Esoteric Meanings of Slavic Alphabet and Numerology

8/18/2019 Esoteric Meanings of Slavic Alphabet and Numerology

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Esoteric meanings of Slavic alphabet and numerology.

Names and duodecimal numerical values of Cyrillic letters.

Slavic alphabet Cyril and Methodius occurs from the Greek alphabetic system andPhoenician writing. Therefore some Cyrillic letters have similarity with Greek and

Phoenician alphabetic symbols. ut however Slavic alphabet has other order ofletters within circular matri! of numbers or numerical signs of duodecimal

numerology rather than orders of alphabetic characters of the "ncient Greece orPhoenicia# that is shown on the chart.

$

"s it is possible to see in the Cyril%s Slavic alphabetic system there are &' letters

that differs from (( symbols of Phoenician writing or '' letters of contemporary)ussian alphabet which precisely correspond with circular numerical matri! of



duodecimal numerology. ut however eleven numerical a!es and four circles form&& positions or key points# that is near to number &' and is comparable to letters of

Slavic alphabet# but one position is empty. In some sources of information it is possible to find data on 44 characters in the

Slavic alphabet, namely about alphabetic sign which in essence is a variantof letter . Or about alphabetic sign which is a variant of letter .

But however number of Cyrillic letters is not casual as Slavic alphabet has sacral sense which forms metalinguistic azbua, and conse!uently it is necessary to

consider 4" alphabetic characters, and to consider one empty position withincircular matri# of numerical signs of duodecimal numerology.

*ifferent colors on the chart notes positions according to which Cyrillic lettersform symmetric and regular spatial geometrical figures.Blue color notes Cyrillic letters which form spatial figure which issymmetric concerning first numerical a!is of circular numerological matri!.

+etter means SP,),T or not created and general source of all real in theconte!t of Slavic alphabet.+etter means -M or organic reali/ation of SP,),T.

+etter means ,NN0)MST or evidential sphere of actuality e!isting outside of physical world in metaphysical space where ob1ective reality of universe opens.

Combination of three philosophical meanings or names of three Cyrillic letterse!plains mystical sense of SP,),T which e!ists outside of physical reality# but has

manifestation as a result of organic embodiment.Yellow color notes letters which form geometrical figure which is

symmetric concerning tenth numerical a!is.+etter means 2"T30) or one of three persons of divine Trinity in which there

is e!istence of SP,),T and SN who correspond with names or mystical meaningsof Cyrillic characters and .

+etter means 3,**0N or limiting veil which separates visible material worldfrom hidden space of metaphysical or supernatural reality.

+etter means 0T0)N,T4.Combination of three philosophical meanings or metalinguistic values e!plains

mystical sense of 2"T30) who is eternal and hidden# or otherwise to tellincomprehensible for human understanding.

Green color notes Cyrillic letters which form symmetric spatialfigure concerning eleventh numerical a!is of circular matri! of duodecimal

numerology.+etter means SN or generating spiritual beginning which is the third person of

divine Trinity.+etter means SP,),T5"+,6"T,N or overcoming of limiting veil between

visible world and metaphysical supernatural reality.+etter means 0+,02.

Combination of three philosophical values e!plains mystical sense of SN who isthe key person of divine Trinity# because the Christ personifies 0+,02 which

allows to overcome limiting veil between physical world and metaphysical reality.,n total shown symmetric and regular figures are formed by letters



which correspond to three persons of divine Trinity. "nd also by letterswhich specify mystical characteristics or esoteric 7ualities of divine or sacral

Trinity of the God.,NN0)MST SP,),T $ $ secret e!istence of spiritual source of all real.

3,**0N 2"T30) $ $ incomprehensible e!istence of divine essence.SN SP,),T5"+,6"T,N $ $ reali/ation of divine essence.

+etters in aggregate with form common spatialfigure which is symmetric concerning eighth numerical a!is# that specifies

essential mystical values of letters . ,n particular spatial positionof the letter -)* on the eighth numerical a!is has mental associations

with the first lines of the gospel from 8ohn9 $In the beginning was the %ord, andthe %ord was with &od, and the %ord was &od$ .

esides the shown symmetric figures are formed by Cyrillic lettersand which are on the tenth and eleventh numerical a!es# that too specifies

essential mystical values. ,n essence each letter on these numerical a!es makessymmetric figures with letters .Letters on the tenth numerical a!is are interconnected

with and that specifies divine 7ualities of 2"T30).+etter means N"M0 that is possible to consider as unpronounceable

denomination of the God.+etter means )0"SN or sphere of human ideas which are incorporated by

indivisible divine consciousness.+etter means ,NT0G),T4 or S"NCT,T4 that is e7uivalent to indivisible and

absolute integrity of the God.+etter means 0T0)N,T4 that is e7uivalent to divine eternal infinity.

Letters and empty position of circular matri! are interconnectedwith and that specifies divine 7ualities of SN.

+etter means T)50 that can be considered as truth which became obvious inresurrection of the Christ.

+etter means 0+,02 or trust without rational substantiations# that ise7uivalent to the basic Christian principle according to which belonging to

Christianity is the sufficient condition of eternal life and understanding of true.+etter means G)0"TN0SS that can be considered as glory and eminence of the

Christ.0mpty position of circular matri! symboli/es future kingdom of heaven or celestial

8erusalem.esides in the shown circular matri! of Cyrillic letters it is possible to see other

interesting spatial figures. 2or e!ample# pay attention on geometrical figure whichis symmetric concerning second numerical a!is# and which is formed by

letters and vowel sounds or phonemes # # # and in essence whichare accordant or conformable each other# and conse7uently which are

interconnected not only by philosophical values and mystical senses of alphabeticnames but also by sounding phonetic characteristics.

,t is possible to think that positions of letters in the Slavic alphabet and also otheralphabetic systems in space of circular matri! of numbers of ancient duodecimal



numerology and scale of mathematical notation are caused by volition and reasonof people which created writing characters of human civili/ation. ut also it is

possible to assume that positions of letters are caused by mentality which are notconnected with volition of people# namely which is initiated by celestial

consciousness or otherwise to tell divine reason according to which universal lawsof world reality and rules of cosmic harmony have been displayed in graphical

symbols of various alphabetic systems of mankind. ,n essence it is possible toassume that heavenly beings by means of letters have created sacral cithers or

esoteric codes in which not only phonetic values and acoustic parameters of humanspeech but also divine principles and mystical purposes of a human life are fi!ed.

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@@1 isam video pismo Borivo'a ni original 3ezia 5a'e6 ali znam da ova slova treba da se pishu

tao ao 'e ovde napisano. 8o ugledu na crvenoslo0a1vensi 0pra;, stari;, drevni; ili novi;

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sinonimi za prasrpsi. I 'osh, ne mogu u 'ednom pismu da budu dva ista znaa slova. 0prim.< (. 5ladich1

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mailto:[email protected]



/umachen'e slova glagol'ice 0i irilice1 021

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poko1 re7uies Svemira

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potiche od -oga i kao takva mora da se poshtuje/ ona je istovremeno radost, jer olakshava odnos choveka prema choveku. Drugo ljudsko dobro jeste ZEMLJA , od chijih plodova treba da se ZHIVI . 0o chovek nije nazemlji samo zato da zhivi izichki, kao zhivotinja, vec$ u prvom redu zato,da chovechansi MI"LI , a chovechanski misliti i dobro govoriti, todonosi unutrashnji mir —s#oojstvo . chovek chovechan, spokojan ioplemenjen lepom rechju, koju prati uzvishen osec$aj pripadnosti jednojproduhovljenoj zajednici, takav chovek drzhi do svoje rechi, koja mora

biti chvrsta. *znad svega toga stoji — u neku ruku kao kruna — ono, shto jeormulisano s prve tri rechi+ AZ — BOG — VI$, koji sveto VI$IM , chuje% i osec'a%, pa — prema tome— &na%/ VI$ predstavlja vrhovno sa&nanje o "VEMIRU , u kome

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!roz prastaru sr#su a&uu, dakle i&ra&hena je cela -ilo&o-ija

sr#so. chovea+ njegov odnos prema -ogu, prema ljudima, koji su svi zanjega bili rac'a, njegov odnos prema ZEMLJI , %ajci hranitelji ... & /"ri000 1aro( 1ajstariji2 , %ro. Dr Olga ukovic$4%janovic$, tom 5, str. 56945(7,-eograd+ Dosije, 1997.'

2olim uvazhenu gospodu chlanove Odbora, koji su uchestvovali ukritikovanom radu da pored svih shkola koje smo zavrshili ne zaboravimo iono chemu su nas roditelji i praroditelji uchili i usvojili kao sastavni deonashe ljudske lichnosti. 8a ovakvo znanje zahvaljujem svojoj prababi Savki,koja me je po dolasku iz shkole uvek podsec$ala na potrebu da uchec$i negubim pamet — koju shkole ne daju. )er po jednom od najvec$ih Srba



Svetom 0ikolaju Devichkom &elimirovic$u' ... 1aro( ne &na %no.o) ali &na .lavno02

0e menjajte narodno saznanje, ako zhelite da budemo bolji nego shtosmo sada.

Sacral a0bu1a of Saints 2yril and +ethodius.

Metalinguistic formula and letters of Slavic alphabet.

The metalinguistics is fantastical or mystical understanding of letters and words# as

alphabetic symbols are considered as graphic signs which designate not onlysounds of speech but also philosophical concepts and categories. Namely letters of

alphabet from the view point of metalinguistics are elements of language or logicsigns which mean esoteric or otherwise to tell supernatural sense of human speech.

"nd words in the conte!t of metalinguistics are alphabetic combinations whichspecify not only dictionary semantic meanings but also comple! philosophical

concepts and categories# or mystical values e!isting besides ordinary linguistics.Philosophical categories and mystical values of letters are names which form sacrala/buka or metalinguistic construction of formula according to which the structure

of alphabet is systemati/ed."lphabetic signs have no names in contemporary )ussian alphabetic system# but

primary letters of Slavic alphabet or Cyrillics possess denominations and form thealphabet in which consecutive intelligent statement or phrase is included. Namely

set of symbols in Cyrillics forms the systemati/ed combination of literal names

which form the metalinguistic formula or sacral a/buka and esoteric system ofalphabet.

Names of letters in the Slavic alphabet are not casual and possess intelligent values

which form sacral statement or phrase.Constantine :Cyril; the Philosopher and Methodius from Salonika :Thesaloniki in

contemporary Greece; have created Slavic alphabet for translation of biblical te!tsinto languages of Slavs# and for this purpose it was necessary to fi! phonetic

system of Slavonic languages by means of alphabetic signs which are organi/edaccording to divine laws. "s it was necessary that sacral structures of words in the

ible has not been broken as a result of translation.

