Elements & Principles

29
Elements & Principles of Design Created by Laura McKee

description

 

Transcript of Elements & Principles

Page 1: Elements & Principles

Elements &

Principles of Design

Created by Laura McKee

Page 2: Elements & Principles

Magazine Questions

1. What attracts you to the cover?

2. What do you think the message is?

Page 3: Elements & Principles

As in just about any field of endeavor, it helps to have a common language to describe things. If I say 'dohickey' and you say 'doodad', we may not know we're talking about the same thing.

Vocabulary is vital for correct principles to be taught in any discipline.

Vocabulary

Page 4: Elements & Principles

Design Concepts

AlignmentLeft, right, center, justified

ProximityPlacement of graphic/pictures to related text

Page 5: Elements & Principles

Design Concepts (continued)

RepetitionUse of bullets, numbers, symbols, graphics, or

pictures used more than once. Creates unity.

ContrastLarge vs. smallDark vs. lightThick vs. thin

Page 6: Elements & Principles

Elements of Design

LineShapeFormSpaceColorTextureValue

Page 7: Elements & Principles

Line

A straight or curved mark connecting any two points.

Most obvious lines are rules, boxes, and borders. Less obvious-but more powerful-are lines that direct your eye or define the mood.

Page 8: Elements & Principles

Identify which line represents Formality, romance, excitement, mystery, tranquility, or anger

1 2 3

4 5 6

Page 9: Elements & Principles

Mood Definition

Formality—Used for professional, conservative or structured documents. Recognized by straight lines and even patterns.

Excitement—Represented by straight lines, sharp angles, and irregular patterns.

Tranquility or Romance—Used in fashion ads, movie promotions and travel brochures because the lines are made with soft curves & regular patterns.

Page 10: Elements & Principles

Mood Definition (continued)

Mystery is used if you need to entice your audience to figure out a puzzle. Made with unusual lines & patterns—especially those with optical illusions.

Anger is seen as highs & lows with sharp peaks & valleys—and incites action.

Page 11: Elements & Principles

Do you want to make any changes to your

choices?

Page 12: Elements & Principles

Answers

Page 13: Elements & Principles

Shapes

Shapes define objects, attract attention, provide identity and communicate ideas.

Geometric shapesOrganic shapes look like things from nature.

Page 14: Elements & Principles

Forms

Forms are 3-dimensional. Where shapes are flat, forms have height, width and thickness.

Page 15: Elements & Principles

Space

The absence of elements or the area between or around elements.

Space is used to rest the eye, to visually organize, and to make text more readable.

Page 16: Elements & Principles

Color

The most critical design element on the page.

It is the most difficult to work with and the most effective in achieving the results you want.

Page 17: Elements & Principles

Primary ColorsPrimary Colors

Secondary ColorsSecondary Colors

Tertiary ColorsTertiary Colors

12-Step Color Wheel12-Step Color Wheel

Page 18: Elements & Principles

Primary & Complementary Colors

Page 19: Elements & Principles

Warm Colors

Reds, oranges, and yellows are considered warm colors. Warm colors are said to come towards you.

Page 20: Elements & Principles

Cool Colors

Blues, greens, and purples are Blues, greens, and purples are considered cool colors. Cool colors considered cool colors. Cool colors are said to move away from you, or are said to move away from you, or appear more distant.appear more distant.

Page 21: Elements & Principles

Texture

The structure or grain of a surface gives added dimension to a layout.

Design is FUNDesign is FUN

Page 22: Elements & Principles

Value

Relative darkness or lightness of a color. Adds contrast and texture to a page and

can set the mood—great for web page backgrounds.

Page 23: Elements & Principles

Principles of Design

Balance Unity Emphasis Rhythm Pattern Contrast Movement

Page 24: Elements & Principles

Balance

The distribution of weight; may be either symmetrical or asymmetrical. If you see something hanging crooked it makes you feel uneasy until it is balanced.

Asymmetrical (informal) balance means each side of an imaginary line are different yet equal.

Symmetrical (formal) balance means both sides of an imaginary line are the same.

Page 25: Elements & Principles

Pattern/Rhythm

Artists create pattern by repeating a line, shape or color over and over again.

Page 26: Elements & Principles

Rhythm

A regular or harmonious pattern created by the alternation of contrasting elements.

This can be music, speech, poetry, and dance. On the printed page, repetition of elements at regular intervals communicates calmness & stability.

Variations or abrupt changes in size, color or spacing of repeated elements can add a sense of liveliness and excitement.

Page 27: Elements & Principles

Proportion

Describes the size, location or amount of one thing compared to another.

Page 28: Elements & Principles

Emphasis

Special weight or importance placed upon something. In speech we talk louder or whisper. In appearance we

dress or style our hair differently from the norm. With objects, we paint them bold colors, build them enormous or make them noisy. We make them different!

Use contrastAdd textureColor headings & graphics or backgroundsLead the reader to the most important thing on

the page

Page 29: Elements & Principles

Unity

Each element in a layout should have a visual connection with something else in the layout to establish unity. Even elements that are unrelated and separate can be aligned to make them look as if they all belong together.