ECU WAAPA Celebrate 30 Years- Performance Program
Transcript of ECU WAAPA Celebrate 30 Years- Performance Program
CELEBRATE!WAAPA salutes ECU’s 30th Anniversary
Tonight’s extravaganza will take us on a rich journey through music, theatre and dance – with some special guests and a few surprises along the way.
2021 is a big year for ECU. We are not only celebrating our 30th anniversary, but also 100 years since our namesake – Edith Dircksey Cowan – became the first woman to be elected to an Australian Parliament.
Edith Cowan dedicated her life to the belief that education was key to growth, change and improvement in society. She was a driving force behind social reform and equality. A woman with a vision.
Inspired by her work, in 1991 ECU was formally established from an amalgamation of former teaching colleges, and WAAPA, which itself had only been established 11 years prior.
Our intent 30 years ago was the same as it is now: to transform lives through education and research. To give our students the knowledge and skills to succeed in their careers and make a positive contribution to their communities.
You only have to look at the WAAPA stars now dotted around the world to see how they have built on their educational experience to achieve excellence in the performing arts.
It’s pleasing to see our approach to education is appreciated by our students. For the sixth year in a row ECU has been ranked the top public university for undergraduate teaching quality, based on the QILT survey of those who should know best: graduates.
This approach is also recognised globally. This year we have again been ranked in the world’s top 100 universities under 50 years old in the Times Higher Education Young Universities Rankings.
In celebrating the past 30 years, we also have our sights set firmly on the future. And an exciting driver of this future is the ECU City project.
Part of the Perth City Deal between ECU, the Australian Government and the Western Australian Government, ECU City will deliver Perth a world-class Creative Industries, Business and Technology precinct.
Set to open in 2025, with more than 9,000 students and staff, it will transform the centre of Perth.
ECU City represents the future of university education. It will become part of the lifeblood of Perth’s CBD and inject vibrancy, creativity, culture and community into the heart of our city.
Lastly, I recognise that pulling a gala like this together is no mean feat. I would like to acknowledge this labour of love created by our WAAPA family.
A sincere and heartfelt thank you to the performers, students, staff, alumni, and of course, WAAPA Executive Dean David Shirley, and the Artistic Director of tonight’s show, Brendan Hanson.
I hope you enjoy tonight’s performance.
We are delighted to have you here with us tonight as we celebrate ECU’s 30th anniversary.
Professor Steve Chapman CBE
Vice-Chancellor Edith Cowan University
Welcome from theVICE-CHANCELLOR
It is a great privilege for all of the staff and students at the Western Australian Academy of Performing Arts to take part in this wonderful celebration to mark the 30th Anniversary of Edith Cowan University. Throughout its history WAAPA has played a central role in identifying and enabling the remarkable talents of world class musicians, actors, dancers, directors, designers and technicians – many of whom enjoy illustrious and highly influential careers across the globe!
Celebrated as one of the world’s most prestigious performing arts academies, there is no doubt that WAAPA’s success is attributable to ECU. Since the establishment of Edith Cowan University in 1991, when WAAPA became part of the institution, the School has gone from strength to strength and our graduates have benefitted from the transformative and highly empowering ethos on which the University’s values are established.
We all know that the challenges of recent years and the consequences of a global pandemic will have significant impacts across many parts of society – including education and the arts. The realisation, however, that WAAPA is the beneficiary of such tremendous support by the University of which it is a part means that we can look to the future with a genuine sense of pride and confidence. The recent announcement of the establishment of an ECU City campus, in which WAAPA will enjoy an integral presence, bears testimony to this recognition.
If the last 30 years are anything to go by, the next phase in the University’s development is likely to be truly extraordinary and I very much look forward to being part of and contributing to the many exciting initiatives and developments that are ahead.
Enjoy tonight’s performance as we proudly celebrate 30 years of ECU and the glorious achievements of this youthful, energetic, and highly dynamic institution.
Professor David Shirley
Executive Dean Western Australian Academy of Performing Arts
A very warm welcome to an extraordinary event.
Welcome from theEXECUTIVE DEAN OF WAAPA
Welcome from theARTISTIC DIRECTOR
I am proud to be a WAAPA graduate and ECU alumnus. Having the opportunity to curate a program that celebrates the incredible diversity and commitment of craft and skill of the young artists and their mentors and educators was truly a privilege. It has been like being given a cornucopia of talent and expression and I acknowledge the incredible staff of ECU and WAAPA for supporting me with such grace and goodwill, offering their time and great talent to make this evening a success.