Therefore Cyril and Methodius have created the alphabet which is unification of alllanguages of Slavs by means of uniform phonetic construction. "nd also Cyril andMethodius have coordinated Slavic letters with phonetic system of the Greek

alphabet by means of which translation of the ible from "ramaic into language of ancient Greece earlier has been e!ecuted. "nd also Cyril and Methodius have

included in Slavic alphabetic system the sacral formula or otherwise speaking thesacred statement which e!pressed mystical values of divine laws.

elow the table shows graphic symbols or characters and names of letters of theSlavic alphabet# and also phonetic parameters and philosophical categories which

form sacral a/buka or otherwise to tell alphabetical metalinguistic formula.



The a/buka of Cyril and Methodius :Cyrillic alphabet;.

LETTES

Characters.

,!+ES

*enominations.

3-,ET(2S !,& +E!,(,GS -4

,!+ES

Phonetic parameters and philosophicalcategories.

=.

The first letter of alphabet. ccurs from the

Greek >alpha> and Phoenician >aleth>.

Means the pronoun , or

0<0)4N0 .

(.

ccurs from the Greek >beta>.

Means the word +0TT0)S and has

common origin with the third letter of

Slavic alphabet.

'.

ccurs from the Greek >beta>.

Means the word ?N- and

has phonetic ratio with (=st and &'rd

letters and of Slavic alphabet.

&.

ccurs from the Greek >gamma>.

Means the word SP0"?

and has some variants of pronunciation in

different Slavonic languages.

@.

ccurs from the Greek >delta>.

Means words ?,N* or

?,N*N0SS . -ith letters

and in some Slavonic languages is used in

sound combinations and which are

sonant or sonorous conformity of and .

The sound in the Serbian alphabet has

special alphabetic sign which has the

name or that corresponds with

(Ath letter of Slavic alphabet.

Macedonian language for designation ofsounds # # has the character which

corresponds with &th letter in the

Slavic alphabet.

A.

ccurs from the Greek >epsilon>.

Means words N"T5)0 or CNSC,0NC0 or

3N) .

This letter corresponds to the iotated sound

in )ussian but in most Slavonic languages

means ordinary # that specifies phonetic ratio

with '@th letter iotated of Slavic alphabet.



B.

There are no analogues in the alphabet of

ancient Greece.

Means the word +,20 .

,n some Slavonic languages is used in the

sound combination which has phonetic

ratio with (Ath letter of the Slavicalphabet.

The sound combination in Serbian

language has writing designation by means of

special graphical character which reminds (@th

letter in the Slavic alphabet.

.

ccurs from the Greek >digamma> and has

phonetic ratio with the letter but is the

designation of transitive phoneme between

sounds and # or between and .

Means the words )"T30) or

CNS,*0)"+4 .

"nd also it is possible to assume semantic

meaning of the word CNS0NT

which is similar for

S0TT+0M0NT .

D.

ccurs from the Greek >/eta>.

Means the word G)5N* or 0")T3

and in the contemporary )ussian alphabetic

system is incorporated with the previous thletter of Slavic alphabet.

=E.

ccurs from the Greek >eta> or in the

y/antine pronunciation >ita>.

Means the linguistic

con1unction which is not used

in contemporary )ussian language. r means

the word T)50

and has phonetic ratios with ne!t and 'Eth

letters and .

The letter in some contemporarySlavonic languages is absent and is replaced by

the ne!t alphabetic character # but )ussian

alphabet has .

2rom the letter in )ussian language

occurs which actually has phonetic ratio

with which is the source of iotated

vowels.

Southern Slavs use +atin letter 8 which forms

iotated vowels and is similar to graphical

character .



==.

ccurs from the Greek >iota> and Phoenician

>yodh>.

Means the linguistic con1unction which is

not used in contemporary )ussian language.

Fuite possible that the letter corresponds

with soft and long sound of speech# and theletter corresponds with short sounding

near to phoneme .

=(.

ccurs from the Greek >kappa> and has

conformity with &Eth letter of Slavic

alphabet.

Means the interrogative pronoun 3- or

affirmative word collocation T3"T "S or ,T

"S .

='.

ccurs from the Greek >lambda>.

Means the word P0P+0 .

Some Slavonic languages use only soft

phonetic variant of this letter# that is caused by

influence of +atin speech where hard sound +

is absent.

=&.

ccurs from the Greek letter >mu>.

Means the word ,*0" or T35G3T .

=@.

ccurs from the Greek >nu>.

Means the word 5)S .

,n some Slavonic languages there are special

alphabetic characters for variants of soft

sound and nasal phoneme which is similar to

the 0nglish NG.

=A.

ccurs from the Greek >omicron>.

Means the demonstrative pronoun T3"T

N0S0+2 :<0)4 M"N-3; or the word

,T .

2orms part of duplicate digraph which

is resemblance of (&th Slavic letter

which means the word 2"T30) .

=B.

ccurs from the Greek >pi>.

Means words )0ST or

P"C,2,C"T,N and

has conformity with &=st letter of Slavic

alphabet.



=.

ccurs from the Greek letter >rho>.

Means words SP0"? or

SP00C3 .

=D.

ccurs from the y/antine letter >sigma

lunata>.Means the noun -)* .

(E.

ccurs from the Greek >tau>.

Means words ST0"*2"ST or

)0+,"+0 .

,n some Slavonic languages there is phonetic

ratio with letters and .

(=.

,t is digraph of letters and that

corresponds to vowel sound # but sometimescorresponds with the letter or with

sounding like 0nglish phoneme -.

Means words SC,0NC0 or

S?,++ .

((.

ccurs from the Greek >phi>.

Means the word 0+,02 and has

conformity with &(nd letter in the Slavic

alphabet.

Sound of this letter absent in the old )ussian

language# but this alphabetic character wasapplied to record of phonemes and .

('.

ccurs from the Greek >chi>.

Means the word SP,),T # that is

comparable with linguistic prefi! 3,0)

:divine; in words of Greek origin.

The sound in some Serbian words disappears

at pronunciation and reduces into sounding of

breath.

/he modern 7ussian abusive swear;word

has other sense rather than primary Slavic semantic meaning. amely abusive modern

meaning is distortion of the valid mystical

value.

(&.

These alphabetic characters corresponds to the

Greek >omega> and vowel sound at =Ath

letter in the Slavic alphabet.

Means the word 2"T30) .

(@. This alphabetic characters has possible

analogies with the "ramaic >tsadhe>.



Means the word SN and has phonetic

ratio with ne!t letter .

(A.

ccurs from the Greek >7oppa> and is

connected with the "ramaic >tsadhe>.

Means words -)M or0++4 .

,n the Serbian language there is phonetic ratio

with letters and .

(B.

This alphabetic characters is similar with the

"ramaic >shin>.

Means demonstrative pronoun 85ST -3 or

T3"T -3,C3 and has phonetic

ratio with ne!t (th letter .

(.

ccurs from connections of alphabetic

characters and which are identical to the

letter and sound combinations in

the contemporary )ussian language.

,n Serbian alphabetic system there is ratio with

additional letter which designates

sounding and corresponds with @th and Dth

letters and in the Slavic

alphabet.

(D.This alphabetic character is big which e!istsin )ussian and ulgarian alphabets as hard

sign and corresponds to unpronounceable

vowel sound.

Means the word +"T0NT or

3,**0N .

The name of this character is similar to ('rd

letter .

'E.

This sign is digraph of (Dth and ==th

letters and that corresponds to

vowel sound in the contemporary )ussianalphabet.

Means the word SP,),T5"+,60* or

-,NG0* that

is caused by similarity to ('rd and (Dth

letters and .

Sounds and coincide in contemporary

southern Slavic languages.

5krainian language instead of letters and

has alphabetic characters and .



'=.

This alphabetic character is small or the soft

sign in contemporary )ussian alphabet where

has no own acoustic values but is

unpronounceable vowel sound which changes

sounding of previous letters.

The name of this character is similar to ('rdand (Dth letters and that means the

word S0C)0T or

,NN0)MST .

5krainian language uses this character in the

combination which corresponds to )ussian

letter :8;.

'(.

This alphabetic character corresponds with

average sound between and which

is absent in contemporary Slavonic languages

but has phonetic ratio with

letters .

Means words 0NT,)0 or

S"C)0* .

8ay attention that -Dth, "th, "2st, "-nd letters

of the Slavic alphabet have similar forms,

namely derivative graphical symbols or

geometrical figures, and accordingly they have

mystical values which specify gradation of one

common philosophical concept in which words

EI((:, S8I7I/+9FI):(, S:C7:/,S9C7:( are incorporated.

9nd also combinations of philosophical

concepts and mystical values are ciphered in

correlations of graphical forms and

geometrical figures of other Slavic letters,

namely alphabetic characters have formal

ratios besides phonetic proportions.

''.

ccurs from combination of Greek letters ,4.

Means the word G)0"TN0SS or

G+),2,C"T,N asunion of ==th and =Ath letters and .

Probably# this letter can be named iotated but

phonetic value corresponds to the sound

iotated in contemporary alphabets.

'&.

iotated This alphabetic character corresponds with

vowel sound which is iotated variant

of .

Means words T 3"<0 N"M0

because of phonetic ratio with letters

and .



'@.

iotated This alphabetic character corresponds with

vowel sound which is iotated variant of .

Means the word P0)SN or

"PP0")"NC0 because of

phonetic ratio with letters and .

'A.

small Nasal vowel sound which has phonetic ratio

with letter .

asal vowel phonemes are now ept in

contemporary 8olish language.

'B.

big Nasal vowel sound which has phonetic ratio

with letters and .

'.

small iotated Nasal vowel sound which has phonetic

ratio with letters and and iotated.

'D.

big iotated Nasal vowel sound which has phonetic

ratio with letters and and .

&E.

ccurs from the Greek >!i> and corresponds to

sound combination which has phonetic ratio

with letters and .

&=.

ccurs from the Greek >psi> and has phonetic

ratio with letters and .

&(.

ccurs from the Greek >theta> and has

phonetic conformity with letters

and .

Means words )0+,"+0 "N*

2",T325+ .

&'.

ccurs from the Greek >upsilon> and

corresponds with vowel sounding but

sometimes corresponds with consonant sound

.Combination of letters

corresponds with vowel sound .

Means the word 0T0)N"++4 .

Phonetic parameters of letters in the table are not detailed# as there can be reali/edmore significant linguistic analysis of Slavonic languages which have been put in

the basis of alphabetic system of Cyrillic a/buka# that , cannot do# as , am not ane!pert in the field of scientific linguistics.

"nd also philosophical categories of letters or otherwise to tell mystical values of

words in the table are prospective. "s names of letters can be interpreteddifferently according to ambiguous or unknown semantic meanings in a conte!t of



forgotten old Slavonic languages.3owever if to consider prospective philosophical categories or mystical values in

the table then sacral esoteric sense of Cyrillic a/buka or metalinguistic formula ofSlavic alphabet is e!pressed in the ne!t statement.

2 :veryone letters now and spea indness.

Gnow letters everyone and spea indness if to read according with rules of :nglish language.

- %ith conscience live in the consent 0much1 on the :arth." /ruly, how people thin ; that their peace is.

4 Spea the word reliably with understanding of belief to the Spirit, Eeavenly Hather and Son.

/he worm, which is spiritualized 0winged1, is innermost and sacred.J 5a'estic human name is if righteous Soul is entire.

