Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan
-
Upload
gary-lynch -
Category
Documents
-
view
30 -
download
0
description
Transcript of Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan
![Page 1: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/1.jpg)
The vocal score profile/vocal range profile rate and APM in artistic voice evaluation: application tested
on opera and musical singers
An evaluation of voice suitability and vocal fatigue
Dr. Nico Paolo PaolilloENT dep. Mandic Hospital - Milan
Phonitatrician Teatro alla Scala of Milan
Dr Franco FussiPhoniatric Centre of Ravenna
Phoniatrician Teatro Comunale of Bologna
![Page 2: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/2.jpg)
Vocal fatigue and glottal damage risks
• Wrong repertoire
• Inadequate technical qualities
• Inadequate work planning
• Phonatory behaviour (total phonation time during rehearsals, performances, break-times, teaching, private life etc.)
• Lifestyle
• Working environment
• It’s necessary to calculate the right vocal cost
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 3: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/3.jpg)
WATH THE SINGERS FEEL ABOUT CHARACTER FEATURES
• Interview before analysis Assessing accordance between subjective feeling and objective analysis
• Interview after analysis Assessing the reliability of a predictive evaluation
• Relationship between the patient's medical history (any vocal desease or phonosurgery) and results of the analysis
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 4: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/4.jpg)
Donna Anna
Donna Elvira
A# 24 11
A 76 24
G# 39 40
G 296 185
F# 148 99
F 379 187
E 337 210
D# 208 263
D 492 416
C# 120 177
C4 377 362
B 135 208
A# 196 294
A 194 202
G# 31 80
G 76 172
F# 39 45
F 29 129
E 9 27
D# 10 15
D 4 15
C# 2
C3 3
B2 2
TOTAL 3219 3144
High Notes
Passage Notes
Middle Notes
Low Notes
VOCAL SCORE PROFILE
COUNT OF NOTES FOR EACH SEMITONE
statistic method for vocal score (partitura) semeiotic
![Page 5: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/5.jpg)
0
20
40
60
80
100
Donna Anna
DonnaElvira
High
Middle
Low
Passage
ComfortableRange
Prevalent Octave
Comparison regarding ranges percentage
Through this kind of analysis different parameters can be detected
![Page 6: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/6.jpg)
VOCAL SCORE PROFILEHighlights the vocal role various musical features through
histogram graphics
![Page 7: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/7.jpg)
Passage
VOICE RANGE PROFILE (VRP)
VRP points out dynamic and frequency range of singers voice
![Page 8: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/8.jpg)
DYNAMIC AGILITY CURVEDynamic Agility is the value of differential between
forte and piano calculated for each tone.
Passage
![Page 9: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/9.jpg)
COMPARATIVE EVALUATION VOCAL SCORE PROFILE VS DYNAMIC AGILITY CURVE
(P/P rate Pariturogram/Phonetogram rate)
Passage
![Page 10: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/10.jpg)
Donna Anna 1st Act
Donna Anna 2nd Act
Passage
Passage
![Page 11: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/11.jpg)
Donna Elvira from “Don Giovanni” W.A. Mozart – Full Score
Passage
![Page 12: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/12.jpg)
• P/P Rate is a reliable method to identify a right repertoire and to predict performance risks for vocal effort or glottal damage
• In low and high ranges a gradual dynamic agility reduction is acceptable (not for coloraturas restricted range of dynamic all range long)
• In low female voices it’s necessary always to evaluate both vocal registers passages.
• Accordance between subjective singers’ feeling and objective analysis
• Possibility and reliability of a predictive evaluation
• Relationship between the patient's medical history, like any vocal desease (even if unknown) or phonosurgery, and analysis results.
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 13: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/13.jpg)
Singer with unsuited dynamic agility to a specific role
Can all the same excel in performing it
HIGHER VOCAL COST
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 14: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/14.jpg)
Vocal Dosimetry in Teatro alla Scala in Opera soloist singers and in
Musical soloist singers
Dr. Nico Paolo Paolillo – Teatro alla Scala in MilanDr. Franco Fussi – teatro Comunale in Bologna
![Page 15: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/15.jpg)
APM during live performances on stage (Model 3200 APM)
• Phonatory behaviours before, during and after performances
• Absolute index for vocal fatigue or vocal recovery???
• Possible fatigue threshold vs recovery threshold???
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 16: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/16.jpg)
Preliminary Evaluation • Anamnesis
• Tonal audiometry
• Videolaryngostroboscopy
• What singers feel about character features (fatiguing and resting moments)
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 17: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/17.jpg)
“Aida” vs “I due Foscari” tenor roleat Teatro alla Scala in Milan
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 18: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/18.jpg)
Radames – 1st Tenor – Complete Performance
![Page 19: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/19.jpg)
Aria “CELESTE AIDA” – 1st Act
![Page 20: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/20.jpg)
Break between 2nd and 3rd Act + non singing part during beginning of 3rd Act
Speech and soft fonation
![Page 21: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/21.jpg)
Jacopo Foscari – 2nd Tenor – Warm-up
![Page 22: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/22.jpg)
“Brezza del suol natio… Dal più remoto esilio”Aria + Cabaletta – 1st Act
![Page 23: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/23.jpg)
RADAMES
JACOPO FOSCARI
BEHAVIOURAL HABITS AND
RESOURCE MANAGEMENT
![Page 24: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/24.jpg)
RADAMES
JACOPO FOSCARI
SUCH AS A “REAL” VOCAL SCORE PROFILE
![Page 25: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/25.jpg)
Jacopo Foscari1st Act
Radames1st Act
![Page 26: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/26.jpg)
SUCH AS AN “ON STAGE” RELATIVE DINAMIC AGILITY
RADAMES
JACOPO FOSCARI
![Page 27: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/27.jpg)
VOCAL, TECHNICAL AND BEHAVIOURAL
FEATURESSpeech and soft fonation
Speech and soft fonation
1st tenor - RADAMES
2nd tenor - JACOPO FOSCARI
T. Carroll, M. Abaza et al. – 2006
![Page 28: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/28.jpg)
Difficulties
• APM size VS acting, dancing and costumes
• Singers’ helpfulness
• Calibration in singers who use both classical and modern technique
• Not much literature on APM in singers
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 29: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/29.jpg)
Total Phonation Time a Week
• Liric soloist singer
Greater likelihood of damage from acute fatigue
• Musical soloist singers
Greater likelihood of damage from chronic fatigue
• 2-3 performances a week + rehearsals (total sung phonation time less than 5 hours a week)
• 8-9 performances a week + rehearsals + often hard bodily fatigue in dancers (total sung phonation time more than 10 hours a week)
Dr. Nico Paolo Paolillo – Dr. Franco Fussi
![Page 30: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/30.jpg)
• Hard Wearability• Discomfort• Higher availability of numeric data from APM• Possibility to “reshape” recorded data
(cut, paste, copy etc.)
• Technical and behavioural measures• Fatigue and damage risk reduction • Do technique and voice features influence dose
parameters??? the same role from different singers
• More studies to establish standard fatigue and recovery thresholds and ranges (differences between males and females and between different vocal classes???) Recovery index???
Future APM improvement
![Page 31: Dr. Nico Paolo Paolillo ENT dep. Mandic Hospital - Milan Phonitatrician Teatro alla Scala of Milan](https://reader035.fdocuments.in/reader035/viewer/2022062217/56812fe0550346895d955784/html5/thumbnails/31.jpg)
Thank you for attention