On a personal note I get to come full circle tonight, having commenced my training in 1991 and as a student at WAAPA performing in my professional debut at Perth Concert Hall with the then Dean of the Conservatorium,
Brendan Hanson
Richard Gill in the same year. I acknowledge the incredible artists and educators who inspired me to pursue my passion for storytelling, in particular the late, great John Milson, the then director of the Music Theatre department, and his colleagues, Denis Follington, Derek Bond and Jenny Lynnd.
Tonight’s program is a celebration of perseverance and overcoming. Like our namesake, raising your voice in the face of opposition is challenging and to grow in confidence one needs opportunity. ECU and WAAPA continue to create that opportunity. We raise our voices in chorus tonight and we hope you enjoy our mission of “Be Inspired”.
FeaturedARTISTSNatalie AllenNatalie Allen is an award-winning dancer with an extensive professional career who has collaborated, performed and toured works by many leading choreographers and companies from Australia and around the world, including Leigh Warren, Rafael Bonachela, Gary Stewart and William Forsythe. Since 2013 Natalie’s choreographic work has been presented locally, nationally and internationally. Climacteric, a site-specific solo work, was presented at Contact M1 Festival 2019, Singapore. A Night Out!, a community show reinventing social dance, toured regional WA in 2019. Natalie performed in Sunset, Perth Festival 2019 and later that year joined the cast of Punchdrunk’s Sleep No More in Shanghai, China. 2020 saw Natalie choreograph a solo for SLIDE Dance Theatre’s new show, Beam me up, Kate; a new work titled Stained in Crimson for LINK Dance Company; and was the movement director on two plays, Love and Information and The Golem: or, Next Year in Jerusalem. In 2021, Natalie performed in MoveMoveMove at Perth Festival; premiered JULIA, a solo work co-created with Sally Richardson at State Theatre Centre; and is currently choreographing Cabaret for WAAPA’s graduating Music Theatre class. Natalie is a proud graduate of WAAPA’s Dance program.
Clint Bracknell Clint Bracknell is Associate Professor at WAAPA and Kurongkurl Katitjin. His composition/sound design credits include Hecate (Yirra Yaakin/Bell Shakespeare - ‘Best Composition’ 2020 WA Performing Arts Awards), York, The Cherry Orchard, Water, The Caucasian Chalk Circle (Black Swan), Skylab (Black Swan/Yirra Yaakin), King Hit (Yirra Yaakin), and The Red Tree (Barking Gecko - nominated for ‘best original score’ 2012 Helpmann Awards). His music has also featured in international advertising campaigns, television series and the feature film, H is For Happiness (2019). Clint’s PhD in Noongar song was awarded UWA’s 2016 Robert Street Prize for most outstanding thesis, he delivered the 2019 Hancock Lecture for the Australian Academy of Humanities and received the 2020 Barrett Award for Australian Studies. Clint established the Contemporary Music program at Sydney Conservatorium of Music (2014-2018) and currently leads an ARC funded research project at ECU.
Jessica GethinAustralian conductor Jessica Gethin has forged an international conducting career working in the United States, Asia, Australia and New Zealand. Her roster includes conducting the Dallas Opera, Melbourne Symphony Orchestra, West Australian Symphony Orchestra, Malaysian Philharmonic Orchestra, Perth Symphony, Singapore Symphony, Auckland Philharmonic, Macao Orchestra and regular seasons with the West Australian Ballet, crossing genres of symphonic, ballet, opera, film and contemporary. Accolades include being listed in Limelight Australia’s Top Twenty Australian Artists, winner of the Brian Stacey Australian Conductor Award, AFR’s 100 Most Influential Women, a Churchill Fellowship and being named a finalist in the West Australian of the Year Awards. Jessica was founding conductor of the Perth Symphony until 2019, as well as Inaugural Fellow at the Hart Institute of Women Conductors with the Dallas Opera. A proud alumna of WAAPA, Jessica has been on music staff since 2008.
Alice HumphriesAlice Humphries is a highly versatile composer and arranger working across and in-between the contemporary classical, jazz and experimental worlds. Her music has been described as “bursting with life and fun, as well as great, great beauty” and “deeply thought-provoking…offering both moments of incredible intensity and sublime serenity.” Her output includes electro-acoustic, chamber and orchestral music, as well as music for dance, documentary and film. Alice’s music has been performed across Australia and internationally by artists including the Melbourne Symphony Orchestra, Syzygy Ensemble, Blair Harris and Caroline Almonte, and the Letter String Quartet. She also works extensively as an arranger and orchestrator and has collaborated with some of Australia’s major orchestras and contemporary music artists including Josh Pyke, Kate Miller-Heidke, Katie Noonan, Meow Meow and Missy Higgins. Alice graduated from WAAPA with a Bachelor of Music Honours in 2009.
