EARTH ONION SCRAP BOOK.pdf
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7/23/2019 EARTH ONION SCRAP BOOK.pdf
1/6
EARTH ONION SCRAP BOOK. summer tour 1971. women's improvisational theatre 1509 que st.n. w. wash. d.c.Author(s): Robin A. EvansSource: Off Our Backs, Vol. 2, No. 2 (October, 1971), pp. 1-5Published by: off our backs, inc.Stable URL: http://www.jstor.org/stable/25783233.
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7/23/2019 EARTH ONION SCRAP BOOK.pdf
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off
our
backs
sttmmer
V
|
v
^
9
7
October
1971/volume
,
number
cob
special
features
2
WOMEN'S
HEATRE
Earth
Onion
6 ALDERSON
RISON
15
"
CUBA
IARY
18 WOMEN'S
TUDIES
20
WOMENEARNING
36 HEAVYOMMENTARY
oob
regular
features
7
BRINGINGT
HOME
28
SURVIVAL
STRUGGLE
30
FICTION
8
Abortion
12
s
Usual
32
CULTURE
ULTURE
14
CHICKEN ADY
38
LETTERS
14
ADS
1
CORRECTION:
In
volume
I,
number
23
on
page
6
there
was a
mix-up
and
Sandy
was
misquoted.
We
are
sorry
for
that mistake
Sandy.
HELP
We
pay
10
-
7/23/2019 EARTH ONION SCRAP BOOK.pdf
3/6
earth
onion
scrapbook
^"tn
the
beginning.
We
are
EARTH
ONION,
a
women's
impro
visational
theater
group.
There
are
eight
of
us
"Onions"
(women)
and two
"scallions"
(Zafra
and
Blake).
We
decided that
it
would
be
far
out to
take
ourselves
on
tour for
a
month
of the
summer.
We
were
excited
by
our
work and
wanted
to show
people
what
we
had
learned,
what
we
could
do,
what
they
could
do
and
we
also wanted
to
spread
around
some
positive
energy
and
have
a
good
time. All
summer
we
worked
on
our
regular
material
as
well
as
creating
a
fairy
tale
about
a
little
girl
named
Elsa who
runs
away
to
a
magic
land,
the
Tontwald.
The
summer
went fast and before
we
knew it
was
time
to
leave
on our
tour.
A friend fixed
up
an
old mail truck
for^
us,
we were
given
some
money
and
we
had
five
prearranged
performances
lined
up
in various
parts
of
the south. With
old
mattresses in
the back of the
mail
truck,
stacks of back issues of off
our
backs,
loads
of
raisins,
pumpkin
seeds and
nuts,
sleeping
bags,
pampers
and a 1967 Renault
the
Earth Onion
Women's
Improvisational
Theater
group
left
Washington,
D.C.
c
-
my
diary
~W
SUNDAY.
We
were
supposed
to leave
Wyoming
Avenue
commune
at
11a.m.
for
a
week
of
work
in
the
country.
At
11:30
Kathy
called
and said
the
axle
broke
on our
mail
truck
and
couldn't
be
fixed
until
tomorrow,
Monday.
We decided
to
leave
anyway
and
have
the
mail truck
brought
out
to
us
next week.
I
wanted
to
put
off
leaving
because
I feared
our
week
of
rehearsal.
I'm
afraid
we
won't
be
able
to
get
a
good performance
together
in
a
week.
We
finally
leave
D.C.
at
4p.m.
after
alot
of
running
around
and
going
to
a
Latin American
fiesta
in the
park
accross
the
street
to eat
tostados,
Peruvian
potato
salad and
lots of
other
goodies.
We
arrived
in the
mountains
around
7p.m.
in
a
rainstorm.
The
place
is
really
nice
only
everyone seems initally to feel a
little
awkward;
small mountain
cabin
swarming
with
eight
women,
two babies
and two
dogs*
who still
have
nervous
barks
left
from the
lovely
city
atmosphere.
