DOSSIER ALBERTO DOMÍNGUEZ GÁLVEZ [ENG]
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Transcript of DOSSIER ALBERTO DOMÍNGUEZ GÁLVEZ [ENG]
ALBERTO DOMÍNGUEZ GÁLVEZ
“Baroque music is full of surprises, come explore this wonderful world with me”
He is born in San fernando (Cádiz) in 1983.
He begins his musical studies at his hometown
conservatoire where he chooses his
specialization in saxophone with the maestro
Miguel Garrido Aldomar.
Later he joins the midle grade conservatoire
in Cádiz with this instrument where he obtains
the first prize at the Chamber music contest
interpreting Hindemith.
Simultaneously he begins studies in
interpretation for saxophone with well-known
teachers such as Antonio Torres, Jose Antonio
Santos and Miguel Romero.
Due to his interest in Early music and in the
recorder in particular, and also in its XVII-XVIII
Century repertoire he joins the same
conservatoire with this instrument doing the
double major together with the saxophone.
It is at this conservatoire where he has
classes and where he is given his first
guidelines on the interpretation of historic
music under the guidance of Guillermo
Peñalver. While receiving practice and theory
lessons on this instrument, he also takes
courses with leading names in early music of
the likes of Michael Schneider, Vicente Pa-
rrilla, Fernando Paz, Paul Leenhouts and Dan
Laurin to name a few.
After finishing his midle grade studies he joins
the Superior School of Music in Catalonia
(ESMuC) where he graduates with the
prestigious music researcher Pedro
Memelsdorff where he receives master
classes from Andrew Ackerman, Lorenzo
Cavasanti, Xavier Blanch, Marc Häntai, Pep
Borràs, Lorenzo Coppola, etc.
As a recorder player he has played in
concerts in the Palau de la Música, at the
Caixa Fórum de Barcelona under the
direction of Emilio Moreno, as a soloist he has
performed with the JOF de Figueras under
the baton of Jordi Piccorelli at the Teatre
Jard ì, etc.
After finishing his Bachelor’s degree he starts
the chamber music ensemble Elcurarojo in
which he is soloist and Artistic Director.
1
BIOGRAPHY
22
SOLO- G. P. TELEMANN: Fantasies (1, 2, 3, 8, 10)
- J. S. BACH: BWV 1013, 1007 (Arr. for alto recorder)
DUETS AND TRIOS FOR RECORDERS- G. P. TELEMANN: Complete Duets for 2 recorders
- R. VALENTINE: La Villeggiatura à 2 Flauti- J. B. de BOISMORTIER: Sonata for 3 flutes or Alto Recorders Oeuvre 7, No 1
- J. MATTHESON: Sonata for 3 recorders Op. 1 no 3
SONATAS- D. BRAUN: Sonata Terza in D minor - Op. 1, No. 3
- G. G. BONI: Sonata for recorder & continuo in D, Op. 2/2- G. F. HÄNDEL: HWV 377, 362, 369, 365, 360
- J. HOTTETERRE: Premier Livre De Pièces Pour la Flute-traversiere, et autres Instruments, Avec la Basse (Suittes 1,3)
- G.P. TELEMANN: TWV 41:C5, 41:F2, 41:f1, 41:C2, 41:d4 - B. MARCELLO: Suonate a flauto solo con il suo basso continuo per violoncello o cembalo
- A. D. PHILIDOR: Sonate pour la Flute à bec in D minor- J. B. L’OEILLET: XII Sonates à une Flute & Basse Continue- F. BARSANTI: [VI] Sonate a flauto o violino solo e basso
- J. M. LECLAIR: Flute Sonata I in e minor (Deuxième livre de Sonatas, 1723)- A. VIVALDI: RV 58
- M. BLAVET: Troisieme Livre de Sonates, Op. 3 Flute Sonatas (No. 2, 3)- P. CASTRUCCI: Sonata in Do M (Op. I, no 6), Sonata in Re m (Op. I, no 10)
- R. VALENTINE: Sonate di flauto a solo col basso per il cimbalo o violone. Op. 2- F. M. VERACINI: Sonate a Violino o Flauto Solo e Basso (1, 3, 6, 9)
- J. C. SCHICKHARDT: Sonates a une flute & une basse continue. Op. 1- F. MANCINI: XII Solos for a flute with a thorough bass for the harpsichord or bass violin
- T. ALBINONI: Sonata a flauto solo e basso in A minor- P. B. BELLINZANI: Sonate a flauto solo con cembalo o violoncello. Op. 3 (1-12)
- A. CORELLI: Six solos for a flute and a bass [...] Being the second part of his fifth opera
TRIOSONATAS & QUARTETS- A. VIVALDI: RV 84, 86
- G. P. TELEMANN: TWV 42:a6, 42:F3, 42:F7, 42:C2, 42:a4, 42:D7, 42:d10, 43:A3- K. F. ABEL: Quartetto for Recorder or Violin I, Violin II, Viola, Cello
- G. SAMMARTINI: Sonatas for 2 recorders & continuo in D minor (no 6, 7)- J.J. QUANTZ: Triosonata in C Major for recorder, traverso & continuo
CANTATAS, ORATORIOS, SYMPHONIES & OPERASA. SCARLATTI: “Augellin vago e canoro” for soprano, two alto recorders and b.c.