Michael LewisMichael Lewis, in a career spanning 50 years, has become one of Australia’s most respected singers. He is highly regarded for his command of both operatic and concert repertoire. After winning the Metropolitan Opera Competition in 1973 and an Arts Council Scholarship, Michael left Adelaide for Europe, marking the beginning of a successful international career. His major debut at the Wexford Festival in 1976, was followed by performances at opera houses in London, Berlin, Frankfurt, Munich, Leipzig, Amsterdam, Venice, San Diego, Pittsburgh, English National Opera, Welsh National Opera, Scottish Opera, Opera North and Glyndebourne Festival and Touring Opera. He has performed 35 major roles with Opera Australia, as well as regular appearances with the state companies in Perth, Adelaide, Melbourne and Brisbane and New Zealand Opera. He has worked extensively on the concert platform with many major orchestras and conductors in Europe, the UK, Australia, New Zealand, Mexico and Malaysia. Michael is a sought-after singing teacher, mentor and coach and is currently a voice teacher at WAAPA. In 2008 Michael was awarded an OAM for services to the arts.
Amy Manford Prior to her West End debut as Christine Daaé in Andrew Lloyd Webber’s The Phantom of the Opera at the Sydney Opera House, after performing the role in London’s West End and Athens, Greece. Amy had sung at many iconic venues such as the Seoul Arts Center in South Korea and at Buckingham Palace for the Prince of Wales. She was especially honoured to sing the Australian Anthem for HRH Prince Harry and Ms. Meghan Markle for the 2018 Anzac Day Memorial Service in London. In 2017, Amy graduated with a Master of Performance from the prestigious Royal College of Music where she was lucky enough to perform numerous title roles with their International Opera School. Before moving to London, Amy had graduated with a Bachelor of Music from WAAPA in her hometown of Perth. Amy returned home last year to form Perth’s newest production company, MM Creative Productions with friend and fellow WAAPA graduate, Genevieve McCarthy. They are thrilled to be bringing Disney in Concert: A Dream is a Wish to Australia for the first time this October at the Riverside Theatre.
Emma MatthewsAustralia’s most highly awarded soprano, Emma Matthews performs regularly with all the Australian opera companies, symphony orchestras and festivals, and is now Head of Classical Voice and Opera Studies at WAAPA. Emma’s operatic repertoire includes the title roles in The Cunning Little Vixen (Royal Opera House, Covent Garden and Opera Australia), Lulu, Lakmé, Lucia di Lammermoor and Partenope; Violetta (La Traviata), Gilda (Rigoletto), Cleopatra (Giulio Cesare), Juliette (Roméo et Juliette), Marie (La Fille du Regiment), Konstanze (Die Entführung aus dem Serail), Amina (La Sonnambula), the four heroines (The Tales of Hoffmann), Leila (Les Pecheurs de Perles) and Rosina (The Barber of Seville). In addition to appearing in numerous Opera Australia productions released on DVD, including La Traviata and Lakme, Emma’s solo recordings with orchestra are: Emma Matthews in Monte Carlo (Deutsche Grammophon/ABC Classics), Mozart arias (ABC Classics) and Agony and Ecstasy (ABC Classics).
Meow Meow Meow’s unique brand of subversive and sublime entertainment has hypnotized, inspired and terrified audiences worldwide from London’s West End to Lincoln Centre New York, to the Hollywood Bowl, to the Sydney Opera House. Her original music theatre works have played from Berlin to Berkeley, Edinburgh to Shanghai and have been commissioned by David Bowie, Pina Bausch and Mikhail Baryshnikov amongst others. With orchestras she specialises in Weimar and French chanson repertoire as well as jump-cut explorations of Schubert and Schumann and contemporary work. The stage-diving tragi-comedienne has performed her “orchestrated chaos” with The London Philharmonic, Sydney, Seattle, Bergen Norway, Oregon and San Francisco Symphonies. Her latest album Hotel Amour with Pink Martini’s Thomas Lauderdale was ranked in The Times UK top 100 albums of 2019. Her theatre credits include Titania in A Midsummer Night’s Dream at Shakespeare’s Globe in London, and a critically acclaimed Miss Adelaide in Guys and Dolls with the Royal Philharmonic at Royal Albert Hall, Jenny in Threepenny Opera with the London Philharmonic in London and Paris, and Anna in Die Sieben Todsünden at the Berlin Konzerthaus under Vladimir Jurowski. She has created numerous fantastical history song cycles for crumbling theatres and bespoke civic events, most recently in Liverpool. Meow Meow graduated from WAAPA’s Music Theatre course in 1997.