We
have
a
good
dinner,
talk about
our
pasts,
plan
the schedule
for
the
^
week
and
pass
out
at 12
midnight?
^^the
bewitching
hour.
^@?
MONDAY.
Here
we are
all alone
1n the
moun
tains.
Its
a
beautiful
place
and
its
what
we
have
all been excited
about.
A
week
alone
with solid rehearsals
and
time
to
get
to know each other.
Yet
we
all
seem
alittle
disoriented,
which
we
are
And
I'm
homesick
for
my
routine and
my
man.
Our afternoon
rehearsal is
great.
We
go
to the
top
of
the
hill
and rehearse
our
play
naked with the
exception
of
flowers
that
we
all
put
in our
pubic
hairs.
We all
dig
looking
at
each others
bodies,
noticing
various
kinds
of
scars
and that
we
almost
all
have
one
big
and
one
small breast.
In
the
evening
we
all
try
on
costumes and
laugh
at
how
crazy
we can
look.
TUESDAY.
I
had
a
rough
time
sleeping.
The air is muggy and I'm constipated.
Moming
rehearsal
is
fun.
We all
give
each
other
back
and
face
massages.
We
all
feel
great
and
jump
into
the cool
mountain
stream
next
to the
cabin.
Some
of
us
leave
to
go
to
the
clinic?one
of
us
has
a
sore
crotch
and
wants
to check
it.
Today
I'm
cooking
with
Julie.
So
we
baked
some bread
and
are
making
a
good
soup.
I
hope
I
sleep
well
tonight.
I'm
no
longer
constipated..hooray
WEDNESDAY.
Surprise--Kathy
(an
old
member^
of
our
group
who
isn't
going
on
our
tour)
came
out
to
the
country.
She watched
our
play
and
said
she
thought
it
was
great.
We
all
felt
really
relieved.
We decided
to
have
a
feast
for
dinner.
We
all
dressed
each
other
in wild
scarves
and
fancy
material
and
then
the
cooks
for
the
evening
told
us to sit
in
a
circle
and
close
our
eyes.
We
were
then
fed
fan
tastic
food
and
drinks
with
our
eyes
closed.
We
finally
opened
our
eyes
and
saw
loads
of
wonderful
food
and
drink
spread
out
in front of
us. We danced
and
played
and
had
a
great
time.
10p.m.
had
to
go
down the mountain
for
telephone
call.
We
lost
our
way
on
the
way
home.
My
car
got
stuck
in some
rocks.
I'm
pissed
and
tired.
We
finally
found the way home. SLEEP.
******
SUNDAY. Our
first
performance.
GREAT,
FANTASTIC,
Loads of friends
came
out
to
the
country
to
see
us,
BEAUTIFUL
DAY
GREAT DAY.
WE
ARE
ALL
HAPPY AND
HIGH.,
iy.
A
Page
2/off
our
backs/October,
1971
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7/23/2019 EARTH ONION SCRAP BOOK.pdf
4/6
our
tour
omens from
the i
hing
r S
he
creative,
heaven
the
gentle,
wind
Coming
To Meet
(Kou)
...a
situation in
which the
principle
of
darkness,
after
having
been
eliminated,
furtively
and
unexpectedly
obtrudes
again
from
within
and
below. Of
its
own
accord the
female
principle
comes
to
meet the
male.
It
is
an
unfavorable and
dangerous
situation,
and
we
must
understand and
promptly
prevent
the
possible
consequences.
...linked
with the fifth month
(June-July),
principle
of
darkness
gradually
becomes
ascendent
again.
The
Judgment
Coming
to
meet.The
maiden is
powerful.
One
should not
marry such a maiden.
...The
inferior
man
rises
only
because the
superior
man
does
not
regard
him
as
dangerous
and
so
lends
him
power.
If
he
were
resisted from the first
he
could
never
gain
power.
