Edbrington Clutural Cluster Final Draft Composite Draft Final Report
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Transcript of Edbrington Clutural Cluster Final Draft Composite Draft Final Report
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Feasibil ity Study to assess thepotential for an Arts & Culture
Cluster at Ebrington,Derry~Londonderry
Final Report
7 February 2008
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www.sqw.co.uk
Contents
Executive Summary ....................................................................................................... ..........1
1: Introduc tion .......................................................................................... ................................6
2: Strategic context..................................................................................................................8
3: Dimensions of the concept ...............................................................................................14
4: Market demand and impact assessment (new) ..............................................................26
5: Organisation, management and funding.........................................................................31
Annex A: L ist o f consultees................... ............................................................................. A-1
Annex B: Comparators .................................................................................................. ...... B-1
Annex C: Preliminary cost estimates......................................... ........................................ C-1Annex D: Strategic Context .......................................................................................... ......D-1
Annex E: Ini tial Estimat ion of Potential Economic Impact .............................................. E-1
Contact: Kathrin Peters Tel: 01223 209400 email: [email protected]
Kathrin Peters Date: 7 February 2008App roved by:
Associate Director
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Execut ive Summary
The Vision for Derry~Londonderry
1. Derry~Londonderry is undergoing profound changes. There are a wide range ofsignificant and ambitious projects underway in housing, education, industry and
tourism which will transform the city. Foremost amongst these is the construction of
the new footbridge which will connect the Walled City with the Waterside, thereby
effectively creating an expanded city centre. The plans to develop an Arts & Culture
Cluster at Ebrington fit tightly into a strategy to upgrade the citys quality of life and
make it a superb place to live, work, visit and learn.
The project
2. This document presents the final report of a project to explore the feasibility of an
Arts & Culture Cluster on the Ebrington site. The report is based on work undertaken
by a consortium of consultants led by SQW Consulting (SQW) and also comprising
the cultural consultancy Burns Owens Partnership (BOP), architects and
conservations specialists Consarc Design/Conservation and Colin Stutt of Colin Stutt
Consulting.
3. The project is steered by a group of key stakeholders representing Ilex, Derry City
Council, University of Ulster, Department of Culture, Arts and Leisure, Arts Council
Northern Ireland and local community groups.
4. Ebrington presents an outstanding opportunity for a high profile development
designed to put Derry~Londonderry on the national and international map as a must
see must visit location. The site with its impressive Parade Ground and listed
buildings grouped around it is of stunning beauty. Its location opposite to the newfootbridge across the River Foyle and adjacent to St Columbs Park adds to its
significance.
5. The proposal at the heart of this feasibility study is to identify those arts and cultural
activities and facilities that could be the flagship component of the overall
development of the Ebrington site and will complement and add value to the cultural
offer of the city. Culture is now acknowledged as a critical aspect of the quality of
life in urban development, contributing to local pride and educational opportunity,
raising and enhancing image and profile, and operating as a driver for regeneration.
The strategic context6. A review of strategies at the local, sub-regional, national and cross-border level
presents a compelling reason for public sector intervention in Derry~Londonderry in
order for the city to achieve prosperity and growth commensurate with its potential:
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measures of economic inactivity and deprivation are much higher than elsewhere in
Northern Ireland. There is a need to move the city onto an accelerated development
trajectory, generating highly skilled and high value-added employment opportunities
indicators suggest a high quality of life, particularly based on scenic and historical
attractions but businesses and inward investors are not yet making use of what the
city has to offer because of continuing structural weaknesses. There is a need for high
profile and inspiring initiatives to put Derry~Londonderry on an international map of
people and businesses
tourism numbers and spending should be boosted through encouraging the high
spending segment of destination tourism market. Arts and culture facilities in
particular can play a big role in this process and this is being recognised by the
Northern Ireland Tourist Board which is in the process of developing a cultural
tourism strategy
there are a number of current tourism, culture and regeneration initiatives at the local
and national level which relate closely to what Ebrington will be aiming to achieve
and; it will be essential to build up the projects profile from early on, making it
become a further signature project for Derry~Londonderry and Northern Ireland.
7. All these factors make a compelling case for a significant initiative in the field of arts
& culture which addresses business development, quality of life and tourism
objectives in one brush.
Dimensions of the concept
8. Ebrington will be a unique exemplar of international best practice in arts and culture,
bringing together local artists and those of international renown along with a cluster
of cultural activities and offerings which reflect the history and ambition of the city
and the region. To meet this objective, the development needs to take an innovative
stance which exploits the characteristics of the site and city and draws on experience
from leading edge developments elsewhere in the United Kingdom and Ireland and
overseas.
9. The development will be a hybrid, consisting of soft animation measures and
hard physical developments; the soft measures will be rooted in innovative
cultural practice and ideas and it will be imperative that these influence the physical
shape rather than vice versa. The soft approaches need to follow the grain of the
rich array of existing arts and culture activities in the city and sub-region as well as
inject additional energy.
10. The vision for the Ebrington Arts & Culture Cluster is that of a mixed use
development shaped around a core visual arts component capturing the historical
energy of the site, working in the present and renegotiating the future. The site has
the potential to make a significant contribution to the cultural and educational life of
the city, building a shared safe space that is accessible to citizens and visitors,
enabling all creatively to explore the past and present. The aim is to put
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Ebrington/Derry~Londonderry on the international map as a must be and must
visit place and destination for artists, tourists and businesses.
11. The project will be developed in three broad phases. The first of these will consist of
relatively minor physical development work and concentrate on softer animation
measures. As far as possible, it will happen in parallel with the completion of the new
footbridge. Over a period of some five to ten years, there will be more extensive site
and building development work to open up the site to its full use and transformation
potential.
12. A number of development principles have been defined to ensure that the site is
developed sensitively to its immediate and wider environment, keeping in mind the
role played by the site over the centuries.
Objectives
13. There is a wide range of objectives associated with this project concerned with arts &
culture, community development, involvement of children and young people,
business development, visitor numbers, inward investment and a general change of
the image and perception of the site (and the city) domestically and internationally.
Components
14. The project will consist of a range of soft animation and hard physical measures.
The soft measures will work with existing arts & culture providers in deepening and
widening provision in the city. The project should employ a wide range of
mechanisms including an events-based strategy and a festival-based strategy to
celebrate specific aspects and/or themes of the city and the site, a comprehensive pre-
launching programme to develop in parallel with the physical development of the site
and buildings.
15. We have identified a need for strong curation and leadership to organise an
extensive programme of soft animation measures. This will require the appointment
of an artistic and/or festival director or a directorial team recruited and/or
appointed from within the international arena. The individual (or team) to be
appointed needs to be visionary, creative, innovative and highly sympathetic to what
is to be achieved with the Ebrington Arts & Culture Cluster, bringing out the best
from the local artistic scene and at the same time stretching the horizon towards an
international outlook. There will need to be provision for the recruitment of an
individual with international credentials and recognition.