Jamie OehlersDr Jamie Oehlers is recognised as one of Australia’s leading jazz artists and saxophonists. He was the winner of the 2003 World Saxophone Competition in Switzerland and has won numerous awards in Australia, including four Australian Jazz Bell Awards – one Best Australian Jazz Artist and three for Best Contemporary Jazz Album – an ABC Limelight Award for Best Jazz CD Release, and has been an ARIA Awards finalist for Best Jazz Album. His career has seen him perform throughout the world, from New York, London, Paris and Berlin to India, Switzerland, UK, Italy, Ireland, China and Japan. He has released 20 albums, including his latest, Night Music which was aligned with his PhD entitled “Developing a Chromatic-Intervallic Approach to Jazz Improvisation Through Reflexive Practice”. Jamie graduated from WAAPA’s Jazz course in 1994, returned in 2008 to take up the position of Coordinator of Jazz Studies, and completed his PhD at WAAPA in 2019. Jamie is now WAAPA’s Associate Dean of Music, and maintains an active performance career on top of his teaching and mentoring.
Paul O’NeillAustralian tenor Paul O’Neill has forged a compelling international career performing throughout Europe and Australasia. His 2021 engagements include Alfredo (La traviata) for Opera Australia, Turiddu (Cavalleria rusticana) and Canio (Pagliacci) for West Australian Opera, and concert appearances with the West Australian Symphony Orchestra. Most recently, he sang Don José in Carmen for West Australian Opera, Rodolfo (La bohème) and Narraboth (Salome) for Opera Australia, the title role in Faust for Theater Münster, Pinkerton (Madama Butterfly) throughout China and Cavaradossi (Tosca) in both Perth and Magdeburg. Other roles include: The Duke (Rigoletto) with Opera Holland Park, Opera Australia, West Australian Opera, Staatstheater Karlsruhe and Staatstheater Mainz; Turriddu, Cavaradossi, and Carlo VII (Giovanna d´Arco) for Theater Bielefeld; Jason (Médée) for Theater Bielefeld and Staatstheater Mainz and The Italian Tenor (Der Rosenkavalier) for Berlin Staatsoper. Paul earned his Bachelor of Performing Arts (Music) at WAAPA and was a Young Artist at West Australian Opera.
Dr Roma Yibiyung Winmar Dr. Roma Yibiyung Winmar has worked significantly in Indigenous education and the arts where she is continuously promoting Noongar language and cultural activities for which she was awarded an honorary doctorate by Edith Cowan University in 2020.
She has extensive language skills and is presently employed as a Noongar language teacher at Western Australia’s Moorditj College, and as the Elder-in-Residence at Edith Cowan University. She is also currently on the Board of Sister Kate’s Home Kids Aboriginal Corporation (SKHKAC) and is a member of the Wirlomin Language and Stories Inc. Cultural Elders Reference Group. Roma was awarded the Barry Hayward Outstanding Achievement Aboriginal Individual Award in 2005. She has delivered sessions at conferences on language such as the Connecting with Aboriginal Languages Conference in 2007 in Hawaii; the World Indigenous Suicide Prevention conference in New Zealand in 2016; and the National Aboriginal and Torres Strait Islander Suicide Prevention conference/World Indigenous Suicide Prevention conference in Perth in 2018. Roma sat on the Department of Education’s Curriculum Council in setting standards and educational expectations for Noongar language taught at secondary and TEE levels. Roma was the language and cultural consultant on the play Yibiyung written by her daughter Dallas Winmar. She has also worked as senior language editor for the Noongar Shakespeare Project. Roma, under the name of Yibiyung, has worked with the Carrolup School of artists as adults. Biographical cuttings on Yibiyung as an artist in her own right are housed in the National Library of Australia in Canberra as a contemporary Noongar artist. She has a passion for passing on family histories to the next generation through research and storytelling.