...When heaven and
earth
come
to meet each
other,
all
creatures
prosper,
but
coming together
must
be free of
dishonest,
ulterior
motives,
otherwise
harm
will result.
The
Image
Under
heaven,
wind:
The
image
of
Coming
to
Meet.
WThus does the
prince
act
when
disseminating
his
commands
and
proclaiming
them to
the four
quarters
of
heaven.
peeling
onions
Y
oute
The
Earth
Onion
is
peeling
its
ter
layers
and
growing...we
did
the
first
part
of
practice
on
the
play
this
afternoon
naked,
placing
ferns
and
flowers in
our
pubic
hair,
dancing
on
the
grass,
singing
to
the
sky
and
the
mountains
and
the
river.
In
many
ways
we're
stripping
off
fears
and
inhibitions
and
finding
new
levels of
self
to
share
with
each
other.
It
feels
so
much
like
an
idyllic
community
that
I
hate
to
say
it
for
fear
it
won't
remain
this
way.
But
our
life
together
today
was
good;
that I
know?the
quiet
as
people
rose
to
their own
rhythms,
exercised,
bathed
in
the
stream,
read, wrote, did yoga and meditation,fed
the
babies
and
then
followed
the
practice
schedule
we
had
outlined
the
night
before.
?v
prac
tf/e
sea./(tons
goi
n'home
"A
goi
p.'
home,
bah, bah,
bah,
bah,
bah,
A
goin' home,
home,
home, home..."
rows
ta.
Back
down
South to
all
my
fears
and
hatreds,
loves
and sor
"Hometown
girl
made
good"
I
feel
like
as
we
arrive in
Atlan
I
am
here
now
for
a
reason,
no
longer
a
passive
visit
home.I'm with my friends and sisters, no
longer
a
lone,
scared
adoles
cent
battling against
hard
walls
of
people.
It's
called
growing
up
but
it's*hard to
believe
it's
so
good.
Me
transfer the
house
where I
spent
my
girlhood
into
Onion
ville.
Everyone
else
is
grateful
for
the
homeiness of
subur
bia
after
the
strangeness
of
the
road,
but
I
am
disconnected:
part
of
me
with
the
Onions,
part
with
the
past.
As
we
go
through
the
first
and
final
harried,
grim
rehears
al
before
our
performance,
my
parents
and
sister
(having
been
at
the
lake
for
the
week)
arrive.
They
act
upset
but
don't
say
anything
as
^iyht
Onions
rush
around
like
White
Tornados
getting
he
house
in
shape.
Joanne in
costume
introduces
herself
as
Zelda
the
Witch.
They
leave in
about
fifteen
minutes but
the
damage
is
done--bringing
back
to
me
all
the
old
primal
feelings
of
rage,
guilt
and
insecurity.
And
I'm
to
perform
in
three
hours--have to
totally
create
my
character
who
is
of
all
things
a
good,
strong,
whole
human
being.
I'm
feeling
little
support,
people
are
saying
it's
going
to
be
awful,
yet
if
they
are
sympathetic
and
coddle me
I
won't
get
through
it. I
begin
a
scene,
break
into
tears?it's
not
coming
through.
Telling
the
rest
to
go
on
to
something
else
I
shut
myself
in
a
bedroom and
pound
on
the
walls until
it
hurts.Then I begin to turn all of that nervous
energy
into
creation?
I
make
myself
move.
Slowly,
slowly,
I
transform
myself
as
adoles
cent
horror
into
Zenobia,
calm,
beautiful,
exciting
leader of
the
Tontwald.
Images
pop
into
my
head,
gestures
that
are
real,
are
part
f
the
Zenobia
that
is in
me.
Returning
to
the
group,
I
try
it
out
and
they
love
it.
They
coach me
to
exaggerate
more
and
it
grows
and
grows
into
wholeness.^
nce
again
I
am
amazed
at
this
wonderful
energy
that
transforms
(neuroses
into
beauty
and
strength.
ness
October,1971/off
ur
backs/Page
3
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7/23/2019 EARTH ONION SCRAP BOOK.pdf
5/6
earth
onion
scrapbook
my
tour notes
Won
the
road?First
day
in
Renault,
seconc^W
^in
mail truck. Both
days
high
spirits.
