Enrolling in the Creative Class

111
Enrolling in the Crea.ve Class David Wiley, PhD Brigham Young University Open Educa.on and the New Economy Monday, October 19, 2009

description

Keynote address delivered at CreateWV October 19, 2009

Transcript of Enrolling in the Creative Class

Page 1: Enrolling in the Creative Class

Enrolling  in  the  Crea.ve  Class

David  Wiley,  PhD

Brigham  Young  University

Open  Educa.on  and  the  New  Economy

Monday, October 19, 2009

Page 2: Enrolling in the Creative Class

@opencontent

hBp://slideshare.com/opencontenthBp://twiBer.com/opencontent

hBp://facebook.com/opencontent

Monday, October 19, 2009

Page 3: Enrolling in the Creative Class

Monday, October 19, 2009

Page 4: Enrolling in the Creative Class

Monday, October 19, 2009

Page 5: Enrolling in the Creative Class

Monday, October 19, 2009

Page 6: Enrolling in the Creative Class

Monday, October 19, 2009

Page 7: Enrolling in the Creative Class

TAPE

Educa.on  is  the  “E”

Monday, October 19, 2009

Page 8: Enrolling in the Creative Class

Long  Division

A  great  innova.on!

Monday, October 19, 2009

Page 9: Enrolling in the Creative Class

IV  )  CDXLVII

For  a  Chili  Willi’s  GiV  Cer.ficate!

Monday, October 19, 2009

Page 10: Enrolling in the Creative Class

CXII

(Even  the  Chinese  had  to  invent  an  Arabic-­‐style  coun.ng  system  for  doing  long  division!)

Monday, October 19, 2009

Page 11: Enrolling in the Creative Class

Some.mes  New  and  Old  Don’t  Mix

You  need  to  choose  one  or  the  other,the  middle  ground  is  a  disaster  area  

Monday, October 19, 2009

Page 12: Enrolling in the Creative Class

Old  Thinking      ♥      New  Tech

Like  Roman  numerals  and  long  division

Monday, October 19, 2009

Page 13: Enrolling in the Creative Class

Those  who  cannot  remember  the  past  are  condemned  to  repeat  it.

George  Santayana

http://en.wikipedia.org/wiki/George_Santayana

Monday, October 19, 2009

Page 14: Enrolling in the Creative Class

When  Tech  and  Policy  Collide

1000  A.D.  -­‐  1600  A.D.

Monday, October 19, 2009

Page 15: Enrolling in the Creative Class

•hBp://www.flickr.com/photos/wonderlane/27701688/

Monday, October 19, 2009

Page 16: Enrolling in the Creative Class

Access  Was  Zealously  Guarded

By  people  whose  inten.ons  were  pure  and  virtuous

Monday, October 19, 2009

Page 17: Enrolling in the Creative Class

11th  Century

Vernacular  transla.ons  of  the  Bible  forbidden

Monday, October 19, 2009

Page 18: Enrolling in the Creative Class

14th  Century

Wycliffe  finishes  English  transla.on

Monday, October 19, 2009

Page 19: Enrolling in the Creative Class

15th  Century

Anyone  caught  reading  the  English  Bible  will  "Forfeit  land,  caBle,  life,  and  goods  

from  their  heirs  forever."

Monday, October 19, 2009

Page 20: Enrolling in the Creative Class

15th  Century

Gutenberg,  the  prin.ng  press,  and  metallic  movable  type

Monday, October 19, 2009

Page 21: Enrolling in the Creative Class

15th  Century

The  church  leverages  technology  to  print  indulgences  at  scale  for  a  

frac.on  of  the  cost

Monday, October 19, 2009

Page 22: Enrolling in the Creative Class

16th  Century

English  and  German  Bibles  are  mass-­‐produced  and  pirate  Bibles  are  smuggled  

in  flour  sacks  and  coBon  bales

Monday, October 19, 2009

Page 23: Enrolling in the Creative Class

16th  Century

Empowered  with  access,  people  won’t  tolerate  foolishness  

(including  indulgences)

Monday, October 19, 2009

Page 24: Enrolling in the Creative Class

16th  Century

Luther  and  others  work  to  reform  from  the  inside,  but  #fail

Monday, October 19, 2009

Page 25: Enrolling in the Creative Class

16th  Century

Protestant  sects  split  away  and  the  Church  loses  membership  and  revenue

Monday, October 19, 2009

Page 26: Enrolling in the Creative Class

17th  Century

30  Years  War  ends  Pope's  pan-­‐European  poli.cal  power

Monday, October 19, 2009

Page 27: Enrolling in the Creative Class

17th  Century

Popular  reforms  finally  carried  out  too  liBle,  too  late

Monday, October 19, 2009

Page 28: Enrolling in the Creative Class

Morals  of  the  Story

-­‐  Don’t  bet  against  the  transforma.ve  power  of  informa.on  technology  (regardless  of  the  size  or  influence  of  the  “industry”)

-­‐  You’re  going  to  end  up  adap.ng  anyway,    why  not  do  it  on  your  own  terms?