16. Some arts venues are based on permanent collections while others are being curated
on the basis ofcommissioning programmes or indeed purely on the basis of loans;given that the acquisition of a permanent collection is extremely expensive and a loan
programme tends to work best when there are permanent exhibits to offer in exchange
for loaned artefacts, a commissioning programme would seem to be the best route for
the Ebrington Arts & Culture Cluster; this is all the more the case because the
commissioning programme could be started almost immediately, once funding has
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been secured, with a view for art to be exhibited in the buildings as they are now, in
various stages of disrepair.
17. Derry City Council's Heritage and Museum Service holds an extensive local authority
archive collection and is the only local authority archive operating in Northern
Ireland outside of Belfast. Accessing archives is becoming increasingly important as
an aspect of visitor experiences and that having accessible archives (supported by
digital means). We understand that there are some caveats regarding the safe storage
of archive materials that require strict environmental controls but hope that such
requirements can be designed into the physical development of the historical
buildings. Also, the City of London holds extensive archives on the Honourable the
Irish Society and there is a strong interest in making them available to audiences in
Northern Ireland. There are a number of options to establish a rolling programme of
exhibitions and also allow for electronic access to these archives.
18. Other components of the concept include artists residencies and international peer
linkages. There is clear evidence of a growing focus in contemporary arts practice on
memory building and archiving and Ebringtons proposed capacities, therefore, offer
significant dynamic linkages and engagement across programming strands of the site.
Market demand and economic impact
19. The market demand for services and facilities to be offered on the Ebrington complex
has been estimated by using comparator data of other attractions in Ireland, North and
South. On this basis, three scenarios have been considered which have been titled
modest success (50,000 visitors per year), good success (100,000 visitors per year)
and outstanding success (200,000 visitors per year).
20. Calculations show that Ebrington can only be expected to generate significant
benefits to the city and the wider region if it emerges as the outstanding
transformational must see development which attracts visitors who would nototherwise have come to the North West or Ireland. The positioning of the scheme
must be truly distinctive and the marketing budget provision must be of a scale to
make credible an outcome comparable with the outstanding success scenario.
Physical developments
21. The animation of the space and evolving uses should inform the physical
development of the site and buildings; therefore the early development of the site
must be such as not to impede potential future uses and the flexibility of the site; only
in this way will it be possible for Ebrington to acquire a unique character which will
work towards the objective of putting Derry~Londonderry on the international map.
22. Illustrative sketches have been developed to provide an impression of possible
phasings of the development to achieve its objectives and allow enough flexibility for
the softer animation to shape the site.
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Organisation and management
23. Ebrington is a complex redevelopment site which (as set out in the masterplan) will
be composed of a range of functions housing (both private and social), commercial
and office uses, convenience shopping etc. Much of the site is to be cleared to provide
for these developments but its most visible and precious component (historically,
architecturally and culturally) the Star Fort, the Parade Ground and the buildings in
its immediate vicinity is unequivocally seen as important as a facility for cultural
and community good.
24. The organisation and management model to be adopted to move the project
development forward poses a complex management challenge in that it must offer
representation of public, private, community and voluntary interests without losing
the strong impetus for development.
25. We see a need to develop a leadership and management structure for the gallery
which we consider to be the hub of the cluster. This will require the setting up of a
Board with the leadership of a chair/champion. It could well make sense closely to
link this structure with the arrangements in place for the Public Arts commissioning
currently underway.
26. There are considerations underway to reorganise the arts and cultural facilities and
services falling within the responsibility of Derry City Council and create a trust
structure at arms length from the Council to allow for more flexibility and
entrepreneurial incentives. Ebrington could form an organisational part of such a new
structure, allowing economies of scale and possible savings in its revenue budget.
Funding
27. There are two forms of funding that need to be secured capital and revenue. The
climate for capital funding has cooled significantly as lottery moneys are diverted, not
least to the Olympics, and existing budgets (the North West Cultural Challenge Fund)
are phased out. However, the history and romance of Derry~Londonderry could well
prove attractive to a wide range of international donors, especially given the historic
interest of Ebrington. It is more difficult to be confident about sources of public
funding. Clearly, there are opportunities to draw down planning gain benefits from
the overall Ebrington site development though this, we understand, is not common
practice in Northern Ireland and needs further exploration.
Next steps
28. This final report will be discussed at a Steering Group meeting on 12 February 2008.
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1: Introduction
1.1 This document presents the final report of a project to explore the potential of an Arts &
Culture Cluster to be developed at Ebrington, Derry~Londonderry. The report is based on
work undertaken by a consortium of consultants led by SQW Consulting (SQW) and alsocomprising the cultural consultancy Burns Owens Partnership (BOP), planners, architects and
conservation specialists Consarc Design/Conservation and Colin Stutt of Colin Stutt
Consulting.
1.2 This report is submitted four months after project inception in early October 2007, taking on
board comments received at a meeting of the a Steering Group on 8 January 2008. It is based
on the following work strands:
an inception meeting with the Steering Group and project team site visit on 4 October
2007; the findings and conclusions from this meeting were summarised in a Project
Initiation Document submitted on 30 October 2007
desk research on the strategic environment within which this initiative will be
embedded within the economic, social, community and cultural spheres
an extensive programme of consultations with intermediaries and individuals
interested in arts & culture, economic, social and community development in
Derry~Londonderry and the North West of Ireland; we have consulted widely and
collected a broad spectrum of views and interests in this initiative. In essence,
consultees were enthusiastic and inspired about the emerging concept and expressed
strong interest to be part of it
meetings and consultations which have taken place between representatives of the
consultancy team and Mo Durkan, John Meehan, Bill Kirk, Professor Declan
McGonagle, Brendan McMenamin and Peter Jenkinson which have shaped the
direction of the work and provided feed-back on the emerging conclusions. We are
grateful for the intensive dialogue
a Steering Group meeting on 8 January 2008 where the emerging concept was
introduced and discussed; comments received from members of the Steering Group
have been integrated into this report
further work on assessing likely demand for the project and exploring the economic
benefits flowing from it
further discussions between representatives from Ilex and Consarc on site
development and phasing issues.
1.3 The proposal at the heart of this feasibility study is to identify those arts and cultural activities
and facilities that could be the flagship component of the overall development of the
Ebrington site and that will complement and add value to the cultural offer of the city. Culture
is now acknowledged as a critical aspect of the quality of life in urban development,
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contributing to local pride and educational opportunity, raising and enhancing image and
profile, and operating as a driver for regeneration.
1.4 The document is structured as follows:
Chapter 2 summarises the strategic context within which the initiative will be
embedded
Chapter 3 introduces the dimensions of the concept, summarising the vision, spelling
out the objectives, exploring the different components and activities and describing
the concepts physical dimensions
Chapter 4 assesses the likely market of the scheme and explores the economic
development impacts that might flow from it
Chapter 5 elaborates on organisation, management and funding issues.
1.5 Supporting information is presented in five annexes: Annex A contains the list of consultees;
Annex B summarises information on six comparator schemes; Annex C provides preliminary
cost estimates on refurbishing and developing the Ebrington site; Annex D provides summary
information on a range of strategies that have a bearing on the rationale for the scheme;
Annex E contains the assessment of likely impacts.
