 5/8 in. (35.2 x 27cm)provenance:Private Collection, Virginia.$2,000-3,000


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146 160460/3EMMANUELE COSTA(italian 1875-1959)MOTHER AND CHILD AT PLAYSigned ‘E. Costa’ bottom right, oil oncanvas21 1/2 x 26 3/8 in. (54.6 x 67cm)provenance:Newman Galleries, Philadelphia,Pennsylvania.Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

147 159999/3HERMANN DAVID SALOMON CORRODI(italian 1844-1905)MOONLIGHT ALONG THE COASTSigned and located ‘H. Corrodi London’ bottom right,oil on canvas21 3/4 x 39 1/8 in. (55.2 x 99.4cm)provenance:Thomas Agnew and Sons, London.Private Collection, New York.$6,000-9,000



148 168039/1MICHELE FELICE CORNÈ(italian/american 1752-1845)VENUS AND ADONISOil on canvas32 x 60 inches (81.3 x 152.4cm)provenance:Sotheby’s, New York, sale of January 16,1999, lot 437.Private Collection, Virginia.$10,000-15,000

149 160083/23RENÉ (RIBET) BERTI(italian 1884-1939)“UN DEPART”Signed ‘R. Berti’ bottom right; also signed andwith title and inscription on label verso, oil onpanel18 3/16 x 38 1/16 in. (46.2 x 96.7cm)provenance:The Estate of Richard M. Scaife.$1,500-2,500


150 152463/3RAJA RAVI VARMA(indian 1848-1906)“THE COQUETTE”Signed ‘R. C. Tumbooran’ bottom center right; also inscribed with titlebottom left outside the painted oval, and inscribed ‘by Revi Varma CoilTumbooran/Travancore’ bottom right outside the painted oval, oil on canvas,painted in the oval30 1/4 x 23 in. (76.8 x 58.4cm)provenance:Private Collection, New York, New York since circa 1960s.note:Varma is regarded as the most famous academic artist of India during thelast quarter of the 19th and early part of the 20th century. A minor princefrom Kerala, Varma was one of a group of talented Indian artists who gainedfame during the British Raj. He was the first Indian artist to employEuropean techniques and aesthetics to depict scenes from Indian epics.Though he had no technical training, he was an early Indian landscapist butmore importantly, a portraitist who often worked on commission on behalfof British and Indian aristocracy. Varma’s brother, C. Raja Raja Varma wasRaja Ravi’s co-worker and business manager. They were known as the ‘Ram’and ‘Laxman’ of Indian art. Together, the two established the “Ravi VarmaFine Arts Lithographic Press” in Bombay in 1984. It was regarded as themost technically innovative Indian commercial press of its day, and printsproduced by the Press had a strong influence on modern day Indianaesthetics.For related paintings by Varma, please see Rupika Chawla, Raja Ravi Varma,Painter of Colonial India, Ahmedabad: 2010, fig. 6.2 (“The Coquette”) and fig. 6.3 (“Lady with Fruit”), (each illustrated p. 247).$100,000-150,000



151 160524/1ISAAC ISRAELS(dutch 1856-1934)RABBI IN AMSTERDAMSigned ‘Isaac Israels’ bottom right,oil on canvas19 1/2 x 15 3/4 in. (49.5 x 40cm)provenance:Private Collection, Pennsylvania.note:The son of Dutch genre painterJoseph Israels, Isaac Israels was anartistic prodigy, making his debut atthe Salon des Artistes Françaises in1862. Two decades later, Israels,along with his colleague and friendGeorge Hendrik Breitner (1857-1923) joined the avant-garde groupcall the ‘Tachtigers’ (EightiesMovement), coinciding with Israels’sshift to a bolder, more expressivestyle that emphasized solid forms inbrushed blocks of color, oftencropping his subjects to convey thesense of a snapshot. Israels paintedquotidian subject matter in thestreets of Amsterdam, includingdepictions of the lives of workingpeople and café scenes. By the early20th century, Israels shifted hisinterests to depicting shop girls,models, seamstresses, dance halls,couples, the nightlife in Montmartreand a series of women seated alonein cafés and restaurants.$20,000-30,000




152 160524/2ISAAC ISRAELS(dutch 1856-1934)SEATED WOMAN WITH CIGARETTESigned ‘Isaac Israels’ bottom left, oil on panel9 3/8 x 7 in. (23.8 x 17.8cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

153 160524/3ISAAC ISRAELS(dutch 1856-1934)CAFÉ SCENESigned ‘Isaac Israels’ bottom right, oil on canvas15 3/4 x 19 3/4 in. (40 x 50.2cm)provenance:Private Collection, Pennsylvania.$25,000-35,000


154 160536/7PHILIP LODEWIJK JACOB FREDERIK SADÉE(dutch 1837-1904)“TERUGKEER VAN DE VISCHAFSLAG”(AFTER THE CATCH)Signed ‘Ph. Sadee’ bottom right, oil on canvas28 5/8 x 38 3/4 in. (72.7 x 98.4cm)provenance:Private Collection, Connecticut.note:For a nearly identical painting by Sadée, seeChristie’s, Amsterdam, sale of November 17,2009, lot 23.$8,000-12,000

155 160465/3EVERT PIETERS(dutch 1856-1932)MOTHER AND CHILD KNITTINGSigned ‘E. Pieters’ bottom left, oil oncanvas36 x 31 in. (91.4 x 78.7cm)provenance:Property of an Estate, Pennsylvania.$3,000-5,000




156 160230/6ANTON MAUVE(dutch 1838-1888)OPENING THE GATESigned ‘A. Mauve’ bottom left,watercolor and gouache on paperSight size: 19 3/4 x 15 5/8 in.(50.2 x 39.7cm)provenance:Private Collection, Canada.$3,000-5,000

157 158138/1BERNARDUS JOHANNES BLOMMERS(dutch 1845-1914)MOTHER AND CHILDREN IN INTERIORSigned ‘Blommers’ upper right, watercoloron paper laid on cardboard19 x 22 in. (48.3 x 55.9cm)provenance:Private Collection, Virginia$2,000-3,000

158 160083/28INDIAN SCHOOL(early 20th century)FIGURE ON MULE IN A LANDSCAPEGouache on paper6 x 7 3/4 in. (15.2 x 19.7cm)provenance:The Estate of Richard M. Scaife.$1,000-1,500

159 160304/9THÉOPHILE DE BOCK(dutch 1851-1904)TREE LINED PATHWAY WITHCATTLESigned ‘de Bock’ bottom left, oil oncanvas19 1/4 x 12 in. (48.9 x 30.5cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500


160 160083/31NIEK VAN DER PLAS(dutch b. 1954)BEACH SCENESEach signed ‘Van der Plas’ bottomright, three oils on panelLargest: 7 x 9 3/8 in.(17.8 x 23.8cm)(3)provenance:The Estate of Richard M. Scaife.$1,000-2,000

161 160483/1ALOYS (WACHLMAYR) WACH(austrian 1892-1940)WOMAN IN A CAFÉSigned ‘Wach’ bottom left, oil on canvas23 5/8 x 18 in. (60 x 45.7cm)provenance:The Artist.Acquired from the above by the presentowner’s aunt.By descent in the family.Private Collection, Philadelphia, Pennsylvania.$2,500-3,500

162 168033/2ADOLF FREY-MOOCK(german 1882-1954)PORTRAIT OF A LADY SAID TO BETHE ARTIST’S WIFESigned ‘A. Frey Moock’ bottom right,oil on board17 1/8 x 15 3/8 in. (43.5 x 39cm)provenance:Private Collection, Virginia.$2,000-3,000


163 168033/1ADOLF FREY-MOOCK(german 1882-1954)PAN WITH MAIDENSigned ‘A. Frey Moock’ bottom right,oil on board23 9/16 x 19 11/16 in. (60 x 50cm)provenance:Private Collection, Virginia.$2,000-3,000

(part lot)



164 160517/1ANTON HÜBNER(austrian 1818-1892)HARBOR SCENESigned ‘A. Hübner’ bottom left, oilon canvas29 x 39 1/2 in. (73.7 x 100.3cm)provenance:Private Collection, Maryland.$2,000-3,000

165 160494/1TINA BLAU-LANG(austrian 1845-1916)“KANAL IM FRANEKER”Signed ‘Tina Blau’ bottom left; alsosigned with title, located ‘Wien’ anddated ‘1910’ verso, oil on panel9 7/16 x 15 5/8 in. (24 x 39.7cm)provenance:Private Collection, Seattle, Washington.$5,000-7,000