K Spoen word is true eternally.

%ords of 2st;th lines are interpretation of names of Slavic letters.

%ords of Jth line correspond to letters from ""rd to "Dth, and interpretation is

hypothesis .%ords of Kth line correspond to letters from 4th up to 4"rd.

,t is actually possible to consider letters within the Cyrillic Slavic alphabet as

elements of logic construction in which names of alphabetic symbols areinterconnected as numbers in mathematical e7uations. Namely it is possible to

interpret philosophical categories of letters as mathematical signs or logic elementswhich are interconnected by comple! correlations of semantic senses and phonetic

ratios in numerological system of alphabet. r are interconnected by formal ratiosof graphical symbols or geometrical forms by means of which letters are

designated.2or e!ample# phonetic ratio of &(nd letter with and allows to

interpret mystical value as derivative of words 0+,02 and "SS0)T,N# thatfrom view point of semantic meanings can has understanding as something T)50

or ),G3T. Foo additional information about semantic senses and phonetic correlations, and

also about formal geometrical ratios of graphical symbols in the Slavic alphabet of Cyril and 5ethodius on pages of this website in section which has the name letters

of gods.

It is necessary to tell that e#cept for Cyrillic azbua there is another Slavicalphabetic system which has the name &lagolica or &lagolitic alphabet. It is

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possible to assume that &lagolitic alphabet is symbolical designation of a notwriting which was nown to Slavs. amely graphical characters of &lagolitic

alphabet are not azbua which has been created by Cyril and 5ethodius.Slavonic nations before Cyrillic alphabet used $carving stroes$ as writing signs

or scripts, that is similar to runes or runic characters. 9nd also Slavs applied anitted not writing as written language, as !uipu or hipu or taling nots in the

region of 9ndean South 9merica, but Cyril and 5ethodius have created thealphabet in which symbols were similar with &ree letters and conse!uently were

comprehensible to translation of the Bible into Slavic languages./he alphabet of 9ncient &reece was $cradle$ in which contemporary civilization

has arisen, if to consider that &ree language is a basis of philosophy and other sciences, and also astrology and numerology, because &rees or Eellenistic people

accumulated nowledge of all nations. /he &ree Septuagint or translation of the Bible from 9ramaic into language of 9ncient &reece has been e#ecuted on -

century B.C. in 9le#andria :gyptian, and conse!uently &rees or Eellens new thebiblical Scripture before birth date of the Christ. 9postles spoe and &ospels have

been written by language of 9ncient &reece. 9nd also Coptic te#ts of &nosticChristianity have been written by means of &ree alphabet which was adapted forthe :gyptian language. /herefore Cyril and 5ethodius have coordinated Slavic

and &ree letters for translation of the Bible into languages of Slavs. Besides it is possible to assume that Cyril and 5ethodius during creation of the

Slavic alphabet considered sacral numbers which were nown in the conte#tancient esoteric nowledge and numerology. Because mathematical sum of Slavic

and &ree letters 4"L-KMK is e!ual to !uantity of playing elements in the setof square dominoes with four-digit combinations of ciphers from to ", that

corresponds with geometrical matri#es of numbers which conform to levels of step pyramids of ancient :gypt and 5ayan civilization in Central 9merica, that is

written on pages of other website www.dominoopen.64g.ru.

$

Esoteric sense of contemporary ussian alphabet.

Sacral a/buka of )ussian language.

Contemporary )ussian alphabet has no a/buka as letters have no names# butalphabetic symbols occur from Slavic graphical characters. Therefore it is possible

to consider phonetic conformity of )ussian and Slavic letters# and as a resultsymbols of contemporary alphabetic system can have names which Cyril and

Methodius have given letters.,n the contemporary )ussian alphabet there are '' letters# that differs from number

of symbols in Cyrillics as phonetic structure of language has changed and some phonemes were not kept# or have been transformed according to historical changes

of speech. ut however modern letters possess continuity with symbols ofCyrillics# and conse7uently sacral a/buka of the Slavic alphabet is pro1ected on

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contemporary alphabetic system of )ussian language. Namely logic order of modern letters can be considered as metalinguistic formula

which is pro1ection of sacral Slavic a/buka and possesses esoteric senses ormystical values which correspond with names of Cyrillic alphabetic symbols.

elow look graphic symbols or characters of contemporary )ussian alphabet arecompared to primary Slavic letters "nd also look philosophical meanings or

otherwise to tell categories which correspond to names and esoteric senses ofletters in Cyrilic a/buka.

The sacral esoteruc a/buka of )ussian alphabet.

+0TT0)S

P3,+SP3,C"+ C"T0G),0S

=.

0<0)4N0.

Person :carrier of knowledge;.3uman sub1ect :unit of e!istence;.

,ndividuality :uni7ue originality of each human

being;.

(.

+0TT0)S.

0lements of language :marks of human dialogue;.

Symbols :multiple$valued semantic structures;.

Semiotic sign systems.

'.

?N-+0*G0.

?nowledge of self consciousness.

,nterrelation of language with functions of

thinking.

,ntelligence :associative perception of validity;.

&.

S"4 :<0)S;.

Communicative words which are directed on

understanding and dialogue between people.

Coordination tools of human activity.

<erbal e!pression of will.

@.

?,N*N0SS.

Moral benevolence.

*ecency of consciousness.

0thical principles.

A.

CNSC,0NC0.

Self$estimation of acts.

*uty and responsibilities of behavior which is

determined by obligations.

B. 35M,+,T4.Submissive consent with destiny.



"ware or unaware necessity of obedience.

Meekness and resignation to people.

.

+,20.

0!istential life :embodiment subsistence;.

Stimulus :aspiration to creation;.

D.

0")T3.

iosphere.

Manned space of e!istence :coe!istence; and

ability to live.

Physical substance of material life.

=E.

N"M0.

Names of people.

Nominal word :influence of calling name;. Nominative identification :personal image;.

==.

T)50.

b1ective truth :comprehended prototype of

original life;.

"spiration to veritable rightfulness.

=(.

F5"+,T4.

Fualitative characteristics of processes.

Motives of human behavior and reasons of vital

interests.

='.

P0P+0.

Collective assembly of people :civili/ation;.

Mutual unification :emotional merge; of people.

,ntegration of common interests.

=&.

,*0".

,deological thinking.

Public communications of human ideas :customs;.

Common opinion :mass consciousness in attitudesof people to events and facts;.

=@.

N"T,N.

Social continuum :society;.

State population.

Common property and national values

:commonwealth;.

Traditions.

=A.CMMN S0+2.

,mage of perfect governor :prototype of idealworld power;.



Cathedral generality.

8ay attention that in the Slavic alphabet for the

letter O there correspond words E: and H9/E:7,

and conse!uently mental image of ideal world

power is accession of the (ivine law to the :arth.

=B.

P0"C0.

+aw :fair coe!istence of people;.

Pacification and public rights :normative

regulation of human actions;.

2oundations of mutual relations.

=.

SP00C3.

)eference appeal to people.

2ormulating :rational; address in which ideas are

organi/ed.

Substantiation of public saying.

=D.

-)*.

Coordination of words with ideas of people.

Perceived word which has understanding and

recognition among people.

"pproving of words.

(E.

ST"T0M0NT.

<alid :creating; word.

*ue :establishing or initiating; word whichinfluences consciousness of people.

(=.

)0"SN.

Noosphere.

Sphere of human ideas :concentration of

knowledge;.

0ducation.

((.

0+,02.

Trust without direct rational substantiations.

Steadfast convictions of reason.

('.

SP,),T.

0ternal and general initial beginning of the world.

"bsolute source of all real.

(&.

SN.

)eali/ation of spiritual beginning.

,mplementation of spirit.

(@. -M :C3,+*;.rganic :actual; embodiment of alive essences.



irth origin of people.

(A.

S5ST"NC0.

"live substance :vital forms which are capable to

modifications;.

(B.

T)"NS2)M"T,N.

Conversions of a matter :psycho$physiological

changes of substances;.

(.

,MP+,C,T.

3idden veil which hides supernatural reality.

,llusion which covers sub1ective :apparent; world.

(D.

0N+,G3T0NM0NT.vercoming of border between implicit and

obvious worlds.

'E.

0P+,C,T.

b1ective reality e!isting outside of sub1ective

empirical world.

Core essence of things and phenomena.

5niverse :generality of world spaces;.

'=.

G)0"TN0SS.Clearing.

Genuine comprehension of true.

'(.

0SS0NC0.

Transcendental life.

Predetermination of human life by the divine

foresight.

''. S5+.

"bsolute complete life.

Connection of people with the spiritual beginning.

$

"ccording to the listed philosophical categories of letters it is possible to dodiverse verbal statements or logic phrases which e!press esoteric senses of words

in )ussian language. Namely it is possible to form statements which e!presssupernatural metalinguistic senses or mystical values e!isting in words outside of

usual semantic meanings.

2or e!ample# letters of )ussian alphabet in the word 2"T30) correspond to philosophical categories 30 $



ST"T0M0NT $ CNSC,0NC0 :N"T5)0; $ SN that can be a basis of diverselogic phrases which e!press metalinguistic or esoteric senses of this word.

9lso according to philosophical categories of letters it is possible to do logic statements which e#press metalinguistic esoteric senses of human names.

,t is necessary to consider that the listed philosophical categories are terms whichmean abstract general and not universal concepts# that is terminology can vary

according to outlook and conclusions of different persons. ut however structural building of alphabet is universal logic system according to which letters form

sacral formula# and also correspond with numbers in numerology# and in essencecorrespond with the global mathematical construction of world space# and

conse7uently have mystical coordination with esoteric principles and rules whichare determined by general divine laws of universe.

,t is possible to tell that each person can understand philosophical categories ofalphabetic symbols from own view point of individual outlooks on life and nature#

but however logic system and construction of alphabet is universal cosmologicalscheme within which letters correspond with mathematical and numerological lawsof the world validity# or otherwise to tell correspond with esoteric senses which are

included in the sacral formula or a/buka of Cyrillic alphabetic system."ctually the system of alphabet symboli/es mythological >world tree> or >heavenly

ladder> which specifies evolutional way or spiritual development levels of humanS5+# that is comparable to three sides of metalinguistic triangle which is shown

on the chart.

Fetters of

alphabet on sides of the

shown

metalinguistic

triangle are

compared to

numbers

according to

which it is

possible to

calculate

numerical

word

meanings or

human names

in the conte#t

of

numerology,

that is in

detail

described on

following web pages in this



part of

website.

Left side of metalinguistic triangle symboli/es evolution of individuality# namely

human personality at this stage of development reali/es T)50 or otherwise to tellown genuine calling or mission# and also gets public F5"+,T4 or identification

with society.Bottom side symboli/es evolution of public personality# namely psycho$

physiological development of a person at this stage consists that human personalityreaches 0+,02 and corresponds with SP,),T.

ight side symboli/es spiritual evolution# namely immortal human S5+ can beformed according to this stage of development.

The left side of metalinguistic triangle can be named as descending# thatcorresponds with physical birth of a P0)SN and downstream movement in the

material world# or otherwise to tell with divine origin of personal conceivingmonad which proceeds from the God and as a result of psycho$physiological

developments reaches individual consciousness# and also reali/es itself as a part ofsociety.

The bottom side of triangle can be named as surface or hori/ontal# that correspondsto social development and identification of individual thinking with collective

consciousness of people# that as a result conducts to comprehension of divinereason which is general but e!ists irrespective of public mind.

The right side of triangle can be named as ascending# that corresponds withascension of individual consciousness to top of divine reason.

The descending way of development corresponds with concepts of idealistic orsub1ective philosophy according to which human consciousness does not depend

on being.The hori/ontal way of development corresponds with concepts of materialistic or

social philosophy according to which being determines human consciousness.The ascending way of development corresponds with concepts of transcendental

philosophy according to which consciousness determines being.r in aggregate three stages of development are comparable to concepts ofe!istential philosophy according to which individual consciousness and social

being are indivisible."nd also three stages of evolutional development of human personality and three

sides of metalinguistic triangle can be correlated to concepts of occult hermetic philosophy which is system of secret esoteric knowledge in ancient books written

on behalf of 3ermes Trismegistus or the Thrice$Greatest. "s in =(th line of thewell$known 0merald Tablet# also known as Smaragdine Table or Tabula

Smaragdina it is written9 $/herefore I am named as /rismegistus because I ownthree parts of universal philosophy$ . r other translation9 $Eence I am called

Eermes /rismegistus since I have the three parts of the wisdom and 8hilosophy ofthe whole universe$ .

ut it is necessary to consider that occult doctrine and esotericism of hermetic philosophy are not high$grade from view point of theological concepts of Gnostic



Christianity. ecause in the apocryphal ook of 8esus Christ%s -isdom or Sophiaof 8esus Christ or one of many Gnostic tractates from the Nag 3ammadi codices it

is written9 $9ll philosophers told that the F9% is directed on three ways. Some people spea about the world that it goes itself. Others spea that the foresight

directs world. /he thirds spea that destiny. But neither first, nor second or third$ .r other translation9 $9ll philosophers said that ordering of the world is directed in

three ways. Some of them say about the world that it is directed by itself. Others,that it is providence 0that directs it1. Others, that it is fate. But it is none of these$ .

"nd also in the apocryphal Gospel of apostle Phillip it is written9 $wisdom is fruitless without the SO$ .

Namely it is possible to tell conditionally that philosophers reach 0+,02 on thehori/ontal side and correspond with SP,),T on the right side of metalinguistic

triangle# but do not comprehend the SN and conse7uently cannot reachimmortality of S5+. r it is possible to tell that philosophers do not consider

theological concepts of Christian religious philosophy which allows to do the high$grade description of human personality unlike other occult philosophical doctrines."nd as a result philosophers do not reali/e original F5"+,T4 of human

personality and immortality of mankind S5+S. 5ore detailed information on ratio of three sides of metalinguistic triangle with

concepts of different occult doctrines and esoteric teachings, and also religious; philosophical directions of minds I shall try to publish in the future.

9nd also loo information on philosophy of human personality on pages of otherwebsite< www.emotions.64g.ru.

Hollowing page speas about mathematical system of 7ussian and Slavic

alphabets, and also about numerology of other alphabetic systems and writings. amely about numerology of ancient alphabets.

Besides on following pages in this section of website loo information aboutmantic alphabetic systems of ancient alphabets and Slavic azbua, numerological

numbers of letters and phonemes of :nglish language, geometrical perception ofwords and speech sounds with colors, decimal and duodecimal numerical values.

+athematics and numerology of alphabetic systems. Numerological numbers and letters of ancient alphabets.

+etters of alphabets from the view point of linguistics are designations of phonemes which are caused by articulation and possess acoustic parameters#

namely alphabetic characters form phonetic range of sounds which can be said ortold by means of physiological speech organs. ,n essence acoustic phonemes of

human speech are sound waves from the view point of physics# and conse7uently possess physical characteristics which submit to laws of mathematics as any

natural phenomena are subordinated to universal mathematical laws.3ence# letters or characters of alphabets can be considered not only as linguistic

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symbols but also as mathematical signs which designate sound waves. "ctuallyletters of alphabets can be considered as symbols of physical phenomena which

possess mathematical si/es# and also correspond with numbers in numerology. rotherwise to tell correspond with numerical si/es which mean universal principles

and global laws according to which global space of the world validity is organi/ed.Fuantities of letters in different alphabets are not e7ual. ut in any case alphabetic

systems can be considered as sets of written signs which designate sounding ofacoustic waves and physical parameters of human speech sounds# that allows to

correlate letters to numbers in numerology or otherwise to tell with nominalsymbols of sacral mathematics of world space. Though different alphabetic

systems are necessary for correlating to different mathematical scales of notationwhich from the view point of numerology mean different ratios of numbers with

global laws of universe# as each alphabet possesses own individual order or set ofletters.

Slavic alphabet of Cyril and Methodius has &' letters# that is uni7ue and sacralnumber as if to sum &' and (= or 7uantities of alphabetic signs in Cyrillic and

primary +atin alphabets then will be &'H(=IA&# that is e7ual to 7uantity of

he!agrams in the ancient Chinese canon of changes i$1ing which too is sign systemof symbols having esoteric connection with global structures of world space.

Foo detail information on letters of Fatin alphabet further on this page, also loodata on the sacral sum -2L4"MJ4 and he#agrams of the ancient Chinese canon of

changes i;'ing on pages of other website< www.emotions.64g.ru/apf/apf1en.htm./he sacral sum -2L4"MJ4 is very interesting from the view point of linguistics and

numerology, as there is an opinion that he#agrams in the Chinese Boo of Changesi;'ing are symbols of very ancient or unnown esoteric alphabet, and in essence

are alphabetic numerical system. 9lso pay attention that number -2 corresponds with !uantity of playing tiles of the

Chinese dominoes, short of repeating digital combinations. 9s game set of theChinese dominoes develop of -2 basic combinations of digits from 2 to , and

eleven additional playing tiles with digital combinations which are repeating for some basic, namely -2L22M"-.

Besides pay attention to the sums -2L-2L2M4" and -2L22L22M4" at which toothere are sacral numbers, and in particular number 22 which is establishing for

ancient 8hoenician writing which has -- characters 022L22M--1, and also forcontemporary 7ussian alphabetic system which has "" letters 022L22L22M""1.

9nd also pay attention that sacral number 22 is astronomical duration ofchronological cycles of solar activity.

,t is impossible to assert that Cyril and Methodius were guided by sacral numbersand esoteric knowledge about numerological laws of world space during creation

of Slavic alphabet# but nevertheless they have as a result uni7ue 7uantity of letters.,t is possible to assume that Cyril and Methodius calculated letters not only

according to sounds of speech in Slavonic languages# but also they considered thecalendar period which called as Septuagesima and now is known in Catholic

liturgy# and conse7uently the number of letters in Slavic alphabetic system has been established sacral. Namely Septuagesima is the ninth Sunday before 0aster or



the third Sunday before the beginning of Great +ent. Total three weeks or '!BI(=days up to the Great +ent and si! weeks or A!BI&( days of the Great +ent in the

sum have duration (=H&(IA'. ,f to consider one day of 0aster then calendar periodfrom Septuagesima till 0aster includes A'H=IA& days# that is e7ual to number of

he!agrams in the ancient Chinese canon of changes i$1ing.3ence# Cyril and Methodius have compared letters of Slavic alphabet to si! weeks

of the Great +ent and one day of 0aster :&(H=I&';. "nd three weeks fromSeptuagesima up to the Great +ent :'!BI(=; they have compared with +atin

alphabetic system# that has proved numerological coordination of +atin and Slavicalphabets# and also validity of translation of the ible on languages of Slavs.

ow the liturgical periods of Orthodo# and Catholic churches differ. Becauseliturgical :aster period proceeds K days in orthodo# Church, namely " wees

before the beginning and J wees of the &reat Fent, and plus Eoly %ee, butduring creation of Slavic alphabet in the ninth century of new era there were no

distinctions between Orthodo# and Catholic Churchs. Besides sacral number 4" corresponds with the calendar period which consists of

si# wees 0J#KM4-L2M4"1, that corresponds with time from &reat Hriday or esusChrist*s Crucifi#ion till 9scension (ay 04 days after :aster 7esurrection1.

amely " days before and 4 days after :aster 7esurrection till 9scension (ay,

and in aggregate sacral number 4". Now in the +atin alphabet there are (A letters9 " C * 0 2 G 3 , 8 ? + M N P

F ) S T 5 < - 4 6# but original or initial alphabetic system had (= characters9" C * 0 2 6 3 , ? + M N P F ) S T < .

+etter 6 was e!cluded on '=( C but then in =st century C was added togetherwith 4 for records of the Greek origin words.

+etter G was added on ('& C.+etters 8 and 5 were added in the si!teenth century "*.

"nd also contemporary +atin alphabetic system has letter - which is necessary for German and 0nglish languages.

,f to consider that Cyril and Methodius created Slavic alphabetic system on Dcentury of new era then +atin alphabet at that time had (' letters9 " C * 0 2 G

3 , ? + M N P F ) S T < 4 6 among which (= were own or otherwise to telloriginal# and two 4 and 6 were necessary for records of Greek origin words.

Therefore Cyril and Methodius considered (= +atin letters during linguisticcoordination with the created Slavic alphabet# and did not consider two Greek

alphabetic characters. Namely +atin alphabet occurs from alphabetic system of the"ncient Greece and conse7uently two Greek letters were not considered as +atin.

The Greek alphabet is basic or establishing for +atin and Cyrillic alphabeticsystems# and is derivative from the ancient Phoenician writing which can be seen

in the table.



The table shows graphic symbols and names of (( Phoenician letters# and also

numerical values which correspond to ancient duodecimal system of mathematicalnotation which differ from contemporary scale of decimal numbers. Namely signs

and 4 designate duodecimal ciphers which are absent in modern decimalmathematical scale# and also absent in classical numerology of nine numbers.

,t is possible to assume that in ancient Phoenicia there was duodecimal notationand numerology in which there were eleven numbers# namely (( letters was not

only alphabetic signs but also numerical symbols. Top hori/ontal row of == lettersin the table designated duodecimal digital units# and bottom row designated do/ens

which differ from units by /eros# though /ero as graphical sign in ancientnumerical systems was absent as numbers had writing by letters.

ow we now nothing about ancient 8hoenician scale of mathematical notation. But there are bases to assume that in the ancient world there were systems of

calculations in which there were 22 numbers as 8hoenician writing has -- letters. amely as actual in contemporary mathematics and numerology we have decimal

numerical system 0nine ciphers and zero1 which is indirectly connected with!uantity of fingers on human hands, and in essence corresponds with !uantity of

cells in the magic s!uare which has three verticals and horizontals, namely "N"MD. But however there are facts which specify e#istence of duodecimal 0eleven ciphers

and zero1 mathematical scale."ll letters of Phoenician writing are consonants# but "+0T3 and ",N can

designate vowel sounds of speech.Greeks adopted Phoenician writing# but have added letters for vowel phonemes

which are necessary for Greek language. "nd also Greeks have compared

alphabetic symbols with decimal numerical notation# that is shown in the followingtable."lso the table shows Slavic letters which have been compared by Cyril and

Methodius to the Greek alphabetic symbols.