^
Eager
to
explore
what
lies
ahead.
Full
of
revisions
and
thoughts
for
the
play.
Talk
with
people
along
the
road?waitresses,
gas
station
attendants.
Women's conscious
ness
again?Strong
positive
feelings.
No
hace,
Tittle fear.
Atlanta. Women's
May
Day
Conference.
Living Nightmare.
Panic. The
play
must
be
revised.
The
new
cast
(which
I have
a
major
part in)
must
learn
the
new
version
and
perform
it
in
two
days. Many
of us
start to
loose
confidence. So
much
work,
so
little
time,
so
little
energy.
Confu
sion
among
ourselves.
How
can we
work
and
relate
to
this conference as
well?
Why
are we
here?
We eat at a health food restaurant late
at
night?all
exhausted.
The
atmosphere
is
cozy, comfortable,
the
food
good,
its
run
by
sisters and
brothers?like
dreams
of
after
the
revolution.
We
give
a
workshop
at the
conference.
I'm
directing.
Seventy-five
women
come?all
factions.
Highest
energy
I've
ever
seen
in
our warm
ups.
Twenty-five
women
form
a
work
machine,
then
a
survival
machine.
I
understand machines for
the
first
time.
These
are
total,
uncontrived.
People
have
really
worked
hard.
I
guide
them into
smaller
groupings
to
form
sound
circles.
Laying
on
backs with heads
in
center,
breathing
and
letting
out
sounds.
This
is
my
favorite
exercise;
I want to
share
it.
I
am
very
loving
with
the
group
I di
rect. Their
eyes
are
closed;
their
faces
reflect
peaceful
joy.
I'm
thrilled.
They
rise from this, run together, throw off
clothes,
sing
Revolutionary
Love.
I
think
its
beautiful.
I'm
high
on
the
spirit;
feel
proud
that
we
brought
people
together,
for
thirty
minutes.
I
know it
won't
last,
but
believe
these moments
are
valid. It's
like
falling
in
love?the
first
few
weeks
t
last
forever,
but
it
makes them
no
a
beautiful.
m
f
riday
the
13th
r
we
V
if
^
Friday
the
13th lived
up
to
its
name.
The
night
before
had
invaded
Julie's
parents'
home
?
all
of
us
in
dire need of
a
little
southern
comfort.
With all
but
brother
Ross
away
there
was
plenty
of
room
for
us
to
spread
out
and
relax.
Our
play
desperately
needed
more
rehearsal
time for we
decided
a
couple
of
days
previously
that
we
wanted
to
make
some
major
changes
in
it
right
away.
Julie's
parents
unexpectedly
arrived
as
we were
in the
midst
of
our
morning
rehearsal.
Freak out.
We
frantically
rushed
about to
clean
up.
Sink
full
of dishes
and
baby
shit
on
sheets in
parent's
room.
Poor
Julie's
mother
obviously
stunned.
They
left
rather
suddenly
after
fifteen
min
utes
or
so
and
the
house
was
ours
again.
With still
much work
to
be
done,
frustration set
in
as
the
afternoon
wore on
and
the
time to
leave
for our
performance
neared...
We
decided at
about
five
p.m.
to
go
back
to
our
original
version.
The
audience
was a
long
time
arriving
and
we
calmed
our
nerves
with
a
jug
of
wine.
Marianna
used
the mail
truck
to
pick
up
scads
of
fourth
grade
boys
who
heckled and
giggled
and were
generally
disruptive.
They
were
a
striking
contrast
to
the
radical
lesbian
sisters
to
arrive
later.
The
anxiety
lessened
as our play got rolling and it went beautifully. Things that
had
seemed
strained in
rehearsal,
came
together
in
performance,
and
the
audience
response
was
very
positive.