166 160050/16JOSEPH WOPFNER(austrian 1843-1927)VIEW ALONG THE RIVERSigned and dated ‘1e Juli 90/ J. Wopfner’bottom left, oil on paper laid to panel13 1/8 x 18 5/8 in. (33.3 x 47.3cm)provenance:Private Collection, Washington, D.C.$2,000-3,000

167 160221/1ALOIS ARNEGGER(austrian 1879-1967)AUTUMN LANDSCAPESigned ‘A Arnegger’ bottom left, oilon canvas29 1/4 x 39 in. (74.3 x 99cm)provenance:Private Collection, Pennsylvania.$2,000-3,000


168 160083/5EMIL VOLKERS(german 1831-1905)GATHERING BEFORE THE HORSE RACESigned and dated ‘Emil Volkers 18**’bottom left, oil on canvas24 3/4 x 47 1/4 in. (62.9 x 104.8cm)provenance:The Estate of Richard M. Scaife.$4,000-6,000

169 160050/12AUGUST SEIDEL(german 1820-1904)LANDSCAPESigned ‘A. Seidel’ bottom right, oilon canvas, unframed19 3/8 x 32 1/2 in. (49.2 x 82.6cm)provenance:Private Collection, Washington, D.C.$1,500-2,000

170 160404/9MICHAEL ZENO DIEMER(german 1867-1939)ON THE HIGH SEASSigned ‘M. Zeno Diemer’ bottomright, oil on canvas33 x 44in. (83.8 x 111.7cm)provenance:Sotheby’s, English Country Housesale, April 15, 2000, lot 92.Private Collection, North Carolina.$2,500-3,500


171 160147/2WILHELM ALEXANDERMEYERHEIM(german 1815-1882)THE FROZEN PONDSigned and dated ‘W. Meyerheim187*’ bottom left, oil on canvas26 7/8 x 38 3/8 in.(68.3 x 97.5cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,500-2,000



172 OWNED/507FRANZ HECKENDORF(german 1888-1962)MIXED FLOWERSSigned and dated ‘F. Heckendorf 32’bottom right, oil on canvas29 1/2 x 39 1/4 in. (74.9 x 99.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

173 158084/2BERNARD UHLE(german/american 1847-1930)PORTRAIT OF A MOORSigned ‘B. Uhle’ and indistinctlyinscribed bottom right, oil on canvas46 x 34 3/4 in. (116.8 x 88.2cm)provenance:Private Collection, Virginia.$5,000-7,000

174 160342/4EDUARD VON GRÜTZNER(german 1846-1925)THE MONK’S REPASTSigned ‘E. Grutzner’ bottom right, oilon canvas27 1/16 x 21 15/16 in. (69 x 55.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$4,000-6,000


175 160285/1EDWARD CUCUEL(german/american 1879-1954)“EAST WIND”Signed ‘Cucuel’ bottom right; alsosigned and inscribed with title onstretcher verso, oil on canvas27 3/4 x 20 in. (70.5 x 50.8cm)provenance:Freeman’s, sale of December 8,2002, lot 66.Freeman’s, sale of June 27, 2004, lot 112.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.note:Edward Cucuel studied under theOrientalist painter Jean-LéonGérôme (1824-1904). A member ofthe Société Nationale des Beaux-Arts and exhibitor with the Salond’Automne, Cucuel worked in agenerally impressionist style andconcentrated on figural subjectmatter, along with landscapes. He isbest known for his oils of elegantwomen rendered with rich impastoand vibrant, highly-keyed colors insun dappled settings or interiors.$50,000-80,000




176 160051/2EUGENE VAN MIEGHEM(belgian 1875-1930)FIGURES ALONG THE DOCKSigned ‘Eug van Mieghem’ bottom right,oil on board26 7/16 x 21 3/8 in. (67.2 x 54.3cm)provenance:Private Collection, Arizona.$10,000-15,000

177 160217/3EDMOND VAN DER MEULEN(belgian 1841-1905)STILL LIFE WITH ELEPHANTSTATUETTE AND MIXED FRUITSSigned ‘Edm. van der Meulen’ bottomright, oil on canvas26 x 21 1/2 in. (66 x 54.6cm)provenance:Private Collection, New York, New York.$1,500-2,000

178 160050/18PIERRE OLIVIER JOSEPH COOMANS(belgian 1816-1889)CLASSICAL INTERIORSigned and dated ‘P. Coomans 83’ bottomright, oil on panel6 1/8 x 8 5/8 in. (15.6 x 21.9cm)provenance:Private Collection, Washington, D.C.$1,000-1,500

179 160255/2EUGÈNE VERBOECKHOVEN(belgian 1799-1881)SHEEP IN A MEADOWSigned ‘Eugene Verboeckhoven’ bottomcenter; also with (partial) label verso, oilon panel9 1/2 x 14 1/16 in. (24.1 x 35.7cm)provenance:Private Collection, Washington, D.C.$2,000-3,000


180 151597/12GEORGES ROUAULT(french 1871-1958)“ENFANT DE LA BALLE” (FROM ‘CIRQUE DEL’ETOILE FILANTE’)c. 1935. Color aquatint.12 13/16 x 8 1/4 in. (32.5 x 21cm)Plate 10 from Cirque de L’Etoile Filante.Ambroise Vollard, publisher.[Chapon/Roualt 249]provenance:Coleman Art Gallery, Philadelphia, Pennsylvania.Private Collection, Pennsylvania.$1,000-1,500

181 160480/1GEORGES ROUAULT(french 1871-1958)“CLOWN ET ENFANT” (FROM ‘CIRQUE’)1930. Edition of 270. Color aquatint.12 1/8 x 8 5/16 in. (30.8 x 21.1cm)Ambroise Vollard/Maurice Potin, publisher.[Rouir 201]provenance:Private Collection, Philadelphia, Pennsylvania.$1,000-1,500

182 160547/34GEORGES ROUAULT(french 1871-1958)“FLEURS DÉCORATIFS”c. 1940. Edition of 175; numbered ‘131’ bottomleft, color aquatintRoger Lacouriere, publisher.22 x 15 in. (55.9 x 38.2cm)[Wofsy 287]provenance:From the Estate of Gary M. Bloom, to benefit the Lehigh University Art Galleries TeachingMuseum, Bethlehem, Pennsylvania.$1,500-2,000


183 152563/1JAMES JACQUES JOSEPH TISSOT(french 1836-1902)“ENTRE LES DEUX MON COEUR BALANCE”1877. Etching and drypoint, unframed9 15/16 x 14 in. (25.2 x 35.6cm)[Wentworth 30]provenance:Private Collection, Virginia.$1,000-1,500

184 160506/22EUGÈNE DELACROIX(french 1798-1863)HEAD STUDIESPencil on paperSight size: 7 3/4 x 7 in. (19.7 x 17.8cm)provenance:David-Ellis Jones, London, May, 1976.Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$1,000-1,500



185 160506/8JEAN FRANÇOIS MILLET(french 1814-1875)STANDING SPINNERWith stamped initials ‘JFM’bottom right, crayon on paper10 x 6 1/4 in. (25.4 x 15.9cm)provenance:David Ellis-Jones, London, September 1978.Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.note:The present work is a study for Millet’s painting ‘La Fileuse’ in the Museumof Fine Arts, Boston.$3,000-4,000

187 160506/9FÉLIX EDOUARD VALLOTTON(swiss 1865-1925)FEMALE NUDESigned with initials ‘fv’ bottomright, pen and ink with greywash on paper9 x 7 1/4 in. (22.9 x 18.4cm)provenance:Sotheby’s, London, sale of June 29, 1977, lot 305.Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina.By descent in the family to the present owner.Private Collection, Maryland.$2,000-3,000

188 160508/1PAUL CÉSAR HELLEU(french 1859-1927)MOTHER AND CHILDSigned ‘Helleu’ bottom left, colored chalks on paper21 1/2 x 16 in. (54.6 x 40.6cm)provenance:With Newman Galleries, Philadelphia, Pennsylvania.$3,000-4,000

(part lot)

