DOM E-5064 26102015
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Museum Interfaces Digital Strategies for MUSEUMS & Cultural Heritage DOM E-5064 Digital Strategies for MUSEUMS & Cultural Heritage DOM E-5064 26.10.2015
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Transcript of DOM E-5064 26102015
Museum Interfaces
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Digital Strategies for MUSEUMS & Cultural Heritage
DOM E-5064
26.10.2015
Today, our new standard interface to culture is a search engine
Manovich, L. (2008). “Introduction to Info-Aesthetics”. In T. Smith, O. Enwezor, and N. Condee (Eds.) Antinomies of Art and Culture. Durham &
London: Duke University Press, 333-344.
“user interface is used for interaction environments between humans and computing systems”
Interface Design for Museums?
negotiation boundary reference area
communal space Other…..
Hyperobject?
Multiplicity of Interfaces
Form: objects, paintings, text etc.
Visualization: Origins in different fields
Information: From multiple sources
Museum Information System
X
Y
Z
originate in
Knowledge: objects, paintings, text etc.
Representation: Expression
Mechanisms: management
Museum User Interfaces
X
Y
Z
generated from
Form
Representation
Mechanisms
designer, architect, artist
programmer, engineer
curator, museologist, archaeologist
Roles
X
Y
Z
Museum User Interfaces
Form
Representation
Mechanisms
X
Y
Z
negotiation boundary, reference area, communal space
a co-operative model
Museum User Interfaces
Form
Representation
Mechanisms
Museum User Interfaces
X
Y
Z
Physical, Performative, Graphical, Virtual, Tangible, Mixed…Other
Museum User Interfaces
Other
Physical: Personal/Guides/Participative
Performative: Re-enactment / Theatre
Graphical: Website, API, apps
Virtual: virtual models, AR
Tangible: Digital through natural forms
Mixed: Combinations of above…..
Traditional: Printed catalogs, booklets, posters
Museum User Interfaces
Other
Performative: Re-enactment / Theatre
Graphical: Website, API, apps
Virtual: virtual models, AR
Tangible: Digital through natural forms
MIX
ED
Traditional: Printed catalogs, booklets, posters
+
Physical: Personal/Guides/Participative
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Traditional: Printed catalogs, booklets, posters
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Graphical: Website, API, apps
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Graphical: Website, API, apps
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Graphical: Website, API, apps
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Graphical: Website, API, apps
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Tangible: Digital through natural forms
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Virtual: virtual models, AR
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Performative: Re-enactment / Theatre
Digital Strategies for MUSEUMS & Cultural HeritageDOM E-5064
Physical: Personal/Guides/Participative
What is the ‘ideal’ Museum User Interface?
Collections (Heritage/Contemporary Art/Other Artifacts)
Audience (Communities of Practice/Communities of Interest/
Online Communities)
Process (Collecting/Curating/Archiving/Conserving/Digitizing/
Exhibiting/Publishing/Copyrights…etc.)
Place & Space (Building/Galleries/Neighborhood/Public Art…etc.)
EMMA
?
?
?
copyrighted
EMMA Club? / Visitors?
An internal process that can engage audience?
Public Art? Metro Art? Forest-Nature?
Participatory Video archives?
Participatory Art hunters?
Critical Approaches / Disruption?
Fanfiction? Daily Artifacts?
Dreams? Memes?
Metadata ?
Form
Representation
Mechanisms
X
Y
Z
Physical, Performative, Graphical, Virtual, Tangible, Mixed…Other
Audience ProcessPlace & Space
Collections
pre-visit visit post-visit
EMMA - Matrix
TASK (16.30 - 17.15)
1 Design a MIXED Interface for your collection/idea.
(graphical + ……..)
2 Present your sketch - Why, How & What? How does
participation work in your interface?
3 What kind of interface would work for EMMA?
