English 18th century lect 9 reduced size wbg
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Transcript of English 18th century lect 9 reduced size wbg
Queen Anne, 1702-1714 – Rococo style in England
Queen Anne interior
Queen Anne chair
Rococo style with Chinese elements
Cabriole LegShape SplatDouble-Hoop Back
Drop-in SeatOften no stretchersUsually Pad FootUsually Walnut
Chinese Chair Forms, “Hat Shaped” Crest Rail on the Side Chair, and Hoop Back on the Armchair
Folding Armchair, China
Wing chair, Queen Anne style
Queen AnneTallboy & Lowboy
Secretary-bookcases, Queen Anne style – double-Hooded tops, shaped door panels
Bracket Foot Bun Foot
New furniture formsForms Developed for Drinking Tea
George I, 1714-27 George II, 1727-1760
Early Georgian Period
George I Armchair & Side Chair
retain Queen Anne form, carved crest rail, splat & knee, ball and claw foot
Fully Upholstered Armchair or Wingchair
Secretary-bookcase, Ogee Foot
Drop-leaf table
George II chairs: High-relief Carving Yoke crest rail Straightened side rails decorated splats and rails Legs more elaborate Ball and claw foot
Card tables
George II Gaming Tables
George II Bookcase
Secretary-bookcase, Broken Pediment, Ogee Feet
Chiswick House, by Lord Burlington, with William Kent, Early Georgian Period, Neo-Palladian
Chiswick House, Blue Velvet Room
William Kent
Holkham Hall, 1734-64, Early Georgian, Neo-Palladian
Holkham Hall, the Marble Hall
Holkham Hall the Saloon
Ditchley Park, James Gibbs, 1722, For Earl of Litchfield
Ditchley Park, William Kent interior
Houghton Hall, Early Georgian, Neo-Palladian, begun 1722
Colin Campbell and James Gibbs, with interiors by William Kent
Saloon with furniture attributed to William Kent
Houghton Hall, State Bed Chamber
Neo-Palladian Sofas William Kent
Matthias (Matthew) Locke, Neo-Palladian Console Tables
Breakfront, William VileNeo-Palladian
George III, 1760-1820, Late Georgian Period, Neoclassical style
Robert AdamLate Georgian period, Neoclassical Style
Kedleston Hall, 1759, Paine and Brettingham, inspired by a Palladian Villa
South front, by Robert Adam, inspired by the Arch of Constantine, Ancient Rome
Kedleston Hall, Marble HallRobert Adam
Kedleston Hall, Saloon
Dolphin Sofa, Robert Adam’s design, made by John Linnell
Osterley Park – 16th Century Elizabethan, remodeled by Robert Adam, 1761
Osterley Park, Great Hall
Osterley Park, Library
Osterley Park, Tapestry Room Tapestry with Cartoons by Boucher
Osterley Park, Etruscan Room
Made for Osterley Park by Thomas Chippendale
Osterley Park, State bed, by Robert Adam
Syon House, Robert Adam remodeled interiors in 1762, for Duke of Northumberland
Syon House, Robert AdamGreat Hall
Syon House, Anteroom
Syon House, State Dining Room
Kenwood House, originally 17th century, remodeled by Robert Adam, 1764-79
Kenwood House Library
Saltram House – original Tudor, remodeled interiors by Robert Adam 1784
Saltram, Salon, two views
Saltram, Dining room
Adam-style mantels
Demilune Commode, by Robert Adam
Adam-style mirrors
Wedgwood Basalt Ware (stoneware)
Armchair designed by Adam, Made by Chippendale
The Three Important Furniture MakersLate Georgian Period
Thomas ChippendaleGeorge Hepplewhite
Thomas Sheraton
Thomas Chippendale
“The Gentleman and Cabinetmaker’s Director,” 1754, 55, 62
Chippendale Chairs: Yoke-shape crest rail, straight sides, pierced splat
“Ribbon-back” – Rococo influence
Ribbon Back Settee
Chinese Chippendale
“Chinese Chippendale”
Gothic Chippendale
Neoclassical Influence
George III giltwood sofa – designed by Adam, made by Chippendale, 1765
George III Breakfront
George Hepplewhite
“Cabinet-Maker & Upholsterer’s Guide,”1788, 1791 & 1794
Hepplewhite, Rectangular and Shield Back Chairs
Hepplewhite, Oval and Shield Back Chairs
Hepplewhite Style Settee
Hepplewhite, Fretwork
Hepplewhite Sideboard
Thomas Sheraton, “Cabinetmaker and Upholsterer’s Drawing Book”, 1791 & 1794
Sheraton, Rectangular and Shield Back Chairs
Sheraton Style Sofa
Sheraton Sideboard