$

"pparently in the table# the classical alphabet of "ncient Greece includes (B

letters# that differs from contemporary Greek alphabetic system which has (&graphical symbols. Characters *,G"MM"# FPP"# S"MP, in the contemporary

alphabetic system are absent# but they are necessary in the classical or ancientalphabet that letters could be signs of decimal scale of mathematical notation.

Namely (B letters make three groups which correspond to units from = to D# tensfrom =E to DE and hundreds from =EE to DEE.

+etters of Slavic alphabet in the table are compared with Greek alphabetic symbolsand have similar numerical values which too form mathematical scale of decimalnotation.

Now alphabetic signs do not use for mathematical calculations# but numericalvalues of letters have sense in numerology. "s letters in words or names of people

from the view point of numerology are not only alphabetic symbols but therecorrespond to numbers# that allows to consider not only semantic meanings of

word and names# but also esoteric metalinguistic senses which are caused bymystical values of numbers.

2or correct numerological calculations it is necessary to use regular or rectilinear

alphabetic numerical matri!es according to which letters correspond with numbers.ne of regular and authentic is the numerical matri! of classical or ancient Greekalphabet# in which letters correspond to numbers of decimal scale of notation. "s

(B letters coincide with (B cells which are formed by D verticals and ' hori/ontalsof numerical matri!. Namely (B alphabetic symbols correspond with nine

numerological numbers on verticals# and also with three hori/ontals whichcorrespond to units# tens and hundreds.

ther alphabets too re7uire regular numerical matri!es which allow to correlateletters with numbers in numerology correctly.

,f 7uantity of letters in any alphabet mismatches D verticals and ' hori/ontals ofdecimal numerical matri! then it is possible to use other systems of mathematical



notation. r it is possible to unite letters in cells of numerical matri!es# or tocorrelate combinations of letters with numbers.

2or e!ample# '' letters of contemporary )ussian alphabet can be correlated withthe matri! of decimal numbers as shown in the table.

/he shown table differs from the alphabetic

numerical matri# which is applied in modern

$popular$ numerology and is widespread in the

occult literature, but the e#pediency of application

of this or that systems of calculation remains on

your discretion.

Foo information on the $popular$ numerical

matri# for characters of 7ussian and :nglish

alphabets on pages of other website.

7ussian: www.numeralgame.64g.ru/num/num.h

tm. :nglish: www.numeralgame.64g.ru/num/nume

n.htm.

+ook logical principles and linguistic rules for arrangements of )ussian letters in

the shown alphabetic$numerical matri! on parallel ussian page of this website."ctually it is necessary to consider ratio of letters with acoustic parameters ofspeech sounds that alphabetic symbols could be correctly correlated with numerical

si/es which mean universal physical and mathematical laws according to which theworld space is organi/ed. "nd the shown table is only prospective comparison of

contemporary )ussian alphabet with numerological matri! of classical Greekalphabetic system.

Foo other prospective ratio of modern 7ussian alphabetic symbols with decimalnumbers and classical characters of the !ree" alphabet on pages of this website

in section which has the name< letters of gods.Similarly letters of other languages and alphabets can be compared with classical

Greek alphabetic matri! if it is necessary for calculations of numerical values andanalysis of metalinguistic senses of words or human names in a conte!t of

numerology.2or e!ample# combination of letters S3 in the conte!t of 0nglish language can be

included in order of alphabetic symbols and can be compared to the Slaviccharacter . "s a result (A 0nglish characters and combination of letters S3 can be

compared to (B cells of classical Greek alphabetic matri! and numbers of decimalscale of mathematical notation.

The 0nglish alphabet is derivative from ancient +atin alphabetic system in whichdesignations of numbers or otherwise to tell )oman ciphers are only some letters#

namely ,<+C*M. ut it is possible to correlate +atin letters and combinations of graphical characters with classical alphabetic matri! of the "ncient Greece for

calculations of numerical meanings of words and names in numerology.

r (= letters of the primary +atin alphabet can be correlated with numerical matri!

http://www.wordgame.64g.ru/meta/meta3.htm


http://www.wordgame.64g.ru/meta/meta3.htm




which is formed by numbers of octal system of mathematical notation# that isshown in the following table.

The shown matri! has

seven verticals which

correspond tonumbers from = to B#

and also three

hori/ontals which

correspond to

e!tensions or powers

of numbers# or

otherwise to tell with

units# tens and

hundreds.

/ens and hundreds in

the conte#t of octal

scale of mathematical

notation have no

special names.

Seven numbers of

octal notation in the

shown matri! are

compared to symbols

of planets which

correspond with seven

days of week in theconte!t of astrology.

,n essence the octal

scale of mathematical

notation and also (=

letters of the primary

+atin alphabet can be

considered as

astrological system# as

numbers and

alphabetic symbols

correspond to planetsin astrology.

$

esides this table shows (( graphical characters of the 8ewish alphabetic system#

and also names and numerical values according to which 3ebrew letters form so$called ?abalistic or Cabbalistic alphabet.

Numerical values of 8ewish or 3ebrew letters correspond with decimal scale ofmathematical notation# but are located within numerical matri! of octal system of

calculations# that allows to see logical contradictions or otherwise to tell discordsof numbers. "nd also it allows to see absence of regular and correct ratio of 8ewish



alphabetic system with symbols of astrological planets which in essence areidentical to seven numbers of octal scale of notation# and conse7uently we can

consider relations of ?abalistic or Cabbalistic alphabet with planets as doubtful. Namely in the occult doctrine of Cabbala or ?abala it is possible to find

coordination of (( Cabbalistic letters with planets in astrology. "nd also it is possible to find coordination of (( ma1or "rcana of Tarot fortunetelling cards in the

occult literature with Cabbalistic letters and astrological planets# but it is notcorrect from the view point of astrology and numerology. "s in the shown

numerical alphabetic matri! it is possible to see that letters of Cabbalistic alphabet#and also ma1or "rcana of fortunetelling cards of Tarot mystical system do not

possess regular and correct ratio with octal numbers# and in essence cannot be placed in (= cell of the shown numerical matri!# and conse7uently cannot be

compared to astrological planets."ctually (( letters of the 8ewish or 3ebrew alphabet are derivatives from

alphabetic symbols of ancient "ramaic language and Phoenician writing whichcorrespond to duodecimal scale of notation# and conse7uently ratios with decimalor octal numbers are doubtful from the view point of numerology.

There is information that in an anti7uity there was ancient 3ebrew alphabet having(B graphical signs which can be correlated with numerical matri! of the Greek

alphabetic system# and as a result 8ewish letters can be coordinated with ninedecimal numbers of classical numerology. ut (( graphical characters of

contemporary 8ewish alphabet# and also alphabetic symbols of Cabbala arenecessary for correlation with numbers of duodecimal mathematical notation.

"nd also '' letters of contemporary )ussian alphabet are necessary for correlatingto numbers of duodecimal scale of mathematical notation# because ratio with

decimal numerical signs are doubtful from the view point of numerology.To operate with duodecimal scale it is necessary to add two additional ciphers or

figures to natural numbers from = to D# that is unusual for mathematics andnumerology# but is essential from the view point of global mathematical laws

according to which construction of the world space and validity is organi/ed. "saccording to == numbers of duodecimal scale it is possible to see numerical laws

and esoteric mystical rules which can not be taken into consideration in theclassical decimal mathematics and numerology.

ow in the +S9 and in the &reat Britain there is a duodecimal society. amely/he (ozenal Society of 9merica or &reat Britain which use 7oman symbol for

designation of tenth cipher, also upside;down turned and mirror reflected symbolof decimal number " for eleventh cipher, that actually corresponds to graphical

forms of letters /9 and SEI of ancient 8hoenician writing. But also forrecording of duodecimal numbers it is possible to use letters of contemporary

7ussian alphabet. Or it is possible to use graphical symbols which are shown on pages of other my website

Црквенословенско писмо

http://www.phantomgallery.64g.ru/auto/autoen3.htm

http://www.phantomgallery.64g.ru/auto/autoen3.htm



Уместо увода

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CI<=FIJF KI FB;@K< M;>JBK?=P?JBK=>".\ILF? =B GIJF E?P<CIG?;IJHBK@, @;FJ@ ABC>?@ E=@?@]

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ABC>I < KBE;?@BXBK?@ ?GP><, CIN;IP? =B N? E?RBF>I 1[. JB>I.

BFI; * AB <;IN? E;J< JBP>< ;BY?;@< T;PMB K?J?, FCJ.;IIK=>? E=@? AB E;WJITBK? =J@ KI;?N@I >?A =< N? FINI>?;=FP =>H<RJ? M;>JBK?=P?JBK=>? E=@?.

Црквенословенска азбука

PQRTUQ UVWXYZ[\[XYZ\W[] ^T\_Q \Q ^VYX[`[_ ZQ \V^\WT

56789 "7:;789$ <97=>? @."#$ A CD?78

TYV[XQZ[ VQZ\WVTR[XQZ[ transliteraci'a.

http://guskova.ru/~mladich/vera/nemanje


http://guskova.ru/~mladich/Njegosh/








56789 "7:;789$ <97=>? @."#$ A CD?78

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O

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QR

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UVWXU

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YXZ[X

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\]^_ :`R]^R# `R]V;

4est L is

R^R `X^R# ^R

6hivyote L yo

RUX :^V ]R Kj :Kj;;

*/elo L very

RU :KRV;

6emlya L e

R

,/he L wh

, L and

R O[V^OXR :O[V^OX j; ,/he L $

VOX

?ako L ho

:;

+yudi L peo

q]U^R :]U^R;

Mislite L you

V Nash L ou




56789 "7:;789$ <97=>? @."#$ A CD?78

n L he

[XOXR :[XOX Xj;

RWV :^V ]R Xj;

mega L

UR

le L

XOXx :XOX`;

Pokoy L re

z{ :[R{;

)tsi L sayLt

}UXX

Slovo L wo

~R[X :^[X;

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•O

5k L science# l

•O# XO

5k# onik L $

€R[^

2ert L $

R[

3er L acro

^ :X; t L fro

‚ :{;

Tsi L $

ƒR[_ :R[# {[;

Cherv L moth#




56789 "7:;789$ <97=>? @."#$ A CD?78

„V Sha L $

…V :V;

Shcha L $

\[

0r L $

\[ :R[;

0ri L $

\[_ :R[:`;;

0r L $

†^_ :`V ;̂

4at L $

‡ :`; 4u L $

† :`V; 4a L me

qVUx ] :VU `]. ^V ]R `Vj;

Maliy yus :y

] :^V ]R O]j;

?si :ks; L

] :^V ]R ]j;

Psi :ps; L

€^V :^V ]R ˆj; 2ita :f; L

{V :^V ]R j V ]V VO{R^X j;

,/hitsa :i# v

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1. KI E?RBF>< ;BR &FIRKAB+ KI E?RBF>< ;BRBKMB'/

5. < FB>=F< >?A AB MB? KIE=IK JBP>@ =P?J@I &KI=P?J

FN.'/



3. <K<FI; ?GRK? FB>=FI CI ?CKIRIJIXB FF<PI MI;=>BE?;?NMB &`'

Z. =?E=FJBKB @BKMB &@BKI H<N =P.' KIM;>JBK?=P?JBK=>?@ ABC>< EL< =B @IP@ =P?J?@.

P?J? JBP>? A<= =;BTB =B J;P? ;BF>?+ CI KB>I @B=FI <

;IR<KIX< J;B@BKI I=WB F? <PIJK?@, =I@? JBP>?. P?J? &>', <M;>JBK?=P?JBK=>?A K<@B;IMA, >?;=F =B CI ?GBPBIJIXB G;?AI Z77.

Надсловни знаци у црквенословенском писму

=@ ?=K?JKW =P?JI, M;>JBK?=P?JBK=> ABC> AB AI>? G?IF

@?TK@ ==FB@?@ KIN=P?JKW CKI>?JI >?A =< E?NBHBK < NJB ;<EB+I>MBKF CKIM =>;ITJIXI E=@I.

Акценти у црквенословенском писму

1. — =F;?B <NI;BKB &?>=' =;E+ &?LF; I>MBKIF — ?>=AI'

5. — BP?B <NI;BKB &JI;' =;E+ &FBL> I>MBKIF — JI;AI'

3. — GPBRBKK?B <NI;BKB &>I@?;I' =;E+ &PI> I>MBKIF'

Z. — ;NWIKB &CJIFBPM?' =;E+ &E;NWIXB &CJIFBHM?''

q. — ;NWIKB = ?=F;@ <NI;BKB@ &=?' =;E+ &E;NWIXB =I?LF;@ I>MBKF?@'

6. — ;NWIKB = FBP@ <NI;BKB@ &IE?=F;?Y' =;E+

&E;NWIXB =I FBL>@ I>MBKF?@'

(. — JB RB;F?R> NP M =;E+ &E;@BKF= F?P>? KINMB NP ?G?CKIRBK BB PI=K?=F' &NJB M;FMB CI M< —>?;=F =B =I@? KIN M?@ CI ?CKIRIJIXB XBKB PI=K?=F+ "P J"'

: M;>JBK?=P?JBK=>?@ ABC><, KIN=P?JK CKIM @?< NI =B =FIJHIA< =I@? KIN =I@?PI=KM@I. BR @?B NI =IN; =I@? ABNIK I>MBKIF.QIN=P?JK> >?A =IN; E;NWIXB, @?B NI =B =FIJHI =I@? CKIN

E;J? =P?JI < ;BR &I>? AB ?K? =I@?PI=K>'. ?G;K<F?+ I>? AB E;J?



=P?J? < ;BR =I@?PI=K>, KIN X@ =B ?GIJBCK? =FIJHI I>MBKIF =IE;NWIXB@.

Знаци скраћивања писма

1. — IB;?> =;E+ &EIAB;?>'

5. — ;?=F?B FFP? =;E+ &E;?=F FFP' A?L @K?? =P?J?4FFP?JI.

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>?K>;BFC?JIKI. QB>INI =B >?;=F? @K?? JLB FI>? NI AB @IPFBKB@I? =FIF<= N?NIFK? =P?JI. : M;>JBK?=P?JBK=>?@ ABC>< E;@BX<A< =B=PBNBT =P?J?4FFP?J+ J, , N, , C, K, ?, ;, =, W, R. QICJIA< =B ?K E?@BK< =P?JI C ICG<>B = N?NIF>?@ ;BR 4FFP? &=P?J?4FFP?, N?G;?4FFP? ...'. J? >I>? ?K CPBNIA<+

PQRTUQ UVWXYZ[\[XYZ\WTN T[XQ

: E;KME<, EIAB;?> =B =F? ?NK?= >I ;<E FFP?JI &B;4FFP'.

FP?J , , , E;@BX<A< =B RB=F? &E?=BGK? ' I ?=FIP ;BPIFJK? ;BF>?.

Црквенословенска нумерација

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;?ARIKB J;BNK?=F 37 =P?JI ICG<>B =< =PBNBT+PQRTUQ UVWXYZ[\[XYZ\WY Z_YVQUTY

( ' & @ A B

(E 'E &E @E AE BE E



(EE 'EE &EE @EE AEE BEE EE

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19, =B =FIJHI KI >;IA G;?AI. ;?ABJ JBT ?N 1777 EL< =B =F@ ?J@

=P?J@I =I@? =B E;BN XW N?NIAB FCJ. T;PRK CKI> CI WHIN<. KIP?RK? F?@B, E?=F?AB A?L NJI CKI>I CI E=IXB JBP>W G;?ABJI+ CI

177 WHINI CI @P?K+ .

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, , . ^I? < ;<=>?@ ABC><, ;BR =F? FI>? KB @?B NI E?RXB

=I , P . P?J?@ , < M;>JBK?=P?JBK=>?@ ABC><, E?RXB =I@?

ABNKI ;BR+ BCNI & 4=+ E<F/ J?XI' — & ?=FIPB XBKB

JI;AIMAB'. : KILB@ =;E=>?@ ABC><, AI A?L K=I@ JNB? K ABNK< ;BR>?AI G E?RXIPI KI JBP>? AIF. QI E;@B;, Qѣ?LBJw?;=>xJxBKIMy ?GP<AB @IP@ AIF I JBP> =B =;BTB =I@? < @BK@I WB;?AI.

. II . : „ ”П П Н гошъГ орскій віенацъ

INI AB @K?? PI>LB ;IC<@BF KI >I>J?@ AB F? E=@< B?LKIE=I? w?;=> JABKIM. QB> F? C?J< =PI&?'JBK?=;E=>, KB>?=;E=>?=PI&?'JBK=> KB>? RI> =PIJAIKMI" &F? KI;IJK?, KAB

=PIJAIKMI'. {I GW I KICJI? ABNK?=FIJK? T;PM?@". K? @I 3(=P?JI F? =<+ w|}~\•€{^_Qf:‚ƒV„…†‡ˆ‰ѢŠ‹

IGJNBŒCxA>P@K?E;=FT<YWMRLyѣ

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1. CGIMF =P?J? Ѣ &AIF'/

5. CGIMF =P?J? /

http://guskova.ru/~mladich/Njegosh/1847/






3. CGIMF =P?J? •/

Z. CGIMF =P?J? ˆ/

q. J;IFF =FI;? =P?J? /

KB <NIHIJIF KI= ?N ?=FIP? =P?JBK=>? =JBFI =I MHB@ &>;?C=F?;A< N?>ICIK@ >I? IE=<;NIK' NI =B E;GP@? CIEIN< E;B>?E=@I >?AB TB GF <E;?LTBK? PRF KI PIFKM< &KI =F?> F;BGINI PBNI@?, E?;<R? KI@ AB J?;IM'. A. K>I>JW Ž LFI F AICKI@.

\ILF? CGIMF P J;IFF =FI;? ] JB AB F? AI>? ABNK?=FIJK?+BJ? >I>? CPBNIA< JBP>I @IPI =P?JI T;PMB PIFKRK?IPYIGBFI+

I G J w N | B }Œ ~ \C •x € {A ^> P _@ QK ? E ;= F fT :< ‚Y ƒW VM „R … †L ‡y ˆ ‰ Ѣѣ Š ‹ a -b c Dd e ‘g ’h *i )j !k l 2m 0n Oo %p “” r Ss t #u v

– ˜™ š› 8z

{I=K? =B JN NI =< =JI @IPI T;PRKI =P?JI KIE=IKI =F? >I? JBP>I LF? AB, P?RK? E;IJPK? =PK?&`' I F? KAB =P<RIA =I

PIFKR>@ IPYIGBF?@. : T;PM ABNK F<KM" =< , . =BC<C@I C N=><=AB AB; AB ?K? <K>IPK? ABNK=FJBK? CKIR ?.

QB>I ABNK=FJBK@ ?=FIKB. P, =FI;? AB CPBNIP? ?JI>? I

CGIRBK? AB A?L JBF@ ^PB@BKFAB@/ JB;?JIFK? @< AB =<JLB PRP?KI ;R>< IPY<.

F?, F?P>? ? =JB@< F?@B. J?A ABC>, E=@? =F?;A< F;BGIJ?PBF. ?;BN HBE?FB, CB@HI =B G;IK CKIXB@ AB;+

«

1. P?JBK=> &=PIJAIK=>' ABC> =IN; < =BG =EI=IA<T< ?=JBFFBHK< =P< ...

5. P?JBK=> &=PIJAIK=>' ABC> =IN; < =BG KI<>< J?FI <?NK? ?< <@BFK?=F =JBF?=F ...

3. P?JBK=> &=PIJAIK=>' ABC> AB ABC> ;IC?J?;I = ??@ CIF?J?HBK @ ...

Z. P?JBK=> &=PIJAIK=>' ABC> AB ABC> E;B@<N;?=F ?ABA CIF?E;BJICPIC PIFK=> ;R>. : E?>JI;BK< N<L<, — ;BRB;B@<N;, — KB @?B NI <B @<N;?=F/ >I? LF? NIKI= E?>JI;BKI,

PIFK=>I N<LI, CI=PBEHBKI E;BCI=TBKI E?IK=>@=PIJ?H<GHB@ ?;N?LT< =F;INI/ >?AI ?A< E;B@<N;?=F



N<W?JK ;IC<@, =@;BXB, ABNK?=FIJK?=F N?G;?F< K>I>? KB@?B NI E?NKB=B" ...

q. P?JBK=> &=PIJAIK=>' ABC> AB ?@;CK<F IJ?P?@ ...

6. P?JBK=> &=PIJAIK=>' ABC> KB J?PB ?K >?A@I JPINIA<KBR=FB =PB ...

VQ`Q . . Q_QZ[XQ 3jVQZTUQ T T\[VTY R[VRY Q

UVWXYZ[\[XYZ\WT YTW6 \Q

)od -ork9 *ecoding the Glagolitic Script

Glagoljica Uglata – Istria, Croatia

The Glagolitic script is the first known Slavic system of writing. It predates the

Cyrillic alphabet by a couple hundred years, and was originally thought to have

been developed by Methodius, the brother of St Cyril, creator of Cyrillic.