One
mother in
her
forties who
had
offered
to
take care
of
Zafra
and
Blake came
up
to me
smiling
and
extending
her
hand
to
me
warmly
congratulating
us.
Singing,
we
headed
back to
the
suburbs
for
macaroni,
hash,
brownies
and
fantastic
butter
pecan
ice
cream.
Being
stoned
and
very
happy
we
started
improvising
during
dinner
by
adopting
^-"tish
accents,
and
the
evening
ended
in
rollicking
jolly
goodj
fun.
folly
beach
Onions
go
to
the
beach
to
rest
and
have
some
fun,
alas
there
appears
to
be
no
sun.
The
first
night
is
spent
in
a
tent in
the
sand,
But
a
storm
nearly
finishes
us
and
the
land.
We
then
rent
a
cottage
that
is
very
very
strange,
The
only
thing
that
seem
normal
is
the
sink
and
the
range.
After
three
days
of
floods
the
sun
finally
appears,
Unfortunately
we
must
leave,
we
realize with tears.
Our
next
performance
is
in
less
than
a
day,
So off
we
all
go
feeling pretty
OK
Our
Ik
onions
turning
inward
r
^
the
August
19, Charlotte,
N.C.
Slept
pretty
late.
The rehearsal
got
underway
after
lunch
with
Kathy
directing.
There
was
a
lot
of
irritability
and
confusion
around
how
much
energy
was
expected
from
each
individual in
a
complete
run
through
of
the
play
in
the
day
of
the
performance.
I
felt
more
like
being
off
by
myself
and
was
anxious and
out of
touch with
everyone.
I
took
some
time
out
later
that
afternoon
and
threw
an
I
Ching
which
spoke
of
Contemplation
and
Standstill.
The
fifty
excited
women
we'd
been told
were
waiting
for
us
in
Charlotte turned
out
to
be
a
mixed
bag.
We
performed
in
a
neighborhood playground
and
the
audience
ranged
from
teenage
basketball players
to one
woman
who referred to us
as
"chicks" and
suggested
we
needed
more
"yang"
in
the
group.
We
didn't
start
the
performance
on
time
because
we
kept
hoping
for
more
people
to
gather
and
thus
the
play's
last
scenes
were
awfully
hard to
see
in
semi-darkness.
The
feelings
we
had about this
performance
were
mixed.
I
didn't
feel the
high
that had
been with
us
in
Sperry
vilie and
Atlanta,
but
understandably,
some
of
that
was
due to
the
bugs,
intermittant
lightning
and
general
darkness.
Back
at
women's
house
we
had
bowls of
milk
and
blueberries
and
later,
11
hungry,
made
popcorn
and
talked.
Bedtime
came
late,
at
atenrs^j
Page
4/off
our
backs/October,
1971
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http://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsp -
7/23/2019 EARTH ONION SCRAP BOOK.pdf
6/6
earth
onion
scrapbook
ft-bragg
Bfhe
Army
own f
Ft.
Bragg
is
a
crystali^^B
Wzation of America. Fayetteville is dedi- V
cated
to
the
principles
of
shabby
sensual
^
pleasures.
You
get
the
pleasure,
we'll
I
get
the
money,
thank
you
very
much.
Pawn
I
shop
after
go-go joint,
after
restaurant,
after movie
theater,
after
jewelry
store,
after... When
we
pulled
into
Fayetteville,
we
walked
down the
street
to
the
restau
rant. After
being
so
comfortable
with
ourselves?the
way
we
looked,
the
way
we
are?it
was
a
super
shock
to
be
in
such
an
environment.
We felt
weird
and bizarre.
Like creatures from
some
other
planet.
Like
we
were
being
seen
as
mammary
glands
and
vaginas.
As
we
ate,
GI's came
by
the
window
and made contorted faces
at
us.
"Come
on
baby,
come on
out
here,
we'll
show
you
girls
a
GOOD time."
