Ernesto Lecuona MalagueñaAbout the Music Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably...

36
FULL SCORE Ernesto Lecuona Malagueña from the Spanish Suite ANDALUCIA Paraphrased for Symphonic Band by James Barnes INSTRUMENTATION 1-FULL SCORE 1-PICCOLO 2-1st FLUTE 2-2nd FLUTE 2-3rd FLUTE 1-1st OBOE 1-2nd OBOE 4-1st CLARINET in Bb 4-2nd CLARINET in Bb 4-3rd CLARINET in Bb 2-BASS CLARINET in Bb 1-CONTRA-ALTO CLARINET in Eb 1-CONTRABASS CLARINET in Bb 1-1st BASSOON 1-2nd BASSOON 2-1st ALTO SAXOPHONE in Eb 2-2nd ALTO SAXOPHONE in Eb 2-TENOR SAXOPHONE in Bb 1-BARITONE SAXOPHONE in Eb 2-1st TRUMPET in Bb 2-2nd TRUMPET in Bb 2-3rd TRUMPET in Bb 2-4th TRUMPET in Bb 1-1st HORN in F 1-2nd HORN in F 1-3rd HORN in F 1-4th HORN in F 2-1st TROMBONE 2-2nd TROMBONE 2-3rd TROMBONE 2-4th TROMBONE 2-1st EUPHONIUM in Treble Clef 2-2nd EUPHONIUM in Bass Clef 2-1st EUPHONIUM in Treble Clef 2-2nd EUPHONIUM in Bass Clef 4-TUBAS 1-DOUBLE BASS 1-TIMPANI 1-PERCUSSION I: Suspended Cymbal, Snare Drum, Claves 1-PERCUSSION II: Mark Tree (Metal Wind Chimes), Tambourine 1-PERCUSSION III: Triangle (7”), Clashed Cymbals 1-PERCUSSION IV: Castanets, Tam-tam 1-PERCUSSION V: Bass Drum, Cow Bell 1-PERCUSSION VI: Vibraphone, Chime in D, Xylophone Grade 5 Duration: Approx. 8 Minutes Malagueña - from the Spanish Suite ANDALUCIA Music and Spanish Lyric by Ernesto Lecuona - English Lyric by Marian Banks Copyright © 1928 by Edward B. Marks Music Company. Copyright Renewed. This arrangement Copyright © 2017 by Edward B. Marks Music Company International Copyright secured. All rights reserved. Used by Permission Reprinted by permission of Hal Leonard LLC Digital and photographic copying of this publication is illegal.

Transcript of Ernesto Lecuona MalagueñaAbout the Music Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably...

Page 1: Ernesto Lecuona MalagueñaAbout the Music Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of