Nicole YoulNicole Youl made her mark as a soprano in the works of Puccini and Verdi – she has performed the title role in Madama Butterfly (Opera Australia), Mimi in La bohème (Opera Australia, Opera Queensland, Paiz Festival in Guatemala), title role in Tosca (Opera Australia, Victorian State Opera), Liu in Turandot (Opera Australia), the leading ladies in Puccini’s Il Trittico; Giorgetta in Il tabarro, the title role in Suor Angelica and Lauretta in Gianni Schicchi (Opera Australia), Leonora in Il trovatore (West Australian Opera, Opera Australia) and Amelia in Un ballo in maschera (Opera Australia). Other roles include Elsa in Lohengrin (Opera Australia), Leonore in Fidelio (OA), Santuzza in Cavalleria rusticana (Opera Australia, West Australian Opera), Micaela in Carmen (Opera Australia, Opera Queensland and West Australian Opera), Diane in Iphigenie en Tauride (Opera Australia), Donna Elvira in Don Giovanni (Victorian State Opera), First Lady in The Magic Flute (Opera Australia), Grimgerde (Die Walküre) and Die Vertraute and Die Vierte Mägd in Elektra (Teatro dell’ opera di Roma). 2021 sees Nicole performing Mamma Lucia (Cavalleria Rusticana) and Marcellina (The Marriage of Figaro) for West Australian Opera and La Zia Principessa (Suor Angelica) for Freeze Frame Opera. Nicole currently teaches classical voice at WAAPA.
ORDER OF Proceedings Welcome to Country y Dr Roma Yibiyung Winmar
Waalwaliny written by Clint Bracknell and arranged by Hanae Wilding after an arrangement by Iain Grandage. Performed with students from Aboriginal Performance, Acting and Music departments
WAAPA Symphony Orchestra y Opening of Also sprach Zarathustra by
Richard Strauss
y The Dream Before by Meow Meow
LINK Dance Company and WAAPA Jazz Combo y Excerpt from Let’s Do It choreographed by
Leigh Warren
y Music: I Get a Kick Out of You/Always True to You in My Fashion by Cole Porter
Emma Matthews, Nicole Youl, Paul O’Neill, Michael Lewis and Orchestra y Quartet from Rigoletto
Acting students y Scenes from Shakespeare directed by Glenda
Linscott
Aboriginal Performance students with Clint Bracknell and Orchestra y Break Loose by Clint Bracknell, arranged by Philip
Everall and choreographed by Simon Stewart
ECU Contemporary Fashion Showcase featuring the Mingus Jazz Ensemble y The Mind Melder by Troy Roberts
WAAPA Symphony Orchestra with WAAPA Chorus y Brave the Wave composed by Jonathon Jie
Hong Yang
Acting students y Chasing Happy inspired by ATLAS created by the
Graduating Actors 2019 and Samantha Chester in 2018
INTERVAL 20 MINUTES
Defying Gravity Percussion y Celebrate by Marcus Perrozzi
Contemporary Music students y Gone Under by Snarky Puppy
Bachelor of Performing Arts students y Ladies and… An adaptation of Edith Cowan’s
maiden speech to Parliament directed and adapted by Melissa Cantwell
Music Theatre students and Orchestra y I’ve Got Rhythm by George and Ira Gershwin from
the musical Crazy For You directed by Crispin Taylor, choreographed by Jayne Smeulders and conducted by David King
ECU Short Film Commissions for the 2020 International Year of the Nurse and Midwife y Shift written and devised by Helen Searle and
directed by Andrew Lewis
y Commissioned by the ECU School of Nursing and Midwifery and the Western Australian Academy of Performing Arts
Amy Manford with the WAAPA Symphony Orchestra y Wishing You Were Somehow Here Again by Andrew
Lloyd-Webber from The Phantom of the Opera
Dance students with Pavan Kumar Hari (composer/percussion) y The Resistance choreographed by Brooke Leeder
WAAPA Symphony Orchestra, WAAPA Chorus, WAAPA Big Band, WAAPA Gospel Choir and soloists Emma Matthews (soprano) and Jamie Oehlers (saxophone) y Be Transformed composed by Alice Humphries,
conducted by Tom O’Halloran
CELEBRATE!WAAPA salutes ECU’s 30th Anniversary
Featured ENSEMBLESWAAPA Symphony OrchestraViolin 1