We
spent
the
day
at
an
extremely high
level
of
anxiety,
expecting
the
worst for the
performance.
I
walked into
Haymarket Square trying
to
maintain as much of my dignity as
possible,^
|k
feeling
as
if I
was
about
to
be
guillo-
B
Btined.
1
Haymarket
Square
is
one
of
the oldest
|
U.S.
GI
coffeehouses
around
and still
one
of
the better
ones. It
purports
to
have
the most
radical
bookstore
between
DC
and
Havana.
The
space
is
huge?an
old
ware
house
with
the bookstore
at
one
end and
a
yogurt
and
fruit
Quice
bar
at the
other,
with lots
of
tables and
chairs and
a
stage
in the middle.
Some
of
the
people
who
work
there
are
old timers around
the
place,
several
have been
on
brigades,
all
were
very
friendly
and
helpful
with the
kids.
photos
by
david
otto
& karel
weissberg.
stories
by
all
the
onions,
cover
by
our
good
friend
judy
davis.
gestalt
GESTALT
I
am a
castle
My
walIs
are
tal1
Sweating
cold
on
the
inside
On
a
hill
I
am a
hurricane
Hurricane Robin
Ravaging
the coast
of
my
soal
I
feel like
a
snail
Taking
it
slow
Not
easy-in
a
forest
that
Can't
be
mapped
And
I
am
a
child
Abandoned and lost
In
my
storm that
Won't
let
go
Robin
A.
Evans
7&
*7&*foa4d>
u^Lf^dU,
cttAfay&U
how
was
the
tour?
mm
^
When
someone
asks
me
how
the
Onion
^trip
was,
I
immediately respond
"fantastic.1
It
was. A
deep
sense of
closeness
came
from struggling on so many levels of my
being
with
nine other
people
day
and
night
for
a
month.
We
gradually
became
more
attuned
to
each other's
physical
and
psy
chological
rhythms,
realized that
we
had
to
learn
to communicate
them
in order
to
work
together.
There
were
times
when
I
wanted
so
much
to
be
alone,
to choose
what to eat
or
where
to
go
without
a
joint
decision
that
I
felt like
splitting.
There
were
times when I
really
wanted
to
work
hard and other
people
were
tired
or
sick
and
couldn't.
There
were
lonely
hours
when
I
longed
for friends
back home
and
space
to
deal
with radical
changes
that
had
just
taken
place
in
my
life
before
the
trip began.
But the Onion sisters
and the
work
were
important
and
the ef
forts
to
grow
so
rewarding'.
The
process
was
hard
but
good.
Sharing
meant not
only pounding
and
screaming
our
frus
trations in
improvisation
sessions but
also
planning
surprises
like
our
silent
dinner. As
Earth
Onion
peeled
its outer
layers,
we
found
more
of ourselves rather
than
less.
"Hang-ups"
and
suppressed
anger
became
powerful
drama when
we
lis
tened
to
ourselves
at
our
sisters'
urgings
and
let
our
feelings
out
into
our
voices,
eyes,
cheek
muscles,
tongues,
hands,
breasts,
hips,
feet.
Many
times
we
amazed
ourselves,
sometimes
to
the
point
of
tears,
with the
intensity
we
could
communicate with
tired
bodies
and
over
worked
minds.
We
also
learned to
soothe
each
other
with
body
rubs,
ghost
stories,
flowers,
thoughtful sharing
of work and
two
amazing
children.
Now that
we've
come
back
to
the
city,
we
are
physically
and
psychically separated
(though
exactly
half of
us are
presently
living
together)
but the onion strength and two practices
a
week in which
we
try
to
keep peeling
and
our
feeling
for
each other
keep
us
growing
to
new
depths.
I
-At
end
of
the
road
and
home
October,
1971/off
our
backs/Page
5
This content downloaded from 128.59.62.83 on Sat, 11 May 2013 19:59:10 PMAll use subject to JSTOR Terms and Conditions
http://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsp