Electricity 1 - Copy (18)

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  • 8/19/2019 Electricity 1 - Copy (18)

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    4

    a

    œ

    m

    œ

    i

    œ

    p

    œ œ œœ 4 œ œœ œ œ œœ 4 œ œœ œ œ œœ

    a

    œm

    œi

    œp

    œœœœœ œ œœœœœœœ œ œœœœœœœ œ œœœœœœ

    4 m

    œi i

    œp p

    œa

    œ œœœ œ œœœ œ œœœf 4

    m

    œi i

    œp

    œa

    œ œœœ œ œœœ œ œœœp 4

    m

    œi i

    œp

    œa

    œ œœœ œ œœœ œ œœœf œ œœœ œ œœœ œ œœœ œ œœœp 4

    m œi i œp p œa œ œœœ œ œœœ œ œœœ œ œœœ œ œœœ œ œœœ œ œœœ

    2

    Development

    Move the Thumb

    Move the thumb to different strings.

    Be sure to use the four variationsshown on the rst page:-p a m i -a m i p (shown)-m i p a -i p a m

    Dynamics

    Incoporate block dynamics andgraduated dynamics into eachnger pattern ( m i p a shown).

    Q. Why alternate slow and fast versions of the same pattern?

    A. Like almost anything, what works slow doesn't always work fast. Alternating a speed burst withslower material lets you work on playing quickly from the start. Just don't get too ambitious. Keep yourspeed bursts right inside the upper edge of your control. Play the bursts roughly twice as fast as theslow, or use a metronome and keep it at a constant tempo will playing these exercises.

    www.christopherguitar.netwww.classicalguitarblog.net