Monday, October 19, 2009

Page 29: Enrolling in the Creative Class

Monday, October 19, 2009

Page 30: Enrolling in the Creative Class

Monday, October 19, 2009

Page 31: Enrolling in the Creative Class

“The  World  is  Changed”

Galadriel,  Lord  of  the  Rings

Monday, October 19, 2009

Page 32: Enrolling in the Creative Class

It’s  Actually  Worse  (or  BeBer)

The  World  is  Changing

Monday, October 19, 2009

Page 33: Enrolling in the Creative Class

Analog  ⇒  Digital

Music,  Phones,  TV,  Newspapers,

Movies,  Journals,  Communica.ons,

Intelligence,  Defense

Monday, October 19, 2009

Page 34: Enrolling in the Creative Class

Tethered  ⇒  Mobile

Phones,  Internet  Access,

Employment  

Monday, October 19, 2009

Page 35: Enrolling in the Creative Class

Isolated  ⇒  Connected

People,  Content,  Systems

Monday, October 19, 2009

Page 36: Enrolling in the Creative Class

Generic  ⇒  Personal

Cars,  Computers,  Mobile  Phones

Monday, October 19, 2009

Page 37: Enrolling in the Creative Class

Consuming  ⇒  Crea.ng

Radio  /  Podcas.ng,  Newspapers  /  Blogs  

Movies  /  Vodcas.ng

Monday, October 19, 2009

Page 38: Enrolling in the Creative Class

Closed  ⇒  Open

SoVware  (OSs,  Applica.ons),  

Data  (Weather,  GIS),

Content  (Blogs,  Wikis)

Monday, October 19, 2009

Page 39: Enrolling in the Creative Class

Open,  adj.

Providing  users  a  collec.on  of  rights  called  “the  four  R’s”

Monday, October 19, 2009

Page 40: Enrolling in the Creative Class

The  4  R’s

Reuse    -­‐    verba.m

Redistribute    -­‐    share

Revise    -­‐    make  deriva.ves

Remix    -­‐    make  combina.ons

Monday, October 19, 2009

Page 41: Enrolling in the Creative Class

Offers  easy  to  use  4R’s  licenses

Monday, October 19, 2009

Page 42: Enrolling in the Creative Class

Monday, October 19, 2009

Page 43: Enrolling in the Creative Class

Then vs NowAnalog ⇒ Digital

Tethered ⇒ Mobile

Isolated ⇒ Connected

Generic ⇒ Personal

Consump.on ⇒ Crea.ng

Closed ⇒ Open

Monday, October 19, 2009

Page 44: Enrolling in the Creative Class

Educa/on vs EverydayAnalog ⇒ Digital

Tethered ⇒ Mobile

Isolated ⇒ Connected

Generic ⇒ Personal

Consump.on ⇒ Crea.ng

Closed ⇒ Open

Monday, October 19, 2009

Page 45: Enrolling in the Creative Class

“Daily  Divide”  Is  a  Huge  Threat

And  the  wider  the  disconnect,  

the  bigger  the  threat  to  higher  educa.on

Monday, October 19, 2009

Page 46: Enrolling in the Creative Class

But  Wait!    We’re  Educa5on!

Our  historic  monopoly  is  (gratefully)  being  challenged  on  almost  every  front

Monday, October 19, 2009

Page 47: Enrolling in the Creative Class

Why  Do  Students  Come?

Content,  Research,  Support  Services  Social  Life,  Degrees

Monday, October 19, 2009

Page 48: Enrolling in the Creative Class

Content

The  “World  Wide  Web,”  Wikipedia,  Flat  World  Knowledge,  etc.

Monday, October 19, 2009

Page 49: Enrolling in the Creative Class

Research

Public  Library  of  Science,  Arxiv.org,  Google  Scholar,  etc.

Monday, October 19, 2009

Page 50: Enrolling in the Creative Class

Support  Services

ChaCha,  Yahoo!  Answers,  RateMyProfessor,  Email,  Instant  

Messaging,  TwiBer,  etc.

Monday, October 19, 2009

Page 51: Enrolling in the Creative Class

Social  Life

Facebook,  MySpace,  MMOG,  TwiBer,

iPhone  loca.on-­‐aware  apps,  etc.

