don kalant jr portfolio
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Transcript of don kalant jr portfolio
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dkwork
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dk
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mArch_candidate_UICbArch_university of kentucky
contact
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cont
ents
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fall_2012_the downtow convention center
the DCC01 02
extrusionproblems
03rossiville
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the DCC01
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fall_201201
instructors: Alexander Eisen-schmidt, Stewart Hicks & Ma-
rina Nicolier
Situated in the heart of down-town chicago directly off of the chicago river, the downtown concention center seeks to co-alesce typical convention cent-er typologies within a dense ur-ban fabric. Consisting of retail, hotel, business and convention space, the DCC creates a con-
vention typology.
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the initial site, separated by lake shore drive, offers little connec-
tion to lake michigan
a plinth provides an area for massing to be allocated as well as connecting the disparate
sides
a vertical offset of the plinth bridges both sides of the site and completes the connection
between the two.
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the convention center, de-ployed as a datum activates the horizontality of the pro-gram as well as reinstall a hori-
zontal context.
focused depressions activate the site with respect to key as-
pects of program.
inflation creates a combination of both vertical and horizontal volumes that are more flexible
towards programming.
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cylinders allow for vertical ty-pologies to emerge within the
existin volume.
performing boolean splits cre-ate circular cores allowing ven-tilation, lighting and site views
out to the city
final volume is ready for pro-gramming
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CONV
ENTI
ON &
EXH
IBI I
ON
OFFICE
HOTEL
RETAIL & RESTAURANTS
12
12
LARG
E RE
TAIL
OPERATIONS
ADMINISTRATION
HALL SUPPORT
CONFERENCE
FLEXIBLE HALL
AUDITORIUM
CONVENTIO
N
EXHIBITIO
N
RESTRO
OMS
OPER
ATION
S
OFFIC
E
JOINT
USE
ENTR
Y
RECE
PTIO
NRESTROOM
S
MULTI-PURPOSE
LOUNGE
RECREATION
LARGE LECTURE
PRE-FUNCTION
LOUNGE
RESTAURANT
ADMINISTRATIVE
CONFERENCE
500 ROOMS
BARS
CAFES
RESTA
URAN
TSRES
TROO
MSBOOK
STOR
E
SMAL
L RET
AIL
am
pm
program duration diagram
program massing diagram
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convention plan
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urban vignettes
site section
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02extrusionproblems
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02spring_2012
instructor: Andrew Zago
Traditional architecture, in es-sence is little more than a ver-tical extrusion of a plan. These plans, no matter how dynamic are rendered as rectilinear when viewed traditionally. By using non-orthogonal extrusions along with boolean operations, new typologies and forms may emerge seperate from stand-
ard extrusions.
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extrusion path diagram with intersection high-lighted blue
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sprin
g_20
12_e
xtrus
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oblem
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initial intersection stud-ies were of orthogonal extrusion paths
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developing models further investigated enon othrogonal exru-sion paths as well as boolean operations
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version 01 3d print
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spring_2012_ extrusion problems
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Version 01 3d print
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8
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17
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08_Depart G
allery09_M
edium sized exhibition
10_Permanent G
alery11_Bathroom
s
12_Special Gallery
13_Other Storage
14_Workshop Space
15_CLassroom
16_Study Hall
17_Bathrooms
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1st floor
2nd floor
3rd floor
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version_02 section
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version_02 section
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1st floor 2nd floor
3rd floor 4th floor
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version_02_section model
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03rossiville
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03fall_2011
instructors: Paul Preissner & Kelly Bair
After developing an under-standing for Rossis approach to architectural drawing, the task of drawing problem two was to reinterpret the drawing set from the reverse perspec-tive. The known elements of drawing set one were used to determine the unknown con-ditions present in drawing set
two.
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concept diagram
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MIX-PROGRAM
PUBLIC
circulation conceptprogram concept
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ground floor plan
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evolutionary development
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second floor plan
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third floor plan
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west elevationwest elevation
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east elevation
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After copying and interpret-ing the known set of drawings, problem three focused on de-termining what the original set could achieve if digital tools were available. A similar cata-logue was developed to the twelve drawings of the original set. The operations allowed for both interior and exterior vol-
umes to emerge.
drawingproblem #3
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_09 _10
_11 _12
_13 _14
_15 _16
_16_15
_11_12_13_14
starting_plane
subdivide_plane
vertical_control point_move
plan_07
plan_06
plan_05
plan_04
plan_03
plan_02
plan_01
long_section_01
long_section_02
long_section_03
long_section_04_01 _02 _03 _04
long_section_01
long_section_02
long_section_04_01 _02 _03_03_03 _04_04
long_section_03
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After developing an under-standing for Rossis approach to architectural drawing, the task of drawing problem two was to reinterpret the drawing set from the reverse perspec-tive. The known elements of drawing set one were used to determine the unknown con-ditions present in drawing set
two.
drawingproblem #2
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A A A A A A A A A A A A A
Casa dabitazrone a Milano / jallaratera 1870_dk
etate _01
monuments di Jejnate_1865_dk
etate_02
Le Case sul Ticina_1976_dk
etate _07
Il Portico di Modena_1977_dk
etate _08
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Il Cubo di Cuneo_1962_dk
etate_03
Le Case di Bergamo_1979_dk
etate _09
IH
G
F
E
C
A
pile foundation for lighthouse with theatre_dk
etate_04
Le Scuola di Broni_1978_dk
etate _10
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Il Cubino dell Elba_1975_dk
etate_05
la Casa delle Studente di Chieti_1976_dk
etate_06
Teatro Veneziano_1979_dk
etate _11
Porta a Venezia_1980_dk
etate _12
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Aldo Rossis set of 12 drawings from the summer of 1980 was the focus for drawing problem one. The repetetive portayal of architectural typologies across the set was a consistent theme. From rigorous copying, a bet-ter understanding of funda-mental drawing techniques was developed. The resultant set, although a copy, produced insight into a masters rawing
techniuqe.
drawingproblem #1
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A A A A A A A A A A A A
Casa dabitazione a Milano / Gallaratese_1970_dk
etate 80/1
Il Monumento di Segrate_1965_dk
etate 80/2
Le Case sul Ticino_1975dk
etate 80/7
Il Portico di Modena_1977dk
etate 80/8
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Il Cubo di Cuneo_1962_dk
etate 80/3
Le Case di Bergamo_1979dk
etate 80/9
I
H
G
F
E
C
A
Pile Foundation for Lighthouse with Theatre_1980dk
etate 80/4
Le Scuola di Broni_19798dk
etate 80/10
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le Cubino dell Elba_1975dk
etate 80/5
la Casa delle Studente di Chieti_1976dk
etate 80/6
Teatro Veneziano_1979dk
etate 80/11
Porta a Venezia_1980dk
etate 80/12
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