Yasmin Omran Pinn Mitaim
Nadia Alexander Steven Daly
Jude Iddison Daniel Drieberg
Lucy Wang Runa Murase
Violin II
Aya Smith Wayne Heng
Momo Foord Jonathon Yang
Kaelah Williams Lydia Lai
Kristy Hughes Alice Broadhead
Miranda Dyskin Erica Wong
Viola
Patrick Meyer Oscar McDonald
Hanae Wilding Brian Chang
Amadea Foss
Cello
Anneke van der Laan Zoe Hawksworth
Camille Lalanne Georgia Cook
Tegan Finlay Kaila Thomas
Bass
Oakley Paul Cass Evans-Ocharern
Meg Vicensoni Kirsty Malcolm
Harp
Rachel Fish Kira Gunn
Flute
Caitlin Malcolm Emily McGuiness
Isabella Eagles
Oboe
Zoe Gampfer Hannah Woolley
Gabriella Ibrahim
Clarinet
Izzy Bormolini Riley McCallion
Saskia Rickman
Bassoon
Hugh Ponnuthurai Yanika O’Brien
Georgia Bradley
French Horn
Calen Linke Milly McAuliffe
Jenna Lamborn Aaron Stulcbauer
Trumpet
Brent Grapes Hamish McCamley
Carl Evers Zac Ogden
WAAPA Symphony OrchestraTrombone
Sondra Skilton Lindsay Bush
Bass Trombone Aaron Canny
Tuba Jason Catchpowle
Piano/Celeste Izaac Masters
Trevor Stockton
Timpani/Percussion
Gabrielle Lee Steven Hartley
Joey Eng Thom Selim
Madeline Colvin Joshua Stark
Laura Saxon Dean Murray
Jon Parker Zac Skelton
Saxophone
Jasmin Hardie Blake Faulkner
James Calvert Andrea Jordan-Keane
Shaniqa Lin Josh Sumich
Grace Kay
Classical Guitar
Amber Van Roy Tayne Burnside
Macenzie Clare Wilbur Grantham
Drumset William Wallace
Electric Guitar Sam Forster
Bass Guitar Blake Weller
WAAPA ChorusSoprano
Avalon Brown Miella Mondlane
Elizabeth Bruk Brittney Northcott
Sian Bussanich Bethany O’Brien
Ava Charleson Sade Partridge
Jesse Chester-Browne Charis Postmus
Emily Chivers Bobbi Ralls
Sophie Coleshill Jada Rattray
Olivia Collins Beth Redwood
Breanna Cooke Rachel Rees
Paris Cusack Lachlan Ross
Karyn Djodjo Dihardjo Scout Simmonds
Nike Etim Bonnie Staude
Jessica Goodwin Maddie Stephens
Sophie Hamer Erin Strle
Charlotte Holly-Little Jessica Taylor
Zoe Lancaster Annabelle Volery
Audrey Lombardi Sophia Wasley
Georgia Mercer
WAAPA ChorusAlto
Ruth Burke Caitlin Forrest
Karlie Butler Stephanie Hair
Emily Davis Sophie Herbert
Samantha Deykin Mia Lawson-Cross
Jane Dowker Siena Palmer
Harriet Du Pont Michelle Pryor
Olivia Ferguson
Tenor
Ammon Bennett Euan Macmillan
Julian Cope Dylan Watson
Jacob Correia Ryan White
Noah Humich
Bass
Evan Ayres Devon Lake
Nathan Breeze Raphael Luxton
Samuel Claxton Theodore Murphy-Jelley
Ryan Coyte-King Ciaran Paxman
Benjamin Del Borrello Brett Peart
Joshua Edwards James Pinneri
Kyle Garces Keaton Staszewski-Hose
Kohsei Gilkes Laurence Westrip
Lachlan Higgins
Jazz Ensemble Let’s Do It
Vocalist Lucy Iffla
Trumpet James Chapman
Double Bass Avis Mena-Lescay
Piano James O’Brien (musical director)
Drums Jeremy Goinden
Tenor Saxophone Josh Parker
Clarinet Camryn Thomason
Alto Saxophone Holly Forster
Electric Guitar Sam Forster
Trombone Jonathan Brittain
Mingus EnsembleThe Mind Melder
Trumpet Matthew Knight
Trumpet Dusan Cuculoski
Tenor Saxophone Augustine Kaung-Htet
Alto Saxophone Johan Kriel
Trombone Will Pethick
Electric Guitar Ben Jobson
Keyboard/Rhodes Darcy Maishman
Electric Bass Tommi Flamenco
Drums Josh Wright
Contemporary MusicContemporary Ensemble Gospel Choir
Kayla Beattie Matt Allen
Mikayla Boonstra Mikayla Boonstra
Melissa Crotty Shanae Campbell
Joel Dalton Rhys Clark
Jack Hill Reece Collard
Ben Lazzaro Melissa Crotty
Rein Limanta Shanay Cullen
Madoc Plane Leah Cusma
Trevor Stockton Olivis George
Blake Weller Rein Limanta
Nina Mansfield
Leah McFetridge
Sarah Munsie
Keely O’Brien
Carrie Pereira
Madoc Plane
Allira Wilson
Music ArtistsElijah Crouch Mia June
Chelsea Elder Matt Preston
Featured ENSEMBLESAboriginal PerformanceWelcome to Country
Georgia Calderwood Tehya Jamieson
Faith Clowry Lila McGuire
Shontane Farmer Tahnaya Stevenson
Kira Feeney Shontae Wright
Ruby Henaway
Break Loose with Clint Bracknell