FULL SCORE

Ernesto Lecuona

Malagueña

from the Spanish Suite ANDALUCIA

Paraphrased for Symphonic Band by

James Barnes

INSTRUMENTATION

1-FULL SCORE

1-PICCOLO

2-1st FLUTE

2-2nd FLUTE

2-3rd FLUTE

1-1st OBOE

1-2nd OBOE

4-1st CLARINET in Bb

4-2nd CLARINET in Bb

4-3rd CLARINET in Bb

2-BASS CLARINET in Bb

1-CONTRA-ALTO CLARINET in Eb

1-CONTRABASS CLARINET in Bb

1-1st BASSOON

1-2nd BASSOON

2-1st ALTO SAXOPHONE in Eb

2-2nd ALTO SAXOPHONE in Eb

2-TENOR SAXOPHONE in Bb

1-BARITONE SAXOPHONE in Eb

2-1st TRUMPET in Bb

2-2nd TRUMPET in Bb

2-3rd TRUMPET in Bb

2-4th TRUMPET in Bb

1-1st HORN in F

1-2nd HORN in F

1-3rd HORN in F

1-4th HORN in F

2-1st TROMBONE

2-2nd TROMBONE

2-3rd TROMBONE

2-4th TROMBONE

2-1st EUPHONIUM in Treble Clef

2-2nd EUPHONIUM in Bass Clef

2-1st EUPHONIUM in Treble Clef

2-2nd EUPHONIUM in Bass Clef

4-TUBAS

1-DOUBLE BASS

1-TIMPANI

1-PERCUSSION I: Suspended Cymbal,

Snare Drum, Claves

1-PERCUSSION II: Mark Tree (Metal Wind

Chimes), Tambourine

1-PERCUSSION III: Triangle (7”), Clashed

Cymbals

1-PERCUSSION IV: Castanets, Tam-tam

1-PERCUSSION V: Bass Drum, Cow Bell

1-PERCUSSION VI: Vibraphone,

Chime in D, Xylophone

Grade 5 Duration: Approx. 8 Minutes

Malagueña - from the Spanish Suite ANDALUCIA Music and Spanish Lyric by Ernesto Lecuona - English Lyric by Marian Banks Copyright © 1928 by Edward B. Marks Music Company. Copyright Renewed.

This arrangement Copyright © 2017 by Edward B. Marks Music Company International Copyright secured. All rights reserved. Used by Permission

Reprinted by permission of Hal Leonard LLC Digital and photographic copying of this publication is illegal.

Page 2: Ernesto Lecuona MalagueñaAbout the Music Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of

About the Music

Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted

pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich,

authentic Cuban style.

The most famous of his works is "Malagueña," the sixth movement of his Suite Andalucia for solo piano,

which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics), as a serious

piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the

Stan Kenton Orchestra in the early 1960's.) Over the years, it has been arranged many times for various other

mediums, ranging from symphony orchestra to field arrangements for drum and bugle corps.

In 1976, James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later,

with permission from the publisher, he expanded this original arrangement into a full work for symphonic band called

"Prelude, Fantasy and Fandango on Lecuona's Malagueña." After several performances in the spring of 1978 (most

notably at the MENC Convention in Colorado Springs), this work, along with over 200 other Barnes manuscripts, lay

fallow in the KU Band Library.

While packing up his office belongings when he retired from The University of Kansas in 2015, Barnes came

across this long languishing "Prelude, Fantasy and Fandango," which remained in condensed score. In the fall of 2016,

he completely re-composed the opening portion of the work, reduced the number of required percussion and disposed

of the two harps in his 1978 version. This new setting features evocative, thinly scored, extended solo passages for

clarinet, bassoon and flute before the full wind band concludes the work with a powerful, dramatic setting of the main

themes of Lecuona's masterful Malagueña.

About the Arranger

Professor Emeritus James Barnes, Chair of the Division of

Theory-Composition at the University of Kansas, taught orchestration,

arranging and composition courses, and wind band history and repertoire

courses. At KU, he served as an Assistant, and later, as Associate

Director of Bands for 27 years.

His numerous publications for concert band and orchestra are

extensively performed in the United States, Europe and the Pacific

Basin. His works have been performed at Tanglewood, Boston

Symphony Hall, Lincoln Center, Carnegie Hall and the Kennedy Center

in Washington, DC.

Barnes has twice received the coveted American Bandmasters

Association Ostwald Award for outstanding contemporary wind band

music. He has been the recipient of numerous ASCAP Awards for

composers of serious music, the Kappa Kappa Psi Distinguished Service

to Music Medal, the Bohumil Makovsky Award for Outstanding College

Band Conductors, along with numerous other honors and grants.

He has recorded three commercial compact discs of his music with the world famous Tokyo Kosei Wind

Orchestra. He has also been commissioned to compose works for all five of the major military bands in Washington,

DC. Mr. Barnes has traveled extensively as a guest composer, conductor, and lecturer throughout the United States,

Europe, Australia, Japan and Taiwan. He is a member of the American Society of Composers, Authors, and Publishers

(ASCAP), the American Bandmasters Association and several other professional organizations and societies. Since

1984, his music has been published by Southern Music Company.

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47

Page 35: Ernesto Lecuona MalagueñaAbout the Music Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of

Selected Concert Band Publications

FULL ENSEMBLE WORKS

BARNES, JAMES

Caribbean Hideaway (Grade 4)S689CB HL3778075

This fun encore piece for symphonic band is full of lively syncopated rhythms, and offers a lot for the percussion in terms of both instrumentation and style.