Monday, October 19, 2009

Page 52: Enrolling in the Creative Class

Degrees

MCSE,  RHCE,  CCNA

Monday, October 19, 2009

Page 53: Enrolling in the Creative Class

The  Monopoly  Is  Being  Busted

Everything  we  provide  is  now  offered  by  someone  else

Monday, October 19, 2009

Page 54: Enrolling in the Creative Class

When  Ins.tu.ons  Specialize

They  usually  provide  beBer  quality  at  a  beBer  price

Monday, October 19, 2009

Page 55: Enrolling in the Creative Class

Higher  Ed,  On  the  Other  Hand

76%  increase  in  cost  over  10  yearsHow’s  our  quality?

Monday, October 19, 2009

Page 56: Enrolling in the Creative Class

Monday, October 19, 2009

Page 57: Enrolling in the Creative Class

Industries  Failing  Everywhere

Banks,  Insurance,  Automobiles...

Higher  Educa.on?

Monday, October 19, 2009

Page 58: Enrolling in the Creative Class

A  Bail  Out  for  Higher  Ed?

More  like  double-­‐digit  budget  cuts

Monday, October 19, 2009

Page 59: Enrolling in the Creative Class

No  Monopoly  and  No  Bail  Out

How  can  we  innovate  to  stay  relevant?

Monday, October 19, 2009

Page 60: Enrolling in the Creative Class

No  Monopoly  and  No  Bail  Out

How  can  we  innovate  to  stay  relevant?

How  do  we  support  a  thriving  crea.ve  class?

Monday, October 19, 2009

Page 61: Enrolling in the Creative Class

What  About  E-­‐learning?

Monday, October 19, 2009

Page 62: Enrolling in the Creative Class

What  About  E-­‐learning?

Quite  innova.ve  in  1995!

Monday, October 19, 2009

Page 63: Enrolling in the Creative Class

Characteris/cs  of  E-­‐learningCharacteris/cs  of  E-­‐learningCharacteris/cs  of  E-­‐learning

Analog or Digital

Tethered or Mobile

Isolated or Connected

Generic or Personal

Consuming or Crea.ng

Closed or Open

Monday, October 19, 2009

Page 64: Enrolling in the Creative Class

Openness  is  the  Cornerstone

Openness  underpins  everything  interes.ng  happening  online  and  is  “what  they  know”

Monday, October 19, 2009

Page 65: Enrolling in the Creative Class

Why  Make  Such  a  Claim?

Let’s  ask  Alexa  what  the  50  most  popular  sites  on  the  web  are…

Monday, October 19, 2009

Page 66: Enrolling in the Creative Class

Sites  Where  Anyone  Can:

Share  a  video,  share  a  photo,  share  a  blog  post,  share  their  personal  info,  share  their  

ra.ngs,  share  their  files,  share  their  exper.se  

Monday, October 19, 2009

Page 67: Enrolling in the Creative Class

Characteris/cs  of  E-­‐learningCharacteris/cs  of  E-­‐learningCharacteris/cs  of  E-­‐learning

Analog or Digital

Tethered or Mobile

Isolated or Connected

Generic or Personal

Consump/on or Crea.ng

Closed or Open

Monday, October 19, 2009

Page 68: Enrolling in the Creative Class

Connec.ng

You  can’t  connect  to  something  if  you  don’t  have  access  to  it

Monday, October 19, 2009

Page 69: Enrolling in the Creative Class

Personalizing

You  can’t  adapt  or  localize  somethingif  you  don’t  have  the  rights  to  modify  it

Monday, October 19, 2009

Page 70: Enrolling in the Creative Class

Crea.ng

You  won’t  be  crea.ve  if  there’s  no  outlet  for  your  work

Monday, October 19, 2009

Page 71: Enrolling in the Creative Class

Sounds  Great  in  Theory...

But  will  any  educa.onal  ins.tu.on  do  it?

Monday, October 19, 2009

Page 72: Enrolling in the Creative Class

Monday, October 19, 2009

Page 73: Enrolling in the Creative Class

Monday, October 19, 2009

Page 74: Enrolling in the Creative Class

Monday, October 19, 2009

Page 75: Enrolling in the Creative Class

Monday, October 19, 2009

Page 76: Enrolling in the Creative Class

Monday, October 19, 2009

Page 77: Enrolling in the Creative Class

Monday, October 19, 2009

Page 78: Enrolling in the Creative Class

Monday, October 19, 2009

Page 79: Enrolling in the Creative Class

Monday, October 19, 2009

Page 80: Enrolling in the Creative Class

Monday, October 19, 2009

Page 81: Enrolling in the Creative Class

Monday, October 19, 2009

Page 82: Enrolling in the Creative Class

And  in  Public  Educa.on...