J. S. BACH: All Cantatas & Oratorio BWV 249G. P. TELEMANN: TWV 1:1258,1:941, 1:730, 1:385, 1:399, 1:1069, 1:1040. 1:155a, 50:3, 4:17
G. F. HÄNDEL: HWV 34, 49
CONCERTS WHERE RECORDER TAKES PART, CHAMBER CONCERTS AND DOUBLE CONCERTOS- J. S. BACH: Brandenburg Concertos (2 y 4)
- A. VIVALDI: RV 87, 88, 91, 92, 94, 95, 96, 98, 99, 100, 101, 103, 104, 105, 106, 108- G. P. TELEMANN: TWV 52:E1 (recorder & traverso), 55:a1 (recorder & viola da gamba), 52:F1
(recorder & bassoon)
WITH ORCHESTRA AS SOLOIST- Ch. DIEUPART: Concerto “per l’Orchestra di Dresda” for Flute, Strings and B.C. in A minor
- A. VIVALDI: RV 428, 433, 434, 435, 439, 443, 444- G. P. TELEMANN: TWV 51:C1, 51:F1, 55:a2
- G. SAMMARTINI: Concerto per la Fluta [Fa M.]- R. WOODCOCK: Concertos One Small Flute (1, 2, 3)
- W. BABELL: Concertos for Small Flute (1, 2, 3)- J. BASTON: Concertos for One Small Flute (5)
REPERTOIRE
-
3
Elcurarojo is a chamber music ensemble
founded by its director and recorder player
Alberto Domínguez Gálvez, and assembled
around a new generation of talented young but
experienced musicians who collaborate and
perform regularly with world prestigious
orchestras such as the “Real Orquesta Sinfónica
de Sevilla” (ROSS), the “Orquesta Barroca de
Sevilla” (National 2011 music award),
“Accademia del Piacere”, “Amsterdam Baroque
Orchestra”, Al Ayre Español”, “Poema
Harmónico”, etc.
Elcurarojo owes its name to the great composer
Antonio Vivaldi who was known as “il prete
rosso” (the Red or Ginger priest) due to its
priesthood and hair colour.
FAMOUS CONCERTS FOR SMALL
RECORDERS
This is the title which gives name to the first work
with which Elcurarojo presents its repertoire, a
repertoire based on concerts as soloist for small
sizes of recorder like the soprano, soprano in D
and sopranino. The use of these small recorders
with such a distinctive high pitch sonority in a
chamber orchestra ensemble, together with
instruments with powerful low register notes
such as the Theorbo or the Baroque double
bass, make this show very special and
particular for the listener.
The concerts introduce varied typologies and
groupings. When it comes to the works of
english composers William Babell and Robert
Woodcock, whose concerts are written for
4 violins, basso continuo and a Sixth flute as
soloist, they are not very usual for chamber
concert groupings of the XVIII Century. During
the different movements the violins acquire more
relevance intereacting with each other and with
the soloist flute.
Nonetheless the concert for soprano recorder
by Giuseppe Sammartini and the concert for
sopranino by Antonio Vivaldi introduce the more
usual grouping instead of violins and viola and
the typical Italian configuration of three
movements “Allegro-Largo-Allegro” in which the
tutties of the orchestra gradually intermingle
with great recorder virtuoso passages.
ELCURAROJO
- WILLIAM BABELL (1690-1723)Concerto no 2 for one small flute
- JOHN BASTON (FL. 1708-1739)Concerto no 5 for one small flute
- GIUSEPPE SAMMARTINI (1695-1750)Concerto per la fluta [Fa M.]
- ROBERT WOODCOCK (1690-1728)Concerto III a 6th. flute
- ANTONIO VIVALDI (1678-1741)Concerto per flautino [Do M.] (RV 443)
Estimated time 52 min
VIOLINSLeo Rossi
Jaime Calderón Rovira Marta González Morales
Pablo Travé González
VIOLAPablo Travé González
VIOLA DA GAMBA Irene Gómez Fernández
VIOLONERoberto Barroso Uceda
HARPSICHORDCristina Gutiérrez Campos
RECORDERS Alberto Domínguez Gálvez
FAMOUS CONCERTS FOR SMALL RECORDERS
4
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