1.6 In undertaking this work, the consultants have encountered an encouraging level of interest
enthusiasm and support. Everybody spoken to was intrigued by the project, could clearly see
the benefits for Derry~Londonderry and the wider region, and expressed strong commitment
to its development. This is not to say that the project was without sceptics but scepticism was
directed towards how the vision could be realised and the feasibility of its happening rather
than criticism of the broad idea.
1.7 We are also grateful to the interest, guidance and support we have received from members of
the Steering Group which have helped to shape and refine the emerging concept.
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2: Strategic context
2.1 This chapter provides a summary of the strategic context within which the Ebrington Arts &
Culture Cluster is to be embedded. The first part of the chapter summarises
Derry~Londonderrys position vis--vis other locations in Northern Ireland and the UnitedKingdom on a range of indicators and measures, making particular reference to economic,
tourism and arts & culture indicators. The second part presents abstracts of the main
economic, community/social and cultural strategies that frame the Ebrington Arts & Culture
Cluster plans, providing pointers to the initiatives rationale on the basis of market failures
and thereby making the case for intervention.
2.2 There is intensive activity in the Derry~Londonderry area in terms of regeneration reflected in
recent strategy, including the Ilex Regeneration Plan, the Walled City Signature Tourism
Project (including the Lighting Strategy), public realm schemes for Waterloo Place and
Guildhall Square, work on a possible World Heritage Status bid for the Walled City and the
City Councils Tourism Strategy initiative (currently at the stage of appointing consultants);
providing they are implemented successfully, all add to the underlying economic
development objectives enabling the creation of a much stronger and robust city offer.
History
2.3 Derry~Londonderry will be celebrating the 400th anniversary of the beginning of the walls
and the granting of the Royal Charter in 2013. The city has a multi-faceted past: focus for the
plantation of Ulster in the 16th century with the legacy of the only remaining walled city in
Ireland; a major trading post and a centre for the textiles industry in the 18 th and 19th century;
and a crucial base for allied activities during the Second World War. During the 20th
century,
the city suffered particularly from the partition of Ireland - which cut off its commercial
hinterland - and subsequently from the Troubles which impacted on the prosperity of itsresidents and businesses. The peace process is now allowing the city to gather its strength and
to aim to take a position once more as one of the major growth points on the island.
Demographic base
2.4 Derry~Londonderry is among the fastest growing urban centres in Ireland. The city itself has
a population of over 95,000 and Derry City Councils administrative area has a population of
107,000, making it the largest urban centre in the north of Ireland, the third largest district
council in Northern Ireland (in population size after Belfast and Lisburn) and the fourth
largest on the island. Also, there are 300,000 people in the citys travel-to-work area,
spreading across the border into Donegal and further afield. The city has been designated, in
tandem with Letterkenny, as a gateway urban centre.12
1The Irish Times : Advance. How investment is shaping Derrys future. A special report, 3 October 2007
2 Indecon International Economic Consultants in association with London Economics: Urban Regeneration
Baseline Study of Derry City Council Area. Report prepared for Ilex, September 2005.
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2.5 Derry has a young population base (with a relatively high share in the working age segment
16-59) and has the largest population in the age bracket below 16 across Northern Ireland.
Projected population growth, both overall and particular in the working age population, in the
Derry City Council area significantly exceeds that expected across Northern Ireland over the
medium to long term.3
Quality of life and deprivation
2.6 The quality of life in the city is considered high, due to a range of scenic, cultural and historic
assets which works as an attractor for residents, business and visitors. However, there is still
significant deprivation (Derry is ranked as the 3rd
most deprived Local Government District in
Northern Ireland)4
and there is a shared view that the citys strategic assets have not yet been
fully used to encourage business development, inward investment and tourism.
Economic activity rates, education and sector structure
2.7 Economic activity rates amongst the citys population have been lower than elsewhere in
Northern Ireland (according to the 2001 Census, the economic active population was 63.3%,
compared to 70.2% across Northern Ireland)5. Also, while the proportion of employees in
professional occupations is higher than across Northern Ireland as a whole, there is
nevertheless a higher proportion of employment in less skilled occupations than elsewhere.
Also, there remains a dependence on the public sector for employment. Moreover, there is a
low level of educational attainment in the city across all levels.
Foreign direct investment
2.8 The city is second to Belfast in terms of the number of publicly assisted inward investment
projects. In line with developments in Northern Ireland as a whole, there has been a shift in
emphasis from the manufacturing sector to internationally traded and other services activities.
Derry~Londonderry has been chosen by some high profile investors such as SeagateTechnologies and Northbrook Technology (both located on the University of Ulsters Magee
Campus). There would appear to be significant further scope to attract inward investors to the
city. Promoting and further strengthening the citys quality of life assets and addressing its
weaknesses will be of vital importance in achieving positive results in this sphere.
The tourism sector
2.9 Derry~Londonderry draws significant visitor numbers to its historical and scenic attractions.
The walls of Derry were amongst the top ten visited attractions in Northern Ireland during
2006, with a total of 207,200 visitors. A total of 603,239 nights were spent by visitors to
Derry City Council area, some 6.3% of the total number of nights spent across all regions.6
Total spend by visitors in 2006 amounted to 23.62 million or 6.4% of the total spend for
3Ibid, page v
4NISRA - Northern Ireland Multiple Deprivation (2005)
5 NISRA Northern Ireland Census data6
Data provided by Northern Ireland Tourist Board.
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Northern Ireland; relative visitor spend has been going down from 6.9% in 2003 to 6.4% in
2006.
2.10 However, there is broad consensus that there is significant scope to increase visitor numbers
and enhance the economic impact of tourism. The average spending per night by visitors in
Derry~Londonderry is below the average for Northern Ireland which would appear to be a
reflection of the fact that it is not yet positioned towards the high spending special interest and
destination market.
Arts and culture
2.11 Consultees report significant scope to increase visual arts awareness and education. In the
1990s, the Orchard Gallery, supported by Derry City Council, achieved a considerable
reputation for contemporary work and promoted a visionary agenda for visual arts in the city.
From its early glory days, the gallery failed to maintain its support but its legacy of local
engagement and international reach still resonates locally and internationally. Void and
Context Gallery, both of which sought to fill the gap consequent on the closure of the Orchard
Gallery, offer a complementary range of contemporary visual arts programmes and activities
(including residencies and education programmes). Both their programmes are distinguished(and in the case of Context includes the development of the NW visual arts archive supported
by UU) but both are struggling to establish a local audience and to command national
attention and the funding that will provide secure and long-term planning. A proposition for a
new regional gallery evolved from a document exploring the future role and identity of the
Orchard Gallery commissioned by Derry City Council and written by Professor Declan
McGonagle.
2.12 Nevertheless, Derry~Londonderry has a distinguished cultural history. The city and
surrounding area has produced a range of writers and artists and recent years have seen an
astonishing growth of cultural facilities from the Nerve Centre to the Verbal Arts Centre to
the Waterside Theatre. A further example is found in the murals which from the early days of
the Troubles, were used as a visual means of declaring allegiance and marking territory.
These murals became famous pictorial images of the conflict and remain protected, with one
artists group involved showing their work internationally. There is strong commitment to
local community engagement and education projects that result in the production of new
talent. While Derry~Londonderry has a reputation as a cultural city, it faces significant
problems in retaining talent and providing the kind of synergy that will make the cultural
offer nationally and internationally renowned.
