EPE 222 Film genre & Criticism
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Transcript of EPE 222 Film genre & Criticism
Film Genres
EPE 222 Educational Technology 1
What is Film Genres?
Film genres are various forms or identifiable types, categories, classifications or groups of films that are recurring and have similar, familiar or instantly-recognizable patterns, syntax, filmic techniques or conventions
Many films straddle several film genres.
Major Categories of FilmContrasting Types of Films
Non-fiction Fiction
Feature films Shorts films
Silent Talkies'A' (or first-run) pictures 'B' pictures (and lower)
Regular 3-DBlack and white Color
Wide screen'Pan and Scan' formats
Animated Film Live-action filmsDomestic films Foreign-language films
Original version Prequels, sequels, and remakes
Mainstream Independent (aka indie)
Rated films Unrated films
Main Genres (Traditional
Genres)
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Action
Rambo III (1988) by Peter Macdonald
Top Gun (1986) by Tony Scott
Action films
Usually include high energy, big-budget physical stunts and chases, possibly with rescues, battles, fights, escapes, destructive crises (floods, explosions, natural disasters, fires, etc.), non-stop motion, spectacular rhythm and pacing,
Adventure
The Three Musketeers (1993) by Stephen Herek
Raiders of the Lost Arks (1981) by Steven
Spielberg
Adventure films
Usually exciting stories, with new experiences or exotic locales, very similar to or often paired with the action film genre.
Comedy
Dr Strangelove (1964) by Stanley Kubrick
Mrs Doubtfire (1993) by Chris Columbus
Comedies
Light-hearted plots consistently and deliberately designed to amuse and provoke laughter (with one-liners, jokes, etc.) by exaggerating the situation, the language, action, relationships and characters.
Crime/ Gangster
The Maltese Falcon (1941) by John Huston
The Big Sleep (1946) by Howard Hawks
Crime (gangster) films
Developed around the sinister actions of criminals or mobsters, particularly bank robbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and murdering their way through life.
Drama
I am Sam (2001) by Jessie Nelson
Citizen Kane (1941) by Orson Welles
Dramas Serious, plot-driven presentations,
portraying realistic characters, settings, life situations, and stories involving intense character development and interaction.
Epic/ Historical
Schindler’s List (1993) by Steven Spielberg
Star Wars: Revenge of the Sith (2005) by George
Lucas
Epics Include costume dramas, historical
dramas, war films, medieval romps, or 'period pictures' that often cover a large expanse of time set against a vast, panoramic backdrop.
Horror
Exorcist (1973) by William Friedkin
Dracula (1931) by Tom Browning
Horror films Designed to frighten and to invoke our
hidden worst fears, often in a terrifying, shocking finale, while captivating and entertaining us at the same time in a cathartic experience.
Musical
Moulin Rouge! (2001) by Baz Luhrmann
The Jazz Singer (1927) by Alan Crosland
Musical/dance films
Cinematic forms that emphasize full-scale scores or song and dance routines in a significant way or they are films that are centered on combinations of music, dance, song or choreography.
Science FictionE.T: The Extra-Terrestrial (1982) by Steven Spielberg
Alien (1979) by Ridley Scott
Sci-fi films Often quasi-scientific, visionary and
imaginative - complete with heroes, aliens, distant planets, impossible quests, improbable settings, fantastic places, great dark and shadowy villains, futuristic technology, unknown and unknowable forces, and extraordinary monsters, either created by mad scientists or by nuclear havoc.
War
From Here to Eternity (1953) by Fred Zinneman
The Birth of a Nation (1915) by D.W. Griffith
War films Acknowledge the horror and
heartbreak of war, letting the actual combat fighting (against nations or humankind) on land, sea, or in the air provide the primary plot or background for the action of the film.
Western
The Last of the Mohicans (1992) by Michael Mann
The Great Train Robbery (1903) by Edwin S. Porter
Westerns
The major defining genre of the American film industry - a eulogy to the early days of the expansive American frontier.
Film Criticism
What is Criticism?
Criticism is the attempt to discover and interpret the meanings and
intentions of the film or filmmaker that extend beyond a film’s surface
features.
Tasks of the Critic
• Teases our implicit or subtle meaning
• Clarifies seemingly contradictory messages or values in a given film.
• Creates a novel way of interpreting or understanding a film
Modes of Criticism
• Newspaper and Television Reviewing.
• General-Interest Journal-Based Criticism
• Scholarly Criticism
ACTIVITY (Individual)FILM CRITIC
• Film Critic DEADLINE
Next meeting Sept 20, 2014.