Fantasy Variations on a Theme of Paganini

(Grade 5)

S612 HL3777785

Commissioned by the United States Marine Band, the set of twenty variations is based on the famous theme of Paganini's 24th Caprice in A Minor for solo violin, which is the same theme used by Brahms and Rachmaninoff for their famous compositions. The composer's overall concept was to use the variation technique to showcase every solo instrument and/or every instrumental section of the modern wind band. In doing so, creating a piece that could be played almost anywhere for almost any kind of audience: a piece full of energy, drama, and even a little humor.

Symphonic Overture (Grade 5)S647CB HL3777921

A Romantic-Style work of large proportions and challenging instrumental parts, Symphonic Overture was commissioned for the 50th Anniversary of the USAF Band in 1991 and has been performed since then at the band's anniversary concert.

BERLIOZ, HECTORRogers, Mark

March to the Scaffold (Grade 4)S762CB HL3778378

The best known work by Berlioz, "Symphonie Fantastique" for orchestra is a well-regarded example of programatic music. This transcription for band of the 4th movement, "March To The Scaffold", depicts the following scene of a young, dreaming musician: "He dreams that he has killed his beloved, that he is condemned to death and led to the scaffold. The procession moves forward to the sounds of a march that is now somber and fierce, now brilliant and solemn, in which the muffled sound of heavy steps gives way without transition to the noisiest clamor. At the end, the idee fixe returns for a moment, like a last thought of love interrupted by the fatal blow." This transcription by Mark Rogers carefully adapts the orchestral version in such a way as to best match the intent of the original, and is meant to set the standard by which all other scores of this sort may be measured. Three of the movements of "Symphonie Fantastique" have been transcribed for band and are available from he publisher: Movement II- "Un Bal", Movement IV- "March To The Scaffold", and Movement V- "Dream of a Witches Sabbath".

EWAZEN, ERIC

A Hymn for the Lost and the Living (band)

(Grade 4)

S817 HL3778602

After witnessing the tragic aftermath of the September 11, 2001 attack on New York firsthand, Ewazen composed this as a memorial to those who lost their lives, and as a tribute to the resilience and determination of those left behind. Available for band, orchestra, and solo trumpet with piano. (2002) Ca. 9'

FREUND, DON

Jug Blues and Fat Pickin' (Grade 5)S937CB HL121335

Originally commissioned for the celebration of Tennessee's "Homecoming '86," Jug Blues & Fat Pickin’ is without peer in the wind band repertoire. Inspired by recording of the Memphis Jug Band, the most recorded and perhaps most popular of the jug bands to spring up on Memphis' Beale Street in the late 1920's, and bluegrass banjo pickin', Freund's composition is a unique musical offering that melds "blues elements" with minimalist technique.

GRAINGER, PERCY ALDRIDGERogers, Mark

Children's March: Over the Hills and Far Away

(Grade 5)

S673 HL3778018

This critical performance edition of one of Grainger's greatest masterpieces for band captures the composer's vivid orchestration and delightful melodies. The unique feature of this publication is that in its preparation, three original sources were utilized including Grainger's own manuscripts of the compressed score and parts, restoring the music as closely as possible to the composer's original intentions within the context of the modern wind ensemble.

Colonial Song (Grade 4)S702 HL3778130

Grainger's art inextricably linkded to folk music, this composition, which uses no traditional tunes but is meant to express feelings aroused by thoughts of the scenery and people of his native Australia, is perhaps the finest, and may well be the most well-crafted, of any of his original works. Intended to be the first of a set of pieces written in a sweetly romantic vein called "Sentimentals", the composer dedicated this composition to his mother, though it remains the only piece in the set following her death. This edition returned to the original arrangement for band produced by Grainger to create the most authentic version, true to the composer's intentions, with small adjustments in instrumentation made to accommodate the contemporary band.