2.13 Derry~Londonderry, as small city with a still small commercial business sector, is fortunate
to have a small number of private, commercially run art galleries Gordons is particularly
notable. The gallery has been functioning for two generations in one form or another and has
excellent connections locally and internationally. Gordons is developing links with local
schools (it held an exhibition of A level work this year and plans to continue and extend this)
and is successfully building both a domestic and commercial market. However, the links with
the voluntary sector are not strong and this again points to the need for a more developed
strategic approach to cultural development by the City Council that can maximise resources
and the evident entrepreneurial approach of the cultural activists.
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2.14 Derry~Londonderry, for many of the reasons above, is incredibly well connected for a small
place and this includes international connections in contemporary visual arts and media. Ilex
is developing a major public art initiative, involving all the key cultural players in the city
and supported by national and international expertise; the Ebrington development needs to be
integrally linked with the public art programme in order to ensure synergy and an effective
legacy that is, the Ilex commissions should be seen as the beginning of a continuous
programme of public art initiatives for the city.
2.15 Tertiary education is strong in the city with both the NW Regional College and the University
of Ulsters (UUs) Magee campus; however neither offers an art degree although the College
offers a well-respected foundation course. Magee is strong in performing arts while the visual
arts department is located on UUs Belfast campus. However, UUs reach through the new
School of Creative Arts, which embraces architecture and art and design in the public realm,
is extending its influence and is currently advising on the development of the Fountain area of
the city.
2.16 The tradition of story-telling through a range of performance, moving image and literary
media is very strong. The Verbal Arts Centre and the Nerve Centre are critical providers of
informal (and some formal) education provision that extends the scope of how language(written, oral and visual) is shared and understood. Both these organisations have
considerable local support as well as national profile and undertake a range of innovative
programmes. The Verbal Arts Centre includes several excellent visual art and craft
commissions while the Nerve Centre is mentioned as one of the leading media centres in the
UK and promotes a highly respected film festival, the Foyle Film Festival, with an
international programme. Both these organisations are highly entrepreneurial and are in the
process of expanding their operations.
2.17 Consultation with Screen Northern Ireland as well as with local cultural organisations has
identified a gap in the current provision that might be accommodated at Ebrington. This is
effectively composed of two complementary parts a national screen/moving image archive
and a film exhibition facility. There is no NI national centre for film archive and Screen NI isinterested in exploring how or if this could be accommodated in this project. The Nerve
Centre (one of 15 dispersed archive facilities) is well-placed to drive forward this initiative
alongside the provision of a custom-built small auditorium where niche and
international/historic films can be shown the Nerve Centres current facilities are
inadequate.
2.18 All of the major culture venues are in receipt of Multi Annual Funding from Derry City
Council through three year Service Level Agreements. This partnership has also
accommodated a growing relationship and dissemination of programming responsibility for
civic events and festivals.
2.19 The main local authority and Arts Council Northern Ireland (ACNI) support goes to theMillennium Forum, a major performing arts venue that promotes a wide range of touring
work and some locally produced shows. The Millennium Forum project (a major new
building opened in 2001) was led by the Council, although it now has an independent status.
The Playhouse Theatre is a wholly independent organisation with a strong programme of
activity in performing arts from developing and promoting local theatre and other performing
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arts to offering education and skills development in a range of technical and performing arts
areas. The Playhouse is currently housed in St Columbs Hall while extensive work is carried
out on its home which will provide a significantly expanded and fit for purpose facility.
The Playhouse is responsible for birthing Context Gallery, now an independent entity that
will also have a new gallery space in the Playhouse building.
2.20 The Waterside Theatre is an impressive building also about to undergo redevelopment and
expansion. Born out of the Waterside communitys desire for its own unique cultural
expression, it operates as a focus for community development in which cultural activity
(alongside wider social organisations) is a principle driver. It provides a home for a range of
cultural and other organisations including the ACNI supported Echo dance company. The
Waterside Theatres activities extend to international projects such as the construction of the
Round Tower at Messines and here again the entrepreneurial zeal of the project is remarkable.
Ebrington, both historically and locationally, is particularly important to the Waterside both
the theatre and the community it represents. Many of the personnel, largely military, built
strong connections (often through marriage) with the local community and thus Ebrington has
a particular place a sense of ownership which needs to be respected in the development as it
goes forward. This includes telling the story of the place its role in major campaigns and in
the Derry diaspora as well as providing an internationally recognised cultural flagship anddelivering activity that can be shared by the local community.
2.21 While the Millennium Forum was driven and achieved by the City Council, these other
facilities arose out of local initiatives and have strong community rootedness and
connection. The majority of the cultural infrastructure is based within the walled city which
forms a strong and increasingly organised cluster, attractive to tourists and contributing to
the urban mix of retail, offices and civic buildings. The Waterside area is now developing its
own cultural profile and arts & cultural activity at Ebrington could create excellent synergies
with the existing and emerging provision, for example, the Waterside Theatre and St
Columbs Park respectively; both these projects have significant new capital developments
underway. Moreover, increasing the density of provision on the Waterside will provide a
balance to the walled City cultural offer, distinctive and complementary.
2.22 There is a considerable range of museums and archives including the Tower Museum, the
Workhouse, Harbour Museum, Foyle Valley Railway Museum, Emilia Erhart exhibition,
Museum of Free Derry, and the Apprentice Boys. The general view is that these are
collectively under-performing in terms of a major cultural tourism offer and perhaps in
effectively reaching local people (though there are clearly exceptions that have specialist
communities such as the Railway Museum). But consultees are clear that the focus for the
cultural offer at Ebrington is not a museum though it is important to provide a history of the
site and its role in the citys history.
2.23 A further important aspect of Derry~Londonderrys cultural life is the music and festival
promotions including nationally/internationally events such as Halloween.
Derry~Londonderry is gaining a reputation as a city where exciting things happen and the
classical music promotions are attracting significant coverage alongside traditional music and
wider traditional celebrations. Ebringtons expansive Parade Ground and wonderful open
aspect next to the Foyle river (and conveniently reached by the new foot and cycle bridge)
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offers excellent opportunities to expand this activity. From open-air proms to fireworks to
Continental markets to major commercial launches, the Parade Ground could be a major
focus for local community celebration and for national and international visitors.
2.24 As highlighted by Professor McGonagles work on a new regional gallery, the existing mind
and fabric of the city means that contemporary cultural provision can co-exist productively
with heritage and goes with the grain of ambitions by Tourism Ireland and NITB to promote a
tourism experience which provides insights and not just sightseeing (peace tourism).
Strategic context
2.25 As part of this project, a review of strategies at the local, sub-regional, national and cross-
border level was undertaken and the results are presented in Annex D. In summary, this
review presents a compelling reason for public sector intervention in Derry~Londonderry in
order for the city to achieve prosperity and growth commensurate with its potential:
measures of economic inactivity and deprivation are much higher than elsewhere in
Northern Ireland. There is a need to move the city onto an accelerated development
trajectory, generating highly skilled and high value-added employment opportunities
quality of life indicators based on scenic and historical attractions are high but
businesses and inward investors are not yet making use of what the city has to offer
because of continuing structural weaknesses. There is a need for high profile and
inspiring initiatives to put Derry~Londonderry on an international map of people and
businesses
tourism numbers and spending should be boosted through encouraging the high
spending segment of destination tourism market. Arts and culture facilities in
particular can play a big role in this process
there are a number of current initiatives which could be tapped into achieving a
recognised status from early on will be important for Ebrington, making it become a
further signature project for Derry~Londonderry and Northern Ireland.