Sebastian Critti-Schnaars Taj Jamieson
Jake Fraser Lathan Sebastian
Oliver Hughs
Acting2nd Year Students 1st Year Students
Giuseppe D’allura Joseph Baldwin
Remy Danoy Tess Elizabeth Bowers
Shontane Farmer Estelle Davis
Roxanne Gardiner Harrison Gilchrist
Sean Halley Ruby May Henaway
Brandan Halsey Edyll Ismail
Tinashe Mangwana Alexander John Kirwan
Dominic Masterson William Snow Lonsdale
Radhika Mudaliar Tyren Joseph Maclou
Delia Price Lila May Laws Mcguire
Laura Shaw James Mcmahon
Adrian Sit Lauren Mcnaught
Blaise Tindale Dieudonne Munezero Ngabo
Karina Topolovec Elyse Phelan
Gabrielle Wilson Tyler Redman
Kelsey Skinner
Lucinda Smith
Jesse Alexander Vasiliadis
Fight Ensemble 2nd & 3rd Year Students
Giuseppe D’Allura Adrian Sit
Chaya Ocampo Madeline Dona
Jack Twelvetree Hannah Penman
Mitchell Tharle Emelia Corlett
Fight director: Lawrence Hassle
DanceExcerpts from Let’s Do It.
LINK Dancers
Keisha Lau Luther Wilson
Zachary Wilson Allain Gumapon
Elliott Dunn
Excerpts from The Resistance
1st Year Dancers
Hannah Brookes Tegan Anne Carter
Ella Georgia Cartledge Dannielle Joan Cook
Harrison Cook Georgia Eleni Douvartzidis
Man Yi Fung Paris Michelle Hall
Sophia Marchesani Ruby Isabella Michael
Sophie Molony Frances Marie Orlina
Emily Rose Parry Ruby Alexandra Surtees
Laura Tooby
3rd Year Dancers
Emma Andrews Karlia Cook
Joanna Cooper Lara Dorling
Jazlyn Goldsworthy Claudia Bolam
Madison Hartslief Ekaterini Alfred
Mia Austin Brooklyn Harley
Hope Keogh Neve Torok
Isabella Knight Brandan Hardie
Musicians
Madeline Colvin Steven Hartley
Joey Eng Gabrielle Lee
Pavan Kumar Hari
Music TheatreCrazy For You (I’ve Got Rhythm)
2nd Year Students
Regan Barber Madeleine Betts
Jackson Britza Taao Buchanan
Eliza Carlin Brittany Carter
Rohan Campbell Harry Fenn
Anthony Garcia Peter Ho
Matt Hourigan Lily Jones
Arthur Lees Sarah Monteaur
Francesca Nason Hayley Parnaby
Campbell Parsons Hamish Pickering
Ariana Rigazzi Justin Wise
3rd Year Students
Sammy Allsop Kyle Colburn
Zoe Crisp Paige Fallu
Noah Godsell Emma Haines
Kyle Hall Hannah Jones
Anita Karabajakian Tom Lerk
James Macalpine Chloe Malek
Sam Moloney Brittany Morton
Angus Noakes Lachlan Obst
Amber Scates Juno Sertorio
Jesse Simpson Emily Svarnias
Performing ArtsLadies and… directed by Melissa Cantwell
Delaney Burke Jefferson Nguyen
Leah Selwood Clea Purkis
Mazey O’Reilly Jennifer Mackenzie
Welcome to Country StringsNadia Alexander Oakley Paul
Tegan Finlay Aya Smith
Amadea Foss Anneke Van Der Laan
Pinn Mitaim Hanae Wilding
Yasmin Omran
Cassandra Loy
Defying GravityMartha Bird Dean Murray
Madeline Colvin Jonathan Parker
Joey Eng Laura Saxon
Steven Hartley Thom Selim
Ben Jones Zac Skelton
Gabrielle Lee Joshua Stark
ECU Contemporary Fashion ShowcaseModels
Mollie Atkins Trinity Hillam
Madelaine Bayliss Drew Holloway
Clara Beuck Sarah Kinch
Ella Cartledge Isabella Knight
Joanna Cooper Amilie Ladyman
Chloe Coutinho Talisha Lee
Emily Craig Laura McGillvray
Kayla Donoghue Caitlin Melhuis
Lara Dorling Emily Moore
Georgia Douvartzidis Alma Klaousses Ossen
Chelsea Edmiston Ella Owendyk
Valmarie Engelbrecht Emily Parry
Abbie Fearns Harvey Price
Cara Gilligan Grace Sharf
Jamie Grove Sarah Young
Designers
Mary Adams Ellen Duncan-Kemp
Victoria Canova Rena Hermon
Monroe Clements Genevieve Page
D’arcy Coad Megan Seares
Chris Desira
Stylists
Artists@Play Makeup Academy
Minii Hair
Richard Timms Richard is a Western Australian based freelance lighting designer. Lighting has been the key interest in his life since the later years of primary education. Richard graduated the Lighting course at WAAPA in 2021 after completing the Bachelor of Performing Arts Practice Transition. During his time at ECU, Richard was thrilled that he was able to light WAAPA’s 2020 major musical, A Chorus Line. Other highlights include Spring Awakening: The Musical and the Dance Gala.