186 160506/25EDME ALEXIS ALFRED DEHODENCQ(french 1822-1882)JEUNE NOIR RETENANT UN CHEVAL; and STUDY OF AN OLD MANInscribed ‘fier mais insensible’, pencil on paper; the companion signed‘Dehodencq’ bottom right, pen and ink with wash on papertogether with:PAUL HUET(french 1803-1869) GOATHERD IN REPOSEWith artist’s stamp, pencil paperLargest (sight size): 13 1/4 x 6 in. (33.6 x 15.2cm)(3)provenance:Sotheby’s, London, sale of November 20, 1979, lot 58 (Dehodencq,Jeune Noir Retenant un Cheval).Sotheby’s, London, sale of September 6, 1979, lot 58 (Dehodencq, Studyof an Old Man).David Ellis-Jones, London, February 1983 (Huet).Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina.By descent in the family tothe present owner.Private Collection, Maryland.$2,000-3,000


189 160506/28LOUIS GEORGES BRILLOUIN(french 1817-1893)“NARME ROUPART SUR LA NERA”Titled bottom left, pencil heightenedwith white on blue papertogether with:ANTOINE-VICTOR-EDMONDJOINVILLE(french 1801-1849) VILLA MEDICI, ROMEWith artist’s stamp, watercolorheightened with gouache on paperLarger: 10 x 17 3/8 in.(25.4 x 44.1cm)(2)provenance:David Ellis-Jones, London, 1979(Brillouin).David Ellis-Jones, London, October1979 (Joinville).The Estate of the Artist, VenteJoinville, Paris, November 25, 1872.A. Stein, Paris.Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,500-2,000

190 160506/26NICOLAS LOUIS CABAT(french 1812-1893)TREES IN A PARKWith ‘L. Cabat’ stamp bottom right,pastel on woven paper12 7/8 x 18 13/16 in.(32.7 x 47.7cm)[Lugt 423]provenance:Shepherd Gallery, New York, NewYork, December 1981.Ms. Hildegard Ryals and ProfessorClyde Ryals, Durham, NorthCarolina.By descent in the family to thepresent owner.Private Collection, Maryland.$1,000-1,500

191 160083/14RAOUL MAUCHERAT DELONGPRÉ(french 1855-1911)PINK ROSESSigned ‘Raoul M. de Longpre fils’bottom right, gouache on paper20 1/4 x 28 1/4 in. (51.4 x 71.8cm)provenance:The Estate of Richard M. Scaife.$2,000-3,000

192 160536/4EMILE-LOUIS MINET(french 1850-1920)“PONT DES ARCHES”Signed ‘E. Minet’ and inscribed withtitle and dates ‘1902’ bottom right,pastel on board12 1/2 x 19 1/2 in. (31.8 x 49.5cm)provenance:Private Collection, Connecticut.$2,000-3,000


(part lot)



193 152626/1VICTOR PIERRE HUGUET(french 1835-1902)HORSEMAN STOPPING AT A STREAMSigned ‘V. Huguet’ bottom right, oil on panel12 1/4 x 15 7/8 in. (31.1 x 40.3cm)provenance:Newman Galleries, Philadelphia, Pennsylvania.Private Collection, New Jersey.$5,000-7,000

194 160342/3EVREMOND DE BERARD(french 1824-1881)ELEPHANT CARAVANSigned ‘E de Berard’ bottom right, oil on canvas31 1/2 x 45 1/4 in. (80 x 115cm)provenance:Private Collection, Philadelphia, Pennsylvania.$4,000-6,000

195 160536/6PAUL EMMANUEL PÉRAIRE(french 1829-1893)BORDS DE LA SEINESigned ‘Peraire’ bottom right, oil on canvas15 3/4 x 25 3/8 in. (40 x 64.5cm)provenance:Private Collection, Connecticut.$4,000-6,000


196 160433/1JACQUES HENRI DELPY(french 1877-1957)RIVERSCAPE AT TWILIGHTSigned ‘H.J. Delpy’ bottom right, oilon panel16 1/4 x 27 7/8 in. (41.3 x 70.8cm)provenance:Private Collection, Maryland.$3,000-4,000

197 160536/2PIERRE EMMANUEL EUGÈNE DAMOYE(french 1847-1916)FRENCH COUNTRYSIDESigned and dated ‘E. Damoye *8’ bottomleft, oil on panel12 3/4 x 23 9/16 in. (32.4 x 59.9cm)provenance:Private Collection, Connecticut.$2,000-3,000

198 160536/8ADRIEN LOUIS DEMONT(french 1851-1928)AUTUMN LANDSCAPE AT DAWNSigned ‘Adrien Demont’ bottom left,oil on canvas12 x 20 in. (30.5 x 50.8cm)provenance:Private Collection, Connecticut.$3,000-4,000


199 160138/12JULES DUPRÉ(french 1811-1889)“L’ABREUVOIR”Signed ‘Dupré’ bottom right, oil oncanvas13 3/4 x 17 7/8 in. (34.9 x 45.4cm)provenance:Metropolitan Galleries, New York, NewYork, 1945.Maria Antoville Galleries, New York.Private Collection, New York, New York.$2,000-3,000



200 160452/1CHARLES FRANÇOIS DAUBIGNY(french 1817-1878)LANDSCAPE WITH HORSECART ON A PATHWAYSigned ‘Daubigny’ bottom right, pencil on papertogether with:ATTRIBUTED TO THÉODORE ROUSSEAU(french 1812-1867) LANDSCAPE WITH TREES BY A STREAMWatercolor over brown ink on paper3 3/8 x 5 in. (8.6 x 12.7cm)(2)provenance:Cottier & Co., New York (part lot).Private Collection, Pennsylvania.$1,000-1,500

201 160536/5EUGÈNE GALIEN-LALOUE(french 1854-1941)SPRING LANDSCAPESEach signed ‘L. Dupuy’ bottom left, pair oils on panelEach: 6 1/8 x 8 5/8 in. (15.6 x 21.9cm)(2)provenance:Private Collection, Connecticut.note:Dupuy was a pseudonym used by the artist.$2,000-3,000

202 160194/2JEAN JACQUES HENNER(french 1829-1905)AUBURN BEAUTYSigned ‘J. J. Henner’ bottom left, oil on canvas18 3/8 x 13 1/8 in. (46.7 x 33.3cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

203 160481/1JEAN-LOUIS BEZARD(french b. 1799)“HEAD OF A MAN - A SKETCH”Oil on canvas7 1/2 x 6 3/8 in. (19.1 x 16.2cm)provenance:Private Collection, New Jersey.exhibited:“French 19th Century Paintings”, ShepherdGallery Associates and Jan G. Milner, AlpineClub Gallery, London, March 23-April 6, 1977.$1,000-1,500

(part lot)

(part lot)


204 159999/2EUGÈNE ACCARD(french 1824-1888)THE CAVALIER’S PROPOSALSigned E. Accard’ bottom right, oilon canvas32 x 25 1/2 in. (81.3 x 64.8cm)provenance:Private Collection, New York.$3,000-5,000

205 160217/1CONTINENTAL SCHOOL(19th century)FEMALE NUDE IN A WOODED GLENOil on canvas78 3/4 x 43 1/4 in. (100 x 109.9cm)provenance:Ex-Collection, Tyner.Private Collection, New York, New York$3,000-4,000

206 160536/1HENRY LÉON JACQUET(french b. 1856)GENTLEMAN ON HORSEBACK IN A FRENCHVILLAGESigned ‘H. Jacquet’ bottom right; also signedand inscribed verso, oil on panel18 x 14 5/8 in. (45.7 x 37.1cm)provenance:Private Collection, Connecticut.$2,000-3,000




207 160341/1LOUIS AUGUSTE GEORGESLOUSTAUNAU(french 1846-1898)REVERIESSigned ‘ALoustaunau’ bottom left, oilon panel13 5/8 x 18 1/8 in. (34.6 x 46cm)provenance:Private Collection, Houston, Texas.$2,000-3,000

208 158106/41ALFRED DE DREUX(french 1810-1860)“LE STEEPLECHASE”; AND ACOMPANIONSigned ‘Alfred de Dreux’ bottom left; thecompanion signed and inscribed ‘Alfredde Dreux 3024’ bottom left, pairwatercolors on paper7 1/4 x 12 1/2 in. (18.4 x 31.8cm) (larger)(2)provenance:Private Collection, Virginia.note:For a nearly identical version of “LeSteeplechase”, see Sotheby’s, New York,sale of June 1, 2000, lot 32.$2,000-3,000

209 158106/57CIRCLE OF THÉODORE GÉRICAULT(french 1791-1824)“DEUX CHEVAUX A L’ECURIE, VUS PAR LA CROUPE”Oil on paper laid to canvas12 1/4 x 14 3/4 in. (31 x 37.3cm)provenance:R. Longa.M. Gobin.Christie’s, London, sale of November, 1992, lot 9.Private Collection, Virginia.exhibited:“Géricault dans les collections privées Françaises”. GalerieClaude Aubry, Paris, 1964, no. 17.literature:M. Gobin, Géricault, Paris, 1959, no. 59, (illustrated).P. Grunchec, Géricault, Paris, 1978, no. A7, (illustrated).G. Bazin, Géricault, Paris, 1989, III, p. 21, no. 645, (illustrated).$2,000-3,000

(part lot)


210 158106/27ROSA BONHEUR(french 1822-1899)THREE SHEEP IN A LANDSCAPESigned ‘Rosa Bonheur’ bottom left; alsowith ‘Vente Rosa Bonheur 1900’ red waxseal on stretcher verso, oil on canvas18 1/4 x 25 1/2 in. (46.4 x 64.8cm)provenance:Private Collection, Virginia.$2,000-3,000

211 158106/24ROSA BONHEUR(french 1822-1899)“SOUVENIR” (ANIMAL STUDIES)With stamped signature bottom right; also with‘Vente Rosa Bonheur’ red wax seal on stretcherverso, oil on paper laid on canvas8 x 13 1/2 in. (20.3 x 34.3cm)provenance:Private Collection, Virginia.$1,500-2,000

212 158106/129ROSA BONHEUR(french 1822-1899)HORSES IN A FIELDSigned and dated ‘Rosa Bonheur/1890’ bottom left, oil on canvas25 x 39 5/8 in. (63.5 x 100.5cm)provenance:Thomas M. Lean, London.MacConnal-Mason Gallery, London.Sotheby’s, New York, sale of June 4,1993, lot 74.Private Collection, Virginia.$15,000-25,000


her father Oscar-Raymond Bonheur(1796-1849), a trained painter, Rosawas from an early age intrigued bythe study of farm animals. In aneffort to better understand theanatomy of horses, she visitedslaughter houses as well as horsefairs, learning to paint with great

attention to detail. She was widelyadmired, and first exhibited at theParis Salon in 1841. She receivednumerous awards, including TheParis Exposition Universelle, and themedal of Officeur de la Legiond'Honneur - the first woman to doso.

note:The present three lots are by RosaBonheur, best known as thepreeminent female horse painter ofthe 19th century. Her most iconicwork is 'The Horse Fair,' painted in1853 and which has been copiedand reproduced endlessly. Taught by



213 160465/1FÉLIX ZIEM(french 1821-1911)“TRABUCCO ET GONDOLE SUR LA GIUDECCA, VENISE”Signed ‘Ziem’ bottom left, oil on panel23 5/16 x 35 1/4 in. (59.2 x 89.5cm)

provenance:Property of an Estate, Pennsylvania.note:Though a French citizen, it is Venice with which Felix Ziem’s paintings aresynonymous. He produced a prodigious quantity of work, traveling to Veniceannually until 1892. In addition, he painted views of Constantinople, Cagnes-sur-Mer and Martigues. His compositions are highly realistic, but alsoabsorb the romantic trends prevalent in art during that time. His paintingsare generally rendered in a horizontal format, with an often brilliant blue skyoccupying the upper two thirds or three quarters of the composition. He wasmade Chevalier of the Legion of Honor and officer of that order, as well asan active participant in the Paris Salons.We are grateful to L’Association Félix Ziem, represented by Mr. DavidPluskwa and Mr. Mathias Ary-Jan, who have confirmed the authenticity ofthis work. The present lot will be accompanied by a certificate ofauthenticity from the aforementioned Association.$20,000-30,000


214 160254/5PIERRE PUVIS DE CHAVANNES(french 1824-1898)“LA FOI, L’ESPÉRANCE ET LACHARITÉ”Oil on canvas30 x 29 11/16 in. (76.2 x 75.4cm)provenance:Private Collection, Maryland.literature:Aimée Brown Price, Pierre Puvis deChavannes: A Catalogue Raisonné ofthe Painted Work, New Haven andLondon: 2010, vol. II, p. 212, no. 236,(illustrated).note:Pierre Puvis de Chavannes was theforemost French muralist of thesecond half of the 19th century. Hefavored a pale palette that imitatedthe effect of fresco, employingrhythmic line and flat, simplifiedforms. His carefully balancedcompositions and classicizing stylereflect the idealized influence ofHellenistic Greece and antiquity. Hewas president and co-founder of theSociété Nationale de Beaux-Arts inParis in 1890. He briefly studiedwith Eugene Delacroix (1798-1863)and Thomas Couture (1815-1879),exhibiting regularly at the ParisSalons from the 1860s on.The present work is an autographreplica of one of de Chavannes’supper register murals on the life ofSaint Genviève in the Panthéon,Paris. Three other replicas for theupper register of the church are inthe collection of the PhiladelphiaMuseum of Art.$20,000-30,000




215 160341/10PAUL (LOUIS NARCISSE)GROLLERON(french 1848-1901)FALLEN SOLDIERSigned ‘P. Grolleron’ bottom right, oilon canvas32 x 24in. (91.3 x 61cm)provenance:Private Collection, Houston, Texas.$6,000-9,000

216 160341/11PAUL (LOUIS NARCISSE)GROLLERON(french 1848-1901)“L’HEURE DU CAFE”Signed ‘P. Grolleron’ bottom right;also inscribed with title verso, oil onpanel14 3/16 x 10 1/2 in. (36 x 26.7cm)provenance:Private Collection, Houston, Texas.$2,500-3,500

217 160341/12PAUL (LOUIS NARCISSE)GROLLERON(french 1848-1901)SOUNDING THE TRUMPETSigned ‘P. Grolleron’ bottom right, oilon canvas19 5/8 x 14 in. (50 x 35.6cm)provenance:Private Collection, Houston, Texas.$3,000-5,000


218 160341/13PAUL (LOUIS NARCISSE)GROLLERON(french 1848-1901)SHARING A SMOKESigned and dated ‘P. Grolleron 83’bottom right, oil on panel10 9/16 x 7 3/8 in. (26.8 x 18.7cm)provenance:Private Collection, Houston, Texas.$1,200-1,800

219 160341/2ÉTIENNE PROSPER BERNE-BELLECOUR(french 1838-1910)THREE CUIRASSIERS ONHORSEBACKSigned and dated ‘E. Berne-Bellecour1902’ bottom left, oil on cradledpanel17 3/4 x 13 1/4 in. (45.1 x 33.7cm)provenance:Private Collection, Houston, Texas.$1,500-2,000

220 160341/3ÉTIENNE PROSPER BERNE-BELLECOUR(french 1838-1910)THE SOLDIER’S RESPITESigned and dated ‘E. Berne-Bellecour/ 1894’ bottom left, oil oncradled panel15 3/4 x 11 3/4 in. (40 x 30cm)provenance:Private Collection, Houston, Texas.$1,200-1,800




221 160341/6ÉTIENNE PROSPER BERNE-BELLECOUR(french 1838-1910)TENDING TO THE WOUNDSigned ‘E. Berne-Bellecour 1890’bottom right, oil on cradled panel13 3/8 x 18 1/2 in. (34 x 47cm)provenance:Private Collection, Houston, Texas.$2,000-3,000

222 160341/7ÉTIENNE PROSPER BERNE-BELLECOUR(french 1838-1910)WHITTLING A TWIGSigned and dated ‘E. Berne-Bellecour1910’ bottom right, oil on cradledpanel14 1/8 x 10 3/8 in. (35.9 x 26.4cm)provenance:Private Collection, Houston, Texas.$1,500-2,000

223 160341/8ÉTIENNE PROSPER BERNE-BELLECOUR(french 1838-1910)A MIDDAY DRINKSigned and dated ‘E. Berne-Bellecour1895’ bottom left, oil on cradledpanel14 9/16 x 10 3/8 in. (37 x 26.4cm)provenance:Private Collection, Houston, Texas.$1,200-1,800

224 160341/4ALPHONSE CHIGOT(french 1824-1917)SOLDIERSigned ‘A. Chigot’ bottom right, oilon canvas21 x 15 in. (53.3 x 38.1cm)provenance:Private Collection, Houston, Texas.$1,000-1,500

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225 160294/2PIERRE BONCOMPAIN(french b. 1938)“FRUITS AU TAPIS PERSAN”Signed ‘Boncompain’ bottom right; alsotitled on stretcher verso, oil on canvas24 x 19 3/4 in. (61 x 50.2cm)provenance:Private Collection, California.$1,000-1,500

226 160214/1WLADYSLAW SLEWINSKI(polish 1854-1918)VASE OF FLOWERSSigned ‘W. Slewinski’ bottom right, oil on board22 x 17 in. (55.9 x 43.2cm)provenance:Private Collection, New York, New York.$6,000-8,000

227 160434/1EUGENE PETIT(french 1839-1886)WILD FLOWERS; AND A COMPANIONEach signed ‘Petit’ bottom right, oil on canvasEach: 8 5/8 x 6 1/4 in. (21.9 x 15.9cm)(2)provenance:Private Collection, Pennsylvania.$2,000-2,500


(part lot)



228 160304/10THERESE DE CHAMP-RENAUD(french 1861-1921)OUTDOOR STILL LIFE WITH PEACHES ANDGRAPESSigned and dated ‘Tse de Champrenaud 86’upper right, oil on canvas18 1/8 x 25 3/4 in. (46 x 65.4cm)provenance:Private Collection, Philadelphia, Pennsylvania.$3,000-4,000

229 158151/1BLAISE ALEXANDRE DESGOFFE(french 1830-1901)STILL LIFE WITH EWER ANDACCOUTREMENTS ON GILTMOUNTED BUREAU PLATSigned and dated ‘Blaise Desgoffe1896’ bottom left, oil on panel20 x 13 1/4 in. (50.8 x 33.7cm)provenance:Private Collection, Virginia.$5,000-7,000

230 160197/3JEAN RIGAUD(french 1912-1999)“LA SOUPIÈRE BLANCHE”Signed ‘Jean Rigaud’ bottom left; also withsignature, title and date ‘’65’ verso, oil oncanvas39 3/8 x 31 7/8 in. (100 x 81cm)provenance:Vera Lazuk Gallery, Long Island, New York.Private Collection, Pennsylvania.$2,000-3,000


231 160386/8LOUIS GARIN(french 1888-1959)BOATS ALONG THE COASTSigned ‘Louis Garin’ bottom right, oilon canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

232 160255/1GILBERT PAJOT(french 1902-1956)“JOUET DES FLOTS”Signed ‘Gilbert Pajot’ and with titleand inscription in margin, gouacheon papertogether with:“LES SABLES D’OLONNE”Signed ‘Gilbert Pajot’ and with titleand inscription in margin, gouacheon paperImage size (approx; each):15 1/4 x 21 3/4 in. (38.7 x 55.2cm)Sheet size (each): 19 1/8 x 25 in.(48.6 x 63.5cm)(2)provenance:Private Collection, Washington, D.C.$1,500-2,500

233 160386/7ÉLISÉE MACLET(french 1881-1962)“LA TURBIE”Signed ‘E. Maclet’ bottom right andlocated ‘La Turbie’ bottom center, oilon canvas18 x 21 5/8 in. (45.7 x 53.9cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

234 158106/50GUY CAMBIER(french b. 1923)THREE OILS“NEIGE”Signed and dated ‘Guy Chambier58’ bottom left; also signed, titled,and dated ‘Oct 58’ verso, oil onboard8 3/4 x 10 5/8 in. (22.2 x 27cm)together with:“MANEGE AU VILLAGE”Signed ‘Guy Chambier’ bottom left;also signed, titled, and dated ‘Oct58’ verso, oil on panel8 3/4 x 10 5/8 in. (22.2 x 27cm)together with:“LA PLAGE”Signed ‘G. Chambier’ bottom left;also signed, titled, and dated ‘Oct58’ verso, oil on panel8 3/4 x 10 5/8 in. (22.2 x 27cm)(3)provenance:Private Collection, Virginia.$1,000-1,500

235 158162/6ANDRÉ BAUCHANT(french 1873-1958)LANDSCAPE WITH FIGURESSigned and dated ‘A. Bauchant 1929’bottom left, oil on canvas25 5/8 x 31 1/4 in. (65.1 x 79.4cm)provenance:Private Collection, Florida.$3,000-5,000


231

235

234 (part lot)

233

232(part lot)



236 152454/1JEAN DUFY(french 1888-1964)“CALÈCHES ET CAVALIERS”Signed ‘Jean Dufy’ bottom right, oil on canvas18 x 24 in. (45.7 x 61cm)provenance:Private Collection, Maryland.note:Related to the work of his older brother and fellow artist Raoul Dufy (1877-1953), Jean Dufy’s color depictions of post-war Parisian society aredistinctive for their bright palettes and rhythmic, fluid style. Commonthemes include all manner of Parisian views and landmarks, along withhorse races, jazz musicians and orchestras, country scenes and circuses.Dufy also served as a porcelain painter in the workshops of TheodoreHaviland in Limoges for over 30 years, painting decorative designs thatfeatured animals and flowers.The present lot will be accompanied by a certificate of authenticity by Mr.Jacques Bailly, dated November 27, 2015 and numbered 4532. The paintingwill be included in the forthcoming Catalogue Raisonné.$40,000-60,000


238 152234/2THÉOPHILE ALEXANDRE STEINLEN(french/swiss, 1859-1923)“CHAT ASSIS”Signed ‘Steinlen’ on base, bronze withgolden brown patinaHeight: 2 1/2 in. (6.4cm)Length: 2 3/4 in. (7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-2,000

239 152234/1THÉOPHILE ALEXANDRE STEINLEN(french/swiss, 1859-1923)“CHAT ABYSSINIAN”Signed ‘Steinlen’ on base, bronze with goldenbrown patinaHeight: 5 1/4 in. (13.5cm)Length: 3 5/8 in. (9.2cm)provenance:Private Collection, Philadelphia, Pennsylvania.$3,000-5,000


237 152367/8THÉOPHILE ALEXANDRE STEINLEN(french/swiss 1859-1923)“CHAT ALLONGÉ”Signed ‘Steinlen’ on base, bronze withdark brown patina and golden brownhighlightsHeight: 1 3/4 in. (4.4cm)Length: 5 3/16 in. (13.2cm)provenance:From the collection of the Estates ofEdward C. Fogg, III and Lisbeth A. Fogg.$1,500-2,500



240 160304/11JEAN-JACQUES FEUCHÈRE(french 1807-1852)“AMAZONE DOMPTANT UN CHEVAL”Signed and dated ‘Feuchere 1843’ on base, bronze withrich brown patinaHeight: 16 1/2 in. (41.9cm)Length: 19 1/2 in. (49.5cm)provenance:Shepherd Galleries, New York, New York.Acquired from the above.Private Collection, Philadelphia, Pennsylvania.exhibited:“French 19th Century Watercolors, Drawings, Pastels,Paintings and Sculpture”, Shepherd Galleries, New York,New York, Spring, 1983.note:Another cast of this model is in the collection of theMusée du Louvre, Paris, France.$2,500-3,500

241 160137/2MAX KLINGER(german 1857-1920)“BADENDE” (BATHER)Signed with initials ‘MK’ (conjoined)on stump; also with ‘Garantirt EchteBronce’ foundry stamp, bronze withblack patina, on marble baseHeight: 24 3/8 in. (61.9cm)Length: 10 in. (25.4cm)provenance:Property of an Estate, Florida.$5,000-7,000

242 158144/5ÉMILE ANTOINE BOURDELLE(french 1861-1929)“L’ARLEQUIN”1905. Signed ‘E.A. Bourdelle’ and with artist’s monogramon base; also inscribed ‘Susse Fondeur Paris No 6’ and ‘©EA Bourdelle’ along base, bronze with greenish brownpatinaHeight: 15 3/4 in. (40cm)Length: 16 in. (40.6cm)provenance:Private Collection, Georgia.literature:I Jianou and M. Dufet, Bourdelle, Paris, 1975, p. 96, no. 317 (another cast illustrated).$4,000-6,000


243 160336/2FEDERICO JIMÉNEZ FERNÁNDEZ(spanish b. 1841)FAMILY OF DUCKSSigned ‘F. Jimenez’ bottom right, oilon canvas34 x 47 in. (86.4 x 119.4cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

244 160386/6JOSÉ JIMÉNEZ Y ARANDA(spanish 1837-1903)THE LETTERSigned ‘J. Jimenez’ bottom right,oil on panel8 1/2 x 6 1/8 in. (21.6 x 15.6cm)provenance:Private Collection, Pennsylvania.$2,500-3,500

245 160400/4ANTONIO MARÍA DE REYNA MANESCAU(spanish 1859-1937)A VENETIAN LAGOONSigned and located ‘A. Reyna/Venezia’bottom left, oil on board13 7/8 x 25 5/8 in. (35.2 x 65.1cm)provenance:Ansorena, Madrid, sale of January 17, 2013,lot 74.Leslie Hindman, Chicago, sale of October 23,1996, lot 293.The Estate of Dr. William N. Coughlin,Springfield, Illinois.$4,000-6,000




246 160050/1JOHANNES MARTIN GRIMELUND(norwegian 1842-1917)WINTER LANDSCAPESigned and dated ‘J. Grimelund 1916’bottom left, oil on canvas, unframed35 x 51 in. (88.9 x 129.5cm)provenance:Private Collection, Washington, D.C.$2,500-4,000

247 160386/1HANS FREDERICK GUDE(norwegian 1825-1903)“VOM DEM HAFEN VONCHRISTIENSEN”Signed with monogram, inscribed‘Xiania.....’ and dated ‘’72’ bottomright; also inscribed with title andstamped ‘Naclass Hans Gude’ verso;oil on canvas laid to card10 3/8 x 16 9/16 in.(26.4 x 42.1cm)provenance:Private Collection, Pennsylvania.$5,000-7,000

248 160336/1KILLIAN CHRISTOFFER ZOLL(swedish 1818-1860)VILLAGERS GATHERING, WINTERSigned and dated ‘K.C. Zoll 1855’bottom left, oil on canvas37 1/2 x 47 5/8 in. (95.3 x 121cm)provenance:Private Collection, Pennsylvania.$5,000-7,000

249 160217/2MARTHA TYNELL(swedish 1865-1930)“BOULEVARD DE CLICHY”Signed and dated ‘M. Tynell 1889’bottom left; also with title and date‘Fevrier 1889’ verso, oil on panel16 x 12 5/8 in. (40.6 x 32.1cm)provenance:Private Collection, New York, NewYork.$1,000-1,500

249248

247

246


250 152622/2JOSEF NAVRATIL(czech 1798-1865)MOUNTAIN LANDSCAPE WITHFIGURE ON ROCK BY RUSHINGRIVERSigned and dated ‘J* Navratil 1878’bottom left, oil on canvas24 x 31 7/16 in. (61 x 79.9cm)provenance:Private Collection, Delaware.$5,000-8,000

251 160050/14JÁNOS KMETTY(hungarian 1889-1975)LANDSCAPESigned and dated ‘Kmetty 1932’bottom right, oil on canvas19 3/4 x 23 5/8 in. (50.2 x 60cm)provenance:Private Collection, Washington, D.C.$2,500-4,000-




252 160051/1JÓZSEF EGRY(hungarian 1883-1951)MAN AT RESTSigned ‘Egry Jozsef’ bottom left, oil on board22 1/8 x 17 1/8 in. (56.2 x 43.5cm)provenance:Private Collection, Arizona.$5,000-7,000

253 160138/15OSZKÀR GLATZ(hungarian 1872-1958)PORTRAIT OF A GIRLSigned and dated ‘Glatz 1934’ bottom center left,oil on canvas laid on board23 15/16 x 17 13/16 in. (60.8 x 45.2cm)provenance:Maria Antoville Galleries, New York.Private Collection, New York, New York.$1,500-2,000

254 160051/3JÓZSEF EGRY(hungarian 1883-1951)FIGURE IN A LANDSCAPESigned ‘Egry Jozsef’, inscribed indistinctly anddated ‘(1)930’ bottom right, oil on board26 7/16 x 21 3/8 in. ( 67.2 x 54.3cm)provenance:Private Collection, Arizona.$5,000-8,000


255 160050/5AMOS YASKIL(israeli b. 1935)VIEW OF HAIFASigned ‘A Yaskil’ and indistinctly datedbottom left; also signed in Hebrew bottomright; also inscribed with artist, title, anddate ‘1955’, and with Hebrew signatureverso, oil on canvas21 3/16 x 25 1/2 in. (79.7 x 64.8cm)provenance:Private Collection, Washington, D.C.$3,000-4,000

256 160050/4YOSL BERGNER(israeli b. 1920)FIGURES IN AN INTERIORSigned ‘Yosl Bergner’ bottom left;also signed in Hebrew andindistinctly dated bottom left, oil oncanvas15 x 21 11/16 in. (38.1 x 55.1cm)provenance:Private Collection, Washington, D.C.$3,000-4,000

257 160050/6SAUL RASKIN(israeli/american 1878-1966)BUILDERSSigned in Hebrew bottom right, oilon board9 5/8 x 11 1/4 in. (24.4 x 28.6cm)provenance:Private Collection, Washington, D.C.$1,000-1,500




258 160050/7SAUL RASKIN(israeli/american 1878-1966)YESHIVA STUDENTSigned in Hebrew bottom right, oilon canvasboardSight size: 11 9/16 x 7 1/2 in.(29.4 x 19.1cm)provenance:Private Collection, Washington, D.C.$1,000-1,500

259 160050/2MOSHE MOKADY(israeli 1902-1975)“TWO FIGURES”Signed in Hebrew bottom left; alsoinscribed ‘Figural Study’; and ‘No 8/oil/ Two Figures’ on label verso, oilon board18 x 24 in. (45.7 x 61cm)provenance:Private Collection, Washington, D.C.$1,000-1,500

260 160050/8SHMUEL CHARUVI(israeli 1897-1965)ISRAELI LANDSCAPESEach signed in Hebrew bottom left,one also inscribed in Hebrewbottom right; each also signed inEnglish and Hebrew, located ‘Israel’and dated ‘1935’ verso, pairwatercolors on paperOne: 3 11/16 x 3 7/8 in.(9.4 x 9.8cm)One: 2 3/16 x 3 1/16 in.(5.6 x 7.8cm)(2)provenance:Private Collection, Washington, D.C.$1,000-1,500

261 160050/9VLADIMIR LAZAREV(russian b. 1904)THE WAILING WALLSigned in reverse ‘VERAZAL V’bottom right, oil on canvas35 3/4 x 23 13/16 in.(90.8 x 6035cm)provenance:Private Collection, Washington, D.C.$1,200-1,800

261258

260 (part lot)259


262 160050/3JAN RAUCHWERGER(israeli b. 1942)STILL LIFE OF APPLESSigned ‘Jan Rauchwerger’ andindistinctly dated top left, oil oncanvas laid to board7 7/8 x 14 7/8 in. (20 x 37.8cm)provenance:Private Collection, Washington, D.C.$1,000-1,500

263 160050/11ZVI MAIROVICH(israeli 1911-1973)STILL LIFE WITH FLOWERS; AND ACOMPANIONOne signed ‘Mairovich’ bottomcenter right; one signed in Hebrewbottom center, pair oils on canvasEach: 24 x 20 in. (61 x 50.8cm)(2)provenance:Art Gallery Hadassa, Tel Aviv.Private Collection, Washington, D.C.$1,000-1,500

264 160050/13THANOS TSINGOS(greek 1914-1965)COMPOSITIONSigned ‘Tsingos’ bottom right, oil oncanvas13 x 21 1/2 in. (33 x 54.6cm)provenance:Private Collection, Washington, D.C.$1,500-2,000


(part lot)



265 160159/1MOISEI LEVOVICH MAIMON(russian 1860-1924)THE 18TH OF APRIL IN THE TYURENCHENMOUNTAINSSigned ‘M. Maimon’ bottom right, oil on canvas23 1/2 x 39 1/4 in. (59.7 x 100cm)provenance:Private Collection, New Jersey.note:The prototype for the present work was paintedby Maimon in 1905 and shown to great acclaimin Saint Petersburg, where he was a noted Jewishmember of the Imperial Academy of Fine Arts.This heretofore unknown work was likely paintedby Maimon between 1914-1917, when the workwas at the height of its popularity. The locationof the original painting had been lost until itsrediscovery in Russia in 1987. The compositiondepicts a patriotic scene of heroic resistance tothe Japanese troops by the forces under thecommand of General Zasulich which took placeduring the Battle of the Yalu River in April, 1904.The troops commander, Colonel N.A. Laimingleads his Cossack soldiers in attack. Behind him,

the wounded regimental priest StepanScherbakovsky raises his cross as he issupported by two members of the Jewishmilitary band playing the regimental battlemarch. As reported by Ogonyok magazine in 1914: ‘Onthe 18 of April, 30 battalions of the Japanesebroke through the line of our seven regimentsand occupied the Yalu river. The heroic valor ofour troops had forced the Japanese to abandonthe attack of one of the East Siberian regiments,but they were (suddenly)...surrounded by theJapanese. Astride his horse, commanderLaiming’s regiment set forth headed by awounded priest with a cross, banners andmusicians leading the regiment in attack, andwas finally killed himself. The commander of thebattery (Laiming), having lost all of his troops,grabbed his weapon and refused to leave. Hewas hacked to death by the Japanese.”$8,000-12,000


266 160544/3SAVINOV GLEB ALEXANDROVICH(russian (1915–2000)FISHING SHIPS, KLAIPEDASigned and tilted in Cyrillic anddated ‘1981’ verso, oil on canvas23 1/2 x 31 3/8 in. (59.7 x 79.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

267 160544/4VIKTOR MIKHAILOVICH NECHAEV(russian 1904-c. 1970)ON A POULTRY FARMSigned and titled in Cyrillic and dated‘1963’ verso, oil on canvas27 1/2 x 39 1/4 in. (69.8 x 99.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

268 160544/19VASILI AKIMOVICH ARLASHIN(russian 1923-1998)WARRIORSigned and inscribed in Cyrillic and dated‘1960’ verso, oil on canvas22 1/2 x 20 3/4 in. (57.2 x 52.7cm)provenance:Leonid Shishkin Gallery, Moscow, Russia.Private Collection, Pennsylvania.$1,000-1,500




269 160544/6VASILY ALEKSANDROVICH MINYAEV(russian 1903-1993)“AT THE BLUE FOREST”Signed in Cyrillic and dated ‘1979’ bottomleft, oil on board34 1/4 x 24 in. (87 x 61cm)provenance:Leonid Shishkin Gallery, Moscow, Russia.Private Collection, Pennsylvania.$6,000-8,000

270 160544/52IRINA VITMAN(russian b. 1916)SCORING A PERFECT GRADESigned, titled, and inscribed in Cyrillic anddated ‘1949’ verso, oil on canvas, unframed46 x 39 1/4 inches (91.4 x 99.7cm)provenance:NB Gallery, Moscow, Russia.Private Collection, Pennsylvania.$3,000-5,000

271 160544/53VALERY KOSHLYAKOV(russian b. 1962)MAYAKOVSKY SQUARESigned in Cyrillic verso, oil on canvas47 1/4 x 47 1/4 in. (120 x 120cm)provenance:Private Collection, Pennsylvania.$15,000-20,000


272 152578/1JERZY KOSSAK(polish 1886-1955)POLISH CAVALRY, CALL TO ARMSSigned and dated ‘Jerzy Kossak 1938’ bottom right, oil oncanvas laid on board12 11/16 x 35 3/8 in. (32.2 x 89.6cm)provenance:Auction, aboard Polish Ship M/S Pilsudski, New York, 1939.By descent in the family to the present owner.Private Collection, North Carolina.$3,000-4,000

273 160544/25DIMITRI NALBANDIAN(russian 1906-1993)IN THE FORESTSigned and titled in Cyrillic anddated ‘1948’ verso, oil oncanvasboard27 3/4 x 19 3/8 in.(70.5 x 49.2cm)provenance:Leonid Shishkin Gallery, Moscow,Russia.Private Collection, Pennsylvania.$2,000-3,000

274 160544/22D. BOROVSKII(russian 20th century)QUAIL HUNTING; AND A COMPANIONThe former inscribed ‘I.S. TURGENEV’ andwith title in Cyrillic upper right, pairwatercolors on paperSight size (each): 10 1/2 x 16 7/8 in.(26.7 x 42.9cm)(2)provenance:Private Collection, Pennsylvania.note:Ivan Sergeyevich Turgenev (1818-1893) wasa Russian playwright and novelist. Thepresent works appear to be illustrations fora book by Turgenev.$1,000-2,000




275 168016/2ALEXEY TERENIN(russian b.1969)ARCHERY LESSONSInscribed ‘Uprazhneniya y strel’be’,signed ‘Alexy Terenin’ and signed inCyrillic at bottom, gouache on paper35 7/8 x 24 in. (91.1 x 61cm)provenance:Private Collection, Virginia.$2,000-3,000

276 160552/1VASSYL KHMELUK(ukrainian 1903–1986)YOUNG WOMAN, BELIEVED TO BE APORTRAIT OF MARIESigned in Cyrillic bottom right, oil on panel13 1/4 x 8 1/4 in. (33.7 x 21cm)provenance:Sotheby’s, Parke Bernet Eighty-Four, n.d.The Collection of Joseph Shulman.Wadsworth Atheneum Museum of Art,Hartford, Connecticut.Private Collection, New York.$1,000-1,500

277 152616/24VYTANTAS KASIULIS(lithuanian 1918-1995)GENTLEMAN READINGSigned ‘Kasiulis’ and indistinctly datedbottom right, oil on canvas24 x 19 3/4 in. (60.1 x 50.2cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

278 160544/11VASILY ALEKSANDROVICH MINYAEV(russian 1903–1993)“SKETCH FOR MURAL PANO” (1968)Oil on paperSight size: 19 x 30 in. (48.3 x 76.2cm)provenance:Leonid Shishkin Gallery, Moscow, Russia.Private Collection, Pennsylvania.$2,500-3,500

END OF SALE


names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


IndexAccard, E., 204Aldis, A.E., 102Alexandrovich, S.G., 266Alken, H., 124, 131Allen, A.B., 79Allingham, H., 72, 87Alma-Tadema, L., 90Aranda, J.J.Y., 244Arlashin, V.A., 268Arnegger, A., 167Azzolini, G.B., 38

Barrett, J., 103Barucco, F., 141Bauchant, A., 235Beale, S., 110Bega, C.P., 20Bellange, T., 29Bergner, Y., 256Berne-Bellecour, E.P., 219, 220, 221, 222,

223Berti, R., 149Bezard, J.L., 203Blau-Lang, T., 165Blommers, B.J., 157Bocciardo (il Clementone), C., 31Boldini, G., 138Boncompain, P., 225Bonheur, R., 210, 211, 212Borovskii, D., 274Boucher, F., 14Bourdelle, E.A., 242Bramer, L., 26Bright, H., 83Bril, P., 57Brillouin, L.G., 189British School, 73, 92, 97, 119Busiri,G.B., 15

Cabat, N.L., 190Cambier, G., 234Campion, G.B., 77, 78Cariani, G., 32Carracci, A., 36, 37Carriera, R., 19Cecchi, A., 142Chadwick, E.A., 87Chalon, A.E., 70Charuvi, S., 260Chigot, A., 224Collier, T., 79Continental School, 44, 205Coomans, P.O.J., 178Cornè, M.F., 148Corrodi, H.D.S., 147Costa, E., 146Cotman, J.J., 74Courtois, G., 13Cristall, J., 83Crome, J., 80Crome, J.B., 100Cucuel, E., 175Damoye, P.E.E., 197Dandridge, B., 49Daubigny, C.F., 200Dawson, M., 135, 136

de Berard, E., 194de Bock, T., 159de Boulogne the Younger, L., 5, 6de Champ-Renaud, T., 228

de Chavannes, P.P., 214de Dreux, A., 208de Longpré, R.M., 191de Reyna Manescau, A.M., 245de Thomon, T., 8de Vaga, P., 11Dehodencq, E.A.A., 186Delacroix, E., 184Delpy, J.H., 196Demont, A.L., 198Desgoffe, B.A., 229Diemer, M.Z., 170Dietrich, C.W.E., 61Dufy, J., 236Dupré, J., 199Dusart, C., 21Dutch School, 54

Edwards, P., 120Edwards, S.T., 24Egry, J., 252, 254Elgood, G.S., 84Emms, J., 125

Faulkner, J., 91Fernández, F.J., 243Ferneley, J.E., 128, 129Feuchère, J.J., 240Fielding, C., 74Fragonard, J.H., 12, 63Francken the Younger, F., 59Frey-Moock, A., 162, 163Frith, W.P., 71

Gabani, G., 139, 140Galien-Laloue, E., 201Garin, L., 231Gastineau, H., 82Géricault, T., 209Giles, G.D., 123Giordano, L., 33Glatz, O., 253Goodwin, A., 89Graham, G., 82Grimelund, J.M., 246Grolleron, P.L.N., 215, 216, 217, 218Gude, H.F., 247

Hackaert, J., 58Hardy, D., 113Hardy, H., 122Heckendorf, F., 172Helleu, P.C., 188Henner, J.J., 202Herring, the Younger, J.F., 118Horemans the Elder, J.J., 66Hübner, A., 164Huet, P., 186Huguet, V.P., 193Hurt, L.B., 117

Indian School, 158Israels, I., 151, 152, 153Italian School, 16

Jacquet, H.L., 206Joinville, A.V.E., 189Joy, T.M., 106

Kasiulis, V., 277Kauffmann, A., 27, 28

Khmeluk, V., 276Klinger, M., 241Kmetty, J., 251Knee, H., 93Koshlyakov, V., 271Kossak, J., 272

Lambrechts, J.B., 55Lancret, N., 64Lazarev, V., 261Lear, E., 74Legnani, S.M., 43Leitch, W.L., 81Lewis, T., 112Lombard School, 30Loustaunau, L.A.G., 207Lyne, M., 133

Maclet, E., 233Maimon, M.L., 265Mairovich, Z., 263Mauve, A., 156Meyerheim, W.A., 171Michieli, A., 10, 41Millet, J.F., 185Minet, E.L., 192Minyaev, V.A., 269, 278Mitchell, F.H., 93Mockford, H., 137Mokady, M., 259Mole, J.H., 71Munnings, A., 134

Nalbandian, D., 273Navratil, J., 250Nechaev, V.M., 267Northern Italian School, 40

O'Kelly, A.C., 115

Pagani, A., 145Pajot, G., 232Parsons, B.E., 86, 88Parton, E., 101Passey, C.H., 104Péraire, P.E., 195Petit, E., 227Phillip, J., 107Piazzetta, G.B., 9Pieters, E., 155Piranesi, G.B., 2Pugin, A.C., 81Pupini, B., 17

Raffet, A., 8Ramsay, A., 50Raskin, S., 257, 258Rauchwerger, J., 262Rigaud, J., 230Robertson, J., 75, 76, 82Romolo, E., 18Roos, E., 105Rouault, G., 180, 181, 182Rousseau, T., 200Rowe, E.A., 87Rowlandson, T., 68, 69

Sadée, P.L.J.F., 154Sands, H.H., 130Saraceni, C., 35Schiavoni, N., 143

Schouman, A., 62Seidel, A., 169Selous, H.C., 83Shayer the Elder, W., 116Sheringham, G., 111Simonetti, A., 144Sintzenich, G.E., 92Slewinski, W., 226Spanish School, 39Spencelayh, C., 108Stannard, J., 81Stannard, L., 85, 87Staples, R.P., 85Steen, J., 67Steinlen, T.A., 237, 238, 239Stern, I., 34Struyk, N., 25Swebach-Desfontaines, J.F.J., 4

Terenin, A., 275Thornhill, J., 45Tissot, J.J.J., 183Towne, C., 99Tsingos, T., 264Tynell, M., 249

Uhle, B., 173

Vallotton, F.E., 187van Blarenberghe, H-J., 3van de Venne, A.P., 53van der Meulen, E., 121, 177van der Plas, N., 160van Mieghem, E., 176Van Musscher, M., 51Van Ostade, I.,7van Poelenburgh, C., 60van Ravesteyn, J.A., 46van Rijn, R., 1Vanderbank the Younger, J., 47Varma, R.R., 150Venetian School, 42Verboeckhoven, E., 179Verbrüggen The Elder, G.P., 56Vernet, H., 23Vinckboons, D., 52Vitman, I., 270Volkers, E., 168von Grützner, E., 174von Holst, T.M., 8

Wach, A.W., 161Waterloo, A., 22Watson, W.R.C., 127Webb, W., 126Wilson, R., 98Wood, J., 109Wopfner, J., 166Wright, G., 132Wright, J.M., 48Wyck, J., 65

Yaskil, A., 255Yeats, J.B., 94, 95

Ziem, F., 213Zoll, K.C., 248


www.freemansauction.comDownload our new catalogue app for the iPad.

Matthew S. Wilcox | +1 [email protected]

A selection of works from the John A. Shrader sculpture collection, Haverford, PA Estimates from $1,000-$10,000

G16-24258_EuropeanArt_Ad.indd 1 5/18/16 8:38 PM


To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email [email protected] to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In TransitNick Clarke314 North 12th StreetPhiladelphia, PA [email protected]

Atelier Art Services ‡

Lynn Smith1330 North 30th StreetPhiladelphia, PA 19144215.235.0402 | Fax: [email protected]

Aiston Fine Art Service ‡

Mark AistonP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629 | Fax: [email protected]

Brooks Fine Art Services Christopher Rossello 155 Rose Lane Haverford, PA [email protected] Cadogan Tate Fine Art ‡

Stacey FergusonCadogan House41-20 39th StreetSunnyside, NY 11104718.706.7999 | Fax: [email protected]

Crozier Fine ArtsJennifer Norton525 W 20th Street New York, NY 10011 212.741.2024 [email protected]

Mr. C’sCharles Cohen1615 North 10th StreetPhiladelphia, PA [email protected]

Malca Amit ‡

Christine Duke153-66 Rockaway BlvdNew York, NY 11434718.525.6100 | Fax: [email protected]

A. Mastrocco Jr. Moving & StorageRoseanne Gebler1060 Louis DriveWarminster, PA 18991215.491.0346 | Fax: [email protected]

The Packaging Store ‡

Duane Freed2333 Welsh RoadLansdale, PA 19446215.361.6940 | Fax: [email protected]

UPS Store ‡

John Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990 | Fax: [email protected]

U.S. Art ‡

Jessica Pierce37-11 48th AvenueLong Island City, NY 11101800.472.5784 | Fax:[email protected]

FURNITURE & LARGE ITEMSFor larger pieces when delivery time is not a rush, we suggest:www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com

‡ Shippers that can fulfill international deliveries

Purchase removal, shipping and offsite storage information

v3.2016


All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

13A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’sPremium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

14Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

in the original purchase price andwill also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11No “buy” bids shall be accepted at any time for any purpose.

12Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

8Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiency

1Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

Terms & Conditions

v2.2016


bidding & registration form

sale no bidder no client no

name business name

address

city state country

zip code e-mail

phone (primary) phone (secondary) fax

resale / tax identification state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on

the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no description maximum bid

please adhereto the bidding increments

$10until $200 is reached

$25until $500 is reached

$50until $1,000 is reached




$1,000until $30,000 is reached



over $100,000auctioneer’s discretion

bank reference

bank name account no

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed q id confirmed(signature required to execute your bids)

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected]

www.freemansauction.com

v2.2016


Specialist Departments

20th Century DesignTim Andreadis [email protected] American Art & Pennsylvania ImpressionistsAlasdair Nichol [email protected]

American Furniture, Folk & Decorative ArtsLynda Cain [email protected]

American SilverSamuel M. Freeman II [email protected]

Asian ArtsRichard A. Cervantes [email protected]

Books, Maps & Manuscripts Benjamin Truesdale [email protected]

English & Continental Furniture & Decorative ArtsNicholas B. A. Nicholson [email protected]

European Art & Old MastersDavid M. Weiss [email protected]

Jewelry & WatchesMichael Larsen, GIA GG [email protected] Virginia B. Salem, GIA [email protected]

Modern & Contemporary ArtTimothy Malyk [email protected]

Musical InstrumentsFrederick [email protected]

Oriental Rugs & CarpetsRichard A. Cervantes [email protected]

PrintsAnne Henry [email protected]

Silver & Objets de VertuSarah Blattner [email protected]

Representatives

New EnglandKelly Wright [email protected]

Mid-AtlanticMatthew Wilcox [email protected]

Southeast Colin Clarke [email protected]

West CoastMichael Larsen [email protected]

Main LineThomas McCabe [email protected]

Directory | 215.563.9275 | www.freemansauction.com

Officers

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

Departments

AppraisalsAmy Parenti [email protected]

Business DevelopmentThomas B. McCabe IV [email protected]

Client ServicesMary Maguire [email protected]

FinanceMark Beckerman [email protected]

Marketing & CommunicationsTara Theune Davis [email protected]

Museum ServicesThomas B. McCabe IV [email protected]

PhotographyThomas Clark [email protected]

Press & MediaMelissa Geller [email protected]

Trust & EstatesSamuel T. Freeman III [email protected]

v4.2016


EUR

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, 2016

From Distant LandsEuropean Art & Old MastersJune 14, 2016

www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103T 215.563.9275 | F 215.563.8236


European Art & Old Masters

Documents

Transcript of European Art & Old Masters