2.26 In summary, Derry~Londonderry is characterised by a mixture of strong quality of life assets
along with low educational attainment and deprivation amongst its residents. It has not yet
reached the point where confidence and existing activities bring about a virtuous circle of
prosperity. The city needs the public sector in partnership with the private and voluntary
sectors to provide a range of development stimuli to overcome negative perceptions and
dynamics, addressing existing market failures, in order for the city to achieve its full potential.
2.27 All these factors make a compelling case for a significant initiative in the field of arts &
culture which addresses business development, quality of life and tourism objectives
synergistically.
2.28 The next chapter goes on to introduce the dimensions of the emerging concept.
Comment [KP1]: The detailedreview of strategies has been
shifted into Annex D
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3: Dimensions of the concept
3.1 Building on the research and consultation evidence as set out in chapter 2, it is clear that there
is excitement about the potential of the Ebrington development in all its aspects (it is, after all,
a sizable site in the centre of the city) and, in particular, its potential as a cultural focus thecluster that will complement the Walled City and significantly expand and determine the
image and national/international positioning of Derry~Londonderry. This chapter presents the
dimensions of the emerging concept under the following headings:
statement of intent
the vision
development principles
objectives
activities
physical dimensions.
Statement of intent
3.2 We propose that Ebrington will be a unique exemplar of international best practice in arts and
culture, bringing together local artists and those of international renown along with a cluster
of cultural activities and offerings which reflect the history and ambition of the city and the
region. To meet this objective, the development needs to take an innovative stance which
exploits the characteristics of the site and city and draws on experience from leading edge
developments elsewhere in the United Kingdom and Ireland and overseas.
3.3 The development will be a hybrid, consisting of soft animation measures and hard
physical developments; the soft measures are rooted in innovative cultural practice and
ideas and it will be imperative that these influence the physical shape rather than vice versa.
The soft approaches need to follow the grain of the rich array of existing arts and culture
activities in the city and sub-region as well as inject additional energy.
The Vision for the Ebrington Arts & Culture Cluster
3.4 The vision for the Ebrington Arts & Culture Cluster is that of a mixed use development
shaped around a core visual arts component capturing the historical energy of the site,
working in the present and renegotiating the future.7
And making a significant contribution
to the cultural and educational life of the city, building a shared safe space that is accessible to
citizens and visitors, enabling all creatively to explore the past and present. .
7As expressed by Professor Declan McGonagle in the meeting on 4 December 2007.
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3.5 The aim would be to put Ebrington/Derry~Londonderry on the international map as a must
be and must visit place and destination for artists, tourists and businesses.
Development principles
3.6 The following principles will ensure that the site is developed sensitively to its immediate and
wider environment:
(1) ensure the beneficial re-use of listed and other buildings of townscape or
historic significance set around the Parade Ground space, enabling public access to
the historic site but keeping in mind its unique physical and historic features; the
sense of place and history will be crucial to the long term success of the site
(2) foster the innovative interpretation of the historic site - the Star Fort and
Ebringtons place in the citys history including Siege of Derry, the Battle of the
Atlantic, the Troubles and the prevailing community spirit; consideration should be
given to how the story of the Ebrington site can be told during the development
phases
(3) seekexcellence in design of all aspects of the clusters development, creating a
showcase of best practice in conservation, regeneration, architecture and the design of
public places and the proposed Foyle Foot and Cycle Bridge
(4) ensure the site builds on and brings added value to the citys arts and cultural
offer, building on the existing arts and cultural venues across the city
(5) contribute to the mixed use nature of the adopted site master plan by introducing
a variety of uses and activities that will create vibrancy and vitality within the cluster
and foster a sense of place across the site
(6) build upon and extend the citys events and festival calendar through the use of
the Parade Ground as a major city events space and a focal point for city centreevents
(7) create a Shared SPACE environment for all the citizens of
Derry~Londonderry and the Region, accessible to all cultures and traditions
(8) importance of creating a space which will be used regularly by children and
young people; the young people of Derry~Londonderry are the future of the city and
they need to be offered a range of attractions and facilities on the site as well as in St
Columbs Park
(9) enhance the citys heritage and culture-based tourism offer, creating a new
visitor destination within the city which is complementary to and reinforces the
existing offer across the city including the Walled City Signature Project
(10) encourage and nurture cross border cultural initiatives through the activities
of the site and the operational linkages and working relationships with city-based,
regional and international institutions and community organisations
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(11) creating strong links with the local community; the success of any cultural
project in Derry~Londonderry will inevitably depend upon the extent of buy-in by
local people and careful consideration needs to be given on how local people will be
engaged in the development of the project
(12) a significant contribution to the bid for CWHS which will be looking for a
range of regeneration processes
(13) create maximum social value from the site through the cluster and take
advantage of the public ownership of Ebrington to ensure wider community benefits
(14) reflect a positive view of the future of Derry~Londonderry through
celebrating and understanding its past and promoting an inclusive production and
audience-based environment looking towards a new era in the citys social, economic
and physical development.
Objectives
3.7 There is a wide range of objectives associated with this project:
arts & culture: the city is already home to a wide range of arts & culture providers
who are active throughout the year as well as coming together through special events.
The project will further stimulate and energise what is already happening in the city,
widening and deepening capacities and competencies and creating an internationally
recognised creative cluster
community development: Ebrington is located on the Waterside but due to the new
footbridge will be closely linked to the Cityside. As such, there is an opportunity for
the development to play a pivotal role in bringing together the citys various
communities through a shared vision delivered in a shared space and offering and a
wide range of events and facilities; also, the Arts & Culture Cluster could play a role
in encouraging participatory models of community engagement and cultural sharing
involvement of children and young people: the city has a high proportion of young
people and it will be essential to engage children, teenagers and young adults in the
development of the Ebrington site. Across the world, governments are working out
how to transform their education systems to meet 21st
century needs. Most are
concluding that creativity (and not just the arts) need to be written into the core
script.8
Ebrington and Derry could become a pilot for the integration of learning and
creativity in Northern Ireland
business development: Derry~Londonderrys dependence on public sector
employment should be counterbalanced with new business formation and growth in
the creative field. The creative sector has become one of the major growth sectors in
the United Kingdom and the Ebrington Arts & Culture Cluster could provide a focus
8We understand that DCMS are about to announce for England the setting up of an independent Youth Culture
Trust (mirroring the Youth Sports Trust established over a decade ago) which will oversee the development of the
cultural offer including the implementation of five hours experience of culture for every child every week.