Molly on the Shore (Grade 5)S703CB HL3778136

The composer's love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that Grainger grouped into a series called "British Folk-Music Settings", including this title as No. 23. This arrangement of the Irish Reel, through superb historical research of the composer's intent and the adaptations that have followed throughout the years, succeeds in offering an accurate version of the original while offering instrumentation options meant to enhance the experience for the musicians and audience alike.

Shepherd's Hey (Grade 4)S667 HL3777995

"In agricultural districts in various parts of England, teams of 'Morris Men,' decked out with jingling bells and other finery, can still be seen dancing to 'Sheperd's Hey' and other traditional dance tunes played on the fiddle or on the 'pipe and tabor' (a sort of drum and fife).- Percy Aldridge Grainger, 1918. Part of the composer's British Folk-Music Settings, Grainger arranged the tune "Shepherd's Hey" for a variety of settings. The wind band version is considered to be largely derived with from his orchestra setting.

The Gum Suckers March (Grade 4)S684CB HL3778056

From Grainger: "Gum-suckers" is a nick-name for Australians hailing from the state of Victoria, the home state of the composer. The leaves of the 'gum' (Eucalyptus) trees are very refreshing to suck in the parching summer weather." The 4th movement of his "In a Nutshell" suite for orchestra, the composer himself arranged this piece for band, as he did for much of his orchestral music. However, due to some contemporary methods of transposing and the lack of a full score, that original version contains numerous errors. This edition was carefully crafted, pulling from all available resources and archives to determine the composer's original intent. In addition to corrections, this edition updates the instrumentation to reflect current bands and offers generous cross-cueing for those bands without the full instrumentation for which Grainger customarily wrote.

HERBERT, VICTORClarke, Herbert

March of the Toys (Grade 4)S739 HL3778286

HOLSINGER, DAVID

Liturgical Dances (Grade 5)S546CB HL3777531

A remembrance of an earlier time when the composer was a student at commissioning body Central Methodist College's Phi Mu Alpha Sinfonia music fraternity. The composition displays two images: the first a prelude of reflection on the emotional and spiritual bonds that unite men of like hearts; the second, exuberant praise and celebration for the service of men to their vocation and a glorious Lord, who created music that man would have a wonderful vehicle with which to exhibit his exhilaration with life!

JARRE, MAURICEReed, Alfred/ Rogers, Mark

Lawrence of Arabia (Grade 4)S947CB HL172752

David Lean’s epic film “Lawrence of Arabia” was nominated for ten Academy Awards and won seven, including Best Original Score for Maurice Jarre’s masterful musical depiction of the exotic world through which T.H. Lawrence passed. Alfred Reed’s setting of the music for concert band, available here for the first time in full score with newly edited parts, is built on two of the main themes: the Arabian motif, with its blazing color and almost-barbaric effects; and the Lawrence theme, a haunting, poignant melody that reflects both his love of the desert and his internal, psychological conflicts.

MCBETH, W FRANCIS

Masque (Grade 4)S407 HL3777047

Commissioned in 1967 by the State College of Arkansas Band, Dr. Silas Snow, President, for the dedication of the Fine Arts Center. It was premiered by the same band the same band, Homer Brown, conductor.

Of Sailors and Whales (Grade 5)S629 HL3777850

"Of Sailors and Whales" is a five-movement work based on five scenes from Herman Mehlville's "Moby Dick". It was commissioned by and is dedicated to the California Band Directors' Assocation, Inc., and is sub-dedicated to Robert Lanon White, Commander USN (Ret.), who went to sea as a simple sailor. It is designed so that any portion of the five movements may be used. Movement titles include: I. Ishmael, II. Queequeg, III. Father Mapple, IV. Ahab, V. The White Whale

SOUSA, JOHN PHILIPRogers, Mark

Easter Monday on the White House Lawn from

Tales of a Traveler (Grade 4)

S777 HL3778440

"With the children rolling eggs, dancing and romping, a scene of animation persists itself: the elders, from the President to the merest passerby, look on the scene with joy and pleasure."- John Philip Sousa. This march serves as the third movement to the composers "Tales of a Traveler".

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