Impressionism and Post-Impressionism: What’s the Difference?
Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s...
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Transcript of Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s...
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Early Impressionism
1862-1886
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History
• The Academy (Salon) rules French art
• 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings submitted to it.
• 1874, “The Salon of the Refused”
• Photography has made art “as historical documentation” unnecessary. Photos can now record visual history.
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Paris Salon, 1824
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Characteristics
• Obvious brushwork
• Thick, layered paint
• Impression of the fleeting moment
• Effect of light on subject
• Plein air painting
• Middle class subjects
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Claude Monet, 1840-1926
• Subjects: landscapes, series of poppies, Rouen Cathedral, water lilies
• Style: the classic Impressionist look; dissolved form of subject into light & atmosphere; soft edges
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Impression, Sunrise
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Gare St. Lazare
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Lily Pond, Giverny
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Water-lilies
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Edward Manet, 1832-1883
• Subjects: Updated classic scenes; painted contemporary scenes with a hard edge
• Style: flat color patches outlined in black
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Dinner on the Grass
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Olympia
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Venus of Urbino, Titian
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Bar at the Folies Bergere
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Pierre-Auguste Renoir, 1841-1919
• Subjects: voluptuous, peach-skinned female nudes, café society, children, flowers
• Style: quick brush strokes, blurred figures blended into hazy background
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Luncheon of the Boating Party
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- Dance at the Moulin de La Galette
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Nude Bathers
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Edgar Degas, 1834-1917
• Subjects: ballerinas, café society, humans at rest
• Style: Off-beat angles, asymmetrical composition
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Dance Rehearsal
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The Absinthe Drinkers
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Post-impressionism1880-1905
Dissatisfied with Impressionism. Some used formal, near scientific
design. Others emphasized expression of emotions and
sensations through color and light. Forerunners of 20th century art with
its individual styles.
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Toulouse-Lautrec,
1864-1901 painted
posters of cabaret nightlife
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Toulouse-Lautrec
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Paul Cezanne, 1839-1906
• Subjects: still lifes with fruit, landscapes of Mont Ste. Victoire
• Style: forerunner of cubism, simple geometric shapes
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Mont Sainte-Victoire
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Cezanne, Large Bathers
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Georges Seurat, 1859-1891
• Subjects: leisure activities in Paris
• Style: bright colors in tiny dots (pointilism)
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Sunday Afternoon in the Park
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Le Pont de Courbevoie
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Vincent Van Gogh, 1853-1890
• Subjects: self-portraits, flowers, landscapes, still lifes
• Style: agitated, swirling brush strokes. Passionate, vibrant
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Van Gogh, Starry Night
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Sunflowers
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Self-Portrait
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Paul Gauguin, 1848-1903
• Subjects: Tahiti natives, peasants in Brittany
• Style: Exotic primitivism, brilliant colors
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Gauguin,La Orana
Maria
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Two Women of Tahiti
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Cubism
• An Important departure in early early-20th Century art
• No longer trying to reproduce even the the appearance of reality (even more so than impressionism)…. Art for Art’s sake
• Art not a window on the world, but a window on the artist’s mind/emotions-“The painter thinks in forms and colors.” -Braque
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GeorgesBraque,
1882-1963
Woman With a
Guitar
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Braque
Musical Instru-ments
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Pablo Picasso, 1881-1973Guernica
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les demoiselles d'avignon