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for new business activities. Through the development of Ebrington as an Arts &
Culture Cluster, there should be encouragement for a wide range of residents to
become involved in the active production of arts & culture and not just in its
consumption a participatory model of engagement (ie not solely consumption-based)
visitor numbers: Ebrington should be one of the key visitor attractions for
Derry~Londonderry and the North West of Ireland and draw visitors from Derry, the
North West border region, Northern Ireland, the island of Ireland and further afield;
Ebrington should be integrated closely into the NITB tourism strategy (including
recent ambitions regarding cultural tourism) and the newly commissioned tourism
strategy for Derry City Council
inward investment: the Ebrington development will itself offer space for inward
investment projects; however, more generally it will promote Derry~Londonderry as
a location for knowledge-intensive and creative9
employers who are looking for an
attractive base to operate and recruit a highly skilled workforce; similar flagship
cultural developments have proved catalytic in this regard
Digital Derry: the Ebrington development could become a prominent component of a
Digital Derry. The Walled City is already a wifi zone to be accessed by businesses,
students, pupils and visitors. Ebrington offers obvious expansion potential for the
technology and its use across the footbridge, helping to create a virtual environment
which could be expanded to cover the whole city
change the image and perception of the site (and the city) domestically and
internationally: this project will provide the means to move Derry forward and
transform negative perceptions surrounding the Troubles and hardships endured by
the different communities and make a positive statement on Derrys future.
3.8 Once the initiative is underway, these objectives need to be converted into smart (specific,
measurable, achievable, realistic and time-bound) objectives to be associated with the support
given to the initiative, its management body, partners and sponsors.
Activities soft animation
3.9 The project will consist of a range of soft animation and hard physical measures. The
soft measures will work with existing arts & culture providers in deepening and widening
provision in the city. The project should employ a wide range of mechanisms including:
an events-based strategy which is structured around a series of one-off or regular
occasions; this could include community events (such as Halloween or New Year
celebrations) or stagings or screenings of live or recorded music, drama, operatic,
cinema or sporting performances (such as Last Night of the Proms, Opera in the Park
or Metropolitan Opera Live). To draw well known events such as the Last Night of
the Proms to a location requires extensive lobbying and networking
9For the importance of creativity see: Bernard Marr (the Advanced Performance Institute) and Owen Murray
(Delivery & Innovation Division, Business Consultancy Service) : Creative Northern Ireland: Interview Feedback.
Department for Finance and Personnel
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a festival-based strategy to celebrate specific aspects and/or themes of the city and
the site in regular intervals. Such festivals are organised in different frequencies
including annual events (such as Edinburgh Festival), on a bi-annual basis (biennale)
such as the Venice Biennale - or even more infrequently like the Documenta in
Kassel which takes place every five years. Festivals cater for an extensive range of art
forms (including visual arts, music, literature, film etc) and are designed to meet a
wide range of ambitions; they tend to gather momentum and reputation over time.Derry~Londonderry is already the location of the Foyle Film Festival and the City of
Derry Jazz Festival and there would appear no obstacle to adding a visual arts festival
to this suite of events
Box 3-1 : The Venice Biennale
The Venice Biennale is a major contemporary art exhibition that takes place every two years (in odd years) in Venice.Other festivals such as the Venice Film Festival and the Venice Architecture Biennale (held in even years) are part ofit. A dance section, the International Festival of Contemporary Art, was established in 1999.
Established in 1895, the Biennale has an attendance today of over 300,000 visitors at the Art Exhibition. In 2007,Robert Storr became the first director from the United States to curate the 52
ndedition of the Biennale entitled Think
with the Senses Feel with the Mind. Art in the Present Tense.
Source:www labiennale.org
Table 3-2: Documenta Kassel
Documenta was founded in 1955 by the artist and arts teacher Arnold Bode. His objectives was that after years offascist dictatorship, the German public should be re-acquainted with international modern art and its own historic role.The exhibition is also known as The Museum of the 100 days and the 12
thDocumenta took place in 2007.
The singular character of the exhibition is maintained through the appointment of a new director every five years.
Documenta 12 was organised under three leitmotifs: Is modernity our antiquity? What is bare life? And What is to bedone?
Source: www.documenta12.de
comprehensive pre-launching programmes to prepare the opening of galleries and
major arts venues. Relevant examples include the pre-opening programme run by the
Baltic Centre for Contemporary Art, Gateshead or the Middlesbrough Institute of
Modern Art (mima) (for further information on these initiatives see the comparator
analysis in Appendix B). A pre-launching programme would be of particular
importance for this development for the following reasons: the Ebrington site at
present is neither associated with arts & culture activities nor with cross-cutting
community initiatives. It will take time for this perception to change and the sooner
this process is got underway the better. Moreover, as mentioned earlier in this
chapter, softer activities are meant to shape the harder physical developments rather
than vice versa
curation and leadership: organising and programming the wide range of softanimation measures will require the appointment of an artistic and/or festival director
- or a directorial team - recruited and/or appointed from within the international
arena. The individual to be appointed needs to be visionary, creative, innovative and
highly sympathetic to what is to be achieved with the Ebrington Arts & Culture
Cluster, bringing out the best from the local artistic scene and at the same time
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stretching the horizon towards an international outlook. There will need to be
provision for the recruitment of an individual with international credentials and
recognition
collections: some arts venues are based on permanent collections while others are
being curated on the basis of commissioning programmes or indeed purely on the
basis of loans; given that the acquisition of a permanent collection is extremely
expensive and a loan programme tends to work best when there are permanent
exhibits to offer in exchange for loaned artefacts, a commissioning programme would
seem to be the best route for the Ebrington Arts & Culture Cluster; this is all the more
the case because the commissioning programme could be started almost immediately,
once funding has been secured, with a view for art to be exhibited in the buildings as
they are now, in various stages of disrepair. Working towards a permanent collection
given the specific space requirements and insurance risks could only happen once
the building renovation has been completed
archives: Derry City Council's Heritage and Museum Service holds an extensive
local authority archive collection and is the only local authority archive operating in
Northern Ireland outside of Belfast. Accessing archives is becoming increasinglyimportant as an aspect of visitor experiences and that having accessible archives
(supported by digital means). We understand that there are some caveats regarding
the safe storage of archive materials that require strict environmental controls but
hope that such requirements can be designed into the physical development of the
historical buildings. Also, the City of London holds extensive archives on the
Honourable the Irish Society and there is a strong interest in making them available to
audiences in Northern Ireland. There are a number of options to establish a rolling
programme of exhibitions and also allow for electronic access to these archives.
Strong environmental controls will be equally important for the safe-keeping of these
collections. There is also a clear focus in contemporary art practice, internationally,
on memory building and archiving. Ebringtons proposed capacities, therefore, offer
significant dynamic linkages and engagement, across programming strands on the site
Box 3-3 : Derry City Councils Heritage and Museum Service
Derry City Council's Heritage and Museum Service: The collection includes archives from both public and privateorigin. The collection includes minute books (from various committees) and correspondence dating from 1673,detailing the development of the city during the Derry~Londonderry Corporation period, Rural District Council and thecurrent Derry City Council. The collection also includes reports, legal deeds and a large collection of architecturaldrawings. The Service also holds a limited photographic collection.
The private collections have been donated to the Service over the p revious years and mainly relate to the Textilesindustry, Trade Unions and the 'Troubles' period. There is also an extensive collection of material relating to theSecond World War and private educational institutes in the city. Other archives are the McCorkell Shipping linerecords and archives held in the City of London.