However, new studies of the Carpathian Rovas (Slavo-Sarmatian runes),

which date from the seventh century,exhibit phonetic and ligature patterns

similar to Glagoltic. Glagolitic itself doesn’t appear on the scene until 862

when it was developed by Methodius’ monks at the behest of Prince Ratislav

in Great Moravia. This was presumably done to aid the Christian conversion of

his subjects but was in fact a more pragmatic political maneuver to provide

catholic liturgy in the native tongue as a means of weakening the influence of

Frankish priests in the area. Glagolitic was thought to have, at first, been

developed to serve the Slavic speakers of Bulgaria and Macedonia since Cyril

and Methodius were both from Thessaloniki. It took on greater significance in

Bohemia however. Such a controversy it became that it resulted in the

imprisonment of latter brother’s disciples. Those that remained free fled south

to Bulgaria in the late 9th century. Here King Boris I faced a similar political

situation. He welcomed the learned students of Cyril and Methodius and

encouraged them to write missiles in the native Slavic language as a means of

http://www.omniglot.com/writing/carpathianbasinrovas.htm

http://wiki.rovas.info/Glagolitic_script


http://www.omniglot.com/writing/carpathianbasinrovas.htm





checking the influence of Byzantine power. Over the next two hundred years

Glagolitic once again spread northward. It made it’s way to the court scribes of

Vladimir I and the newly established monasteries of Kievan-Rus in 990. In

1248, Pope Innocent IV granted the Croatian the clergy of

southern Dalmatia the unique privilege of using the script to write Roman

Rite liturgy. Here an angular version of Glagolitic called “Uglata” was

developed. This is the script I will be referencing here in this analysis.

As many of you know, I am a Slavic heathen and witch. That said, my

heathenry and my craft is informed primarily by the west Balkan experience.

Naturally, the unique preservation of the Glagolitic script in this region has

always fascinated me. I felt compelled to explore this in greater depth. Like the

the hebrew “aleph-beth” or germanic runes, Glagolitic is a system full ofesoteric symbolism and magical potential. Each letter is both a word and a

number. The task of decoding the letters seemed dauntingly confusing

however. First, there are several variations of the script (Bulgarian,

Macedonian, Croatian, Ukrainian, ect), some with up to forty characters or

more. Nevertheless, I had this topic on my to-do list for well over a year but

had no clue how to approach it. At some point I recall sitting down and praying

for guidance. I opened up my secret book where I had hand drawn the letters

along with their phonetics, meanings and correspondences. I noticed theRider-Waite Tarot deck tucked away in the corner. There I caught a moment of

inspiration. I thumbed through each letter in the book and recalled the

corresponding Tarot card, beginning of course with the major arcana. Slowly a

pattern began to emerge. Spellbound I continued to pour over the symbols,

cross-referencing, analyzing and reanalyzing. Something visceral was

suddenly emerging – like I had awoke to find myself having fallen asleep atop

an endless pile of gold only to notice the piercing eye of a massive dragon

starring at me as I pan back my field of vision. Could Glagolitic contain thesecrets of a long forgotten, Slavonic christian mystery tradition?



Baška Tablet, Church of St. Lucy in Jurandvor, Croatia

Like the Bogomils, dual-believers, old believers, witches and other heretics

before them, many of our Slavic ancestors went to great lengths to preservethe indigenous European religious gnosis by shrouding it in the imagery and

discourse of the new Christian doctrine. Could this Slavic system of writing

reveal something timeless about our native faith that we might not otherwise

know? I caught shivers contemplating the possibilities. Then, like most fleeting

moments of incredible revelation, I became overwhelmed by the enormity of

the task set before me by the gods. I didn’t muster the strength to revisit the

subject for another three months. Plus I wasn’t sure it would be worthwhile to

pursue something that seemed so far out. That said, it’s not like we don’t knowthe names of most of the letters and a thorough study of the ligatures slowly

reveals its aesthetic concepts, which in turn reveal patterns. This aside, having

a template, or “rosetta stone”, with which to cross-reference my cursory

analysis would be helpful, and that is where the Major Arcana of the Tarot

comes in. The Tarot is thought to have been brought to Europe by Mamluk

Egyptians in the 14th century but was no doubt disseminated by the nomadic

Romani people who carried it from the east to the west in their caravans. The

largest Romani communities are in the Carpathian basin in countries likeRomania and Slovakia. Thus Slavic folk magicians would have been well

aware of the system at the beginning of the early modern period.

Since the Glagolitic runes are much older (presumably) than the tarot, I will not

suggest the former’s development was pattered in any way by the latter, and

knowing this, perhaps the “rosetta stone” metaphor used in the previous

paragraph is an exaggeration. A better metaphor would be a mirror. The the

Major Arcana is visual template that reflects the visceral nature that lies behindour intrinsic reality. The cards tell the tale of the cyclical journey of the

individual, as he or she travels from blithe ignorance towards the vistas of self

knowledge and cosmic wisdom. The Tarot appeals to our sense because it’s

imagery is archetypal and recognizable by all (note: I am not suggesting here

that the Gods/spirits are archetypes!) Over the course of my analysis of

Glagolitic, where relevant, I make note of similarities between the letter and its

corresponding card in numerical order. These correspondances are purely

coincidental (or synchronistic, if you prefer that word). Where there are no



apparent similarities with the Tarot, I point that out too. I did not attempt to

locate a card correspondence for each and every letter, as it is not my

intention to graft the Tarot onto Glagolitic. My area of focus was determine

whether or not Glagolitic possessed the element of magical intent. If so, it

surely has a narrative of its own, perhaps one colored in a unique way by the

people who first conceived of it. Please refer to the Rider-Waite deck as that is

the one with which I make reference to.

Glagojlica Uglata

Az | A (Eng.I) Tarot:The Fool

The first letter Az is an ancient Slavic word for “I”. Like the Fool, it mightrepresent the ego-self that naively dances toward the cliff, whereby he or she

embarks upon a hero’s journey. Like Shiva of the ancient Indo-European

religion, the trident shape of this letter could signify the tree worlds inside each

of us. This may also represent the god Rod united to Rozhanitsa, the triplegoddess of fate who dwells below. Rod was first among the gods. He churned

the cosmos into being (notice the butter churn-like shape?).

Buka | B (Eng.sound, noise) Tarot:The Magician

The magician masters the arcane art by conjuring various spirits usingincantations, charms and words of power.Buka means “sound”. There are four

arms here, and the Magician possesses power over the four elements. To me

this is symbolic of the first magician, the divine blacksmith Svarog. He created

the cosmos and separated the worlds of gods and men by building the 12

pillars. He is the demiurge who created all the other gods through the loud

clash of his hammer upon the great stone.



Vedi | V (Eng. view; see) Tarot –The High Priestess

Priestesses like the sibyls and völvas were the great seers of old whose

prophetic visions are the stuff of legend.Vedi means “to see”, but not merely inthe optical sense, rather in the ability to understand things that are hidden to

most others. This letter is about esotericism. Interestingly enough, in northern

Croatia a class of large, hairy forest spirit are called vedi. These are no

different than theleshy known elsewhere in the East. The letter’s shape couldsignify two eyes. It also bears resemblance to the columns of Jachin and Boaz

seen in the High Priestess card.

Glagoljo | G (Eng.verb; words; ripples) Tarot –The Empress

The Empress is seated amid a lush garden full of vegetative life representing

creation and abundance.Glagolje are action words, specifically verbs. Theword is derived from the much older Slavic word for “ripples”,which is amazing

considering the Empress is depicted in front of a stream of water rippling at

her feet. This could represent the ‘effect’ half of the law of cause and effect.

Notice the flower shape of the letter? This brings to mind Jarila (Lada) who is

the goddess of the summer harvest.

Dobro | D (Eng.right; good) Tarot –The Emperor

The Emperor is about leadership, right action and logic. It’s interesting then

that the Slavic word for “right” stands across from this card. This letter kind of

looks like an Emperor’s throne. It speaks to me as belonging to Perun (notice

the ax-head shape?). Perhaps it belongs to the original Deus Pater of proto-

Slavic religion.



Jest | E (Eng.exists; is) Tarot –The Heirophant

Questions of an existential nature are the purview of priests and religious

leaders like the person depicted in the Heirophant card in the Tarot deck. To

denote that a thing exists the word jest is used. It is also the emblem for theEuro, the currency of exchange in the European Union.

Živite | Zh (Eng. to live) Tarot –The Lovers

Živite means “to live”, and as such, the Lovers here seems appropriate. Life isabout the relationships and interactions between various lifeforms, and

certainly it takes two to recreate life. This brings to mind the divine twins of the

northern European fertility cults. Here we think of Freyr and Freya, LJelj and

Ljelja, ect. Notice the dualism in the letter’s shape. This letter might also

associate with the goddess Živa.

Dzelo | Dz (Eng.work; action) Tarot –The Chariot

The Chariot card is about momentum and will power. The potential

correspondences with the Major Arcana become quite striking

now.Dzelo means “work” or “action” and the letter’s trifold character with the

top ligature reaching forward mirrors the symbolism of the charioteercommanding the two sphinxes. This could represent the solar chariot

of Dažbog, which seems coherent given the letter’s phonetics.

Zemlja | Z (Eng.earth) Tarot –Strength

Zemlja is the Slavic word for “earth”. She is also the oldest known SlavicGoddess. In the imagery of the Strength card a maiden gently opens a lion’s



mouth. Here we find a fine motif for the regenerative power of the earth that

simultaneously gives and takes life away. Notice too that the infinity symbol,

present in the Tarot card, is reflected diagonally in this Glagolitic letter. The

curved ligature at the bottom indicates that an infernal power resides below

the terrestrial power.

Iže | I (Eng.behind; beyond) Tarot –The Hermit

The Hermit appears as an old, bearded sage who shines a light upon a dark

path.Iže is an article word in most Slavic tongues meaning “behind” or

“beyond”. Like the Hermit himself, this may represent a central figure, wellbalanced enough to see the wisdom of both sides of an issue, hence the

shape. The letter has a very mercurial feel to it, reminding me very much of

the horned god Veles.

I | Y (Eng.and; or) Tarot –The Wheel

This word means “and” in all Slavic languages, which would make sense when

juxtaposed against the Wheel in the Tarot deck and its association with time.

Hense the hourglass shape. This might be a symbol for our life in Jav. Every

action has its corresponding consequence. This also brings to mind the South

Slavic Fates called Suđenica, or the female spirits elsewhere called Doyla and

Nedoyla, an animist conception for the binary nature of fortune.

Đervo | J (Eng.wood; timber) Tarot – Justice

Wood provides curious imagery for the twelfth letter in the Azbuka. Lady

Justice holds a sword and scales, and the ligatures reflect that if you look

closely. Wood is a symbol of civilization and was the principle building material

in heathen culture. Wherever urbanization occurred, laws followed to maintain

the social order. Here I recall the goddess Dzevana, the wild, virgin huntress ofthe forest from which wood is procured. I am also reminded of the Wendish



goddess Zaria, who like Lady Justice, wielded a sword, and to whom warriors

are said to have made sacrifices at dawn. Together they symbolize the liminal

boundary between night and day, as well as the metaphorical “hedge”

separating urban “civil” and rustic “wild” societies. Both goddess were

associated with the planet Venus and together they may well represent

the Zoryas as understood in Russia; personifications of the morning and

evening star.

Kako | K (Eng.how) Tarot –The Hanged Man

Kako means “how” in all Slavic languages. This letter is perhaps the mostpeculiar of all. It almost resembles a door hinge or a lever of some kind.

Although there are no obvious symbolic or visual connections to the Hanged

Man (aside from say, a crude depiction of a broken neck), the “hows” of things

are those ordeals and sacrifices that have shaped our overall view of the

world.

Ljudije | L (Eng. people) Tarot –Death

This letter is named after the Slavic word for “people”. Of all the creatures on

earth, we humans have gained conscious awareness of self and are thereby

cognizant of our imminent death. The implications of this knowledge is the

source of most human suffering. That said, it is also the source of humaningenuity, hence the binary shape of the letter. It is fitting then that the people

in question here, the Slavs (slava meaning “glory”) viewed death as a gloriousact of sacrifice, wherein one could continue to support the living from the other

wold.

Mislite | M (Eng.to think) Tarot –Temperance



In order to make sense of the mysteries of life and death it is necessary to

think using our capacity for reason and intuition alike. Mislite reflects the

balanced flow and integration that we see in the image of the Temperance

card. The M shape even gives the appearance of the folded angel wings upon

a central figure. The letter has a very flowing, feminine appearance bringing to

mind the grain goddess Mokoš. She taught the art of weaving linen and flax to

Slavic women. Her name is etymologically related tomokhri, an old Slavicword for “wet”. The other half ofMislite could then represent the goddessMorena, who’s bitter winters froze the waters and made life difficult for people,

but who’s role was necessary for the renewal of grain crop in spring.

Naš | N (Eng.ours) Tarot –The Devil

This is the Slavic word for “our”. Here it stands opposite the Devil of the Tarot.Its interesting to note thatDzelo (work) andĐervo (wood) both contain this

ligature. These correspond to the Chariot and Justice cards, and more

importantly, connect to the relationship between Dažbog and his daughters,the Zoryas. This letter deals with karmic destiny. The Devil might then

represents the terrestrial fire of the Serbian folk deity Dabog, whom the West

Slavs worshiped under the name Svarozich (little Svarog). This is about the

attachment and possessiveness that influence or alter destiny and karma

(Rod). Nearly everything we claim as “ours” is in fact something impermanent.

The heathen expression “We are our deeds” comes to mind as the ideal

answer to this quandary.

On | O (Eng.his; hers) Tarot –The Tower

On(a) means “his” or “hers”. Here we find an expression of the individual selfas something more than mere matter. The Tower comes next here which might

seem like a peculiar placement. It represents sudden change and calamity, yet

the life we live as individuals is directly shaped by such moments.



WhereasNaš (ours) says “we are our deeds”,Onseems to add the caveat “weare our wounds”. Who are you really? This might correspond to Stribog, the

destructive side of Perun, whose lightening bolts could take life at a moment’s

notice, perhaps causing catastrophic fires.

Pokoj | P (Eng. peace; room; space) Tarot –The Star

LikeMislite, this ligature resembles (somewhat) its Latin phonetic equivalent.

Its meaning, the South Slavic word for “peace”, fits well with the hopeful

imagery of the Star card. After the doom and gloom of the previous three

cards there is at last a bit of optimism. Peace is the reward for perseverance.This letter may also connect to the Zorje, but more specifically to Zvjezda

Danica, the morning star. Interestingly enough, the word pokoj in othercontexts means “room” or “space” which fits well in the context of stars

residing in the empty expanse of the night sky.

Reći | R (Eng. say; tell) Tarot –The Moon

Reći means “to say” or “make words”. It is unclear to me how this mightconnect to the Moon in the Tarot deck. That said, words are perhaps the first

ways humans learned to communicate through abstraction. The moon is a

great symbol for abstraction. Mesyats is a rather obscure Slavic god

associated with the moon of whom we know little about. I see this letter more

as pregnant woman. The phonetics might suggest a connection to the

Rozhanitsa who were called to aid in childbirth and were said to havepronounced the fates of newborns. As the womb gives birth to life, so does the

mouth give birth to words and ideas. The moon is symbolic of how our words

can be used to both build and destroy.

Slovo | S (Eng.letter; sign; script) Tarot –The Sun



Slovo means “letter” or “sign”. This is the clear visual abstraction thatcorresponds to the previous audible one. The sun then seems appropriate

here and the top ligature has a very solar appearance. Although Dažbog is

considered the chief solar god, the sun-fire itself was calledSunce. She was a

female deity in Baltic religion, though it seems Dažbog supplanted her in this

role among Slavs during the migration period. What sign or symbol is more

iconic than the sun?

Trvdo | T (Eng.hard; solid) Tarot – Judgement

The Slavic word for “solid” stands across from the Judgment card as we nearthe end of the Major Arcana. The twin pillars we saw inVedi (to see/

understand), Zivite(to live) andLjudje (people) reappear here inTrvdo.Perhaps this speaks to the idea of human destiny. Our understanding and

lived experiences shape us in a unique way unlike any other species on the

planet. We have the unique ability to understand, create and communicate

through the use of abstraction. The things we create, whether ideological,

technological or otherwise have reshaped the natural word in unparalleled

ways. This letter seems to represent the finished product of that humancreativity, whatever that may be.

Uk | U (Eng. end, abolish) Tarot –The World

This letter is of uncertain etymologic origin but the most popular interpretation

is that is derived from the South Slavic root worduk, from Serbo-Croatianukinuti, meaning “to abolish”. This fits well with the World, the last

card of the Major Arcana, whose symbolism implies completion of a cycle. The

shape of the letter is actually a combination of the Glagolitic

lettersOn (his/hers) andI (and), which we linked to the Tower and the Wheelrespectively. As the Tarot would suggest, this letter indicates that an individual

has reached the completion of a cycle. The tower then is our ego-self, orUm,meaning “mind” (note the phonetic symmetry!). Therefore this letter might



represent our Um as it is attached to the cycle of time known as Jav. This isthe element that makes us unique as individuals.

Frt | F (Eng. ?)

This letter’s translation is uncertain, but what is certain is its identity. It is

identical to the Cyrillic letter F and the Greek letter Phi and thus was likely

borrowed from these alphabets at a later date. This may be due in part to the

fact the original Slavic language had very little use for this letter’s phonetics

and many of the F-words (no pun!) that appear in Slavic languages today arein fact loan words from other languages. (My comparative analysis of

Glagolitic with the Tarot ends here)

Hjer | H (Eng.caprice)

This letter is of uncertain translation as well, but may be connected to theSerbo-Croatian root wordhir, meaning “caprice” or “whimsy”. If this is so, it

might imply spontaneous action, perhaps even spiritual revelation of some

kind. Notice that this letter is nearly identical to the letter Glagolju which we

connected to the Empress and the summer fertility Goddess Jarila (Lada).

Logically I’m inclined to identify this letter with Jarilo, the summer aspect of the

fertility god Svantevid. The fact that spiritual revelation might be connected to

this letter makes even more sense given what we know about the cult of Saint

Vitus in the middle ages, who’s rites were accompanied by music and ecstaticdance.

Ot | Ø (Eng.from)

This letter means “from” in most Slavic languages and the circular shape is no

different from its Cyrillic, Latin and Greek counterparts, save from its stylized



presentation here. The interpretation is pretty straight forward then; this is

about origin. This might also connect to the god Rod, or perhaps the archaic

ideas of a cosmic egg so well preserved in Slavic Easter traditions, specifically

the ritual making of pzanki, which is also the word for “loop” in the Serbo-

Croatian language.

Šta | Scha (Eng.what)

This is the word for “what” in most modern Slavic languages. The letter bears

resemblance to its Cyrillic equivalent. Esoterically, the question of “what?”

might suggest we are getting closer to identifying the source of the great

Slavonic mystery. The letter is a combination of Az (I),Buka (sound),andSlovo (word), which we connected to Rod and the Fool, Svarog and the

Magician, and Dažbog and the Sun respectively. Therefore this letter might

represents the three generations of the gods in one unit, a Slavic Trimirti

perhaps, like Shiva, Brahma, and Vishnu. Notice though that they are still

tethered to a lower ligature identical to the lower half ofI (and), the Wheel,which is to say time.Slovo (signs), the Sun, is also tethered to this sameligature, the sun being, in essence, the first clock.

Ci | Ts (Eng. ??)

Ci is of uncertain translation but some have connected it to the wordtsar which is a Slavic appellation of the Latincaesar, meaning “ruler”. Sincethe Croats have a heavy Alanic influence their native equivalentkralj is

etymologically linked to the Persian language, so I am unsure about this

translation. Looking at the shape we find the curved, tear-drop ligature present

on many of the Glagolitic letters such

asGlaglju (sound), Zemlja (earth),Dzelo (many),Đerv (wood),Naš (our),On (

his/her),Reći (speak) andUk (end). Beyond these observations, I can find no

obvious esoteric interpretation.



Črv | Ch (Eng.worm)

This letter means “worm” in most Slavic languages. It appears similar toŠta ina lot of ways with the middle ligature split in two, fanning to either side like the

forked tongue of a snake creating an enclosure within the trident. The base

resembles Ot and thus the snake/ouroboros symbolism is obvious. I connect

this letter with zmaje, the dragons of Slavic folklore. These are the monsterswho threaten the order imposed by the gods of the Slavic Trimirti.

Ša | Sha (Eng.with; handful)

IfŠta represents the Slavic Trimirti tethered to time,Ša shows the three godsstanding alone in their own element, free of time. For me this represents the

three gods of the three worlds in one; Rod, Svarog, and Dažbog gloriously

unified in one single cosmos.

Jer | Yeh (Eng.because)

Jer is the word for “because” in Serbo-Croatian. It is pronounced “YEH” and is

used to spell words like “yesterday”. This is essentially the letterI that we

connected to the Wheel of the Tarot deck, with an added ligature on the left-hand side. Perhaps this letter speaks to the “why?” question of the Slavonic

mysteries. To me this is the symbol forNav.

Jerj | Yuh (Eng.by)



Jerj might connect to the Serbo-Croatian word for “by”. It is pronounced “YUH”and is used to spell words like “lasagna”. Again, this is the letterI with a

ligature on the left-hand side except it forms a box. This letter might speak to

the “who?” question of the Slavonic mysteries. This, to me, is a symbol

forPrav.

Jat | Yah (Eng.flock)

Jat means “flock” in many Slavic languages. It is pronounced “YAH” and usedto spell words like “yacht”. I have seen other renditions of this letter that look a

lot like Đerv (wood/tree). This brings to mind the Vila and Vensa spirits of theforest that were welcomed with cakes and milk upon the arrival of migratory

birds in spring. This letter could also represent the Alknost or Firebird of Slavic

folklore. The truncated pyramidal shape seems to be about renewal and new

projects.

Jus | Yoo (Eng. ??)

Jus is of uncertain meaning. It is pronounced “YOO” and is used to spell

words like “milieu”. It’s shape resembles an inverseŠa enclosed at an angle.

IfŠa symbolizes the unadulterated emanation of the Slavic Trimirti, might thisrepresent the harnessing, or drawing down of said holy powers? Just a

thought…

Esoteric Meanings of Slavic Alphabet and Numerology

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