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FUN WITH A PENCIL
ALSO BY ANDREW LOOMISFigure Drawing for All Its Worth
Creative IllustrationDrawing the Head and Hands
Three-Dimensional Drawing

Spacer

FUNWITH A PENCIL
ANDREW LOOMIS

COPYRIGHT 1939 BY ANDREW LOOMISFIRST PUBLISHED BY THE VIKING PRESS IN MAY 1939
BY THE MACMILLAN COMPANY OF CANADA LIMITEDREPRODUCED FOR EDUCATIONAL USE IN DECEMBER 2001
All drawings and text within this book are the property oftheir respective copyholders and should not be reproduced
for any reason. They may only be used for thepurpose of practice and study.

DEDICATED TO EVERYONE WHO LOVES A PENCIL

MR. WEBSTER DEFINES DRAWINGAS DELINEATION. THAT DOESNTTELL YOU HOW MUCH OF A REALBANG THERE IS IN IT. MAYBEHE NEVER KNEW. MOST FOLKSLOVE TO DRAW EVEN WHENTHEY KNOW LITTLE ABOUT IT. ITSTARTED WITH THE CAVE MAN,AND STILL SURVIVES ON THEWALLS OF PUBLIC PLACES... BE-CAUSE ITS SO MUCH FUN, ANDSO EASY, ITS A SHAME NOT TO BEABLE TO DO IT BETTER.
ANDREW LOOMIS

ALL THAT YOU NEED TO KNOW, TO STARTTHIS BOOK, IS HOW TO DRAW A CIRCLE. . . .
Dont start out with that old gag, I couldnt draw a straightline. Neither can I, freehand. If we need a straight line, wecan use a ruler. Now please try it, just for fun.
And it can be as lopsided as the family budget, andstill work out.

HOWDY FOLKS!
Who am I? Oh, just one of Andys little funny folk.But Im important! He gave me a job. Im the spiritof the book, by jeeminy, big nose and all. I representall the blue in here. My right name would be BasicForm, but thats much too high-sounding. He thinksthat name would scare you away. So he just calls me"Professor Blook and lets it go at that. Now, Ive gota few interesting things to tell you.

Since Andy cannot talk to you personally, he put me inhere so we can really get together. Its tough on Andy,for that guy really loves to talk, especially "shop talk.Now this plan of action is based on the use of simpleforms that are already known and familiar to you, andwhich you can certainly draw.From these simple, known forms, we build otherforms, which without some constructive plan wouldbe too complicated to draw. For instance, the top ofthe head, or cranium, is nearer to a ball in shapethan anything else. So we start with a bull, and addto it the shapes we want. We thus "arrive at the out-lines that are needed instead of guessing at them. Onlythe most talented end experienced artist can draw atonce the final outlines. That procedure is most diffi-cult, and is the reason most people give up drawing.But knowing how to "construct makes drawing simpleand easy, and a delightful pastime to anybody. By build-ing preliminary shapes and developing the outlines onthem, we know WHERE TO DRAW OUR REALLINES. There is hardly anything that cannot first beconstructed by the use of simple forms.Santa had a belly, like a bowl full of jelly. Now thatwas a real observation. We know just whet it must hovelooked like. In fact we can see it shaking! Now, the ideais to draw the bowl before the bel

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