Box 3-4: City of London Archives/The Honourable the Irish Society
The records of the Honourable the Irish Society held at London Metropolitan Archives consist of administrativerecords, including court and committee minutes, letter books and declaration books; legal papers and cases; deeds,including fee farm rents; estate management records, including surveys and rent rolls; subjects files, includingfisheries, schools, grants, Kilrea Estate and Society House; financial records; plans; financial material; historicalpapers. All the records date between 1613 and 1983.
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artists residencies: part of a commissioning programme could be the provision of
space for artists to create site-specific installations; the launch of these works could
be integrated into the events and festival strategy
international peer linkages: it will be essential to draw in international peer linkages
and networks as a way of enhancing Ebringtons international recognition.
Encouraging these links to grow organically will be an important component to
developing the cluster.
commissioning budget: there also needs to be an allowance for a commissioning
budget. While some artists may be able to bring their own grants and bursaries with
them, there should be some flexibility to commission work particularly site and
place-specific work - beyond those restrictions. The budgetary provision could be
through an endowment or a revenue budget
country exchanges: there might be possibilities arising from exchange arrangements
with other countries, possibly facilitated through links with embassies. Such
international links could be particularly relevant if they are organised around themes
of global relevance and particular significance to Derry~Londonderry such as peace,
conflict, reconciliation, division, unification etc
time scale: as mentioned before, it will be counterproductive to expect too much too
soon; softer animation measures take time to gather momentum and get embedded.
Physical developments
3.10 The animation of the space and evolving uses should inform the physical development of the
site and buildings; therefore the early development of the site must be such as not to impede
potential future uses and the flexibility of the site; only in this way will it be possible for
Ebrington to acquire a unique character which will work towards the objective of putting
Derry~Londonderry on the international map.
3.11 The following sketches have been developed to provide an impression of possible phasings of
the development to achieve its objectives and allow enough flexibility for the softer animation
to shape the site.
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3.12 The costs for the full schedule of building works are summarised in Annex C and amount to
just over 20 million for the renovation of existing buildings, just under 9 million for new
builds and just under 6 million for site clearing expenditure.
3.13 With a development contingency of about 10%, this gives a full building and construction
budget of some 39 million. 10
10 Funding levels corresponding to the proposed phasing will be tabled at the Steering Group meeting scheduled
for 7 January 2008.
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4: Market demand and impact assessment (new)
Market demand
4.1 The market demand for services and facilities to be offered on the Ebrington complex hasbeen estimated by using comparator data of other attractions in Ireland, North and South. The
major attractions are all based either on outstanding natural attractions (Cliffs of Moher and
Giants Causeway) or are located in Dublin. No cultural (as opposed to natural) attraction
outside Dublin attracted in excess of 250,000 visitors in 2006 (see Annex E). Indeed, a large
number of broadly defined cultural attractions are drawing very few visitors and
undifferentiated local museums and art galleries seem to struggle to attract significant visitor
numbers.
4.2 Some of Derry~Londonderrys attractions do well, with the Walls standing out at just over
200,000 visitors (although the number of visitors to this attraction can only be estimated as
there is no clear control of access which would allow accurate numbers). St Columbs
Cathedral and the Bogside Artists are also performing well.
4.3 However, while visitor numbers are very important, success for the Ebrington complex will
not only be expressed in terms of visitor numbers. The ambition is that the initiative will
break the mould, creating a must see attraction with international reach and will contribute
to a change in the image (including the self-image) of the city. As such, it would not be
sufficient for the Arts & Culture complex to achieve its visitor numbers by repeat local visits
from, for example, a local educational market. Instead, the Ebrington complex needs to add
considerably to the visitor attraction in the North West and attract new and additional visitors
from across Northern Ireland and internationally. This is also important for optimising the
economic impact of the scheme because visitors from different origins have very different
expenditure patterns and hence economic impacts.
4.4 Demand will also depend on the wider economic and social environment in which the
initiative will take place. There is a chance of a virtuous circle where initial achievements
associated with the portfolio of projects currently underway in Derry~Londonderry will lead
to a more successful project on terms of visitor numbers and impacts. Such a scenario could
have the following components:
increased inward investment projects. There is a hope to attract high quality
knowledge-based jobs to Ebrington and other regeneration sites in the city; this would
increase the number of high quality jobs as well as generate more value-added
opportunities and set in train a wide range of beneficial multiplier effects. There is
evidence from other arts and culture schemes that mobile investment projects are
attracted by quality of life factors and a thriving arts and culture scene is one of the
key components for achieving these benefits
small business development. Any development project will lead to a wide range of
additional business opportunities in services and manufacturing for which local
businesses will be extremely well placed
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new businesses. There are a number of routes through which there could be
opportunities for new business formation in the field of arts, culture and tourism and
more generally to service new larger business coming into Derry~Londonderry. Such
business formation could be supported through targeted activities in the field of
enterprise creation
investment in infrastructure. Increased funding allocated to large scale
infrastructure project (for instance regarding transport and telecommunications) as
part of initiatives to strengthen cross-border activities.
Scenarios for Ebringtons performance
4.5 Three different scenarios have been considered which have been titled:
modest success
good success
outstanding success.
4.6 To be realistic, it has been assumed that it is unlikely for a cultural attraction in
Derry~Londonderry to receive the same number of visitors as an outstanding physical
attraction or if the same attraction was based in Dublin. This is a reflection of the scale of the
local population and of the local tourism market, at least at present. It is also clear that
comparators based in Great Britain or in major metropolitan areas of the European Union will
be of limited relevance. The highest achieving attractions in Ireland which are not natural and
are outside Dublin are W5 (The Online Discovery Centre) with 235,946 visitors, the Ulster
Museum with 211,000 visitors, Derrys Walls with 207,200 visitors and the Ulster Folk and
Transport Museum with 170,950 visitors.
4.7 Behind this backdrop of achievements of other attractions, outstanding success for the
Ebrington Arts & Culture Cluster would involve equalling the performance of theseestablished attractions and, for the purposes of our impact calculations, we have taken
outstanding success as representing 200,000 annual admissions.
4.8 At the other end of the spectrum, the modest success scenario must involve the Ebrington
complex performing significantly better than the range of existing local museums and art
galleries, none of which exceeded 30,000 admissions in 2006; if the Ebrington development
were to fall into this range of admissions, it would have clearly failed to realise the ambitions
for it. The modest success scenario is therefore based on annual admissions of 50,000. This
would position Ebrington between St Columbs Cathedral and the North Down Heritage
Centre in the existing hierarchy of attractions.
4.9 The good (but not outstanding) success scenario needs to fall between the other two scenariosand is therefore based on 100,000 admissions per year. This would position Ebrington
between the Belleek Pottery and Carrickfergus Castle in the existing hierarchy of attractions.