Richard feels honoured to be invited back to light ECU’s 30 Year Anniversary Gala.
Kellan StarkieKellan is a sound engineer from Perth, WA. After graduating from the Bachelor of Performing Arts (Production and Design – Sound) at WAAPA, Kellan worked for Cirque du Soleil, touring Europe with their arena production of Corteo. Joining the Cirque technical team at age 20 proved to be an excellent opportunity to apply the training he received at WAAPA. After returning to Perth in 2020 due to the COVID-19 pandemic, Kellan has established himself locally as an owner of the production company ICON Audio Visual, providing various live event production services across Perth. Kellan continues his connection with WAAPA as a venue technician and sound engineer.
Creative and Production TeamArtistic Director Brendan Hanson
Music Director Tim White
Conductor Jessica Gethin
Associate Music Director – Jazz
Tom O’Halloran
Associate Music Directors – Contemporary
Matthew Allen & Vinnie Crea
Associate Music Director – Classical Voice
Emma Matthews
Production Manager Stephanie Thackray
Lighting Designer / Board Operator
Richard Timms
Dome Operator Jolene Whibley
Sound Designer Kellan Starkie
Audio Engineer Warren Myers
Sound Crew Edmond Ang
Mandy Ireland
Lavaniya Supramaniam
Alex Hastie
Stage Manager Steph Thackray
Head Assistant Stage Manager
Catherine O’Donoghue
Assistant Stage Managers Holly Ballam
Georgia Sealey
Rachel Anderson
Rowan Houlton
Stephanie Ierino
Shannen Moulton
Hayley Neil
Sam Rechichi
Jemma Sproul
Jasmine Valentini
Gabrielle Robins
Workshop Nathan Tan
Alek Tufilli
Marketing Manager – Publicity Marketing
Anton Maz
Graphic Design Key2creative
Postcard Video Production Kelly Ye and David French
Photography Stephen Heath
Concerts Officers Kristin Bowtell
Milly Landre-Ord
Alumni Banners Mignon Du Plessis
Aryana Eraman
Yashar Ghorbanpour
Isaac Huggins
Madeleine Turner
Precious Vergara
ACKNOWLEDGEMENTSThank you to the following people for their invaluable support:
For future WAAPA performances contact:
WAAPA Box Office Tel: +61 (8) 9370 6895
waapa.ecu.edu.au
Acknowledgement of Country ECU and Perth Concert Hall respectfully acknowledge the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and in particular the Noongar people, the Traditional Owners, Custodians and Elders of Whadjuk Country, and on whose land we meet.
CRICOS IPC 00279B RTO Provider 4756 key2creative_41887_07/21
ECU Vice Chancellor – Professor Steve Chapman
WAAPA Executive Dean – Professor David Shirley
Executive Dean of Arts & Humanities – Clive Barstow
The following School of Arts & Humanities staff, whose students were responsible for the incredible artwork hanging in the foyers and tonight’s spectacular fashion parade:
Justine McKnight, Stuart Medley and Christopher Kueh.
EAVP (Elite Audio Visual Production) for the generous supply of lighting and AV equipment.
The students and staff of the Western Australian Screen Academy whose short films have been screened this evening in the foyers.
The Friends of WAAPA.
All of WAAPA’s students, staff and alumni, and special guest artists who have generously contributed their time and talents for this spectacular event.
Perth Concert Hall Staff
Brendon Ellmer, General Manager; Lorraine Rice, Deputy General Manager; and the rest of the team at Perth Concert Hall.
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