Monday, October 19, 2009

Page 83: Enrolling in the Creative Class

Monday, October 19, 2009

Page 84: Enrolling in the Creative Class

Monday, October 19, 2009

Page 85: Enrolling in the Creative Class

Monday, October 19, 2009

Page 86: Enrolling in the Creative Class

Monday, October 19, 2009

Page 87: Enrolling in the Creative Class

Monday, October 19, 2009

Page 88: Enrolling in the Creative Class

Monday, October 19, 2009

Page 89: Enrolling in the Creative Class

Giving  Things  Away  is  Great,  But

How  do  you  sustain  it?

And  so  what  if  you  can?

Monday, October 19, 2009

Page 90: Enrolling in the Creative Class

1.  Openness  Is  Great  Marke.ng

Some.mes  you  CAN  have  your  cake  and  eat  it,  too

Monday, October 19, 2009

Page 91: Enrolling in the Creative Class

Monday, October 19, 2009

Page 92: Enrolling in the Creative Class

Economics  Textbook  A

University  of  Nebraska  Professor$134  from  Amazon

Monday, October 19, 2009

Page 93: Enrolling in the Creative Class

Economics  Textbook  B

UC  Berkeley  ProfessorFree  online

$29.95  in  print

Monday, October 19, 2009

Page 94: Enrolling in the Creative Class

$8M  Series  A,  Spring  2009

In  alpha  and  beta  tests,60%  of  students  s.ll  made  a  purchase

Monday, October 19, 2009

Page 96: Enrolling in the Creative Class

Monday, October 19, 2009

Page 97: Enrolling in the Creative Class

2.7%  of  Visitors  Become  Customers

(One  of)  The  most  effec.ve  marke.ng  campaigns  

Monday, October 19, 2009

Page 98: Enrolling in the Creative Class

With  3.8%  Margin  OCW  Breaks  Even

With  a  greater  margin  it  creates  new  revenue

Monday, October 19, 2009

Page 99: Enrolling in the Creative Class

2.  Openness  Connects  Community

Prospec.ve  StudentsCurrent  Students  (Planning)Current  Students  (Review)

Alumni

Monday, October 19, 2009

Page 100: Enrolling in the Creative Class

The  “Nexlix”  University

Subscribe  for  just  $50  per  month!

Monday, October 19, 2009

Page 101: Enrolling in the Creative Class

Educa.on  Maintenance  Org

When  costs  are  fixed,  lifelong  learning  can  become  an  employee  benefit

Monday, October 19, 2009

Page 102: Enrolling in the Creative Class

3.  Openness  Improves  Quality

Invite  a  professor  to  put  her:  syllabus  in  the  open

lecture  notes  in  the  openaudio  or  video  podcast  in  the  open

Monday, October 19, 2009

Page 103: Enrolling in the Creative Class

4.  Content  Is  Infrastructure

Free  and  open  infrastructure  lowers  the  cost  and  risk  of  experimenta.on  and  innova.on

Monday, October 19, 2009

Page 104: Enrolling in the Creative Class

Linus  Torvalds

Don’t  EVER  make  the  mistake  that  you  can  design  something  beBer  than  what  you  get  from  ruthless  massively  parallel  trial-­‐and-­‐error  with  a  feedback  cycle.  That’s  giving  your  intelligence  much  too  much  credit.

http://en.wikipedia.org/wiki/Linus_Torvalds

Monday, October 19, 2009

Page 105: Enrolling in the Creative Class

Educa.on  Will  Eventually  Be  Open

(It  already  is)

Monday, October 19, 2009

Page 106: Enrolling in the Creative Class

Will  MU,  WVU,  &c.  Be  Open?

Can  your  school  find  the  ins.tu.onal  will  to  change?

Or  will  you  fight  a  30  year  war,  lose,  and  change  anyway?

Monday, October 19, 2009

Page 107: Enrolling in the Creative Class

Not  a  Technology  Problem

Look  around  the  Internet  –  not  only  do  the  technologies  we  need  exist,  they’re  open  source

Monday, October 19, 2009

Page 108: Enrolling in the Creative Class

This  Is  a  Policy  Problem

Universi.es  and  schools  are  behaving  like  the  church  (or  recording  and  movie  industries)

Monday, October 19, 2009

Page 109: Enrolling in the Creative Class

Policy  To  Defend  Tradi.on

Instead  of  as  a  tool  of  innova.on

Monday, October 19, 2009

Page 110: Enrolling in the Creative Class

“The  last  tempta5on  is  the  greatest  treason,  To  do  the  right  deed  for  the  wrong  reason.”

Archbishop  Thomas  BeckeB  (T.  S.  Eliot)

Monday, October 19, 2009

Page 111: Enrolling in the Creative Class

Thank  You

[email protected]

hBp://davidwiley.org/

Monday, October 19, 2009