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The composition of demand
4.10 Table 4.1 below sets out some of the differences in the characteristics of the three scenarios.
Table 4-1 Characteristics of different demand scenarios
Scenario Characteristics
Modest Success visitors are mainly local and VFRs (visiting friends and relatives)
also attractive to those who are already visiting the city
broadens range of attractions and may encourage some discretionaryexpenditure by locals and visitors but some of this might displace spendingelsewhere in the North West
Good Success a stronger representation of holiday visitors
some may chose to visit the City because of Ebrington, probably insubstitution for other locations in Northern Ireland or the North West
however, limited inter-regional and international pull
Outstanding success strong image effect through intensive international linkages
most additional visitors are discretionary pure holiday visitors with higher
expenditure patterns who would not otherwise be attracted to the North West
some business visitors may also be attracted, potentially adding to the citysconference and business tourism market
significant contribution to confidence in the city as a place to live, work, visitand invest.
4.11 Essentially, the modest success scenario is one which would be characterised by use of the
Ebrington complex by relatively low spenders who would have been likely to spend their time
and money in the North West even in the absence of the Ebrington complex. In moving to the
good success and outstanding success, the attraction brings to the North West people who are
likely to spend more and who would not have been likely to have spent their money in the
absence of Ebrington.
Marketing
4.12 In order to maximise the potential impacts stemming from Ebrington (and the various other
regeneration schemes currently underway in Derry~Londonderry) and to achieve the
outstanding success scenario, there will need to be a wide range of supporting marketing
activities at the local, regional (including cross-border) and national levels:
the tourism offer needs to be marketed from the perspective of Derry City Councils
tourism unit (including the events management team), those charged with
encouraging cross-border tourism as well as national bodies, in particular given the
emerging strategic importance attached to cultural tourism and the significanceattributed to the signature projects on part of the Northern Ireland Tourism Board; the
work on the new tourism strategy recently commissioned jointly by City of Derry
Council and Ilex should start putting in place the building blocks for this work
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responsibilities for the marketing of the inward investment offer equally need to be
allocated between those responsible at the local, cross-border and national level.
There is a need for an extensive programme of place marketing which will put
Derry~Londonderry on the map for high quality inward investment projects
regarding the cultural offer, there is scope for a wide range of audience development
initiatives through events management and educational initiatives at the level of
schools, further and higher education.
in general, the place marketing of Derry~Londonderry needs to take account of the
changing fabric of the citys offer. It needs to get across to potential visitors and
investors the transformational changes that are making the city a special place to visit,
live, work and invest.
Impact assessment
4.13 Annex E derives calculations for the likely economic impacts stemming from the three
scenarios for the North West and for Northern Ireland. While these are only illustrative
assumptions, they have been put forward as a reasonable illustration and are consistent withavailable data. Assumptions include deadweight calculations which vary between scenarios,
ranging from 95% for the modest success to 20% for pure holiday visitors and 10% for
business visitors in the outstanding success scenario.
4.14 The calculated economic impact of the three scenarios is as follows:
modest success: 181k; this scenario brings only modest economic benefits and
these might be more than fully offset by ant operating loss of the complex at this low
level of visitor numbers and low additionality of impact
good success: 1,152m; the good success scenario brings an annual additional
spending of in excess of one million to the North West and this scenario is also less
likely to be associated with potential operating losses on the Ebrington site
outstanding success: 4,195m; this scenario brings an estimated additional spend of
4.2 million per annum to the North West and this scenario is also much less likely to
be associated with operating losses.
4.15 Applying first round tourism multipliers of 1.3 to the outstanding success scenario increases
the additional spend to close on 5.5m per year.
4.16 These calculations will include some element of tourism spending which might otherwise
have occurred in Northern Ireland which has been diverted to the North West. It therefore
represents a possible overestimate of the benefits to Northern Ireland as a whole although
the distributional shift of expenditure from Northern Ireland generally to the North Westmight be regarded as an economic benefit in its own right because of the high degree of
deprivation in the North West and the degree of economic overheating in the Belfast region.
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Implications of the analysis
4.17 While this analysis is very preliminary, the immediate and clear implication is that
mediocrity will not do. Achievement of the objectives for the Ebrington complex will
require an ambitious and internationally oriented development of a must-see cluster. Only
this will be the required step change in the economic performance of Derry~Londonderry and
of the North West. This in turn has implications not only for the content of what is still an
emerging concept but also for the international positioning and marketing budgets which will
be required for a successful development. The positioning must be truly distinctive and the
marketing budget provision must be of a scale to make credible an outcome comparable with
the outstanding success scenario.
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5: Organisation, management and funding
Organisation
5.1 Ebrington is a complex redevelopment site which (as set out in the masterplan) will becomposed of a range of functions housing (both private and social), commercial and office
uses, convenience shopping etc. Much of the site is to be cleared to provide for these
developments but its most visible and precious component (historically, architecturally and
culturally) the Star Fort, the Parade Ground and the buildings in its immediate vicinity is
unequivocally seen as important as a facility for cultural and community good. The
challenge for this feasibility study is to understand the range of uses that the Ebrington Arts &
Culture Cluster will reasonably afford, building on local capacity, aspiration and the
investment potential. In order to realise the concept of the cluster, it needs to be composed of
a number of different entities with differing operating and business models which might
consist of:
a major gallery in the Star Fort; this will operate as the hub of the cluster, the definingfeature that both provides in-house exhibitions and drives forward a visionary
contemporary visual arts agenda linked to an understanding of historical work that is
both local and global
a number of independent voluntary cultural organisations perhaps with a specific
facility in Ebrington while their headquarters remain elsewhere; a number of the
organisations consulted are interested in having space at Ebrington to provide
additional complementary activity to their core business
an exhibition dealing with the historic interpretation of the site which could, for
example, be run by the Tower Museum or be an independently constituted company;
the story of Ebrington must be told
access to archive material from Derry City Council and the Honourable the Irish
Society
an intelligent audience facility that might be run by an existing organisation or an
education charity or institution; the interest of Screen NI is significant here as well as
the identified need by other organisations, the Nerve Centre in particular
a range of private sector commercial developments such as retail outlets, bars and
cafes some internal within the main buildings but others in premises around the
Parade Ground; this might include commercial arts and crafts outlets (building on the
expertise of galleries such as Gordons) as well as local restaurateurs
the management of the Parade Ground as a space available for a variety of
promotions from markets to concerts to fairs; this might be a newly constituted events
company linked to tourism organisations.
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overall, a need to offer flexibility in the creativity and use of these different spaces
which in itself will help to create vibrancy and continued interest in Ebrington and
Derry~Londonderry
5.2 The range of options is considerable but it is important at this stage to focus on the gallery as
the main driver and the management and operational challenges the need to be addressed;
without the gallery at the centre, the cluster cannot be constructed.
5.3 The gallery is the heart of the development The Star Fort both spatially, historically and
culturally. As a cultural facility for the public good, it will require a measure of public sector
funding but must have the independence to raise significant sources from trusts, foundations
and the private sector. There are a number of company models that might be used but there
must be the intention to seek charitable status to be best positioned to raise funds. It is
suggested that trustees and board members are high profile and well-connected to both the
social and commercial fabric of Ireland and to the international arts world.
Links into the wider cultural offer in Derry~Londonderry
5.4 We understand that there are ongoing considerations to restructure the arts and culture offer
within the remit of Derry City Council by creating a trust which would operate somewhat at
arms length from the Council. Exa